Like the sound on the whole. Someday and Last Nite were my favorites. Got a little stale by the end where a couple songs is great but don’t need the whole album at once again.
Where is my Mind? was definitely the standout and the one song I'd go back for. Enjoyed a couple others like Tony's Theme and Gigantic but not an album I'd revisit on the whole. A good start to the 1001 project for me and a good baseline for what 3/5 is to me.
A couple classics on this one on Break on Through, Light My Fire and The End. Falls just short of a 5 for me as outside of those I can't see myself listening to the whole album on the whole again, but those 3 prop it up quite a bit.
Great drum voicing on Sara. Sisters of the Moon was great. The title track has always been a favorite and generally the back of the album clicked a lot for me. It’s no Rumors but I found some new things I liked.
Was only familiar with Fast Car before. I'm early into the 1001, but albums like this are exactly why i'm doing it. This was something that would have otherwise been in my blindspot that moved me. So many messages from 35 years ago that unfortunately ring true today.
“Nothing” was probably my favorite, but otherwise I didn’t click too much with the album on the whole. I think other entries in the genre might fair better.
Sara and Sisters of the Moon are two songs I hadn’t heard before but really liked.
Drums on Modern Komsology had a Take Five feel to them. Enjoyed The Architecht. Overall OK but nothing remarkable that spoke to me.
A couple songs that I could take a 2:00 section to use as a Tony Hawk game soundtrack, but really didn’t click at all for me unfortunately.
Some great drum and bass samples on this. Found myself nodding along to a lot of the beats. A good example of something I wouldn't find otherwise, enjoyed listening to one time through, but probably wouldn't think to seek it out again.
Wow, lots to unpack. Hey Ya and Roses back to back are the elephant in the room. Absolute classics that on their own could carry a bad album. For The Love Below side, Take Off Your Cool and Prototype were nice surprises. I really went in blind on Speakerboxxx, and overall had a good time. The Way You Move was all I was really familiar with and took me right back to high school dances for better or worse heh. Now to get picky. 2 hours for all of it was a marathon. I felt like Speakerboxxx was just constantly solid, whereas The Love Below had its couple absolute bangers surrounded by other stuff that I either didn't click with or felt like filler. As many songs as I enjoyed from the whole package, I just can't see listening to the whole thing front to back ever again. Still an all-timer, but the bloat keeps it from the top for me.
Like many, my only exposure to the Bee Gees was disco going into this, so a concept album was the least of my expectations. Right off the jump, I found the vocal vibrato in the first couple tracks really grating, like it was either overdone or at too locked of a tempo. Melody Fair was pretty. Lamplight marks the return of the grating vibrato. The obligatory symphonic number in Seven Seas Symphony was pretty nice. First of May felt like the actual ending and while The British Opera was nice on its own, but it was a weird ending to the album when First of May was right there. An outro that didn't feel like one and didn't seem needed. Overall left a lot on the table and Jesus Christ Superstar did this so much better a year later.
Smack My Bitch Up opens up strong. Funky Shit was another good one. The album is ultimately a bit samey the whole way through but that isn't the worst thing.
First reggae album of the project for me, and with that the first entire reggae album I've listened to. Ended up giving it a second listen with lyrics up to help give me some more context and got a lot more understanding of the message. When I've heard reggae in the past I really haven't gotten too deep into the the lyrics and it's always just come off as easy listening. That's largely still the case to me but it's good to be aware that the subject can be serious too. With that said, the music itself is enjoyable but not memorable to me personally. I do look forward to exploring a bit more in the genre going forward.
Girls Just Want to Have Fun? It must be me I'm girls. She Bop is a good time. Time After Time is timeless. I will say the back half of the album didn't have anything memorable to me but on the whole I had a good time.
Wow, what a marathon. Ella's voice is beautiful and timeless. Many classics to choose from, but the challenge comes in trying to rate this as an album on the whole. The quality of the music is outstanding, but the quantity is a challenge. While I could definitely see myself listening to 45 minutes to an hour of the highlights, I can't see listening to the whole album front to back again as it gets to be a lot of the same sound.
Overall it was just fine. I enjoyed Souvenir the most out of everything, almost like I had heard it before somewhere like a movie soundtrack.
Overall just a decently enjoyable sound from start to finish. Ghost on the Highway was probably my standout.
Bingo was a bop. Some fun beats throughout but not something I'd daily drive. References to president Bush and a new Nokia in "M.I.A." dated it in a way that made me smile.
I enjoyed this, but I didn't pick out a particularly memorable part to bring me back to it again, maybe with So in Love. That said I think other entries in the genre or even from Curtis Mayfield could fair better. His voice is beautiful and the music is meaningful at times and easy to listen to.
I can appreciate where this is coming from and where its leading to with electronic music. It feels a bit too stiff and sterile to really get into it, but The Model was alright and I could see something else from Kraftwerk maybe hitting a little better for me.
The chemical formula for nitroglycerin in Mental Stamina threw me.
Groovy bass lines and Nile Rodgers guitar work is timeless. I think the only negative I can give is some of the tracks get repetitive at times, but that can only be expected with dance music. Overall a great artist and album that'd I'd gladly listen to again.
Sinead's voice is powerful and emotional. Nothing Compares 2 U is amazing, and listening to the Prince version really solidifies how she made it her own. Others like The Emperor's New Clothes, Black Boys on Mopeds, and Last Day of Our Acquaintance really hit for me too. It's a 5 for it's overall impact, and I only go with a 4 because its not something I'd come back to over and over again for my tastes. But I'm really glad I heard the whole thing and would gladly listen again.
This is fun, I'm enjoying the electronic influence. The whole album flows well and has some nicer moments like the end of Are You a Hypnotist?? It feels somewhat like a concept album but it never had it's big moment for me. The highs weren't very high, the lows weren't very low, but I'd enjoy more like this with some more instrumental or vocal flash in there somewhere. Just a good sound overall. Part 1 of the title track was my favorite.
This is a side of the Kinks that I haven't heard as I've only heard their bigger hits like Lola and You Really Got Me. This might be a bit of a hidden gem for me. Opens up strong with Victoria, Shangri-La was a great midpoint, and the album has a lot of the fun ups and downs of a good concept album.
The album some of the generic Brit rock sound for the era, especially early in the album, but then My Generation hits like a brick wall and you can see where they broke out and found a different louder sound. The Ox packs a good punch too. One of my favorite bands growing up and it was fun so hear where it started.
A fun instrumental. Enjoyed it but wouldn't be something I'd reach for again. Fun note: I've been hearing the Clair Obscur: Expedition 33 soundtrack lately and it hit a lot of the same sounds.
The opener is kinda cooking. Some catchy choruses but some of the more experimental verses didn't really hit for me. Decline Of The West was a nice instrumental that reminded me of some chiptune VG soundtracks like Celeste. Overall had a couple decent moments but no need to ever revisit.
1999 and Little Red Corvette are classics. I really liked the bass work in Automatic and Lady Cab Driver. Just short of a 5 for me as things were a little played out by the end and I probably wouldn't buy and listen to the whole album again, but I really enjoyed it.
Completely new to me and really enjoyed it.
Hearts and Bones was pretty nice. I learned that Cars are Cars all over the world. Not Paul Simon's best effort but it was ok.
Good easy listening. Somewhat ahead of its time with some of the new wave style in 1979.
It's a vibe. Chill music, but nothing stood out too much. Wouldn't mind hearing more from them.
I generally don't listen to too much singer/songwriter stuff. I generally appreciated the songs with a bit more instrumentation. So Long, Marianne was my favorite.
Beastie Boys debuted strong with this one. No Sleep Till Brooklyn, Fight For Your Right, and Brass Monkey are all-timers. Some of the others maybe haven't aged as gracefully or get a little repetitive but there's no denying the strength of the album as a whole.
The bass groves in some of the songs are the only thing getting me through it. Too spicy for my liking.
I liked the occasional rock and blues twists.
My favorite was probably Harry's House/Centerpiece. I'm not always clicking with how the lyrics break time from the music, but I think other works from Joni might hit better for me.
Nina's voice is haunting and moving. The lyrics of Four Women were powerful. Would not be surprised if Amy Winehouse listened to Nina at some point, or at the very least they share very similar vocal qualities. Great album front to back, and I'd love to hear more from her.
I wasn't clicking with this at first, but I really warmed up a bit more in the back half.
Maybe a little too raw for my liking. Liked the middle of the album the most and might like something else from the group a little more.
First time listening to Grateful Dead in any meaningful capacity. There’s a lot of times that I’m enjoying what I’m hearing, but a lot of other times that it’s a bit of a mess. I’m ultimately left with not wanting to revisit this particular album but the right one might hit for me.
Song 2 carried this a lot for me, but I think there might be more for me from Blur.
Where is my Mind? was definitely the standout and the one song I'd go back for. Enjoyed a couple others like Tony's Theme and Gigantic but not an album I'd revisit on the whole.
I liked this a lot more than I expected. Certainly there’s a few hits here that I knew I’d enjoy, but the album as a whole was pretty well put together. I can only really knock it for the length. I’m not completely against double albums but it’s really gotta be good to bring me back. If 4.5 rounds up to 5, then this was a 4.49. Solid.
There's times where i get it, and times I definitely don't get it. Pyramid Song would be my limit on liking something that's a bit more off kilter, and Knives Out was good. Knowing some other Radiohead hits i might like another album a little more but probably not by a lot.
I liked this. The sound is raw and gritty but just enough that works for me. Great hits with Sixteen Saltines that I knew before and Love Interruption. The sleeper hit was Take Me With You When You Go with the Take Five inspired beat. I'll be curious to see if a full White Stripes album hits even better for me.
Some of the drum and bass type beats made for good listening while I was doing yard work. For me it’s really good background music, which isn’t necessarily a bad thing but this is also probably the ceiling.
At this point everything has been said that can be about Jimi's guitar work. What I took away from this time around was his singing was amazing as well. Sure there's All Along The Watchtower that he made his own, but Have You Ever Been was a great contrast to his louder hits. And if nothing else, going through the entire album taught me that Voodoo Chile and Voodoo Child are 2 very different things.
Yeah sure that was enjoyable. Sounded older than the late 70s at times which was neat.
There wasn’t quite a standout track, but it was overall good vibes. Her voice reminded me of Stevie Nicks at times. I have some more exploring of here and the folk genre to do.
It’s funky, it’s Motown, it’s classic. Impossible not to listen through that and feel a little warmer on the other side.
Love the little Bach nod at the start of Speed King. This is my second Deep Purple album of the list, and while this one didn't have any hits that I knew going in, the album as a whole was great. I'm really liking their sound, particularly how they work in the organ in clean and distorted flavors. Tie between Speed King or Child in Time for my favorite.
