Marcus Garvey
Burning Spear
1975
Album Summary
Marcus Garvey is the third album by reggae artist Burning Spear, released in 1975 on Fox Records in Jamaica and then internationally on Island Records later in the year. The album is named after the Jamaican National Hero and Rastafari movement prophet Marcus Garvey. A dub version of it was released four months later as Garvey's Ghost. This was the first album by Burning Spear recorded for producer Lawrence Lindo, better known by his handle taken from the assassin of Lee Harvey Oswald, Jack Ruby. Apparently, Lindo and Burning Spear realized the opening track to this album, "Marcus Garvey", on their first meeting. Island Records, whose founder Chris Blackwell had been instrumental in breaking Jamaican reggae artists Jimmy Cliff, Toots and the Maytals, and Bob Marley to an international audience, then made a deal to release it internationally, but believed the original Jamaican mix of the album to be too threatening, or at least too commercially unviable, for white audiences and therefore remixed it into what they considered a more palatable form, outraging him. The Jamaican release also does not include the final track, "Resting Place", which had only been issued as a single there. The backing musicians, whom Lindo named the Black Disciples, had been assembled from the Soul Syndicate and the Wailers.On July 27, 2010, this album was remastered and released by Universal's Hip-O Records reissue imprint in tandem with the dub version on one compact disc. The album was listed in the 1999 book The Rough Guide: Reggae: 100 Essential CDs.
WikipediaI've been listening to lots of 1970s reggae lately, so happy to give this another spin. Another record that is clearly important and influential, but which is not one of my favourites. HOWEVER, just as I was thinking how it always sounds a little too slick, I read that the Island release was remixed by the label without the artist's blessing/input. Can't believe I didn't know that. Now listening to the original Jamaican mix for the first time, and it has so much more of the darker, atmospheric sound I look for in roots reggae. Also just generally finding that the record is clicking with me more than it did in the past. None of the tracks are filler, and the instrumentation is great. My only mild criticism is that I'm not a huge fan of Burning Spear's voice (or let's say "the lead singer", since he hadn't yet taken the Spear name for himself). It's good and it fits the whole sound, but it doesn't compare to some 1970s reggae vocals. Overall, loved this a lot more on revisiting (and hearing the original mix).
Brilliant album - uplifting and full of righteous anger. Burning Spear is one of the key artists in roots reggae and this is my favourite of his albums. The dub is rather special too.
I love this album - one of my favourites. If you don't like reggae, I don't think it is going to convert you - but I love the raw elements - his plaintive voice, the 'country' horns, poewrful lyrics in patois etc etc
Never was into reggae, but always appreciate an album inspired by political and social movements.
Pure distilled passion and energy. Colourful arrangements, meandering and beautiful. (Although I would love to hear the original Jamaican pressing)
I'm generally a fan of reggae from this era. Reggae is the most amazing genre to me: a musical form originating from such a small geographic area, which was a melting pot of influences, that then evolved into something so distinct and unique and went on to then influence others around the world in turn. I'd be curious to hear the original Jamaican mix. I went on to listen to the dub (instrumental remix) version of the album "Garvey's Ghost" as a follow up bonus listen and I almost like it better.
Nice, some reggae! Honestly wouldn't have expected an album like this one here. Without knowing much at all about reggae, I think this album is great. Some great conscious lyricism, contrasted by the pleasant island vibes. I feel like I'm on island time, but I've got a serious zoom call in an hour. This was really enjoyable! Feels much more authentic than the ska/reggae album we had a little while back from The Specials. Favorite tracks: Slavery Days, Marcus Garvey, Tradition, Live Good. Album art: I love this one. The art style is fantastic, the text is bold and strong, and the imagery perfectly conveys the heft of the subject matter. Very, very cool. 4/5
I honestly thought that I didn’t like reggae, but I guess I just didn’t like other reggae. This album was really dope and I can see why it belongs here. I don’t know that I’ll listen to it again, but I enjoyed the ride. I also love the talk about Marcus Garvey and the Black Star Line. What a crazy part of history.
The beats of chill reggae album makes me pine for a nice day on a tropical beach. Listening to the lyrics though, Burning Spear's singing about very serious and unhappy themes: slavery, poverty and oppression. Made me look up information about Marcus Garvey, Burning Spear and Jamaica's political history that I am glad to have learnt.
Reggae really isn't my thing but this might be some of the best I've heard. It's somewhat a shame that it is clear that there is a message that is so specific to the Jamaican context and black experience that I only begin to understand. There are surely those who get a lot more out of the content of the lyrics than I ever will. I will say that the lyrics have a haunting quality to them and yet a certain melancholy to some of the songs, not necessarily for what was but for what could have been. It is a beautiful but heavy album. There are movies that I have watched that I describe as great movies that I will never watch again, and I have finally found my musical equivalent. I'm glad to have listened to it but it is unlikely that I will seek it out again, but I am interested in exploring more of Burning Spear's discography though.
pretty chill. i haven't really listened to reggae albums outside of bob marley. it's interesting to listen to more perspectives about black oppression.
Dope reggae album. Want to keep track of this one so I’m giving it a 5. Good music for hanging
An OKs favorite of mine. Brilliant album..Winston Rodney's singing is incredible especially on Days of Slavery Not sure what else there is to say . 5 🌟
Splendid. Musically flawless, such a warm, rich sound. Lyrics are mournful but ultimately spiritual and full of hope. Fave Songs: The Invasion, Jordan River, Marcus Garvey, Red Gold and Green, Live Good
This is different gravy! Top tier roots reggae - cool arrangements and a conceptual consistency that lends the album a rare potency. Burning Spear has a helluva voice. Love it.
I'd heard the first two tracks before quite a bit, but the rest was new and showed a lot of depth. Will likely add to the rotation and learn more about this album.
The most emotionally intense reggae album I've evert heard. It is evident in every note Winston Rodney sings. His singing is a tour de force, the songs are compelling and the music matches the intensity of the singing. 5 🌟
That's some very adorable music!! Relaxing, refreshing, perfect for afternoon work BGM.
So good I played it twice in quick succession. A beautiful album. I know *of* Burning Spear but this was a lovely deep dive into an album’s worth of his work. Need to listen to lots more I think. Particularly enjoyed Tradition on first spin. The harmonies throughout are fantastic. And that voice…excellent. This is how music with a message should be done.
Listening to a lot of reggae these days, not sure why. It seems to have a purity of purpose and authenticity that just resonates with me. Music I need these days, I guess. Burning Spear really does the job, bringing on good feelings and a sense of clarity. Roots and culture! One Love!
Awesome, especially in the current mini heatwave here! Love a bit of reggae, and using it to tell the story of one of my all-time heroes is genius. Hard to pick a best track so I'll say Al of them!
the first reggae album i’ve ever really listened to. i cant super judge it, but i really enjoyed listening to it, and it was super political. felt it dragged a bit on the late first side, but there are some really excellent songs.
Roots Reggae at its finest, absolute classic album. From the lead off title track through he whole album not a bad song.
Cool reggae. Good background music for working (though I feel bad for listening so casually when he's actually singing about slavery and stuff)
Feels like a political bob marley- it’s been a while since I listened to reggae. Nice a chill on a warm day vibes
Really good, i didn't think I would like reggae enough to listen to the whole project.
Great album. Funky and fun and energetic in places and quiet snd comptemplative in others. Woke as SHIT. Felt that struggle
Really enjoyed this album.... the whole reggae scene is very relaxing and carefree... sets the mood for time off from work and siesta time!!
Bouncy and fun yet relaxing at the same time. This was a fantastic reggae album I really enjoyed.
First Time listening: 8/10 songs liked While I personally prefer more ska rooted and and more melodic reggae (the name leaves me at the moment) this is an overall enjoyable album! No songs saved
overall just a massive vibey sounding album i wanted to dance to slavery days aha would definitely listen again: 6/10
Solid reggae album. Excellent example of the genre, well-produced, and generally quite interesting. It does go on a bit, though. At some point, all the songs start to blur together into a low-tempo, dubby, backbeat hash. Not in a bad way, necessarily... it just gets a bit old by the end.
An album I know well. Listening on a grey, windy, rainy day - spirits lifted. Saw Burning Spear live at the Tower Ballroom, Birmingham under the plastic palm trees. Female brass section were - jaw-dropping. Came on a 1.00 am. to an amazing intro - just GLARED at the crowd. Power died after 30 seconds. Came back over an hour later to do it all again. One of the great concerts.
Great classic reggae sound with strong anti-colonial, pro-black unity lyrics. Frequent use of echo/repetition of hooks by back up vocals for emphasis. Island drums/instruments mixed with brass/wind, with funky bass.
Reggae kinda makes me some out but maybe that’s the point? Definitely enjoyed and will listen again
Solid 4 star beautiful singing, tight band and rhythm, educational yet danceable and uplifting. How can you not love it? Maybe a bit too much of the same feel to make it to a five star.
I generally like reggae and didn’t dislike this album. It wasn’t 5/5 for me and the songs weren’t always distinctive, but it was good. The beats and instruments were classic reggae and I really liked this. The lyrics weren’t as well performed but were still good.
I like some reggae but don't really love it. It's nice mood music for that summer laid-back vibe, but I think it might have gotten ruined for me in my early 20s when I heard just way too much of it because so many of my peers would listen to it all the time (mostly college classmates). I have to remove the negative association I have with it because of that and really listen to the music. And I don't want to lump all reggae together, of course. I'm re-listening to this as its own work. It's nice. It's good. I really do like the vibe. I have to admit I do feel good when I hear it. Nice groove, catchy melody lines.
Adoro este álbum. Brilhante porque feito com raiva. Justa. "Reggae roots" com elementos brutos e voz melancólica
What a great album. I never listen to reggae so this album was a great surprise. Good beats, good vibes, and great lyrics.
Wow, this one caught me off guard. I really enjoyed this entire album. Would listen to it again.
ég hafði gaman að þessari en ekki það mikið að ég nenni að hlusta aftur og aftur, ég gef samt mörgum svoleiðis plötum 4 og þessi var alveg definitely 4 stjörnur finnst mér
Very good reggae tunes with it's own identity. Favorites: "Marcus Garvey", "Slavery Days", "Live Good"
Allow 'Marcus Garvey' to inform you of another side of the Rastafari movement, well beyond the stereotypical spliff-smoking dreadlock dudes often portrayed on film, and more often than not humorously. You won’t find any humor from lead vocalist Burning Spear, though, nor the Winston Rodney and Phillip Fullwood’s lyrics he’s singing. Neither is there any reference to the spiritual value of marijuana. This is all about political activism, and inspired by one of Jamaica’s greatest, prophet Marcus Garvey. But ‘no one remember old Marcus Garvey,’ Burning Spear laments, while imploring his fellow Jamaicans (throughout the entire album) to ‘humble yourself and become one day somehow you will remember him.’ For keeping the memory alive honors those who paved the way for us, and is a daily exercise in a faith in a righteous God who will one day enact divine retribution on the wicked, making things right. This is old school, old testament. The clicking of horses’ hooves may be heard in the drums, the throb of the low bottom bass like the rumbling of chariot wheels, with brave horns leading the charge. This is pure Reggae music, the sound of the soil. And Burning Spear is tilling it up. Lyrically, unquestionably Rastafarian, and so always implying, ‘or else.’ On ‘The Invasion,’ for example, humility is called forth from the people, manifesting in the practice of ‘wadada (love),’ but for the purpose of appeasing divine wrath. Now, I suppose, being a humble, loving person for whatever reason is a better practice than being arrogantly hateful or hatefully arrogant; still, an awful lot of this LP was forecasting righteous payback on the wicked, and redemption for the oppressed, but said redemption dependent upon the condition of a show of genuine humility. Again, always in the background of the lead vocalist’s admonition to ‘Do right,’ for example, on the opening song, is the silent refrain, ‘Or else.’ No mercy for the wicked may be found here, nor ‘shall (they) enter this (Jordan) river… Jordan river a go roll.’ ‘You go your ways, and I go mine,’ Burning Spears states on ‘Give Me.’ I demand you give me, and in the widest possible application, my freedom. Or else. While I don't share that theological understanding, I am at least familiar with it, as well as the lives of some of those with whom this kind of liberation theology resonates. ‘Slavery Days’ was the most difficult, but instructive song to listen to, with its painful recount of the abominable commerce of slavery. It’s a litany of sorrow to the repeated refrain of ‘Do you remember the days of slavery?’ But again, to the accompaniment of optimistic, hopeful horns rising above the drone downtempo vibe underneath, as if to caution the listener to not allow the significance of their lives and deaths to be lost. Black lives matter. More than matter. There is a bigger picture. ‘Garvey’s old yet young.’
I was expecting a burning spear of anger and righteousness and got a welcoming circle of friends warming their hands.
Probably one of the most consistently excellent reggae albums I have ever listened to. Not really my genre, but I really enjoyable listen nonetheless.
Unknown to me before listening, and I really enjyoed it. I like the way Reggae mixes chill beats that make you think of relaxing on a beach with a beer, and lyrical themes that are many times anything but relaxing, talking savlery, poverty, politics and other social issues.
Huge fan of Marcus Garvey, so unsurprisingly a tribute record to him by a reggae band is really fucking cool.
Reggae is definitely a genre I need to explore more. I really dig this album though. The instrumentation is catchy and the lyrics are poignant and deep.
Funny one, as each and every track on here is superb, roots rock reggae at its finest. But overall there’s not change in pace, tone, structure… so it’s hard to rate it as an album. Still some crackers on here though.
Normally not a reggae guy, but I really enjoyed this record. The vibe was great, I enjoyed the political angles of it, and the more laid-back angles too. Loved the inclusion of the flute, and loved the unique vocals (see "Tradition") Guess I should check some more real roots reggae. Favorite tracks: "Marcus Garvey", "Slavery Days", "Live Good"
70's reggae always transports me to a very specific mindset of fuck everything and chill. Not fuck it like have sex with it, but fuck it like "fuck it, man". You know what I mean. I am bake. Good stuff.
Nice to hear some non-Marley reggae. Great stuff. Fave track - Hmmm, toss up between "Slavery Days", "Give Me", and "Resting Place"...
A great reggae album, from my favourite era of reggae music. Also - love an album that's 10 songs, 3 minutes each.
This wasn't available on my streaming service so I had to listen to it on YouTube. I thought it was great. I think I would have liked it even more without the adverts for the Donkey Sanctuary between every track.
Punkkarina arvostaa kun systeemiä vastaan voi kapinoida tällai lungiuden ja letkeyden keihästä heiluttaen! Jah! 4/5
The reggae rhythms are immaculate, and the texts make sense. However, the songs are a bit formulaic.
I didn’t realize how much I wanted to listen to reggae on my drive until this album started.
Not a bad album, it sounds good. But reggae is not my genre 100% so it doesn't appeal that much to me but can still appreciate it
Pretty great reggae album, but as previously stated, it's not really my jam unless I'm in the right setting. Would listen again, but wouldn't seek it out. 3 stars.
This was ok, can never differentiate good from bad Reggae but it's enjoyable to listen to. Also read Marcus Garvey's wikipedia while listening and learnt a fair bit. Interesting guy with some controversial views
Not a huge reggae fan. I like it as background but don't know enough to know what's good and what isn't. Either way this was A okay.
This album was good, but I lost interest pretty early. There were interesting sounds, but they were fairly repetitive.
Perhaps I didn't give this one enough of my attention but it didn't massively stand out. A few on there were really cool, but the rest just sort of blurred into one
Enjoyable listen. My reggae knowledge is not discerning enough to dig too deep into this or pick up on the subtleties between tracks. But this album is relaxing and unobtrusive to have on in the background on a Tuesday.
Roots Reggae and Dub are my favourite types of Reggae as you can really settle into the hypnotic groove. This record starts off great with Marcus Garvey but it after that it gets a bit preachy and one note sounding.
Honestly pretty good considering I’m not a big reggae fan. The songs kinda blend together annoyingly and his accent isn’t my favorite but I can tell the album is about important stuff and it’s short enough so as to not get boring. This also prompted me to look up Marcus Garvey, who was a very odd person.
I'm a huge fan of reggae! I'm not afraid to say that I am openly reggae but don't ask me what type of bass I prefer (I might be more of a rude boy). This wasn't my most favorite reggae but I can't complain when there are so many worse albums I've listened to on this list. Only Red, Gold and Green stood out to me, but I enjoyed listening all the way through on this and hope more reggae finds its way onto this list. Very cool album cover as well, there was a Marcus Garvey center at UNC that we had to patrol the lot of so theres some good memories around that, on top of everything Marcus did as a person.
Tiene buenos temas, pero sigo siendo mas del estilo de Bob Marley en relación con este ritmo.
A very political album. I remember the title track well. It got a lot of play at CKCU back in the day and forced me to find out who Marcus Garvey was (not so easy before wikipedia). I find the production kinda muddy, even for the seventies, but it was better the second time round with the volume and sub-woofer turned UP.
enjoyable as someone who likes reggae, but it sounds like a lot of the reggae from the period. felt somewhat forgettable after marcus garvey and slavery days
Listenable reggae with a message even if tampered with by Island Records for international ears.
I guess, for as much as I’m into reggae, this is nice. Perfectly listenable. Agreed. Not as loveable as Bob, but easy listening for background music .
Decent, no real standout tracks, but overall, an enjoyable listen. Opening song "Marcus Garvey" probably the best. Solid 3.
Nothing else quite gripped me as much as the opening number and album title track but I still enjoyed the rest of the album. The lyrics don't mess about. Very frank.
Not really a big reggae fan, but I can dig it. Probably wouldn't normally listen to this, but I can imagine enjoying it in the right circumstances. (2.7)
Reggae again, enjoyable again but I’ll stick with Marley as it’s not my keenest genre. Some cracking tunes on this though, the lyrics are heavy but the music is light. It’s really cool.
Felt like pretty generic reggae to me. Could see putting it on in for some background music.
My second straight reggae album and neither was a Marley disc. I wasn't much of a raga fan, but this is definitely worth the listen and I will revisit again.
I'm vexed. This is a thought-provoking album that examines interesting political themes. At the same time, it is a reggae album and maybe it's being a NZer, but this kind of roots reggae is easy to consider as background music for a lazy weekend barbecue. As a result, while the album took me along on its musical journey, there were times when I forgot it was even happening at all. The album ended, Spotify's algorithm gave me a few reggae tracks by other artists and I didn't even notice for a while.
Good reggae albu I had never heard in the past. Will add to a playlist when in the mood.
19th November 2021 Started listening on the way to meeting Sav and Sally in Battersea Park having not been able to listen on the Friday. Finished Monday morning. Historical, cultural and sadly more timely now than ever. Powerful and groovy in one.
Schoolhouse Rock guy, lol. I think this is actually the kind of reggae that appeals to me. It blends into the background effortlessly, is incredibly consistent in rhythm, and is (above all) brief. 34 minutes was not a minute too long. I'd put this on again, even if I don't recall many specifics aside from the fact there was a song about slavery and one about pollution. But hey, if you gotta pick two social issues to sing about you could do a lot worse than those two, CRAIG.
Solid reggae. A lot of it blends together into one long jam sesh but that’s a-okay by me. Favorite Tracks: “Marcus Garvey”, “Live Good”, “Old Marcus Garvey”, “Tradition”
I think I would like this album more if I was more familiar with reggae, but I appreciate the skillful instrumentation, even if the grooves can feel repetitive. I also admire the poignant lyricism. BEST TRACKS: Marcus Garvey, Slavery Days, The Invasion, Give Me, Tradition WORST TRACKS: N/A
Good Reggae, but not sure what sets it apart from other good reggae albums. No real standout song.
I have not listened to much reggae beyond Bob Marley. I quite liked this album, and would more than likely listen to more from Burning Spear
Great vocals and production. It felt like a proper album as well - just the right number of tracks without any filler. Soulful in places as well. The title track is a fantastic call to arms.
Ultra rzadki reggowy pik sie znowu pojawil na liscie tym razem jest to album Marcus Garvey pana o pseudonimie artystycznym Burning Spear z roku 75, wiec OG jamajski material, sam tytul odnosi sie do bohatera narodowego tego wyspiarskiego narodu, wiki podpowiada ze jest to plyta w stylu roots reggae, wiec poruszane sa tematy zwiazane z ruchem rastafarianskim, wspominanie wielkich ludzi ktory przyczynili sie do poprawy zycia ludu rowniez sie w to wpsuje, dodatkowo bedzie takze o czasach niewolnictwa, dziedzictwie afrykanskim i nie moglo zabraknac takze nawiazan biblijnych, ktore rowniez sa waznym aspektem tego ruchu, muzycznie plonaca wlocznia jest wspierana przez bande zwana the black disciples, w sklad ktorej wchodzilo podczas nagran 14 apostolow, sklad i brzmienie bandy maja sie dokladnie tak jak czlowiek mysli ze bedzie brzmiec jamajska muzyka, dodatkowo jakosciowo brzmi same nagranie, widac ze Lawrence Lindo lub lepiej znany Jack Rubby zna sie na robocie, album na 33 minutach zamyka sie w 10 kawakach z czego na plejke dodam slavery days i tytulwgo marcusa garveya, ktory na calej plycie ma jeszcze jeden trak podtytulem old marcus garvey, opowiadajacy o tym ze jest on zapomnianym bohaterem, moze tak jest, a moze nie, brak mi znajomosci historii rastafarianskiego ruchu, wiec tez odbior calego krazka jest dosc powierzchowny, bo pewnie lirycznie jest glebszy niz jakim go postrzegam, jesli ktos wie o czym jest spiewane
Enjoyable roots reggae. Would have liked to have heard the original mix but a cursory search didn't find it. Biggest surprise for me from the Wiki page was the Burning Spear is a man rather than a group.
Generally, I'm not a big fan of reggae, sometimes there's too much repetition for my liking, but this album is so old school and straight up reggae, I like it a lot. Easy to groove to, a very pleasurable laid-back listen.
pretty chill vibes while listening! Pleasant to listen to overall, but nothing really stood out to me on first listen.
Decent album. I like the political aspect of this album, and the songs are quite catchy and less generic than some reggae music. 6/10
This album falls within the category of understanding why it’s important as an artifact but not loving it from a personal taste perspective. And I really like reggae, and enjoy bits of this, but not a favorite.
L'occasion d'apprendre que les rastafaris sont végans et ne consomment du cannabis que pour prier
Can't pretend to know how this fits into the history of reggae, but it seems decent to me. It's clearly got something to say, though personally it mainly evokes BBQs on hot summer days...
Roots reggae. Reggae as a socio-political movement. Reggae made by an actual Jamaican. It's actually nice and chill. Reggae at their purest possible way without losing commercial potential. I love the vocal sounds and the instruments. But in it's thirty minute journey, it tends to get monotonous. The beats are similar and the formula of the tracks are the same. Still, an interesting reggae album. Perhaps among the few reggae ones that I listened to, this is my favourite.
Reggae não é muito minha praia, mas é ok o álbum. Melhores músicas: Marcus Garvey e Slavery Days
Overall an interesting reggae album. I'm not going to lie; it made me sleepy. Good songs, and it has a laid-back groove to it. It's not that I actively have any concerns, complaints, or annoyances about this album, but more that I have an issue with sameness on this record. The tracks generally are pleasant but they do have a certain quality of sameness to them. But it's a nice record even if I wouldn't revisit. It was worth a listen. Fave tracks: "Tradition" and "Jordan River".
Reggae! I'm gonna be honest, i haven't really listened to the genre before. I knew it from Bob Marley, like most other people. I was surprised to see there are more artists than him :) It was a good album. Nothing special, but comfy as hell.
I'd heard of Burning Spear but did not know the band, album or any of the songs. All the signature sounds of classic 70s/80s reggae which include sparse laid-back grooves, with thoughtful arrangements - bass, clipped guitar, drums, percussions and occasional slightly Cuban sounding brass and piano. Plaintive vocal. Lyrically each song tends to hang on a single theme mainly around Jamaican history/politics. I like the textures, not a genre I would go to very often, but this is a good one to go to.
I actually quite enjoyed this album, I thought it was very interesting and something I wouldn’t usually like.
Not something I would ever normally listen to but seemed to suit the mood perfectly this laidback Friday morning.
I didn't enjoy this, I found it quite bland. Initially I was pleased to hear some reggae had made it onto the list. It soon became clear this album wasn't my thing though. Lyrically some of the songs are interesting, with the protest themes throughout, but musically it all sounds very alike and does nothing interesting.
Lyrically a very impressive album. Releasing this in the west in the 70s was very bold and must've been incredibly difficult. Musically, it just isn't for me. I find reggae super repetitive even in the best instances and this entire album suffers from the same issues I have with almost all reggae.
This is good reggae. But I find it starts so strong and then slowly dies off never getting back to the level of the first song "Marcus garvey". Its not that the other tracks are inherently weak just they don't live up to the opening.
Lazy music, lazy lyrics. Makes you feel lazy or want to smoke a spliff. Nothing to really dislike, but reggae is definitely not my thing. I did actually listen to the whole album as I drove to and from the chemist.
Cool reggae tunes 😎but I was overloaded by a whole album. So many of the songs seemed to start with the same percussion start.
Might have been some african 217-tone system but it sounded pretty off to me. Nice reggae vibe, but the execution wasn't too good imo.
Forgettable Reggae music, since it was modified to be more "poppy" for international audiences. The album did try to tell a story by blending religious and cultural concerns from this "hippy" era.
I came into this album with a preconceived notion that most reggae sounds similar. I did not have my mind changed. The rhythm I get, but the same two chord progression gets old.
I'm really not a reggae fan, and this won't convert me. I found it to be 33 minutes of the same song with no dynamic changes or anything interesting to keep me interested. Background music at best, for me. But fans of reggae probably love this.
Entweder ich werde altersmilde oder ich habe gerade einen ultratoleranten Tag. Sehr gute zwei Sterne.
Songs had little variance and singer repeated lyrics until your head hurt. Obviously reggae not my cup of tea.
I think I know why I don't like reggae - it's one of those genres that's built on a specific sounding beat. So there's a point where it all runs together and I tune out. It all sounds very well done here, but there are no stand-outs for me like on some Marley Records.
I can see why it's popular in Jamaica. I don't have the cultural background to appreciate the lyrics as much. Who's Marcus Garvey? The music is good enough, but there's plenty of other reggae to choose from.
Регги-певец Уинстон Родни под псевдонимом Burning Spear, родом из Ямайки. Из альбома понравилась заглавная - Marcus Garvey о политике и ораторе. К сожалению, регги – не моя музыка, укачивает.
Some music can only be appreciated while imbibing quality reefer. In the interest of full disclosure, a Jeremy Piven played in the background while I listened to this. I don't even want to try and figure out what the title of the movie was, just know that it was Jeremy Piven with a goatee, and I seem to recall scenes of him around a pool table, and another one where he tried on a vest. You don't want images of a goateed Jeremy Piven scoring any album. Just trust me on that.
The first song or two I really enjoyed, elements of early ska were intertwined with the reggae that were really cool. Then it all started to sound the same. Not great to listen to as an album.
Pleasing music but when listened to all in a row, becomes a bit repetitive and one note
Best Song: Jordan River. I like the rolling chorus. Feels like a song that would be nice to listen to while going down a river. Worst Song: Give Me. I don't even know why. Overall: I think this is just a genre that doesn't work for me. The plodding pace, the strong reliance on repetition. This could be great reggae, but I can't overcome the trappings of the genre.
p342. 1975. 2 stars It's well done, but nothing outstanding - it just washed over me and left no residual trace. No standout tracks. Not a fan of reggae, so won't be revisiting.
It was ok. Felt like a generic reggae album that wasn’t nearly as catchy. Found myself tuning it out at times just because. 3.7/10
Af first I kinda liked this. I usually don't like reggae much but this wasn't bad. As it went I got less and less interested. At least it was pretty short. People that like the genre probably can appreciate this much more than I can.
First listen ever and despite the superb production not connecting with me much at all
Raggae is tough for me, it never elevates to anything more than background music, which is my own issue. This was just the same, I realized I had the album on repeat and was probably halfway through the third cycle of listening to it when I realized. Always fine to have on in the background, but it didn't grab me in any meaningful way.
Well, it sounds good - I especially appreciate the lack of density; i.e. each element and instrument are clearly-defined and there is good use of space here. I'm not much of a reggae fan so I have zero quality comparison to/with other similar acts - facile review but my gut reaction is that I have trouble enjoying this because it's just too/so repetitive. 5/10 2 stars.
It's so very reggae and I'm not a fan. Nothing outstanding maybe except for lyrics which usually are "woke" either way...
This is the same song 10 times. Drum roll, same rhythm (4/4 with a heavy backbeat) , monotonous ending.
I get the importance to Roots Reggae but it didn't leave a massive impression on me