Gold

At a concert in October 2002, at Nashville's Ryman Auditorium, someone in the audience yelled out a request for "Summer of '69", a hit by the similarly named Bryan Adams. Adams reacted with a stream of expletives, and ordered the house lights turned on, The Tennessean newspaper reported. He eventually found the fan who made the joke request, paid him $30 cash as a refund for the show, ordered him to leave, and said he would not play another note until he had left. He's also a pedophile (alledgedly)

Why'd they keep pushing this cunt?

I could see this playing at a suburban white Christian Americans family barbecue XD

How many albums does this nonce have on the list?

Had to stop in the middle of the 3rd song, because my balls were shrinking. It's like a cocktail of estrogen with radioactive waste

“Gold” by Ryan Adams (2001) If you’re in the mood for country/pop/rock that’s smoother than Bruce Springsteen but not as intelligent as Neil Young, this album is worth a try. Ryan Adam’s’ poetry is better than that found in most pop music, but it has its flaws. There’s a nice enough cadence and sound, but he seems to write with limited vocabulary, conceptual depth, and synthesis. Several images are used repetitively (personified ‘night’, ‘breaking glass’), indicating a truncated imagination. Musically, the album is reminiscent of Bob Dylan and Van Morrison, with country flavorings, arranged and performed with adequate professionalism, and assisted by a large assembly of session musicians. Adams’ voice lacks control and resonance, but is well matched to the instrumental arrangements, as if producer/instrumentalist Ethan Johns was well aware of the limitations he was working with. And is there any instrument Johns doesn’t play? The album is well enough constructed, building in intensity and variety as it proceeds, stepping out of its initial country mode into the territory of classic and experimental rock. “Nobody Girl”, at over nine minutes, is about five minutes too short. Seriously. This review only covers the album as originally released. I’ll leave the sad and silly dispute over the five tracks of “Side Four” to Adams and Lost Highway Records. Sheesh. It’s not a classic, but it’s easy on the ears, and will help you get through your working day. 3/5

Dull and goes on forever.

The 90 minutes of Gold by Ryan Adams would benefit from silence. Ideally 90 minutes of it. Even the ostensibly quiet songs on this record have this overproduced busyness, never allowing a drop of silence to accentuate the space between two beats, never giving elements room to be whole. There’s always an organ, a muffled rhythm guitar, or a semi-distant string quartet fussing in the background. This is apart from the beginning of that terrible Sylvia Plath song, which would benefit from bringing in Kevin Shields and his fifty guitars for an upfront wall-of-sound treatment to push the song deep, deep into the bayou. Of course, after a minute, the bare piano backing has to be joined by some strings. It was sounding lonely there! For this self-avowedly American record, a splendidly American word fits best: phony. Original ideas are sparse, just this slapped-on faux-Americana, tiresome mopey songs to a nameless girl, or a parade of nameless girls, and eyes-closed busker’s vocal affectations that magnify the triteness of the lines. It’s a box-ticking exercise in homage - here’s a fast-spoken song about New York, here’s a song with “Blues” in the title, look, a song about a street, a song about a bar, oh! 20 songs about a girl or girls. He can write a tune, but it will always look like Boris Karloff, and no make-up will hide the stitches, and he’s still waiting for that lightning bolt to bring that fucking thing to life. (Unlike the otherwise comparable Primal Scream, whose lightning bolt was Andy Weatherall.) Confession: I enjoyed Nobody Girl’s modicum of Coors lite rock until I realised it was longer than Fool’s Gold. From Wikipedia“”New York, New York" became a notable MTV and VH1 favorite following the September 11 attacks.” The chicken and the egg argument went dark. I dislike this record and can only stave off resentment for my 90 minutes with it by being mean, as I hate bearing a grudge. One star! What a dickwash of a cover fronts this album.

how do I post the meme of that seal yelling gaaaaaayyy?

Lifeless and soulless, no clever turns of phrase or creative arrangements. Any band or local songwriter would have left this collection unrecorded. No business being on the list. And obligatory slap from beyond the grave from Sylvia Plath for taking her name in vain on such a dull song.

We have Bruce Springsteen at home

Not bad for an arrogant dickhead.

Überbewertet in allen Belangen.

Can't really go wrong with Ryan Adams. He reminds me a lot of the singer/songwriters from the 90s but more contemporary.

I liked this! Bluesy rocky Americana stuff. This is all upbeat (except Sylvia Plath). Would go great on a roadtrip playlist or something. This album is the kind of album that makes me glad this list exists. I never would have even given that cover a second glance! Never would have heard it. Is it 5 stars? No. Is it 4? Probably not, but considering how much I've been liberal with my 3 stars this year, I'll have to give it a 4. Really enjoyed "When the Stars Go Blue", "Nobody Girl", "Sylvia Plath", "Tina Toledo's Street Walkin' Blues", and "Rosalie Come and Go"

this was surprisingly good - I'm a little bit bummed it has a low global rating

I can't be bothered to compose a full review, so here are my notes: familiar and anonymous jack and diane on repeat for an hour cannot sing, awful voice would be a relief to hear summer of 69 [flips coin disinterestedly]: 1

It's rare that I can't finish an album but an hour and a half of this shite was just too much. Terrible, just terrible.

Very good

Love, love, love this album. More rocking than his first solo LP, Heartbreaker, but perhaps not as pretty. Great Americana.

Incredible album from the days that everything Ryan Adams touched turned into .. yes Gold. Take the epic Nobody girl and find out that this is soon followed by the heartbreaking duo Wild flowers and Harder now that it's over. And whether they are rock, country, gospel or whatever, weak songs are not remotely in sight.

Around the time of this album’s release was when I first encountered Ryan Adams. I was struck by the songwriting on this album and listening again today still am. Some great love songs and breakup tunes. Quite a bit of variety on his vocals here as well. Excellent!

Fine album, some good stuff on there!

One of my favorite assholes in the business. This is a pretty fantastic album, but it does go on too long; it's not like Adams has ever known to not overdo it with his output. Yes he's pretty terrible, he always has been. I don't listen to music to make friends with the artists. 4 star album getting a 5 for all the community hate.

Enjoyable Americana, shame it came from a shitwad.

Today I learned there is a Ryan Adams and a Bryan Adams. It's not bad, just a tad too generic for my taste

Good album! Another artist I wasn't familiar with by name, but I know I've heard Rescue Blues before. I feel like this album is a great representation of singer-songwriter rock in the early 00s. I can hear sounds that remind me of other artists I'm more familiar with from the era. I also hear some strong elements of 70s era singer-songwriting. I can certainly hear the the influence of Dylan, Young, and Springsteen throughout the album. Favorite Songs: The Rescue Blues

He's a great writer. And it all SOUNDS great. But even before I knew how much of a tool he was, there was always somewhat of a disconnect. He never resonated with me. I recognized the quality, but it didn't speak to me. It still doesn't. I do my best to separate the art from the artist, but I can't pretend I'm not turned off by Ryan right now. And it definitely isn't helping me connect with this any more at the moment. A very generous... 3.5/5

Look, I know that this was probably recorded before 9/11, but the fact that this was released a week after 9/11 in 2001 with an American flag cover, and songs titled "New York, New York" and "The Rescue Blues" really makes you think... Feels like he either jumped on the 9/11 grift wave, or he knew about the attacks on the World Trade Center ahead of time. I guess he didn't pop off much anyway, I thought this was the guy from Fall Out Boy when I saw the album cover lol.

Fine. Long, a bit boring in places. I think his influences are too obvious - usually people like Dylan. Laura Marling liked him when she was young but changed her mind when she got older and various allegations about him emerged. Apparently he also did a full cover of a Taylor swift album which is lame. I dunno, I think maybe he's just lame? I thought about giving a 3 but downgraded to a 2. #me2

Yeah I find it washes over me leaving very little. There's nothing intrinsically awful about it ..... I'm just surprised he's 23 albums into his career. Stephen King reckon he's the best songwriter since Neil Young. I think Stephen King should just write novels. Massive Meh. 2.

Early 2000s schlock. Very dull and way too long.

Exactly as it was in 2001. 10-15 minutes of going. Wow - this is great. Then an hour of wondering. Wow - this is shit; please end now. 2.1

feels souless. theres good country and theres bad country yo.

Really bad. The blandest thing I've ever heard, not an original note on the album

Well, this is devoid of personality.

1001 Albums Generator Day 11 At the turn of the millennium, the singer of an up and coming "alt-country" band went solo to make a top-heavy, overlong, yet pleasant album with the kind of guestlist that gives the monthly reviewers butterflies. He was deeply reverent of artists from the past and the wasted genius image they exemplified in a way that invited comparison with them, but he did not possess the lyrical, melodic or vocal gifts of, say, Evan Dando. Later, his musical reputation would be based on his first two solo records and his perceived eccentricity, which meant an apparently voracious taste for speedballs and recording lots of albums no-one wanted to release. The two albums still turn up in lists like this one, but from roughly 2002-07 he was effectively replaced by a younger, prettier, more talented "new new Dylan," Conor Oberst. So, what about this album, Gold? I bought a copy in a charity shop a few years ago, but I had to listen via streaming today as it soon ended up back in the donations pile. The title describes its smooth, expensive sound and anticipated its UK certification for sales. It has the kind of guestlist that gives the monthly reviewers butterflies. It's also characterless and, as for overlong, this fucker is the length of a football match. Both Heartbreaker and Gold are in the book on which this series is based, but if you can't find 1001 albums better than both you aren't trying hard enough.

What is this even doing on this list?

I hate this album. Its as phony and contrived as things can get. 1/5

according to "meet me in the bathroom" Ryan Adams knowingly got Albert Hammond Jr. (from the strokes) back on heroin. in fact everything I've ever heard about him is that he is a douche. but I've never met the guy. so i dunno. as far as music, he's got a nice voice, but the album isn't interesting. lyrics are pandering; music is predictable. If they had to change this from 1001 to 1000 albums to listen to, this should be the one that goes.

According to Wikipedia, "Ryan Adams; Not to be confused with Bryan Adams." Also, the anecdote about "Summer of '69" made me laugh. As for the album, too long, uninteresting and I've reached a point in the 1001 albums that I definitely have a problem with the harmonica. Make it stop!

I can do this, too. The road is long, You've got to be crazy to catch a cliché, it ain't easy, and my brother, looking over my shoulder, it's been a long path; and my sister, where has she gone? Where has the time gone, dripping off my watch like syrup, Dali on my mind, Dali on my mind, Dali on my mind, Dah-a-a-ali on myyy miiind. Heavy with the pressure, waking up in a motel and thinking, Dali on my mind, Dali on my mind, Dali on my mind. Ooohh, yeeeaah.

Milquetoast

😀 That was a good one 😀

I love Ryan Adams' music. I'm not sure why I don't listen to it more, but it's great. I'm not even really sure why I like it so much - it just seems kinda timeless to me. There is definitely a Neil Young, Bob Dylan vibe, but also like the Stones and a bit of the Beatles. It's blues, but it's folk, but it's also country. He could have performed at Woodstock or at a contemporary music festival and people would dig it. It's somehow genius in its simplicity. I don't know. But - 5.

Awesome album

Un artista poco sonado en su momento pero que es una máquina de hacer grandes rolas. Este disco se deja ir solito, sin un momento que me aburra o que me invite a cambiarle. Incluso la rola más depre (Sylvia Plath) es una chulada si le pones atención. Me encanta ese punto que encuentra entre Rock, Pop y Country en el que un montón de las rolas del disco sirven en muchos momentos.

Blissful 😊

cool

La Cienega Just Smiled. Bastantes canciones preciosas.

Classic

One of my go too albums in 2001. Didn't think Ryan could top Heartbreaker. Grows track by track. 6 stars. Rescue blues and nobody girl are in my opinion two of the best songs of 2001.

La Cienega Just Smiled. Bastantes canciones preciosas.

The first song came on and I was thinking damn this is some good ol Americana. Classic but not too classic and catchy but not cliche. To my surprise, it more or less continued consistently throughout the whole album. Some songs stood out more, but overall there were no misses. Altogether, since I enjoyed it, there were some great songs and really no duds, and the album flowed together the whole way through, and I'll definitely be coming back to it, I think this deserves a 5

Say what you will about Ryan Adams as a person...this album is soooo good! I love it and it reminds me so much of a snapshot in my life.

I see and hear what you're doing there, Adams. A stab at Bryan Adams and an inversion of Born in the U.S.A.. I get you... Personal issues aside, really good album I thoroughly enjoyed. I was expecting this to plod a bit but that was the most striking thing to me about Gold. Even the slower songs had some pep, creating an experience that was very catchy, melodic, and very beautiful in several spots. Anything that makes me want to sing or play along is a winner in my book.

From what I hear he is a pretty big douche bag but this music is decent Americana. Ill give it five stars but actually 3.5 when you take away the curve I grade on.

This album used to be in heavy rotation when I was younger. Every track has something to offer. New York New York, is a great song. The whole album is full of rock blues music. Nobody Girl is a personal favorite of mine

Great album. I've been a fan for a long time. Any album you can press play, listen, and enjoy every track you know you've got a winner. I'm sure I'll listen to this many more times in my life.

Enjoyed pretty much every song. Easy chill, vibe listening!

Awesome folk rock with impressive versatility, encompassing everything from rock to bluegrass and Americana. Loved it!

I was obsessed with this album in 8th grade. I know we’re not supposed to like him anymore but he is such a great songwriter and I love a lot of his records. Rosalie come and go was on so many of my mix cds

La Cienega Just Smiled. Bastantes canciones preciosas.

When I saw the 1 hr 30 min playtime I almost skipped this one. I've heard Ryan Adams before and I really do like his music, but dedicating 1:30 to one album felt like a potential slog. But because I've liked what I've heard before I jumped in. An hour and thirty minutes later I'm really glad I did. Adams is such a great singer/songwriter. I joked with my wife that he's like an aphrodisiac for people who like coffee house music. Definitely coming back to songs from this one.

4.5 - Ryan Adams is really good, such a great song writer. He makes it feel so effortless and natural and this album really is great. I just struggle to separate the art from the artist with this one. Objectively it's so fucking good, and so gonna try to listen to him again

One of my favorite albums I have listened to that I didn't already. Really enjoyed it all the way through.

Still a classic in my book (10) ★★★★★

Jahas.. Taidan antaa silveriää.. eli neljä tähteä..

The fact that this appeals to me so much either says a ton about me or Ryan Adams lol. Kinda in that Wallflowers mold. PROTO TAYLOR SWIFT. Just some light, easy going alt rock, some good story telling, really nice melody lines and guitar riffs. Didn’t really care for Sylvia Plath. His different voices throughout the record throw me off a little too – like what the hell is that voice on Gonna Make You Love Me?

Gold.

Hat mir gut gefallen. Überhaupt nicht so schnulzig, wie ich erwartet hab. Vielleicht verwechsle ich ihn auch... tatsächlich! Bryan Adams... dafuq? Werd ich wohl nochmal hören.

Pretty good. A few odd songs

Me ha gustado mucho, conocía pocas canciones, pero el rollito está toh guapo

Hoewel hij inmiddels gecancelled is :), vind ik Ryan Adams een goede artiest. Op dit album wel veel kabbelends, maar vooruit: een 4. Dan devalueert dan wel de 4 voor Nick Cave van gisteren een beetje. Tsja.

Al is Ryan tegenwoordig een sujet met een wat twijfelachtige reputatie, blijft het een geweldige muziekant. Heel mooie en diverse plaat.

Ik houd van Ryan. Bijna geen slecht album gemaakt. Goeie plaat!

First Ryan Adams album for me. Pretty groovy/rocky for what I'd been led to believe was a folk influenced artist.

The most generic pop/country music. But very enjoyable nontheless.

not bad

This is a really nice album for Ryan Adams. Not sure why he isn't a bigger star. Very in the mold of singer/songwriter style of the 70s. He has lost some of his alt-country sound on this one and gone for a more straight ahead rock/pop sound. It does lack some of the soul of Heartbreaker, but still a strong set of songs...4 stars

This is a really enjoyable alt-country / rock album with plenty of head nodding, toe tapping tracks (Tina Toledo's Street Walkin' Blues, Firecracker) alongside more thoughtful, lyrical numbers (Sylvia Plath, When the Stars go Blue). And whilst the man is clearly a bit of a wretch, he’s clearly very talented.

Way too long but besides that an entertaining combination out of folk, rock and roll and country

I really love this album. It feels like a love letter to a fading world. (A world wherein a man can innocently abuse many many women perhaps?!) The last light of a dying moon perhaps. The steady movement of La Cienga Just Smiled always produces a wistful tear. I’m not too au fait with his whole back catalogue but this record has it all for me. He’s a real wrongun and by all accounts is desperately scrabbling around for his marbles of late. I do love Phoebe dearly and don’t want to give the boy more airtime than he deserves though I trust the vacuum of cabbage ears shall allow this tree to fall in utter silence.

This is a really nice album for Ryan Adams. Not sure why he isn't a bigger star. Very in the mold of singer/songwriter style of the 70s. He has lost some of his alt-country sound on this one and gone for a more straight ahead rock/pop sound. It does lack some of the soul of Heartbreaker, but still a strong set of songs...4 stars

Good for a trip.

Really solid album with lots of fun upbeat tracks. A lot of it sounded uncomfortably familiar though. I’m not sure how Prince never sued him for “Touch Feel & Loose” as it’s about as Purple Rain-y as you can get. That’s not a bad thing to sound like one of the sexiest songs of all time. Fave tracks: “Touch, Feel & Lose” “Gonna Make You Love Me”

starts poppy and slowly gets folksier and folksier. country 90s bar with some genuinely heartfelt lyrics.

I'm not big on country and western music. This was great work!

I've never listened to a complete album from Ryan Adams before. "New York, New York" was the track I liked the most from this album, and a track that I've heard before. "Gonna Make You Love Me" was another favorite. Overall, this album was easy to listen to. I like Ryan Adams enough that I'm happy to listen when his music comes on, but I haven't been at the point where I specifically seek out his music on it's own. This album was good and there's room for it to grow on me. (I listened to the extended verison of the album and "Cannonball Days" is an additional favorite).

8/10

Nice guitar/piano arrangements.

3.5

Very enjoyable soft rock. Favorites were When the Stars Go Blue and Firecracker

Listened to on 8/22/22 4/5 Favorite song: when the stars go blue, answering bell This album was very pop-country and upbeat which I really enjoyed. It didn’t need to be 1.5 hours but would be killer on a 00s road trip playlist

Takes the idea of wearing your influences on your sleeve to a ridiculous level, but a great album

Liked this album, hints of Counting Crows, Turnpike Troubadours, Rob Thomas, Black Crows. Standouts are "Firecracker" "The Rescue Blues", "Gonna Make You Love Me",

J'ai lu quelques reviews sur le site. Je m'attendais à quelque chose de très générique.. En plus, je vois que l'Artiste n'est pas très aimé. Cependant, je crois que l'on doit séparer L'oeuvre de l'artiste. Je ne réécouterai probablement pas l'album, car ce n'Est pas un genre qui s'écoute bien dans la vie de tout les jours dans le système de son mais en travaillant avec mes écouteurs. Ce fût une très plaisante écoute. C'est très bien fait comme album. Pour reprendre la critique de quelqu'un sur cette liste. Ce n,est pas un 5 ni un 4, mais j'ai mit des 4 a des albums moins fort que celui-ci. 4.

I'll be honest. From what I read before listening, I wasn't expecting much from this album. so please don't tell my mates I liked it.

Love this album longtime. Shame about his recent-ish shenanigans as he is/was one of the great songwriters of recent years/decades.

Je me suis surpris à apprécier ces grossières américaineries. Profitez-bien, ça n'arrive pas si souvent.