1001 Albums Summary

Listening statistics & highlights

48
Albums Rated
2.83
Average Rating
4%
Complete
1041 albums remaining

Rating Distribution

Rating Timeline

Taste Profile

1970
Favorite Decade
Rock
Favorite Genre
UK
Top Origin
Critic
Rater Style ?
5
5-Star Albums
7
1-Star Albums

Breakdown

By Genre

Tap a bar to see the albums behind it

Top Styles

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By Decade

By Origin

Albums

You Love More Than Most

AlbumYouGlobalDiff
Rock Bottom
Robert Wyatt
5 2.39 +2.61
Unknown Pleasures
Joy Division
5 3.48 +1.52
Marquee Moon
Television
5 3.51 +1.49
Kid A
Radiohead
5 3.71 +1.29
Rejoicing In The Hands
Devendra Banhart
4 2.8 +1.2
Disintegration
The Cure
5 3.87 +1.13

You Love Less Than Most

AlbumYouGlobalDiff
Cloud Nine
The Temptations
1 3.39 -2.39
The Band
The Band
1 3.34 -2.34
Hysteria
Def Leppard
1 3.2 -2.2
Dare!
The Human League
1 3.05 -2.05
16 Lovers Lane
The Go-Betweens
1 2.95 -1.95
Heroes to Zeros
The Beta Band
1 2.9 -1.9
Chore of Enchantment
Giant Sand
1 2.62 -1.62
Raising Hell
Run-D.M.C.
2 3.49 -1.49
The Marshall Mathers LP
Eminem
2 3.45 -1.45
A Rush Of Blood To The Head
Coldplay
2 3.43 -1.43

5-Star Albums (5)

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Popular Reviews

Music for the Masses by Depeche Mode

This album carries the eccentric momentum of a left-handed darkness. That is, until the abject failure of track 7, in which, we the listeners expereince extreme dissonance between jarring normalcy and arbitiary strangeness. From then on, the movement is lost. And while none of the remaining tracks are bad, per se, it still fails in ways, twin ways, to be exact. The first is not of normalcy, but rather routine, examining the qualities of the respective track and only thinking "That's Depeche Mode", and that's alright I suppose. The second is far more worrying to me. It is that of the music acting and moving in strange ways for the sake of strangeways. As if strangeness and 80s pop sensibilities are cohesive on their own. The materials of thoes first six tracks are clearly there, but there's a clear degredation. Still, the remaining tracks sound good, they just don't have that immense evocative appeal of the first six. Quite good overall, but it was to be far greater than it is. 3.5/5.

4-Star Albums (7)

1-Star Albums (7)

All Ratings (48)

Cloud Nine by The Temptations
May 28 2026

Shockingly awful

Different Class by Pulp
May 29 2026

Whether this album decides to be pure unfettered fun, melancholic, or anything in between, it remains an absolute joy of a listen. I'll be returning to this often.

Nothing's Shocking by Jane's Addiction
Jun 01 2026

Mostly enjoyable, but only occasionally any more than that. A true model for the descriptor, "alright."

Music for the Masses by Depeche Mode
Jun 02 2026

This album carries the eccentric momentum of a left-handed darkness. That is, until the abject failure of track 7, in which, we the listeners expereince extreme dissonance between jarring normalcy and arbitiary strangeness. From then on, the movement is lost. And while none of the remaining tracks are bad, per se, it still fails in ways, twin ways, to be exact. The first is not of normalcy, but rather routine, examining the qualities of the respective track and only thinking "That's Depeche Mode", and that's alright I suppose. The second is far more worrying to me. It is that of the music acting and moving in strange ways for the sake of strangeways. As if strangeness and 80s pop sensibilities are cohesive on their own. The materials of thoes first six tracks are clearly there, but there's a clear degredation. Still, the remaining tracks sound good, they just don't have that immense evocative appeal of the first six. Quite good overall, but it was to be far greater than it is. 3.5/5.

The Man Machine by Kraftwerk
Jun 04 2026

I'd go as far as to consider this flawless in an isolated sense. That said, I was never provoked by it's absolute commitment to sonic coldness. It was less cold like a starless winter night in a mechanical wasteland and moreso cold like a corpse. 2.5/5

Jun 06 2026

Listening to this album, I was reminded of those talented authors that use the foundation of a greek tragedy to justify whatever power fantasies they wish to indulge in with a veneer of prestige. This comparison is a poor one, as fascinatingly, Eminem is completely aware of this persona being largely a juvenile power fantasy. It'd be more accurate to say that in this comparison, Eminem's fickle intelligence is that power fantasy, and this indulgent and grotesque caricature of a juvenile power fantasy is that veneer. It's disappointing really, as these flashes of brilliance clearly aren't just flashes, but rather the foundation of his art, which remains obscured by blood, semen, and shit. I hear a person curbed by their nature, fame, community, beginnings, and that which runs through all of these things, their masculinity, or that which makes them slightly more than just a person. I hear the twin, nigh- inseparable fantasies of a man and a boy, and seldom, they seperate, and I hear an artist.

Dirt by Alice In Chains
Jun 07 2026
Low by David Bowie
Jun 16 2026
Kid A by Radiohead
Jun 22 2026
KIWANUKA by Michael Kiwanuka
Jul 29 2026
90 by 808 State
Aug 02 2026
Dare! by The Human League
Aug 14 2026
Kala by M.I.A.
Aug 16 2026

Critic

Average rating: 2.83 (0.48 below global average).

Other

Album origins are grouped into three buckets: US, UK, and everything else. “Other” means the artists you rate highest are from outside the US and UK.