Oedipus Schmoedipus

Naming the first track on your record “Set Controls for the Heart of the Pelvis” is statement. Of what, I’m not entirely sure, but it’s cool that he got Austin Powers to do a guest vocal. If you like the electronic lounge-pop of bands like Air and Stereolab, but wish they did it with a less deft touch, Oedipus Schmoedipus’ first few tracks might be for you. Perhaps you prefer Lynchian horror soundscapes, might I direct you to “It’s Business as Usual” or “Dirty Barry”? Coincidentally, “Something Wicked This Way Comes” appears in “Lost Highway” - it took me a minute to figure where I had heard it before. Speaking of David Lynch, the overtly digital jazz on “Miles” could’ve earned a spot in Mulholland Drive, perhaps as the soundtrack for the dance sequence on the soundstage of “The Sylvia North Story”. I’m doing my best with this one, but fuck me, it’s taxing. I mean, I could talk about David Lynch all day, but he’s not the focus here. A few days ago, in a review of Red Snapper’s “Our Aim is to Satisfy”, I bemoaned the list maker’s inclusion of albums for the late 90’s and early aughts that haven’t aged particularly well. Add this record to that pile. Not that this record doesn’t have its moments, but I suspect having a high tolerance for film noir-cheese is a requirement for full enjoyment. If you spend your evenings skulking around dimly lit alleys in a trench coat…boy, have I got an album for you. If you’re still reading this after all my shit-talk, let me recommend 3 records that occupy a similar musical space to Oedipus Schmoedipus, that have held up well and are actually worth hearing before you die. Two of the three, shockingly, are not included on the 1001 albums list: Air - The Virgin Suicides Stereolab - Dots & Loops (possibly the most egregious exclusion from the list) Tortoise - TNT (another glaring omission, imo) Or, you could just watch a David Lynch film or two.

Cool! Then weird.. Then cool! Then scary

What a fun, weird ride. Some great sax work here. Business as Usual was miserable to listen to. The whole project was strange, but at least he was trying something. At least it's not another "Debut album by British pop band" like 500+ of the albums on here.

Nice enough background music. In a list of 1001 albums I must listen to before I die, though? Let's let "background music" be a disqualifier, shall we?

It's like if Tom Waits was mediocre.

A brilliant surreal genre defying album. Part sleazy lounge music, part funk, part jazz - will be back for more

Soundtrack for a movie that doesn't exist

wowwwww!!! I had never heard of this artist, album, or any of these tracks before. This is most definitely an Elaine album. Weird, sometimes MJQ, sometimes frightening. Eclectic. Spotify played Badalamenti’s Dance of the Dream Man (from Twin Peaks) right after. All you really need to know.

Very atmospheric album, some great compositions, and also lots of crazy weird stuff. I enjoy the variety while still maintaining a sort of mysterious vibe throughout.

Making another soundtrack to an imagined film because nobody will let me make a soundtrack to a real film

I was not expecting this on the list. I thought this was an underrated oddity that no one actually listened to aside from anal music geeks. I had assumed that no one really cared about an album from that fella from Magazine that isn't the main fella from Magazine, clearly not. It's the soundtrack to a movie that doesn't exist, featuring Nick Cave, Billy Mackenzie and Jarvis Cocker, and it's every bit as quirky, sleazy and kitsch as the soundtrack to a movie that doesn't exist, featuring Nick Cave, Billy Mackenzie and Jarvis Cocker, should be. If the movie was real, it would for sure be directed by David Lynch. I thoroughly enjoyed revisiting this gem.

So glad this popped up. Never heard of the guy before, now this album is in my playlists. Brilliant stuff

Simultaneously groovy, clever, funny, surreal, and odd. Super interesting!

Haven't you heard, my name rhymes with Elvis

What's that cover? Am I listening to black metal today? Oedipus Schmoedipus? This must be weird AF. Maybe weird for the sake of being weird. Oh. Experimental music. I'm excited. I expect to hear some bells and electric drills and shit. A soundtrack to an imaginary movie? I heard something like that before... Was that a Barrett-era Pink Floyd cover? Wow. Wait a minute. It says... pelvis. So it's trip hop but it's actually trippy. A Miles Davis impression? Daring. A bit scary sometimes, ngl. Lol. I've never had an album that constantly surprises me for a while. What an experience. What a treat.

had to listen to it like 4 times to make up my mind and it got better each time

A brilliant surreal genre defying album. Part sleazy lounge music, part funk, part jazz - will be back for more

Some cool stuff in this album. But mainly instrumental and weird. He is trying to make something different and that he achieved.

Struggling to get through this one. Every time one of these songs starts to develop into something good, he introduces something cheesy and it all comes crashing down. If the idea is to be the soundtrack to an imaginary film, I keep thinking it's a disappointing sequel to The Saint (which to be clear is already a pale imitation). The strongest feeling I get from this is that I'd much rather listen its influences (blaxploitation soundtracks, Madchester/electronica). Calling it a 2, but that's generous.

As with Moss Side Story, I loved this. It's amazing, I think. Each track paints such a picture. I'm going to listen to Soul Murder now because I want more Barry Adamson!

with an name like Oedipus Shmoedipus this album had high standards to live up to and it did it so well. absolutely crazy from start to finish. from truly uncomfortable techno/spoken word to melancholic piano led orchestral arrangements. crazy. so good

very good album - enjoyed it - a hidden gem and want to listen to more.

Hands up who has owned this for nigh-on 30 years? Just me then?! Surprised to see such an obscurity here, still play it quite regularly for the vibes (literally). I really enjoy its "cinematic" style even though this has its detractors in the peanut gallery here; also features one of Nick Cave's finer tunes and the fabulous voice of Billy Mackenzie. Funny how I knew Barry Adamson from this but not Magazine until recently! Hope you all enjoyed it

So ... what is this ?! The album seems to be all over the place in terms of tone and genre. I think it starts on "psychadelic 70's summer of love" then goes to "light goth" with some "trance 80's" and I just can't work out if I like it or not.

Dit doet me aan Air denken. Beetje film-achtige muziek. Heel interessant project. Ik vind de melodietjes soms een beetje lift-muziek maar in combinatie met film-geluiden of een relaxte beat heeft het toch iets speciaals.

Interesting album; some nice Primal Scream esque grooves and abstract storytelling. Favourite song is 'The Sweetest Embrace' sung by Nick Cave.

From the other reviews on here, I was expecting some sort of hellishly unlistenable soundscape, but that wasn't too bad. At least it was trying something. It would have scored higher but one of my least favourite things in music is a horny Jarvis Cocker

Entirely too much moaning. Adamson’s album, styled as a soundtrack to an imaginary movie, works well when it leans into the instrumental aspects of a score. The spy/noir jazz is smooth, deadly, and bombastic, and definitely worth listening to again. However, some of the more experimental tracks are too avant garde for the casual listen, and are deeply creepy and/or sexual. Overall, a tongue-in-cheek, darkly comedic noir soundtrack that lands in some places and misses in disturbing ways. Stand out tracks include “The Vibes Ain’t Nothing But The Vibes”, “In A Moment of Clarity”, “Vermillion Kisses”, “The Big Bamboozle”, and “The Sweetest Embrace”.

Like a lot of others, I’m intrigued at this albums inclusion on the list. Another reviewer made the point that most of these odd picks are late 90’s, early naughties, usually British albums that have not been vindicated by history. I am left wondering whether or not this was nixed from later editions. As music, this is mostly enjoyable. The weirder tracks worked well at telling what little story is discernible and the more regular tracks were mostly fun little cod-Jazz, although I could have done without the version of Miles, the only actual Jazz standard on here, which Adamson has misnamed, intentionally or not, I can’t tell. My biggest problem is with the concept rather than the music. Making a soundtrack to a fake movie is unique, or would be if Adamson hadn’t done it four or five times by this point. But it doesn’t actually sound like any film scores I’ve ever sat down to. It’s supposed to be a Noir I guess, but so much of the songs sound so un-Noir-ish that it took me a couple of tracks to get that concept. Although, I praised the use of weirder tracks to tell the story, thinking specifically about the tracks with narration, I’m not sure they actually work as either music to be listened to independently of the album’s context, or as incidental music for a film. It’d be a little weird to have scenes from a film just pasted over the soundtrack with little rhyme or reason. The only album I can think to compare Oedipus Schmoedipus to is the other late 90’s British mostly instrumental music I’ve had the chance to listen to recently, Fatboy Slim’s Better Living Through Chemistry. And I think the difference is ultimately down to personality. I get more of Norman Cook in his music than I do Barry Adamson. The only thing that we have to base Adamson’s personality on is the concept, which is just a bit weird, and the titles, which are just a bit weird. And I’m not even sure he wrote all of the titles himself, because Set The Controls For The Heart Of The Pelvis is 100% a Jarvis Cocker line. It just doesn’t feel as if Barry Adamson puts much of himself into his music, and for that I’m not sure how I feel about the album as a whole. I’m gonna go 3 stars out of five, because I enjoyed it more than I didn’t, but this is the instance so far that I most wish we could give half rankings, cos this is definitely a 2.5 if ever there was one

Some great jams counterbalanced by some absolutely bat shit ones. Best track: Set The Controls For The Heart Of The Pelvis

A concept album I really didn't enjoy. It's really trying to act like it is saying something. Disliked the spoke word stuff (like really, making me listen to a 4 minute 30 second creepy voice message?) Redeemable only by the instrumental tracks.

Self indulgent garbage. Might have been cheaper than therapy.

I respect Adamson - especially for Magazine - and admire the craft in this, and understand how this might work well as a film soundtrack. The words I caught are funny and entertaining; Jarvis Cocker’s opening turn is a grabber. Those elements aside, this left no more impression on me than passing air.

Electronic-avant-garde-jazz fusion? The answer to a question I never would have asked.

Well, once again I have to say, this just isn’t my thing. I’m not sure whose thing this would be, and I am not too sure that I would want to meet them either. I only listened to a minute or two of most of the songs, with the exception of “it’s Business As Usual”. I was intrigued by this disturbing track, and had to see how the voice message ended. For me, the best thing about this album was its title. I’ll be trying to forget about this album.

Strange mix of songs. I'm also mortified that a bass player would try to make a bass sound like it. It sounds like General Midi on Miles(tones). Jarvis, while a national treasure is a creepy man. I don't like him ejaculating out of my headphones.

This is a bit of an interesting find in this list - it's weird, but in the same mesmerising way twin peaks is. There's a structure, and it experiments over the established and does it well

Very good. Never heard of this record before

This was a trip. Unexpected!

I spent my entire time listening to this album completely at a loss trying to figure it out. It is very much all over the map. It's in one moment blissful, then funky in the next, then sinister, then depressed, then cheery. At times it feels like there's an unspoken narrative and at time there's a very explicit narrative. But the narratives, said or unsaid, don't seem to match. Is it meant to be a collection of stories or one very winding road telling all the stops of one person's story? I really don't know. I don't know how to put this album into words. All I know is that it is by far one of the most interesting albums I've received on this album generator project. For that I really enjoyed it.

Before we talk about this album we need to talk about movies. David Lynch is probably my all time favorite director, and I just watched Lost Highway for the first time about a month ago. Such a weird and creepy movie, highly recommend if you like weird art films. Something Wicked This Way Comes plays in the scene where the mystery man is first introduced (great scene!). I can see why Lynch likes this album and if I had to guess Lynch's favorite song from this album it would probably be Business As Usual. Ok, now the album. First off, Oedipus Schmoedipus is such a funny title. I think this is the only time I've ever actually laughed at an album title. Not really sure why I am seeing so many 1's and 2's this is just a chill little trip hop album. Never mind some of these songs are not so chill (still very good though). I don't want to be a contrarian, but I did really enjoy this album. It is really weird and it is something you will never forget. I wish this list had more stuff like this album. I am definitely going to need to check this one out again. Low 5.

I am totally diggin’ what this Barry Adamson cat is puttin’ down!

Wowee! Whatever I was missing in Adamson's Moss Side Story, I have found in spades in Oedipus Schmoedipus. A compelling listen from start to finish. Hands down, this is a thumbs up!!

No idea what I was getting into, but Set Controls For the Heart of the Pelvis came out of the gate with such a groove that pegged my ranking needle on a 5. Incredible! Then that familiar Spooky sample opened Something Wicked This Way Comes and I added that to my favorite Halloween songs playlist in the first thirty seconds. Really nice, atmospheric, right up my alley. Barry Adamson was sorely missing from my consciousness. Terrific!!!!

Wow. Front to back I've never been able to feel a story through music as vividly as this album. Set the Controls as the front and ending credits does a great job. Something Wicked feels like a character introduction. It's business as Usual introduces conflict and dirty Barry turns it up a notch. The track is noisy, claustrophobic, sinister, and kinetic. Achieved in the Valley of Dolls is clever and triumphant. Vermillion Kisses is a worthwhile interlude. The big bamboozle is big and boisterous. The Sweetest Embrace is the finale and mourns the ending of the story and the death of innocence. Then the album ends with a well-timed credits track, it doesn't overstay it's welcome and leaves the listener on a positive note. I think that the three songs with lyrics were all excellent. The album gives enough space that it isn't a 50-minute assault. It builds things up and the transitions, like that between the smooth tracks like Miles or a moment of Clarity, feel organic. Rather than a roller coaster with twists and turns, it feels like a lifetime with ups and downs, fasts and slows. This album surprised and impressed me over and over again. I won't be listening to it often, but I will certainly revisit in whole when I want to experience the rich soundscape that it is. As a concept and as it is executed, I believe that it is near perfect.

Very very cool

So groovy. Loved learning the history behind this record and the strange context it came from

I don’t think I’ve ever heard of Barry Adamson before. I’m not entirely sure what to expect of this album. The name Oedipus Schmoedipus makes me a little wary. Oedipus was a bit of an odd fellow, wasn’t he. Songs I already knew: none Favourites: Something Wicked This Way Comes, The Sweetest Embrace This was a really pleasant album. It felt alt-rock at times, and instrumental jazz at others but somehow it works really well. It even has tracks that sound closer to an orchestral soundtrack. The lack of vocals in a lot of the songs really helps the music shine, and the tracks that do include singing can be appreciated all the more for it. This album is so versatile, spanning many genres yet tying together fantastically. This surprised me, and I like it a lot.

This was not my first taste of Adamson, but wow is this one incredible. He mixes so many different styles on this one. There is a DJ Shadow like quality to this, only more in the "art rock" vein. Not his best, but an excellent part of his catalog 9.1/10

A lot of fun listening to this one.

Can't believe I'd never heard of this guy before now. Had to look him up and see more of his works. Saw this came out early 90s. Sorry I missed it then, it would have been a staple of my more drug-addled days.

Great discovery. He also listened to Massive Attack

кино ебаное. буквально. Барри Адамсон рил гений, сделать альбом как фильм это надо уметь. я в целом люблю такую кинематографичную музыку, арт рок или вроде того, под которую закрываешь глаза и музыка визуализируется у тебя в голове. а концепция этих альбомов вообще заключается в том, что это саундтрек к несуществуещему фильму. тут блин в альбоме скримеры есть, саспенс какой то. я реально пару раз шуганулся. очень сильная атмсофера, погружает шо пиздец. ещё и музыка на некоторых треках разрыв ебала. но только как же сложно послушать этот альбом. я не нашёл его ни на одном стриминге, на ютубе он забанен, даже блин в перезаливе в вк, где у него 2 прослушивания (реально 2), и то заблокирован второй трек альбома. но в целом остался прям под впечатлением. короче пизда оценка - 9/10

Fabulous album of potential movie soundtracks, a complete surprise to me as no idea who Barry Adamson was. Now I can't get tracks like Miles out of my head. It's not just the memorability of the tunes, it is their diversity and the imaginative arrangements. Instantly likeable

Eeeeeediupis. Smeeedipus

burner!

Experimental music. Brit oscuro.

Hey, this is surprisingly good. I even knew a couple of the tracks. Also fun to hear Jarvis Cocker.

Kinda all over the place but . . . very much not bad!

This album is terrifying. It's been a long while since we had an album so shocking, disturbing and well... surprising. This album was a mystery, I'd never heard of it before, and after it was finished, I wasn't sure what I had listened to. Some of it I really liked, no questions asked. But, other tracks sounded as if they were hanging on the precipice of madness and horror... and were inviting me in. Taken as a whole, it gave me goosebumps, it was a moving and a wholly unsettling experience. Highly recommend.

That was strange and surreal. From dark to jaunty and upbeat at the drop of a hat. I’ve never heard anything like this. Great album.

Damn, Adamson is a beast. What a strange, yet cohesive album.

Oh this is awesome - one of my fave discoveries from this project so far! Starts off sounding like it's going to be a "Screamadelica"-era Primal Scream knock off, and then gets properly weird, I love it. Proto doom jazz! 💀 Fave track - "The Vibes Ain't Nothin' But The Vibes" and "It's Business As Usual" for being that one two punch that lets you know this album is not what you thought it was. "Dirty Barry" is awesome too. And I love a bit of Nick Cave, so "The Sweetest Embrace" is another highlight....

Way way way better than Moss Side Story, despite this one having now Dave Graney input. Can see a lot of these being perfect soundtrack tunes

Experimental music. Brit oscuro.

very cool

i want this to play in the background of my life 24/7

Emotional rollercoaster. 4 Holy shit this is one unique album. I love it. Though some songs give me that bad 90s film feeling that I also get when seeing that DVD-ad: "You wouldn't download a car", I think it more than makes up for it with eeriness and diversity. "Vermillion Kisses" hit me like a train. 5

10/10 album full of so many different moods, it can be dark and tense or fun and upbeat just such a great work of art overall

1996 - Genre: Alternative/Indie (jazz, beat, hip-hop)

Art rock will always be my least favourite genre. That being said, I was surprised at how much I enjoyed this album. It's very consistent, and even the album's more experimental tracks ("It's Business as Usual") were really enjoyable. It feels like this album covers a lot of ground but is still very cohesive in its sound (which is where a lot of other experimental albums fail for me).

An interesting mix of everything. I definitely agree that this is an album you should listen in your lifetime, but it's ok if u do it just once.

Was ready to give this three stars because of how jarring it was to hear “It’s Business as Usual,” but the more I thought about it, the more I had to be impressed with that song’s craft. It’s legitimately frightening, and I think that should be commended. The rest of the album is full of some sick beats, jazzy compositions and remixes, and a touching ballad or two. Into it!

I went in with low expectations are reading the wikipedia blurb but was pleasantly surprised

aatamin poika jaha.. eikös me kaikki olla? eli siis paska nimi. wautsika wau! taas albumi joka on lisätty listalle syynä: soolohenkilö joka oli osana jossain bändissä joka oli kuuluisa... tämä on tarpeeksi syytä että PAKKO PAKKO PAKKO KUNELLA KUUNNELKAA IHMISET MINUA: homosex homosex homosex homosex homosex homosex homosex homosex homosex homosex. ihan nautinnollista kuitenkin kun pääsee alkukankeudesta eroon. kun ei puhu PASKAA kesken intrumenttaalisen ambientin pyörieissä.. sillonkun ymmärtää istua ja vittu kuunnella omia tekeleitä eikä kännipäissää höristä jotai mitä vittua se nyt selittää yrittää jotain jotain seksijuttuja taas varmaan saatana kuunnella tommosta dirty barry

4 stars. Almost 5 except for the weird middle part. I loved this though.

Oh, interesting, another Nick Cave connection. My expectations were low going into this, but it's a pretty cool album. It's thematic but tonally diverse. The avart garde tracks are engaging and fun, but I have to admit the jazzy tracks are my faves. Miles in general was such a fun little song. Overall, it's a fun album but another in a long list on this site that are more fun to talk about than to listen to. 3.5 / 5

Funfunfun, mit em Barry siinere Musig fühlt mer sich ja automatisch wie imene Film. I ganz vielne Film. bi ganz, ganz durchmischte Genres. Das er viel Soundtrack für de David Lynch gmacht het findi au sehr sympatisch. De Albumname Oedipus Schmoedipus chönt au guet vo eus sii bevor mer en DJ gig hend und no ganz schnell en Name bruchet. will sini kompositione hald doch durchs Band mal alli Film und Musig Genres duregönd, und ich s album biz han müsse durerushe, gits "nur" 4 Oedipus Puentipus, eimal gschüttlet und ned grüehrt.

Ah man, mis review isch au lost, i feel you Tbone. Has i drü tranche gschriebe, isch na güet gsi. Und ez mussis im laufe und im rege schriebe: bääh Kurz: name geilo. Barry=fun Adamson=protomale? Oedipus schmoedipus=fucking legend album name Song näme au mal was ifallsrichs. Und vlt s wichtigste glatt zum lose isches au. Sehr sogar. 4 griechischi mythe für de barry

intressant schmintressant weiss nöd öb de fall bi eu au scho ihtroffe isch aber bi mir isch hüt en klassische fall gsi vo: wow tönt eigentli sehr spannend und guet aber ich han irgendwie meh luscht uf mini komfort schmomfort lieder woni scho känne und bin gad nöd so explorefreudig, trotzdem losi aber s‘ganze album schmalbum das isch aber gar nöd am barry sini schuld, morn vilicht… ich han 4-5 lieder ufjedefall mal gspeicheret woni s‘gfühl han chöntet durchus wiedermal de weg zu mine ohre schmohre finde wege überraschigseffekt gids also 4 pünkt schmünkt

Ik kan de broeiende, groezelige gekte van Barry Adamson goed hebben. Ik herken dan ook een aantal nummers van zijn verzamelaar The murky world of. Jazz, big band, beats, rare verhaaltjes, een gastoptreden van Nick Cave, kortom: laat ome Barry maar schuiven in zijn sfeervolle fantasiewereldje.

Had every music style in a kind of kaleidoscope of sound

Interesting album

Distilled 90’s at that sweet spot between post modern camp and pure self indulgence.

Kinda soundtrack-ey, very atmospheric/ethereal

This album is *wild* and feels timeless/genreless.

Gear: Abyss DIANA MR Artwork: ⬛👩‍👦👹 Production: 🎧😐...🤯😍 Music: 💻⌨️🖲️🎷🎹💿🍦😎😱 Rating: 👩‍👦👩‍👦👩‍👦👩‍👦/5

At first I was a little put off by how weird it was... and then I started to get it. It's experimental for sure, but I kind of dig it! Weird dark jazzy trip hop stuff... kind of a noir fever dream journey that I'm really starting to like.

Really cool acid jazz album.

Very diverse within the soundscape/ambience realm with some elements of jazz and some gospel. Really liked it but i dont know if i would listen to it, if i wasnt studying.

A remarkably cool and eclectic album, which shows Adamson's ability to blend genres from across the spectrum in to one cohesive piece. There are elements of jazz, ambient, big band, electronica, and hip hop present across the whole album, and even single tracks. Vocals from Jarvis Cocker, Nick Cave, and Billy Mackenzie add a more accessible element to this (at times) rather avant-garde record. You'll even be treated to some trumpet parts written by Miles Davis, in the standout track of the album. It's conception as the soundtrack to an imaginary film encourages the listener to imagine the scenes to which the music is set. And with ambiguity and number of layers to each track, it's hard to think that each listen will evoke the same images. Highlights: Set the Controls for the Heart of the Pelvis Miles The Sweetest Embrace

Erittäin kiinnostava, kokeellinen ja miellyttävän jazzahtava levy. En ollut aiemmin kuullut, joten en ihan uskalla antaa vitosta mutta lähellä ollaan.

Good!

cool moments

Unfortunately I actually really enjoyed this album HOWEVER I do fear this guy wants to fuck his mom

This is a wild, wild ride. I never knew what was coming next. Big band? Film soundtrack? Audio book? Honestly there was not once where I’d label this album boring. It is an acquired taste, though. I happened to enjoy it immensely but could just as easily understand if someone else found it utterly baffling. 4/5

this one was really strange, with some truly bizarre cameos (atticus ross???). i laughed at the review that called it "a soundtrack for a movie that doesn't exist." true! while i didn't love all of it, and i can't really see myself regularly listening to it - especially the really bizarre spoke word tracks - it was certainly fresh and different, which i appreciated.

Had not heard of this artist before, but did enjoy this album. So much is happening in it that is will probably take a few listens to really appreciate it. Lots of different styles melded together, such as jazz, trip-hop, French 60s style pop etc. A couple of tracks include Atticus Ross, Trent Reznor's regular collaborator. 4/5

This one was wild. Started absurd, then descended into terrifying madness, with lounge jazz interludes. This makes sense as a soundtrack, but it is most realized as a soundtrack into a schizophrenic oedipal breakdown. There were some cool tracks, but this is mostly just background music I'd put on for someone to leave. Although I might stick around with a cocktail and keep listening...

Najs, fyra starka