I'm done with indie folk.
This album has been submitted by a user and is not included in any edition of the book.
Batey is a vocalist and musician for the indie folk band The Amazing Devil, as well as the primary writer and composer. He and collaborator Madeleine Hyland met while acting for the Royal Shakespeare Company and together they formed the band in 2015, producing what Batey has described as music that “sad people can listen to at train stations.” The band has released three albums including Love Run (2016), and The Horror and the Wild (2020). Their most recent album, Ruin, was released on 31 October 2021.
I'm done with indie folk.
Very west end musical sort of vibe. I was going to give it 3 stars but then I realised how much I enjoyed the drama of it!
'The Amazing Devil' actually amazed me. It's folk, but with a high percentage of rock (and even slight traces of hard rock). Lyrically, this album is very poetic (I mean, have you read the lyrics of Inkpot Gods for example). This album went fast from "unknown to me" to "man, I love this"
I liked this as music, though I remained on the fence about the sort of combination of a Folk Epic sound with twee cell-phone era romantic travail lyrics. I'll slide it an extra star for oddity and singularity.
Rating: 7/10 Best songs: Secret worlds, Inkpot gods
It was fine. It felt...I don't know...pretentious? But I didn't hate it. Harmonies were nice. It's not something I'd ever listen to again, but it wasn't bad at all. I guess indie folk isn't my genre. Inkpot Gods was nice, though.
It's alright, a bit too theatrical for me. 3 stars.
Tolerable for indie folk. I liked the vocal harmonies. Got a bit long in the tooth towards the end though, and overall still a bit too twee. The swearing was intentionally at odds with the music, but.... eh? I guess you'd have to like it before you'd say it was clever or effective. I don't think I'll ever like this genre. 3/5.
Music that theater kids would make for their point-and-click fantasy game that’s a painfully unsubtle metaphor for being bullied in high school.
The Wikipedia page is not correct, so I can't detect what story there is in this album. It seems to me to be more of an indie troubadour proposal with momentary high choruses looking for epicness to stand out. The truth is that, given the cover, I was expecting something more challenging in terms of rock, but well, we are always going to be surprised by album covers.
Wow! Fun and occasionally epic
Great find.
liked it, it's very "theatre kids" though 3.7
Indie folk. Me ha gustado. Un 4.
I wasn't into this, but it just got more and more enjoyable lyrically, and that made me warm to the slightly OTT dramatics of the music till I really started to enjoy the whole thing a lot. I will be coming back to this one. Intriguing
Very dramatic hard-edged folk (British folk rock?)
Yeah, this was a bit overwrought in places. I didn't particularly connect with it, but I appreciate the creativity. Fave Songs: The Calling, Ruin, Chords
This has the feeling of an offbroadway-level Disney animated movie soundtrack. Dramatic and theatrical, and a little overserious. An interesting listen.
There must be a modern folk revival that passed me by as there is a lot of 2020s folk on the user list. This is more interesting than most of it's contemporaries on the list and gets good when it gets big and textured. Rating: 3.5 Playlist track: Inkpot Gods Date listened: 13/12/24
This is simply music for the theatrical people. This feels like something you would hear on an off off broadway show where you get a 10 minute introduction about the journey and how everything’s a metaphor for the new wave apartheid. Ok maybe that was a bit much but that’s exactly how this album is. It goes a bit further than the musical realm and brings performance too. If you’re into that then this is for you. 4.6/10
Interesting… not my style