If somebody were to take the worst elements of 80's music (cheesy keys, gated drums, a dreadful moaning vocalist, all saturated in reverb and thinned waaaaay-the-fuck-out to a treble-y right hot mess) and mix it together, you'd have this album. Not for me.

Paul Rodgers has such a gutsy rock voice, so much so that pretty much anything he sings is worth listening to. But, from a lyrical perspective, he only writes about wanting to fuck. Just said in different words from song to song, album to album, and band to band. Though on this record there is a mellow track about a seagull. Does he want to fuck it? Probably.

A dude testing out all of the guitar effects in a music store AT THE SAME TIME, and insisting that his rather-be-ANYWHERE-else girlfriends sings along.

All of the 80's collective cheesiness rolled into one album. I hate this corny shit.

I got excited when the opening track started... ooh this band's pretty solid, nice production, ooh tasty chord changes. THEN the dude started singing. Jesus H. Christ. I'd bet ya the members of his band thought he was total shite too, just learned to enjoy playing together and TRIED to turn his mic down bit by bit by bit by bit.

Opening track is a classic (memories of cruising through the desert on GTA San Andreas while cranking this tune). Rest of the album? Meh.

Similar vibe to his 1st brilliant album, but without the strong songs. I really like the pared-back instrumentation though, with his crisply-recorded acoustic guitar and vocals front & centre.

High energy Ska. Singing not very melodic. Not for me.

Pop candy. Blank Space is such a killer tune, and Shake It Off is a modern classic. She has such a knack for songwriting and melody. This prompted a deep dive into 2 of her other albums, Fearless, and Red. Time for this 40 year old man to reconsider any foolishly-held notions about modern artists.

Ohhhh maaan that was intense! And incredibly good!! A wicked album.

A brilliant album. Loved it for many years. A stunning songwriter.

Raw driving energy. Still not fond of Nico's voice but the songs seem cooler every time I hear this album.

Aaargh goddamn Rod Stewart. I HATED his schmaltzy voice when I was a kid, and he was in that era of crooning cheesy ballads with his puffed up hair, smug grin, and bulbous mole. Now Jeff Beck... he's the greatest living guitarist. Why, oh why did he have to buddy up back in the '60's with Rod Fucking Stewart?! Robert Plant was taken, so he thought Rod will do???!!!

I listened to 3 other Bjork albums as a run at this one and, maybe I was Bjork'd out by the time I hit this one, it didn't seem as strong as the others. A few tracks sounded like she just set the mic up on her deck during a windy day and recorded her windchimes go nuts..

Jesus. 80's corn-fest. 5 stars on Allmusic?! Fuuuuck off.

I love the album prior to this one, Bee Thousand, and have owned and listened to this album several times in the past. Gave it another spin, but no. This is rubbish. The song Game of Pricks is outstanding but the rest of the album is awful. Half-baked song ideas with monotone vocal delivery. Very strange to want to something so incomplete with a listening audience.

Some classics on here, Breakdown & American Girl. The rest are very same-ish.

Classic early metal. Loved the mellow track Planet Caravan.

Some pretty mellow sounds here. Like Big Star-lite.

Great melodic sensibility on this album. I particularly like the chord changes in the opening track.

An absolute classic. Been in my DNA since 1994.

So so good. I love how it starts really dark with that epic title track jam, then hits some upbeat funky grooves on subsequent tracks. Monster musicians on show here!

Classic opening track. Good grooves throughout. Very same-ish though. Reggae seems to need strong vocal hooks for each tune to become memorable.

Very aggressive attack here, with a few moments of that melodic clarity they're capable of. Such physical attack on the instruments. I love when they reach for those haunting chords, but there's less of that, and more sheer brutality on this album. Glad to have heard it though.

Classic feelgood tunes. Interesting combo of bratty punk vocal and Afro-beat style vocals. Opening track is a banger and Monkey Man kicks ass too.

Brutal, physical attack music. Some cool blends of tribal rhythms and rock grooves. Won't be riding further in the Sepultura train though, as it's too aggressive and tuneless for my ears.

Phenomenal album. I knew the hits, but maaaan what killer songs with game-changing guitar chops.

I LOVE how the guitars were recorded on this album - big, punchy power chords RIGHT-IN-YOUR-MUTHAFUCKIN-FACE. The classics here are still the best tracks. This must've packed a punch when it first came out! 3.5 stars.

Tuneless mock-rock that shamelessly cashes in on the sound of that era, but with total bollocks songwriting chops and soulless singing. I can't believe this stuff got airplay. Aptly named band. I'll not be listening to this band ever again.

Great band with killer melodies. I've taught Why Does It... for many years, so very familiar with this band. Songwriter Fran Healy has a great way with wordplay, and a knack for a memorable melody. Favourite tracks are Why Does..., Turn, Writing to Reach You, and Driftwood.

Mellow country sound. 3 stars

Good grooves but tracks just went on and on and were all pretty same-ish to my ears.

Jesus Christ. This is awful. Singer can't hold a tune, and the lyrics and concepts at play here are beyond cringe-y. Kind of like a mix of Ricky Gervais' David Brent character from 'The Office' and Daniel from the doco series 'The Undateables'.

Pretty smooth stuff. Opening track is a classic.

Groovy riffs around 'n' around 'n' around

Great grooves and heartfelt vocals. Keepin' the faith in good ol' rock 'n' roll.

The two singles are classics, but the rest is quite forgettable. Not a fan of his Lennon cover either.

Great punk energy, but with some cheeky humour and sarcastic covers. Takin' the piss since before it was cool.

The singles are classics but, besides one or two tracks, the rest is rather forgettable and overly melodramatic. Don't think I'll ride this whole album again.

My main man Nick Drake. This is my least favourite of his albums - Pink Moon's sparse, haunting arrangements make it an easy number one, followed by the lush, glacial strings of Five Leaves Left. The upbeat & bright Nick Drake here seems a bit at odds with the others in his catalogue, but still some great tunes. Good to take for a spin every few years.

Not the kind of music I usually gravitate towards, but I appreciate the beats and the layers of sound.

I was hoping this would be a good introduction to Rush as, though I've heard a few songs here and there, I've never taken a whole album for a spin. Unfortunately, I found the lyrics far too silly and I'm not a fan of the frail and feeble singing. And the track with the out of tune guitar had this guitar teacher literally grinding teeth. Not destined to be a Rush fan. Still, glad to have tried them out.

I know that this is regarding as a classic, and I've now listened to the album 3 times in my life. I just can't get past the way she sings, throwing noise at a note but just not QUITE getting there. Sorry Patti, but my ears are just not compatible with your music, though I do like your band:-)

Pretty decent Stones album. Two singles are the BIG hitters here. Other tracks pretty decent. Have heard this a few times before. Good one to revisit every few years. 3.5/5

Chill background music.

Springsteen minus the muscle of his earlier albums. All very listenable, but no track jumped out as being one for the ages. What a storyteller though. Nobody else like this guy.

Clapton as he started to mellow out. Some really nice laid back tracks here, where the emphasis is less on flashy playing and more on playing for the song.

I've always kinda liked a few songs by The Smiths (Boy with the thorn..., girlfriend in a coma, there is a light...) but this is the first time I've listened to this album. The two big hitters here are still the better tracks, but I've now resigned to the fact that I just don't enjoy Morrissey's style of singing - his Kermit the Frog tone, and his way of SPLAT-ing his voice onto a note just to the side of a more melodic one. The latter made a lot of the songs sound like he was just trialling his lyrics in a first sing through kinda way. Anyway, just okay to me. Don't quite understand the hype around this band, but I'm no longer gonna worry about "getting" them. 2.5/5

Pre-disco Beegees has a different flavor to it, with a lot of tracks here having a Kinks/Beatles (even Stones-y) vibe about them. But I just don't enjoy the style of singing, which sounds off key and tuneless. Not a fan of this one.

Pretty melodic stuff. Singer has a cool voice and swagger

I love this album. Lush strings and some extremely well-placed devastating chord changes. I fell in love with Beck's music from this album, and is still the one I go to if I want a fix o' Beck.

Oh yeah this one's a favourite. Had this on vinyl for a few years. Stands as a giant in this style of music. Loved revisiting it! 5/5

A masterpiece. I love his storytelling, and the muscle of the band. The gradual build up of Thunder Road, the note-for-note perfection of the title track, then THAT saxophone solo in Jungleland. Loved it for years, and it's still astounding every time I hear it.

Title track is a masterpiece, fiery guitar riffs galore and a young Eric singing his goddamn heart out for his mate's missus. He had a turn later, and found out the grass ain't that much greener. Still, prior to that sad domestic disillusion, he was drinkin' and smokin' and cokin' himself right silly, and he had the forethought to get that shit down on tape. Lo and behold, this album. Bell Bottom Blues is another great track, and his crack at Little Wing is alright too (no outdoing Sir Jimi though). Years later, Stevie Ray would demonstrate what a cover of Little Wing could be. I've listened to this album of bunch of times before - last time was about 3 weeks ago while grocery shopping. I forgot I was even listening to the music until it reached the title track and my ears zoomed back in on the sound coming through my headphones. This may be a sign that, while I appreciate the album's status as a classic, it's not some kind of Top Ten (hell, Top 100) album for me.

No. This just reinforced my idea that this kind of music is dick-swinging about how cool the vocalist is, whilst never actually contributing a memorable melody or possessing a good voice.

Classic Cat right here. In my adolescence I used to think this guy was corny as fuck, but in my adulthood his earnest charm has been slowly eroding my defenses and, at 40, I reckon I could say I'm a fan. I'm a guitar teacher and have taught his tunes for years, but it was more from wanting to share the wider repertoire of guitar with students than from being a fan. Well... rock on... no, that's not right.. folk on, Mr. Cat!

Steely Dan and their SUPREME rota of studio musicians had such an inimitable sound across their studio albums and, while this isn't my favourite SD album (that'd be a toss up between their debut and Aja), it still yields aural treasure on every repeat listen.

Aww man the band here is so in the pocket it's ridiculous. Love that jazzy keys sound. First time hearing this album, and it just works straight outta the gate. What a talent! Can't wait to listen to his other albums. Bonus points for naming one song "Shit, Damn, Motherfucker". Is that the greatest song title of all time?! Every track here is awesome.

That corny 80's reverb-for-days drum sound, cheesy keys, emotive vocals with lame lyrics. Gave it a few tracks (then skipped through a bit of the other songs) to see if there was good stuff lurking in there but, alas, there was none to be found. In terms of other bands from that era doing those kind of songs with that kind of instrumentation and that kind of production, they're a dime a dozen. Don't know how this album made the list, but glad to have listened. There are always treasures to be found in bands & songs you haven't heard before. This wasn't one of them.

Timeless. Would be a 5 just for that guitar solo on Time. A musical highlight of mankind's time on earth thus far.

I dig the humour that runs through the Beastie Boys' music, and there's plenty on display on this album, but the one-trick-pony nasal obnoxious delivery of these white boys does a number on my ears after an album worth. Glad to have ridden the train all the way but I won't be visiting this place again. (Though I may occasionally visit Fight for Your Right, as it's a perfect meld of their various styles).

Razor sharp guitar playing over a watertight rhythm section. These songs make up an album of classic ZZ Top tunes. I loved the colour of the riffs and solos, and the feel of the music perfectly fits the album art. Will be listening again.

Major key jams with a nice mellow vibe. Quite same-ish after a few songs.

Classic 90's jingle-jangle guitar pop rock. This is music that could only have come out of that decade. Melodic, and nowhere near as dark as some of the music that was massive at the time. Evan Dando has such a knack for a tune. Gonna have a listen to their other albums now:-)

I dig the humour these guys use in their tunes, cheeky wordplay, musical gags and the like. Obviously very skilful musicians. I'm a huge fan of their eerie song 'I'm not in Love', so got excited when their band turned up on my list here. I enjoyed the ride. Definitely a band I need to investigate further.

An innocent and sunny batch of tunes from Brian Wilson and his brothers, with tagalong douchebag Mike Love (who'd later claim credit for much of Brian's genius). This album catches them after the surfing infatuation, and well on their way to the pop masterpiece of Pet Sounds. Their vocal harmonies are in fine form here, and elevate even the corniest tune (and there's plenty of corn here). Sweetness in song form.

If somebody were to take the worst elements of 80's music (cheesy keys, gated drums, a dreadful moaning vocalist, all saturated in reverb and thinned waaaaay-the-fuck-out to a treble-y right hot mess) and mix it together, you'd have this album. Not for me.

Great beats, clever vocals and it's refreshing to hear it not just being about being cooler than everyone else in the game. No particular tracks stood out though.

Nice atmosphere here reminiscent of Daniel Lanois' style of production. Songs all mellow and mild, though they're all so similar it's hard to tell one from another.

Opening track is 80's pop perfected. Rest of album hovers around this template without ever quote getting there again.

Fuck yeah! Listened to this album lots before, but this time it was EXACTLY what I needed. Most perfect album title for the sonic punch that lurks within.

Masterpiece.

Mellow indie folk, though fairly nondescript.

QOTSA before they hit the big time. Songs are all pretty good, but very similar.

Opening track is a killer, and Everybody... is pretty much the 80's encapsulated in pop perfection. Rest of the album is great too.

Miles is THE MAN. These early uptempo swing numbers are musical as anything, but they just don't give me the same feels as where he took his music shortly after. I've always found a swing shuffle beat to be a pretty corny sound and, besides a few tracks here, it's just all over this album. Can't hold it against Miles though, as he went on to create one musical masterpiece after another. Glad to have listened to this again after many years.

Awesome instrumentation, and abrupt mood shifts within one tune - something I haven't heard before in this kind of music. The guitar playing is great, with tasty chord voicings and sparing use of dissonance.

Yeah nah. Interesting layering of beats and snippets of other songs, but overall feel is like a toddler playing with the demo features on a Casio keyboard.

Paul Rodgers has such a gutsy rock voice, so much so that pretty much anything he sings is worth listening to. But, from a lyrical perspective, he only writes about wanting to fuck. Just said in different words from song to song, album to album, and band to band. Though on this record there is a mellow track about a seagull. Does he want to fuck it? Probably.

I've listened to this album at four separate times over about 15 years, each time coming away with a feeling that perhaps I'm missing something, as I just can't hear the qualities that make this a highly acclaimed album. To my ears, the instrumentals lack a melodic focus as they just don't really go anywhere, and the ones with lyrics feel like tuneless drafts of songs. This time around I'm secure in my knowledge that the music of Brian Eno and my own ears are just not that compatible. And I'm fine with that. Thanks anyway, Brian :-)

Title track is one for the ages - and the other albums cuts are pretty frickin' close. Good upbeat grooves. 3.5 stars.

A great record, lots of inventive chord twists and turns in the songs. Main songwriter has obviously thoroughly digested his dad's record collection of '60's pop/rock then integrated it into his own unique style. Heaps of great songs I'll be listening to again in the future.

A rock masterpiece. Hard to believe they hit the ground running like this. What a timeless (and perfectly executed) batch of songs. All 4 monster musicians making musical alchemy. Phenomenal.

Pretty decent batch of punk tunes, with a real Buzzcocks sensibility. Clearly these guys know how to play their instruments well, which sets them apart from other bands in the genre.

A lot of layers to this album. I was stoked when it came up as today's album, as I've been meaning to listen to it for years. Great arrangements, killer drumbeats, and a cool but not too cocky delivery by Hill. Gonna run this one again tomorrow. Got me wanting more.

God, what a dreadful 39 minutes. I struggle to imagine the band listening back to this in the studio and saying "we nailed it boys". Also, how the instrumentalists in the band didn't want to punch Lydon's smug little face after hearing the shit he lays down here. What a fuckwit.

Dark, kinda creepy, and almost entirely not my thing.

An old favourite. Masterpiece.

Stone cold classic. Only giving 4 instead of 5 as I need time in between listens to give it a sonic punch each time. Greatest electric guitar guru, 2nd only to Hendrix (sorry Stevie Ray, but Eddie added so much to the guitar vocabulary).

I loved the atmosphere of this album. They assembled such a stellar band for this session. Loved it.

Sultans of Swings. Plus others.

I started off thinking it sounded like any other EC record, same sneery vocals, same mid-tempo mild rockers... Then it kinda got its hooks in me. Great musicianship in the band, and he's singing his lil nerdy white ass off.

Mild generic stuff.

Man he's on fire here. So good to hear some familiar tunes of his given a lightning bolt shock of energy. The band are cooking, he's throwing all he's got at it, and the audience are lapping it up. What a legend. Love it.

Love the opener. Rest, not at all.

Awesome album. Watertight rhythm section and expertly executed guitar lines that cut like laser. Stunning.

Bit of Bowie, Joy Division, and Television influences coming through here. Just ok.

Poppy rock, definite shades of The Runaways.

My dad loved the music of Gillian Welch and David Rawlings, so I've known this album for years. I love the way their guitars and voices intertwine, the snaky guitar leads that occasionally dip into dissonance, and the haunted melancholy feel of it. Probably my favourite album of hers. A unique sound.

I'd only heard the singles prior to tonight's listen to this album. A very carefully crafted album that has a big presence musically, but lyrically is very introspective. Kinda like Oasis without all the grandstanding cocky swagger. The singles fit in perfectly with the rest of the album. I really enjoyed this one.

Mellow to the point I forgot I was listening to music. 3 listens of the album with the same drifting off each time. Happy to know that this album was made in the mid-2000's, fully respect people that just disregard current musical trends and just make the music they want to make.

Smooth soul meets earthy funk. I liked this a lot.

Tell me you have ADHD without telling me you have ADHD. Todd: This album.

Music is OK. Vocals are dreadful. Very sure way to alienate your audience is by singing in a goofy falsetto.

As a child in the 1980's I always thought this keyboard pop kind of music was really corny, embarrassing even. I've always preferred music played on acoustic instruments. This era of synthesizers and drum machines is just so vapid. I'd been meaning to listen to this group for years. Glad to have finally heard their music, but I'll never be listening to them again.

Brash fast angry punk rock. Music that can only justifiably be made by teens and twenty-somethings. It takes a special kind of athleticism to be able to execute this music and stay in sync with the band. Didn't particularly like this album, but it didn't rape my ear holes like some of the albums on this list (Mekons, Lexicon of Love, Wild Beasts). 3/5

For a bunch of superb musicians who are perfectly in tune, you'd think they'd be able to actually FIND the tune with an hour length album.

Man, there's a whole lot going on here. First impression is like a mix of Talking Heads (vocal delivery), The Police (rhythm section), Gang of Four (jarring electric guitar lines) and pre-dating Bjork's general sense of nuttiness by DECADES. A very unique sound. Album cover rules too!

Mellow acoustic tunes.

Nope.

Solid. Never a bad time for this album. I love the guitar tones on it.

Epic album. So many upbeat good groove bangers before possibly the greatest closing track ever. The more I hear this album the more I love it.

Yeah. Um.

Love these guys. A few stone cold classics on this album, some beautiful and effortlessly executed acoustic guitar work, those timeless harmonies, and a brilliant parody of Bob Dylan. And a couple of filler tracks. Perfect ending track though.

A very distinctive sound equating to a thin pingy guitar tone, a stomping foot, and changing to either a I, IV or V chord whenever the mood strikes him. Some call it primitive and rootsy. I'd call it something else entirely.

Classic greasy 'n' sleazy tracks from Aerosmith. These guys are like the original blueprint for Guns 'n' Roses

Not for me. I get that this type of music is all about the beat maaaan, but as a lifelong musician I need some melody with my rhythm. Kind of like painting with just one colour.

Lordy. These guys n gals run their choruses over and over and over and over and over and over and over. Good boogie grooves but Jesus..

Loved hearing this again. The songs for the most part sound pretty loosely structured, but the grooves and chord vamps underpinning them are so good.

Despite being a kiwi myself, this is my first time listening willingly to Lorde's music and, try as I may, I just can't get past my issues with her pronunciation of her lyrics.. some kind of weird tone to her speech that just grates on my ears... Though, that track Liability is a goodie and would be great in the hands (and voice!) of a singer like Phoebe Bridgers

An intriguing sound, in a similar vein to The Flaming Lips. I love the vibe of the songwriting, but the singer's voice isn't really my thing.

I always leaned more to the Green Day side of the 90's punk revival, and have always heard these guys music as like an angry cousin to Green Day's poppier sound. I dig the rapid downstroke palm-muting vibe these guys use in their songs. Definitely the best album they ever did. I enjoyed revisiting this album a lot more than I expected.

Funny how some writers are drawn to their central concept like a magnet. In this dude's case, he seems pretty goddamn passionate about politics, a topic which I've always maintained zero interest in. So, between that and his not-quite-musical-but-almooooost-there voice, we were never going to be a suitable match between artist and listener. Sorry Billy, but you ain't for me matey.

Fuckin' what?! Just dreadful. 0/5.

Some great singles. Funky all the way through.

I'd been meaning to listen to this album for years, so was intrigued when it came up as today's album. Listened, and it's dreadful. Tuneless angsty vocals, inane lyrics that a 12 year old could have written. Exact same bag of tricks as that other 90's gimmick Marilyn Manson.

Classic Bob. Like musical medicine. Love it.

The music is pretty cool, but then the singing comes in. A VERY polarizing style of lead vocal. A bit too melodramatic for these ears. 2.5/5.

Groovy grooves. Nice to hear, but I won't be here again.

Oh maaaan that was silky smooth. What a voice. I loved the choice of songs, and the direct & uncluttered way she phrases the melodies.

Lucinda is like the earlier model of 1993-era Sheryl Crow. Some pretty good songs on this album, but I like Sheryl more🙄

So good I listened to it 3 times in a row. I can hear Flaming Lips, Beck, and early Wilco in their music. Susan's House is my favourite here. Definitely got me curious to hear more Eels albums.

When I was 15 I loved this album. Bought the guitar TAB book and learned every single note that John Frusciante plays on this album. As a guitar teacher I still teach the odd song from it (particularly fond of the solos on I Could Have Lied, and Mellowship Slinky...). I thought I'd kinda outgrown the album and band but when it came up as today's album I listened again, and loved every last bit of it, cringe-inducing lyrics and all. NOBODY played their instruments like this back in the 90's. Peak RHCP brilliance.

Not amazing, not rubbish. Just kinda.. there. Almost the definitive 3 outta 5.

The album that made me wanna learn guitar. Now been a guitar teacher for 22 years. This shit's in my DNA.

Quirky pop/rock aplenty. I love this guy's brain. Dude writes about anything and everything, and gives zero fucks about current musical trends.

Cry To Me is a stunning track. Smooth as. Definitely an artist to warrant further listening.

Perfection

All of the 80's collective cheesiness rolled into one album. I hate this corny shit.

Marvin loved to fuck.

Put this one on while making dinner. 2 thoughts: 1. It sounds like the happy party time music used in kids animated films. 2. Both Miss Nine and I thought it was one long song, rather than individual tracks. Enjoyed/tolerated it in the background. Immediately on finishing, I was unable to recall any of the melodies. Didn't dislike it, wasn't crazy about it. Smack bang on a 3.

I liked this. Stunning instrumentation. And introspective quirky song styles.

I'm familiar with this album, 2nd favourite R.E.M. album to Automatic For The People. Always good to revisit.

Killer singles. Album cuts just ok.

I adore their followup album, Hats. This one not so much.

Classic bone head Acca Dacca rock

Wicked voice. Decent pop/rock stuff

Mild nondescript pop.

I loved hearing this live album. The mixup during Willow Weep for Me was lovely to hear. Excellent song choice, and a stellar backing band. Lovely.

Classic. Venomous and humorous in equal measure, with the greatest rhymes ever used in music. Legend.

Title track is a masterpiece, and the greatest thing this band of white penny-pinching douchebags ever did. I've got a soft spot for Wasted Time too. Rest of the album is immaculately performed, with everything in the right place. But with 0% recklessness, the vital ingredient for a rock band.

Yeah good stuff. Opening track is brilliant. Weirdos and creatives represent!

A goodie, this one. Beautiful acoustic guitars in unusual tunings, and an overarching haunting & melancholy feel. Early Coldplay is good stuff, then they went after the mega bucks and impersonal pop hits.

Mellow music with undercurrent of anger. MG is always smooth, but goddamn his music is just the definition of same-ness.

Upbeat joyous nonsense.

Smooth as silk. I dig his sharp guitar lines as punctuation in the tunes.

This album is a HUGE part of my late teens/early 20's. The one-two punch of Them Bones then Dam That River might just be my favourite opening to an album ever. Then it just keeps going. So many incredible tracks here, where both the playing AND songwriting are immaculate. One of the best rock albums ever. Absolutely loved revisiting this behemoth.

A Masterpiece.

Love Tusk. Perfect blend of calm, melancholic, and frantic

Tiny Dancer & title track are classics. Album cuts ok, but this is where Elton's voice starts to get a bit schmaltzy to these ears.

Dark folky madness. Cool concept but also a bit one-trick-pony-ish.

A couple of tracks in I caught myself thinking out loud "What is the PURPOSE of this music?". That feeling didn't budge.

Wailing high vocals, kickass guitar riffs, and melodic kickass rock. Not for everyday, but when I'm in the mood for it this stuff rules.

A brutal and athletic barrage of metal from the single most distinctive sounding metal band ever. Not a huge fan but I can appreciate the artistry here.

Twee camp 80's rubbish

A rock classic. Sleazy sexual innuendo, driving drums and MONSTROUS RIFFS. One of rock's greatest albums.

Sparkly Christmas Murderer Cheese

An interesting listen, though the singer is unfortunately plagued with that no-longer-a-boy-but-not-quite-a-man voice that was an epidemic in the dreadful 1980's.

Yeah nah not really. Mike Patton is obviously a talented singer, I just don't really like the notes he chooses to sing over the band - and that nasally whine voice he often uses? Ugh. The songs are just of middling too, and the production hasn't aged very well.

A good one

A long time favourite. Absolute magic for the first half of the album, musical masterpiece in Into The Mystic, then a slow decrease in song quality through to the end.

Neither here nor there.

Spectacular music. Not one I would have found my way to, so thank you!

Dreadful. Prerequisite for ANY recording vocalist should surely be the ability to find a note that fits the chord. Never again, Siouxsie.

Melodic, simple-but-sexy guitar rock. Not sure what the X Factor is, but Bolan had it.

I went to school with a special needs kid with the unfortunate surname of "Bott". From his teen years on, he had a croaky rasp of a voice, and would greet everyone with a "how's it going?" in that voice. A voice which is EXACTLY the same as good ol' Bobby D's voice on this album. So, try as I may (and have tried several times over the years), I just can't hear it for what it is.

Interesting as an historical document of rap's origins. But far too cheesy to ever want to listen to again.

This was a cool listen, with some lesser-known (and new to me) gems. I love the tricks they use in their songs, like a 3-chord repeating chord progression, or those spiky lead lines as countermelody to the vocals.

A classic

The single version of People Everyday, and Mr Wendal, are favourites from when I was 11. The rest of the album is pretty stink, dated and preachy. Those two tracks still sound cool though.

All that I loathe about the 80's rolled into one dated-as-fuck sonic package.

U2's finest moment. One of the great rock records.

I got excited when the opening track started... ooh this band's pretty solid, nice production, ooh tasty chord changes. THEN the dude started singing. Jesus H. Christ. I'd bet ya the members of his band thought he was total shite too, just learned to enjoy playing together and TRIED to turn his mic down bit by bit by bit by bit.

Yeah this was interesting

Nope nope nope. Listened to this hillbilly twit earlier this year then blocked Spotify from playing him. Just nope.

Fuck yeah. I LOVE the ragged edges on this album, mess = magic here. The dude's attitude is <kisses fingers Italian style>

What IS this Morrissey splatfunk goofiness?! How'd THIS ONE make the list????

Crooning geezer with BIG strings

I loved hearing this album. Superb musicians playing tightly crafted songs.

Not too bad. Not too good. Just.

The first track is brilliant, then the rest have a bit too much madness and not QUITE enough method. I suspect the album would reveal secrets after a few listens, but I ain't got time for that.

I fucking love this album. Loved it back in the day, and it's still a pleasure to listen to.

Nope. One of the most overrated bands of all time, with a tonedeaf singer. Listened to all of their albums before, and they're all total shite.

Great guitar playing from the legendary Dave Navarro (I LOVED his playing in his one album stint in RHCP), but here I'm not a huge fan of the songs, Farrell's weird squeaky voice, or the paper-thin production that sounds like it's trying to sound huge but just sounds empty and distant.

This is a rock masterpiece. Both 1) of a particular time, and 2) timeless. Mayonnaise is the underdog here and, for this listener, the beating heart of the album (along with Disarm). Corgan may be a bit of a douchebag, but he's also a fuckin' genius.

Oh that was superb. First listen just floored me. An easy 5/5.

I cannot stand Morrissey's Kermit voice. Songs sound alright, but that voice would ruin anything.

Favourite VU album.

Some stunning musicianship on offer here. Not an album I'd specifically seek out to listen to again in its entirety, bit plenty of individual tracks have been added to my Spotify playlists.

80's synth pop tunes

Kinda interesting, but mostly pretty forgettable.

Classic Ray Charles. His voice is so emotive, and when he lets loose on the piano his note choice is immaculate. Probably the greatest album of this kind of tune.

Alright

A dude testing out all of the guitar effects in a music store AT THE SAME TIME, and insisting that his rather-be-ANYWHERE-else girlfriends sings along.

I can appreciate that EC is a talented songwriter, and I truly love some of his songs from other albums, but so so soooo much of his song catalogue sounds very.. well.. very same-ish. That , and the nasal tone of his voice in general , means we're not destined to be pals

Big punchy sounding production, and Courtney Love's voice kicks ass on this album.

Glad to have listened finally, but won't be riding this train again. Unless my nose gets really blocked, and I find myself very high on herb.

Surprisingly good. Nice beats, positive messages. Sounds like a precursor to Bell Biv Devoe, De La Soul, and Arrested Development. Great album art too!

Slow-burning masterpiece.

Neither here nor there. A dead-on 2.5/5. Would round up to 3, but it kinda gives me the shits when I don't have a clue what the lyrics are communicating. Lyrics ARE important. That, and the chord changes which are intended to sound elegant are overused here past the point of cliche.

An album that kickstarted a different direction for rap, exposed the world to the seedy underbelly of urban living, and introduced the inimitable drawl of one Snoop muthafuckin' Dogg. For this pale-as-the-underside-of-a-fish white boy, one listen is probably enough for a lifetime. I can appreciate the artistry of it, but I'm not the target demographic.

Meh

The almighty Thelonious CLUNK. Inimitable voice on the piano.

Classic guitar rock

Surprisingly good. Had heard of this band, but this was a first time hearing them. I like.

Pretty fuckin' smooooooooth, Chef.

A majestic live album. I adore the dialogue the segues into the songs, and his expertly placed guitar links. This guy had everything, the less-is-more thing, perfect phrasing and the sweetest note choice and tone. Blues = B.B. King.

Phew. That was surprisingly heavy. And really really good. Very far from the stylistic vibe I expected from Nick Cave.

Total classic. Would be a 5, but I've always HAAAAAAATED the distorted guitar tone he uses on the electric version of My, My... or Hey, Hey... Rest of the album: perfect.

Stunning. A 4.5 for me, but I'll round down to 4 as it's magic, but I wouldn't want to hear it all the time.

Stone cold classic. Loved this album since my teens.

Ingredients: A bit of this.. Hmm. A bit of that too! 3/5.

Just brilliant. I love this album dearly.

Musical. But cheesy as FUCK.

Dime dozen punk rock

Smooth classic

Perfectly played. But with a smidgeon too much of that everything-in-exactly-the-right-place ingredient.

I've loved this album since hearing Strong Enough when I was 12. A masterpiece. She never came close to this again.

I love this album. Cranked it in my Walkman as a teen. Still possesses that perfect blend of aggression, funk, and superb musicality. Some of the greatest riffs of all time are on display here. They never came close to this again.

I can appreciate that she has a decent voice, but this music and style of arrangement/production does nothing for me.

Masterpiece. Loved this bad boy for years. I used to drive the wife crazy by singing along to all the instrumental lines.

Nope. An album that has been deemed classic, but I just don't enjoy it at all. See also: The Doors.

Brilliant. One of the finest songwriters ever.

If 11 year old boys who've just learned how to play power chords on the guitar dreamed up the coolest most "ROCK" guitar sound, they'd likely come up with this. For anyone outside that demographic, it's corny as a corn field

Classic 90's stuff. Was a MASSIVE hit when I was a teen. Still holds its own. Bonus points for having RHCP members as the backing band.

Awesome stuff. This album has my all-time fave power ballad What It Takes. So so good.

Intriguing, musical and corny in equal measure

Intense metal. Makes Master of Puppets sound like Barney the dinosaur. Incredibly athletic musicians with freaky nervous systems.

Yeah nah. Playing some minor chords on the keyboard than waffling some airy fairy twaddle over the top does not music make.

You have to be in the mood for some Lou Reed, otherwise it just sounds like a dude trying desperately to halftalkhalfsing about bleak shit in order to seem edgy maaaaaaaan.

That nerd was alright. Catchy pop tunes. I get the feeling he set some kind of template for a 50's rock 'n' roll sound.

I enjoyed this mellow album heaps. It sounds like the guitar parts from a Nick Drake album, with the dude from T Rex singing.

The best of the corny side o' the '80's

I love John Grant, and this is my favourite if his albums. Bold, nutty lyrics, excellent song craft and production, and that gorgeous voice. The title track on this album is one of the best tunes written in the current century.

One crazy spicy gumbo. Love it.

Punk meets decent lyrics.

Had this on CD in the early 2000's. Liked it even more this time around. What a cool brain/approach this dude/band has/have.

Like pop melodies run through a blender.

Hoo boy the band is on FIRE here! I just changed my opinion on them having heard this album tonight.

Brian Wilson is a universal treasure xxx

Meh.

Easygoing country cheese.

Stevie's finest album. Has long been a favourite of mine. A true musical genius, plus possessor of possibly the finest vocal cords ever gifted to a human.

Fuckin' A! If there's any music that grooves harder than this album, I have NO IDEA what it is. Absolutely love it. 5/5

Her voice is amazing, but the songs are all so fucking corny, cheesy soft-ballad love/lust lyrics, sterile musical backing. If the music industry had let her follow her muse more like that stunning early career version of 'I'll Be There' then perhaps her music would be less mock-seductive and could be more genuinely musical. Tunes for 12 year old girls.

Yeah man. This shit's in my DNA. I wanna live inside that emotive ramp up to when he sings "How does it feeeeeeeel?".

Such a great album. Different beast to Joshua Tree, but brilliant in its own creative way.

Nope. Just the dregs of the 80's/early 90's fascination with Electronica and keyboards. Soulless stuff. Gross.

The title track is phenomenal, but I could live the rest of my life without hearing any of the other tracks and I'd be just fine. Huge Bowie fan too.

Great sounding layers of guitars, and emotive lyrics about the disenfranchised. I can see how this dude had a big influence on the guitar rock styles that emerged in the early 90s.

Super melodic and perfectly executed white man nerd jazz. Not the real deal, but still enjoyable when you want some safe jazz.

Mellow stuff

Mellow eerie goodness

Love this album, and even got my CD copy of it signed by the legend himself, Jeff Tweedy, when he was in New Zealand for a book tour.

Bit o' this, bit o' that.

I loved this album. Was only vaguely familiar with Cars, but the sense of alienation and feeling different from others that pervades the album is exactly the world I know. Both Numan and myself are on the autistic spectrum, so I totally recognize the language (musical and lyrical) that he's working from.

Mellow stuff from the German keyboard enthusiasts. Usual fare about robots and the future, though this time one of the boys has taken a fancy to a model who's more in love with her camera than him. Poor nerd.

Yeeeeeah this was good stuff. Lively, joyous music from damn fine musicians.

60's psychedelic swirly tunes with the elder Buckley intoning oh-so-earnest twaddle in a Kermit + vibrato-everything voice. I'll take the son's tunes over this stuff any day.

Wicked cool. Unique sound, and the perfect name for a rhythm guitar-wielding frontman.

1st album I ever purchased.

Mellow ambience from a chameleon musician

Kinda soulful, but TOTALLY cheesy.

MASTERPIECE.

I listened to this album seven hours ago, and I'm STILL waiting for Paul Simon to start singing.

Meh. This dude has a few catchy songs, but is mostly an example of how big music corporations can use marketing to bulldoze slightly talented singers to the top of the pile and make them millionaire megastars.

Uber melodic poppy goodness. That title track is a classic. Don't know how I'd missed hearing that one in the past.

Cool earthy acoustic guitars and mellow harmonies.

Shite that coulda only come from the insufferable 80's

Yeah not bad. Not great, but not bad either. Just sorta.

Cornier than a cob of corn. Some huge hits to be found here, but it just ain't for me.

Awesome musicianship

Swirly spacey goodness

Not my thing

Killer album from a very unique band

Eerie loveliness

One of the towering giants of piano playing. Effortless playing.

Classic

I'd meant to listen to this album for about 20 years and when I finally did, about 4 months prior to getting it pop up on this list, I was so disappointed to hear it wasn't some kinda killer rock album but just some sunshine-y positive vibes mon kinda reggae thang.

I wasn't crazy about this album when it first came out, as it was stylistically pretty far from the BloodSugarSexMagik-era Chili's that I worshipped at the time. Hearing it again so far removed from that time, it's packed with hits and RHCP classics and is totally part of the Frusciante & the boys legacy of this unique band.

Arty glory

A long favourite. The twin guitar arrangements on this album are milestones of rock guitar duos. Only gripe is that I've always wished wished WISHED the singer's voice was easier on the ears!

Atrocious. That this is considered a classic of any kind blows my mind. Angry, venomous messy noise.

A strange ramshackle glorious affair. Dylan's stream of consciousness lyrics are a wonder to behold.

Some good drum beats on offer here, but the song styles just aren't that interesting or melodic.

Ewwww. I GET that this dude is being pretty unorthodox in his lyrics for that era, but that super corny delivery with the wide vibrato in his voice, plus the schmaltzy band arrangements just make for one overly earnest twee album. My late father loved this dude when he was a young man, but Daddy-O let's agree to disagree on this corny motherfucker.

The first track is really good, then it devolves into 80's synth cheese.

Smooth smooth stuff. Some killer songs on here

Classic

What the heck even IS this music? A very odd one to have made the list.

Smooth stuff

Nope. Too long and meandering, lyrics are goofy, and the chord progressions are by-the-book. Nothing special here.

This makes some decent background listening. The arrangements are solid, but the songwriting is neither here nor there. After one listen I can't recall any of the hooks or choruses.

I love this album dearly, but need time in between listens to refresh the magic, hence the 4. A lyrical genius, that Paul bloke. Clever wee bugger!

These blokes love keyboards

Uber-melodic twee pop from a badly-named band next to a crapper.

Didn't think I liked this album so much based on previous listens, but this time around I found myself grooving along to the whole thing.

I love Dylan's stream-of-consciousness rhymes with a passion, and he's just on fire on this album. A towering giant of music of any century.

Yeah nah

Bizarre stuff. The band are playing alright, but the vocalist is just running a one-trick-pony thing over the whole album. This band may have been his baby, but it baffles me that some record execs back in the day heard this album and decided to invest money and time into it. Heard it, will never listen to it again.

Good God, this album is a delight!

Listened. But I cannot recall a single sung melody that didn't just sound like a kid throwing a tantrum and whining "moooooooom... oh pleeeeease moooooooom...". And this from a fan of The Cure's poppier tunes. Just. Such. A. Whiny. Bastard.

Whiney Kermit-voiced fuckwit. Jesus Christ.

Buoyant exuberant jammy jams in another tongue.

Poppy rock with killer guitar lines.

Yeeeeeeah booooooi? Naaaaaaaa maaaaaaaan!

Hmmmm. Yeah this is a strange one... there's some musical stuff to be heard on here, but I just don't understand the purpose of this music. Is it techno, is it soul, is it pop? Whatever it is, it sure ain't for me. Strange to deem this one of the 1001.

Classic Elvis

Fuck yeah. Love this album.

Poppy squishy emo goodness. A unique and cool sound. Loved Time to Pretend when it first came out, and it still sounds gorgeous.

I GET what they're doing, presenting poppy tunes under a wash of screechy distortion. I just don't know WHY. Brittle, thin treble-y mess. Almost like the dude thought writing pop melodies was nerdy, so wanted to prove to his chums he was really a rocker. Kinda like a Tom Waits approach. But I'll "Wait" for Tom. These weirdos? Fuck no.

Lyrical legends, these dudes.

I love the track Four Leaf Clover. What a chorus. But... the premise of the album is a great idea but, to these ears anyway, the orchestral backing gets far too busy and rarely actually feels like it fits the Metallica song structures (in themselves epic symphonies of a kind). Points for trying though!

Poppy goodness. A bit of everything.

Good ol' CCR. Band of many a good unpretentious bare bones singalong tunes. I love John Fogerty's simple uncluttered approach to his song craft. This isn't my favourite bunch of CCR tunes , but it's solid as a rock.

Yeah nah.

Music was pretty groovy, but I'm such a sucker for lyrics but I've got no idea what the dude's singing about.

Some really tasty guitar playing going on here, plus some groovy slooooow funk tracks. Never heard this dude before, but this album has piqued my interest enough to take a deep dive into his back catalogue.

Rock legends. Such a knack for melody, and what a phenomenal lyricist.

Elvis. Don't dislike it, don't hugely like it. For me, the definitive 3/5

This was fascinating. NOT at all what I expected. Gonna have another close listen and read all the lyrics. A mix of pop, rock, some kinda prog influence. Very tormented.

God, Queen were a phenomenal band.

Yeah man. What a voice!

Fuck yeah! This dude can plaaaaaay.

Yeah nah. Background music for people who don't really care about music.

Meh.

Sickly sweet twee pop. This stuff hasn't aged well.

Sleazy 'n' greasy. The prototype for Guns n Roses. Love me some Aerosmith.

Classic album with equally classic cover art.

Corny 80's keyboard shite.

I love the attitude and the guitar's level of ferocity, but none of the songs really do anything for me on a soul level. Wanna go for a 4, but it's probably a 3 to these ears. Definitely an album that was a blueprint for punk.

Expertly played, but corny as a corn dog.

As smooth and cheesy as a giant wheel of camembert.

Some awesome tunes on this album, but not the kinda thing I'd revisit often (if at all). Bonus point for expert musicians though.

Held up as a giant among albums, but I could take it or leave it.

Majestic

This kinda rap is like Dr Seuss gone rancid. Nope.

Meh.

Girl's got attitude. Definitely an artist with a unique spin on songwriting.

I've done this album a few times now and, while I can appreciate the artistry in it, it's not a style I feel compelled to listen to for pleasure.

You magnificent men you. My G.O.A.T. Tempted to go 5 stars just because it's the ol' Beatles, but really it's a four. They were just warming up here for their ridiculous 5-star albums run in the (then) near future.

Expert playing. I've just never (since childhood) been a fan of the sound of the organ. It's too intense and takes up such a wide space in the listener's ears. The instrument equivalent of a pushy person.

They fucking nailed it on this album, that sweet heady mix of pop melodies, sublime instrumentation and arrangements, earnest but not too earnest lyrics, and that little splash of art (see/hear the altered tuning on track 3). I'd give it 4.5 as it's that good, but will have to round down to 4 because, as much as I like it, it ain't no Beatles, Zep, or Hendrix yo.

Pure wank.

Fuck me. This is some angry-at-Mom-'n'-Dad-music right here. Despite being a guitar teacher since 1999, this is the first (see also: last) time I've ridden the Slipknot train. Militarily executed rhythm section is kinda impressive, but I now see why they needed those stupid mask gimmicks, 'cause the music wasn't musical enough. Betcha the singer ain't so angry at his Mom 'n' Pops now they made him a multimillionaire.

So. A couple of too-cool-for-school teens get together, with plans of becoming the next Interpol. Problem is, she can only talk-sing five notes, and the boy... well, he's limited to one monotone note. Despite this, they forge on. So they pen some really emotional lyrics which, to be ironic maaaaaaan, they talk-sing together in a completely detached and emotionless way. But they forge on. Having written a dozen or so of the exact same thing, they figure let's make an album. They do that. Turns out, it's less Interpol-esque, and more like a couple of 11 year olds doing a Casio keyboard drum beat over their mom's cherished Enya album.

Jam band noodlings

Man, I loved hearing this album. I knew and loved the tracks Couldn't Love You More, and Small Hours already, but it was excellent to hear all the album cuts. Dude's voice was a jazz instrument, and his playing acoustic-like-it's-an-electric guitar playing is pioneering and totally cool too. Gonna deep dive his catalogue now. THIS is the reason I'm on this listening journey!

Stevie Wonder is one of the towering giants of music in any period. His run of albums in the 70s defies belief. One of my all-time favourite songs, They Won't Go When I Go, is on this album. Stunning musicianship, perfect vocals, groove for days, watertight arrangements. It's all here.

Beats 'n' bloops 'n' bleeps

This album has been encoded into my autistic mind DNA since I was 13. Can go years without hearing it, then put it in and sing along with every lyric, every epic guitar solo, every kickass drum fill. A rock masterpiece.

G.O.A.T.

Fave Zep track is on this album, the almighty Since I've Been Loving You. A few other cool tracks, but enough filler tracks to knock the whole package down to a 4. A high 4, but a 4 nonetheless.

Wimpy and spineless. I HATE that quivering vibrato style of singing they do on this album (and everywhere else) and the lyrics are appallingly bad and waaaaay-too-earnest. Fuck those bearded brothers. Dicks.

Mellow n smooth background funk

This is a tough one. I love Back To Black, the vibe, the arrangements, the lyrics, the singing. It all just works. But this album? No no no. Loose jazzy jams with barely melodic nasal The-Nanny-style vocal complaining via Amy. Just no. Shows a teeny weeny bit of promise, but no.

Volume? Check. Attitude? Check. Riffs? Sort of... Songs? Nope.

Lightweight, kinda cool but mostly corny cowboy jingles.

Classic Reginald Dwight right here!

A fuckin' rock masterpiece. This album stills sounds as sleazy 'n' greasy and downright menacing as it did when it came out. Whereas other bands from that era (see Poison, Motley Crue, RATT, Skid Row etc) sound like boy bands with squealing guitars.

ALL OF THE MOST DIRE, WORST THINGS ABOUT THE 80'S ARE RIGHT HERE. CHEESY KEYS, DREADFUL TUNELESS TALK-SINGING, DRUM MACHINE BEATS, STYLE OVER SUBSTANCE. FUCKING AWFUL. GOTH DICKHEADS. Can't give 0, so it's a kicking-and-screaming 1 star.

Well.. having spent most of my life thinking the Stones were a proper shit band, but changing my mind at around age 38 after a bit of a deep dive, tonight I listened to this album (having heard it before a few times) while cooking and I just thought they sounded shit. Certainly no comparison to Beatles either!

Yeah nah

Yeah nah

A rock masterpiece. Never a dull moment listening to this album, and one of just a handful of albums that, to these ears, has zero filler.

Oh for fuck's sake. Whoever sent out the memo to 80's artists to "sing" in that mopey-muppet-whinge-whine voice was a proper douchebag. Music here is pretty fuckin musical, then Dexy (or whoever he is) just SPLATS that mopey voice all over it like a fecal Jackson Pollock.

Oh man the guitar playing all over this album is super tasty. Really interesting polyrhythms between guitar and the rhythm section. I particularly enjoyed (actual LOLs) the song where the vocalist pleads "me want a bunny" (Wayei).

Oh man this was KICKASS! The lyrics are so emotionally vulnerable and heartfelt. Felt those words to my core. The title track will be my new mantra. I'm in love.

Some superb guitar work here but, despite obvious technical prowess this group had, I've always felt at a remove from their sound. Give me The Band's first two albums over thus stuff any day.

Poppy weirdness. The world needs more goofy guys like this!

John Fogerty, man. What a treasure that dude's song catalogue is. Hard to believe he smashed out so many killer tracks on do many killer albums in just a few years. Real straight down the line songs, but with wicked hooks and that inimitable lion's growl/howl of a voice. One of the great rockers, for sure. This album is tops.

Yeah, nah. Maybe? Preacher Man is a stone cold classic. The rest? Meh.

Masterpiece. When I was 24 I proudly sported a T-Shirt of this perfect jazz album. The best launching pad into the world of listening to jazz.

Yeah, nah, yeah. Maybe?

This album is embedded in my DNA. Loved it from the moment I first heard I Will Dare, then the CD lived in my car CD player on repeat for months. They had moments of greatness after this, but this album is their finest moment.

Background music to a poorly designed Sega Saturn game from 1995.

A beautiful brain. Such sparkly buoyant music. I've owned this record on CD and vinyl.

I discovered this treat of an album last year, and adore the songs Mother, and Rainbow. Such obvious and simple sentiments, but perfectly married to song. What an artist.

Not a JJ fan at all. Banned from my spotify in 2020 and zero desire to unlock or revisit.

Interesting... I'd been meaning to hear this album for years, as it's been touted as some kind of classic. I don't think it's that, but it's an interesting blend of dance , pop, indie and 80's styles.

Touted as some kind of generational game changer for rock. I don't hear that.

Ok. So the music is entirely uninspired, the "singing" is just a dude mumbling and never quite hitting maybe 3 notes. But the backstory of the frontman and his life are tragic and fascinating. But I'm not rating his life. Just this album. And it's bollocks. (He won't be reading this, or any, review.)

Interesting to hear a young Bjork in a band context. They're quirky little fuckers, those Eskimos.

Wowaweewah! That's a big album. Pretty melodic and dreamy in places, but not a bunch of tunes I feel the need to revisit often.

A bit of a chameleon, that Taylor. VERY fast at making clothes too, if we're to trust her name.

Could be a 4. Could be a 3. 3.5. Round down due to how fucking looooong the album is.

Smooth soft-porn jams. Some very tasty melodic lines in there, but a real one-trick pony lyrical vibe.

Some gorgeous songs on this album, and some really cool lyrical themes.

That was quite a ride. Melodic, jazzy, creepy as fuck, cool, weird.

Smooth as silk (like all Ray Charles' stuff), but each song here is cut from that same big bunch o' silk - woman/man done man/woman wrong, and now man/woman feelin' sad 'n' blue about it.

No question that Adele has one of the finest singing voices ever. I'm well familiar with this album and it's her finest moment. Someone Like You is a song for the ages, and Turning Tables kicks ass. Pretty sure she failed science though, 'cuz like.. how would you even set fire to rain.. like cuz it's water 'n' that? Know what I mean??

No IDEA what she's singing, but it's oh so joyful! Like an ethnic Stevie Wonder chick

Yeah nah.

Love me some smooth as silk JT. Legend.

They don't call him The Boss for no reason. Major nostalgic vibes drip off this thing. Yearning chord progressions aplenty, sax solos, and that gravelly impassioned voice of ol' Brucey Boy.

Love this album longtime. Shame about his recent-ish shenanigans as he is/was one of the great songwriters of recent years/decades.

Bowie's entree to his phenomenal Blackstar

Groooooovy

Twangy country gals. Nah bro.

Listened to this one a few times before. It's no Replacements.

Meh

Fuckin Love that Bowie bloke. This album? Yeah, it's alright.

Toit.

He can stay in that corner.

Love me some Creedence.

It's just wallpaper. "Music" for people who don't like music.

Great lyrics, but this twangy cowpoke era of his music is not something I'd revisit often. Yeehaw. That little rocker track is even more poignant now since his son's recent passing. Jesus.

Yeah.

A funny one, this album. I owned it on cassette as a teenager, and I only kinda liked it. The heavy riffs were a bit too angular for my ears, but the poppy stuff rang true. Goddamn though, they fuckin NAILED that mix on their next two albums. And to get THERE, they started HERE. 3.5 rounded up to 4.

Sigh. An acclaimed band with a singer that does, seriously, like 3? 4? notes with his voice. All in that deep just-can't-be-assed-singing-higher voice. Like some parallel universe version of AC/DC where the vocalist just does 3-4 low notes instead of 3-4 high ones. Not one memorable tune here.

Greatest rapper ever? Maybe. Funniest rapper ever? Abso-fuckin-lutely!

Melodic Britpop. Animal Nitrate is a classic.

My fave album by the Other Elvis.

Well, they're no Zeppelin. Riffs aplenty, but songs? Nah.

So so good

Wallpaper

Yeah nah

Legend

This was a pleasant surprise. Really clean musicianship and a great bunch of songs with heaps of character to 'em.

Not bad, Cave. Not bad.

Yeah nah

Donovan. 60's real time plagiarizer of the 60's. A little bit of this, a little bit of that, and never quite as good as the copied.

I've tried these dudes before, and even attended a concert of theirs with a friend, but they're just too (almost sickeningly so) earnest and, well, twee. I get it. Y'all can harmonise with each other. Maybe write a good song or two as well, yeah?

Good guitar playing, but not good enough to make up for that whiny keening singer.

Some classics on here for sure, but the production is so dated (80's, for the most part, hasn't aged well). And, well, it's by the world's most musically revered pervert. Gotta lose points for THAT, ya sick fucko.

It's alright, this one.

A masterpiece. Just stunning music.

Crisp, distinctive guitar playing. A unique electric blend of traditional English folk, and rock. Surprising chord changes. Pretty fucking cool.

Yeah nah.

Good, but not as good as it's said to be. Smack bang on a 3.

Fucking nonsense. The vocals are just dumb. Whoever rates this as a classic needs their ears checked. Christ.

Melodic but forgettable

-ish.

Smooth vocals, bouncy mellow guitar, super schmaltzy strings, a whole lotta sameness.

Oh God. I fucking HATE this album. Very thankful Syd underwent his drug-induced mindfuck so they could get Gilmour on board and begin the REAL PF musical odyssey. Any joker who says they actually like this is a poseur assclown that you do NOT want in your life.

Smooth as silk. Boulder to Birmingham is a stunner of a song.

Yeah this was great.

Fairly melodic but too off-the-wall quirky to stick together properly for these ears. They nailed it on the Avalon album I reckon.

Nope

Nope.

Nope.

Nope.

Nope.

Funky as FUUUUUUUUCK

So so good. I love the on-the-edge, could-fall-apart-at-any-minute vibe of this era of his music

Nope

Fuck yes. Love this album.

Just no.

Funky, yet bland. And very repetitive.

Surprisingly engrossing. Perfect headphone music for doing boring adult admin work.

These glorious southern rockers. Fucking spectacular bunch of songs. A blueprint for rock music right here y'all.

Nope. None of the things it advertises.

Pretty cool. I was surprised by this one. Quirky rock chicks

Poppy Rocky Quirky Goodness

Meh.

Overrated as fuck.

No no no

Great album

I love this album

Groovy. But so goddamn same-ish. Was this a whole album? Or just one track over and over? Who knows?!

Gosh. People went overboard with synths in the 80's. I thought this was a 3 star, until the album finished and The Replacements came on, and I felt a massive sense of relief. Replacements 5 stars, of course, but this splodgy bit of synths has got to be a 2.

These guys use the coolest dissonant jagged chords. Solid album, listened to a bunch of times. Not something I'd normally think to put on, but good.

Nope

That stuffy, sexualised teen nasal voice. That glossy marketable plastic backing band. Sheesh.

A rock classic. When Carlos gets wailin' he's got a sound all his own.

Fuck no.

Groovy drums. I remember the single Brimful of Asha for that memorable lyric about everyone needing a Bosom. Not too many songs drop a "bosom" in there. Funky drum beats throughout, but my favourite was the cover of Norwegian Wood sung in a different dialect.

So so good. I love this album, but am not always in the headspace for it. So 4 stars.

Expertly played, but it's just too cleeeeeeean. Everything is in exactly the right place, so rather than more it more musical it gives it a cold and sterile vibe. And the jams are just endless. The tracks just go on and on and on and on. Nope.

Groovy, but I won't be coming back to this sound world again.

No. Just no. The way he sings on EVERY SINGLE SONG is equal to, or even surpasses, the cheesy schmaltzy way Tom Jones sings It's Not Unusual. The dude might be singing something profound, but I. Just. Can't. Hear. Past. The. Cheesy. Cheesy. Cheese.

Classic Marley

Yeah nah. Gimmick music.

No. Not a Rush fan at all.

Stevie Wonder is one of music's true geniuses, and possibly my favourite singer ever. This isn't my favourite album of his, that's Innervisions, but impossible to give this less than 5. A true visionary. Pun intended.

One of the smoothest silkiest voices ever to grace a mortal. He was gorgeous too. Faith is a stone cold classic, and even the lesser songs with their veering-into-proper-corny are saved by his smooth vocals.

A true innovator of real-life working class people, all set to muscled up rhythm sections.

Nope.

Ok

Best Deep Purple album I've heard. Fire, ferocity, and passion all here in droves. Singer dude must've had some REEEEEALLY tight jeans yo.

This was superb.

Musical masters, these blokes. SO MANY wicked twists n turns in their chord progressions, tastier note choices than anyone. Fuck yes.

Music is ok, but I don't like the plain-Jane tone of her vocals. I can tell a lot of crafting has gone into the songwriting and arrangement but the voice tamps it down.

The singles are head and shoulders above the rest of the album cuts, but these guys are 80's rock legends, with good ol' JBJ's boyish charm, kickass voice, and wingman Sambora's squealing pinch harmonic guitar breaks and vocal harmonies.

Smooth and rolling album. All very melodic and easy on the ears, but each track is very similar.

Ho hum

I love how fiercely ambitious this group are, just forging ahead with their own brand of quirky, melodic, and often profound, music.

Middle of the road and cheesy as FUUUUUUCK.

Poppy majesty. This Will Be Our Year is a mini masterpiece.

Pretty pretty pretty weird.

Classic album.

Not my scene.

Real rock.

Mellow and melodic, but I struggle with Willie's voice. It's just that shaky old-but-not-actually-old-at-the-time-of-recording little lost lamb voice. I enjoy his jazzy guitar leads, but not enough to push this past a 3.

Not as listenable as Kid A.

I can hear that this is like a precursor to garage rock and punk, but sounds like a sketch rather than a blueprint.

British Legends. Some absolutely timeless tracks on here.

Aw fuck no. This was gross. Dated, flash over feel, and corny as FUCK.

Sexy ol' French bastard. Ooh la laaaaa!

Classic Bowie. Not an album I revisit often, but always nice when I do.

I love this guy's vibe. Big guy, squeaky little peashooter of a voice but bro, he lets his muthafuckin' freak flag fly.

A few bleeps here, a few bloops there, a hip hop drum beat, some random glitchy noises. Does not make an album. Beck is a goddamn legend and a chameleon, but the hype around this album is baffling to me.

There She Goes is an absolutely timeless tune. Nothing else on the album anywhere as good though.

One of those albums that's been hyped up so much that when you finally hear it it's just dripping in disappointment. That, or it's just not that impressive and/or good.

Neither here nor there.

Nope. Not for me.

A rock masterpiece.

Not bad

I wanted to like this album more than I do, mostly on account of the perfect album cover. But the music is just a sort of TheBandMeetsTheGratefulDead kinda thing, with no standout tracks.

Ish.

A bit of a classic by the artist with possibly the most tainted reputation of all.

Fave PJ Harvey album

Fuck, THIS was a surprise. I'd heard of her since I was a kid in the 1980's but never heard her until 41 years old. A stellar musician and what a great collection of songs and lyrics!

Classic stuff. The blueprint for early Beatles, which was the blueprint for everything else. Fucking awesome album cover too!

Kind of like a love child of Van Morrison and Rodriguez. Mellow tunes, nice arrangements and decent lyrics. No particular standout tracks for me.

3 absolute classics, and a lot of filler. Very clever musicians, but long running length and general sameness to the tracks knocks this to a 3.

Nope. Or should I say "non"?

So so smooth, and expertly produced and arranged. A beautiful album.

Quirky fuck. I love outsiders in music. But not this guy.

Wicked album cover. The music not so much.

Wicked bass tone and cool beats, but thr song craft is a little out there for me.

Almost every song was a hit. I should give this a 5, but it's just a tad too slick for me to want to rank up there with my other 5's.

Opening track is great, but the rest of the album is random, mostly tuneless and rough as guts.

Ish

Nah. Those 80's/90's synthetic beats always give me the shits. Add on corny lyrics, and mostly tuneless singing. Sheesh.

Not my scene

Some really nice melodic songs on this album

Groovy and quirky

The modern world needs more guitar-driven rock like this. Cool narratives, beefy production and classic electric guitar, bass, drums 'n' balls arrangements.

Good melodic accessible jazz

Limp 80's cheesiness.

I've tried and tried and tried to "get" Elvis Costello's albums but, besides My Aim is True (and a couple of songs on Armed Forces), it just doesn't stick. The songs mostly live in that almoooost-melodic-but-not-quite-there zone, and are rinsed in a kind of campy corniness that just doesn't take me anywhere.

An interesting listen. I can hear Prince, Talking Heads, Bowie in there, along with their own unique thing. An intriguing mix of styles and sounds.

Yeah nah. Limp wimpy wuss music. Gutless garbage.

One of the greatest vocalists ever. Just silk. Stunning songwriter too. RIP you beautiful human.

Poppy quirky goodness

It's kinda like the Stones, but with that raspy-voiced mole-faved Muppet of a man Rod Stewart singing. Sheesh.

A phenomenal album cover. And a perfect song in Solsbury Hill. The rest is melodic and well-produced, but leaning too heavily into the art spectrum for these ears.

Rock masterpiece.

Some cool beats, multi-layered tracks and interesting guest artists but not an album I'll need to revisit again.

Some awesome chord progressions in here, great vocals and melodies. A surprising find!

Hostile, aggressive, and mostly tuneless. Give me The Replacements' take on punk over this stuff any day.

Groovy. That accordion sounds stunning against the trip-hop beats. A genuinely surprising and unexpected melodic blend of instruments and genres.

Something about Bob Marley's music always lifts your spirits. Even when he's singing about oppression and corrupt government. The buoyant rhythms and that inimitable voice just lift you higher. High pun intended.

Melancholy, classical-guitar based poetry

One of the true geniuses of twentieth century music. I adore Stevie Wonder's music.

A very unique band that triggered a wave of imitators. Very cool.

Lyrical and musical mastermind

Gorgeous. Heartfelt, beautifully recorded, and such a wonderful collection of great songs.

Mellow, ambient, but forgettable.

Peaches is a creepy classic, the rest just ok

Non offensive, but boring. Like an Ali Express version of Shawn Colvin.

Not my cup of tea

Nope.

Such an enjoyable listen. His choice of songs, guest artists and inmate banter are exactly right for this show. A legend.

I adore the album cover. Not the album.

Goddamn masterpiece

Poppy 70's wallpaper

Ish.

Yip.

Dreadful stuff. Goofy tuneless singer, and corny songs one after the other. Fuck no.

Springsteen is an international treasure.

Groovy quirky fuckers.

Nonsense. A dated 90's groove does NOT make a song. Don't understand the hype around this band at all.

Lemmy was a very unique musical entity with a sound all his own. Just not a sound I need to hear very often.

Wallpaper music. That just goes on and on and on and on and on and on and on.

Pretty good. Deserving of the hype surrounding this band/album? I hardly think so. Maybe you had to be there. Sounds pretty good in headphones though.

Meh.

Just ok.

Background tunes

Background music. Found myself daydreaming and not paying attention which is rare. Didn't like it that much, but wasn't offended by it. 2.5 rated up to 3.

High decibel electrified insanity. "sugar"

Not my thing

A troubled but beautiful soul. Who also happened to be a virtuoso pianist.

Opening track is so so funky!

A superb album

The music is intriguing, but that whiny English folk style of singing does not appeal to these ears.

It's alright.

A unique sound, but VERY One Trick Pony-ish. That, and Shane McGowan's toothless voice is pretty shite, if we're being honest. 2.5 stars, rounded down to 2.

Mellow when listening to it, yet totally forgettable once it's done.

Very impressively played, to maintain that level of intensity is super hard. But too aggressive and shouty for these sucker-for-a-melody ears.

Sorta Rocky, sorta Funky. But mostly derailed by Perry Farrell just splatting his high, whiny, and almost entirely tuneless, little voice over the proceedings.

Neil Young is a universal treasure.

Quirky clever bastard. A magic voice and a magic brain.

Masterpiece. Technicolor genius from the top shelf of songwriters ever.

Mellow stuff but I don't feel the need to revisit this album very often.

Yeah nah.

Sheesh. A massive collection of weird songs.

Fucking awful. I wasn't into these guys as a teen in the 90's, but went into this with an open mind and open ears. But noooooo. Atrocious. File under "gimmick music" along with Marilyn Manson, and Nine Inch Nails.

Good humored, cheeky sounding jazz tunes.

Alright

No

Pop rock guitar greatness. An absolute testament to a basement rock guitar sonic explorer. And Brad Delp - what an extraordinary voice!!

Nope.

High energy live rock n roll baby.

Not my thing

Mellow and musical jazz. Doesn't require anything from the listener but to sit back and chill.

Splatty bloopy Frenchy poppy weirdness.

Good singing, but not really my thing.

Boogie time baby

Mellow soft rock songwriting

Fuck yeah. Nonstop quavers never sounded so good.

If the cheesiest tunes of The Beatles had a sweaty menage a trois with the teethy bearded Bee Gees and the Svedish ABBA, this corny stuff would be the result.

Ish. Morrissey has such a dreadful Kermit-y singing voice. Just this splatty wimpy mess of a voice. Gross!

Nope.

I've ridden this train a number of times in an attempt to understand what other people hear in this guy's music, but it just sounds decidedly average to me. The songs are just okay, and his singing is nothing special. Just ok. Also, this will be the last time I ride the Gram Parsons train. Not all music suits all people.

Great album.

Alright

Ryan Adams is a genius songwriter. Also, an undiagnosed autistic.

Just okay

Lenny Kravitz is the man. Not his strongest set of songs here, but I love the dude-rocking-an-electric-guitar-and-singing-his-ass-off vibes. Plus, he just oozes cool.

Alright. Not the classic it's made out to be. Gimme Stevie Wonder over ol' Curtis M any day.

Jack White is a legend.

Hostile, cold and aggressive. One listen is plenty.

Melodic guitar rock. Good stuff

Yeah man. Mix Nirvana's In Utero album with Patti Smith's Horses and a smattering of late Jeff Buckley, then you might get something like this album. Plus Thom Yorke. 3.5 rounded up to 4.

Alright

Mild, mellow, non-offensive, and almost entirely forgettable pop. A bit like Crowded House but without their quality tunes.

This mole-faced, tuft-haired, gravel-voiced Muppet has one of the most overrated singing voices in recorded music history. Blows my mind that he's had a successful career at it with such a shit voice. Maggie May is ok but that's about it. This singing style (see also Tina Turner, Joe Cocker etc) can die a painful death soon. I will not mourn it.

Funky and melodic, but without a standout track.

A rock masterpiece. Absolute monsters at their respective instruments.

Some good tunes here, but it's nothing against their Automatic for The People album.

Nope.

Quirky as fuck, but not catchy or memorable like Talking Heads. I'm sure it was fairly game-changing when it was released, but in 2023 it's just silly and annoying.

Unique, raspy-voiced, cheeky scat-singing Jungle Book dude. Fucking great album cover too!

I adore Big Star, but this is my least favourite of their 3 recorded albums. A very arty, dark, and jagged bunch of songs that reflect some inner turmoil in the mind and life of Alex Chilton. I wish more bands were like Big Star.

Ish.

Rhythmic background music. 2.5 stars.

Some surprisingly cool songs on here. Nice!

Not my fave Kinks. When they're on, they're superb. When they're not quite on, they're pretty damn cheesy.

Nonsense background music.

Funky, positive, but so so SOOOOOO same-ish. Is Jamiroquai's entire catalogue just ONE SONG?!

Where Is My Mind is a stunning song, but I find the rest of this album to be a fairly tuneless screechy affair, less about actual songs than being offbeat and off-kilter.

Yeah nah.

Angular, lo-fi, jagged, dissonant energy.

Melodic n quirky Britpop. Good stuff.

Quirky, edgy and unexpected. Like a precursor to the Velvet Underground, with a foreshadowing of The Modern Lovers in there too.

Pop genius 'n' paedo pervert.

Just ok

Mellow non-offensive cliché-laden country.

I'd like to like this music more than I do, but the wild note choices Coltrane goes for in a lot of his music sounds more miss than hit to me.

Pop perfection. 4.5 rounded down to 4 as I'm not always in the mood for this delightful brand of sugary sweetness. Not quite The Beatles but so so close.

Ramshackle, melodic beauty from the most melodic of the best band ever.

Nope.

If Ty Segall dropped acid with the blokes from the Grateful Dead and the Allman Brothers, it might sound a bit (or exactly) like this. 3.5 stars rated down to 3 as I enjoyed it but all blended into one kinda same-ish guitar jam.

Just alright. I don't hear what the hype around The Jam/Paul Weller is all about.

I've never been a fan of this band's quirky singing-but-not-QUITE-singing and goofy cartoon music style.

Intriguing guitar playing and instrumentation, but I'm not a big fan of the middle-range plain vocal keening that the singer chick does all over these songs. Maybe ya gots to be Bri'ish to really appreciate this kind of song.

Great instrumentation and blend of melodic and avant garde material

Decidedly average rock music. I've listened to this album a few times over the years, but can never remember a single hook, melody or lyric. Lanegan's voice is pretty cool, but all these tunes are just so average and non-offensive.

Fun and upbeat hip-hop. Not my usual thing, but this was a pretty fun listen.

Edgy, guttural and in your face. Also, 100% forgettable afterwards. She refined this formula in layer albums.

A melancholic sublime masterpiece.

Groovy 90's background music but nothing of real substance.

Absolute fucking nonsense.

Yeah nah.

A surprisingly enjoyable album with great rhymes, head-bobber beats and some great guest appearances.

When you order Led Zeppelin from aliexpress.com.

Morrissey is an insufferable whiny penis of a man, with a dreadful Kermit vocal tone and a vocal range of precisely 3.25 notes. Different backing band, EXACT same shite.

An intriguing band with an intriguing sound. Will definitely follow this rabbit hole to further listens and their other albums.

A very good album yields depths with repeated listens.

When you order Prince from a scam website.

Prog rock can be so fucking weird. Expert musicians purposely playing off kilter, whacked-out music with jarring time signature shifts, sudden tempo shifts, and nonsense nursery rhyme lyrics. I don't understand it. Arty bollocks, this one.

Eerie and cool guitar work and band interplay, but with a useless vocalist making a mess of every single song. A very dated sounding album too. The 80's was fucking weird.

Enough with the splatty-moaning-narwhal-80's-weirdo vocalists already. SUCH a strange era for vocalists. Brass in Pocket is a classic, Kid is ok, then the rest are all very very same-ish.

Melodic rock, but rather same-ish. Might need another listen for melodies to sink on.

Punkish rock n roll. Just ok.

The title track is one of the defining tracks of the 80's, and Annie Lennox's voice is classic, but the electronic wavelength the 80's was fixated with for the most part leaves me cold. All (cheesy) flash, and VERY little feel.

Some superb songs here nestled in amongst some really odd stuff. Before Pearl Jam's Vitalogy album, there was the Beach Boys' Surf's Up. 3.5 rounded up to 4.

Alright.

A definitive 60's music moment was the arrival of these jingly-jangly 12-string-guitar-sportin' mofos. SUCH a gorgeous sound. And those harmonies. Sublime.

Groovy, mood-lifting music.

A powerhouse of a live album. This version of I Want You To Want Me is guitar rock perfection.

Such a unique and quirky record. I adore some of the songs on this raucous beast of an album.

This white boy rap-rock hybrid is so awful that it's offensive. Lowest of the low. It's just fucking gross.

Masterpiece.

Absolute nonsense.

Wow a very cool album. Great melodic twists and turns, and musicians who clearly know their stuff. Some of it was like a technicolor blend of Beach Boys and Nirvana. DEFINITELY a band to explore further.

It's alright

Great record from a definitive 60's band.

Just ok. I don't really get the hype surrounding Iggy Pop's music.

Pointless Electronica noodling. Nope.

I quite liked this. Opening track was like Van Morrison's Moondance mixed with Miles Davis' All Blues. Songs all kinda same-ish, but in a mellow nice way.

Truly truly dreadful. What an awful vocal style, and cheesy dated accompaniment. Gross.

Pure gimmick with ZERO actual musical ability. What a complete cunt.

Stunning. Floored me on the first listen. Arty, inventive, quirky, but musical as fuck. Legendary.

Mildly melodic, quirky cutesy, and rather gutless and wimpy. 2.5.

Intriguing. Very personal lyrics set over cold calculated electronica music. I loved the first track. The rest, not so much.

The singles are fantastic, songs for the ages, but the rest of the album is just rhythmic filler. Surprising that one of the greatest rock bands ever could write so many blah songs as well as those masterpieces.

This was ok. Not Joshua Tree magnificent, not Achtung Baby great, but ok. Some good tracks here.

Pointless cyclic electronic posturing. Must need ecstasy to "enjoy" this sound.

I got excited when this album turned up as I'd been meaning to listen to it for years. Alas, to these ears it just sounds like average 60's song style music. Not as shimmery as The Byrds, not as harmonious as Beach Boys, and nowhere near as melodic as The Beatles, though it strives to contain elements of all of them. Fave track was the cover of Nine Pound Hammer.

Nope.

Vapid, bland, offensively shite music.

Oh God this is just artificial sweetener overdose. ABBA's music is just sickly sweet. Not for me. Cheesy as fuck.

Having snarly vocals and gutsy guitars isn't enough to make a classic album. After one listen I cannot recall a single tune. Still, good to hear where Foo Fighter and ex-Nirvana touring guitarist Pat Smear got his start. Glad to have heard it. Don't need to hear it again.

Mellow Indian sitar jams. Loved the Stones cover, and the Doors song was ok too. A westernized take on the Indian sound.

Ish.

God no. Madonna is just awful.

Nope. Not a Doors fan, despite numerous listens over the years to understand the hype.

Silly and dated sounds.

A masterpiece. This has long been my favourite Bob Dylan album.

Dreadful dated syrupy Harry Chapin-style songwriting, without the lyrical or musical prowess required to actually pull it off. Awful stuff.

I love this album (except the whiny track Beside You), and have to be in the mood for it. Except Sweet Thing, which I've always got time for.

So good. Wicked guitar interplay, great vocal melodies, and fantastic production. Stoked to have finally listened to the whole album. Justin Hawkins is a fucking legend.

Quirky music that my brain quickly decided was background music, and the album slid by while I thought about other things. Not bad, just not particularly good. Smack bang on a 3/5.

Goddamn. Just the EXACT same song, tempo, instrumentation, over and over and over. Predictable, sterile and corny as FUCK. Gross.

An interesting listen. Joyous and melodic. Glad to have heard, but not something I'd revisit.

My ears and brain pushed this to background music while I drove, thought about other things, and stared out the window. One album of high pitched sameness.

This music is so stupid. Just random sounding power chords with Not-Metallica-But-Striving-To-Be-Metallica rhythmic galloping, bonehead lyrics sung by a shit singer. Just dumb.

Melodic and 60s trippy. Not as memorable as other Byrds albums, but still a mostly-pleasant ride.

Just some musicians playing some music together. Can I remember any of it afterwards? Nope.

Twangy, bright and bold country from the Byrds Boys. I've always loved this take on The Christian Life, as it can be taken either literally or as an ironic sort of dig. I can hear it both ways. And The Byrds were, to these ears, THE best at Dylan covers. The sparkle and harmonies they add to a Dylan number make it zing like nobody else ever.

Cool quirky rock from talented musicians. Brilliant song titles too.

Noisy guitar lads.

Classic album of wonderful playing on wonderful songs.

Prog: Where capable musicians meet nerdy nonsense. And nerdy nonsense prevails.

A technicolor masterpiece.

Ish.

Ok. Surprisingly better than I expected, but not something I'd often revisit.

Just ok.

Awful album.

Very same-ish but a fun listen.

Cheesy 80's shite.

Glad to have finally heard this album. But it's just alright.

Absolute fucking bollocks.

Stupid music.

Very offbeat and quirky.

Sleazy perverted crooning, like a cousin of Jarvis Cocker. Unusual. Not particularly good, nor particularly bad. A sleazy 'n' cheesy 3 outta 5.

Galloping palm-muted power chords, loud drums. ONE. Galloping palm-muted power chords, loud drums.

Overrated background music. There was nothing in this album for me.

Pretty much like every Elvis Costello song and/or album. Except My Aim is True. That one kicks ass.

Mellow and melodic and also forgettable.

Very fucking weird.

Just ok.

Rock music that kinda rocks.

Magnificent exit album. Lazarus is a perfect song.

Country twangy songs. Not particularly bad, nor particularly good.

Poppy pop, but with a stone cold 5 star song (Beautiful) in there.

Masterpiece.

A beautiful album.

Moody, somber lyric-driven folky tunes.

Bawdy, jagged and engrossing. The entree to his classic Rain Dogs album.

Odd and (to these ears/brain) pointless music.

Just soooooo same-ish.

Nope.

Finally bit the bullet and listened to the whole thing. Ambitious, musical, but still lacking those giant songs needed for something like this.

Fuck yeah. This album is rad. Such a fat sounding recording too.

Quirky and melodic goodness

Interesting stuff. Some killer riffs, some gobbledygook. Prog.

Just ok.

Wicked album. Not as hit heavy as .. Morning Glory, but a brilliant listen anyway.

Decidedly average 60's/70's rock with a fucking organ in it. Sheesh.

The last track is pretty good, but the rest was not really my cup of tea.

Very catchy songs and grooves. Pleasantly surprised by this album.

Melodic sunshine-y music that's enjoyable at the time, and entirely forgettable afterwards.

Abrasive, punchy, but mostly tuneless and entirely forgettable.

Very dated. Music for 14 year old girls.

Bouncy, well-played, but corny as FUUUUUUUUUUCK. Ugh.

Maaaaan that was SUPERB! A beautiful soulful super-musical melting pot of numerous genres. Stunning.

Melodic, diverse, but just ok.

Jagged, quirky and fun. 3.5 rated up to 4.

The opening track is phenomenal, then it devolves into a kind of poor man's version of The Kinks. Listenable but very same-ish.

The title track is awesome. The rest has pretty good instrumentation but Weller is kind of singing really earnestly about not much in particular.

Forgettable.

Nope. There was nothing in this album for these ears.

Interesting as background music. Not something I'd revisit, but a fun enough listen one time around.

What a stupid voice. What a stupid idea to just chat over the music. What a stupid album.

Melodic indie rock. 3.5 rounded down to 3 due to not having any particular standout tracks.

The opening track is killer but, despite having Hendrix on a track or two, the rest is sooooo middle-of-the-road same-ish 70s vibe that I said "oh fuck off" twice while listening, and skipped tracks.

A visceral ego- and sex-driven sonic journey. There's nobody like this fucking crazy man on the planet. I enjoyed it, but wouldn't feel compelled to revisit it.

Some timeless gems in here from one of New Zealand's finest songwriters (the best ones are Derek Lind, and Don McGlashan) but also some very dated filler. A best of collection gets you a better batch of songs for Crowded House.

Mellow and atmospheric, but I don't get any big feels from Sinatra. Though I've tried many times, I can't feel any greatness radiating off his music. Just a croony bloke sportin' a hat, and singin' a bit behind the beat .

That was wholly unexpected, and entirely spellbinding and magnificent. One of this music journey's treasures.

Nonsense. An album of a lady speaking about the empowerment of the black vagina. How this is deemed to be essential listening is beyond me.

Dark, dated (production is so 80's) and very blah. Not his best.

Swagger, straight up rock n roll. A stepping stone to their killer era.

A couple of good songs, one great one in My Doorbell, and a bunch of filler. Forgettable even the moment it ends.

Easy listening but very very cheesy. Jazz for people who don't actually like jazz. Though I did quite enjoy the tune with the raspy-voiced kid singing along.

Tainted Love is a killer song. EVERYTHING ELSE is hot garbage, with corny keys, quirky tuneless singing and a nonsense bunch of songs.

Average 60's stuff.

Mellow, literate and quirky music from a true poet.

Fucking atrocious.

Some masterpieces and some filler.

Some timeless tracks on here and a couple of lesser songs, but still has to be a 5. What a brilliant band these guys were.

A great album. Melodic, quirky and not trying to be anything other than itself. Makes me wanna deep dive their other albums.

This album might be OK, but I've had a lifelong aversion to the raspy croak of Tina Turner's voice, I just can't even open it. Am I missing out? Maybe. Do I care? Fuck no.

A great album. Very clever brain behind this project.

Opening track is a classic. The rest of the album is very same-ish 70's rock.

Interesting.

Very average rock music that doesn't really rock, nor get stuck in your head to any degree. Not particularly bad, nor particularly good. 2.5 rounded to 3. How did this album become one of these 1001?

Nope

Sublime.

Not bad, just not that good. Smack bang on a 3. Brilliant cover though (obviously).

Quirky and melodic Britpop that I disregarded as a teen in the 90's, but holds more appeal every time I hear it. A grower.

Scrappy, pre-grunge rock.

Good punk energy. Killer distorted guitar sounds. I love the closing track.

Okay. This is kinda like the worst of Joni Mitchell meets the best of Kate Bush, and they drop acid while reading The Lord of The Rings out loud.

Um. Nope.

I like this. Melodic, warm synth-pop tunes.

Nope.

Average. That's all.

A goodie.

Fascinating and unique songwriting and performing style. Very much its own cool thing.

Very intense topics in these songs. Stunning piano playing and production. Not something you can listen to very often, as it's real emotional territory. But majestic.

How the fuck did this all-songs-sound-EXACTLY-the-same album make it onto the 1001 list? No way is this an essential listen. This band has one decent song, She Sells Sanctuary, and it's not even on this album. Fail, list makers.

A unique melodic howl of an album.

Dreamy and beautiful.