Sometimes sublime, sometimes derivative. One transcendent song does not a transcendent album make.

Brutal (except "Welcome Home (Sanitarium)," which merely sucked). Unwelcome visions in my head of 80s-era proto-incels slam dancing. The only essential question is how long this album will mess with my Spotify algorithm.

Starts weak (especially the insufferable "Teach Your Children"), but gets better as it goes along. I can't imagine listening to this album again, let alone being a member of the band and having to perform these songs for 45+ years. I know CSNY were all the rage in the Woodstock era, but I guess you had to be there.

An explosive lead-off single. But the rest of the album is mostly rock-ified blues, which is not my favorite genre.

I mean, I'm just not that into jazz, except, sometimes, when it's live and you can see the interactions among band members. This is fine as far as it goes, but it's no more than background music for a few seconds in a bar or nightclub in a period movie. Sorry, jazz aficionados.

Fine. 90s rock. This would probably be more meaningful to me if I'd been in high school or college in the 90s.

My favorite Beatles album, and one of the greatest records of all time. I listened to it front-to-back three times today. If there is a clunker here, it's "Yellow Submarine," which is ironically probably the most earworm-worthy track. The guitar licks are of their era and would be cliche now, but here they are still fresh after nearly 60 years. With "Revolver," we see the genius of which the Beatles were capable as they stood on the threshold of being liberated from the soul-crushing dungeon of touring live to screaming teenagers. We know, with "Tomorrow Never Knows," that we're entering an entirely new era.

Acceptable ambient music. Wouldn't go out of my way to listen to it again, even subject to that caveat. But wouldn't change the station, so to speak, if this came on during my workday.

Wasn't sure what to expect because I had only known Brian Eno as the producer of some of U2's best albums. This was really good--inventive, and with variety. It's astounding that this came out in late 1970s since it so cuts against the trends of that era.

Sometimes interesting, but not durably interesting.

I was too young for David Bowie’s first flourishing in the early 1970s. He was unapproachable cool in the early 80s in his “Modern Love” and “Let’s Dance” era. I can’t believe I’ve never listened to this entire album before. It is stunning.

It was fine.

Better than i expected.

Not big on jazz. But this is a classic.