Has a Good Home is the debut studio album by the Canadian musician Owen Pallett, released under the name of their solo project Final Fantasy.
Michael James Owen Pallett-Plowright (born September 7, 1979), known professionally as Owen Pallett, is a Canadian composer, violinist, keyboardist, and vocalist. Under their former pseudonym Final Fantasy, Pallett won the 2006 Polaris Music Prize for the album He Poos Clouds. Pallett is also known for their contributions to Arcade Fire, having served as a string arranger and touring member of the band. In January 2014, Pallett and Arcade Fire member William Butler were nominated for Best Original Score at the 86th Academy Awards for their original score of the film Her (2013).
From the age of 3, Pallett studied classical violin, and composed their first piece at age 13. A notable early composition includes some of the music for the game Traffic Department 2192; Pallett moved on to scoring films, to composing two operas while in university. Apart from the indie music scene, Pallett has had commissions from the Barbican, Toronto Symphony Orchestra, National Ballet of Canada, Bang on a Can, Ecstatic Music Festival, the Vancouver CBC Orchestra, and Fine Young Classicals. They have been noted for their live performances, wherein Pallett plays the violin into a loop pedal; Pallett uses Max/MSP and SooperLooper to do multi-phonic looping, which sends their violin signal to amplifiers across the stage.
Aside from their solo oeuvre and work with Arcade Fire, Pallett has contributed arrangements and instrumentation to the works of pop acts like Duran Duran, Pet Shop Boys, Robbie Williams, Taylor Swift and Ed Sheeran, as well as rock performers such as R.E.M., Linkin Park, Franz Ferdinand, the National and Alex Turner.
Experiencing an Owen Pallett live show around 2010 was great from a technical standpoint. All the usage of loop pedals building up a song structure is interesting. The problem is that on an album it is not a impressive as at a live performance, having multiple takes. Apart from that it's a method used by a lot of artists (f.e. Andrew Bird). Anyway, the album is ok. The songs are nice, but not outstanding. The violin parts are great, but a more diverse collection of instruments would be better and not all vocals are on the spot. Still it contains a lot of funny and interesting ideas.
Interesting sound. Never heard of this band before. I immediately liked it, but it did get a little old by the end of the album. I'd definitely listen to it again though. These songs would be great mixed in with other great songs - that way when they do come up the sound is refreshing and never tired.
4/5
Another Canadian I'd never heard of before. A lot of talent here. A little high toned and rarified maybe, and the lyrics didn't really stick with me, though they seemed smart while I was listening to them. Made for a surprisingly sprightly workout. Extra point for being unabashedly non-pop.
gosh, i love this album so far. Cello is a immediate 5 * sound for me.
His other albums are like, 3-4 range but this one is great! Thank you to whatever user that suggested this!
Rating: 8/10
Best songs: This is the dream of win & regine, Adventure.exe, Library, That’s when the audience died, An arrow in the side of final fantasy, Please please please
Cool album. I knew who Owen Pallett was through Arcade Fire, but I had never sat through a LP of theirs, and I really enjoyed the experience. There's a whiff of Penguin Café Orchestra and Arthur Russell in their minimalistic artistry, mixed with a more recent indie pop sensibility that makes their experimental songs endearing and cinematic. Owen has a good home indeed.
I don't really agree with listeners who only hear a sadboy shtick in this record. I think Pallett often goes to far more tongue-in-cheek, whimsical turf than that ("Please, Please, Please" is weird as f*ck, for instance), actually making that tag sound unfair. And I don't think you need to witness the musician's violin loop routine onstage to appreciate those songs. I can only concede that the payoff at the end of some of those cuts -- most of them very short -- feels a bit thin on a first listen, but I suspect that the more you play them, the less that apparent flaw hinders your pleasure if you love those sorts of tones -- indeed not so far from the "Eleanor Rigby" template.
Of course, there are clear standouts and less striking compositions in this record. Referencing their Canadian pals with whom Owen had recently recorded *Funeral*, "This Is The Dream Of Win And Régine" is an absolute banger, for instance. It also appears that the strongest cuts are to be found in the last leg of this LP, with "An Arrow in the Side of Final Fantasy", ripping off a Super Mario video game soundtrack (!), "Please Please Please", "Better Than Worse" (a rearrangement of a Bobby Birdman song), or the very delicate closer "The Sea".
If ever you think listening to this sort of music for the whole course of an LP might feel a bit long for you, please go directly to the second digital "disk" on the deluxe edition of *Has A Good Home* (actually Final Fantasy's 7" EP *Young Canadian Mothers*, released not long after). That second disk encapsulates Pallett's pop genius in a neat little package, with different, more sprightly versions of "This Is The Dream Of..." and "The Sea", the absolute jewel "Spell For A Weak Heart", and a stellar cover of Joanna Newsom's "Peach, Plum, Pear".
So make yourself some tea, sit on your favorite armchair in your living room, listen to this thing (either the original, or the deluxe version, or just the EP), and enjoy. If you love those sorts of tones, or are intrigued enough by the start of this album, you probably won't regret it.
3.5/5 for the purposes of this list of essential albums, rounded up to 4.
8.5/10 for more general purposes (5 for musical competency + 3.5 for the artistry)
Number of albums from the original list I find relevant enough to be mandatory listens: 465
Albums from the original list I *might* include in mine later on: 288
Albums from the original list I won't include in mine: 336
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Number of albums from the users list I find relevant enough to be mandatory listens: 43
Albums from the users list I *might* select for mine later on: 56 (including this one -- a thousand thanks for the suggestion, anonymous user, but I think I need to dig further into Pallett's discography to make up my mind about this one re my own potential 1001 albums list)
Albums from the users list I won't select for mine: 107
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Émile: voir ma toute dernière réponse sous le disque *Triage* au-dessus.
Groan.......not another album by an artist I'd not heard of that's really good.
And it's another Canadian?! What are they feeding these people?
Intelligent and lowkey pleasant tunes with a 'Classical' slant.
I only know Owen Pallett (Final Fantasy) by name because of the soundtrack for the movie Her, which he did with Arcade Fire. Because of that, I was worried this would sound like Arcade Fire, a band I don't really get the hype for. However, this is really simple but pleasant chamber pop, and has some really fantastic pop tunes near the end to keep the energy going throughout. I think if that variation was more consistently woven into this album this could be really great, but it is still very good nonetheless.
I was at a National concert like 15 years ago and Owen was the opener. He played "E is for Estranged" at that show which I maintain is one of the best songs ever written. I like a lot of Owen Pallett. IMHO, he is on the good side of indie. The side that isn't tired, all sounding the same. This record is pretty good. Owen is great
Reading about a connection with Arcade Fire, and indeed contribution to Arcade Fire, I started this off expecting it to be utterly terrible.
It isn't - it's actually quite charming.
In direct contrast to Arcade Fire, this remains firmly on the outside of its own arsehole, rather than disappearing entirety up it at the earliest opportunity. There is a wry acknowledgement of itself. If Owen Pallett had played this straight down the bat it could easily have been pretentious codswallop, but instead he's included enough winks to the camera to let you in on it, but not so many that it becomes postmodern onanism. I'm glad to have heard it.
Musically quite pretty, but sorely in need of a better vocalist. A bit soft on the back half.
Fave Songs: Your Light is Spent, The CN Tower Belongs to the Dead, This is the Dream of Win & Regine
For a split second I thought somebody submitted a video game soundtrack.
Agree with the guy who said this sounds like somebody doing Eleanor Rigby for 45 minutes, but disagree on that being a bad thing.
It's a cute album and some of the wackier choices like "An Arrow In The Side of Final Fantasy" being essentially a violin cover of the Super Mario Land 2 space world theme give it heart.
No actual Final Fantasy covers though, so like, what even is the point of calling your musical project that. I demand the indie violin version of One Winged Angel.
Really enjoyed the violin but by the end of the album his vocals just grated on me. Somewhere between a 2 and a 3. It’s different enough for me to give it a 3.
So of course I saw that artist name and immediately thought I'd be getting the ELP-inspired synths. Instead, it's like elevated string quartet-style stuff. Not bad.
You have to look up ‘Owen Pallett’ and then you have to get it off the deluxe edition so you don’t have to have some bs extra songs and by the time you get there it’s fine
Though a bit different to hear violin heavy music, it sounds like what i would expect violin jazz to be... a bit too creative/messy and the waifish whiney vocals make it a bit less appealing for me.
I feel like I just listened to 45 minutes of someone ripping off Eleanor Rigby over and over. It was alright (if most definitely not my thing) for the first 5-6 songs, but that was all it did. Every song was nigh-on identical, down to the instrumentation, build, vocal phrasing etc etc.
This is the sort of album that I feel bad giving a 2, as the dude is clearly a passionate artist etc etc, but at the same time, that was FAR too bland to get a 3.
At first I thought this guy was just another indie style musician but then the music got a little weird and a little more sad. After listening I saw he did the scores for Her and for Dream Scenario which makes sense where the oddness came from. It’s not a bad album. The instrumentals are very good, but the style and lyrics are just a bit odd to enjoy thoroughly. 5.6/10
Didn’t really click with me – lots of great instrumentation packed into some complex arrangements, but the LP never coalesced into a satisfying whole. Feels almost confused with so many ideas rather than a cohesive artistic statement
No, sorry. I have just come back from a terrible holiday and I could do without this. I don’t know what it’s for, or who it’s for. Not for me that’s for sure.