Sunbather is the second studio album by the American metal band Deafheaven. After the release of their debut record Roads to Judah, the then two piece group consisting of George Clarke and Kerry McCoy began work on Sunbather under the label Deathwish and recorded in several days in January 2013. The recording process brought a third member into the fold with drummer Dan Tracy who would go on to become a permanent fixture of the band. The album was recorded in The Atomic Garden Recording Studio, owned by Jack Shirley who had been a long time producer of the band.
Although Deafheaven had been strongly influenced by black metal as well as other diverse metal acts, their music drew comparisons from music critics to shoegaze, post-rock, and alternative rock sounds. This trend was further continued on Sunbather. The melancholic songs featured in the album include Wall of Sound arrangements that are found in many shoegazing and post-rock acts, producing dense sounds that sometimes breakdown into slower, melodic parts that are then topped with vocalist George Clarke's reverb-soaked screaming style singing of lyrics. The album also contains a few interludes that include sampling, field recording, and droning.
Sunbather was released in June 2013 and received universal critical acclaim, with Metacritic acknowledging it as "the best-reviewed major album" of the year. It has since been ranked as one of the best albums of the 2010s.
Was thinking the other day that maybe I should have added Sunbather as my pick instead, so first off thanks for adding this album and righting my wrongs.
It seems a logical combination - take the thrashing instrumentals of metal and combine it with the reverb-drenched guitars of Shoegaze. Somehow, this was the first LP to execute on that premise and deliver ‘blackgaze’ to a degree that I don’t think has been matched since, even by Deafheaven on their later releases.
Every element of this album is tuned to fucking perfection. The production is air-tight, allowing the instrumentals to claim what seems like infinite space. And claim they do – the drumming is surgical but raw, the bass absolutely pounding, and the guitar lines expand until you’re enveloped in beautiful, pummeling melody. Clarke’s gnashing vocals will turn off the prudes on this project, but you can’t deny they seem to emanate right out of the sonic wall of midrange that erupts out of each track.
It’s perfect order that sounds like absolute chaos, each of the main tracks a colossus that feels at once towering but fluid and agile. The LP’s composition only heightens its sense of scale, the contemplative interludes allowing a bit of breathing room before your head is forced back underneath the waves. What makes Sunbather truly revolutionary to me, however, is its unshakeable melodic grip. Metal is known for the minor-key, doom and gloom chugging that gets heads banging and mosh pits roiling, but the second ‘Dream House’ springs to life it’s clear this is no fugue. I’ve yet to find a track that matches the absolute triumph, power, and joy that’s invoked on the opener, which still feels like a breath of fresh air even a decade on. The rest of the album dips into darker territory (this is Deafheaven, after all), but even at its darkest the chords still ring out clearly and there’s a complete sense of musicality, not just distortion. Look past the gut reaction to the screaming, and you’ll find absolutely beautiful progressions and genuinely incredible artistic statements at the core of this album. I venture folks here will chafe at the interludes, but even the one with drill noise has some incredible piano going in the background.
The more I listen to this album (which is frequently – ‘Dream House’ is a go-to driving/workout/fuck yeah kind of song), the more I’m certain this is one of the most important releases of the 2010s. Rarely does an album transcend its genre-trappings, but Sunbather does so in such extravagant fashion to sound at once orchestral and refined while being an insanely fucking raw metal LP at heart. This album absolutely deserves to be on the official 1001 and has already made it onto the Rolling Stone and NME Top 500 album lists, so again a massive thanks for getting it included here.
The album wouldn't have you guessing this is such a heavy album. It goes all over the place with the heaviness and the pace, but it just all fits.
Loved it
Crazy that this is 12 years old now. I've never really though too much of the -gaze suffix of blackgaze, since it mostly boils down to heavy reverb instead of the effects soup that goes into true shoegaze band. It does create an atmosphere though!
I listened to their latest album earlier this year. Got a lot of great reviews. I heard it, I understood the importance, I got why people enjoyed it, but I did not like it. I feel the same for this album of theirs. Once again, I respect the whole of it, but it just isn’t my thing. I wish I could enjoy this. Glad that so many do. 4/5
I fucking love chaotic, noisy stuff like this. I don't even know how or why, but this level of barely restrained musical insanity really speaks to me
4/5
7/10 actually surprisingly cool!?
you’ve got classic screamo vocals paired with like bright optimistic, almost my bloody valentine-esque instrumentals
neat combo! I really dug it :)
These guys copped a lot of heat when this came out for not being "true metal" or whatever. Maybe it was because the cover art looks like it's going to be a pop album? Who knows. I think it was also decided that their fanbase was mostly hipsters, not guys in BATTLE JACKETS. Either way it's just mildly boring and tends to drag on in that way anything inspired by post-rock does. 3/5.
This was a little polarizing of an album to me. I thoroughly enjoyed the guitar work and instrumentals as a whole. Very dreamy, laid back yet forceful. Then the limited “singing” occurred which was just screaming unintelligible sounds. If this was merely an instrumental album I would rate it higher than what I just listened to. 5.2/10
Not sure about the "blackgaze" thing, sure it has quieter melodic interludes, but so does Metallica. Anyway this stuff always falls apart for me on the shrieky vocals, I just don't like it. It renders lyrics meaningless, making the vocals just a type of instrument, and one I don't care for the sound of. Which is a shame since for the most part I liked it musically.
Music- 4
Vocals- 3
Overall- 3.5
I think with multiple listens, I would really come to enjoy most of this and tolerate the vocals more. They remind me a lot of the band Pelican. Cool find!
My knee jerk reaction upon seeing the album cover this morning was: "oh great, some more shitty pop music". What I heard was drastically different. Blackgaze......black metal mixed with shoegaze and screamo. Holy hell was I wrong!
It's weird. It's just a wall of distorted sound, with a "singer" who just makes gutteral screaming noises about 4 doors down from the recording studio. Not a bakers fuck of an idea what he's saying.
It's a really weird concept. The wall of noise is surprisingly warm, albeit deafening, but you pair that with the bloodcurdling screaming from a few doors down and it's like this weird light/dark balancing act. It displays, to me, like someone's inner struggles. Hope overlaying the constant quarrel with depression and anxiety?
All in all, not something I'd necessarily revisit, but not the worst thing I've ever listened to. You would have to be in a certain mood in order to be receptive to this kind of music. It is pretty dark and hard to digest by times. Certainly an assult on the senses.
Favorite songs: Dream House, Sunbather
Least favorite songs: Please Remember, Windows
3/5
I gave this a full week before listening again as I had a headache and wasn’t in the right frame of mind last week, coming back to this fresh I can feel my headache coming back.
That's too bad. I really like the guitars on Deafheaven's "Sunbather." But I really don't care for screaming as the sole vocals. All the bits without the screaming are quite good and would be a high 4 stars without the rest.
I want to like Sunbather because at its best it creates some brilliantly atmospheric sounds, they're not really metal, just metalcore adjacent because of the screamo vocals and basic arrangements, it's chaotic and incredibly noisy but there's just as much stuff in there that doesn't work for me as that which does. At its best it reminds me of a heavier Maybeshewill but it might just be this morning in not quite getting on with it. There's a bit right in the middle of Please Remember that made me want to rip my ears off and that can't be good. It's a 2 but might get a 3 if I listened to it another day because it does grab me here and there.