Jaco Pastorius is the debut solo album by Jaco Pastorius, released in 1976 by Epic Records. The album was produced by Bobby Colomby, drummer and founder of Blood, Sweat & Tears.
John Francis Anthony Pastorius III, also known as Jaco Pastorius (/ˈdʒɑːkoʊ pæˈstɔːriəs/; December 1, 1951 – September 21, 1987), was an American jazz bassist, composer, and producer. Widely regarded as one of the greatest and most influential bassists of all time, Pastorius recorded albums as a solo artist, band leader, and as a member of the jazz fusion group Weather Report from 1976 to 1981. He also collaborated with numerous artists, including Herbie Hancock, Pat Metheny and Joni Mitchell.
His bass style was influenced by funk and employed the use of fretless bass, lyrical solos, bass chords and innovative use of harmonics. As of 2017, he was the only one of seven bassists inducted into the DownBeat Jazz Hall of Fame to have been known for their work on the electric bass, and he has been lauded as among the best bassists of all time.
You've heard Jaco before on Weather Report's jazz fusion heavy-hitter Heavy Weather and Joni Mitchell masterpiece Hejira, but you ought to hear Jaco on his own terms. Strikingly brilliant and sonically rich in so many ways, Jaco Pastorius reenvisions the electric bass as more than just a supporting rhythm instrument. I am often left in awe at each piece of this album, allowing other instrumentation to move in and out of the frame while the bass cycles from spotlight to support and then back to spotlight. Sometimes Jaco shares the spotlight with other incredible musicians, and other times it's just him. This is one of those albums that truly pushes the boundaries of jazz music in a way that fucks me up. Beautiful from top to bottom.
CONTENDER FOR THE LIST: Too good not to add? Despite being so great on his own, his best-known work primarily resides in his supporting roles. To that end, I think Jaco's self-titled is better suited as a lesser-known gem to discover for those with the gusto to dive deeper. Either way, you've already heard how great he is! Just might not have known it the first time around.
Jaco Pastorius is the debut solo album of "one of the greatest and most influential bassists of all time". Most of the songs are great jazz rock tracks with of course fantastic bass guitar licks. "Come On, Come Over" is the odd one out as a funky tracks with vocals.
Didn't this guy kill his wife? Anyways this frog-looking feller is an absolute genius, this is pure heat from start to finish. Snapping my fingers and slapping my thigh to this currently. Bass sounds very good.
The bass GOAT. What a shame what could have been had he (and a security guard) not made a series of very poor choices one evening that led to his very early death. Robbed us of some amazing music that we'll never hear.
This is one that I've had for a long time on vinyl, but it's been several years since I revisited it. I feel the same that I ever did. The Sam and Dave song is a banger. Jaco is a true master of his instrument, and this album deserves recognition just for showing so many bassists from future generations what was possible. At the same time, it occasionally feels like endless guitar solos, but worse because it's a bass. Still, it's an important album, and I rate it thusly
4/5
Jaco was one of the first bassist I learned about from my bass teacher years ago. Really cool the different techniques he mastered with the bass, and helped change how the instrument is used in music today.
Also everybody loves a good lead bass line
Pastorius played the bass like a fiend. It really makes you wonder if he would have been as influential and iconic if he had access to the treatments available today.
One for the bass players! Jaco remains an absolute legend and an inspiration for bassists everywhere, great to see his work make it onto the user list. This is overall a great collection of his work, and showcases the creative use of chords/harmonics + unbelievable compositional skills that defined his all too brief career. Gets a bit noodley and self-involved at points, but an exceptional listen at the end of the day. Many thanks for putting this one on people's radars, I'm sure this LP will get its fair share of hate from the less informed but I'm happy it's here. Someone should add some Weather Report on here next.
The ultimate toll exacted on so many young stars of Rock and Roll is legendary, but man - jazz gives it a run for its money. Sad tale on this guy. The music.. virtuoso to be sure, but a lot of it is a side of Jazz I find difficult. To me it just feels like frenetic noodling improv. Listening was kind of exhausting.
A lot more adventurous, funky and experimental than i expected. Given how prominent the bass plays in the tracks, it is really a cool showcase of the instrument and what Jaco can do. I can appreciate it from an observer standpoint way more than trying to listen and enjoy, as it becomes a bit exhausting at times (especially Kuru).
Ah Jazz. Let me interpolate all the missing pieces. It's not too bad to listen to. The musicians are all clearly very good at their craft. Much better than a few albums from now.
This guy looks really annoying. I'm gonna guess this will be artsy jazz? Or maybe early electronica?
Oh yeah straight away, hit right in the face with the jazz bat. Surely this isn't going to be the whole thing... bongos and bass guitar?
Ok thankfully it wasn't the whole thing. It got pretty funky in places, but it was still mostly jazz bass. I dunno, I didn't like it but it doesn't deserve low marks. 3/5.
A bit heavy on the meandering bass solos, but overall a nice listen. Totally beside the point, but does his cover photo remind anyone else of Chris Kattan from Saturday Night Live? 3 stars.
It was only a matter of time before someone on the users' list shared an example of some virtuosity in an instrument (the bass in this case). I feel compelled to please it, as it’s quite different from my usual preferences, and it's one of the enjoyable aspects of being part of this list. However, I must admit that I didn't particularly like it.
Omg. Loving the Speak Like a Child. I’m adding this to my background music for reading. I have to read a bunch of technical manuals, which is horrible. But having background music chills me out some. Thanks for your submission
Famously a "Musician's musician" so a big part of this is definitely flying past my head on account of not being a bass player, but it's still a funky and fun listen.
Legendary backstory as well. Terrible shame it was cut so short. Also is it just me or does he look like that "Ever dream this Man?" face on the album cover.
Wtf. This album should be an example to all artists of how not to start an album. The 1st track was instantly aggravating and soured the rest of the album.