No other album can match the hype I got when generating this one. You see, Daft Punk is me and my friend’s favorite artist. Not my specific favorite, but ours as a group (or duo, since it’s just one friend). ‘Revolution 909’, ‘Da Funk’, ‘Around The World’, ‘Burnin’’ and ‘Indo Silver Club’ are all straight bangers and no one can tell me otherwise. ‘Rollin’ And Scratchin’’ and ‘Rock’n Roll’ just go off the rails. ‘High Fidelity’ would look absolutely hilarious with a lyrics sheet (that’s not really something to specifically praise the album for but still). My one gripe with its inclusion is that it was picked over Discovery. I mean, personally, I think they should have three: this, Discovery, and Random Access Memories. However, if you’re only going to pick one, I would go with the second of the three. Homework is amazing, but it sounds like an artist still in the formative stages; for example, ‘Around The World’ is the only song where the vocals feel fully formed. Anyway this album slaps bye

It’s alright R&B and blues styled music, but I have no idea why they chose this over one of their later albums. It’s got none of their famous songs, nor does it work well as an album. Purely meh.

Great album. I switched to headphones about halfway through and it really makes the listening experience better (at least with high quality ones). My favorite song is ‘The Way Young Lovers Do’; I really like the horns on that one. Acoustic instrumentation is high quality all around as well.

This continues the streak of really good electronic albums. The excessive sampling (over 900 in total, I believe) gives a unique and unified sound. Standouts aren’t really prevalent because of how good it is in general.

This sounds like the band was high on LSD and stayed up all night reading Lord of the Rings and The Bible. First, the instruments other than the guitar sound extremely sloppy. Also, the lyrics are absolute crap; I’d highlight one, but there are so many. The singer sounds bored, too.

Not super amazing, but a great hard rock record and a good place to start (my first album on the generator). The title track is iconic, ‘Shoot To Thrill’ is fun, and ‘Hells Bells’ is probably my favorite AC/DC song due to its darker theming. (Not like it’s super serious or anything, but I like the imposing bells and riff at the start.) I also really like the guitar tone in ‘Rock And Roll Ain’t Noise Pollution’ for some reason.

This is such a great R&B/funk album and it really shows how great The Temptations are compared to their lackluster representation in the Rolling Stone Top 500 albums. (An anthology album? Really?) The obvious centerpiece is the 12-minute ‘Papa Was A Rolling Stone’, which is just such an amazing song, but there are other highlights as well. ‘The First Time Ever I Saw Your Face’ is a beautifully sung Roberta Flack cover, ‘I Ain’t Got Nothin’’ is well-produced, and ‘Run Charlie Run’ is surprisingly poignant social commentary.

I can’t believe it. My favorite album of all time, and it’s the third to come up. ‘Everything In Its Right Place’ is a perfect opener. It sets the mood perfectly. I could not imagine it being anywhere else on the album. Then is the title track, the first thing I associate with the word ‘soundscape’. The instruments feel like they’re bouncing around softly as Thom Yorke’s heavily-edited voice sings about something ‘standing in the shadows in the end of my bed’. It’s simultaneously soothing and sinister. ‘The National Anthem’ is both a jam and absolutely apocalyptic. ‘How To Disappear Completely’ is just… beautiful. The ending is amazing. The strings, which have been playing the whole time out of key, start going haywire, and it seems the sad but peaceful aura has been broken, but then - the strings play in key, and it’s 45 seconds of ethereal beauty. ‘Treefingers’ is a pretty ambient piece to string the previous song to the hard-rocking ‘Optimistic’, which is the song most reminiscent of OK Computer. It combines elements from both albums to make another great song. ‘In Limbo’ is the one I have the least to say about, but it’s still good. What follows is one of my favorite 3-song runs of all time. ‘Idioteque’ is an amazing apocalyptic dance song, much like ‘The National Anthem’ (not the dance part, but the apocalyptic part). ‘Morning Bell’ is a song I don’t know how to describe, but it’s a word for good I haven’t used yet. I don’t know why I’m making this review so long. Anyway, closer ‘Motion Picture Soundtrack’ is one of the most ethereal, tearjerking songs I have ever had the pleasure of hearing. It feels like the end of an era, a final goodbye to an old friend. After that, the hidden track is an almost happy ending, how even after all that, the future is bright. Life will get better. Or that’s just me over analyzing. Probably.

Great album. I switched to headphones about halfway through and it really makes the listening experience better (at least with high quality ones). My favorite song is ‘The Way Young Lovers Do’; I really like the horns on that one. Acoustic instrumentation is high quality all around as well.

This is just an all-around classic funk album, although ‘That Lady’ hangs over the entire album as being substantially better. Astounding guitar work on that one with a great outro - one of my favorite songs of the genre. However, the rest of the album is still great, with another favorite of mine being closer ‘The Highways Of My Life’.

I’ve been getting a lot of 70’s funk/soul in my first few albums, and this is no different. ‘Superstition’ is a great song, to the point from what I’ve seen, most negative reviews of this album still point out this song as being good. I also love ‘Maybe Your Baby’ - it has a uniquely heavy sound for a funk song. A lot of the rest of the record is really smooth, although it’s a bit sappy at times. I didn’t like ‘You’ve Got It Bad Girl’ for it sounding kind of controlling though, like telling someone they DO love you and THEY’RE in the wrong.

This album is ultra-smooth. I especially love ‘Strawberry Letter 23’, and, while a very unique thought, ‘Rainy Day’ would maybe be a good basis for a mellow electronic song.

I mean, it’s alright. It doesn’t suck, but I never liked U2 all that much and, while this is an enjoyable listen, it’s not super great. Also, did they just have too many album cover ideas and cram them onto one instead of picking one?

This is an incredibly unique album. I wasn’t expecting the EDM influence, but it’s an integral part of some of the best songs here, especially ‘There Is More To Life Than This’. Also, ‘Big Time Sensuality’ sounds like a Mario Kart course theme in the best way possible. My favorite song is split between the beautiful ‘Like Someone In Love’ with that beautiful harp and rain sounds or the abrasive ‘Play Dead’. Björk has a highly distinctive voice that complements the music well, too. Amazing album, and, of the two Björk albums I have heard, I actually think this is better than ‘Post’.

This is just disturbing. I like it. ‘O’Malley‘s Bar’ in particular is extremely screwed up - him gruesomely depicting how he killed everybody in a bar, especially the one whose head he split in two with an ashtray. ‘Song Of Joy’ is also creepy, specifically the, again, gruesomely detailed depiction of her death. ‘The Curse Of Millhaven’ is my favorite song here; Cave acts perfectly in character, almost singing with glee about his killing spree (I didn’t mean to rhyme). The duets with PJ Harvey and Kylie Minogue respectively are great, too.

This is a quintessential country album. Willie Nelson is one of my favorite singers for his distinctive voice and the songs are worthy of it. I especially love the title track for its storytelling, which is really interesting. A lot of the tracks are short and there are a lot of instrumental songs, too, giving it a nice, quick feel.

I didn’t enjoy this album much when I first listened to it. Since then, my opinion has improved from below average to… just average. It’s a fine rap album, but it doesn’t even come close to being the best.

This is the definition of okay. I understand giving my other two 3s so far 4s, but I feel like 3 is the sensible option here. It’s okay, but did we really need a live album by Cheap Trick over other, better records left off?

It’s a good early 70’s rock album. I wouldn’t say it’s that great, but for the higher quality than the other 3’s I’ve given, I’ll barely give it a 4.

Fats Domino was one of the great ‘50s artists and this shows it. Classic older music that really encapsulates the sound of the era in a very enjoyable form.

My first folk album. It really sounds unique to me - it has an Irish sound, I think. (I don’t really know enough about this album to make assumptions). ‘A Sailor’s Life’ doesn’t need to be 11 minutes long, though

This is an absolutely perfect album full of amazing social commentary. I’ve had a lot of ‘70s R&B and funk, but I was still so excited for this one because of its reputation as one of the all-time greats. Needless to say, it did not disappoint. If you told me this wasn’t a soundtrack, I’d believe you - the songs go so perfectly. Some of my favorite songs are the instrumentals - both ‘Junkie Chase’ and ‘Think’ add a bit of variety to the album. Of course ‘Freddie’s Dead’ is the best song; a great cautionary tale.

This album is weird. That’s obvious from the opener ‘Bamboo Banga’, which is just… what. One of my favorites is ‘Mango Pickle Down River’, which has a feature of who I assume are kids, because it’s a song called ‘Mango Pickle Down River’ with a group of kids as a rap feature. ‘Paper Planes’ is clearly the best song, though; it’s so catchy while having a poignant topic.

This album was good. It has the type of ‘80s sound I like (not the synthy type, although this album has good synths). I liked it.

Eddie Vedder sucks at singing and it drags the whole album down. There, I said it. I always hated his moan in the singles on the radio, but I hate his screaming even more. This would be maybe a 3 or 4 without him, but he takes it down to a 2. Just know that just because I hate Pearl Jam doesn’t mean I hate grunge as a whole.

I like it. Great mix of country and pop music, although it could have been a little shorter.

Interesting metal album. ‘Cult of Personality’ is great, but the rest of the album fails to live up to that. It’s still a good album, but not enough to warrant a 4.

I’m a sucker for this type of music. I love the harmonies, they’re so impeccable. ‘Heard Them Stirring’ is actually one of the best songs on the record in my opinion - I love the way the guitar sounds throughout, and it takes center stage on this instrumental. ‘Blue Ridge Mountains’ is amazing, too. It’s all just modern folk at its finest.

Jamming. I like how exciting the electronic music is on this album, even if some of the songs are too long.

Led Zeppelin are one of the all-time greats, and I’m sure they’ll have a 5-star album down the line, but this is too long. I feel like this would have been a great 10 song or so album, but there was too much here. ‘Kashmir’ is an all-time great, however.

It’s a decent rap album. Not as good as things to come, but I enjoyed it.

My first artist with two albums generated! This one is decidedly different than Murder Ballads; a lot more sincere love, and not, you know, bloodshed. The songs here are good and flow well, but I don’t enjoy it quite as much.

These electronic albums have consistently been some of the best so far, and this is no exception. I usually listen to my albums before school starts. This fits that for a mellow electronic mood; it could be ambient music if you didn’t want to pay attention to it. Overall, an amazing album.

The Grateful Dead are an overrated band, as many reviews on this agree, but this is still a good album. The mix of country, bluegrass, and rock makes this a pleasing listen.

Another great funk album. The title track and ‘Everyday People’ are the two best songs on the album: two immortal statements in music form. ‘Sex Machine’ has great guitar, although it’s too long.

‘Voices of Old People’ sucks, but otherwise the first side is great, telling a life story. Seriously, though, ‘Old Friends’ is good enough for that to not be on the album. The second side is amazing, though; ‘Mrs. Robinson’, ‘A Hazy Shade of Winter’, and ‘At the Zoo’ are all classics.

The first album I’ve completely never heard of. It’s very unique, mixing electronic with world music to create a distinctive blend that sounds nothing like anything I’ve heard before.

The album cover sucks, but the rest is great. It tells a story, but it’s vague and I ended up just enjoying the extremely pretentious lyrics. It’s very high octane. Also, I was surprised at ‘Cicatriz Esp’ being 12 minutes, but it was stupid of me to assume that there wouldn’t be a 12 minute song on a prog album.

This is the type of pop music I like - very emotional. It flows really well - especially the climactic ‘Writer In The Dark’ into ‘Supercut’. It feels very genuine.

It had a good message. All the ‘Tales’ tell of things that you can really learn from. ‘Lost One’ is the best, since it has a clear message and good music.

This album was really pretty. Thoughtful lyrics and a nice acoustic sound (a bit jazzy on some songs) make this a great and rewarding listen.

He has six albums on here (for some reason), so I had to get one eventually. Blood And Chocolate is fine. I don’t think it deserves its place here at all, but it was fairly enjoyable. It has a few long songs, but ‘Tokyo Storm Warning’ and ‘I Want You’ are the two best anyway. It definitely shouldn’t be here, but I wouldn’t object to listen again.

This continues the streak of really good electronic albums. The excessive sampling (over 900 in total, I believe) gives a unique and unified sound. Standouts aren’t really prevalent because of how good it is in general.

It’s nothing special, but it’s decent. The opener is the best one due to the great singer, but while the vocals are good, some of these songs lack substance.

I’ve heard the main four VU albums now, and I think that this might be my favorite. There’s not a bad song; from pretty songs like ‘Candy Says’ and ‘After Hours’ to the sadness of ‘Pale Blue Eyes’ to ‘The Murder Mystery’, my favorite of their experiments.

It’s probably one of my least favorite indie albums to come up, but it’s still pretty good. Nice lyrics and production.

Great modern R&B album; I honestly prefer this to Beyoncé’s work. It has an impactful message told through amazing songs, ‘Cranes in the Sky’ being a real highlight.

This sounds like the band was high on LSD and stayed up all night reading Lord of the Rings and The Bible. First, the instruments other than the guitar sound extremely sloppy. Also, the lyrics are absolute crap; I’d highlight one, but there are so many. The singer sounds bored, too.

Really good modern R&B/rap. My favorite songs are the ones with great lyrics, like ‘Super Rich Kids’ and ‘Crack Rock’.

As an aspiring musician, this is how I want to go out. This album has so much finality to it, from the heartbreaking (‘Hurt’, ‘I Hung My Head’) to the bittersweet (‘Give My Love to Rose’, ‘First Time Ever I Saw Your Face’, ‘In My Life’), and it all culminates in ‘We’ll Meet Again’, which, while a cover, is a fitting send-off for one of the greatest country artists to ever do it.

Weird setup, with Billy Bragg and Wilco collaborating to do unreleased Woody Guthrie songs. It’s pretty good, as Bragg and Wilco give life to the songs in a nice way.

This album is just 38 minutes of pure funk. Especially the bass. It just grooves so hard

Good album. ‘Scarborough Fair’ is nice, ‘The 59th Street Bridge Song’ is a good Bob Dylan parody, and ‘Silent Night’ is haunting. Not as good as Bookends, but still good.

First of all, that name is WEIRD. Secondly, this album is decent, if a little forgettable.

I didn’t pay much attention to this album the first time I listened to it, so I’m glad I gave it a second chance here. This is a depressing album; sometimes I don’t like Ian Curtis’ vocals, but they seem very genuine. All the instruments are good, with lyrics to match. It’s sad what happened to the singer, and it wouldn’t have hit as hard was this not released posthumously.

Remember when I said on the Physical Graffiti review Led Zeppelin would probably have a 5 star album somewhere? Probably not, but it came sooner than expected. It’s not a moving listening experience of self-discovery, but what it is is really good music. These 8 songs are so great throughout. I have it on vinyl, and the mid-album climax ‘Stairway to Heaven’ works the best when closing a side.

It’s alright R&B and blues styled music, but I have no idea why they chose this over one of their later albums. It’s got none of their famous songs, nor does it work well as an album. Purely meh.

It’s pretty good indie. I don’t have much to say, but I like the dreaminess of it.

Pretty good 70’s rock. The only Bruce Springsteen album I’ve ever completely loved is Nebraska, but this is good. ‘Adam Raised a Cain’ can be a bit grating, though.

Pretty good 80’s music. Not super essential, but enjoyable.

I enjoyed the eclectic variety of songs on this album, with the softer songs being my favorite. Maybe not one of the best, but certainly unique.

It’s noisy. I don’t really know how to feel; I don’t hate it, but there’s really no reason it should be here. ‘Meatmaker’ randomly reminds me of Suicide, though.

The highest quality 00’s rock. A nice dose of minimalism is here due to the lack of bass, and bluesier elements add to the music.

Love the music on this album. It’s almost a precursor to Britpop. A shame that they never made much more music, but this is still great.

Oh, come on, I’m trying to be less merciful with my ratings, and then THIS album comes up, and it’s the best since Kid A (my all-time favorite). The audacity to release a double album plus EP as your eighteenth and have there be no filler. It’s hard to choose a highlight, but the one-two punch of ‘As’ and ‘Another Star’ is amazing. An hour and 45 minutes well spent.

It’s good. My favorite song is ‘The Next Life’ - it’s such a good closer.

Nice funk. He only sings on 3 songs, but the instrumentals are great and they were composed by him, so it’s not like an album where the featured artist is only on a few songs. Also, to the person asking for ‘Saturday Night Fever’ (even though the comment was like 1.5 years ago) - I think it counts as a compilation in the creator’s eyes.

Pretty good rap. Mostly nothing super great, but ‘A Song For Assata’ is such a great song. Overall, maybe not the best, but enjoyable.

Not the best Britpop band by a long shot (both Blur and Pulp blow them out of the water), but this is a great album full of enjoyable songs. ‘Wonderwall’ is the worst song on the album, though.

One of the greatest trip-hop albums. ‘Unfinished Sympathy’ is simply stunning, and, while the rest of the album isn’t quite as good, it still sets a mood with smooth songs that are a joy to hear.

Similar to the Rolling Stones’ debut in that it’s a debut from a famous artist that doesn’t really feel essential. Songs like ‘Breakdown’ and ‘American Girl’ are great, but this spot on the list would be better filled by Damn the Torpedoes or Wildflowers.

Pretty good goth. Moody and atmospheric.

Good metal, but it overstays its welcome. If you’re looking for an all time great, I’d recommend something like Sabbath, not this.

I knew I was in for something good when I saw that Daft Punk (my favorite electronic artist) offered Justice to open for them. I generally don’t like the vocal songs - ‘D.A.N.C.E.’ is an obvious exception - and ‘The Party’ and ‘DVNO’ are the low points, although the music is still good. Otherwise, good instrumentals all around.

A real classic. ‘Break on Through (To the Other Side)’ is an amazing opener, ‘Light my Fire’ is simply a classic, and ‘The Crystal Ship’ is a slow, somber song, but the real highlight is ‘The End’. 11 minutes of insanity from the intro to the weird next part (what is the ‘blue bus’ supposed to be) to the Oedipal freak out. No way I couldn’t give it 5 stars.

Fine. I know it’s about a relationship and stuff, but it doesn’t really grab me and I don’t remember much about it.

I love eclectic albums like these; a ton of short songs in a normal amount of time. These songs are great and offer a variety of material thrown at you quickly.

I’ve had hip-hop albums before, but this is the first one from a really classic artist. Ice Cube is one of the best rappers (outside of the sexism, which also seems to decrease from his other album I’ve listened to [but haven’t gotten] AmeriKKKa’s Most Wanted) and this has superb lyricism. ‘It Was a Good Day’ is undoubtably a classic - it’s upbeat, but it still notes the troubles throughout the rest of the album (two of the good things that happen to him are getting passed by a policeman without any trouble and nobody he knows dying) - it feels earned, rather than just a happy song for the sake of being a happy song. Great through and through.

The kind of prog that I don’t really like. It’s okay, but I don’t see why this would be included over some more unique prog (prog metal maybe?).

This album is absolutely insane but also amazing. Songs with a more normal structure like ‘Gigantic’ and ‘Where is My Mind?’ ground the album and give you some breaks from the ones that are super crazy like ‘Something Against You’, ‘Broken Face’, and ‘Oh My Golly!’. It adds up to a frenetic and extremely unique album.

I really like the production on this album; everything comes across so cleanly. With songs that are practically a better Coldplay, this is a great listen.

It’s my second album in a different language, but unlike the Suba one, it doesn’t feel interesting to someone who doesn’t speak the language. I love stuff like The Incredible Beat of Soweto - a compilation of real-feeling African music. However, this just feels tepid and too produced; it doesn’t get to the rawness that makes this type of music good, and it lacks the warmth. Probably a 2, but I’ll rate it a 1 because he sucks as a person.

This is an album that really earns the face-melting moniker. The instrumentation is always stellar. Don’t think that the lyrics aren’t as good, though, because they’re also great. A classic overall.

Kind of forgettable, but fine. ‘Dear God’ is a great song, though. Close to a 3, but I’d say more of a 2.

It’s pretty good. I prefer 2020s Taylor Swift to 2010s Taylor Swift, and the reason is the vastly better songwriting on songs like ‘champagne problems’. Not every song is great, but a good listen.

I enjoy this specific type of indie (don’t know how to describe it, but I can tell when it’s the type), so this was a good listen. I really like the guitar on ‘Runaway’ specifically. Not amazing, but enjoyable.

Ah yes, the Kurt Cobain killer band. This is pretty good with an interesting sound, though the lyricism often isn’t as good as it seems to think it is.

Pretty good live album; it’s fun, though definitely not one of the greats. I listened to the original 6-song version because I’ve already heard the 1 hour 17 minute length one, and it’s probably better. ‘My Generation’ is WAY too long, but otherwise a good album.

I love this mix of mod and post-punk; every song is great. It has one of their most popular songs in ‘That’s Entertainment’, which has been misunderstood in the million puns of the title made in media. Amazing album.

One of the most influential rap albums ever, with great songs like the commentary of ‘It’s Like That’ and the awesome guitar of ‘Rock Box’. While the rapping isn’t the best (this came 3 years before Paid in Full came and revolutionized the game) this is overall a great album.

Alright music. While I don’t have a distaste for this one like I do for So (hasn’t come up, but it’ll probably be a 2), I don’t particularly enjoy this. ‘Solsbury Hill’ is a great song, and I enjoy the more rocking tracks, but it doesn’t really interest me overall.

An 80s classic. Moments of greatness are balanced out by less intelligent ones: case in point being that ‘Androgynous’ and ‘Gary’s Got a Boner’ are both songs on this album. They also do a good Kiss cover, which is surprising because I hate Kiss.

The Stooges are one of the first punk bands (proto-punk, technically) but their first album (listened to, not gotten) wasn’t the best, mostly due to ‘We Will Fall’, a song so atrociously slow that it reaches 10 minutes without any structural or musical changes. Granted, I know that was sort of a middle finger to the record label who wanted the album to be longer, but it still sucks. On the other hand, this album is a quality listen from front to back. The first few songs are loud and brash, with some dirtiness. The last 3 songs are the best, though. ‘1970’ is a frenetic burst with a great chorus. The title track stands out in the crowd in that it throws horns in the mix, adding a touch of uniqueness that makes it great. Closer ‘L.A. Blues’ ends the album with the insanity at the end of the song (I think there were horns on this song, too, but I don’t remember). An amazing album.

One of my favorites so far. The avant-garde rock of the first few songs is great, with ‘Backwater’ and ‘King’s Lead Hat’, which sound similar to The Beatles and Talking Heads, respectively. I love the more ambient stuff, specifically - well, everything, but ‘Julie With’ is my favorite. This album brilliantly shows Eno’s genius and I’m excited for the 4 other albums from him.

A classic prog album, straight from the first few seconds of the iconic ‘Roundabout’. That and closer ‘Heart of the Sunrise’, with its great bassline, are the two best songs here. Not much to say except i enjoyed it a lot.

Well, seems like we have another 1 on our hands. At first, it seems like it might be an alright album, with the decent (and more self-aware) ‘Detroit Rock City’. Then it takes a nose dive - not good for an album that wasn’t particularly great anyway. The next two songs are just throwaway, but then we reach ‘Great Expectations’, which is literally about how you great the singer is and you how much you want him to notice you. You’ve apparently got ‘great expectations’, so he does, but here’s a question: what the HELL does that even mean? His head was probably so far up his own ass that it was cutting off his air flow or something. Then comes ‘Flaming Youth’, literally just the comedy stereotype of ‘punk kid is so much cooler than older people; they just don’t get it’, but it’s played completely seriously. That’s literally it. After that comes ‘Sweet Pain’ - on first listen, I only noticed the chorus, but then I realized it’s about involuntary S&M and how the girl will eventually love him for it. Holy shit. Let’s just move on to ‘Shout It Out Loud’, which is… the same thing as ‘Flaming Youth’ as a Wikihow article. One of the lines actually advises you to tell people saying that your parties are too loud that they’re ‘too old to understand’. I guess being a douche who doesn’t care about other people’s lives and not thinking about anyone but yourself fades away after 30 or so, unfortunately. ‘Beth’ is actually about framing the bros before hoes mentality sadly to your girlfriend, promising that he’ll be there in a few hours when she says he’s never home. It ends with him saying they’re playing all night. Lying, much? ‘Do You Love Me’ is fine. It doesn’t suck, but it’s not earning this shitload any points. The album closer is ‘Rock ‘N’ Roll Party’. It’s just fanfare, but I guess that’s better than another song. Thank god this is short.

I just realized how lucky I’ve been with electronic albums in my first 100. We’ve had MHTRTC, SILY, Blue Lines (granted, arguably not electronic), Cross, and now this. Kraftwerk were pioneers of electronic, and this is a great work - all the songs are just so enjoyable. ‘The Model’ has great lyrics along with these enjoyable melodies, which makes it possibly the best song here. Albums like these make Kraftwerk in my top 2 electronic groups on this list who are robots. (Just try to guess the second one).

Pretty good, but a weird choice over the work he did in his prime. The features are pretty good and add flavor to the songs (except for the last 3, which don’t have any). Overall, it’s fine, but not something I’d listen to again.

Alright prog album, if a little forgettable. Doesn’t really compare to something like Fragile (which I got recently), though.

The Wu-Tang Clan is one of my favorite rap groups, and Ghostface is one of its most talented rappers; his flow is impeccable, and his lyrics are often great to match. While this isn’t as good as, say, Supreme Clientele, it all comes through on this album. Just take ‘The Champ’, which is such an enjoyable song just because of how he raps. Definitely viable for inclusion, though it’s reasonable that they cut it in other editions.

The songwriting on this album is just amazing, with nice acoustic instruments to go along with it. His voice was a lot less gravelly then, too, which makes the vocals better to listen to. Definitely a great album, even if just for the lyrics alone.

This was a really nice listen and a great chamber pop album. The soft vocals and the instrumentals complement each other well. It just hits that Autumn feeling (it’s Summer, but I feel like this is a Fall album) so well.

Nice new wave/synth pop stuff. Reminds me of Depeche Mode. Also, what a weird way to spell ‘maneuver’.

Eh. It’s fine. It’s not at all unique, though, and I see no reason for inclusion. Perfectly serviceable, but you don’t really have to listen to it ever.

Better than I expected. ‘There She Goes’ is obviously great, but I also enjoyed ‘Looking Glass’, a weird 8-minute song at the end of the album. The rest is just great rock, and sometimes, that’s all you need.

I mildly enjoyed it. ‘Sultans of Swing’ and ‘Six Blade Knife’ are great songs, and the rest is good, too, but not something I’d willingly turn on again. Wouldn’t turn it off, though.

This one completely dodges the complaints leveled at my other African album (the Koffi Olomide one). It not only feels real, but it’s interesting and enjoyable. 4 stars, but one added just because I felt nice today (it’s because of my new dog).

When I saw the genres were samba and psychedelic rock, I knew I was in for something interesting. This did not disappoint, with its unique blend of the general sound of that era mixed with Latin. Highly enjoyable (and, on a side note, my second album in a different language in a row).

Great pop-punk album. Not very ‘artistic’, per se, but very enjoyable nonetheless. There’s an entire run in the middle of the album that’s mostly made up of hits; who doesn’t know ‘Longview’, ‘Basket Case’, or ‘When I Come Around’? Just a great album.

Great metal album. The singing on this is insane and the instrumentals are frenetic, which makes for a burst of energy put onto record. Enjoyed it and I’m thinking of listening to Toxicity now that I’ve heard this one.

Fine. There’s no reason for this to be here, but it’s tolerable. I’m glad I didn’t have to listen to ‘Side Four’, though, and nobody has to hear his nine-minute opus. Overall, extremely OK.

I liked it. ‘Message in a Bottle’ is predictably the best one, but I also really enjoyed ‘Bring on the Night’. Not as good as their one I’ve heard before this generator, Synchronicity, but still great.

I always love some Talking Heads. From the interesting rhythmic guitar playing to the unique vocals, this is a great album. I also love the Brian Eno production, which probably at least in part due to the fact that it’s Brian Eno. Amazing, and it only foreshadows the absolute masterpiece Remain in Light.

I really enjoyed this album. The production and rapping are both stellar. (That’s really all I have to say.)

This is a great album. While some call it uneven, it grabbed me throughout and was overall much more enjoyable than Mermaid Avenue. I enjoyed the more Yankee Hotel Foxtrot (an album I likely won’t be getting for a while) esque songs on here than the more country ones, generally. Overall great, though long.

Good, kind of dancey. I think I’m legally obligated to give this at most a 4 since I’m not gay, though.

I love this album. The music is stellar, with the catchy ‘Devils Haircut’ and the weird ‘Where It’s At’ being my favorites. The production is great and the samples add to the music. Simply amazing.

A fine, generic garage rock album. Really not very notable in the slightest, though ‘I’m Not Your Stepping Stone’ is at least pretty good. ‘Melody For An Unknown Girl’ pisses me off. ‘There are no words’ vuvtx GB be am CB I’llc C c I’mcycyf T- but you’re talking RIGHT NOW! (the gibberish was anger sounds i guess) I don’t care about it, but I’d listen to over, I don’t know, dying? Okay that’s a bit far. also this was the last day of school nice

Jerry Lee Lewis has always been one of my least favorite of the famous 50’s artists, but this is an exception. This performance just oozes with frenetic energy, and it keeps it up for almost the whole set. That said, it doesn’t change my opinion of him as a whole, and his normal music is pretty boring.

Three 60’s albums in a row. That’s cool, I guess. I love the Kinks for how much they indulge in their… Britishness? Britainism? Britishity? Wait. Anyway, their baroque pop is just really enjoyable. Apparently this is a concept album about stories or something like that. I just think it has good songwriting . I don’t know how to end this, so I’ll just close out with the fun fact that my band at School of Rock (a music learning place, I play guitar) played Picture Book once. I wasn’t on it.

Another excellent album from Joni Mitchell, although I find the experience bogged down by ads (I do respect her stance on Joe Rogan, but why would Spotify keep someone who says misinformation about COVID over two of the greatest artists of the 70’s, the other being Neil Young). Her lyrics are amazing, as always. One song that really grabbed me instrumentally is the proto-electronic ‘The Jungle Line’ - it just stands out from a lot of other things coming out in the mid-70’s. This challenge is helping me realize Joni Mitchell’s greatness, both from this album and C&S, so 5.

I like early 00’s Coldplay more than I should. (Not their other stuff, just that specifically). Really good songs on here, kind of like Radiohead but as mainstream pop. ‘Don’t Panic’ in particular is really good to me; kind of odd since a lot of other people don’t mention it. I also like ‘Shiver’, though I don’t like the other, bigger hit from this album, ‘Yellow’. Something that bugged me was the chorus of ‘Spies’; you can’t touch them… because… they’re spies? What? Anyway, while my enjoyment of it teeters on a 5, I think it just deserves a 4.

I was so excited when this showed up after rating my last album; I’ve seen a lot of reviews that sounded like an album I would love. I was correct, with this being a beautiful album about life. (I translated the lyrics this time; I’ll probably do that for every album in a different language now). All of the songs, with the exception of the first and last, reach at least 6 minutes in length, but they never feel that long. They just pull you into the whole experience. I massively enjoyed this album, and I’m thinking of listening to () soon.

I wasn’t expecting to like this as much as I did. I’ve never really liked much country released after the 50’s to 60’s and maybe 70’s, but this is great. The mellow vocals and soft, smooth instrumentation just set such a mood. Actually, the vocals are the best part of it; country vocals are one of my main dislikes of the genre (modern country, not old country), but these don’t feel like that at all. I’ll end the review by saying how good the backstory is: there’s just something inherently funny with claiming you’re a family band to get into a place. (Thinking about it, that makes it sound like it’s common).

Ehhhhh. Rod Stewart’s fine. Just in general. Wish he didn’t have two albums on the list, but this one’s fine. I don’t mind that it’s on here. The music is decent. The vocals are decent. I really just feel indifferent to this one.

It’s fine. Motörhead really aren’t an album band, but it’s energetic, at least, and I didn’t hate it. Really not remarkable, but alright.

Outside of the two big hits, this is really just unremarkable 60’s folk music. The songs aren’t really that memorable except for ‘The In Crowd’. ‘The In Crowd’ sucks. Not very good, but at least better than The Incredible String Band.

It took me 123 generations, but I finally got a jazz album. This doesn’t come close to being one of the best on this list, but it sets a nice mood nonetheless. Like a beach scene in a movie or something. I wouldn’t revisit this while listening intently, but I’d put it on on a beach vacation or a similar escapade.

This record is pretty good. I especially like the deranged vocal delivery (though I don’t find it as deranged as others do) and the clear imperfections in the music - it sounds kind of sloppy in a good way. The acoustic guitar also sounds cool on a lot of these songs, such as ‘Blister in the Sun’, probably this album’s most popular song. I don’t know how to end this review. Help.

Good album, but outside of the first two songs, I feel like this isn’t their best material. ‘Beetlebum’ and ‘Song 2’ are great, though. The other twelve songs are still good, but they don’t reach those heights. I’d say that although those gripes are there, it’s an enjoyable Britpop album, and it deserves a 4.

It was good, but there was a 2-star review here that I agree with outside of opinion, in that the album kind of fools you with the title, cover, and first few songs, since it’s a much slower album than you’re led to believe. Heads Will Roll is a banger, though, and the slower songs are still good. In conclusion, RIP egg.

Another good album from Oasis. Just more great songs, though not as good as (What’s the Story) Morning Glory. ‘Live Forever’ is probably my favorite song of theirs, though. Fun fact: this makes Oasis the first artist with multiple albums I’ve got all albums from. (Doesn’t really make much sense as a sentence).

Fine, generic alt-rock - why this over something more unique? The music is fine, but it doesn’t stack up to Oasis, Blur and the like. Actually, I’m struggling to find words for this because it’s so unmemorable. In conclusion, New Wave? More like OLD WAVE! *canned laughter and applause* *sitcom theme plays*

This one is so good. The atmosphere is fantastic - the spaciness lets the gloomy mood shine. The melodies are amazing and instantly memorable - just listen to that bass on ‘Lovesong’. Lastly, I love the lyrics - ‘A woman now standing where once there was only a girl’ particularly hits me hard, even though I’m a guy who hasn’t been in a relationship before. It is a good album. The end.

I loved the musical eclecticism on this one. From the electric bop ‘Come Alive (War of the Roses)’ to great R&B songs like ‘Faster’ and ‘Say You’ll Go’ to ‘BeBopByeYa’, which sounds straight out of an old-timey movie. One of the best discoveries I’ve made so far.

A good alt-rock record. The songs on this are the good kind of sloppy, but I can’t help but feel I won’t remember this as well as other records of the same genre on the list. Actually, ‘Don’t’ is the most memorable song here because of how out of left field it is. I don’t know how to end this review, so I’ll just say that ‘Feel the Pain’ is the only song from them I knew beforehand and it’s way better than the songs on this.

If I was going to get one of the longest albums on the site, might as well have been on a day where I didn’t have to do anything. Anyway, this is bloated, but there’s some great material on here. First of all, ‘Hey Ya!’ is just a banger. Also it’s deep because relationships and stuff. ‘Roses’ is also good. Also Big Boi’s side is a good rap album. The surprise favorite for me was ‘My Favorite Things’. Combining a Coltrane song with those cool drums (kind of reminds me of Aphex Twin, though definitely not as crazy) was inspired. This was a good album, but why this over Aquemini or ATLiens?

I prefer Steely Dan’s more jazzy stuff, such as Aja, but this one’s good, too. ‘Do It Again’ is an absolute classic, and the other two hits, ‘Dirty Work’ and ‘Reelin’ in the Years’ are great, too. Some of the album is less memorable, though, and i don’t know why, but I really hate the song name ‘Brooklyn Owes the Charmer Under Me’. What? Anyway, good. Also the cover is really weird.

oh no oh god no *sigh* Next time I get one of the lowest rated albums, can I please get a weird one? Give me Trout Mask Replica, or Duck Stab, or Locust Abortion Technician (last one got bumped off the list by newly added albums, but the point still stands). This is the low point of this whole experience thus far. He thinks he’s rebellious, but this album is so generic. Apparently he toured with Ice Cube, a rapper I actually like (see my rating/review for The Predator), in 1990. I’m disappointed in Ice Cube, honestly. The title track is just atrocious. The rapping about how popular he’s going to be is just so self-centered and stuck up, and the actual kid rapping is just sad. It was pulled off way better a full 116 albums ago with ‘Mango Pickle Down River’ on Kala. On ‘Welcome 2 The Party’, the ‘boom boom boom’ part is SO annoying. Okay, I think I’ve said enough. Anyway, I’m actually only halfway through. I’ll check back in to tell you if I still agree with my points here. intermission no one feels this oh my god this song is 5 minutes long and all that happens is he acts sad with autotune over generic country chords i dont care anymore either buddy end of intermission ok i still hate it. the last songs is about a woman who keeps pregnanting or something. then a remix about how he is god or something. i think spotify sensed my pain because on the radio after they played the bring the noise metal version. i actually like that song. anyway i think im turning into a southern redneck (living in texas doesnt help) so im going to heal my ears with some miles davis. see ya.

I guess giving me one of the highest-rated albums after one of the lowest-rated albums (Kid Rock, no less) was the generator’s way of apologizing to me. Also, interestingly, this is the first time I’ve had an album from an artist with a least 7 (in Bowie’s case, 9) and I feel like it’s about time. Anyway, Hunky Dory is a great album, with the great melodies and show-tuney atmosphere making it unique, especially in masterpieces like ‘Changes’ and ‘Life on Mars?’. What more can I say? It’s a ubiquitous classic, and a breath of fresh air after Kid Rock (I’m still mad about that album).

I wasn’t expecting to give this a 5, but I forgot how rock solid this one one. With the exception of ‘Ooby Dooby’, none of the tracks don’t pull their weight, with songs like ‘Who’ll Stop the Rain’, ‘Lookin’ Out My Back Door’, and the 7-minute jam ‘Ramble Tamble’ (though most people would point to the other long song on this album, ‘I Heard It Through the Grapevine’) being some of my favorites. CCR deserve a spot on the list, and, though I know they have two more albums to go, this is a great choice.

This is some interesting experimental pop. The best part is the hypnotic loops; they’re really great stuff and they grab your attention. The lyrics and singing are not nearly as good, though. They’re enjoyable, but don’t work well enough to make this a masterpiece. Anyway, 4. Also, since Panda Bear featured on Doin’ It Right, this album is Daft Punk Approved TM.

This is a seminal riot grrrl album and one of the best. Almost every song on here is energetic and ferocious, and the ones that aren’t are great as well. Just an all-around classic for a fan of punk and arguably the best of its subgenre.

This album just oozes sexiness from every pore; this type of jam-funk is just so tasty. The songs are all extended grooves, but all 4 pull their weight and are a treat to listen to. Just such an essential R&B album.

The experimentalism of this one was groundbreaking, and the music is great. Both the ambient songs and songs with vocals stand out, and they combine for a unique listening experience. I loved it, and it’s probably even better than Before And After Science, my other record from him.

This is similar to a lot of the indie rock we’ve had on the list, but it’s good nonetheless. ‘Soul and Fire’ is an especially good song. I liked it, but it’s kind of weird it made the list.

This album is weird and I love it for that. In the realm of new wave, the weirdness fits in perfectly, and the 60’s elements give this a unique sound. ‘Rock Lobster’ is just nearly 7 minutes of surf-rock craziness with an undeniably iconic and cool guitar riff - what more could you ask for? Cindy Wilson’s manic vocals on ‘Dance This Mess Around’ are just so good. This album’s vibrant energy is unmatched, not just on the two best songs on the album (as I just talked about) but through the whole thing. It’s just peak oddball music from front to back.

Although this album probably does deserve to be on the list, from the generator offering me both their albums (in a short time, too, since I only got their live one 3 weeks ago), I get the feeling they’re more of a singles band, or at least songs band, since everything on here is still good on its own (well, musically; lyrically, ‘Jailbait’ is just… no). It kind of drags, even if there’s nothing bad (again, excepting the one song), and Lemmy is an iconic singer, but his vocal style can get kind of repetitive. Of course, the title track is a metal classic, and the energy is great, so it’s more my opinion. I’d say keep it in, even if I’m not the biggest fan.

My first real jazz album (I had Jazz Samba before this, but bossa nova is really kind of its own thing), and it’s from Sir Duke himself. I was contemplating just listening to the original, but I had a long plane ride today and decided ‘screw it I’ll just listen to the whole thing’. Probably a good idea, since because of stormy weather it left all the way at ‘Tulip or Turnip’. Anyway, how do I describe this album? I’ll just say this: it’s very warm and nice, sounds like something good to drink coffee to or whatever. That sounds like a 3 or a 4, but I actually really loved this album. ‘Diminuendo in Blue’ especially, for that legendary sax solo that made Paul Gonsalves literally faint. A must hear for any jazz fan.

And so begins my descent into Byrds hell. Do you know how many albums are either theirs or feature someone from them? 12. At least, because I didn’t even check, but I know there’s 5 albums from them, 2 Gene Clark solo albums, 2 CSN/CSNY albums, 1 David Crosby solo album, 1 Gram Parsons solo album, and one Flying Burrito Brothers album. Why? They do not matter THAT much. Anyway Mr. Tambourine Man is pretty good. It’s good, jangly folk rock, and the title track is a classic. Good album, but it’s kind of hard to look past the looming shadow of the other Byrds albums.

Come Away With Me is - wait what? Okay so apparently Norah Jones is Ravi Shankar’s daughter. How was I not aware of this? Probably because I’ve never took the time to listen to her music before. Whatever that’s kind of weird. Anyway, Come Away With Me is bland, uninteresting, and generic. Seriously, there’s not a single song I can even point out as anything. It’s just generic, unremarkable vocal jazz. You know what? I was going to give it a 2, but I talked myself into a 1 for just how boring it is. None of these songs are painful to listen to, to but it’s just a time-waster as an album.

Weirdly enough, I got this album exactly one week after Another Green World, but given my enjoyment of that album (and Before And After Science), getting a third from him so quickly is a welcome surprise. Besides, this is a far different album from those two, leaning in completely on ambient music; in fact, I’m pretty sure it’s the only ambient album on the entire list (I know Selected Ambient Works 85-92 is on here, but that’s really more of an IDM album with ambient influences. Anyway, as ambient music, this is really just meditative, calming music, and I love that. The first song of the four in particular is nice, with the piano playing being something that brings it all together. Honestly, what more can I say? Anyone interested in ambient music should listen to this album.

Really good new wave music. The stretch from ‘This Is The Day’ to ‘The Twilight’ in particular is masterful. I don’t have much to say, really; just an amazing discovery from one of my favorite genres. Very excited for Infected.

I didn’t know this album was on the list. Huh. Anyway, it’s good disco music. Title track is a classic. Not much to say, but it was good.

I’m split on this album. I like the industrial sound in a lot of places, but a lot of the lyrics are just kind of whiney. That said, ‘Hurt’ is a genuinely great song, and it’s still enjoyable enough, so I’ll give it a 3.

Oh, yeah. The Duke Ellington one was great, but this is just hot fire all the way through, with some slower-paced numbers to ground it. Songs like ‘The Kid From Red Bank’, ‘Double-O’, and ‘Whirly-Bird’. The explosion on the cover was ballsy for the time, but it fits so well. Just amazing.

It’s good pop-rock, but it doesn’t benefit from the album format. The Go-Go’s are just a singles band that don’t have that much song variety (although ‘Lust To Love’ is fairly different from the other stuff on here) and it shows. But to be honest, this album is still enjoyable, and ‘Our Lips Are Sealed’ and ‘We Got The Beat’ are two iconic 80’s singles. Just nice as an album, and worth a listen.

Fun Latin music. I don’t know why, but I have trouble remembering specific songs from other languages, but this was great nonetheless. I think I enjoyed the songs with the piano the most, like another reviewer I saw. Just good music. Listen to it.

This album grew on me while I was listening, from a below average album to a pretty good one. It’s nothing special, but it’s good. I like the energy, the style, it’s just enjoyable. Not essential (why I decided to give it a 3), but listen to it if you’re a punk fan.

The first real part of the Nine Circles of Byrds (why nine? Gram Parsons is kind of his own thing that was on a Byrds album, and Mr. Tambourine Man, which I got 10 days ago, is a good album to ease me in). This album - why? No, just why? Why do we need an ex-Byrd shamelessly copping Dylan while having an ounce of the talent in this book? Not all good folk is Dylan rip-offs. This book knows that - they have five Leonard Cohen albums. And unlike the Byrds, Cohen actually DESERVES those albums. Instead of adding more different sounding folk albums, they add two of a Byrd ripping off Bob Dylan. Oh yeah, he has two. Why does this guy get two, especially when he was in a band that has five? But let’s look at the album itself. Every single song is forgettable, except ‘Tears of Rage’ - a Dylan-penned song. Of course. I’d just be repeating myself if I talked any longer. Just skip this one. (Side note: why am I always so much more interesting when hating on an album than praising it?)

Arcade Fire is a classic indie band, so I was excited to get one of their albums (already heard Funeral before, so being one I hadn’t was also good). Fun fact: The Suburbs was released the day I was born. But anyway, Neon Bible is a great album, with the songs on it being amazing. I don’t have much to say, but I really enjoyed it.

I don’t know why, but I tend to enjoy Neil Young a lot more than his country rock contemporaries - probably just because he makes better music, but I digress. Anyway, Harvest is a classic albums with such great songs as ‘Heart of Gold’, ‘Old Man’, and ‘The Needle and the Damage Done’, and that’s just scratching the surface. All the songs are primarily acoustic, with the exceptions of ‘Alabama’ and ‘Words’, unifying the album. The real great thing about the album is simply how good the songs are, though. Seriously, all of them are great. Just give it a listen. (God, this review was basic.)

My second album from him, and first I hadn’t listened to before. Who can argue with Bowie? This is great. It’s kind of similar to Ziggy Stardust, but A) some of the songs are really unique, such as the R&B-esque ‘Drive-In Saturday’ and ‘Time’, which sounds as if it was from an old musical but got a glam-rock makeover, and B) who wouldn’t want more of that?. Besides, a lot of it straight up rocks; see ‘Watch That Man’, ‘Cracked Actor’, and ‘The Jean Genie’. Even the Rolling Stones cover pulls its weight. I don’t want to gush about this album any more. Just give it a listen.

Odd that I got Syd Barrett’s solo album before any by Pink Floyd, but unlike those albums, I haven’t heard this one before. It really captures his degrading mind and insanity at this point - really sad. The music is great anyway, somehow. I really liked the songs ‘Terrapin’ and ‘Here I Go’, especially the latter’s sort of twist in the middle. Great album from a legend who sadly lost his mind at a young age.

Well that was quick. Only two days ago I had Aladdin Sane. It’s a Bowie album, so it’s bound to be good. The title track is amazing and iconic, of course. I also loved the trio of ambient tracks near the end of the album. What more can I say? Just another one of his masterpieces.

Alright modern blues rock. Doesn’t really have a unified sound like the White Stripes, though, and kind of forgettable. I like ‘Sixteen Saltines’, though.

It’s fun, but also long and kind of samey for that length. It’s cool how it kind of acts as a celebration of this kind of traditional music, though, and the songs themselves are often nice tasty bluegrass. I also dislike some of the songs, though, like the one about the jewel or whatever. Interesting, but you don’t necessarily need to hear the whole thing.

It’s A Night At The Opera. It speaks for itself.

As someone who’s given 5’s to most jazz albums I’ve come across, I obviously have to bestow that rating onto this. It just sounds so natural, despite how it experiments with time signatures when most jazz songs were in 4/4, but it sounds just as good as the other albums of its time. Also, for all the people saying they kind of feel bad for not listening to a black artist, the bassist for the quartet was black and Brubeck refused to play without him. So that makes not one bad thing about this album (other than nitpicks).

I mean, sure. It’s generic indie, but I like most indie anyway. Enjoyable - you know, even though I liked it, it’s not really noteworthy.

I wasn’t expecting to like this as much as I did, considering I wasn’t very positive about it when I first heard it. But, outside of one glaring exception (‘Joy’ is incredibly stupid), the songs are all great. It keeps an incredible consistency in being good, and the songs are enjoyable with good lyrics. Really, I don’t completely know why I’m rating it so high, but I really enjoy it.

No other album can match the hype I got when generating this one. You see, Daft Punk is me and my friend’s favorite artist. Not my specific favorite, but ours as a group (or duo, since it’s just one friend). ‘Revolution 909’, ‘Da Funk’, ‘Around The World’, ‘Burnin’’ and ‘Indo Silver Club’ are all straight bangers and no one can tell me otherwise. ‘Rollin’ And Scratchin’’ and ‘Rock’n Roll’ just go off the rails. ‘High Fidelity’ would look absolutely hilarious with a lyrics sheet (that’s not really something to specifically praise the album for but still). My one gripe with its inclusion is that it was picked over Discovery. I mean, personally, I think they should have three: this, Discovery, and Random Access Memories. However, if you’re only going to pick one, I would go with the second of the three. Homework is amazing, but it sounds like an artist still in the formative stages; for example, ‘Around The World’ is the only song where the vocals feel fully formed. Anyway this album slaps bye

Why does everyone hate this album so much? It’s a good drum and bass experience. I know it’s not the most accessible of genres, but 2.57? Really? Anyway this is good. Not really ‘timeless’, but good. Reminds me of Aphex Twin in some parts, specifically Drukqs. Good electronic album. I guess I kind of like this type of music too much, though.

Nice new wave album. Kind of like The Smiths. Not very unique, but I might listen to it again. Of course, however, this is one of those albums that isn’t really notable enough for a lengthy, detailed review.

Good art-rock, but not as good as another album from this book, For Your Pleasure, which I’ve listened to before. The songs are still great, with me enjoying the first two and last one specifically. It’s not as good as that album, but listen to it if you liked their other music. (I’ll probably articulate my thoughts on the band better once that or maybe their self-titled come around).

These standards albums are fun, especially this one. It’s nowhere near as good as Red Headed Stranger, but Willie putting his spin on some pop classics is just nice to hear. My favorites are the first four songs and ‘Sunny Side Of The Street’; they’re all enjoyable, though. Not an all-time classic, but a nice listen, with the two albums in this book showing two sides of his music, which is great.

Eh. It’s standard 70’s dad rock, so fine. None of the songs are bad, but they don’t really feel unique in any way, and this doesn’t do a great job at what it seems like it’s trying to be. I do have an interesting anecdote about the band, though. When I was in the car ride - somewhere, I forgot - one day, my dad played ‘Shooting Star’. I asked him to turn it off (I don’t really know why, I don’t hate that song or anything). He proceeded to play it THE WHOLE TIME. It got on my nerves so much. Anyway Bad Company is an ok album I guess.

Is it weird that I prefer Highway to Hell to Back in Black? The songs on it just tend to be faster paced than those on the next album. Anyway, AC/DC have always been a great band, but not amazing. Both their records in the book deserve to be here, but they’re not super amazing or anything. Title track is a classic. Songs are great. Give it a listen if you like this kind of classic rock.

Not amazing, but I like the songs on it. In fact, it does keep a consistent quality, and I can even see why one would rate this 5 stars. I especially like ‘Peace of Mind’. It’s just a good song. In my books, give it a listen; it’s fun.

Another baroque pop masterwork. I like how the two things people call it are just Something Else, which kind of makes it sound self-touting, all futuristic like, and the full title, which makes it sound ordinary, plain, just another release. But just another release by The Kinks still clearly makes a great album. Firstly, something I noticed was that as the album went on is that the first side feels less polished than the second. Of course, it doesn’t change the quality of the album; so many great songs; ‘David Watts’, ‘Death of a Clown’, ‘Two Sisters’, I’m really just listing the whole album here, aren’t I? The extremely obvious highlight is ‘Waterloo Sunset’; what a beautiful masterwork of a song. I also particularly like ‘Lazy Old Sun’ and its unique chord changes. What more can I say. The gods of baroque pop make a great baroque pop album.

Surprisingly good. I didn’t have high expectations after the opening track, which isn’t the worst thing in the world, but a definite mess. It only got better from there, though, culminating in the great songs ‘Do It Better’ and ‘Lazyitis’. At those high points especially, it’s got such a layered sound and production. A nice, dense album overall.

Something funny: I didn’t realize the pun in the band name until I told my dad the album today and he asked about the pronunciation (I was saying Hiphoprisy, as in ph pronounced as f). Anyway, this album is extremely bleak. It makes some good points, and the best songs kind of tend to be the ones I can get on with more; for example, I prefer ‘Language of Violence’ to ‘Television The Drug Of The Nation’. The beats are nice; kind of similar to Public Enemy, but they have more exotic elements, which is good. In conclusion, a good rap album I wouldn’t have listened to otherwise.

I’m kind of a sucker for most electronic music on this list, aren’t I? I mean, I’ve mostly gotten more popular artists, really, except for Goldie and Boards of Canada, with even the latter being critically acclaimed, just not super accessible. Anyway, a lot of great songs on this album, some of my favorites being ‘Right Here, Right Now’, ‘Praise You’, and especially ‘The Rockafeller Skank’. Again, I just love this genre, but I like these songs a lot, and it’s a good example of great electronic music.

The rap albums on this list have been pretty consistently good (aside from my hated Kid Rock), and this is more of the same. While I enjoyed it, it was admittedly not very distinguished from other rap at the time, at least listening with modern ears. The songs were, of course, still good, however, the highlight being ‘Just To Get A Rep’, which highlights the pointlessness of gang violence. I don’t know how to end this review. Nice beats I guess.

This album is weird. It felt kind of generic at first, but then it randomly got death metal at the end of ‘Receptacle for the Respectable’. Then ‘[A] Touch Sensitive’ was a nice beat. Then ‘Shoot Doris Day’ started off like a song you would sing for a holiday or something, though it got more normal. Then ‘Miniature’ was a spacey 40 second instrumental. Then ‘No Sympathy’ was like a Nick Cave song that randomly turned into an Aphex Twin song in the last two minutes. Then ‘Juxtaposed With U’ was like a reggae song with randomly robotic vocals. Then it got more normal. Well, it’s oddly middle-loaded, with the beginning and endings being a 3 and that part being a 5, so we’ll average it out. Side note, can I get something more interesting than a sixth four star in a row today? Thanks if yes.

What can I say about Elton John? He’s one of the most seasoned and consistent hit makers of all time, and the sheer pop sensibility in his songs is impeccable. This is apparent on Madman Across The Water, though the two hits (and the two songs I knew) being the first two songs on the album. ‘Tiny Dancer’ is a good opener, but it would be nice to put ‘Levon’ in the middle of the album rather than straight after another ballad. Of course, the album isn’t bad after that (just look at my rating), but after the title track and ‘Indian Sunset’, which are arguably on the same level of quality, it’s kind of less interesting. Still, though, this is a great album. Although most Elton John albums I could see taking its place (considering I kind of see it as giving him an album that’s not Goodbye Yellow Brick Road), it’s a good listen.

happy birthday to me It’s my birthday. Fun. Anyways, Machine Head is a great early metal album, especially on the faster songs. ’Maybe I’m a Leo’ and ‘Never Before’ are my least favorite songs as a result of this. Also, ‘Smoke On The Water’ gets all the attention, but ‘Highway Star’ is the real best song. I will die on this hill. Anyway, hope I get a good birthday album.

Well, my birthday album. It’s insane that I got two albums in a row by a group with only 3 albums in the book on my birthday. Anyway, this is nowhere near as good as Machine Head. Firstly, the production is kind of shoddy. Not like it sounds atrocious or anything, but this could do with a remaster. Second, the songs aren’t as memorable. Aside from ‘Child In Time’, I probably wouldn’t be able to name a song from this album if you played it for me. Finally, it’s simply not as fun to listen to. I had a good time with Machine Head, but a part of me felt like I was just waiting for the album to end. A lesser effort than its successor on this list (chronologically speaking).

I didn’t like the first song very much, but it got pretty good after that. Early Steely Dan is kind of hard for me to love, though (note early, as Aja is an unabashed classic in my eyes). I do like the more jazzy influences on this, as they give it more of a unique feel, whereas Can’t Buy A Thrill was more so built around its best songs (Do It Again, Dirty Work, and Reelin’ In The Years). Overall, a good release from the Dan. Ew, I sound like a dad. Anyway, hope I get the pretzel album next so it can be all chronological.

50’s vocal jazz is a nice genre, and this record is fairy charming. Sarah Vaughan is a pretty good vocalist, and her personality comes through on this album (just listen to ‘How High The Moon). Granted, it does feel a little silly and unprofessional, but it humanizes the singer. Also, one of the instrumentalists was born in 1925 and is still alive. Cool.

This Neil Young album is arguably better than Harvest, with every song being great. My favorite song is ‘Southern Man’; it’s got a great melody and lyrics, and it’s way better then ‘Sweet Home Alabama’, which it inspired. The rest of the album is no slouch, though. This is one of the Neil Young albums I have less to say about, so bye.

What words can be used to describe this album? Boring. Derivative. Uninteresting. Why is this guy in the book instead of actual reggae. That part of the genre is super underrepresented, but apparently this is straight-up one of the best reggae albums. No. Just no. Also, he has ancestry from Ghana, apparently, but come on, he’s just another white guy. This is nowhere near as bad as what I’m about to mention, but it kind of reminds me of a joke in one South Park episode where a guy finds out he has 3% black DNA and says… that word… to a coworker. Not that similar, I just think it’s funny and wanted to mention it. Anyway, screw this guy. Also back to school (pain).

This is another obvious 5. To be honest, I’m surprised it only has a 3.9. Orchestrated to perfection, mature lyrics, amazing melodies, you’ve heard it all before. You don’t need my opinion on this.

Nah. I do not like blues jamming in the slightest. At least this had sections, and it didn’t actively bother me, but it’s just jamming, and not unique. Having an entire side be a 25-minute version of a two chord song was a fun idea that never should have gotten past that phase. Not very good at not at all memorable, the only reason I’m not extremely mad about getting two one stars so close is because in between I had Pet Sounds.

For some reason, this feels like an album that people would say should be on the list but it isn’t. I don’t know why, it’s got that quality of being super popular on RYM and similar stuff, but overlooked on best albums lists by big labels and publications. Anyway, it’s a great album. I mean, I like indie pop. This is one of the biggest indie pop albums. It’s good.

This album is weird, but not really in a good way. This guy is like Nick Drake if he didn’t want to sing nicely. Seriously, these vocal stylings are weird, and I don’t like them. The rest of it’s generic. 2, because I don’t really hate it.

Amazing, sublime album. I really love the acoustic guitar on this album, and his voice is really nice. Some of my favorites are ‘Speed Trials’, ‘Ballad Of Big Nothing’, and ‘Say Yes’, which I somehow recognized on the first listen (on the Rolling Stone 500, which appears to be a far inferior list, though unlike this it has the Neutral Milk Hotel album, so that’s a plus) despite having no real knowledge of Smith’s catalogue. Great album. Side note: for some reason he has one more album on the list and it’s Figure 8, even though I feel like most people would pick his self-titled or XO over that.

I really like this style of pop/rock. The only one I recognized was ‘Kids’, though I’ve definitely heard ‘Time To Pretend’ before this. I am really lost for words. Uhhhhhhjjhhh…. it’s good?

I don’t feel like writing a long review right now but basically this record was really good and it surprised me. Also, I knew ‘Our House’ when I wasn’t expecting to recognize anything. Noice.

I’m not the biggest fan of this style of rock, but this is undoubtedly a classic album. Come on, it has ‘Thunder Road’, the title track, AND ‘Jungleland’ all on it. I think that’s all that really needs to be said.

Liked how this was a metal album that doesn’t take itself too seriously, but it isn’t an absolute joke, either. ‘Jesus Built My Hotrod’ is fun. Ok I’m drawing a blank on what to say again.

I definitely don’t dislike it, but Elvis is a singles artist first and foremost, and this may be an unpopular opinion, but I wouldn’t be opposed to the idea of only including his 1956 self-titled album. For some reason they didn’t include ‘Suspicious Minds’ on this? I know it’s not a whole singles not on albums thing because they DO have the inferior ‘In The Ghetto’ on this. The rest is ok. I mean, I guess I don’t really mind this check-in in the late 60’s on Elvis. Whatever.

Generic punk. I mean, I’m really feeling the common-ness of it all by now. Whatever. 2, because I’m bored of this.

This is my first listen to this album, and it’s as good as any by Led Zeppelin. When I was little, I thought ‘Immigrant Song’ was like the coolest song ever, and it’s not like I don’t see why I would think that now. My favorite song on this album ended up being the blues dirge ‘Since I’ve Been Loving You’; I don’t know why, but I just really enjoyed it. Anyway, I’m praying that I get their second album next, so I can get them in descending order.

Album number 200! Want Two is pretty good. My favorite songs were ‘The One You Love’, ‘Peach Trees’, and ‘The Art Teacher'. They’re just good, I guess. One of the top reviews says that he sounds like Thom Yorke at moments, which he does, but it bothers me because he hits the high notes in a similar way but just doesn’t have the same voice. For some reason I knew of him before this project? Like, I had no idea who he was, but I knew there was a musician named Rufus Wainwright. I thought he was from the 60’s-70’s, honestly. Anyway good album.

I wonder why I enjoy these 50’s albums so much. Maybe because there’s only 20 or so, the quality control is just better. Anyway, Lady In Satin is a good sendoff for one of the greatest singers in her era. The songs aren’t the most interesting, but the vocals and arrangements really stand out. While I did say the songs weren’t the most interesting, they really fit the way she was living at the time and the emotion she brings is palpable. Great album from a great singer.

What’s with me getting absolute classics every Monday since school started back up? Kind Of Blue is sort of the popular decision for greatest jazz album of all time. What can I say? This is influential, original, technical, enjoyable, all the positive words. Just listen to it if you somehow haven’t by now.

I wouldn’t give a 5 to just any Johnny Cash album, but this book picked them really well. This is a classic live album; one where the songs have more energy and the artist’s full personality is on display. Seriously, just the sheer charm of his talking and monologuing is just so entertaining. Doing an album at a prison as a country artist is just a great idea, too, and it’s made even better by being the prison from one of his greatest songs, garnering lots of applause and enthusiasm from the inmates. Wow, I was surprised at how much I had to say about this one. Anyways, in conclusion, just one of the greatest live records ever to be put on wax.

I know this is all political and stuff, but for some reason it doesn’t hit me the way it feels like it should. I don’t know whether it’s the instrumentation or the lyrics that I’m not a fan of. For the record, I like ‘Fast Car’ and ‘Behind The Wall’. This record is just whatever to me. I don’t mind its inclusion, though.

This album is so atmospheric that it genuinely felt like it was a colder season, not summer. Then I went outside and instantly caught on fire. I screamed for help and some people luckily came to my aid with a fire blanket. However, the damage was done. As I laid in the hospital, writhing in pain, a doctor came and gave me some anesthetic before telling me they were going to have to remove the melted cotton from my skin. I blacked out soon after. When I came to, I was in a lot of pain, and they told me it would take three weeks to recover. So I hate you, Vespertine. But it’s a pretty good album that I’d have given a 5 if it hadn’t nearly killed me, so I guess I’ll give it that.

Good, personal alt-rock. I knew five of the songs before I listened to it for the first time (‘You Oughta Know’, ‘Hand In My Pocket’, ‘Head Over Feet’, ‘You Learn’, and ‘Ironic’), which I’d say is a pretty good track record. I don’t know, it’s good. I’d say it doesn’t deserve too much praise, though (how did it get the funny number spot on the Rolling Stone Top 500).

I had a really fun time listening to this. It’s no masterpiece, but these songs just slap. I don’t know what to say; it’s just enjoyable and fun. Aphex Twin sampled ‘Apache’ in ‘Heliosphan’ and I’m a big Aphex Twin fan, so that’s cool. 4, since it’s not amazing, but I have a good chance of listening to this again.

Why is the songwriting on this so stupid? Seriously, ‘Allergies’? ‘When Numbers Get Serious’? ‘Cars Are Cars’???????? The worst part is that not all of these lyrics are bad, which clearly means he could have done better on this album. Instead we have this. And the music? The music’s fine. But. Why would you not pick an album with good songwriting and the same caliber of music instead of this. Why would you choose this in general? The man is sitting comfortably with three albums with Garfunkel and two on his own already, so why do we have this? On its own merits, this is a 3, but since it’s Paul Simon we’re talking about, I’m giving it a 2.

The classic album every Monday streak continues. Another one where it’s just ‘what do I have to say’. One this I do have to say is that ‘Electioneering’ is a full-on banger and I am coming to your house if you say it’s the low point on this album. Other than that, it’s OK Computer. Just read one of the other billion positive reviews.

Classic soul. Not much else to say, but since I’ve stopped getting so many R&B or funk artists, it’s nice to get another from the genre. I really like all the songs on this album, though it’s not really made as a cohesive work for the most part, which is why it gets a 4 as opposed to a 5. Not much else to say, really.

This is one of the most influential punk albums out there, and it’s a fun listen, too. It wouldn’t necessarily be a 5 instead of a 4 if not for when it came out, but it’s one of those albums you just have to respect. The songs are still great, too, and at less than 30 minutes, it doesn’t overstay its welcome. A fun and extremely important record.

Another from Elvis Costello. It’s pretty good, I guess. I can’t really talk at length about this one. I like ‘Watching The Detectives’, even if it’s not on the original release. Just for the record, I prefer this to Blood And Chocolate. I’ll probably get that treated to a 2. Bye.

Good. Gothy. I like ‘Monitor’ and ‘Night Shift’. That’s it.

*insert generic but not wrong complaint about how there are way too many 80’s British albums here instead of music people actually care about here*

It feels weird to have Bruce Springsteen in my favorite artists list, but I happened to get the two albums of his I’m giving 5’s as my second and third from him. Nebraska is a chilling, atmospheric album much different from Springsteen’s musical fare. The stories here are dark, highlighted by how minimalist the arrangements are. Although the morals have a tendency to be not quite right, the storytelling is on point. Overall, one of his best.

I can see why people like this, but personally, it just doesn’t hit me. I guess I’m not a big fan of this sound. The songs are good, but they also have a tendency to be too slow and long, outside of ‘Everybody Wants To Rule The Word’, obviously, plus a few others. Not bad, just not my jam.

This is lame. Generic rap that no one cares about. Why is it on the list? I don’t know. There are probably at least 100 rap albums that I would have been happier with inclusion. If you’re going to include a generic one, at least let it be a generic one people like. Just boring.

Good synthpop. I really like ‘It’s A Sin’. I don’t have anything to say.

Really fun album. I thought it would be be like punk and Irish folk mix, but it’s more like pure Irish music with the punk spirit. It just kind of makes me want to go to the pub and get drunk. Except I’m not 21. And I don’t like the taste of any alcohol I’ve tasted. I guess I’ll just drink some of that soda in a glass bottle and get a caffeine rush.

It seems weird to say this since I gave Ten a two, but Superunknown is a great album. Honestly, Chris Cornell is like Eddie Vedder if he was a good singer, way less whiney while still having the same low voice. The worst song here, ‘Half’, is two minutes, and even then it’s not really bad. Otherwise, this album is incredibly consistent, especially since most of its songs reach at least 5 minutes. The singles are just inarguable, and a lot of the other songs are amazing, too, such as ‘Let Me Drown’, ‘Head Down’, and ‘Like Suicide’. Just go listen to it; it’s one of the great grunge records and one of the best double albums in rock.

People probably should have been more concerned about Kurt Cobain after this album. After the first two songs, hearing ‘Heart Shaped Box’ is a relief, and that song is super bitter. That’s kind of how this album functions: super loud songs followed by poppier, but definitely not Nevermind-esque songs. It’s great. I’d list songs, but I like all of them (and it’s uninteresting to read). Bye.

“You know how we just made one of the most influential, groundbreaking, and important albums ever?’ ‘Yeah?’ ‘What if we followed it up with one of the sexiest things man has ever created?’

Good afrobeat. However, I’ve heard some of Kuti’s studio material as well (though not his other album on this list, Zombie) and it’s just better. Still a good album, but I wouldn’t mind substituting it for, say, Expensive Shit.

This album is really good; ‘Freak Out’, ‘I Want Your Love’, ‘Sometimes You Win’, it’s all great. Except for one song. ‘At Last I Am Free’ is long, repetitive, and overly dramatic and not very fun - on a disco album. I cannot stress enough that this would be a filler song anyway, since the chorus is annoying to begin with with (especially the last line). But otherwise, I enjoy it, so 4.

Good punk music. I like the saxophone. This is one without much to say.

Meh. Despite the fact that this is so genre-bending, it ultimately feels like something unremarkable and not unique. I like some of the rapping, though.

A seminal sampling album with fun lyrics. For some reason, I always thought ‘Shake Your Rump’ was the single, but not only is it not, but it’s not even one of the non-singles with a Wikipedia page. Anyway, this is just a great album that flows well. Why am I constantly getting records that I don’t really have anything to say about?

I don’t know. Kind of boring, generic psychedelic music. Meh.

Nice. Dreamy. More unique than The Last Broadcast. The End.

Metallica, but James Hetfield’s singing is worse, there’s a random orchestra that doesn’t really do anything yet still manages to make the songs have less bite, and for some unknown reason, the line ‘how I’m killing you’ in Master Of Puppets is changed to ‘how I’m fucking you’. The song is about drugs - you should know that considering you wrote it. -1 star for length, too, as the album Master Of Puppets itself was a little on the long side, but I liked that album, and I don’t like this one.

Good dance music. I didn’t really think it would be any different, since I liked the one I heard already, but whatever (I prefer that one, just so you know). Something interesting about this one is that I think it was mistakenly thought to be one of the albums here that wasn’t on the list when it really was, since I’m only the fifth or so review since 2021. Cool.

that was definitely an album of generic 60’s rock.

Good 70’s rock. Nothing special, though.

As a fan of Radiohead, I am biased, but this is one of the best alt-rock albums out there. ‘Planet Telex’, the title track, ‘High And Dry’, Fake Plastic Trees’, ‘Just, ‘My Iron Lung’, ‘Street Spirit’. All recognizable songs from this album. That’s over half the tracklisting. Can you really argue with that? (yeah, but I guess I’m making a point)

why are you singing mr tambourine man like that its so ANNOYING on to the actual review Okay, I’m writing this first part after hearing the acoustic part. Firstly, I’m surprised this is our first encounter with a Dylan record. He has seven, so it’s weird that I’m only having one from him when I’m so close to the midpoint of this project (since there’s 1,089, unless they release a new version before I’m finished with the project, that would be around album 273). Actually, it’s even weirder that I’ve had no Beatles or Beatles-affiliated albums. Seriously, there are 12. That’s as many as the Byrds! (His smile fades as he realizes the ramifications of this horrifying, tragic realization). Ok so the second thing is that we will ignore that fact forever now. The actual second thing is why not just listen to an acoustic studio album from Dylan? Seriously, this disc has no reason for you to play it for want of a live album. A studio album is A) more focused and B) doesn’t have this annoying version of ‘Mr. Tambourine Man’ on it. I don’t know why I dislike it so much, but his vocal delivery is annoying and it goes on for 4 extra minutes where nothing happens. The outro is really so long that when ‘Tell Me, Momma’ actually started it was like a jumpscare. Future me here: I actually quite like the second disc. It brings a lot of energy to the songs on it, especially to songs that I’m not the biggest fan of in their studio counterparts, most notably ‘Leopard-Skin Pill-Box Hat’, which I hadn’t really enjoyed both times I’ve listened to Blonde On Blonde (one time for a failed attempt at listening to every album in the top 50 albums in the RS500 and the other for a successful one of the whole list), but this version is way more enjoyable just for the energy added in. The one gripe I have is that ‘Ballad Of A Thin Man’ is kind of poorly mixed, especially since it’s probably my favorite Dylan song, but even then it’s not that bad. I debated whether to give this a 3 or a 4, but I’ll go 3 just to be mean.

Good mix of African music and the sound of the era. There are some songs in English on the back half, so I was surprised when I realized I was actually understanding the lyrics on one song. It’s also odd, but kind of hilarious that the male singer is just having a full-on giggling fit on ‘One More Dance’ as in the song he’s telling his girlfriend that her husband she’s cheating on is dying (he straight up LOSES IT when he dies). Anyway good album.

Honestly, I’ve never really enjoyed this album like I should, but I’ll give it full marks out of obligation. It’s still good classic rock, and I just never really listened to it whenever I would want to. Good album, just one I don’t enjoy so much.

Simply one of the best double albums ever made. Just the first four songs should tell you that. I wouldn’t say I’m a big fan of Elton John, but there’s something about his music and Bernie Taupin’s lyrics that really makes it special. It’s going to feel weird having him in that favorite artists page, though.

Pretty good, but minus one star because Morrissey is stupid or something.

Justin Timberlake has a few good songs, but this is pretty generic. ‘Cry Me A River’ is alright, though.

Not as good as Superfly, but it’s still super funky, still great social commentary, and, most of all, still Curtis. What more can you want?

Although technically my first Funkadelic album, I’ve had Mothership Connection, their album under Parliament on the list, and the differences between the two really show. While Mothership Connection was straight FUNK (one of the funkiest things I have ever heard), Maggot Brain is more experimental. For example, the guitar opus of the title track, the uniquely acoustic funk on ‘Can You Get To That’ ,the epic ‘Wars Of Armageddon’, etc. One of the most unique albums of its genre, and one of the finest, too.

Finally, my prayers for one of the insanely weird and inaccessible albums from the low rated list have been answered! This is jazz on acid. Not acid jazz, jazz on acid. It does bother me that Coleman himself is not included, and I would cut this album to make room for one of his, but I would cut other albums first. It’s just insane and brimming with energy, too, especially the drums and sax. I can tell why people dislike this one, but I love it.

Pretty good ambient electronica. I don’t know, nothing to say.

Good shoegaze. More generic than Loveless, the other shoegaze album I’ve heard, but songs like ‘Vapor Trail’ are still great.

Really great punk music. It’s amazing how they can seamlessly switch from different parts of the song so fast. The reggae elements feel more minor and woven in, too, which is nice. Don’t have any other thoughts, but I like this.

Nice electronica. The end.

An alright rap album.

dog on the cover

The OG metal album. Even the cover was way creepier than other stuff at the time; it just conveys some kind of menace to me. The title track just portrays fear so aggressively, almost. It seems almost like a larger-than life fear, like something horrible, scarier than you can imagine. The instrumental gives us only a taste of this. The other songs are good, too; ‘N.I.B’ sounds like something off the next album, Paranoid, without having the disadvantage of every song next to it being in the same key. (Why did they do that? We’ll get to that album when we get to it, I guess.) Anyway, uhhhhhhhh the end I guess (I just said I guess twice in quick succession).

Ok, I haven’t actually started the review but I just saw on Wikipedia that on the censored version, ‘Just Don’t Give A Fuck’ and ‘Still Don’t Give A Fuck’ are changed to ‘Just Don’t Give’ and ‘Still Don’t Give’ and I just find that really funny. Also I just remembered the line “Go-go gadget dick” and while the song it’s on isn’t great, I find that absurdly hilarious. Anyway, this is a fun album with some problematic lyrics. More specifically, I like the deranged-ness of it all when it doesn’t feel misogynistic, homophobic, etc. I like the other stuff, though, so 3.

I’d write a review for this, but I could never top, never say anything not represented in the top review. That is simply one of the greatest pieces of literature of our generation. Such an in-depth, inspiring, beautiful review. So, I’ll just repeat it: ‘Green’

war is bad 2011 edition but pretty good

Sure, enjoyable EDM. Kind of forgettable, though. Actually, so forgettable that after calling someone, I completely forgot I was still listening to it and only realized as I was getting on to the school bus. Whatever. I thought I recognized the vocalist on ‘Setting Sun’, so I looked, and yeah, it’s Noel Gallagher. Not Liam, but Noel. Fun. ending sentence

Talking Heads album! It’s also my brother’s birthday but this far outweighs that. Even though this isn’t even my first. Whatever Talking Heads are my band right now. I hadn’t heard this one before (outside of the obvious ‘Psycho Killer’, plus ‘Uh-Oh, Love Comes To Town’) but this is great; poppier, but still retaining elements of their best work. Some of my favorite songs other than the ones I had already heard are ‘No Compassion’, ‘The Book I Read’, and ‘First Week/Last Week….Carefree’. Though not the best of their albums, still amazing.

I don’t know why, but I got a lot more out of this than Green. I mean, for that one I wrote a joke review because I didn’t know what to say and I’ve done a ton of reviews where I just said that. Review was lame, anyway. Whatever, I like Murmur. It’s just nice and jangly, and all the songs are great. I guess I don’t really have anything more to-DAMMIT

The originator of that whole ‘ton of songs in short album’ thing, and it does it well. Only 3 songs even reach the 3-minute mark, and those songs are some of the best on the album. The shorter songs are great, too, and they don’t overstay their welcome. I remember thinking ‘Three Girl Rhumba’ was the second song on the album and lasting 29 seconds, but it’s the third, and a minute and a half. The second song is - well, not that song, I guess. Anyway good album.

Pretty funky. Not as unmissable and amazing as Maggot Brain or Mothership Connection, though, so 4.

Good album. Not so much as Violator.

Better than I expected for 50’s rock. I know how influential he was, and it’s a shame that he died so young. Rivers Cuomo kind of did look like Buddy Holly, though, didn’t he?

This is my favorite Rolling Stones album, and ‘Gimme Shelter’ is my favorite Rolling Stones song; it just has so much apocalyptic energy and Merry Clayton’s vocals are absolutely insane. The rest of the album is no slouch, either; the title track is fun, ‘Midnight Rambler’ jams, and, while I’m not as much of a fan as most, ‘You Can’t Always Get What You Want’ is a great closer. In conclusion, a great album.

Sad. Nice. Good album.

A lot like Want Two. Not as eclectic, though, and thereby not as good. The end I guess.

A great album. Instead of continuing to try and chase the highs of The Beatles, this album is highly personal, with one of the main themes being letting that phase of his life go. The last line of the last song (outside of the glorified outro) is ‘the dream is over’. Other parts of the album discuss other parts of his life. All in all, a highly personal album and a great listen.

Classic of the genre. It seamlessly mixes braggadocio with more conscious themes, doing both amazingly. Nas is such a great rapper; just listen to his flow on ‘It Ain’t Hard To Tell’. One of the best parts of this album is its brevity. Where most hip-hop albums of the 90’s overstay their welcome, this is a concise 10 tracks in 40 minutes. In conclusion, just one of the best rap albums in creation.

Stupid generic music. With such great songs as your silvyourer silvstreakyourer or some crap in ‘Grace’, ‘what if there was a comic book about Lyndon B Johnson being stupid?’ in ‘Super Bird’, and more songs which I didn’t care to pay attention. Hippy dippy bullshit.

The music isn’t quite as on point as his other work, while his lyrics are descriptive and creative as always. More specifically, the music feels more like bar blues than the Tom Waits I’ve heard (this is my first album from him). He’s an excellent songwriter, though; ‘Don’t you know there ain’t no devil, there’s just God when he’s drunk’ specifically just really hits hard. Great lyrics, ok music.

Nice. Jazzy. 50’s. Other descriptive words.

At Folsom Prison again. So 5 stars.

why do people like madonna

Pretty good. Can’t think of anything to say. Words.

Like the Slim Shady LP, but with better music, lyrics, and with actual serious songs. Seriously, I can’t imagine the sheer whiplash a new listener would get from ‘Kim’. It does have ‘Ken Kaniff’, though, so I don’t think I can’t give it 5 stars in good faith.

60’s country. Fine. End.

Nice electronica. Songs are pretty good, but too long.

mediocrerandb i dont know

Don’t know why but The Band just never hit me like Bob Dylan himself. Nice Americana folk though.

Obvious indie classic. Too lazy to expand upon that thought.

watered down jazz

This is the only Pixies album I hadn’t heard beforehand, and it’s Pixies, so it’s good. I like the surf-rock influences especially. Good.

I’ve now heard all three of his solo albums on the list (haven’t gotten So, but I’ve heard it). Surprisingly, I think this is my favorite. The songs on So felt prolonged and slow, with that 80’s production I’m not a fan of, and Car didn’t grab my attention. With this album, though, I enjoyed the songs on it, including ‘No Self Control’, ‘And Through The Wire’, and ‘Games Without Frontiers’. I also like the weirdness through the whole album. Just good.

Nice mix of punk and electronica.

Help me. After listening to the album, I suddenly had some horrific reaction and began my transformation into white trash… no, worse, an Eric Clapton fan! Just leave before I infect you too; please just ggbdhkgcghn-RACISM MISOGYNY WHITE BLUES

Good early 70’s pop. Like the hits and ‘Jump Into The Fire’. Other songs are also good. Nice album.

pruple

why do i have the best time with the weird albums

goodalbumnotmuchtosaygenericcrap

NOOOO STOP GIVING ME GOOD ALBUMS ITS GOIND TO MESS UP MY AVERAGE RATING Masterpiece.

nice country throwback not too good though

Good rock. The end.

ah yes, the worst beatles album.

Alt-rock that was better than what I expected. Cool.

Mediocre folk music. It would be a 2, but 1 for the cover of him dramatically holding a child that clearly does not want to be there.

David Bowie = 5 Stars This is fact.

It’s classic Black Sabbath. I’m not going to be psychotic and give it less than a 5.

yeah this is 5 stars what did you expect

Pretty good, nice 70’s rock. Cool Thanksgiving album.

its fine i guess

obviously

Not as good as his other stuff, but still good.

Pretty good blues rock. Not as good as Elephant. Album 300.

Pretty good 80’s rock. Singing is weird. That’s it.

Queen are basically 70’s rock gods.

Classic punk. Kind of messy.

Charles Bingus

Alright EDM. Weird cover though.

I tend to like electronica, but this is just boring and has nothing of value.

Nice classic blues. Doesn’t feel fake, like one Eric who claps. (ok i dont think he does that but the point still stands)

One of the coolest albums out there. There’s something so chill and lo-go about it that I love. ‘Get It On’ is the clear standout, but they’re all great.