Mothership Connection
ParliamentWell, it was pretty nice to hear. Loose, fun enough, yeah, I liked that one quite a bit.
Well, it was pretty nice to hear. Loose, fun enough, yeah, I liked that one quite a bit.
Not that much into jazz, it's always a bit too slow and meandering for my tastes but this one was nice and pretty enough, I understand why it has the reputation it has.
Crushing, sad, depressing, angry, relentless, metallic, pounding... this album hasn't left me since I was 16-17 and still doesn't!
Some songs were pretty forgettable and blues is not exactly the music genre that moves me the most, frankly (plus, Clapton-as-a-person makes me feel a bit icked out)... but most of this album was a pretty good time.
The beginning was a bit slow, but when it reached "Like Someone In Love", it really started to show its best qualities, especially with the more ambient, slow stuff. Pretty cool!
That fly, fo'sure, was super. Nah, for real, it was a funky enough time, honestly.
The skeet of lil bill in which he says Presley would have fucked his own mom if given the chance will stay in my head more often than this album. No, seriously, there's some nice songs but I really don't see what is special with this one.
Maybe the first full country album I've listened to. Honestly, a good introduction to the genre proper. (also, OK, the album's sound really was exactly like the title, OK, nice)
It was nice, I guess.
This yee do be hawing, ain't it right, fellas?
Despite having listened to a lot of singles from the band since my childhood, I never felt that compelled to listen to a full album of them. Fortunately, I've finally fixed that and, honestly, this bittersweet melancholy all across the songs alone makes it a very good listen!
The repetitiveness of all of it means that the songs live or die on the strength of the main loops and beats. Fortunately, a lot of them are quite strong.
Yeah, it kind of makes me want to have sex with someone. Good job, Marv'.
Didn't thought this album would be such a blast of energy and good melodies (especially since Hüsker Dü, so far, didn't gave me a lasting impression) but damn, Mould and Co. really delivered with this one!
The hotel was a bit old and decrepit and the bed was not the most comfortable ever, but the music was nice and the food was good.
I realize that I have some troubles getting into music where the instrumentals are not that prominent, but that still wasn't bad at all. Even good. Oh, and I like the tragicomedy aspect of "One Last Dance".
Not every song is a classic (no, I'm not that hot on "Devil in a New Dress") and reminiscing about it makes harder to swallow the fact that Kanye is less than a shadow of who he used to be now... but it's still packed with bangers and one of the albums that introduced me to the endless possibilities offered by sampling. So... yeah, classic album.
More like "Welcome to the Sleepydome"!
Already listened to before and I wish I had this as the next album instead of FGTH.
So prettyyyyyyyyyyyyyyy... :D
Very eighties in sound and very dated, but frankly, it still manages to pull off more than one good song!
Forgot to rate it yesterday. Anyway, yeah, it was more accessible than I thought it would be, considering who Beefheart is, but that wasn't a flaw of it, far from it!
Both dreamy & acidic, some songs meander a bit but I enjoyed it.
I've heard this album when I was 24 years old. And what I loved most, he had so much soul... (no, for real, putting aside the fact that mentions of Dave Chappelle aged horribly and that I wished Kanye kept doing great music instead of trying so hard to offend everybody, this is a very, very good rap album!)
I should really ask people who know more than me about country for recs. I dunno, it's nice but a bit repetitive.
A bunch of pretty nice songs, but ultimately, the album is heavily weighed down by the fact that it's way too damn long and not every song is a winner, far from it.
A pretty long album but, unlike "Blood Sugar Sex Magik", there's a way stricter quality control here and the songs are generally pleasant and nice and breezy and good to listen to, with enough subtle variations in the sounds to keep you interested. Very good!
Good ol' classic butt-rock about money and girls and cars and sex and rawk'n'rawl... but frankly, with the energy a bunch of those songs have, I won't complain at all about it!
A very pleasant ride from beginning to end!
The second half is definitely stronger than the first but, overall, an album who is sweet, breezy, full of endless charm and honestly, I wouldn't have minded one or two more tracks. Bravo, Mr. Wonder. Bra-vo.
Yeah, that one was alright. Not a lot else to say, rn.
A very good piece of psych-hard and a proof that sometimes, less is more when it comes to the number of tracks on your album!
My first time listening to the Dead Kennedys (and a first dive into hardcore punk in general) and, even if not all the songs clicked with me, there's a couple of all-time bangers on it!
The first part is classic, but the second part is just a snoozefest (with the exception of some tracks).
Not mind-blowing, but a consistently good shoegaze-style album that was a very nice experience to listen to!
Nice and dancey. Also, did I just heard a song that sampled a part of "Amen, Brother" who WASN'T the Amen Break for the first time?
It's the first album who made me openly think that "woaw, all of this was too short!"... but still, it had a lot of energy and catchy melodies.
I don't think this is the best pop album I've ever listened to but I certainly understand why people feel this way about it. Oh, and MJ & Paul are funny together in "The Girl Is Mine".
Lots of those songs enter by one ear and go out by the other but it's still pleasant while it lasts.
I liked this one more than other old-timey punk albums, I'll say.
Nice and groovy enough!
The title of this comp' is a lie, I have no idea why a compilation is on this list and Pelle's voice kind of annoys me... but there's still a solid lot of rockers here so yeah, it was good.
A record that I'm listening to less than I used to but it was a formative one for me and for a very good reason. Energetic, loud, wacky... what else can I say, it's fucking SOAD.
It's pretty. Just that, pretty.
I don't know if some Valentine's Day melancholy suddenly enhanced it but, God, this is probably one of the most beautiful albums I've ever listened to. Like, damn. Also, "Cherry-Coloured Funk" is one of the best intros to any album ever.
This one was good, I guess.
Nicer than a bunch of jazz albums I've listened to before, I would say.
The singles are all-timers and "Policy of Truth" is among my fav songs, low-key.
An extremely tight and energetic album. That brand of classic hard rock is quite my jam, not gonna lie.