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Shleep

Robert Wyatt

1997

Shleep
Album Summary

Shleep is the seventh album by Canterbury scene and progressive rock veteran and musician Robert Wyatt, released in 1997. The album brought together a diverse range of musicians from a range of genres. After Wyatt's largely one-man recordings of the 1980s, Shleep marked a return to featuring other artistes as on his 1970s albums. The balance of his discography would follow suit. The Wire named Shleep its record of the year in its annual critics' poll.

Wikipedia

Rating

2.6

Votes

6774
Genres
Rock
Psychedelic Rock

Reviews

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Sat Jul 15 2023
1

Phrases like "pretentious artsy bullshit" should be saved for albums like this and not stuff like Throbbing Gristle, The Residents or Captain Beefheart, because those are just people having fun with stupid goofy sounds. This is an album that was specifically designed at a business meeting to be ART. Robert Wyatt rolled into the studio with the preconceived notion that he'd be making ART for NERDS. It doesn't feel genuine or real. It's like if you told an AI to "write a 10/10 album that music magazine reviewers can jerk themselves off to". "Oh you don't get it, the fact that he's singing off-key over the blandest instrumentals known to man is actually a profoundly intricate dadaistic subversion of rhythmical tropes crafted with meticulous attention"-SHUT UP NERD, GET IN THE LOCKER "The Wire named Shleep its record of the year in its annual critics' poll." Yeah, of course it did. Genuinely psychopath music. Listen to Kidz Bop instead like a real man. 0/10.

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Sat Aug 19 2023
5

The first Robert Wyatt album I ever heard was from this project - his 1974 release Rock Bottom. I loved it and was curious to hear what he was up to 23 years later. Shleep seemed to have a bit more polish. Perhaps it makes it an easier onramp to the weird world of Wyatt? There's a variety of songs and styles but all felt unmistakably Wyatt. The album opens with the jaunty Heaps of Sheeps and then heads straight into more experimental jazz territory on The Duchess. I think the exposure to jazz this project has given me has increased my appreciation of Robert Wyatt's incorporation of the form into his glorious mishmashes. And what's that in Alien? Latin rhythms? Blues in Bob Minor has Wyatt delivering some fast-paced lyrics rivalling Billy Joel's delivery in We Didn't Start The Fire. I'm so glad this project introduced me to this extraordinary talent in Rock Bottom and added Shleep to my repertoire! I clearly need to look more into the Robert Wyatt catalog.

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Sat Aug 19 2023
5

I'm so glad we got another Robert Wyatt album --- I wondered if my strong positive reaction to Rock Bottom was a one-off due more to time and place than the actual album. With this, I'm a fan for sure. I'm in awe of this weird and mesmerizing album. (And some of it's not all that weird.) The instrumentation is glorious --- horns and piano, some great jazz drums, electric guitar layered over acoustic, vocal chanting. I will never be able to sing along with most of it and I'm totally ok with that. Very, very fine.

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Wed Nov 29 2023
5

Never listened to anything by Robert Wyatt before, but I loved this! Heaps of Sheeps pulled me in immediately - can really feel the Brian Eno production here. The rest of the album was pretty amazing too - I think this might be my favorite "previously unknown to me" discovery since starting this project.

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Tue Aug 01 2023
4

Instead of having two albums by Robert Wyatt in this list, I'd rather have *Rock Bottom* exclusively enhanced, and try to find a goddamn way to make most people open their minds (and ears) so that they can finally understand it. I still can't swallow that criminally low global score for that prog rock masterpiece on this app--maybe because it's not exactly "prog rock": it's a thing of its own kind, and that's where its beauty lies. In comparison, *Shleep* has nothing to be *absolutely* ashamed of. Yet it's only a late career highlight for Wyatt--which is good per se, but doesn't necessarily justify its he album opens with the wonderful "Heap Of Sheeps", and it's funny how that track sounds like a classic Brian Eno song from the seventies. Since Eno is co-producing this thing, it shouldn't come as a surprise, I imagine. As for the rest of the album, it goes from excellent compositons ("Maryan", "Sunday In Madrid") to very secondary dirges that are weighted by a free jazz horn section sounding a little too mundane, paradoxically ("The Duchess", "September The Ninth"). Fortunately, tracks such as "Was A Friend" and "Alien" manage to catch that *Rock Bottom* spark. And the last real song in the album, "Blues In Bob Minor" is extraordinary. Believe it or not, Wyatt *raps* on this one, and as you can imagine if you know who Robert is, this sounds very different from your run-of-the-mill rapping. And the music on this extraordinary closer is lively and enticing. That sole track is worth the price of admission here. What made *Rock Bottom* unique is the whole journey it had to offer and *Shleep* is different in the sense that it's only a collection of tracks going from one mood / idea to the next. I understand that its concept is the one of dreams, yet maybe there could have been ways to make the transitions between the songs remind you of the strange connctions dreams have. In a way, *Rock Bottom* did manage to do that better. But it managed to be so many things at once... *Shleep* is more like an afterthought compared to it, as good as some of its songs are. It does linger in your memory. But it doesn't *haunt* you the way *Rock Bottom* does. What can little ponds and brooks, as nice and beautiful as they are, do against an ocean? 3.5/5 for the purposes of this list, translating to a 8.5/10 grade for more general purposes (5 + 3.5). I'm rounding up to four stars to protest against the low global score of this record. Next, please. Number of albums left to review: less than 500 (I've temporarily lost count) Number of albums I'll include in my own list: half so far, approximately. Number of albums I *might*  include: a quarter, approximately (including this one) Number of albums I'll never include: another quarter (many others are more important to me).

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Thu Aug 24 2023
4

I hadn't really acquired a taste for Robert Wyatt until this project introduced me to "Rock Bottom", which I loved to pieces. This album has more of an upbeat atmosphere, which I initially found disappointing, but it's grown on me with a couple of listens. Still prefer the dreamy haze of "Rock Bottom" overall, though. Fave tracks - "Free Will and Testament" is great, and I am apparently a sucker for Dylan pastiche cuz I really liked "Blues in Bob Minor" too...

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Sat Aug 05 2023
2

there was some stuff going on here that made me not totally hate it. But this album did not appeal to me. "Art rock" isn't my genre I guess.

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Wed Aug 16 2023
1

Brian Eno did it again. A very specific and experimental album, which is as dividing as possible. This time I have to tap out - if I would want to listen to an absolute lunatic, that has problem hitting any tune in every song, with a bunch of random noise in the background, I would just record myself taking a shower. Couldn't finish, won't try again.

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Fri Sep 29 2023
1

Pretentious, self-important, humorless. 1/5

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Sun Aug 27 2023
5

This album is a mix of English folk, ambient music, the Canterbury scene’s brand of progressive rock, and various jazz forms. Robert Wyatt is a veteran of the English progressive scene and this album is a triumph of all he has gathered throughout his life. The album is experimental, pastoral, jarring, and genre bending all at once. It’s certainly not for everyone, but it is brilliant.

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Wed Oct 25 2023
5

Excellent! Really enjoyed the jazz infusion to may of the songs. Want to listen some more!

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Fri Dec 01 2023
5

Well, damn. This instantly hit me. So creative and funny; love Robert's voice so much. This is right up my alley, and absolutely deserves a spot in this list. Favourite tracks: The Duchess (bonkers percussion), Was A Friend, Alien.

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Fri Jul 21 2023
4

Really enjoyable, dug it more than I thought I would. 4 stars.

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Wed Jul 26 2023
4

Such an entrancing album, something about is voice is just😍 Heaps of Sheep is my fav track for sure

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Fri Jul 28 2023
4

This is where the format of the generator does a bit of a disservice to the music. I needed more than a day with this. It's layered and nuanced, and although not everything clicked for me, there's enough meat there to grab onto that on balance, I really enjoyed the experience. Best track: Blues in Bob Minor

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Fri Aug 04 2023
4

Pretty cool sleepy post-prog stuff, I quite liked it! I think it just slides into 4 stars for me, could be higher if it was more consistent and had stronger vocals.

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Thu Aug 17 2023
4

I'm glad that this project gives me the chance to discover these kinds of albums. I would have avoided this like the plague based on the description, but this one mostly works for me. Yes it's experimental, and it's a bit of a concept album, and it is weird and non-conforming... but he achieves a cohesive mood throughout the whole thing that I'm on-board with. There's some nice floaty songs in here... a little bit melancholic at times... and sure, there's quite a lot of meandering bits in there too, and some odd moments, but it holds true to the vision of the album and works overall for me. 3.5 rounded up.

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Sat Aug 19 2023
4

The first track was catchy, so I bought in. The rest of the album maintained an interesting sound with a variety of weirdness that I mostly really liked. Maybe I should give the other album on the list another try???

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Sat Aug 19 2023
4

Apparently I was not a fan of our last Robert Wyatt album, Rock Bottom, from 1974. This one, being from 23 years later, (and me being quite a bit further in this project), made me very interested in what I would hear. On listening to the second track I was walking though an area filled with grasshoppers who were flying randomly around as I walked though the grass, and it fit the music perfectly. So, beyond that I was quite surprised at how much I liked this. Definitely a bit strange and different, but in a good way that I quite liked.

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Thu Aug 24 2023
4

This is great. Just overall interesting. Fave tracks The Duchess, Free Will And Testament.

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Sat Aug 26 2023
4

This may be the biggest rollercoaster of a star rating journey I have gone through. First listen I was doing other things and now paying attention and thought first song was ok, but rest sucked so maybe 2-3. But I knew there were a lot of things going on so I should actually dedicate the time to listen. First track is awesome. A beautiful joyous romp that can only be described as “outsider Flaming Lips”, which is not a phrase I thought could exist. 2nd-4th tracks were a bit more weirdly and stilted in vocals but instrumentally I love what was going on. “Maryan” is better than “The Duchess” for sure. Finally with “Free Will And Testament” we are back with off-kilter depressive optimism. I want the entire this. “September 9th” is a wild jazz number??? “Alien” turns into ambient. Same as “Out of Season”. Idk the rest sorta blend. Last track is a little redemption. Back to Jazz. If all the songs hit as hard as the first I could rate it higher, but just on the general gestalt it’s a 4. Really unique offering that’s further supported by the author’s history.

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Sat Aug 26 2023
4

Robert Wyatt is polarizing but I tend to find his sound oddly comforting.

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Sat Aug 26 2023
4

Really fascinating reading about this guy, and what a backstory - drunkenly falling 4 stories out a window, becoming paraplegic, and THEN going on to a decades long successful solo career. This album is so quirky, but also sophisticated and charming. I plan to come back to this, and check out his other work too.

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Wed Sep 13 2023
4

Heard before. At first I thought ugh, sounds hard to listen to. But I liked a lot of songs in hindsight. + Maryan + Was A Friend + September The Ninth + Alien + Out Of Season + The Whole Point Of No Return

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Tue Sep 26 2023
4

I like the meandering free-form jazz-folk feel of this album, especially once we get the more conformist first song out of the way. The trombone, (uncredited) trumpet and piano create a the perfect backdrop for Wyatt's frail voice. "Blues in Bob Major" is hilarious.

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Sun Oct 08 2023
4

very unique, distracting in a good way

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Wed Oct 11 2023
4

I've heard a bit of his stuff but not really explored too much. This is really great though. It's pleasant and relaxing but without being too laconic or boring. Super comforting somehow. I absolutely adore the cover as well.

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Wed Oct 18 2023
4

Kinda nondescript yet lovely

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Thu Oct 19 2023
4

Odd in a good way. Very trippy and so many instrumenyts

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Sun Oct 22 2023
4

I’m a little familiar with Robert Wyatt, mostly from his cover of Shipbuilding and work in Soft Machine, but I definitely haven’t heard this! It’s fun, quirky, very nice textures. Especially Maryan. Jazzy stuff happening in Was a Friend! I really like this!

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Mon Oct 23 2023
4

It was hard to rate the other Wyatt album, and this one is tough as well. I don’t know how often I’ll play this, but I think it’s really good. As I said on another review: this is the kind of stuff that makes this project worth doing, not incredibly “normal” artists like Dexy’s Midnight Runners.

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Thu Nov 02 2023
4

Truly remarkable. Wanted to hate this after the debacle that is the aptly named "Rock Bottom"@1974. However there is just too much here to love. For the record, I've always accepted poor vocalist and nonsensical lyrics, and this album has both. But the depth of production is what draws your attention with this record. These arrangements are nothing short of genius. I will be returning to the afore mentioned 2star album with a slightly less jaded perspective.

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Wed Nov 08 2023
4

Didn't love all the tracks equally, but the ones I did I really loved.

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Wed Nov 22 2023
4

I spent most of this album feeling mostly puzzled about whether I was enjoying it or not. Ultimately, I think I liked it, though I struggled with some of the lyrics.

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Tue Jul 11 2023
3

An interesting LP from a new (to me) artist. Not exactly sure the theme is on I jive with, but the tracks are executed well and have some interesting ideas to build on. Things do tend to stay a bit dreary in lower gear (which is perhaps the point), but I can't complain about an overall pleasant listen

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Wed Jul 12 2023
3

Moitié/moitié. Je comprends sa démarche. Original et diversifié. Vrmt not bad surtout blues in bob minor. Blues is nice, mais je sais pas encore je ferais quoi comme top 3 blues, folk, soul. Certaines sont meilleures la 2ème écoute. Vibe soft

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Thu Jul 20 2023
3

3.5/5. Different, but it was pretty good. I would listen to this again.

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Wed Jul 26 2023
3

Had some nice bits but too strange overall

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Fri Jul 28 2023
3

real cognitive dissonance from this ‘97 album occasionally sounding like Atom Heart Mother-era Floyd. One of the biggest headscratchers for me as to how this record got made & included on this list but at the same time, I was fascinated by its twists and turns (from freaky folk to plaintive jazz), and I enjoyed the majority of the tracks. “The Duchess” sounds like it inspired some of the more demented musical pieces in Don’t Hug Me I’m Scared, and was the closest I came to turning off the album. HL: “Heaps of Sheeps”, “Maryan”, “September the Ninth” July 27, 2023

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Tue Aug 01 2023
3

Like all Wyatt's albums, this is mix of highs and lows; but Wyatt's highs are stunning and his lows are higher than many artists' highs, so...

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Wed Aug 02 2023
3

It's.... interesting? Not quite sure what to make of this. I liked some aspects of this - the subtlety, the mellow nature of most of the songs - but I didn't care for the vocal style. An interesting listening experience. 3 stars.

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Thu Aug 03 2023
3

It had a mood - I didn't mind it

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Fri Aug 04 2023
3

Good, but not great. It felt like there were pieces missing that I could not find.

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Tue Aug 08 2023
3

It's not quite that simple, but mostly feels like Wyatt going pop. Each song, beautiful, is gauzy as layered thing, not simply along the production lines typical to Wyatt's work. Structurally, the death and rebirth in the middle of Shleep feels clear, hazes hanging to the right and left. This is music which feels totally incompatible with laser focus, and it lacks some of the scale of other albums in Wyatt's discography.

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Wed Aug 09 2023
3

At first glance this looks like some 80's new age hippie sleep meditation album used in daycares to make children take their naps. This will do me no favours on the first workday back after a long weekend if that's the case. I need motivation, not shleep right now. But you know, it actually brings a lot more uptempo groovy vibes that I expected. This Robert Wyatt character is a special kind of weirdo. Good for him.

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Sat Aug 12 2023
3

Was not quite as weird as his previous album, the more frequent singing parts made the differen e here. Still though nothing to write home about

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Sat Aug 12 2023
3

Soft and chill for listening.

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Wed Aug 16 2023
3

Es un disco rarísimo, por partes aburrido pero rescaté unos remitas muy buenos.

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Tue Aug 22 2023
3

bit of a schlep, but not too schlocky

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Tue Aug 22 2023
3

It was bollocks and I did enjoy it.

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Tue Aug 29 2023
3

For a decade from the mid-70’s to the mid-80’s I loved Robert Wyatt’s recorded output, although I have to say that, on reflection, a lot of the highlights for me were cover versions - I’m A Believer (Neil Diamond); Yesterday Man (Chris Andrews); Shipbuilding (Elvis Costello); Strange Fruit (Billie Holiday); At Last I Am Free (Chic). So, unsurprisingly, the highlight for me on this album is the Dylan-inspired Blues In Bob Minor - totally a nod to Subterranean Homesick Blues, itself inspired by Chuck Berry’s Too Much Monkey Business & inspiring Costello’s classic, Pump It Up, among others. Other than that, the sound of this album is so dense that I think it will take quite a few listens before I totally get what’s going on. I enjoyed it .

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Wed Aug 30 2023
3

From the guy who wrote an album while in a hospital; something nice and floaty. Wyatt has roots in the eclectic Canterbury scene, which is known for it's proggy blend of jazz fusion and psychadelic rock. While Shleep is a good few decades removed from the height of the scene, Wyatt tentatively writes what he knows. While it is spectacularly well-written and composed, it occasionally feels like it meanders (as is the case with prog rock) and is more successful at striking an overall feeling rather than having any individual standout songs. While Rock Bottom is often considered his best, I'll propose that Shleep is a more refined and overall better piece of work. It also has Brian Eno, so, there's that.

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Sat Sep 09 2023
3

This bloke has done it all and played on every other album out there. Not only is his solo discography long and impressive, so is his work with different bands, as well as collaborations. When I was listening to this album, my wife mentioned how it wasn’t doing much for her. I immediately disagreed, pointing out that although the album isn’t robust (that is, it doesn’t work when people are lightly chatting while listening), Wyatt knows exactly what he’s doing. The man is a master. Brian Eno producing, by the way.

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Mon Sep 11 2023
3

Slightly less bad than the previous Robert Wyatt we've had? Still pretty meh. 5/10

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Mon Sep 11 2023
3

6/10. Kind of a weird little album. I suppose I liked it, though.

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Tue Sep 12 2023
3

un bon album rock psychedelic avec Eno comme producteur, C'est dans mes cordes. 3.85

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Thu Sep 14 2023
3

The first couple tracks had me going wtf and I was concerned that I was not going to make it through this whole album. As it kept going though, the sound evolved into much more of a jazz with spoken word vibe, and I found it to be relaxing, sometimes soothing, background music. I'm not a big fan of Robert Wyatt's voice and lyrics here, but I can see the appeal.

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Thu Sep 14 2023
3

Had never heard of Robert Wyatt before or any of his work so was quite excited to jump into something totally new and this was a really interesting listen. The experimentation and avant-Garde arrangements on this album are really cool and interesting but I find myself enjoying the tracks on this record that are more rock-orientated. I love a jazz influence on a rock record e.g. Steely Dan but I do feel like it overpowers a little on this record. More guitar focused tracks such as “Blues in Bob Minor” and the beautiful “Maryan” are my personal favourites where some of the more intricate jazz tainted songs lose me and I struggle to enjoy them as much. Still thought this was a decent record and I respect Robert Wyatt for the wide array of guests and instrumentation he uses on the album. RATING: 7.0/10

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Tue Sep 26 2023
3

Robert Wyatt is definitely one of those polarizing artists with his unusual falsetto voice and his music is hard to pin-point - unsettling indie/folk/jazz. Attentive and repeated listenings are required to fully appreciate. Most of this album was quite good albeit somewhat demanding.

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Sat Sep 30 2023
3

This album is fascinating and has some incredible moments and some very annoying almost unlistenable ones. Very distinctive and unlike anything else I’ve heard really, and ultimately a rewarding listen despite The Duchess

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Sun Oct 01 2023
3

3.8 - Impressive that this was released when he was 52 years old - it’s more adventurous than 99% of music out there. I still find his singing thin and nasally but aside from that gripe, I enjoyed this a lot and think it’s a perfect “zone-out” record though it’s layered enough to also warrant a close listen. Maybe skip the last couple of tracks, especially “Blues in Bob Minor”, which sounds like an even worse version of “We Didn’t Start the Fire.”

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Tue Oct 10 2023
3

It's an album that keeps balancing on the spaces between genius, madness, beauty and pretentious wank. I find it hard to pin down, even after 4 listens

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Thu Oct 12 2023
3

I liked Heaps of Sheeps, the rest of the album did not impress for me, personally.

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Wed Oct 18 2023
3

Not a huge fan of prog rock, so I tried to hate this but actually ended up liking most of it. Blues in Bob Major was the standout track (and the least proggy).

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Thu Oct 19 2023
3

jazz, moment expérimental. assez intéressant 6.5/10

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Sun Oct 22 2023
3

Shipbuilding aside, I haven’t particularly enjoyed Robert Wyatt’s music, but there is always something warm and peculiarly pleasant. A visionary artist who works hard and is very accepting of most music, he’s a likeable chap. I enjoyed reading what both he and his wife said about “wyatting” (people playing “Dondestan” on pub jukeboxes to deliberately annoy others). A low three because some is fine and I like the man both as a true artist and a genial chap.

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Tue Oct 24 2023
3

Hard to believe this is a 1997 release as it sounds right out of 1974. Even if I hadn't read it, track one "Heaps of Sheeps" just oozes Brian Eno who has become a bit of a fave here after ~650 albums. As for the negative, it's a little ... passive? Very English-passive. By contrast, take Gong for instance - much more actively-weird, actively moving. This is more a pastoral counterpoint to space-rock weirdness. In case anyone needed me pointing this out, during "A Sunday In Madrid" he sings one note the entire song. The. Entire. Song. (no wait, he went up one whole note twice there... not sure that even counts.) I can only imagine how many people hated this one....but I don't :P. It's just weird enough that it could be a sneaky good weird jazzy chill listen. I hate giving 3s but this is almost my perfect 3 - at different times you could put this on and I'd get almost physically angry yet another time it might be the perfect salve with a cup of tea (or scotch) sitting on the back porch. 5/10 3 stars.

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Tue Oct 24 2023
3

Someone once told Robert Wyatt he was quirky as a compliment and he just ran with it! Shleep is much more fun to say than it is to listen to.

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Tue Oct 24 2023
3

This kind of cool kind of kooky oh Brian Eno was there got it

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Wed Oct 25 2023
3

Rock progresivo. Experimental.

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Sat Nov 11 2023
3

I'm glad to live in a world where wierdness like this can get published... I liked some of it very well and didn't particularly dislike any of it. It got too much into meandering, stream-of-consciousness rambling for me though.

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Wed Nov 15 2023
3

It had some nice moments but was annoying overall

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Mon Nov 20 2023
3

Albumi ei ole millään tavalla merkittävä ja se tekee miehen surulliseksi. Miksei tässä voisi olla löytänyt robert jotain kaunista? Miksei robert mennyt studiolle ja laittanut albumiin maailman kauneimmat biisit jotka soivat herttaisesti radiossa? Miksi nämä kappaleet ovat julmia ja vain rahallistettua taidesoitantaa. Kumpa en olisi taiteen uhri. Kuin tämä olisikin taitavaa ja linnut taivaalla hetkellisestä kognitiosta poikkeava suurtyö. Monimutkainen luomus, ei, summanmutikan avulla luotu pöllähdys joka ei sattunutkaan sattumilla satusedäksi. Suru valuu kasvoilla.

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Sun Nov 26 2023
3

I like a couple tracks but others are like being in a primary school music class.

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Thu Nov 30 2023
3

Pretty interesting musically, his voice seems like an acquired taste that I have not yet acquired and I was not a big fan of the nursey rhyme style on some songs.

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Tue Dec 05 2023
3

Liked the jazzier influences towards the end of the album.

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Mon Jul 10 2023
2

This one only had three reviews before I wrote this one. Presumably because most people, uh, didn't care strongly. Some of the best parts of this sound like Nick Drake, but some of it also sucks. Weird one to rate. We're gonna go mid.

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Fri Jul 14 2023
2

Some of the songs have a chaotic and disharmonious feel (e.g. "The Duchess"). This is just not really my thing. I am more straight, simple, and basic in my taste. I don't think that the album is bad, but it just does not really align with my taste.

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Fri Jul 28 2023
2

This did not appeal to me at all. I don't understand why it was on this list.

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Fri Jul 28 2023
2

Never heard of this but obviously hipster shit. Title & album art suggest wussy indie rock. The name "Wyatt" hints at USA but most likely UK as always. ahaha yep it's English. Accented voice is hidden in the mix a bit, but it's there. Music sounds like the album art looks, so it's honest... but honest, complete shit. I'm not angry, or even disappointed at this point. I'm just giving out a 2/5.

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Tue Aug 15 2023
2

Robert zit een beetje de ouwe zemelaar uit te hangen. Kom op Robert, misschien moet je het muziek maken maar aan anderen over laten want hier schiet werkelijk niemand iets mee op.

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Tue Aug 15 2023
2

Interessantisch, maar te wisselvallig om mij te boeien

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Wed Aug 23 2023
2

New to me...probably never again. 2/5

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Fri Sep 08 2023
2

Nimensä mukaista eli nukuttaa. Herää kysymys, kuinka viimeisteltyjä biisit on vai kuinka paljolti kokeilua. Ikävän naivistista. Joitain ilahduttavia hetkiä, joissa toivoisi, että tää olisi tehty 70-luvulla.

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Sat Sep 09 2023
2

One half decent song followed by one unlistenable piece of crap. Repeat. No thanks.

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