Not for me but sounded great

I do NOT like this band. I did not have a good time listening to this. I'm sorry.

HELL. YES.

Incredible.

I didn’t like/understand this record growing up but now I cannot deny its impact and greatness.

Surprisingly good

Certified hood classic

Beck is weird

Not my cup of tea but it was the pouges so what else can I say?

Bad company

Meh

I wish i had more time and brain to write good things but i can say that this record is evergreen. listen to it now.

STINKER

Adele's "25": A Masterclass in Emotional Precision ★★★★★ (5/5 stars) Fine, let's be honest here—Adele has weaponized the human larynx to create what amounts to a sonic truth serum, and the results are annoyingly brilliant. Yes, "25" is essentially an album-length therapy session where you're both the patient and the one paying the bill, but it's performed by someone with the vocal precision of a emotional surgeon and the songwriting instincts of someone who's clearly been taking notes during every heartbreak humanity has ever experienced. "Hello" doesn't just open the album—it kicks down the door of your emotional defenses with the subtlety of a velvet-wrapped sledgehammer, and somehow you're grateful for the intrusion. The production throughout is so lush and cinematic that Rick Rubin and Greg Kurstin have essentially created a soundtrack for your feelings that makes even mundane Tuesday evening melancholy sound Oscar-worthy. Even when Adele attempts something resembling optimism on "Send My Love," she does it with such calculated charm that you can't help but admire the craftsmanship of someone who can make heartbreak sound like a luxury experience. The album's emotional arc—from devastating opener to the quietly devastating closer—follows a trajectory so perfectly calibrated that it feels less like a collection of songs and more like a masterclass in how to translate the messiness of human relationships into something that sounds like it was composed by angels who specialize in breaking hearts for a living. Adele has somehow managed to make an album that's simultaneously too sad for casual listening and too beautifully crafted to ignore, which is probably the most annoying kind of artistic achievement possible—when someone creates something so devastatingly effective that you can't even properly complain about how devastated it makes you feel.

Not their best record and why does BOB last longer than 3 mins?