This album is surprising. I'm enjoying it more than I thought I would. I was expecting faux-Gothic horror rock, and there is elements of that, but this really is so much more. Taking influences from Punk, Glam, Bowie, the Clash, Ska, Raggae makes something thats not quite post-punk and not quite new wave. I hear how this influenced others, notably INXS and other late 80s bands. Production is cool. Lo-fi in some songs, but then really artful in others. Cool album to start with. 8/10
Top Songs
The Passion of Lovers
Of Lillies and Remains
Kick in the Eye
Muscle in Plastic
The Man with XRay eyes
Enjoyed it more than I thought I would. Definitely music made by dorks, but that is cool. No surprise, but the bass tone rips. The standout tracks are the long ones.
An easier listen than I was expecting. Heavy Subject matter, but the instrumentation is so interesting, and it provides for a reflective, but not dour, listening experience. RIP Bowie
A bit hard to divorce this one from the Classic Rock guys that have taken this album. But, all in all it still rips. I've heard most of these songs before, but not in the sequence of the album. Starts off strong, and then gets a little listless towards the end. Crazy that this was just a trip, because the mix is really full. Glad I listened to it, but I don't know if I will again. Certainly tracks for sure.
I'm shocked that I hadnt heard of Solomon Burke before this listen. He has such a great voice. The album itself is mostly standard early 60's soul and ballads. I was also struck by the session musicians on the record, especially the guitar player. They really rip and help to elevate the album. Ultimately, it's a bit "standard." I don't think that ill listen to the whole album again, but all in there are definitely some great tracks that I'll seek out again.
Notable tracks: Cry to Me, Won't You Give Him (One More Chance)
Fine. I'm not the biggest Nirvana or Kurt Cobain fan, but I can appreciate this for the cultural force that it is.
A bit conflicted on this one. First, I think I like The Cure more when they are doing pop songs. I can appreciate this for what it is, and was impressed by the production. However, I think it fell a little flat. It may not be fair to compare it to Mask by Bauhaus, but I left that feeling surprised and delighted to how they blended Goth with Hard Rock, Reggae, and Ska. However, with this album, it was mostly what I expected from an early Cure album. Good, but it met my expectations.
Now that is some socially conscious rap. Wow, that's also a long album. I immediately saw the runtime and thought about those long 90's albums, where they really tried to fill up the whole CD. About half way through this, I was thinking that it may live up to the runtime, but by the end, I was back to thinking that it couldve used some editing. Production and beats were incredibly, unsurprisingly given that J.Dilla and Questlove were behind them. A good amount of questionable "feminism" and lots of homophobia. It was a different time. Ultimately, its a good listen, production is great and certain tracks are classics. However, as an album, its a bit too long, and I dont think it fully holds up in the way that the BlackStar album, or D'Angelo albums do.
Yeah, now this is what I thought this experience would be like. A band I've never heard of, making a long prog-ish, jazz-ish album. In all honesty. this was interminable at points. A bit too noodley, and free form for my tastes. Now, I can certainly appreciate how influential these guys are. The Canterbury Scene is cool, and I do like the boundaries that they pushed with technology and song form, and it's cool that Andy Summers went from this band to the Police. Also at points when the band fully comes together it's not a bad listen. Clearly, these are all fantastic musicians who were experimenting, and thats cool and worthy. But....as an album....it's not something that I am going to listen to again. The 1 star seems low, and it may be, but if I'm grading this on my opinions and predilections, that's where it's at. If I'm grading based on historical significance and coolness, it's probably a 4/5.
Never listened to this before the whole way through, but yeah, it lives up to the hype. Songs are great. Really poignant, and the lyrics are meaningful. Really enjoyed this listen, and I will definitely listen again.
Those crazy Brits, always grappling with their national identity! I really liked this album. The band was very tight and the songs were very sharply written. Victoria is such a great track. Will definitely listen to this album again.
Interesting! I think there's a reason that Blister In the Sun is the most popular track from the album. All in all, it's pretty cool and ahead of it's time, but its not my favorite.
I went into this having never heard of Elis Regina, as it seems to be for many of the people doing this listening experiment. I can see how she was an important figure for Brazilian jazz and music. It seems that the most popular songs on the album were more influenced by folk and traditional Brazilian music. These were good, but the songs that connected most with me were the funk/disco songs. Her band was phenomenal. Right now I'm between a 2 and a 3 for the album. I wish I could do a half star. I'm thinking that 3 will be the marker of would I listen to this again. Right now, I wouldnt listen to the album again, but certain tracks I would definitely listen to again.
Great band. Great songs. 38 Minutes. The first two songs are the best on the album.
Really good. Great band, surprised that I hadnt heard this before because it seems to be a classic. But, I really enjoyed this.
A pretty great album. I think Bob Marley gets overshadowed by his legacy and image, but there is a reason for that. The band is really tight, and the songs are great.
I'm not the biggest John Lennon fan, although I am a big Beatles fan. I am glad that I listened to this, but I think it is reminiscent of a lot of other post-Beatles albums by the members of the Beatles. 1 or 2 standout, classic tracks, surrounded by fine songs that are not very memorable. John and Paul brought out the best in each other, so this ultimately doesnt live up to any of the late-period Beatles albums. But yeah, it was fine.
Cool that I learned the Flight of the Conchords reference on Timeless. But let's be honest, I'm never going to listen to this again. For me, Goldie will mostly be known as the henchmen in The World Is Not Enough.
Pretty standard early 90s rock album and thats a good thing! There are enough production techniques and ideas that the album feels pretty exciting. It's a bit long, love those 90's CD lengths, but all in all a very solid album
Oh no, those Gibb boys have done it again, and gone country! All in all this did not need to be a double album. Some very cool ideas that couldve been trimmed. You can definitely hear the influence from the Beatles, and it's interesting that this came out a few years before Sticky Fingers, which was also country-inflected. Never listened to a non-Disco BeeGee's album, but this was pretty decent.
A really amazing album. An album about trying to figure things out. Political fear, war, violence, ecological disaster. An incredibly timely album, but one that also feels timeless. The production and musicianship is second to none. One of my favorite albums before starting this 1001 album journey, and it was a great experience getting to relisten to this.
A pretty straight ahead rock record. Pretty cool, but a bit repetitive, and I don't know if it fully holds up. Get It On is a great song though.
Not my thing. I can understand why Tom Waits is considered a unique musician, but I think he's just alright. I wonder if most people like Tom Waits, because cool people like Tom Waits. I don't know. This was ok.
A great album. I think that George Michael is underrated in the US, and his output is generally pretty outstanding. From the WHAM! days to his solo work, it is a shame that George Michael is not as well remembered over here. I think this album is very good. If half stars were possible I would probably give a 4.5, but since they are not, its a 5 star album for me. Faith - Father Figure - I Want Your Sex is a new contender for any 3 song run on an album.
Good! Very good musicianship, I can definitely see how this rocked people's shit in the 1950s.
An album which has 3.5 Stones classics (Gimme Shelter, Let It Bleed, You Can't Always Get What You Want, the country version of Honky Tonk Woman) and 1 Stones minor classic (Midnight Rambler). The rest is ok. I think that's worth 4 stars.
Never listened to the whole album before, but it's not bad. I think my rating really just comes down to the fact that I find Jim Morrison annoying. Musically, the album is really good. Feels of it's time, but some songs do feel current.
I just listened to this album for the first time a few months ago. I really liked it then, and I think I liked it more on this listen. Lots of cool choices, and he really plays well within different styles and genres. It's cool to learn that Lowell George played guitar on this album. Listening with that in mind, I feel like the guitar adds a lot more than I realized on first listen.
Lots of thoughts on this one. This came out when I was in middle school, which is probably the perfect age for an album like this. I personally was never a huge Green Day fan, but my brother was, and this CD was stuck in his car, so we listened to it alot. That being said, I probably havent listened to this since 2006. All in all, it holds up, even if it seems a little quaint now. Definitely some good Bush-era protest music, which was very of its time. The rock opera elements of this are interesting too, and they probably are a more explicit "rock opera" than many famous concept albums. I do think the songs are generally ok, but can't really sustain the length of the album. I would love to give it 2.5, but I can't, so I think 2 is a fair rating.
Hell yeah. Not an everyday listen, but this goes hard.
Growing up means that I can freely admit that this isnt my shit. As a too-smart indie teenager I always had to go along with this. And that's fine, I can appreciate the music, and how orchestral and cinematic it is. But is this something that I feel particularly drawn towards? Nah. Glad that I listened though. I can hear Radiohead and early Coldplay, so this album was probably very influential to others. Yeah...right down the middle. 3/5.
I feel like your could copy my Sigur Ros review here, and it lines up exactly. I enjoyed this album more than I thought I would, but still, meh. Radiohead just isnt my thing. They annoy me, but, I can still recognize that this album is good.
Really enjoyed this. Love the Phil Spector 70s production. Sounds like George Harrison, but more focused on New York. Really cool.
Very cool. Got to be a bit repetitive, but still enjoyable. I didn’t know that Roky Erickson was in this band.
This was very good. The backing band was excellent and that really made the whole album a great listen.
This was very good. The backing band was excellent and that really made the whole album a great listen.
This was going to be a one, but then I found a different remaster. Then it was going to be a 2 until the song I Ain’t Superstitious. That song sucks.
Not necessarily my cup of tea. But I can appreciate this, and I support anyone who promotes guitar pedals.
Not quite as good as Ziggy Stardust, but a cool exploration of the glam sounds.
A dumb rock record. Nothing wrong with that.
A dumb rock record. Nothing wrong with that.
Kitschy. Fun. Great musicianship.
A bunch of dorks, playing music very well.
Not something I’m always in the mood for, but great songwriting.
Not the best Curtis album, but still really great. Instrumentation is second to none.
I was thinking four, but Purple Rain (song) is very very good.
Five star without a doubt
I can appreciate this as art but not something I want to listen to.
A good jangly pop album with just enough weirdness to make it a little more interesting.
There’s a reason why lame white dudes made this their personality.
I listened to this a few years ago, and didn’t remember enjoying it this much.
A classic. Incredible bass. Two modern jazz standards.
I liked this more than the stars would indicate. But as an album, it’s very repetitive. But I don’t know if it was designed for sitting and listening. In a club I can see how this would be awesome.
Another album where I thought it was cool, but wouldn’t necessarily listen again. The production was great, and I can see how this helped usher blues into the 70s
I think I gave American Idiot 2 stars and I liked this more.
I was between 3 and 4 for this album. I think I’ll go four because there are some classic Queen tracks.
This really rips. It’s the first sonic youth album I’ve listened to, and I get it. Bands still want to sound like this. That being said, it’s too long, and I don’t love some of the extended dissonant sections. But all in all, very good.
When comparing this to the Fatboy Slim album I listened to last week, this pales in comparison. I liked that album, I didn’t love it, but I enjoyed the listening experience. This, not as much.
Wow. That Courtney love sure can sing
The gold standard of Christmas albums. I love this album, and the Phil Spector sound.
I liked this a lot. Doesn’t have many of the classic queen songs on it, but it’s a band discovering their sound. I’ll always take an album where dorks sing about fairy tales.
Crazy that this was a debut album. She had such a unique voice and personality already developed. Also, the songs were great.
Between 3 and 4 for this. Some great songs, but a lot of what felt like filler. But, Sting did sing a song to dinosaurs.
Sure! This is the first time I’ve listened to Aphex Twin. I don’t really get it. Music dorks love this guy, and I thought it was fine.
I’ve resigned myself to the fact that I’m going to be listening to every Radiohead album. Still have very mixed feelings about them. But this may be my favorite Radiohead, for what that’s worth. I remember when this came out and listened to it in 10th grade. So there’s some small nostalgia.
First three songs are incredible. The rest of the album is just trying to remake those first three songs.
Probably the first album in this project where I remember it coming out and I listened to it. I was a big fan of Arcade Fire at the time and that’s waned a bit. But this album still holds up. A good theme and narrative. Probably a bit too long, but I think that about a lot of albums.
Really good! I'm a bigger Kinks fan than I realized.
This is a five for me. I got this album when it came out and I think it really holds up. Also a really unique sound.
Not bad but not my thing. It’s funny that this really just sounds like “rock”
A few great songs. A lot of white guy blues.
Some great songs. A great voice. But I’m not going to listen to this again.
Interesting. It doesn’t get as much love as Blackstar, for good reason. But all in all a very solid late period Bowie album.
I enjoyed this! It’s funny to think of this as music to sit down and listen to. I don’t mean that meanly. Louis Primas music is now known probably mostly for commercials and soundtracks, but this was fun and a good listen.
Not my thing. I think this could be very cool live, or as an art piece.
Not bad! Pretty generic rock, but it was good and helped me get some work done.
This was pretty great. I’ve never listened to any of the Berlin Trilogy but I’m excited to.
Im surprised I’ve never heard of this band before. They should be so much bigger! Really interesting album.
Pretty good. I’m not surprised that I didn’t listen to this when it came out, it’s a little too atmospheric for me. But, it started slow and eventually got into a groove a bit more.
Didn’t realize this was a double album. I was between a four and a five and I think I’m just going to do a five. Tons of great songs, iconic album cover.
Some good Bush era socially conscious hip hop. Reminds me of the Key and Peele Old School sketch. But, it was decent and the one guy has a very cool voice.
I wish I could’ve heard this when it came out. I think it would’ve been pretty mind blowing. I liked it now, but thought it was a bit long and repetitive. I liked Jack White, but I don’t always love his music.
An interesting case study of what happens when a guy writes one amazing song and that’s it. The rest of the album is perfectly pleasant.
Very good! I was surprised when it went into Prince territory, but I liked it.
Very good. Maybe a bit too long, and the beats started to sound the same, but I enjoyed listening to it.
Glad to finally listen to this. Love that flute.
I thought this was really good. I wish Wayne Coyne wasn’t so annoying. He seems likes he’s probably an alright guy, but he really annoys me for some reason.
What happened to rap skits? This was good but was too long, like a lot of rap albums and albums from the 90s.
A perfectly fine rock album.
This might be one of the best live albums I’ve ever heard. The crowd is having so much fun, the band is great, and Sam Cooke sounds cool as hell.
I liked this more than I thought I was going to. I was surprised that this came out in the 60s, because I associate this type of jazz rock with the 70s.
There’s a song on this album where Hendrix sings about becoming a Merman
Not my favorite Zeppelin but still good
Pretty good! A good mix of jangle rock with some drum machine stuff thrown in.
A great blend of longer jams and pop songs.
Very cool. Great production. I wasn’t the biggest fan of his voice, but I still enjoyed the album. I felt like they only stayed in one lane and I’d be curious to see how the later albums progress.
I was expecting a big dumb rock record, and there was some of that. But there was also a lot of songs that I didn’t expect. All in all, I can see why it’s a classic.
I normally don’t go for “world” music, but I enjoyed this. It was really atmospheric and painted a picture. I don’t know if I’ll listen to this again, but I’m glad that I listened to it once.
Is there a band that’s more accurately named than Electric Light Orchestra? You hear them, and they sound like an electric light orchestra. Anyway, I’m an ELO fan, and this has some great songs. Probably doesn’t need to be a double album, hence the four stars.
First time listening to this the whole way through. You can’t beat Stevie. So many jams. I heard someone say that their favorite bass player is Stevie’s left hand, and I think I agree.
I think I’m a slightly bigger fan of later Dinosaur Jr, when they’re slightly more poppy or maybe slightly less noisy? But, this was enjoyable, fun to think that this came out in the 80s, it seems anachronistic.
Torn on this one. I learned guitar to this album a long time ago, and a few tracks really hold up. But, I just kept thinking that these are the dumbest guys. That’s fine on No One’s Leaving or Been Caught Stealing, but on 10 minute extended tracks, it’s wears a little thin.
That’s a blues album alright.
I don’t know. This is my first Nick Cave album, and it was fine. People seem to really love him, I find him very annoying. So I was expecting some really cool music, and it was fine. Not too good or bad. The band seemed tight.
It’s been a while since I’ve listened to this album straight through, but I’ve heard the songs so many times. I’m not the biggest Kurt fan, but it’s hard to deny this album. Really good.
This came out when I was in eighth grade and I remember getting it from the library. I loved this album, haven’t listened in years , and I thought it was still really solid today. EPro, Que Onda Guero, and Girl are a great way to open the album. From there it gets mellower with occasional bangers, such as Black Tambourine and Hell Yes. The slower songs aren’t up there with some of Becks others, but still, it’s an enjoyable listen.
Wow, why have I never gotten into Everything But the Girl before? I was only aware of Miss You, and I liked that song, but never dug in. I really enjoyed this album. Introspective, but grooves really well. Can definitely hear how they influenced other bands. Excited to listen to more of their music.
The electronic albums are a bit of a mystery to me. I just don’t know that much about electronic music, and it doesn’t seem to resonate as much with me. This was fine, but I don’t know why this album was groundbreaking.
One of my favorite albums. I remember reading about this in Under The Radar magazine and then buying it at Best Buy. It still really holds up.
I had never heard of this band before, but they seem a lot more influential than I realized. Really cool and good bass lines.
This does rip, and Dime is a great guitarist. But, they might be white supremacists.
A good bossa album with a few standards.
Not my favorite Bowie album, but some really great songs none the less
Not a blue guy, but this is pretty undeniable.
Listening to this album it was good but not great, but a few songs were great. But I’ve probably heard Hurt too many times now. I would probably do 3.5 if I could.
I’m a 35 year old dad who plays guitar, this should be my shit. The first track was great, but the album never really went anywhere from there. It felt pretty one dimensional and the sound scape elements didn’t really do it for me.
This is the first Echo album that I have listened to fully. I read some of the wikipedia which says that this got mixed reviews upon release, and if thats true, I cant wait to hear the other albums. I thought this was very good. Maybe a little self-indulgent, or a popular band on their 4th record. Most of the songs were good pop bangers accentuated with orchestral parts. Some songs were a little cringy, I'm thinking mostly of Nocturnal Me, but maybe that's what they were going for as proto-edgelord gothy 80s types. All in all, I enjoyed the listen.
I think I said in my review of Ritual De Lo Habitual that it sounded like these were the dumbest guys you know. That’s not always a bad thing, dumb guys can make good music. I think it works better on this album. It’s a little tighter and there’s only one eastern inspired breakdown. Interesting to hear some of the 80s sounds which were gone by the next album.
Immediate 5 for me. This is one of my favorite albums, and no tracks are skips.
One of the best debut albums that I can think of. Really tight and focused, and all of the songs are really good. Even nepo babies can make cool music.
Yeah, it was an interesting album. Sounds more modern than you would expect, but still very 90's and very British. The production was a bit same-y at times, but it was interesting enough to listen to the whole thing. It did feel a bit edgelord-y. Maybe it wasnt received that way at the time.
All in all a really enjoyable listen. Cool to see how the Stones expanded their influence. But, there was still a lot of white guy blues. This rating is for the UK version, which is what I listened to. That 11 minute track is the middle is rough. But, the US version would probably be a 4, given that it's shorter and has Paint It, Black on it.
Glad to finally listen to all of this. And it is very long. Too long. But there are moments. I've seen people say that you could cut this down and it would make a good 45 minute album, and I do agree. But, that would take away from what this was trying to be. But I dont know. Outkast was always best when you had the "normal" rapper Big Boi and the weirdo Andre 3000, but that also takes away from how weird Big Boi could be, and how hard A3K could go. I do think that they do themselves a bit of a disservice with the two record concept, but still, Big Boi made a pretty great rap album, and Andre made a really great Andre album. So, definitely some conflicting feelings. It was long though.
Dumb. Loud. All the songs sound the same. Nothing wrong with that.
Some really solid late 90's British rock. Bittersweet Symphony is probably the best track, but it remains really consistent throughout. Would give a 3.5 if I could.
Two thoughts. 1. There should be more skits on albums of all genres. 2. Remember when Ben Folds said the N word when covering Bitches Ain’t Shit?
My first full King Crimson album. Not entirely my speed, but parts really do go hard.
For as experimental as this is, I found it pretty easily digestible. Really cool experimentation and great bass.
Such a great debut album, combining elements of pop and new wave. I’ve argued before that Let The Good Times Roll, My Best Friends Girl, and Just What I needed is one of the best three song runs on any album.
A pretty classic album. Nothing else really sounds like this.
Album really sounds like 2003 in a good way. I’m surprised that I never heard it before pretty good all in all, but I wasn’t a huge fan of the lead singer’s voice. Random thought I had during this is that there’s a lot of banjo and other instrumentation in the production. If you think about it, it may be wasn’t so crazy when Mumford & Sons seemed to come out of nowhere, but really they were just following along with other instrumentation.
I guess I always thought that Krautrock was just Kraftwerk. But this was much less austere and more cinematic. Really cool and I’d be curious to hear more.
It’s always funny to me that The Band are Canadian. Anyways this album rips and Rick Danko is a great bass player.
Really good, snotty Britpop. I really enjoyed this and can’t wait to listen to more.
I can see how they were important and influential but I wouldn’t necessarily listen to this again
I really liked the production of this album, the orchestration was great.
A better than expected album. Really enjoyed the flute and other orchestral elements. Didn’t love the song Black Queen, more white guy blues. Wish I could give it 3.5
A solid album. Curious as to why this one made the list, where it seems like Ray Charles has so many albums.
I guess I’m a big fan of Depeche Mode? This was awesome.
A lot of dance albums don’t really translate to sitting and listening, but I thought this did. Groove Is In The Heart is the best song, no surprise, but the rest is really fun and solid dance music.
I’m waffling between a four and a five. What the hell, 5 it is.
A cool blend of new wave and punk.
Is Muse good? That’s an interesting question. I liked this album a lot when it came out but haven’t listened to it since. On one hand, yes, it’s good. But it struck me that Muse might be like Imagine Dragons or Coldplay with better marketing. They’re still just a rock band that got too big, that they’re a little lame, but a certain group of guys will always like them.
Future Days? More like, still future days! This was really good, parts sounded very modern, but other parts felt of its time in a good way. I continue to have my definition of krautrock expanded.
Interesting. I didn’t necessarily hear country, it sounded like it was more Irish folk, but still cool.
