Punk rock album which starts off particularly strong with "See No Evil". The title track, Marquee Moon, is the nucleus of the whole album, and while fine drags on a little bit too much for my liking. While the vocals are not particularly enjoyable, with the comical background sounds and the whine/drone from Verlaine, it is saved by lively guitar parts and relatively fun melodies. Chief example of this is "Venus" which is one of the stronger tracks on the album by the 'huh's. Solid album.

The Gorillaz self-titled debut album incorporates an eclectic mix of influences ranging from rap/dub/electronic to Latin rock. At times, this combination can make the album feel confused, and it lacks the drive and 'kick' of later albums "Demon Days" and perhaps "Plastic Beach". While it did not feel like a complete slog to get through, its hour-long length is certainly felt, and is not aided by weak tracks scattered throughout, including the opener "Re-Hash". Of course, this does not stop it from having fun songs such as the hits "Clint Eastwood" and "19-2000", and “Latin Simone” is a fun Latin rock tune.

This is a solid Talking Heads (punk pop?) album, made famous by the hit "Pyscho Killer". While that song is by far the best track on the record, the rest of the album is itself far from subpar. The music and arrangements are generally clean and fun, and the 38 minute run time did not feel like a complete slog to get through. This is not quite my cup of tea; I've never liked David Byrne's vocals, and some of the lyrical choices are strange, but as their debut album goes it is fairly good. Key Songs: "Psycho Killer", "Uh-Oh, Love Comes to Town"

From the instrumentals of "Embryonic Journey", to the ballad of "Comin Back to Me", to the Alice in Wonderland inspired “White Rabbit”, this album combines a variety of instruments and a variety of moods to set into a series of neatly arranged and easy to listen to tracks. At times, it is Byrds folk rock, The Mamas and the Papas vocal harmonies, and Beatles psychedelica. True, it may be argued that it thus suffers from a lack of signature sound, particularly in the saturated sonic folk rock scene of the 1960s. Yet where it lacks in "originality" in terms of sound and performance, it more than makes up for it through a series of catchy melodies and memorable songs. Easily a no-skip album, and well worth a listen to.

Tommy is a concept album telling the story of a disabled boy called, suprise suprise, Tommy. While the idea of the album is interesting, its 24 song, 1 hour 14 minute long length is perhaps too long for a mediocre rock opera. It is not bad, and has standout tracks such as "Overture", but the overall sounds feels repetitive and a little dry, with key features including vocal harmonies and drums front and centre. For a band with such a glorified history as "The Who", it is doubtless a little underwhelming.

I'm not really sure what to say about this one. I was familiar with "Walking on the Moon" and "Message in a Bottle" already, and while the rest of the album has a similar vibe (reggae/rock ish) it felt like it was missing an element of something. The playing was good, especially the drum parts and guitar riffs, but overall it was solid but unspectacular.