Female Lives Matter. Fuck you, Ice Cube.
AmeriKKKa's Most Wanted is the debut studio album by American rapper Ice Cube, released on May 16, 1990, by Priority Records. It was his first solo album, after an acrimonious split from his former group N.W.A. The album was primarily produced by Public Enemy's production team The Bomb Squad. A critical and commercial success, it remains one of the defining hip hop albums of the 1990s.
Female Lives Matter. Fuck you, Ice Cube.
Not bad, but the misogyny is... a bit much. I get that this is the 'brand', but in my opinion it's hypocritical and undermines the message of the rest of the album. How can you critique the oppression of black people and at the same time promote the oppression of women? (I feel the same when it's the other way around, which also happens way too often, but that's a different story). Still gets 2 stars for the political songs.
It does what it does well, but my patience with that level of unashamed misogyny these days is pretty much non-existent. Good delivery, sickening content.
It's not my favorite flavor of hiphop but this album is solid. I mean, Ice Cube has always been ready to get up in faces and speak hard truths. That is very much on display here. Commentary on race, violence, inequality, culture, etc. is delivered with agressive poeticism. The biggest issue is that the beats are hella dated. SUPER dated. A related issue is that every track sounds so similar to the last that that my ears are worn out by track four.
Not my thing personally. I can see why it's so influential, but probably agree with the original Rolling Stone review - "The relentless profanity grows wearisome, the Bomb Squad beats lose steam, and Cube's attitudes toward women are simply despicable."
When Ice Cube split from N.W.A after the group's seminal Straight Outta Compton album changed the world forever, expectations were high, too high to ever be met by anyone but the most talented of artists, and at his most inspired. At the time Cube was just that. With AmeriKKKa's Most Wanted the rapper expanded upon Compton, making a more full-bodied album that helped boost the role of the individual in hip-hop. Save the dramatic intro where a mythical Ice Cube is fried in the electric chair, his debut is filled with eye-level views of the inner city that are always vivid, generally frightening, generally personal, and sometimes humorous in the gallows style. Ripping it quickly over a loop from George Clinton's "Atomic Dog," Cube asks the question that would be central to his early career, "Why there more niggas in the pen than in college?," while sticking with the mutual distrust and scare tactics N.W.A used to wipe away any hopes of reconciliation ("They all scared of the Ice Cube/And what I say what I portray and all that/And ain't even seen the gat"). "What I'm kicking to you won't get rotation/Nowhere in the nation" he spits on the classic "Turn Off the Radio," which when coupled with the intoxicating Bomb Squad production and Cube's cocksure delivery that's just below a shout, makes one think he's the only radio the inner city needs. The Bomb Squad's amazing work on the album proves they've been overly associated with Public Enemy, since their ability to adapt to AmeriKKKa's more violent and quick revolution is underappreciated. Their high point is the intense "Endangered Species," a "live by the trigger" song that offers "It's a shame, that niggas die young/But to the light side it don't matter none." This street knowledge venom with ultra fast funk works splendidly throughout the album, with every track hitting home, although the joyless "You Can't Fade Me" has alienated many a listener since kicking a possibly pregnant woman in the stomach is a very hard one to take. Just to be as confusing as the world he lives in, the supposedly misogynistic Cube introduces female protégé Yo-Yo with "It's a Man's World" before exiting with "The Bomb," a perfectly unforgiving and visceral closer. Save a couple Arsenio Hall disses, AmeriKKKa's Most Wanted is a timeless, riveting exercise in anger, honesty, and the sociopolitical possibilities of hip-hop.
+1 stars for misogyny
One star for excessive language & disrespect to women. The music etc was just ok for me as well. Don't get me wrong I love rap, hip-hop etc, but only if it is good. This was NOT good.
Good flow, but I couldn't make it through the violent/sexist/explicit tracks. Big yikes!
Has aged very poorly
Good continuity, solid beats, but gets monotonous, plus increasingly misogynist and trite.
“Amerikkka’s Most Wanted” by Ice Cube (1990) I’m marginally familiar with this artist and lyrics (Ice Cube: “political hip hop” [TAR, 416]), especially “The Nigga You Love to Hate” and “This Is a Man’s World”. Most people are not consistently aware of the fact that socio-political propaganda has two dimensions. First, obviously, propaganda includes the promotion of set of views, which may or may not involve deception. But there is a second, more hidden dimension in which propaganda seeks to employ devices of socio-political power to downplay, distort, demean, or deny a voice to the views of others. The first dimension can be simply recognized as free speech (or advertising). But it is the second dimension that should be the focus of our analysis. Ice Cube’s lyrics, to state the obvious, are intentionally and self consciously angry, shocking, and offensive—entertainingly so. For this dimension of Ice Cube’s propagated views he gets five stars. Without question this album is a well executed, innovative, influential, and well performed expression of socio-political sentiment. Good poetry, vocals, production values, which still, 30 years later, have a solid fundamental appeal. Excellent listening experience. On the other hand (second dimension), these lyrics scare white people. They should. They are intended to. And apart from the fact that some racially aware white people (I’d like to think I’m one of them) feel guilty about how white people treated black people for at least the past 400 years, artists like Ice Cube have, using the second dimension referred to above, learned how to effectively tell white people to STFU. Out of unironically serious respect to the artistic integrity of this artist and album, therefore, I will. 3/5
J'ai trouvé le texte de l'album très riche, je vous le joins dans sa totalité ci-dessous : ♫ Boom, bap, boom, bap n-word, fuck, drugs, gang !! Boom bap bap boom, encore n-word, fuck, de nouveau le n-word !! Boom bap motherfuck et revoilà le fameux n-word accompagné du mot fuck... Encore !? Un n-word de plus mon gars et bah ouais, l'album dure une heure, fuck motherfuck bam boop, n-word comme par hasard et m-word maintenant pourquoi pas, gun, fuck ! Gang ! C'est tout pour moi je m'appelle Ice Cube !♫
I love hip-hop, but I don't generally fuck with gangsta rubbish. NWA's Straight Outta Compton is one exception, so let's see if Ice Cube's solo stuff will click.... No. It's shit. Production is pretty catchy, but repetitive, and full of irritating skits with unfunny jokes. Ice Cube's flow and delivewry are alright. Lyrics are the usual misogynistic rubbish about kicking pregnant women in the stomach and so forth. Man, he really likes talking about his dick. What artistry. Yeah, we could say it's raw and aggressive because it's the art of the disenfranchised urban poor. But let's all remember that this style of hip-hop was successful throughout the 1990s because largely white audiences lapped up increasingly extreme stereotypes of the exoticised African-American man, like a modern and aggressive version of minstrelsy. I will defend hip-hop as a genre, but this is crap. "Endangered Species" featuring Chuck D is tolerable, though it's offset by a shitty Flavor Flav appearance later. To be clear, I don't need my hip-hop to be sanitised. But it needs to have something (anything) that lifts it above the level of hateful hyper-masculine posturing. 1/5 To end on a positive note, here's a great hip-hop album from 1990 that should be on the list: Master Ace - Take A Look Around (1990)
Production and assembly is great, and it's a (rightly) angry album, but the shameless sexism is not a good look now.
I’m giving this one star because of the misogynistic lyrics and general tone which has dated really badly. If we are rightly holding TV from the 50s and 60s accountable for its obvious racism then we have to also hold early rap accountable for its horrendous sexism.
Love this album. Social commentary, great tracks from start to end, and one that deserves a listen straight through.
One of my favorite rap albums of all time. Bangers from start to finish.
18. Nunca quis ser mais alto, maisrápidomaisFORTE. Vivo p'ra cair na merda, tipo Vítor Norte. MotA: Endangered Species "Was America willing to maintain order... No matter what the cost?"
Interesting to think that this album could have been produced by Dre. I think this album benefits a lot from the East Coast style production combined with Ice Cube's West Coast rap style. Every song is good, with Cube alternating between Cube attacking the beat and smoothly following behind it. The pervasive funk samples on this album really make it a breeze to listen to 4/5
After the first couple of tracks I worried this would feel samey. Wrong. Deep grooves in the samples, Cube's in-your-face delivery and a dollop of humour and self-awareness made for a very enjoyable listen.
When you think of Ice Cube over the past few years, you think of movies like Ride Along, Barbershop and other somewhat wholesome offerings. This album, and specifically the lyrics, is a bit of a contrast to that. The beats are funky. More funky than I remembered, to be honest. Most "gansta rap" of this era was a bit more raw and gritty, but is a bit more polished and, well, funky. This album also wears it's Public Enemy ties and Parliament Funkadelic influence on it's sleeve, featuring Public Enemy's production teams, The Bomb Squad/Da Lench Mob, as well as appearances from Chuck D and Flava Flav. This is most definitely a west coast rap album, with skits between songs, racial and misogynistic lyrics in full effect and a slathering of political ranting. Some of the themes still ring true today, while others are definitely from a bygone era (this album actually turns 31 in 4 days, so...yeah.) One thing is for sure...this is still a damn good record, regardless.
A great hip-hop album. At times the songs feel like they can blend together and that might have to do with the beat, but I have no real complaints about that. Ice Cube has some important things to say, and they're still relevant to this day.
A powerful and angry hip-hop album that established the genre's footing in the industry. Ice Cube's debut is for sure my favorite after Death Certificate and for a very good reason. He's let out his anger at injustice and top lyrical ideas into one compact album. Ice Cube is a lyrical genius, who's storytelling skills draws you into the setting and mood, while also conveying the underlying message. This is best demonstrated in "The Nigga Ya...", "AmeriKKKa's...", and "Once Upon a Time...". I also love how he incorporates humor and imagination, as in "You Can't Fade Me" and "A Gangsta's Fairytale." And then there's the Bomb Squad production which serves to reinforce and complement the power of Ice Cube's messages. It's reminiscent of what made Public Enemy so special. I did feel the second side was weaker than the first, but still amazing tracks one after the other.
After NWA, Ice Cube showed he could still deliver with a strong debut solo album. There's no doubt that The Lench Mob brings a-game production for the album, but it's Ice Cube's attitude and lyricism that really cements this as a hardcore hiphop album for all time. NWA deserves praise on their own, of course, but Ice Cube clearly did well for himself after the group. I'll say that the first half of songs are better than second half, but the whole thing is still cool af.
Ice Cube is a talent. His career is a marvel. He's part of NWA and also a children's movie icon. He can do it all. The misogamy in this genre does not age well, not that it was ok then. What Cube does though is create a persona that allows him to dip in and out of otherwise increasingly wicked ideas and statements. Performance is the key. And he is able to build up commentary on race, society, culture, and the industry. This is an incredible debut for a Ice Cube as well. His role in NWA was huge and then he was able to jump out and put this together.
Solid west coast rap. The rhythm section on this album really stands out with classic soul and funk lines. Overall this album is very well balanced. My biggest issue is the portrayal of women in this album though Yo-Yo’s inclusion is a good counterbalance to his misogyny. Ice Cube’s flow is good with moments that break out of contemporary patterns and anticipate the more creative rapping to come
It's not my favourite genre in hip hop, but this album is solid. Ice Cube speaks hard truths. That's very evident here. Comments on race, violence, inequality, culture, etc. are delivered with aggressive poetry. (7/10) FT: AmeriKKKa's Most Wanted
This album is basically an opener of what the hip hop of the 1990s would be like. Groups like Public Enemy and N.W.A opened the way, in the late 1980s, for rappers to take the spotlight in the next decade. In this sense, this first Ice Cube effort goes everywhere, but finds things to say in every corner it touches. Great lyrics, beats and samples overall. Songs that are more political and have social commentary are the highlights, like "AmeriKKKa's Most Wanted" and "Endangered Species (Tales from the Darkside)", but the rawness of "The Nigga Ya Love to Hate" is also very interesting.
Ice cube at the height of his powers in terms of lyrical content. You can literally see the birthing pains of gangsta rap. His subject is the oppression of African Americans and the weight of the system. But is also outrageously misogynistic and a bit hung ho. Would probably be quite tame by later standards and still has some meangingful politics in there. He is a splendid rapper mind and the tunes are quality bass heavy hip hop from it's golden years.
Too much Ice, not enough to drink. Honestly, I appreciate this album more than I like it; it’s a landmark for sure, and songs like Once Upon a Time in the Projects and It’s a Man’s World bump so fucking hard. But Ice Cubes flow get old pretty fast without the rest of NWA to back him up. The mostly unremarkable beats certainly don’t help, either. It has some great stuff, but it is too bloated for his charisma to carry it alone.
Good beats, but much weaker than The Predator. Lyrical content is just terrible, with the social messages overshadowed by one-note misogyny
Hooray, another dose of violent misogyny. This one goes straight in the trash next to Dr. Dre.
pretty damn good this is real rap
I loved this album. However, it was really disheartening to hear how little progress we've made in the country with the same issues from this album in '90 still being very prevalent today.
He's a badass, and so is this album
Unreal how good this is
A classic, perfect for riding with the top down. Public Enemy production with a Chronic feel. Ice Cube is a legend
Han har oändlig karisma på denna skiva... ett av de aggressivaste, smartaste och roliga hiphop-albumen någonsin.
This is my definition of perfect hip hop production. Punchy, funky to the point and very quick. Obligatory problematic content disclaimer that is common of (almost) all 90s releases.
Wow. This is just pure energy. Everything I like about hip-hop and more. Ice Cube really was at the top of his game here and the soul funk beats are just sublime. A word on the album’s misogyny. It’s a bit of a commonplace to diagnose this symptom in hip hop, but interestingly while “You Can’t Fade Me” unquestionably leaves a bad taste in the mouth, it exists in this strange tension alongside “It’s a Man’s World” towards the end of the album. That is truly the kind of confrontational paradox that this genre often avoids. In a word: masterpiece.
This album is such a great listen and can continually listen to over and over.
it’s a legendary album for a reason. it does have some of the misogyny 90s hip hop is famous for, but it’s also the best album from one of the best artists of all time.
Another long overdue introduction to a hip hop legend. This album has aged beautifully. Ice Cube is not trying to be cute or too clever with the lyrics. It’s straight ahead hip hop that’s well produced with good lyrics. It’s really a wonderful album to listen to. It’s a man’s world is an interesting subversion and dismissal of the misogyny trope, I’m here for it.
Ice Cube leaves NWA and follows up with a great album and then influenced the genre again. I had not heard this full album before just a couple of songs. Not all the songs are Ice Cube rapping at a faster pace and being angry. A couple of the songs have a mellower beat. It is a different change of pace. Lyrically Ice Cube continues to address social and political issues in his unique way. Also the skits are unnecessary but those are on most rap albums. i enjoyed the album and I would listen to it again.
Thumping old school hip hop
One of my fav rap albums, better than Straight Outta Compton. Awesome production, full of tasty early 90s sampling, great flow, just how I like it. Not too much else to say, just an outright classic. 5/5.
+1 star for rap album on this challenge +1 star for NWA member +1 star for album cover +1 star for KKK in title +1 star for mysogyny in lyrics summary - 5 stars ------------------- without jokes album is also cool. it have solid beats and hardcore flow. truly old school hiphop and gangsta rap classic. tracks added: 8 fav track: endangered species 9.5/10
So much funk! What I love about the Wikipedia page is every(?) sample is listed by each song - absolute treasure trove of funk. Maybe there's 1001 albums to listen to on this album. I mean yeah, full of gangsta shit and far too close to the bone at times, I can't listen to much of this around my daughter for example because I'm not a cunt. But this is sheer quality. Just checked back my review of The Predator and I didn't mention that issue with the lyrics, there's more righteous anger in that (though it's far from absent here) whereas the focus here is stories of rolling around and being an absolute dickhead. That said, this is probably almost as good, just in a different way. The Public Enemy influence shines through on several tracks. Mind you, there's nothing here quite as absolutely shining genius as It was a Good Day, or When Will They Shoot? So yeah the predator is better, but this is very good. Early 90s rap is stuff I criminally ignored as a pre-teen (and since, aside from Public Enemy) so dead glad this project has forced me to check a lot out. Hardly any has disappointed. So much funk!
Ice Cube was the best rapper in N.W.A., and this album proves it. The lyrics are brutally honest, with emphasis on brutality, punctuated with brilliant observations and turns of phrase. What really sets off the album is the production by Public Enemy's Bomb Squad. The poet laureate of West Coast gangster rap paired with the Bomb Squad 's intense, clattering sample-scapes make for rich, rewarding, but not casual listening experience.
Great album. The features are fantastic. I feel like Ice Cube doesn’t get enough credit.
Favourite songs: The Product, A Gangsta's Fairytale, The Bomb, The Nigga Ya Love To Hate, AmeriKKKa's Most Wanted, Rollin' Wit The Lench Mob, Endangered Species (Tales From The Darkside), I'm Only Out For One Thang, Get Off My Dick And Tell Yo Bitch To Come Here, What They Hittin' Foe?, Once Upon A Time In The Projects Least favourite songs: Better Off Dead, The Drive-By, JD's Gaffilin' (Part 2) (fuck skits) 5/5
CRAZY MF CALLED ICE CUBE
I remember this being fire
Classic rap album.
wish i had been into this at the time
Sadly, this is still relevant.
West coast is heavy in this one
Really excellent. I had no preconceived relationship with Ice and this was a great surprise.
always liked cube, plus chuck d and flav are an awesome surprise - wasn't expecting to see them here
Heat, anthems, BLM end of black history month iconic end 3.9
I’m basically hip-hop illiterate. But this was much better than I expected! Plus, I once saw Ice Cube shooting basketball at some corporate event on the Fox lot. That’s gotta count for at least a star.
Loved all the beats and samples lyrics really not for me.
Dit is voor mij echt jeugdsentiment. Eerste gangstarap plaat die ik luisterde. Echt een goede flow die gast, vette groove en toffe samples. Vooral die 1e track is een van de beste raptracks die ik ken.
Heel cool! Kende 't eigenlijk niet echt, maar echt goed.
Much funkier than I expected. More interesting than NWA.
Cool hip-hop album. Cube went hard back in the day.
A good listen to old school rap. A lot of the themes in the songs resonate to today's climate in the USA. Best: The N***a Ya Love to Hate, AmeriKKKa's Most Wanted, It's a Man's World Worst: Who's The Mack?, Get Off My D**k and Tell Yo B***h to Come Here
Rating: 7/10 Best songs: The nigga you love to hate,
legend of the game
Ice Cube is a legend, and proves that he is the key player in NWA with this album
Nije se morao dokazivati, ali opet za početak solo karijere je morao drito u meso. Nakon odjeba N. W. A., krenuo je u solo vode i to mu je bio najbolji potez, pogotovo što se tiče 90ih. Ovaj album mu je možda čak i najbolji, iako ima još 2 albuma koja su jako blizu kvaliteti kao što ovaj album donosi, a to su Death Certificate i The Predator, iako se lako može i Lethal Injection ubaciti. Ovdje je gladan kao ja nedjeljom kad se ručak pojede, pa moram ćevape naručit navečer.
Really strong but gets kind of one-note towards the end for me
First time hearing this. Really liked it.
This album is definitely not for middle class mom's. Classic Ice Cube.
Just don't really connect with the source material, but good execution of an older style of hip hop.
Loved to hate Ice Cube before. This was the first time I ever actually listened to his music, surprisingly nice
Iconic sound of the 90s.
Really inventive, very of its time, very interesting
Here for it
I really liked Straight Outta Compton by N.W.A., but I am not a huge rap fan. I have to say I really liked this album. Hard to believe this man would go on to star in Disney family movies. Favorite song Gangsta's Fairytale.
Shit goes hard Prefs: The Nigga You Love To Hate, AmeriKKKa's Most Wanted, Once Upon a Time in the Projects, I'm Only Out For One Thang, It's a Man's World, The Bomb Moins pref: You Can't Fade Me/JD's Gaffilin
Iconic sound that's making a comeback right now. Can't deny the cultural phenom that was and is Ice Cube.
Bright me back to one of the hardest times in my life and reminded me of the music I listened to to express the rage.
a great album if you don't actually listen to it
Fork, fork, forkity fork. Guns. Fork.
Setting aside the rampant misogyny, this is a great album. A fair amount of that credit must go to The Bomb Squad - the production is top notch and the beats infectious. Ice Cube's delivery is relentless and he carries on very much in the same vein as during his time in NWA - though perhaps even more extreme. Reckon I will be coming back to this one.
I am not familiar with ICE CUBE or his debut album AMERIKKKA’S MOST WANTED. I am not a fan of hip hop / rap. The only artist that I have listened to and liked is PUBLIC ENEMY. After listening to AMERIKKKA’S MOST WANTED, I enjoyed this style of hip hop. In 1001 Albums You Must Hear Before You Die, ICE CUBE - AMERIKKKA’S MOST WANTED Is joined by the subsequent album: THE PREDATOR (1992) Rate Artist: ICE CUBE (4.5) Rate Album (Year): AMERIKKKA’S MOST WANTED (US 1990 Original) (4.5) Rate Album (Year): AMERIKKKA’S MOST WANTED (US 20xx Reissue (xx Bonus)) (4.5) Ranking of ICE CUBE - AMERIKKKA’S MOST WANTED songs No. Title Length Ranking 01. Better Off Dead 1:03 09.0/10 02. The Nigga You Love To Hate 3:13 10.0/10 03. AmeriKKKa's Most Wanted 4:08 09.0/10 04. What They Hittin' Foe? 1:22 08.0/10 05.1 You Can't Fade Me 4:43 08.0/10 05.2 JD's Gafflin' 0:29 05.0/10 06. Once Upon A Time In The Projects 3:41 10.0/10 07. Turn Off The Radio 2:37 09.0/10 08. Endangered Species (Tales From The Darkside) 3:21 09.0/10 09. A Gangsta's Fairytale 3:16 10.0/10 10. I'm Only Out For One Thang 2:10 09.0/10 11. Get Off My Dick And Tell Yo Bitch To Come Here 0:56 08.0/10 12. The Drive-By 1:01 09.0/10 13. Rollin' Wit The Lench Mob 3:43 10.0/10 14. Who's The Mack? 4:35 10.0/10 15. It's A Man's World 5:26 10.0/10 16. The Bomb 3:25 09.0/10 US 1990 Original Release 152.0/170 = 8.94 / 2 = 4.47 Bonus EP: Kill At Will 17. Endangered Species (Tales From The Darkside) (Remix) 4:10 10.0/10 18. Jackin' For Beats 2:57 10.0/10 19. Get Off My Dick And Tell Yo Bitch To Come Here (Remix) 3:38 09.0/10 20. The Product 3:35 10.0/10 21. Dead Homiez 3:55 10.0/10 22. JD's Gafflin' (Part 2) 0:32 08.0/10 23. I Gotta Say What Up!!! 3:08 08.0/10 US 2003 Reissue (7 Bonus) Release 217.0/240 = 9.04 / 2 = 4.52
I do have a soft spot for this hard gangsta rap lol but by the 17 song I started to get a little tired, it is good and goes hard all way long tho those beats and bars are fire
Cube’s got rhymes for days, with nice production from bomb squad - classic samples but less messy than Public Enemy stuff. His delivery is good but having Chuck D feature on there makes him sound a little tame by comparison. The flow is pretty basic, but hey it’s 1990. Decent album but not an all time classic for me.
pretty fun rap 7/10
Yeah, I very much like this sort of stuff
This is perfect timing. Just got done listening to a tribe called quest and now this. Just starting to get into 90s hip hop and this is definitely a banger!
I appreciate this for what it is, but I don't like it as much as other East Coast stuff from the same time
Cut & paste text to be used to summarise most hip-hop albums on this list: Too long, too many songs, too many skit-bits. but when it's good, it's really good