A truly charming and experimental album. It’s clear that this is a pioneering record, full of playful exploration. Wildly funky and still catchy.
TEE features some classic and groundbreaking moments, and it’s clear that Kraftwerk has been a major source of inspiration within electronic music. The album follows a consistent theme centered on Europe (progress, connection between countries) and serves as a kind of sonic landscape or soundtrack. At times, it can feel monotonous and dull, but the album also continues to surprise with elements that make you want to keep listening.
It’s a David Bowie classic. I’m probably most into the instrumental part of the album. But the title track is hard to ignore. David Bowie is a great artist who has evolved and pushed boundaries throughout his entire musical career. Personally, I prefer his more recent albums.
Melodic album. Absolutely a classic that can be listened to again and again. The lyrics are sharp, and the style is simple, intimate, and emotional. Not to forget Young’s distinctive high-pitched voice, which shines clearly throughout the entire album. Top class album!
Clearly the best Beatles album, if you ask me. Full of creativity, boldness, and musical playfulness. Each song has its own character, yet it all fits together as one cohesive piece. From the mournful strings of Eleanor Rigby to the psychedelic explosion of Tomorrow Never Knows – this is The Beatles at their most inventive and fascinating. An album you can listen to again and again and still discover new layers. A masterpiece.
Cornershop’s breakthrough album is a colorful blend of Britpop, Indian folk music, hip-hop, and lo-fi pop. It’s a playful and eclectic work, where everything from sitars and tablas to funky basslines and spoken word performances melt together in a warm, laid-back soundscape. The album has received widespread praise for its creative fusion of East and West, but personally, it didn’t grab me. The style feels too pop-oriented and polished, and the whole thing lacks the edge and grit I need to really get engaged. It’s undoubtedly an original and accessible album – it just doesn’t quite hit the mark for my taste.
Two Dancers has been praised for its sophisticated sound and sensual atmosphere, where falsetto vocals and elegant guitar lines weave together in an art-pop universe marked by desire and restlessness. Many highlight the album’s poetic qualities and its subtle, dark mood. Personally, though, it didn’t grab me at all. I can appreciate the musical structure and intention, but the overall mood – and especially the vocals – drain all energy from the album for me. It feels extremely dull, like listening to something trying to be mysterious and artistic, but ending up completely devoid of edge and life. 1/5
Safe As Milk is a strange beast. It’s not an album that gets under your skin right away, but it has a glint in its eye and a crooked kind of energy that keeps pulling you back. Not because everything works – but because something feels different. It’s blues, it’s psychedelic rock, and it’s pure nonsense. But somehow it all holds together. My favorite tracks are “Zig Zag Wanderer,” “Dropout Boogie,” “Yellow Brick Road,” and the bizarre “Abba Zaba” – songs that balance the catchy with the completely chaotic in a wonderfully reckless way. Captain Beefheart’s voice is an experience in itself – rough, theatrical, and never boring. When he steps back, as in the more instrumental sections, the album loses some of its soul and starts to feel a bit monotonous. But that just makes the vocal-driven songs come alive even more. This isn’t a top 100 album for me, but it’s one I’m genuinely glad to know. It stands out – bold enough to be silly and artistic at the same time. Not everything hits the mark, but when it does, it’s like getting a crooked smile from a man with a guitar and a wild idea. 4/5