It's 1995. You've got your crappy, just a step above terrible, walkman headphones on. You've been banging on the Alesis drum machine you got for Christmas for hours. You somehow cobbled together enough money to pick up some sounds you can use on your "masterpiece" of an album. You think it sounds pretty good. Your mom barges in to tell at you to clean your room and then go touch grass just as your putting on the final touches. "I will, mom, gawd!"

Very British. From first impression of track one, I can definitely see where future project came from. 100% not for me. Was kinda painful to listen to

Oof... So while I'll agree that there is some damn fine musicianship here, it's still disco. It's very disco. And while there are gems in the genre, by and large disco sucks. Seriously some great playing going on, but... nope.

Mid 80s. Dominated the light rock radio, and I get why. Smooth, chill, jazzy pop. Is it something I would have picked out to listen or would pick out to on a regular basis? No probably not. But there's are some jams. Bassist straight going off on tracks like Hang On to Your Love.

Funky! 70s R&B cooool.

I'll admit that my exposure to Bob Marley is pretty much limited to his Greatest Hits album. I can see why this hits hard with some people. It's kinda the definition of crunchy. It's good, just not my flavor.

It's the South Park goth kids in all the best ways. Post-punk, new wave. Arrangements feel simple and layered swimming in plate reverb. Melodies that stick to you like peanut butter on the roof of your mouth. Makes me want to get facial piercings, dye my hair black, and goth dance in the parking lot behind the gym.

I can see and appreciate this other side of the 70s reggae scene. It's ok. Doesn't really speak to me. To me, middling and forgettable.

Not the greatest Led Zeppelin album, in my opinion. But it is damn good.

I can see why this is a classic for some folks. It's Morrisey but thankfully not a solo project. I'll admit to my fandom of some music that gets a pretentious and self indulgent. And thankfully it's reasonably reigned in here. My mouth has been soured by solo Morrisey. But this isn't really for me

I was working in a record store at the time this came out. It was at a time of musical discovery and taste shaping for me. Albums I wouldn't have normally listened to by that point were now being found. While this isn't one of those albums I found at that point, other bands of similar vein, from Portishead to The Prodigy, were definitely in the mix. I hadn't heard this particular album before today. I'm most familiar with 2002s, A Hundred Days Off. I dig it. The layering here is super cool. While not everything works, it holds its own for keeping a vibe going. Just what you want from good electronica.

Q and Michael defining 1982. Solid stuff

World music. As "world music" as that genre comes. It's not bad. But not something I'll be looking to listen to again. Not my cup of tea. Honestly closer to a 2.5 for me.

I was never fully exposed to Queen outside of radio singles and the occasional deep cut. Queen II is the reason to go down this journey. I'm giving it a 4, but it may change as I listen to it a few more times. The production is huge! The arrangements are intricate and developed. Arena prog rock finding it's way into becoming one of the biggest bands in the world.

Oh damn! This... mmmm. Some good blues right here!

It's what people who don't like mid-70s British prog rock think mid-70s British prog rock sounds like. It's ok. It's got it's moments. I'm a big fan of the era. But I find myself not getting the scratch my prog itch needs.

Not my taste. Blondie had a couple of hits from this album, but I found myself just waiting for it to be done with the rest of the tracks.

Oh, The Chronic! Helped define early 90s hip hop. It hasn't necessarily aged well, particularly in it's lyrical content, but it was so influential in developing the West Coast sound. I'm having a hard time rating this one. It's not as good as 2001. 3 stars I think.

I dig this era of Rush. All the way through it's a radio friendly prog that hooks me in. This is the era I'd have loved to have seen them live.

Rewards those who actively listen. It's good background jazz, but the musicality is straight up great.

It's... Interesting. 60s British psychedelic rock. Like other reviews, not sure how it landed at the top of the charts. Some of the tracks have some pretty awful mixes. Just wildly unbalanced. The music isn't bad, but it's not something I'll probably go back to . Weak 3.

It's a beautiful album. The music is interesting and the vocals are intriguing. I like it, but I'm order to get 4 stars, I need to want to seek it out again, and it's just not for me. High 3.5

Decent album. Nothing stood out for me really. I did dig the lofi-ness of it. Felt raw but almost in amateurish or naive way. Songwriting was decent. Reminded me of something Wes Anderson or the Cohen brothers might use in a movie.

Killer jams. Great old 70s funk. It kicks off right with The Cisco Kid and keeps going. Dig this album. But going to the "will I seem this out to listen again?" Probably not, but I did enjoy it. 3.5

Hey hey momma, said the way you move, gonna make you sweat, gonna make you groove. It's at that point you're led into a masterpiece of 70s stadium rock. The album is varied and layered in dynamics and style. Musicianship is on point. There's really no lull throughout. Definitely my favorite Zeppelin album by far.

I dig Willie! This was a fine album. Even for Willie though, this just felt dated. Solid 3 stars

A shot of rock and roll with a rock and roll chaser. Fun, no bullshit rock. 🤘

It's 1995. You've got your crappy, just a step above terrible, walkman headphones on. You've been banging on the Alesis drum machine you got for Christmas for hours. You somehow cobbled together enough money to pick up some sounds you can use on your "masterpiece" of an album. You think it sounds pretty good. Your mom barges in to tell at you to clean your room and then go touch grass just as your putting on the final touches. "I will, mom, gawd!"

I think I'm more of a fan of their later work. It's good, but they dialed in their sound in subsequent albums. I can definitely see why their sound got picked up by college radio back in its day though. 3.5

It was a good listen. It's the kind of thing that made me want to do this album a day . I would probably never have heard it otherwise. While I did dig it, it's not one of those things I'd probably seek out to listen again. Though if I were on the streets in Mali and heard this band playing from a venue nearby, I'd definitely check it out. 3.5

It was alright. Was a few years ahead of its time. Stylistically sounds like it came out during the mid 90s. I might not have paid enough attention to it or it just didn't hit me in the right way to really enjoy it. But it doesn't strike me as an album I'll be going back to. Might need another listen. 3.5

There's a nostalgia here for me. I dig this album. Not just for the decent tracks that it contains, but for the music that this album helped open. DJ Spooky, Kid Koala, RJD2, Dan the Automator. It was the music of the late 90s early 00s for me. Tricky 's Maxinque, Massive Attack's Mezzanine, and the Sneaker Pimps' Becoming X. Shadow went on then with UNKLE and the rest of his solo work. This shit has groove. While this isn't his best work, it still has some killer moves.

Meh... I'll be honest. I didn't give it a good listen. It was on in the background while cleaning house today. It just didn't strike me. I might have to go back to it. I know the musicianship is top notch. But as it played, it didn't grab me at any point other than Al because it's so memorable and that baddass baseline

Oh funk yeah! Such a great album. Funk funkiest of the funky funk. This got played multiple times during the weekend. Loved it!

It took me a couple of years after this came out to sit and appreciate it. Afterwards though, I was 100% hooked. This a true classic album for me. The type of songwriting and use of interesting textures was eye opening at the time. The beauty of Radiohead's sound only got more refined after this. The album gets into a regular rotation when that Radiohead vibe comes around. This was an easy start rating for me.

English milquetoast. Even the more energetic tracks felt dull and lifeless. Maybe there's something deeper there. And I'll fully admit there might be. I'm just not inclined after this first listen to give it a second. Solid 2.

Kinda got just bored with his style. I dig some good hip hop. This has some great beats, but much of it felt... meh

I'm really glad this wasn't Bowie's last album. He's always been an artist that, to me, is hit or miss. When he hits, it's truly amazing, but when he misses... ugh. This fell into the latter category. Unlike his last album, Blackstar, this one feels like what happens when many older famous musicians release new music; it comes off tired and uninspired. The amount of folks who fawn over them in their personal and professional lives can sometimes make them lose perspective of the quality of their work. Look at what Paul McCartney's released in the past few decades. I think this falls into that trap somewhat. I'm so grateful he was able to get back true to form with Blackstar. Because this just isn't it. And of the Bowie albums that deserve to be on this list, there are far better ones to choose from.

This is a tough one to rate. I dig it, but not enough to fully give it a 4 star. I can hear this as a predecessor to so many different bands and albums. From Radiohead to Belle and Sebastian to Sonic Youth, I can hear its influence being echoed. I played it a couple times and it stuck with me, but just not enough to land that 4th star. I might come back to it though. 3.75

It's alright. I mean that in a positive light. Glad I got to listen to it. I really see how Cat Stevens got big. I'll give it a 3 to 3.5

It's good. I mean it's the man in black. I love the production of his vocals in particular. They're raw, vulnerable. It's an old man whose warble is apparent. He's not long for this world and he knows it. There are some really fantastic covers here. Unfortunately there are some that just don't do much on it as well. It's so close to that 4 star rating for me, but doesn't meet that "will I reach for this album again" threshold. 3.8

If this were somewhere between 99 and 2003, this would have interested me more. Tastes change and this didn't do much for me. I did take the advice of another review and listened to the YouTube video of the compilation. It seems the streamers didn't have the best luck with keeping compilations wholly available.

I kept waiting for someone to happen. It didn't.

This is one that I never would have listened to if it weren't for this project. l played through it a couple times today. It's... interesting to say the least. I can 100% hear Tori Amos and Fiona Apple being influenced by this album. It's got moments that really stuck to me. Waking The Witch comes to mind. It's not at all what I would typically put on to listen to. A bit too 80s Laura Branigan pop in general production for my taste, but there's something about her voice and style... I'm going to have to come back to this one to really dive into it. It may just go into rotation. Soft 4.

I mean, it's Pet Sounds. It's a masterpiece in production alone. Brian Wilson at the top of his game. Now is it an album I'd have on regularly? No. It just doesn't fulfill my musical hungers. But it absolutely belongs here and was happy to play today just to remind myself just how good it is.

Wow! It's been a long while since I heard this album. It hasn't really aged well. I mean Eminem's wrapping style is still fun, the popular tracks from this were definitely filled with a certain nostalgia, and the beats were pretty damn good for the most part. But wow! I think another reviewer called it sophomoric. I'd have to agree the misogyny, homophobia, and violence are over the top even for just shock value.

A breath of fresh air compared to other early 00s hip hop I've been served up here. Kick Push had my head nodding. WTF is up with Outro. C'mon! It takes a feeling of "yeah. I'd put this on again"to hit 4 stars. It's good, but it didn't push that button.

It feels like I'm in one of those weird "world novelty" stores in the mall from the 90s. Like I can buy a rain stick and a "Sounds of the Amazon" CD. Not a fan. Like... is it over yet?

Why do I dislike Coldplay as much as I do? Their production and style is generally in line with the kind of music I usually enjoy. But, it's just so anodyne, unremarkable, meek, milquetoast, bland, but not so bland, not so milquetoast, not so meek, not so unremarkable, not so anodyne as to be unlistenable. It's a weird balance of wanting to be really, really interesting, but it's just not. It gets that star above a single one for that riddle alone.

The follow-up to Kid A and Amnesiac, Hail to the Thief is a continuing progression from earlier work as was the norm from the band. Their style was instantly recognizable, but much like the last two albums, it took a listen or three to fully grasp its beauty. From the beginning of 2+2=5 where the sound of a guitar being plugged in supposedly on day one of the recording sessions, you can tell it's a bit of a departure. Bringing back an element of the rock sound from their first couple of albums. The album though is more mature and more restrained. I think this release sets up for their subsequent, and my favorite album, In Rainbows.

OK! I was never really exposed to Kraftwerk other than incidentally. This album is freaking cool! So very ahead of its time. I can see how this influenced a great deal of the new-wave that came after. I like what one review stated, "surprisingly fresh and modern". 4-star for sure. And for an album I've only just heard today, this could potentially go higher when I spend some time with this!

180° flip from yesterday's album also released in 1978. This not enjoyable for me. I was glad it was a short album. It was just cliche filled country. There were so many other, better country albums from this era. It's either a 1 or 2 star album at best for me.

Pleasently surprised by this one. I had a rash of early 00s hip-hop in this project that just did not age well. It's definitely old-school, but it felt fresh. Great flow, collaborators on point and worked well with their tracks, and diverse enough beats to keep you entertained mostly throughout. Really well produced. Only real gripe was her speaking to the listener bits only work the first time you hear the album. Beyond that, nobody wants to hear that more than once. Overall, I dug it. Does it warrant 4 stars? Not for me. I probably won't be bringing this back anytime soon, but I'm glad I listened. 3.5 out of 5

This one is hard to rate. I like it but the production takes quite a bit away from it. The string arrangements are overdone particularly in the second half of the album. Oftentimes vocals and Nick's guitar are drowned out. His later albums, Bryter Layter and Pink Moon, feel much more alive. His songwriting shines through better. I want to give it 4 stars. But I just can't see myself coming back to it repeatedly like I do his other work. It pains me, but 3 stars.

My first thoughts were, "Ah, fuck. Dookie?" I'm not generally a fan of punk. There's some decent stuff out there, but I typically don't reach for it. And I'm certainly not a fan of pop punk. And yet somehow I ended up with this CD back in the late 90s. "Skate park pop punk for twelve year olds," as one review called it. I actually threw it away. I didn't sell it. I tossed it. My tastes have matured since. My opinion on the genre mellowed. I know now from decades of them being part of the common culture, they really aren't that bad. So, I'll give it a fresh listen. Yeah. In the end after taking an earnest listen to it, I did appreciate it more. 2 stars.

Pop-punk, new wave, Dead Kennedys, Dead Milkmen. Just no teeth. Like none. Kinda dumb.

I'd never heard of Shuggie Otis before this. I was pleasantly surprised by the funk, soul, jazz, and experimental album that came out of the speakers. I saw the release on YouTube Music was 27 tracks, 2 hours long. I looked it up, and the original was only 9 tracks long. So, I limited my queue to the first nine in the album. I dug it so much that I went back to listen to the first nine over again and further into the YTM release stream. It's fun and chill. It grooves. I dig it and look forward to a chance to listen to it again when I'm looking to just catch that groove.

I didn't have much to say on this one. It was alright. There were times that the of instrumentation felt very forced rather than wanting to fit it in naturally into the song. Decent background music.