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From the book 1001 Albums You Must Hear Before You Die.

Untitled (Black Is)

SAULT

2020

Wikipedia

Untitled (Black Is)

Rating

3.17

Votes

3041

Reviews

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4

Boom the first track hits! then I got in tune with my inner blackness which is weird cause Im 43 and a chubby white dude from CA.

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4

Wow, an album from 2020. Must be one of the most recent albums on the list. One of the things I love about this project is that I listen to things I normally wouldn't. Some of those things turn out terribly as expected, but others, like this one, are really pleasant surprises. This album just exudes a warm feeling that envelopes the listener. Really nice. 4 stars.

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5

Genre bending all in the service of this intense introspection. Don't Shoot Gun Sound then turns that into an immediate regrounding in the physical. This is cool to listen to as an art piece, but I don't know that I would come back to it. Clearly its a masterpiece.

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2

I appreciate the concept of this album but only liked one song well enough for a relisten

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2

When I first saw it, I was really looking forward to listen to it. I expected and emotional album with deep messages. Unfortunately it did not catch me as I expected. Some tracks were good but all in all its too long in my opinion.

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1

Here's the thing: I stopped listening at the track "Black". And this track is everything I dislike about the album so far and I couldn't listen further because of how uninteresting and unappealing this experience was. I appreciate every artist who doesn't just make music for the masses and just for the grooves, but with greater meaning and passion for an important theme, on this album its black identity, black empowerment, black pride etc. But if you want to spark some thoughts or have a listener feel something, you need to show some emotion - be angry, be sad, be happy, be eccentric or powerful or raw. I didn't hear anything of this at all on this album. Just one track after another being as unappealing and repetitive as can be with bland messages and no clear statement at all. What is the point being made on this album? "Black." "I'm black." "We all know black is beautiful, you know? Well now you do." What are these lyrics? The instrumentation on this thing also is as minimal as can be. Either there's just one instrument looping around some chords or it's just a beat that every time goes on way longer than it needs to be. There are some beats on here that I liked, but the repetition and length of it took the patience off me every single track. In the last two years I digged deeply in the Hip Hop culture and found some great artists which by now count as some of my most favourite artists ever, some of theme are often making music on or around this topic as well like Kendrick Lamar on good kid, maad city or especially on To Pimp a Butterfly. I watched the fantastic Beyoncé live concert from a couple of years ago and saw some great power and determination. It wasn't exactly my type of music but I loved how full of expression one can be when you are passionate about something. I'm sure SAULT didn't do it for nothing and I am a bit curious if the other records pull it off better because I heard it on some other reviews, but this record just doesn't do it for me and renders a honorable concept extremely bland and boring. And that's a shame.

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2

“Dancefloor positivity idealized and politicized, most militantly on this third album, which surfaced just in time for a BLM moment we're free to pray lasts approximately forever.”

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2

bad

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2

Didn't realise the list went up to 2020. Not for me.

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2

How does this have so many 5 stars? I don't find this groundbreaking or even really interesting. If you like the same repetitive beat, repetitive lyrics through an entire song then this is for you.

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1

Some nice beats but mostly shite

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5

I already fell in love with this album.

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5

Cool vibes

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5

The last three albums from Steely Dan, Janis Joplin and The Who were classics that pegged my rating needle at 5, so I can’t help but worry about following those up with something I have had no concept of from 2020. Within the first minute all that was swept away. This is an incredible work that stuns me with its gravitas and unflinching examination of the racial trauma of our time in a moving, emotional piece of art. I was absolutely entranced by this album. It directly expresses outrage, grief, anger and fear imbued with such beauty exuding pride and affirmation that it lifts and inspires. I marvel at the talent that was able to pull off this seemingly impossible feat. This album speaks urgently to our time. If only everyone could listen...

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5

I loved this. Hopeful, uplifting, great music. Really great.

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5

This album from 2020 was unexpected, being so recent. It was unfamiliar and it was stunningly beautiful.

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5

This album took me on so many journeys, both with its beautiful, varied music and its beautiful, varied messages. It is so very much about today, and yet a very old story. I was moved, I was taught, I was heartbroken, I was inspired, I was hopeful.

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5

A 2020 album... Wow. Super enjoyable, a quieter new funk style that I really click with. Put it on next time you have a backyard BBQ party, people will love it.

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5

This album has a sound and a swagger that is rare and special. "Monsters" in particular is an amazing song.

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5

Solid listen.

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5

Amazing album! To the point and effective

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5

An artful mixture of an outpouring of urgent grief and emotion, interspersed with snippets of the intimate daily lives of Black people and people from Black origins. I haven't ever taken a deep dive into SAULT's music before but I love the variety of styles and sounds and samples. I love that they hardly interact with the media and fascinated that they never do live shows. I'd love to meet them and talk to them about their processes and choices, so interesting. I particularly love more vintage R&B with the woman vocals/hook like Hard Life but also love their original take on that. It's like a battle march/war cry mixed with a house track! All of the voices are mesmerising I especially love the appearance of Michael Kiwanuka (I'm a big fan) on this album. It's a real snapshot of an intense and shocking point in time in June 2020.

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5

very cool

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4

I loved this, I don’t know how I’ve never heard of this

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4

October 27, 2021 This broadened my horizons and was an enjoyable listen!

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4

Never heard of this band before but they're pretty cool. Starts off a lot stronger than it ends, and it's quite a mixed bag at points, but overall really enjoyed it.

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4

I like all of their stuff but slightly preferred the other one released in this year.

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4

My second time this week getting an album from the recent five years thinking meh, modern music doesn't grip me and for the second time I'm floored. I can see why SAULT is classified as R&B/Soul but there is so much more to this album that doesn't fit into those genres. There's some Jazz, 80s Pop, New Wave elements. It's a very poetic, easy listener of an album. 4.5/5.

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4

R&b. Interesante

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4

NPR ranked "Untitled (Black Is)" as it's #1 album of 2020, and while it's not my #1, SAULT certainly made an album of the moment that captured the zeitgeist and feels timely and cathartic. There is a lot of variety on the album, yet it still feels cohesive. It is pleading and desperate at times, and hopeful and uplifting at others.

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4

Really good

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4

Figo, mi piace. Black power!

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4

An interesting one

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4

At first listen this album has a great groove but it was repetitive. As I thought about it, I realize the repetition was to drill the very important messages about being black into our brains. Powerful.

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4

Very good heard this when released and I preferred untitled (rise) - but after listening to this again I thought this one is way better

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4

Very good, and a very distinctive sound. Puts me in mind of Masters at Work output. In terms of production and polish maybe a little inconsistent - but that’s a very minor quibble.

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4

SAULT are making some great records. Love the retro feel they manage to have while still sounding modern. Possibly too long, but putting out three albums in a year would have been ridiculous does make it feel a little more like a mixtape than an album to my ears though. I generally prefer the more 'up' first half to the second, but it's all good.

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4

Väldigt bra! Gillar hur det hålls själfullt trots det faktum att de flesta beats är väldigt simpla.

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4

Funk-soul suave. Me ha gustado. Un 4.

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4

I liked this album at first, then it got pretty experimental, then it got good again. Not music meant for me but it’s still really good and the Spotify radio that came on after it was great and I’m still listening to it

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4

A good discovery.I loved the voices and the tone. Although after the 7th song it gets a little repetitive, it is a good album.

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4

Pretty cool album with some influences that are hard to define, but still with a clear purpose. It's hard to establish that it will some kind of classic in the future, but for sure it will influence the next classics.

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4

Probably the best of all the "completely new to me" suggestions from this app. Definitely will revist.

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4

Terrific music, such a great downtempo feel, sinister and dark

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4

Really liked this. Feels like Common for some reason

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4

Loose, hypnotic, and rich with atmosphere. Goes down smooth. The group's approach of sidestepping media interaction and live performances is intriguing.

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4

well-tempered

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4

Yes, Black certainly Is. Well done everybody.

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4

Ok. I like this a lot....Love the sparseness of the production...I know nothing about the band/collective but will investigate more...as 50yo white male i realize that I may not be the average target/consumer of this. (am I racist to say that?) Anyway it has class and its amalgam of modern funk/soul/jazz is highly appealing. Great stuff.

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4

Really cool!

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4

Really enjoyed this! I knew a bit about SAULT but was pleased to read more, a very unusual album but loved a lot of this

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4

Unique. Creative. Art. I don't know that I love the music, but I love that it's different.

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4

Funk-soul suave. Me ha gustado. Un 4.

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4

Not the kind of thing that I usually listen to, but I really enjoyed this album.

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4

un album rafraichissant, une belle balance de bon grooves et d,expérimentation. Blues, electro, pop, etc. Tout y est mais bien balancé et ca s'écoute vraiment super bien 4

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3

My first modern album from this project! It was definitely musically interesting (and clearly politically powerful) but I'm not sure I'd come back to listen again. I enjoyed the soul vibes. My top pick was the popular 'Wildfires' - a beautiful and serene protest song #BLM

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3

Not my favourite, but one I'll probably come back to, might not it more after a couple of listens. Very modern, hip hop without the rapping

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3

Very good. Very impressive. Very clever. Just didn't love it

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3

meh

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3

I like the stripped down music. There isn’t too much complicated, and I think that’s a benefit considering the music alone. The lyrics however, are another story. There is far too much repetition of the same line over and over again. And it’s not just one song. There are several. When considered with the lyrics, the music isn’t interesting enough to hold this album up. It’s still something worth listening to though. My real problem is the the 1001 list picked the wrong Sault album from 2020. I was very excited when I saw Sault come up because I thought it was Untitled (Rise), which was a pandemic discovery for me. Untitled (Rise) was released several months after Untitled (Black Is) and it’s better. The repetitive lyrics are still present, but to a lesser degree. And the music has more layers, providing more interest. The 1001 editors made a mistake, not in picking Sault, but in the 2020 album of their’s that they chose.

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3

I appreciate the concept, but ultimately the music is too repetitive to hold up well to repeat listening.

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3

Banda sonora d'un any punyent, 2020, i específicament del moviment Black Lives Matter, el disc és representatiu del seu moment, també en l'aspecte musical, amb un alternative r&b elegant i sumptuós, que agafa elements del jazz, soul, black music en general. Només li falten cançons més encisadores

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3

Nije loše, zaintrigirao me i održao pažnju pošteno

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3

Nisam očekivao ovako novije na ovom, pošto sam naviko na sve staro u vražju mater. Iznenadilo me ovo, inače za njih sam čuo preko bandcampa, međutim nisam ih slušao. Mislio sam da je to neki rap, ali jok. Nekakav instrumental uz r&b, soul elemente, ritmično je i dobro je. Bilo bi vjerojatno bolji album da su se neki filleri od pjesama izbacili, ili makar skratile pjesme. Favoritne: Hard Life, Hold Me, Monsters, Pray Up Stay Up.

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3

jag gillade det. lite för konstigt emellanåt och för långt.

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3

A new band and new music for me. There were a few tracks that I would be tempted to skip during a re-listen. This is not my favorite music, but there were tracks that caught my attention. I probably will never re-listen to this, but it was an okay one-time experience.

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3

Great music, unfortunately not my kind of music.

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3

I had never heard of this album or group until today. It was interesting and a pretty enjoyable listen. I will probably come back to this one again some time.

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3

This is a toughie. The production is great, the message is essential, but the lyricism and vocals seem designed to appeal to the blandest Guardian music pages Radio 2 I buy one album a year and it's usually by Ed Sheeran type bore. Are the lyrics kept simple and unchallenging so that they don't alienate these people? Are the vocals so MOR to ensure more people get down to the message eventually? Everything about this album should appeal to me, but a lot of it seems to be kept so tame when right now it feels like it should be time for action, rather than a strongly worded letter. The problem with What's Going On by Marvin Gaye is it made a revolutionary message sound so pleasant nobody went away remembering the important bit. This album seems to fall into the same trap. Sod it though, I'm the worst sort of white, liberal bore myself. Maybe it's not aimed at those who want parity between people of colour killed unlawfully by the police and police killed (ideally both should be zero, and the police should have more stringent firing policies for racists, homophobes and misogynists). It's not aimed at people who would happily pay good money to watch everybody involved in GB News killed slowly in a pay per view. They probably know much better than me - I couldn't have made this album. Ah well. It's a good album with a big problem for my ears.

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3

It was fine background music. Once again I feel like I need to adjust my ratings otherwise everything gets a 3.

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3

Very listenable but I too am in danger of giving everything 3*

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3

I love the variety in styles, but most of the tracks felt repetitive

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3

Definitely an important listen-- powerful, moving, and timely! I especially liked the spoken word parts. Due to the protest nature of the album, it's not one I'll go back to for casual listening but I found it well done and emotion inducing!

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3

Album is consistent in style and approach yet each track takes a different idea and works with it well. In the first few songs, we go from spoken word to psychedelia to gospel to afrobeat to R&B pop, back to spoken word followed by neo-soul. The spoken word tracks act more like politically charged skits characteristic of golden age hip hop. Very different yet the mood is the same, united by the appreciation of black culture and the unjust deathly bias in American society. The songs are decent themselves, production and mixing are fantastic, and the instrumentals and vocals are great. I think I just have two related major issues. The first is that the songs are fairly repetitive. They have a strong idea but they never take them anywhere, so hardly any of the tracks blow you away. You hear the first minute of a song and you pretty heard it all. The second is that the lack of mixed styles is a bit underwhelming. They clearly demonstrate skills for interlaying elements of such genres, but they don't even do anything with it. It's no wonder they were able to write 80ish songs over just 2 years if they just come up with a simple idea and go with it. Fortunately, none of the songs drag on long, and there's enough diversity to keep you entertained despite the hour length. It's a chill experience that most people should enjoy. Favorites: Hard Life, Wildfires, Black, Monsters

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3

Not sure how to rate this. Parts of this album truly irked me, but there were other aspects that felt truly affirming. I have to applaud the ambition on display, too. I am, however, in no particular rush to listen again

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3

Nothing really grabbed me here, but I did like the sort of kitchen sink production of it. Which I've probably said before. But I liked the flow of the album - it felt like one piece. But it also had that feeling of IMPORTANCE that was distracting to me - but that was probably because of the Wikipedia page, which I shouldn't have read. Anyway, not one I would listen to again, but sounds like a lot of work went into it.

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3

3.5/5. Def alotta great and powerful ideas/affirmations here, but imo a lil too sparse and meandering sometimes

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3

Never heard of this group before. Here we go... Smooth. I thought it might be metal, it's more hip hop R&B.

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3

An album full of grief, anger and hope. Wildfires is the obvious stand out.

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3

Peak 2020, I guess? Not necessarily for everyone, but for black Americans. So, how did SAULT delivered the rage, the pride, the sorrow, the frustration, and the joy of the black experience in the USA? Particularly in 2020, when the infamous murder of George Floyd sparked protests and even riots across the globe? Boring, monotonous electronica beats, of course! Sprinkle in some little speeches that sounds like ads for a beauty soap bar to reinforce the message. I mean, I respect it. It has great beats, and a (hopefully) genuine cause. But it gets boring very quickly. It felt bland and emotionless, but I guess it's minimal emotions mirror the experience of many common black people in the USA. It's decent, genre bending too I guess, bit it's not as revolutionary as for example, Kendrick's "To Pimp a Butterfly", released four years before this, and maybe Beyonce's self-titled too, released even earlier. In 2020? Imo, it can be overshadowed by Run the Jewel's surprise album, "RTJ4". Still, I enjoyed listening to this, but it made me want to revisit the intoxicating frustrated energy of the mentioned albums - which are about the American black experience too.

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3

Really enjoyed it, good music, strong message and quite enjoyable 3.5/5

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3

I really enjoyed this album and the message behind it. Loved the vibes as well.

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3

A good sounding album that never really goes for any emotional or musical highs, just stays in the middle ground. Pretty cool

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3

Slatt

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3

This is good

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3

It’s a gorgeous album with a powerful and eternal message. I’d like to come back to it to see how it hits me a second time.

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3

A good one, but started fading after first several songs

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3

Ik kende een paar nummers en had hier daarom zin in. Een heel album was toch een beetje teveel.

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3

Not my favourite, but one I'll probably come back to, might not it more after a couple of listens. Very modern, hip hop without the rapping

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3

I thought this album was cool, but it didn't ultimately keep my interest all that well

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3

More fun than I expected, but not my cup of tea.

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3

Good, and fine production, but it didn't do much for me (though again I don't think I'm the audience)

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3

alright

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3

Best Song: Wildfires. The best straight song that I could imagine listening outside of the context of the rest of the album. Worst Song: Don't Shoot Guns Down. The lyrics were a bit too on-the-nose to be poetic. Overall: An intensely political album that feels at time like spoken word poetry. This isn't music that can (or probably was intended) to be listened to in the background. It demands your attention. At many points it feels closer to theatre than music.

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3

It has character, but I don't need to listen to it again

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3

Modern soul with a slight electronic/dance vibe. I'm usually not much into that kind of music, but I somehow liked this. 3/5

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3

-Hwatever vocal effect (duplicates?) On the lyrics "We are the original people / And we don't believe in evil" in "Stop Dem" is pretty cool. Also a chill drum-based backseat and bass line -"Bow" has been the stand out song so far. Cool afro-beat vibe, but also mixing in electronic music and like a rock and roll guitar -There were a few okay tracks, with "Bow" really standing out, but much of the rest was pretty weak

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3

I really liked the vibe of this one and would love to know a bit more about it

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3

I like what they are going for, but musically it doesn't hit as hard as I want it to.

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3

The album has a great message, obviously, but musically it isn't very interesting. Most tracks are just a beat with some voice samples.

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3

Interesting. 2020 album in the top 1001. I’d like to know the history. Was good.

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3

Not objectionable, one stand-out track that I remember (Bow) but mostly I'm left feeling a little bit underwhelmed. I prefer more whelm in my music.

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3

Liked this. Never heard of it before. Reckon it would improve on a second listen but yeah it was good

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3

Seems decent, again didn't engage me too much on the first listen.

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3

Cantan muy bien, vale, y? Nada más

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2

A little too new agey and strange for my tastes. Might hit right for some people but nothing very interesting to my ears

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2

Interesting

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2

Chill

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2

Chill background music

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2

Didn't super enjoy it.

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2

It was fine. All in all it wasn't really for me and the songs all just blended together.

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2

This was released in 2020? I thought this list was older than that. Good to know. I like how this album sounds and there are moments that ring out through the sameness, but lyrically it felt a bit like how PHILADELPHIA is a gay movie made for straight people. It's a tad on the nose, isn't it? There's obviously power in the repeated simplicity of saying something like "black is beautiful," but I guess I was kind of hoping it would dig deeper than that. (Not that it has to.) Maybe it does and I'm just tuning out due to the relatively relaxed nature of the music behind the lyrics... God knows I'm the last person to pretend to have any authority in this arena whatsoever. But if I want a glimpse into the black experience I feel like I could do better by reaching for a Kanye album or that last Stevie Wonder double-cheeseburger we just listened to. And those would have the added benefit of having some, you know, honest to god good songs.

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2

Good enough. Fitting for 2020

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2

I did not know that this album even came out in 2020 but a lot was going on that year. This album came out after Georg Floyd was murdered. The music reflects the emotion, however, the music itself is not memorable at least not in the way other protest albums have been.

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2

Saaaaaaai.

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2

SAULT zou volgens de media de Banksy van de r&b moeten zijn en de plaat als een meesterwerk moeten worden beschouwd. Ik hoor het nog niet zo goed. Het kabbelt me teveel voort.

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2

Ik was erg enthousiast na de eerste paar nummers, maar het werd toch behoorlijk saai allemaal.

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2

Begon wel aardig maar al snel werd het iets te

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2

Meh

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2

Given the subject matter, I wanted to have high praise. My perhaps too honest opinion is that it is essentially an art project from a decent art school. The music feels like an after thought to "the message." I thought, maybe I could like it as background music but the art house nature keeps it from fading into the scenery. That all sounds harsh because I do appreciate and support the message and think there is some talented drive loops in there.

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2

2.5

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2

Interesting. But not for me

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2

Interesting….

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2

I wish the music was as striking and powerful as the album artwork. Love the concept, but the delivery leaves a lot to be desired. Couldn’t get into it.

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2

2/5 not my cup of tea

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2

I gotta be honest, I’m pretty tired of the incessant racial propaganda in America in 2022. Our culture worships black people. It doesn't take a genius to notice that blackness is ONLY praised, and whiteness, we're told, either doesn't exist, or is inherently evil. Every media outlet portrays blacks as empowered and every movie/show portrays whites as dumb, weak or evil. Every corporation glorifies blackness. BLM protestors unironically think they’re fighting the system when every news source and company and TV show and advertisement and CEO “coincidentally” say the exact same things they do. This racial tension only benefits the ruling class, and distracts from real issues of economic inequality or climate change. All over the internet it’s normal to hate white people for their color. Hell, even the week I’m writing this, a black man who had talked about killing white people online went and shot up the NYC subway. 15 years ago few people even THOUGHT about race, and we were on track to a world where race didn’t affect how you were seen. But today, everyone is rabidly fixated on race, and people’s entire personalities are centered on the color of their skin or their sexuality. People aren't proud of their accomplishments, no, somehow they are proud of their skin color. Years ago MLK promoted peace and harmony, but today, blacks are told to be perpetually angry and bitter. It reminds me of the constant war machine in Orwell’s 1984; if the people are consistently angry, their anger can be harnessed. Today there is a “forever war”, a constant stream of manufactured outrage. SJWs scour the internet to find ANY tiny example of oppression, usually in the form of 10 year-old tweets, so that their sad worldview remains intact. But the demand for racism is higher than the supply, so isolated events are blown out of proportion and used to justify dismantling everything about society. There is no aspect of life that isn’t viewed through the distorted lens of oppression. Our culture’s fatal obsession with identity has caused rifts that will take a century to heal. Identity politics only divides us all; it’s thinly veiled tribalism. Identity politics has destroyed honest political discourse among groups: every person is viewed mainly as a member of a group and not an individual, and it’s not the truth of what you say that matters, but whether you belong to the right group. Anyway, I didn't vibe with this album. “Black lives matter” is completely true as a STATEMENT, obviously, but as a MOVEMENT, it is destructive and counterproductive. Identity politics is a complete disaster. A post-racial world was within our grasp, but instead we are more divided today than we have been in decades, and it makes me sad. The music was 3/5. -1 point for the fact that a third of the tracks are just cringey racial affirmation ASMR. 2/5

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2

Not my cup of char.

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2

Chyba najmlodsza plyta w zestawieniu jak do tej pory, bo rocznik 2k20, oczywiscie brytyjskiego pochodzenia, ale co dziwne plyta z podziemia, pierwsze slysze tytul lub nazwe bandy, jakze tajemniczego SAULT, ktory jest kolektywem prawdziwie indyjskim, nie dajacym zadnych wystepow livowych, nie udzielajacym wywiadow, a jedynie puszczajacym albumy do zycia, za ktorymi stoi pan pod pseudonimem Infolo, ktory wedlug tego co wyczytalem ogarnia strone instruentalna, na ktorej wokalnie slychac glownie panie Cleo Sol i Kid Sister, chociaz pojawiaja sie takze featury, ciezko tutaj o konkretny gatunek, bo prawie godzinny material to az 20 trakow, ktore znaczaco odbiegaja od siebie muzycznie, ale jednak wspolnym mianownikiem jest czarnosc, jak sam tytul sugeruje, wiec pojecie czarnosci jest motywem przewodnim calego krazka, od tego co to jest czarnosc, przez to dlaczego czarnosci jest trudno w swiecie po piekno czarnosci, wiec czarne zycie sie liczy, jak przystalo na rok 2k20 i nadal zaskakujaco aktualny, z jednej strony fajnie ze ma sie az taka chlube z swoich korzeni, ale z drugiej postrzeganie czlowieka tylko przez kolor skory jest tylko bardziej utrwalane, wiec afrobeat na miare naszych czasow, muzycznie dobry odsluch, ale kontent liryczny zachacza atakuje black powerowa filozofia, ktora zamiast laczyc ludzi stara sie budowac nowe podzialy, na plejke dodam najbardziej afrowy utwor w moim odczuciu, wiec bow ktory featuruje pana Kiwanuka, ktory brzmi prawdziwie afrykansko, jak na standardy tego nagrania w ktorym wiekszosc wokali to brytyjski angielski, wiec popularny temat dla niszowej grupy sluchaczy, moze za x lat bedzie wspominane jako cos co bylo ukrytym gemem czasow czarnego zycia ktore jest wazne

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2

British (again) pop album with an interesting background. The performers are unknown/unconfirmed, and the concept is akin to the BLM movement; this album being especially timely. That said, most of it didn't feel fully formed.

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2

Mezcla de hip-hop suave con toques de jazz. Poco innovador, más allá de ser fácil de escuchar.

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2

2.5/5. Very good. Id like to hear more.

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2

Does the fact that the band doesn't do press etc make the music more interesting or does it just help it get past hipsters? It's fairly minimal album musically and has a mix of detached vocals. It's desperate for you to know that it's MAKING A COMMENT. This is an IMPORTANT ALBUM. Fair enough for trying, but the music lacks soul. From the themes that it addresses, I'm sure there's meant to be emotional involvement but it feels more like a cynical grab to hang on to BLM and hope no one notices. There are many other albums out there that do it better than this. Best Tracks: Wildfires; Bow; Monsters

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1

Pretty terrible album. Overtly political and lacking substance. Pointless to be on this list as it’s not actually good music. 0.0/10

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1

Meh

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1

Just terrible. Would have sounded derivative in 1996, now just puzzling why anyone would make something so dull. Couldn't even finish it

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1

This didn't talk to me.

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1

Pretty easy to listen to. But if you like this type of music, then go listen to Moby, whom they mimicked, and get your money's worth.

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