...The Dandy Warhols Come Down

It was very strange that within the first few moments of the first track, before any melody had actually begun, I had that sense that I would really like this album. Then the first few tracks really won me over. Somewhere in the middle it kind of lost its grip on me, but turned it back around in the end.

I've heard a thousand bands that sound just like The Dandy Warhols. They sound like every Brit Pop band mixed with every 90's/2000's indie rock band. And yet, this album still sounds fresh and full of energy. All I'd heard of The Dandy Warhols was Bohemian Like You, which is a fantastic song. It takes a LOT to give an album 5 stars on first listen, but this came verrrrrry close.

Wow I REALLY liked this album. Has never heard it before, didn’t know what to expect. Good atmospheric music. Almost a five? Maybe not quite? Can an album I’ve never heard of before be a five? Can an album that I’ve listened to several times in one day NOT be a five?

Wow! This album was so great! I think I’ve run across the Dandy Warhols somewhere in my past but was really surprised by how much I enjoyed this. A bit of an emotional rollercoaster with clever lyrics and some very cool songs. Mouth harps, organs, grungy guitars. Minnesoter! A hard on for Jesus! So much fun!

Expected bland British fare from the album cover, but couldn’t be happier to be proved way off the mark. Can’t believe I’ve never really heard much of these guys when they sit at a clear intersection between early hard rock and indie - at times the tracks felt like a mix between Black Rebel Motorcycle Club and Django Django, which wasn’t a crossover I knew I needed until today. This LP in particular manages to deftly dip its toes into several prominent genres of the time (including some notable shoegaze influence) without dating itself in the process. The back half slumps off with some wandering instrumentals, but even then it’s impossible to deny the strength of the opening gauntlet and most of the tracks on this album. I feel like a broken record here sometimes, but it’s undeniably albums like these that make the project worth the effort.

Mid. But it's got spirit.

Surprise gem

A fantastic experience of neo psychedelia with a Britpop sound, despite not being British. Albeit, the first half of this album carries a lot more than the second half. But every song is worth a listen! And the album flows fantastically.

Enjoyed this one, and will probably listen again and explore more of there music

I had "Not If You Were the Last Junkie on Earth" on a mix CD from back in the day. It's always fun to hear the context of what was always a random lone song that I liked and liked to share on other mix CDs. The more I listened to this, the more I liked it, and it always makes me happy when that happens. This is the sort of music I enjoyed in the '90s (even if I forget that at times), and I quite enjoyed it today. Such a cool sound!

Lovely lovely modern shoegaze style psychedelia with song bangers thrown in the middle and a a good balance flow throughout its length. A record’s record. It’s meant to be enjoyed as a whole.

The heroin song was ubiquitous in its era; hated it then, hate it now. Spent the rest of this swinging between thinking it was actually pretty good and finding the whole attitude incredibly irritating. The dullard sobriquet "Minnesoter" nearly pushed it into 2 star territory.

never been in to the dandys like i probably should. I mean i know anton newcombe can be a prick but he was right about them selling out. Dandy's rule ok was a genuinely good album but this one is a classic example of all the jagged edges being smoothed and the grime cleaned off leaving some sanitised bland airplay worthy muzak that has none of what the original band had. at least its not some more folk nonce or neil fucking young.

Wasn’t expecting to like it, had only previously heard “bohemian like you”. Enjoyed every song. While there was nothing that I felt was amazing, Will definitely listen to it again

Whole album is a masterpiece !!!

solid album!!! this came on a day where the suns out and this perfectly encapsulated that feeling of seeing the sun for the first time in a long time :)

Otroligt bra. Whipping tree och Pete international airport var tyvärr dåliga men resten är kanon! Första låten är en jävla smäll, även orange.

I had never really heard these guys before listening to this album. I love how this seems like one cohesive piece.

I didn't like their major hit, thus I lost my interest in exploring their music further. I was so wrong. This album is amazing!

Love this. Really hits the spot.

An oasis of indie-rock goodness that emerged within a desert of cookie-cutter pop punk, Britpop, nu-metal, and grunge knock-offs in 1997.

Cet album ne vaut pas 5. Trop de titres pas si fous, et ce n'est pas possible de terminer un album par deux instrumentaux sans grand intérêt pour un total de 16 minutes, surtout "Pete international airport". Par contre, parce qu'il y a "Be-In", "Boys Better", "Not if you were the last junkie on Earth", "Good morning", "Boys better", "Cool as Kim Deal", parce qu'il n'y a pas (scandale !) 13 tales dans le liste des albums, parce que l'Elysée Montmartre, parce que Dig !, parce que les Dandy Warhols, ce sera 5.

Somehow I missed this in '97. One my favorite discoveries so far. Another reviewer mentioned that they knew they would love this just moments into the opening track, I had the exact same experience. Dirty, droney, psychedelia. (The Dandy Warhols > The Brian Jonestown Massacre)

Love this!

Daaaaaaaaaaamn this is good. I haven't liked a lot of the new-to-me 90s and later rock I've heard on the list so far, but I loved this. Every song was so damn good. Definitely keeping this one on my phone and forcing other people to listen to it!

9/10 super fun album lots of amazing songs throughout; my favorite of which is probably orange

Love this Britpop by way of PDX sound. The synth gives them a unique vibe that's really fun.

Surprised how much I enjoyed this. I only already knew the one "hit"

Way better than their name sounds (I hate their name so much), but this is a bit of fun. The second half dragged massively for me but enjoyed overall

It is fitting that this album popped up just as I am experiencing possibly the worst fever of my life, because The Dandy Warhols Come Down feels like a fever dream. The music drifts between woozy, reverb-soaked soundscapes and sharp bursts of psych-pop energy. It’s a swirl of hazy guitar riffs, hypnotic grooves, and vocals that float in and out of focus, like you’re slipping between consciousness and delirium. To be honest, I hadn’t thought of this album in a while, but a long time ago, a teenaged me overheard "Not If You Were The Last Junkie On Earth" at a local indie record store, and I remember feeling almost hypnotized. I picked up the CD without even hearing another note. When I finally played it, it was like nothing else in my then-modest music collection. The Dandy Warhols have an uncanny ability to mix catchy, sun-drenched melodies with layers of fuzz and distortion, creating something both accessible and otherworldly. Their blend of psychedelic rock, alternative pop, and ironic detachment makes this album a unique and unforgettable listen. The album opens with the sprawling, 7-minute "Be-In," a bold and unusual move that sets the tone for the band's refusal to play by typical alt-rock conventions. It’s a slow-building, psychedelic haze that feels less like an intro and more like an invitation to get lost in their world. Then there’s the aforementioned "Junkie," a punchy and sardonic hit with its infectious chorus and playful critique of drug culture. On the lighter side, "Every Day Should Be a Holiday" offers a sunny, feel-good escape, with its jangly guitars and carefree vibe, embodying the band’s more accessible pop sensibilities. The quirky "Minnesoter" showcases their offbeat humour and knack for blending catchy hooks with psychedelic textures, while "Hard On For Jesus" blends irreverent lyrics with a driving beat and spacey instrumentation. As the album winds down, the Dandy Warhols once again throw convention out the window, closing with two tracks—“Pete International Airport” and “The Creep Out”—that stretch over 14 minutes combined. Both songs drift into spacey, instrumental territory, a fittingly hypnotic end to an album designed to take you somewhere strange and unexpected. From start to finish, the band plays by their own rulebook, and it’s this sense of unpredictability that keeps Come Down feeling fresh, even decades later. Did/Do I own this release? Yes. Does this release belong on the list? It’s unique, enjoyable, and has stood the test of time—so why not? Would this release make my personal list? As mentioned, I hadn’t thought of this album in a while, but it does tick many of my boxes. Will I be listening to it again? For sure, frequently.

Neo psychedelica that stood the test of time? I'm in

Somehow, I came away from Dig! finding the Dandy Warhols more insufferable than the Brian Jonestown Massacre, which, if you’ve seen that film, is no small feat, but I can’t really put my finger on why that is - aside from maybe thinking that BJM is a more interesting band. Putting that aside, this is a decent record, a good blend of fuzzed out psych and power pop, though it starts to feel repetitive towards the end.

I've heard an album by this band before (the one after this, the one with the big hit on it) and I'm a bit surprised this one made it in over that as that one was more successful and gets more plaudits. This is American Britpop, and this is the only American band I've heard that goes for this kind of sound. They obviously took a lot of inspiration from bands like Spiritualized and The Verve, because it sounds exactly like them. I'm ambivalent, like The Verve and Spiritualised when they're good they're good but many of the songs are more drawn out than they need to be, and the album ends up being far too long as a result.

britpop from portland, oregon

I live in Portland so I suppose I should like this. I don’t know how much of this band I’ve actually heard, but the first track isn’t ringing any bells. This has elements of other 90s Portland bands that I do know, like Heatmiser, but more Neil Gust, with little to no Elliott Smith. Thankfully they sound nothing like Everclear. I probably would’ve loved this if I’d heard it closer to when it came out. It’s a little samey for me on first listen. I don’t mind it, though. It’s fine.

This has always been a band for me that pops up here and there on playlists or whatever, but I've never taken the time to learn anything about them. I found myself liking many of these songs, even when I didn't want to - almost sounds like a metaphor for drugs, one of the recurring themes throughout the album. I like the bent towards psychedelic rock, but done in their own way. On the other hand, there is something rubbing me the wrong way about this band that's hard to put my finger on - maybe a sense that they're making a joke I don't quite understand.

Pretty surprised how much i enjoyed this... has the clear alt. rock vibe but it is pretty interesting in that it has some pretty straightforward songs but also delves into sonic landscapes that are engaging (maybe Pete's Airport is a bit of a lowlight). I found myself liking it more and more on subsequent listens... it is varied enough that it stays fun and engaging for the whole album.

Band name and album cover made me expect some self-absorbed post punk nonsense. The Wikipedia article makes them sound like a garage rock band and also mentions them sounding like brit pop. None of this seemed particularly appealing. Turns out, all of it that was inaccurate and they're rather somewhere in between 70's space rock like Hawkwind and 00's post-rock. That's definitely more up my alley and they're pretty good within this particular niche. As is it sometimes goes, the singles (at least "Not If You Were.." and "Every Day Should..") are the obvious worst tracks on the album - boring, accessible, dime-a-dozen pop rock. But whenever they're doing their own thing instead of trying to please the studio's misguided desire for mass appeal, these guys are pretty awesome.

Like if shoegaze, psychedelic, and garage rock had a three-parented baby with a Siamese twin who can play the hell out of a keyboard. Upbeat songs with hints of punk are split up with slowcore-esque songs to prevent plateauing. Somehow pulled off closing the album with back-to-back instrumentals. 14 songs and zero skips. Favorite Song: Cool As Kim Deal

I really enjoyed this, it was more adventurous than I expected

For some reason I thought The Dandy Warhols were something completely different. I guess I should’ve known better after having watched Dig! but it didn’t register. Expected boring Britpop and got cool PNW shoegazey vibes!? I need to dig into their discography more!

Subversive to the point of not being able to trust the pop aligned songs like Good Morning, something about that acoustic strumming feels like it's about to belt you at any moment. The Creep Out could well be the best album closer of all time. Fuck it's great. Especially when you realise it's just been him fucking around on a vocoder the entire time. Sounds like where Cousin Tony's yot the feel for Stratoblaster.

Day 12 - June 13, 2024 Normally I hate shoegaze with a burning passion, but I did enjoy this album. This was a surreal listening experience. This album is how you do experimental. 5/5

Just by the name and album artwork, I had assumed this was going to be the aural equivalent of a shitpost, but I was pleasantly surprised by this psychedelic record! The Dandy Warhols generate a hazy atmosphere and trip which is neatly capped off with the final two tracks (“Pete International Airport” and “The Creep Out”). The band plays a grimy form of rock that occasionally reminded me of desert rock/metal, which would make sense seeing as drugs play a central role in these forms of rock. This record deserves a 5/5!

Mange som sammenligner dette med britpop, men for min del er det i mye større grad alt/psych. Jeg har lenge vært red for at det kommer ingen femmeralbum, men dette er akkurat over grensa.

This is one of those albums that grabs you immediately. Not the best album on this list, but it rounds up to 5. The instrumentation is definitely what puts this over the top for me. Favorite track: "Every Day Should Be A Holiday."

I really like The Dandy Warhols' schtick - sometimes poppy, sometimes psych-cinematic, sometimes goofy, and this album is a great showcase of all of that, but c'mon - including this rather than "Thirteen Tales From Urban Bohemia" is a joke. Not only does "Thirteen Tales" have their global hit on it, but the three track opening of "Godless" -> "Mohammed" -> "Nietzche" is just _so damn good_. Probably my favorite three track run from any genre! Anyway, back to "Come Down", it's still great. "Boys Better" is an absolute tune, and "Not If You Were The Last Junkie" is fun. The non single tracks are mostly great too. Fave tracks - as well as the aforementioned, on this play through I really liked the psych outro provided by "Pete International Airport" leading into "The Creep Out".

This was a fun 90s alt/indie rock album. There was nothing super memorable about it but it passed an hour pretty pleasantly and was a nice palate cleanser after listening to an album about killing yourself all day yesterday (also wanted to add that the combos of metal, industrial, and synth on downward spiral were awesome). Reminded me a lot of mainstream sonic youth stuff and I love you was the only standout for me but all of the songs were at least decent. However, I listened to it again today and a lot more of it really stuck to me and was enjoyable to the point where I might give it a 5. Gained a lot more appreciation of like the first three track and a couple more throughout. And it passes the weed test.

Admittedly, this is a really fun album and I felt great after it was finished. Strong Loaded-era Velvet Underground influence here too

I like the vibe.

Space rock and shoegaze have their own unique and irresistible charm. This album managed to bridge the 2 decade long gap between the two, creating it's own charm in the process.

I love me some Dandy Warhols! This is not their best album, but it's got some great tracks (mixed with a few bland ones too!). On the whole I still really enjoyed their sound and I love that this album shows the potential of where their music was headed for. Fave track: Everyday should be a holiday

A crescendo decrescendo album which is great in the middle but I found starts and finishes disappointingly. They are a band that had been one of my top listened to on Spotify in recent years and so this flavours my rating which is generous for how I found the album as a whole

Good zone out album

A lot of the same type of music but surprisingly didn't get boring. Lovely background music, great to vibe to.

Fantastic. Mizerable but fantastic, good to sit and be moody to

Alternative rock indie. Tranquilo sonoro.

Very pleasant album, rather calm and easy going. No studs or duds, but every song is slightly above average, at least when compared to usual output of this list. I would be very keen to listen to this record again, this time more carefully, and see if I get a bit more out of that. Until then it's a really solid 4.

One admits to a soft spot for the DWs, thanks to the cheeky humor (“heroin is so passe” and “Hard-On for Jesus” and “Cool as Kim Deal”), droning melancholia, and slacker-stoner vibe. All of these elements still sound good here, translating into fairly rich layerings, intermittent just-dark-enough shadings, and the occasional passage that rocks properly. There are just enough arty flourishes – including but not limited to the feedback-y sonic haziness – to keep it interesting, such as the broody-moody closers – the instrumental “Pete International Airport” (another great title!) and “The Creep Out;” the boys knew how to get weird, or least druggily contemplative (though the abrupt cut between the two tracks is unnecessarily juddering). There is, one must note, a non-life-changing undertone to the whole affair, a not-quite-compelling essence, that may be cause and/or effect of their not taking themselves too seriously, a generally laudable attribute of rock records, particularly from the ‘90s. And speaking of, like every other list-making record from that overindulgent era, this one can be credibly called too long (though space for those closers does add depth). Highly rated though on the always important metric of enjoyability. And their anti-grunge stance looks smarter with each passing year.

The band is great and creative, but the album itself is not that amazing, still decent

I really got a lot out of this, these guys sounded awesome and had such a distinct and full sound. A real flashback to 1997.

I prefer Thirteen Tales from Urban Bohemia, but I like the Dandy Warhols a lot, so this was a great listen for me today. I love their whole indie, smartass slacker vibe. Good tunes.

Impressions: So this is shoegaze. Interestingly fun. Favorite tracks: Minnesoter, Orange, Good Morning, Rating: 4/5

I’ve long liked their sound and listening to this album was a treat!

Wow, really enjoyed this! I remember having a few of their singles downloaded on my iPod when I was a teenager, but never listened to any of their albums. I got tired of hearing Bohemian Like You absolutely everywhere, so I think I kinda wrote them off. Was fully expecting this to be a 3 star max. But I've really been missing out! Sure they wear their influences on their sleeves and it runs a bit too long. But there's very little on here I disliked. It's almost like they picked up where the Pixies left off (I like to pretend that they quit after Kim Deal Left), with a healthy dose of shoegaze and Stereolab. I feel like Zach Braff is probably obsessed with this band. That album cover though - hideous. The 2nd half drags a bit, but I could see myself bumping this up to 5 stars with repeated listens.

Never heard, vibing, mix of ambient and structured

Ok, absolutely loved the sound here. Everything great about 90s/00s alternative (Spoon, Beck, Eels came to mind throughout) but with their own style. Loved the music, not totally keen on some of the subject material. Much was cleverly written, some mildly offensive. But wow, the music! 3.5 stars leanining to 4

When I first saw this album (which I had never heard) on this list instead of 13 Tales from Urban Bohemia, the somewhat higher rated and the one I know from back to front, I ask myself why? Then I put on the opening tracks...nice atmospheric intro maybe a little long, sweet guitar figure, nice sweet toe-tapping rhythm, big crunchy bass and suddenly I'm out of my chair and dancing. Great start better that the start to 13 tales (Godless). As for the rest, pretty consistent album that kept me entertained from start to finish. 4 stars (for the record I would probably give 13 tales 4.5)

i quite liked this, more so the end half. i almost skipped it without listening because the band name is …… not appealing. there’s me judging a book by its cover. solid instrumentals , many made me feel like i was in my own late 90s 2000’s movie about my life flipping inside out or life flippin me inside out who knows. the rain sticks?! are u kidding , when was the last time you heard a rain stick in a song. was painting to it. would paint again. downloaded 3,4,6,9,10,11&14. send me to mars orange and the creep out

I liked this album, particularly last junkie on earth. I think they have a really good sound and is worth listening to again another time.

2/21/24. This is up my alley: beautifully weird. A lot of random sounds but creative landscapes, also enjoyed the vocals.

I quite enjoyed this one

Be-in geeft al een Nice intro, goede opbouw van instrumentatie Psych rock

This felt like it was right in my wheelhouse, 90s alternative with driving guitars and great vocals. Started off slowly but built as it went along, I was almost sad when it finished. Standout songs are "Be-In" "Minnesoter", and "Not If You Were The Last Junkie On Earth", but don't sleep on the instrumental "The Creep Out". And I just want a girl as cool as Kim Deal...

More of this.

Fairly pleasant listen

BL: Know nothing of this band except the namesake artist it stems from, so it will be interesting to see what I think of them. AL: A very nice psych-rock album. Lots of rhythms to get into and slowly nod along to, the second half of the album is definitely better than the first half. FT: "Not If You Were The Last Junkie On Earth" 4/5

I really like the Dandy Warhols. Wiki got it right with 'Space Rock' but 'Shoegaze'? I never thought of them like that. The heady days before 'that advert' weirdly propelled them to the mainstream for a brief moment. This was the first album I discovered, due to hearing 'Not if You Were The Last Junkie on Earth', which made me go out and buy this! I remember thinking at the time 'Every Day Should be a Holiday' sounded uncannily like 'Spinning' by Loop, which is no bad thing, it certainly cemented their psychedelic credentials. As for the monster which is 'Good Morning', its such a downer in a good way. Are they cool as Ms Deal? Yeah baby! A low 4

I enjoyed this album - I have a soft spot for this type of sound, so I think it will definitely get a few more listens at the very least.

Klinkt lekkerder dan ik me herinner. Goed album, laatste twee tracks niet.

I've never heard of this band before. They have a very interesting sound, kind of reminds me of some psychedelic rock. I really don't dislike it, although it isn't my normal style for sure. It uses some repetitive aspects to the songwriting, but I don't think that's a mistake, it does add to the effect the songs seem to have, it kind of assists in the groove. I really like the use of the synth in a few of the songs. I'm struggling to think of whether this would be something I would just be willing to listen to again, or buy, mostly because it really just isn't my normal style. Due to the songs being catchy enough though, I think I can classify this as an album I would buy.

HL: "I Love You", "Junkie", "Good Morning", "Hard On For Jesus" Fine & dandy

Really good! Enjoyed the more hypnotic trancey tracks to the pop ones.

Loved the first half, they lost me a bit in the 2nd half. It’s hard to come to terms with the fact that I love “shoegaze” rock

Went on a bit long (could have done without the last two tracks entirely for me) but otherwise this was a very fun blast through a lot of different alt-rock styles

Toch 2 nummers dat ik herkende. De rest van het album was ook wel oké

Much better than expected.

4-5

I really, really enjoyed this for the most part. Especially the beginning of the album...it hits the perfect 90s sound that I cannot get enough of. However, the middle of the album then really leans way, way too hard into the lo-fi sound that becomes very hit or miss to me. Then the ending recaptures that feel I really like from the beginning. The drop off is too stark to get the perfect 5 for me, but many tracks from this will happily end up in my rotation

Ok so this is a very 90s thing and it wasnt bad but for some reason it just feels so so.

Rock alternativo.

I was expecting some kind of grungey bullshit, but this was really good. Much more polished, energetic and interesting than expected. Will listen again. 4 stars.

Pretty chill

I was surprised at how much I enjoyed this. Know very little about this band and this is not something I normally would have listened to.

A very late 90s sound of rock/punk with emerging Electronica. I'll go a 3.8 on this one.

Me ha sorprendido gratamente, es bastante más contundente de lo que esperaba.

- First half had incredible vibes - Grungy but with lighter guitar - Gets weird (in a good way) towards the end

Really enjoyed this

Never really listened to them when they were new and it's nice to revisit. Very 90's/early 2000's. Sweet spot.

I've actually listened to the Dandys a bit before. Young me was huge into "Veronica Mars" and their excellent "We Used to Be Friends" served as the theme, causing me to dig into their "Welcome to The Monkey House". I never dug too far into their past catalogue, admittedly. This is definitely more of a drugged-out, stoner version of Blur and Oasis, capturing more of the feeling of being high on record than Oasis did. At times it lags, but it always manages to come back up: peaks and valleys, if you will. My bias seeps in a bit, but I enjoyed the drugged psych pop it was. Call it a 3.5. Favorite tracks: "Minnesoter", "Not If You Were The Last Junkie on Earth", "Cool as Kim Deal"