Konnichiwa is the fourth studio album by British rapper Skepta. The title is the greeting "hello" in the Japanese language. After numerous delays, it was released on 6 May 2016 by Boy Better Know. Konnichiwa features guest appearances from Jme, Boy Better Know, D Double E, Novelist, Wiley, Chip, Pharrell Williams, ASAP Nast and Young Lord. Konnichiwa was executively produced by Skepta himself, who produced all but three songs on the album. Pharrell also worked on production with Skepta on the album.
Konnichiwa was originally announced in early 2013, yet suffered from numerous delays and reworking. In November 2014, Skepta stated that Konnichiwa was to be released in March 2015, however this release date was delayed once again. In April 2016, Skepta restarted the album campaign by announcing the finalised release date. The album was launched with a party in Tokyo on 5 May 2016 arranged and broadcast globally by live streaming platform Boiler Room.
Konnichiwa peaked at number two on the UK Albums Chart. The album also charted in Australia, Belgium, Netherlands, Ireland, New Zealand, Sweden, Switzerland and the United States. It was supported by four singles, including the top 40 entries "That's Not Me", "Shutdown" and "Man". Konnichiwa is certified Gold by the British Phonographic Industry (BPI). The album received acclaim from critics as well, who praised its role and success in the resurgence of grime music and its cultural identity.
It was included in numerous end-of-year lists for best albums of 2016 by many publications, including NME, The Guardian and Apple Music, who named the album as the best of 2016. Konnichiwa also received numerous accolades, including the 2016 Mercury Prize, which beat the likes of David Bowie and Radiohead.
Constantly amused by American adhering so closely to their stereotypes in these reviews!
Absolutely deserves it's place on this list because:
1. It's fucking awesome
2. It's took grime to the next level commercially, creating space for the UK rap derivatives that are still dominating the UK charts to this day
3. The list is not an American list.
Grime is a fun genre and this is a good album.
As with most rap, I really don't need the skits. I get it, it's a fundamental part of the genre. But really, I cannot imagine a single person on the planet earth who is like "oh yeah I loved that skit off that rap album"
CUT EM OUT OF ALL RAP ALBUMS
Konnichiwa.
Well, alright, that's it. The final album. Maybe a more poetic end to the journey would have been a British psychedelic post-punk album from the 80s featuring cameos by Neil Young and Elvis Costello. But I guess some weird album I've never heard of, where the only review I can muster is the 500th new way of saying "Who fucking cares, 2/5", is the second best thing.
See you all in the next life. Thanks for all the great albums I've discovered through this list, all the hilarious and interesting reviews I've had the pleasure to read, the fun Reddit discussions, and thank you to everybody who liked my dumb drivel enough to give it a thumbs up - especially for all the love that "Kollaps" review got (still the lowest rated album though 😞).
I've now heard all of the 1001 Albums You Must Hear Before You Die, but the most important thing, the thing I'm most glad I got to hear before I died, was the story about the boys in Dresden getting head from a fat goth lady.
Who fucking cares, 2/5.
Sayonara.
I'm glad that's over. At first I thought, ok, I can get through this, it's not too horrible, but as it went on I started hating it more and more. I don't enjoy rap to begin with but something about British rap just makes me cringe. 2 stars for the effort.
Absolute trash that this album is on here and many American hip-hop/rap albums are missing. I don’t need to listen to it just because it’s British. Such a biased author. It’s disgusting how biased this list it towards British albums that are average at best.
At first, I was like, "Hey, that's different and interesting" and then I was like, "hmmm, these are all starting to sound the same" and then I was like, "Skits? Really? I thought we were past this as a genre."
Overall, it was exactly alright. The good balances the bad and averages out to a "meh" 3-star score.
I really don't understand why this is on the list, it adds nothing that wouldn't be added by any other mid-10s trap album. The songs are average at best and downright cringey at worst. I don't usually agree that albums get added to the book purely because they're British, but I can't really disagree in regards to this album.
I'm probably biased because I don't like the Roadman subculture which, to me, just seems to be British youths pretending to be what the American gangsta rappers of old actually were. "Trying to not get killed by police" bruh you live in London, not fucking LA.
Personally, I find this album to be phenomenal but I can understand why Americans might not find it as appealing. For me, this is one of (if not the) best grime albums of all time and absolutely warrants a spot on this list.
Konnichiwa
I know very little grime uk Hip Hop outside Dizzee Rascal and Stormzy, so I was interested to give this a listen. There are some great boom bap-ish beats and excellent dancey, synthy hooks, and I really like his delivery, where Britishisms and British cultural references abound. Fam.
Lyrically I’m not sure I’m totally on the right wavelength with all of it, but for all the confrontational stuff there’s a lot about family, fame, relationships with a degree of sadness, and some great wry little lines in things like the excellent That’s Not Me, Man and Text Me Back, and he has a great, sharp delivery.
Like a lot of hip hop albums, I don’t understand the point of the skits and spoken word bits, they’re hard to listen to and the disrupt the flow and feel of otherwise great tracks like Corn on the Curb and Crime Riddim’
Hook and beat wise, I love the string/synth riff on It Ain’t Safe and the gurgling squiggles on That’s Not Me. The bassy Numbers is great and there’s another great synth part on Man
I’ve listened to this a lot, I was happy to let it go round and round as it got better with each listen, so much so I think it just nudges into a 4
👋👋👋👋
Playlist submission: That’s Not Me
A very fun, even if slightly dated, timestamp of 2010’s culture that will have you vibing the whole runtime. I enjoyed the singles here, even if the in between stuff was somewhat forgettable.
I listened before bed and didn't really care for it. Too much bass. But I listened again (and on a different speaker system) and liked it more. Gonna try it the next time I drive somewhere
This is one I’ll have to sit in and give another listen later. I’m not super up on my Brit rap, it’s a different style, different rap scheme. I never cared for some of the other Brit rappers, but I do like this guy. The American rap influences are present with talks of gangs, bitches, drugs and arrogance. Themes I think are week and cliche, but Skepta makes up with a lot of this with nuanced skill and expertly crafted beats. I really liked Numbers. I think others would grow on me.
I'm rating it this low very begrudgingly. UK grime is so good, and this is such a poor representation of it. The highlights of this album are all songs that were originally released as one-off singles, and it shows.
I think Skeptas brother JME is far more talented and releases much more interesting music than Skepta. Dizzee Rascal too. It's a shame because this album is a real nostalgia trip for me, and I don't hate it, but it should have been an EP and better albums could have taken it's place
the skit with every other word punctuated with “fam” zeros in precisely to the year 2016. sounds like my classroom that year. especially Liam in 2nd period. i don’t know whether he said “fam” or “on god” more, but i overdosed on those words within a week
I'm a casual rap/hip hop fan at best and still just barely familiar with the grime genre. That said, I don't know enough about the genre to really assess if this is top of the top or not, but I did enjoy this album all the same.
Hab aktuell keine Motivation, gute Sachen hier zu schreiben. Fand es langweilig und eintönig. Britischer Rap klingt aber oftmals cool. Hat mich leider nicht abgeholt.
The beats? Flat. The lyrics? Repetitive. Skepta might think he’s spitting razor-sharp truths, but half the time it sounds like he’s just circling the same clichés: fame is hard, the streets are real, trust nobody. Congratulations—you’ve reinvented the wheel, only this one’s made of cardboard, you dick.
lol I can’t take rappers with a British accent seriously, sorry it just sounds wrong to my American ear
After all, we did invent the form so can you really blame me?
After that terrible album by The Streets I got recently, I dreaded seeing another British rap album on the list. Thankfully this proved to be a banger, with the only knock on it being skits that just felt like a waste of time. I can see myself going back to this one and checking out more from Skepta. 4.5 / 5
Oddly, I like a lot of Grime when I'm exposed to it and yet I never seem to seek it out. This was good. I really liked it. Flows were good. I could have used more production on the music side of things but that's a minor nitpick. I still really don't get the obsession with Japanese culture. It's rather cringe but doesn't get in the way enough to be a huge issue. Wu Tang had the same problem.
wagwan roadmen
my mum don't know your mum
stop telling man you're my cousin
act like a wasteman and only rate this ting 4 stars? that's not me
trusssss me daddy
Probably the most important album to the entire genre of grime next to Boy in Da Corner. Extremely biased review because I was 17 when this came out, where It Ain't Safe, Shutdown, and That's Not Me were a staple of every house party I went to for my late teens. If you didn't have the privilege of hearing songs from this album at house parties you went to, you either weren't cool enough, or didn't live in AU/UK. Suck shit.
I have no ills with this album, this is grime perfection. I'm not surprised this album is rated so poorly on this site. Though it's mostly yanks winging., there are some valid criticisms, but those criticisms reflect on the genre itself rather than this record. Grime isn't for everyone. That's was the whole point until Stormzy ruined it by selling out and making music with that greasy ginger cunt Ed Sheeran. Now it's a household name and the genre is ruined forever. Much like mainstream hip-hop in the US, Grime is no different nowadays. You absolutely fucked it, Stormzy.
Skepta's booming voice really stands out, but it's the production that really makes this album. The latter of the half has some of the filthiest production I'd ever heard on a hip-hop song. Man, Shutdown, and ESPECIALLY That's Not Me - one of the most sampled grime songs of all time. Which itself was a sample of another early grime song.
That's Not Me is probably the song that defines this album, and probably is the biggest grime song of all time up to that point. In fact, I think it still is the biggest & most impactful grime song of all time. If you can't tell, I enjoy the fuck out of that song, and considering the amount of artists that sample or rap over the beat, I dare say I'm not wrong.
Like I said, grime isn't for everyone - but if you like grime, you definitely recognise that this is probably one of the most important albums to come out of the genre, if not THE most.
I don't think any Grime artist has been able to replicate an album like this, nor will they. This defined what grime is at the time, and will always be remembered as so. Well deserved 5. It's a shame this is probably one of two grime albums on here, but I understand, it's not everyone's cup of marmalade or whatever the fuck it is they say. /end biased review.
I don't know anything about grime, as a white 53yr old never been my thing, but after listening to this and looking up the prison population stats and stop and search I get the anger. We live in a country that promote British values, and as a teacher I do this but these only really apply to white people. This is a well made album and dwarves 4 stars.
Don’t know anything about grime, and I always think UK rappers sound goofy at first, but this was a great listen. I loved the beats and the lyrics started to get me hooked towards the end.
I enjoy rap/hip-hop with at least some aggression and this strikes a good balance of being passionate and a bit angry without being just gangsta' rap. I enjoy the rhymes and some of them are reasonably intelligent. The beats are also nice and punchy. I also enjoy that the lyrics have a purpose, a meaning, other than just: fuck bitches, shoot snitches, get stacks, like some rap (that is sometimes enjoyable, but in a different way). It's not the biggest 5 I've given, but I would probably recommend this one to a friend if I knew they were into this kind of stuff
Standouts
Konnichiwa
It Ain't Safe
Man
Shutdown
That's Not Me
5/5
Wagwan fam, can't lie man was loving the first half of this album fam, but some of the talking parts were proper cringe blud you get me? Man took a star off for it fam, but then Shutdown and That's Not Me came on and man couldn't not give 5 stars fam, see what I'm saying fam? Big man ting.
шаг в перед. нью-йорк, я работаю в закусочной, но танцую в команде, мы мечтали, хожу в джинсовых шортах, гавайской рубашке и катаюсь на скейте и у меня всегда проводные наушники. и мне хорошо.
Gosh this is so good. I just love the way that UK hip-hop went from being the most cringeworthy thing in the world to stuff like this, which is so raw and feisty and just such an insight into that world and culture. "Shutdown" is amazing. Scary that this is getting on for 10 years old now! I am so old.
This album was awesome. I didn't know about grime, grateful to have the chance to learn about it. Really catchy hip hop, with the songs focused largely on social commentary and internal reflections. That's spot on my taste for hip hop. 4.5 I'd say, rounded up this time.
I liked it, i guess it was included partly because of its importance in taking grime beyond the UK (the pharrell appearance, some of the skits referenced this too). Didn't feel like it overstayed its welcome, had variety in style. Shutdown and thats not me were the obvious tracks heard before. The pharell track felt like one of the weaker ones.
Imagine how good this would’ve been if it wasn’t Bri*ish.
In all seriousness, the front and back end songs didn’t really fit with the meat of the sandwich, and the skits were 10000x more annoying than American ones due to the slang.
The core of this album was pleasantly surprising, and I could see myself returning to those fairly often.
There were moments I was really with it and moments I wasn’t. The skits are ridiculous and really pull you out. Huge influence for the UK rap scene. Enough good to give it a 4.
Don’t listen to as much rap these days as my younger years. Wasn’t particularly enthused about this one going in, hence my Northern Boys comparison. But I liked this quite a bit.
every song is amazing, the spoken word interludes are hilarious (unintentionally so but still), 4.5
Fav song: That's Not Me or Shutdown or Text Me Back or Lyrics or
This was pretty fun. Had to look up the genre of hip hop - grime - not something I'd say I'm particularly drawn to, but spinning this several times didn't get old. It's hard not to take off a star for him being a Sp*rs fan, but I've gotta let the music speak for itself.
This was good - I would 100% go off to this in the ‘Sup in the festival environment but as a work day listen it probably didn’t hit as hard as I hoped it would. Probably not something I would actively listen to but still a super fun time.
Skepta taas aika ylläri tällä listalla. Vaikka grimestä tykkäänkin niin tää levy ei kuullostanut niin ihmeelliseltä. Toisaalta sit tuli Shutdown mikä on yks parhaita grime kappaleita. En nyt pelkästään sen takia haluais antaa 4 tähteä, mutta kyllä levy paranikin loppua päin. Ehkä tää on se 4 tähteä. Ei paras, mutta koska tykkään genrestä niin keskivertoa parempi. Parhaat: Shutdown, Text Me Back, That's Not Me
This definitely was not a genre I typically listen to, but I really found myself enjoying the grooves and the rapping on this. The talking tracks were too long and not interesting in the slightest, so I could've done without them, but I really enjoyed the beats, the rapping, the production quality and the sound of the record. I listened to it twice. Four stars.
A great time that I would absolutely revisit. Confident and jagged. Shoved me around in a good way. Skepta is one hell of a performer.
I thought the Pharrell feature was corny at first and ended up kind of charmed by it.
Glad to see UK grime represented on the list.