Enjoying the chilled nature of the album so far. Wasn't a fan of the opening track but interesting harmonies and compositions. A soothing vibe to a lot of the tracks and I've been drawn in for the most part.

I can hear heavy pop elements mixed with some punk influences. The simplicity of a lot of the guitar work (not in a negative way) reminds me of punk. The bass work is great and that stood out to me. There are a few interesting riffs and even a time signature shift in "This Town". Upbeat pop/punk elements all through. At times I felt the album didn't switch things up too much but was a relatively enjoyable listen.

An interesting band albeit not my usual type of thing. I enjoyed quite a few songs here (Sprawl I and II, Half Light I and II, Suburban War to name some) but some just didn't quite hit the mark for me. They're a talented group (having seen them live I can confirm) but not always up my street.

Love the energy on this album. I know very little about this band aside from the obvious songs, but all members seem to stand out. Great guitar work, but the bass and drums are so on point driving each track.

For me this was an album of 2 parts, some tracks I thought were brilliant and some not so good. The middle section of the album had a great run of songs - Brainwashed, Australia, Shangri-La. Musically these are really interesting and I loved the energy they put forward in almost chaotic fashion. It was a stark stylistic contrast to some other songs like Yes Sir, No Sir and Some Mother's Son. Great performances and musicianship from all members.

I wouldn't say I'm a huge blues fan but I love it when it's done well, and there aren't many better than BB King. Just through listening to this live album (60 years after it happened) it's like a time capsule. I can picture BB and his band in an intimate venue (sounds intimate to me) just effortlessly hitting everything on point. BB's voice is incredible and when he wants to shout man is it effective, and LOUD. He has a natural charisma and is just a born entertainer. How Blue Can You Get, Worry Worry, You Upset Me Baby are highlights for me.

Admittedly I've never been much of a Coldplay fan, but went into the album with an open mind. There were a few okay tracks here, Shiver has some interesting parts (Guitar/drums) and I found Spies and Trouble more listenable. Personally I just can't quite get into Chris Martin's vocals, I generally can enjoy higher pitches but the falsetto just doesn't hit home for me and it is used a LOT. I couldn't vibe with the moody feeling that seemed to run through every song. They're obviously good musicians/songwriters, there's just something missing for me.

I'm pretty open minded when it comes to music, but this was virtually unlistenable. There was no discernable melody throughout the entire album, just...noises. Sounded like a Hitler rally over heavy, repetitive drum banging and random sounds (drills, metal clangs). Not one track actually sounded like a song in any sense. I had Coldplay yesterday (who I'm not a fan of) and I'd take a thousand Coldplay over this. If I could rate 0 stars I would.

I had a feeling this one would be good and it didn't disappoint. Peak musicianship all round with a clear message being sent, which feels very important and relevant for the time, and somehow still feels relevant today. The title track is great, and I loved the guitar and bass throughout. Pleasantly surprised by the extended instrumental of Sex Machine - that was a whole vibe.

Well this album has blown me away. For context I'm age 32 and do love a lot of older music. The musicianship is simply outstanding. The dynamics of so many of the tracks here, never quite knowing where it's going to go. And goes without saying Janis Joplin shines here. I'll admit I hadn't heard much of Joplin (or hadn't heard of this group) but everything here is up my street. The drums are thunderous and keep a ridiculous pace, the bass is solid and shines in its own right with freedom and creativity. The guitars speak for themselves, wailing solos mixed with pure emotion. "Summertime" is haunting and stunning at the same time.

Perhaps it's just not the genre for me, but I found this repetitive to the point of insanity. I can see the appeal from a clubbing standpoint, but otherwise it just grated on me. Rockefeller Skank and Praise You I was familiar with, but felt a lot of the songs were just too long with not enough to keep it interesting.