1001 Albums Summary

We all thought Madonna was ancient when this came out, but she was younger than I am now. I liked this album in 1998. It was a cool departure from her earlier work and I enjoyed the nods to trip hop and other electronic genres that I hadn't been too familiar with. This was my first listen since around that time and I found the record to be really interesting musically, even though Madonna's vocals seem a little distant and disaffected. The album has a lot of strong songs, but could use a little bit of editing. I'd give 3.5 if they'd let me, but closer to a 3.

Not a big TVotR fan, but I did find many of the arrangements on here to be very interesting. Some of these songs are quite good, but also a handful of clunkers.

More of a Bryter Layter guy myself, but all three of Nick Drake's records are great.

Yeah I love The Specials, this is fucking great.

I admit some of this is fine for a passive listen, and it's easy music to plug into a movie soundtrack or whatever. But for real, this shit sucked 25 years ago and it sucks now. The worst songs are the ones where Moby does "vocals."

I like Nick Cave just fine, but this isn't among his best. Enjoyed listening to it, though. "Let the Bells Ring" is really a standout.

Four stars for "Waiting in Vain" alone.

It's great. Gotta save the five stars for the Cure records to come, though.

Knew some of this music going in but was kind of mid on it. Got completely turned around. These reinterpretations take the songs (many of which are very good) to a whole other level. Absolutely fantastic Sunday morning music. (Have no idea why the book double-dips these two records; five stars is for the first one, which I think is a lot stronger and is the one most people think of when they think of this project)

Had never heard of them apart from "Teenage Kicks," which isn't on this record. It's fine. Kind of grew on me the more I listened, but still found myself wishing I was listening to The Buzzcocks or something instead. The "Under the Boardwalk" cover is truly terribly, though.

The highs are really high here, obviously. It's fun and innovative, and there are cool sonic experiments. But there's also some kind of run-of-the-mill prog rock on this record that can be a little too much. On balance, a very good, not great album.

I thought Muse sucked shit going into this listen, and I came away still thinking that.

The only great Coldplay album. Probably the only good Coldplay album, too.

Want One is so good! So why doesn't this one work for me at all?

It's the fucking Rolling Stones, of course it's great. "Out of Time" and "I Am Waiting" are some of Mick and Keith's best songs.

This was great. I had no knowledge of anything Clark did outside of the Byrds, but this is right there with anything Crosby, McGuinn, or even Gram Parsons ever did. Loved it. Also, fuckin' great harmonica on this record.

Not for me. I know Jeff Beck is this guitar god but there's only one good riff on the whole album (that riff drags this up from one star to two).

Every pre-1985 Heads record is at least a 4. This one came out in 1978.

Is The Soft Bulletin on this list? Because that one's a five.

I recognize this is kinda good and represents something of a movement within indie rock of the time period, but it's just not for me. The songs the main guy sings are better written, but I like the other guy's voice better.

Obviously Spector's a huge piece of shit and the world would be better off if he never existed. But also this is exactly what Christmas is supposed to sound like, so what can you do.

Nile Rodgers and Bernard Edwards can write the hell out of a groove. "Lost in Music" is a certified banger and I want to listen to it every day.

Loved this when I was 14, then hated it for years, listened today and I think it's fine. Surprisingly well played, except for the drummer's extremely 90s habit of switching to the ride to "change things up" on every chorus.

Very pleasant listen. Nothing earth shattering here, but a cool record.