Beastie Boys always makes me feel like I’m I a good cocktail bar circa 2016 and although it’s from 1994, those were really the days you know? Getting a martini for the first time and choking it down for the olive alone, I feel like that’s what the Beastie Boys are all about. It’s a fun time, it’ll make you wiggle and also, if you want, have a little headbang at your desk. Why not? Life is short and mundane. I like this album. 7/10
Those “Mexican maidens” are certainly doing…something to ol’ Marty Robbins and I’m starting to think the “big iron” he’s singing about is the one in his pants. It’s fun listening to crooning stories of a vague New Mexico or whatever he’s imagining of actual Mexico (old Mexico, if you will) but this does nothing for me. Pleasant, if boring, background music.
I don’t get the glick with Lorde. It feels very generic to me and just makes me think of that meme where she shushing everyone to sing out of tune but in pindrop silence. She seems great and I love the new song “what was that” (which isn’t on this album), not because it’s a good song, but it is a great vocal stim. This album doesn’t even have that :/
What a good time!! Doing the running man dance in my livingroom room rn, is that shuffle dance??? That was a fun time and I enjoyed it, lots of energy! 2 people doing synchronous twirly dances kinda vibe and I like that.
Finally some good fuckin songs!!!!! I forgot how much I liked this album and it's full of funky little 90s indie tunes. How nostalgic can you even get??? I DON'T LOVE ANYONE...WELL MAYBE MY SISTER. like yeah, that's exactly how you feel as a teen, like 100% spot on. Other than pure nostalgia, it's also just a decently interesting album with fun synthy twinkles and distortion... also lovely Scottish spoken word overlays - I think I skipped those bits as a teen but now I'm like.. nice one, SPEAK, GIRL. 10/10 (/4*s lol)
This album feels like the sound of the 90s in a really true way. Genuinely hits so hard, the beats are so strong and it feels like Lauren Hill at her prime and it’s just such a confident. Killing me softly! That’s the anthem of the 90s! It just is.
This is a classic and we all know it and love it. It feels very classic 60s, romantic and melancholy but reminds me most of journeys in the car with my parents. Big hauntology vibes on this on this one for me, casts a feeling of the 60s that I’ll never know.
I’m gonna be honest, this album wasn’t for me. We watched spinal tap before and it was similar enough to that but I think I would have preferred to listen to spinal tap.
I didn't get into Cocteau Twins until a bit later in life because honestly I think I just didn't quite get it, maybe my whimsy wasn't fully formed yet, my frontal-whimsy-lobe if you will. Post 25, brain nice and formed, I'm loving that shit. I don't need actual language to have a good time, go on girl, say whatever feels good. I love this album, it feels like a dream in a good way, a tiny bit Lynch (what the hell u sayin vibes), but mostly that nice warm feeling of a dream.
What do The Rolling Stones and Pink have in common? The both have a song called “Stupid Girl(s)” and they’re both atrocious. The album edged me with a riff that almost sounded like Satisfaction, but it wasn’t Satisfaction, it was some other shitty song. Bad music! Bad music!!
I liked this album, it's quintessentially 90s in a way I love, how could I not? It's chill, it's cheeky, it's fun, it's earnest and it's stylish too you know.
This could easily end up on my Spotify wrapped because it would have autoplayed in my “Aphex Twin Mix” that I have on in the background to work. This music does nothing for me really, I find some of the samples a bit cringe but it’s inoffensive (unless there are offensive bits in there, in which case it didn’t grab my attention above my locking in to data entry enough to notice). Nil pois! (2 stars)
This is solidly grandpa-core. Not necessarily my grandpa, though probably. It's smooth, classic, croony kinda soft swingy jazz. It's the exact kind of 1960s music that makes me think of blurry black and white pictures of my dad as a baby, and the stale smell of toast that permeated my grandpa's bungalow. By no means bad! Good, in fact! That kinda music that feels like it has always existed -vaguely- in the past. It's old-timey music if you will. It might have huge cultural significance, but I am simply too young to know it and I will not -nor should I- apologise for youth.
I assumed going in that this was one of those safe 3/5 albums that I knew because everyone knows and it’s a stone cold classic. But it’s not! I actually don’t like this album at all. The hits are fine, the rest is jarring and lyrics make me feel a bit ill. There is nothing exciting about this album.
Is it David Bowie? Is it T-Rex? Not quite! It’s Mott The Hoople! It’s an autoplay on your 70s mix you don’t skip because you’re locked in to your work and, you know, it’s inoffensive. I would never choose to listen to this album. Also the name of the band makes me think of those early Saturday morning alien puppet shows where they came to earth to learn about stuffs and those were good so bonus points there. They were called the Havakazoo - now there’s an album I want to hear.
All the songs sound the same. This is boring. I don’t have anything to say. Apparently the only song that stands out is the one that is parodyed in the Simpsons, but I had to be reminded.
Voice like honey, mad lines about a flea scratching your back - what an absolute balm to the batshit 2026 world we live in. This is the 1960s music I want to listen to; it sounds great, it's got good danceable beats and smooth vibes, it's got some man giggling about your dead husband (?). This is a great album, one I would not have come across otherwise (call me uncultured) - but one I am glad to have listened to now.
This album was a bit repetitive ://// idk if this is for me I’m sorry! I know he’s a big dawg of folk!!!
I really liked this one, it’s smooth and dreamy and 90s in a really fun way. Perfect music for eating a takeaway slightly tipsy!
I may be biased as this one of my all-time favourite albums ever (and let's face it, it's everyone else's too), but this really is one of the best albums ever made - an album to listen to before you die, perhaps?????? Kate Bush has a unique ability to take you through literary and Celtic myth, combined with her own fictions too, all to the tune of stone cold bangers. I'm Irish-jigging over here, I literally can't stop myself!!! Seriously, this hardcore, boundary pushing shit; a truly transformative piece of media. This is the canon of music!!!! This probably should be the only thing in the canon maybe?? Who can say??
We're two paragraphing it for our queen and saviour Ms Bush:
I had been indoctrinated to the church of Bush from a young age having a mother who was a dedicated follower, but this album was a real leap into a new realm from her girlish genius on The Kick Inside (the album I was personally raised on). The first time I listened to this album properly with adult ears, I was completely taken aback by the ambitious production that felt really fresh and contemporary to electronic musicians of the 90s and 00s that I was listening to at the time. There is something magical about this album that is more than just the rapid genre chopping, the breathless extremity of Waking the Witch awash with samples and backwards/forwards cutting, and the fact she embodies a ghost on Watching You Without Me (imagine the satanic-icity of her- as a ghost- saying "don't ignore me" backwards) - all of these things are great, but the album as one, complete artistic piece remains something much more than the sum of its parts.
This isn't my favourite Radiohead album and I hadn't listened to it in full before, but it is bloody great, isn't it? Radiohead have always been, and will always be, catnip to alternative music lovers whether we like it or not. Ol' Thom might be a problematic fave, contemporary-dancing his way into some centrist-at-best opinions, by my oh my does he steam a good electronic music ham. Cudos Thom! Cudos!
I hadn't listened to this album before, but it is the exact type of dreamy, softly psychedelic, indie music nostalgia that I would have lapped up as a teen when I was big into The Shins, Grizzly Bear and the like. It's very that, and I mean that as a compliment. It's sunny day music without feeling too bland, and ultimately it is music from the before times that I do not feel could be made now. We can't feel that laid back about anything anymore, but I am glad in 2002, even in a post 9/11 world, we kinda could.
This is a fun album, the lyrics are fun and I enjoy the anti-establishment sentiment a lot. I'm not going to sit here and lie to your face, this kind of music just isn't for me. It's enjoyable background music, a nice bit of 60s rock and honestly, I'm not a total philistine, like I do find it pleasant, it just doesn't grab me.
Not my favourite Massive Attack album. Other than the main hit, I just felt it was a little repetitive and lacked the punch that I associate with them. But you know, they’re a solid band and it isn’t a bad album per se! Just not full of bangers /in my opinion/.
2 seconds in and I’m already chillin. It’s the smoothest of vibes, rid of all that smog angst, he’s reflecting now and it’s wonderful. The sun is shining, there’s a glint of memories from the darker before-times in his eyes, but he’s shrugged them off for now. Isn’t nature great? Isn’t being maybe a cowboy or something great? Masculine, but not in a bad way!!! And that’s important.
I love the album artwork for this, it gives a sense of passion that is obvs present in music but in a totally different way. And it really is an album about passion, the smoothest of listening experiences. Other than that, I’m not sure what I, a millennial white woman, can really add?
I found this album to be bad! All the songs sounded the same and they all sounded bad to me. I am no stranger to grunge, I enjoy grunge, some of my best friends are grunge! But this on ain’t it, sis. Sue me!!
Billie could sing the dictionary and it would sound beautiful. I just feel sad that all the songs towards the end of her life were about heartbreak. Maybe all her songs were about heartbreak the whole time?? Listening to this will give your day a softly sad romantic edge. This kind of music isn't how I personally take my melancholy, but I can appreciate the beauty of it.
I knew TT was a legend for a reason, but sometimes you don't take the time to stop and smell the hairspray; today I did, and what a glorious scent it is! Turner originated this quintessentially 80s sound, the gee-tars, the synth, the funk and obviously, she does it the best. I wouldn't say this is a genre I usually gravitate to, but there is such a sensuality and genuine-ness to this album that Tina has seduced - nay - private danced (!) me into a true fan. Too late, don't try and stop me, my hair is already teased nice and up! There's heart, there's heartbreak, there's danceability. WHO NEEDS A HEART WHEN A HEART CAN BROKEN (sashays sadly). Exactly.
The year is 2004 and, in my world, Bratz dolls are huge and so are Primark velour tracksuits with diamanté detailed pockets. My dad introduces me to a band he's heard on Radio 1 called "The Killers" and I think they're crap because their outfits do not match my Bratz dolls and boys are stinky. Fast-forward 5 more years and boys are no longer stinky, especially not Mormon, eyelinered ones with intriguing songs about sex, drugs and murder, not to mention this being the time of another Mormon classic I would also madly, deeply, irrevocably in love with. Now, I'm wearing my vampire-teeth necklace with a drop of blood, I'm spending all my money on Topshop skinny jeans, I'm spending weekends at a Hyde Park Tumblr meet-up and I am most definitely listening to The Killers!!! Teen me fucking loved this album, I thought it was genius, I thought it was art quite frankly.
Listening to it now in full as an adult, perhaps it is an album of mostly clangers, perhaps the good songs are mostly about the murder of a women and I don't particularly think that is a good subject for an album written by men. But I don't know, they didn't end up being wronguns like so many indie men of the time, so maybe it's okay? The good songs are good! It's a time capsule, and I think some of the tunes do hold up in a fun, dancey, indie time. We liked it! I think there is a tenderness to some of the songs, I think the potential for them to move on to better things (and then move on to ballads only I guess) was right there and genuinely songs like Believe Me Natalie hold up for me. I will concede that the classic / overplayed ones are not great and there is some serious clumsiness with lyrics (or maybe all the lyrics low-key). But what you gonna do?
