1001 Albums Summary

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User Albums Journey

Exploring beyond the book, one album at a time

161
Albums Rated
3.12
Average Rating

Rating Distribution

Rating Timeline

Taste Profile

2020s
Favorite Decade
Hip-hop
Favorite Genre
other
Top Origin
Wordsmith
Rater Style ?
11
5-Star Albums
7
1-Star Albums

Breakdown

By Genre

By Decade

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Albums

You Love More Than Most

AlbumYouGlobalDiff
Leak 04-13 (Bait Ones)
Jai Paul
5 2.73 +2.27
Piñata
Freddie Gibbs
5 2.88 +2.12
22, A Million
Bon Iver
5 2.96 +2.04
After Hours
The Weeknd
5 2.98 +2.02
Continuum
John Mayer
5 3.1 +1.9
Because the Internet
Childish Gambino
5 3.21 +1.79
Go Farther In Lightness
Gang of Youths
5 3.29 +1.71
Contra
Vampire Weekend
5 3.3 +1.7
Madvillainy
Madvillain
5 3.41 +1.59
Carrie & Lowell
Sufjan Stevens
5 3.51 +1.49

You Love Less Than Most

AlbumYouGlobalDiff
Hammersmith Odeon, London '75
Bruce Springsteen
1 3.11 -2.11
Blue Is The Colour
The Beautiful South
1 2.9 -1.9
Stage Four
Touché Amoré
1 2.87 -1.87
Goat
The Jesus Lizard
1 2.77 -1.77
Gemstones
Adam Green
1 2.56 -1.56
Pony Express Record
Shudder To Think
1 2.51 -1.51
A Live One
Phish
1 2.49 -1.49
Version 2.0
Garbage
2 3.42 -1.42
Under The Pink
Tori Amos
2 3.31 -1.31
Wild Planet
The B-52's
2 3.29 -1.29

5-Star Albums (11)

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Popular Reviews

5/5
International retrofuturism. That's the Ruff Criminal 10 second review. But I owe everyone here a greater explanation, as this is my pick for the list. 2013 was an incredibly formative year for me when it comes to music: I just mentioned this in my review of Because the Internet, but that was the year when I first listened to Frank Ocean's channel ORANGE, then started tuning into Pitchfork's reviews and lists and began expanding my musical palate. It's also when Yeezus dropped and melted my brain, Chance the Rapper's Acid Rap was another world-changer for me, but then there's this album. Maybe the most special to me. I'm not sure what tuned me into this guy initially, but I think I found him slightly before my Pitchfork awakening. His song BTSTU (the final track on here) was sampled by Drake on a song called "Dreams Money Can Buy." I was a big fan of Drake pre-2013, and say what you will about that guy, but he had an ear for talent. That was my likely exposure point to Jai Paul, and he only had two tracks officially released: BTSTU and Jasmine, both incredible and unusual R&B tracks. Anyway, not long after I had become a fan of Jai Paul, word spread that he had dropped his album....or so we thought. By the time I went to listen to the album, it had been revealed that, despite being available for sale on Bandcamp, it wasn't an official release. The album had been stolen and leaked. Even Paul's own label thought it was him being cheeky and mysterious. But it wasn't, and he recoiled into obscurity, never to be heard from again....or so we thought. More on that later. I, being a new fan obsessed with his unique sound, had already been scrounging the internet looking for demos and stuff that he had posted on his myspace in the past. I found a download of the "album." I can't remember where I was when I first listened, but it was akin to being struck by lightning. This guy responsible for Jasmine and BTSTU had more in the chamber. Like so many great albums, this one's self-produced, and his production is unbelievable. Even in its fragmented, unfinished state, you could hear how powerful he is. Sonic tags akin to J. Dilla, sounding like the engine of a spaceship backfiring. Bass and guitar almost literally drowned in filters to the point that it sounds like the music's coming from underwater (listen to "Vibin" and "All Night"). Percussion and 808s blended in these polyrhythmic songs that seemingly import traditional Indian sounds to the pop charts in the year 2099. Who on earth could make, let alone even dream up, something like "Str8 Outta Mumbai"?? Throughout the album, synths and vocal elements drop in and out of the mix like it's all a game. Meanwhile, atop all that cyberpunk chaos is a guy faintly crooning like he's D'Angelo or Prince or something. Like everything's totally normal. I fell in love with this immediately, listened ceaselessly for years and years. Mind you, it was never official, so I was relying on sketchy downloads and fan-made music videos--a "Jasmine" music video set to scenes from Apocalypse Now, a black and white video of Robert Pattinson from some nameless movie was the music video for "All Night" (both of those are still on youtube by the way). The world fell in love with it too: it shook the world of underground music nerds, made year-end lists for major critics (even though it wasn't even a real album!), and you can check wikipedia to see the kind of musicians inspired by this. Could he have become a household name with the proper backing and release and all that stuff? I guess we'll never know. Nothing else really came from Jai Paul until 2019, when he released two new songs and decided to finally *officially* "release" this "album" - same track sequencing, very minor changes to the songs (though it lost a few Harry Potter samples, as well as the beautiful vocal intro to "All Night" - "The water's absolutely perfect....I've missed Ghana" - hilariously from an old Tomb Raider game). He didn't finish it, he just left it, finally handed it to us as is. Seemingly a resignation to the fact that it had become a part of his fan's and the music world's DNA for six years. It's a shame how that leak happened, and the toll it took on him seems to be immeasurable. Someone robbed this man of a trajectory that I can only imagine. But even with nothing else, he made this. It's like Charles Laughton directing only one movie, and it's "Night of the Hunter" - a cinematic language all his own. The same is true here: there's nothing like this album, even in patchwork artifact form. It's disjointed, splintered, obviously unfinished, and a bit all over the place. But that's part of the charm. It's like the Rosetta Stone, it's broken and not even the full story, but it's monumental nonetheless. There's perfection in imperfection. It makes it real, and human. There's some lyrics on channel ORANGE, on "Monks": "We're lost in a jungle underneath these clouds, there's a monsoon that never ends. A coke-white tiger woke us from our slumber, to guide and protect us 'til the end." Jai Paul is, for me, the coke-white tiger. And he and Frank both awoke me from my slumber that year. Whether you love this album like me or not, I do think it's truly worthy of listening before you die, because I've yet to find anything else like it. If I can put just one person on, make just one person get struck by lightning in the way I was, this pick will have been a success. Thank you all for listening. Final note: the song "Jasmine" is and has been my most played song on iTunes since 2012. It was also included in GTAV on the radio station Radio Mirror Park. That game came out in late 2013, and for the last 11 years that I've been playing that game (we're talking more than a thousand hours), no matter what I'm doing, if "Jasmine" is on the radio, I'm cruising. Favorite tracks (unranked): Str8 Outta Mumbai, Zion Wolf Theme, Genevieve, Raw Beat, Crush, Jasmine, 100,000, Desert River (I knew this song as "Eagle" on the old leak), All Night, BTSTU. Album art: Pure chaos. Elements from previous covers, like the bald man on the right side with his face blurred (he was from the BTSTU single cover on youtube). A collage of animals, space, technology, culture. Jai with the footy jersey, face painted, bizarre futuristic haircut. Behind him in the fez is his brother AK Paul (also a musician and producer, also awesome, together they formed the Paul Institute and they are much better Paul Brothers than the ones America has to offer). I will love this forever. For me, it's iconic. 5/5
10 likes
Anaïs Mitchell
4/5
Love this one, kudos to whoever chose this one! Sometimes I feel like I'm the only person who's ever heard of Anais Mitchell. I found her through her Tiny Desk performance many years ago and became obsessed. Seriously, an incredible singer and songwriter, and the fact that she made this stage play (by now, it's become a Broadway thing and won Tonys!) is really impressive. Justin Vernon and Ani DiFranco on this thing is also awesome. "Why We Build the Wall" is still one of the greatest songs ever, ever. I could write an essay about that one, but will save my breath today. Anyway, fantastic album. 4.5/5
9 likes
Bon Iver
5/5
THANK YOU. To whoever picked this: I owe you my gratitude, as you made it possible for me to pick something else. Truly, this was a front-runner for me as a user submission, but as someone else beat me to it, I got to add Jai Paul’s album. I actually like this more than the one I picked, how often will people say that? Anyway, I’ve described this as the most perfect album that I’ll never understand, or “inscrutable brilliance.” A lot of Bon Iver’s work is a bit cryptic, but this is the first where he dove headfirst into the void, singing back to us through a lexicon that’s barely recognizable. But the emotions are real, palpable, and they transcend language and description. This might as well be in another language, and it would hit the same. I can’t get enough of the maximalism—remember, this is the same guy who holed up in a cabin for months to create For Emma Forever Ago, an album borne of basically nothing but pain and a guitar. Here, we’ve got all manner of instruments, vocoders, autotune, you name it. I adore it, I listen to it all the time when I feel the need to feel something, hell I’ve even got a supercut of all the music videos saved on my RG35XXSP (handheld gaming device) and I’m playing those while I listen right now. Enlightening experience, doesn’t necessarily explain anything but doesn’t need to. Just light and color and imagery to enhance the experience. God, I love this album. My favorite album from one of my favorite artists/groups ever. Probably on my short list for favorite albums ever, possibly top 10-20 or something. Fight me. Favorite tracks: Not a second on here I don’t love. 8 (circle), Creeks, death breast, 29 strafford apts all in my DNA. Album art: Classic for me, maybe not iconic yet but I love it. As inscrutable as the music, all glyphs and sketches and symbols and nothing makes sense. Does it need to? 5/5
7 likes
Gang of Youths
5/5
Adore this album, yet another that I would've strongly considered choosing as my pick. I found this album one day just looking through new releases on Apple Music, the cover intrigued me. Never heard of the band, but I downloaded it and listened on a flight. Pretty sure it altered my brain chemistry, I was blown away. There are hints of the National in their sound, but it also reminds me of Japandroids, a great cathartic rock band unafraid to lean all the way into sincerity and, for lack of a less pretentious term, "joie de vivre." This album is maximal, it's long, there's grand string arrangements and interludes, but the emotion is so powerful and if you submit yourself to it, it'll rock you to your core. Relatively unknown Australian band (at least at the time I discovered this) blowing the roof off. One of my favorites of 2017, and of the last decade. Favorite tracks: One of those instances where my list is most of the tracklist, but "Persevere" is probably my number one, followed closely by ""The Deepest Sighs, the Frankest Shadows," "Keep Me in the Open," "Let Me Down Easy," "The Heart is a Muscle," and "What Can I Do If the Fire Goes Out." Album art: Really not much to it, a black and white photo of a woman sitting on a bed. She's got a distant look in her eye that intrigues me. Bold font framing with the title is probably what caught my eye years ago. Big fan of this one. 5/5
6 likes
Rachel Stevens
2/5
Huh. I mean, I get why someone would like this, but I'm fascinated that it would be given "must listen before you die" treatment. British popstar, I've never heard of her, and it's not necessarily bad, it's just mostly flat and plain pop. "Dumb Dumb" was actually really cool, that honestly saved this from 1-star territory for me, but other than that I'm mostly left scratching my head. That whole meme of "imagine carrying a child in your womb for 9 months to name him Hubert" or whatever, except imagine listening to 1100 albums over a span of years and getting a chance to pick one for everyone else to hear and you pick this one. On my hater shit today. Favorite tracks: Dumb Dumb, I Will Be There. Album art: Just a shot of this woman's face, about as generic as the music if you ask me. 2/5
4 likes

1-Star Albums (7)

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Wordsmith

Reviews written for 93% of albums. Average review length: 461 characters.