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From the book 1001 Albums You Must Hear Before You Die.

L'Heptade

Harmonium

1976

L'Heptade
Album Summary

This album has been submitted by a user and is not included in any edition of the book.

L'heptade is the third and final album from Harmonium, in which the band made a serious foray into progressive rock. It was released as a double-LP in 1976. It remains one of the best-known popular music double albums in Quebec. L'heptade is composed of seven core songs, in order: Comme un fou (Like a mad man), Chanson noire (Black song), Le premier ciel (The first heaven), L'exil (The exile), Le corridor (The hallway), Lumières de vie (Lights of life), and Comme un sage (Like a wise man). These seven songs were mainly written by band founders Serge Fiori and Michel Normandeau. The title, heptade, is the compound of two Greek affixes, hept- (seven) and -ade, which expresses both the notion of group (décade, pléiade) and epic movement (as in Iliad). Fiori mentioned, at the beginning of the live album of L'heptade, that the album, framed in seven songs, was evoking the journey of a man in one day through seven levels of consciousness; a rapid sigh of a man waking up, followed by steps on a cracked wooden floor can be heard in the prologue, the first musical movement preceding the first core song. A man preparing to sleep can be heard in the finale of the album. Each of the seven core songs includes from two to six different melodies, often with lengthy solos. At the 2017 Polaris Music Prize, the album won the public vote for the Heritage Prize in the 1976-1985 category.

Wikipedia

Rating

2.67

Votes

69

Genres

  • Rock

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Reviews

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Jan 14 2025
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5

I was able to pinpoint the time this came out after a track or two. Reminds me of stuff that Mike Oldfield was doing. Whenever it shifts genre, it does so really well, in a way that never feels jarring or out of place. I think the language barrier is a bit strong, kind of preventing me from fully grasping the story, but the music does a decent enough job getting me there. Call it a 4.5. Favorite tracks: "Le premier ciel", "Le corridor"

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Jan 12 2025
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4

The language barrier is always a challenge, if this really had a sense of narrative scope I think that probably impeding my grasping it. As it was it seemed a bit of a prog mishmash. Bump it a point for just sfong musicianship on all fronts.

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Jan 08 2025
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3

This is highly unique and original, I have to give it credit for that. At times it sounds like the soundtrack to a TV movie (I mean this in a good way). At other times it is very pop ballady-y. Almost like a lot of modern Chinese pop ballads. This is made all the more strange because they are singing in Quebecois French. I didn't love it. It's not exactly my thing, but I will always applaud being introduced to something new and unique.

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Jan 08 2025
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3

TOO SOFT. I HAD TO WRITE THIS REVIEW IN CAPS TO OFFSET THE SOFTNESS IN THE MUSIC AND UPSETTING RATIO OF GLIDES TO STOPS IN THE LANGUAGE. 3/5.

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Jan 07 2025
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4

Rating: 7/10 Best songs: Le premier ciel, Comme un sage

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Jan 13 2025
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3

Elegantly arranged with a rich sound and intriguing concept. I enjoyed Serge Fiori's vocals, which remind me a bit of John Martyn. Some of the stylistic shifts struck me as odd and the pace occasionally drags, but overall this was a really enjoyable listen. Thank you for sharing it. Fave Songs: Chanson noire, Le corridor, Le premier ciel, Comme un fou, L'exil

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Jan 13 2025
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3

Yea, this was like a mix of classical, prog and even a bit of motown.

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Jan 07 2025
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2

Appreciated the classical feel of this one given the original 1001 didn’t have too many symphonic LPs, but ultimately this one wore my patience a bit thin. There are some interesting ideas at play, and the scope of the longer, proggier tracks is impressive, but there wasn’t a consistent enough melodic presence to keep me 100% grounded throughout. Maybe I would feel more connected if I spoke French?

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Feb 06 2025
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4

Prog but French! You'd think it'd be an automatic 5/5 but sometimes it's comfortable sitting on an idea a touch too long.

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Jan 08 2025
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3

Not bad for a 1.5 hour album 4 3

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Jan 30 2025
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3

Prog Rock is a hit or miss for me. I did read the wiki: prog rock, french canadian, over 80 minutes and pretentious. Listening to it took most of the fears away. The album consists of very varied music, from ballads, folk, orchestral, chansons to rock fit in a prog format. With great theremin, horns and good vocals. Some songs are too long (Come un Sage) or unnecessary elevator music (le corridor, epilogue). All in all a pleasant surprise!

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Jan 08 2025
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2

Un album de rock progressif, avec des éléments classiques. En français. C'est bof. Rating: 2.5 Playlist track: L'exil Date listened: 07/01/25

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Jan 08 2025
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2

Made me a bit bored near the end

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Jan 10 2025
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2

Rock progresivo en francés. Rollo. Un 2.

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Jan 10 2025
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2

Progressive orchestral? Unique genre but ultimately a foreign language snooze fest and overly long. Not engaging at all.

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Jan 13 2025
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2

This sure was a bunch of very quiet 10-minute long French songs.

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Jan 24 2025
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2

as much as I enjoyed the stylistic element of this album it really made it difficult to love with the constant soft tone of inaudible singing and French lyricism that did not translate for me. It was well made and I’m sure if I understood some of it I would give it 3 stars but language gap brings it down yet again. 4.7/10

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Jan 13 2025
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1

This album feels old, it has aged badly because it doesn't even feel classic. Being in another language makes the challenge of getting to grips with it even more complicated because the vocalists sound very slow in their phrasing and the beats of the music don't help them much either. The result is that after a short time the album seems very heavy to listen to because of its length.

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