Souvlaki

I tried to get into slow dive shortly after mbv finally clicked for me. I didn’t love them, didn’t hate them but I definitely didn’t listen to this album because holy shit this was so good. Apparently I just have to stick with any given shoegaze artist for like 2 hours and I’ll end up loving it. It also helps that it perfectly fit the vibe of when I listened to it.

I'm surprised that Slowdive isn't even in the original list. This record, or their self titled, should be in there at least. Incredible record.

Fabulous shoegaze album by Slowdive. Majestic soundscapes with slow melodic changes provide a perfect sunday morning feeling.

If My Bloody Valentine were the progenitors of the fuzzed-out, aggressive style of shoegaze, then Slowdive are the founders of the ethereal, spectral branch that would go on to inform so many other bands and eventually create a whole new genre in Dream pop. Both bands deserve immense credit as the definitive innovators of modern shoegaze, but I’ve always felt Slowdive has lived in the shadow of MBV for no good reason. A true loss, then, that some will never hear a discography with the likes of ‘Souvlaki’ included. Much like the titular space station, this album positively orbits – the production space is filled to the brim with reverb, the guitar lines strong and defined but turning into whispers at a moment’s notice when you reach out to grab them. As opposed to fuzz-driven shoegaze, the shimmering clean tones here give room for prominent vocals and actual dynamic contrast rather than just screeching or screaming loud. Goswell’s vocals have always been the band’s secret weapon, her breathy falsetto at once offering a grounded, human element to the soundscape while fitting perfectly with the dreamy guitar. As a result, The tracks here offer an entire gamut of spaces and sounds while remaining distinctly within the world of the LP, the encompassing explosion of ‘40 Days’ fitting thematically alongside the solitary ‘Dagger’ in perfect contrast. There’s a reason this LP stands as one of the giants in shoegaze canon, and it remains as timeless and ghostlike 30 years on from its release date. If you ever have the chance to see this band (who is still touring and putting out albums, unlike some other aforementioned shoegaze titans here), do it. Spend the money and get the ticket. Even if you’re only casually interested, it is an experience of a lifetime to hear 125 dB+ of raw, beautiful sound cascading over and enveloping every sense you possess. It goes without saying here but this was an exceptional add and a much-needed correction to the original 1001 – an absolute crime this isn’t in any of the editions, especially given how UK-focused the whole selection is.

The only surprise is that this wasn't on the list already - it checks all the boxes! British × 1970 - 1999 × Influence on blur/radiohead × (both) Critically acclaimed (but poor sales) × Worthy, but a tiny bit dull × A solid four-star album, just missing the bit of magic that would elevate it to full marks ×

Listen close and don't be stoned

how did this not make the original 1k1 list?

Brilliant, loved it

Oh this was so lovely. Dark, dreamy and evocative. The use of distortion is properly restrained, making this much more pleasing on the ear than some shoegaze I've heard. Musically, the band also takes their time working through each idea, while resisting the urge to drag us through any extended stretches of sameness. I appreciate that immensely. Fave Songs: Alison, When the Sun Hits, Here She Comes, Sing, Machine Gun, Souvlaki Space Station

Never heard of them but really enjoyed it.

A fuzzy dreamy time. Typically not my genre at all, but I was very tired while listening to this and it fit my brain waves

Over the past year or two, I’d been hard at work in the Minecraft on a project my brother created. A gigantic area of land where we were meant to dig a huge hole all the way to the bottom. Naturally I was in my element as I would work my way down layer by layer but I’m not kidding when I tell you this was a gigantic hole. I didn’t do timings early, but once I got to deep slate it was taking about an hour per layer. I decided it was a great opportunity to listen to albums and towards the end of last year I saw the end in sight and ramped up production. For a week or two I was able to get our youngest brother to help me and he started requesting albums too. We’d play the same album so we were listening together. This was one of the first ones he picked and I hadn’t heard it before or been a big shoegaze fan. I ended up really enjoying it and so I’m very pleased it showed up here to give me a chance to listen again. Even cooler was I was able to listen with him. I still don’t think I’ve fully appreciated it and I look forward to continuing listens in the future. Just a smooth and relaxing album, like floating.

One of the best shoegaze albums Out there. How is this not on the orginal list?

Souvlaki is delicious

Not 1st listen The worst thing about hearing it that first time was being distracted by its placement on the RateYourMusic. I like it more than a lot of the 1990s section of the 1001, but #40? Of all time? 💿 Nothing could live up to that. Ah well- there are much more confusing-to-me placements on that chart than Souvlaki, and for what it’s worth, I think it’s a beautiful and well-put together album. HL: “Machine Gun”, “40 Days”, “Sing”, “When the Sun Hits”, “Dagger” May 13, 2025

I have to admit I've a certain weakness for Shoesgaze and even though this band isn't my favourite of the genre it's still eminently listenable in my book. I love the dreamy soundscapes and soaring guitars with the whitenoise backing.

Pretty good shoegaze. 3 stars.

Very dreamy and dark. Probably good in it's kind. But I tot somehow bored listening it in one go.

Nameless shoegaze. 3/5.

Amenable enough listen but whenever I listen to this genre I find it quickly fading into the background. Not a clue what they were singing about at any point.

Rating: 6/10

Peaceful shoegaze to help you disassociate from whatever is on your monitor this morning

Mellow. Mellow. Mellow. Marshmallow. It's soft. But not as soft as soft serve. Very Enya like. Difficult to listen to past a certain point.

The best example I've heard so far of this kind of music

On the better end of stuff I've heard from shoegaze: a genre I don't care for very much

I’ve really tried to get into this over the years but it’s never taken hold.

Very 90s

It's nice. But despite being a complete indie kid, all that shoegaze does get boring across a whole album.

A lovely bit of shoegaze to ease through the week.

I really liked Souvlaki, it's got this ethereal quality to it and even though it's sort of defined as shoegaze, which I don't like much of, it doesn't really feel like it. It's chilled, it's atmospheric (some great use of distortion), it's dreamy, it's a little monotonous but it doesn't annoy me as much as it does in other albums, and When The Sun Hits is fucking brilliant. Easy 3/5 that might go up to a 4 if I feel like it, dunno why this one works for me and others of the genre don't, but I'm happy with it.

Lovely and dreamy but l prefer a bit more bite in my shoegaze. MBV, and some Boo Radleys and Ride do this better. Really like the Space Station track. Needs several listens

I feel like there was a perfect opportunity for this to be on the official list. My mind is blown that they somehow would have left it off. That doesn't mean that it must appealed to me. But it wasn't bad.

Shoegaze, dream pop. Tostón. Un 2.

This is really just another shoegaze album. Such a niche style of music that peaked in the 90s (but is making a comeback). This is pretty typical with its barely audible singing and darker lyricism. The instrumentals are simple, dreamy, and barely existing. The hardest thing for me to enjoy shoegaze albums like this is that they feel like a fever dream of minimalism. Just not for me. 4.6/10

This hits smack dab in the middle of one of my least favorite genres - judging from the statistics served up by this site. While I don’t loathe shoegaze, I find it too dull to usually sustain an album and mostly want to sleep until it ends. Still there were some very nice tracks on here - the space Souvlaki Space Station was pretty nice. I wouldn’t object to hearing it somewhere in the background, but I don’t see myself requesting it.

Neither that interesting nor that bad, just another indie album that "neither takes off nor lands."

Depressing at best

Didn’t get me through the task I needed to do so marked down.