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From the book 1001 Albums You Must Hear Before You Die.

Live At Madison Square Garden

Vulfpeck

2019

Live At Madison Square Garden
Album Summary

This album has been submitted by a user and is not included in any edition of the book.

Vulfpeck is an American funk band founded in 2011 in Ann Arbor, Michigan, by Jack Stratton, Theo Katzman, Woody Goss and Joe Dart. The band has released four extended plays, five studio albums, a compilation and a live album through their own record label. The band gained recognition in 2014 for releasing Sleepify, a silent album that exposed a loophole in Spotify's royalty distribution and funded an admission-free tour. In September 2019, the band headlined a sold-out concert at Madison Square Garden, one of the first to do so without a manager or record label. Recording of the performance was released as a live album, titled Live at Madison Square Garden, along with a full concert film. The live performance featured touring partners Stanley, Wong, Dosik, and guest artists Charles Jones, Chris Thile, Dave Koz, Nate Smith, Mark Dover, Richie Rodriguez and others.

Wikipedia

Rating

2.99

Votes

72

Genres

  • Funk

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Reviews

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Jan 19 2025
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2

Vulpeck is fun and all, but this is a double live album.

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Jan 15 2025
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5

I'm not even sure how I discovered Vulfpeck. I'm sure it was some random video being algorithm'd my way. As such, I have no idea of their relative popularity, or, who their audience is? I'm sure, based on the fact that they packed Madison Square Garden, that they have a huge base. But they've always felt like my little secret, and that's how I like to imagine them. As a UMich grad who used to hang out with music majors, I feel a personal sort of kinship with them. As a Tally Hall superfan, I've always felt like Vulfpeck was sort of their spiritual successors. So, of course, I've heard this performance before. As soon as I saw Vulfpeck come up I knew this would be an insta-5 stars. I want them to be the biggest band in the world, but I also want them to be my little secret.

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Jan 16 2025
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5

How have I never heard of this band before? What a revelation.

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Jan 19 2025
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5

Always good with some Vulfpeck 5 Damn the Back Pocket worked wonderfully - Goosebumps

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Jan 16 2025
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4

Not my sort of music but very talented.

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Jan 16 2025
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4

The crowd is very wild in this live album. Amazing atmosphere.

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Jan 17 2025
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4

Funk, soul, jazz pop. Me ha gustado. Un 4.

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Jan 18 2025
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4

I don't feel like a live album is usually the best introduction to a band - they are (very rightly) playing to their crowd, who are already fully there for it. For the new listener, not yet converted, it can come off as self-indulgent, and this suffered from a fair bit of that for me. As well, the band's general schtick, the "fictional German funk band" name and some of the cuter lyrics, feel a little precious. But I can't fault the energy, the good-hearted spirit, or the musicianship (as a long-ago failure at the clarinet I'll never fail to be impressed by woodwind mastery). Extra point for pulling off credible a-capella harmony from a sold-out M.S.G. crowd. Interested in hearing what the studio work is like.

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Jan 21 2025
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4

I'll always give a band from my hometown of Ann Arbor a thumbs up. Not exactly my style of music, but it was very good! I'm sure they would be a lot of fun to see live. 4 stars.

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Jan 21 2025
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4

Rating: 8/10 Best songs: Animal spirits, Baby I don’t know oh oh, Funky duck, Back pocket, Christmas in LA

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Feb 11 2025
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4

I'm a fan of funky jazz stuff but I could never really get into this band. This live album was fun though. For years I have been listening to a downloaded live version of Dean Town. I had no idea it was from a live album.

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Feb 17 2025
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4

Great live set, but this is something more for the established fans rather than something you would use to introduce the band. Personally I would have picked The Beautiful Game (I assume the EPs aren’t eligible) as an entry into the music. That album is also of a more merciful length ;)

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Jan 15 2025
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3

I've been an on-and-off fan of Vulfpeck for a while, and this was a fun live LP that captured their quirky spirit pretty well while highlighting the best of their discography. Whatever sound engineer recorded this did the band no favors though – the whole thing is entirely too mid-heavy, and Joe Dart's bass (the best part of the band imo) is lost in the mix. It was grating to listen to in a way, but it's a testament to the band's energy that I mostly enjoyed the LP in full despite its poor sound quality.

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Jan 15 2025
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3

I appreciate that Vulfpeck can be Sega video game music or Funkadelic or Marvin Gaye or their own mix of all of those things. I’m sure this was a great show but for a me listening experience this was too long

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Jan 16 2025
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3

Ever walk into a conversation mid-joke and you have no idea what's going on? This is how I felt going into this album. I mean, it seems like the crowd was having a great time? This was way too long to hold my attention all the way through, and I am clearly not the target audience of this goofball vibe. But I do think this is some really vibrant, well-played music from a bunch of musicians who clearly sound like they are having a blast. Can't hate on that, no sir. Instrumentals > songs with vocals. Fave Songs: Cory Wong, Smile Meditation, My First Car

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Jan 17 2025
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3

Ehhhh, not bad but not that interesting. 3/5.

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Jan 20 2025
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3

Had a buddy who would play this one a lot. I've had it on a lot in the background, but now sitting down and listening to it, I think I can summarize why it never really stuck with me. The musicians on this thing are insanely talented, but they sound like a group that has studied funk, but does not embody or live the funk. It's very sterile. As if you put P-Funk through a Phish filter. Favorite tracks: "Funky Duck", "Beastly"

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Jan 25 2025
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3

Get's a bit samey after a while. But it's very funky

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Jan 25 2025
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3

These guys sound like a lot of fun… although everyone in the audience seemed to be more in the know than me.

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Jan 25 2025
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3

They're incredible musicians. It's funky as hell. But I can't help the feeling they enjoyed themselves more than I did. Great stage banter though!

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Jan 26 2025
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3

Hmmm. Musically, this one is good. But, why a live album? It's an artist I'm not familiar with, and I really don't want my first impression to be crowd work along the lines of "how we doing tonight, Madison Square Garden?" Picking this leads me to believe that it's a band like Grateful Dead that is better live, or doesn't even do studio albums like that. If so, fine, otherwise, this is weird to make us listen to. That said, there's a lot of talent in this group, I can hear that. I just wish it wasn't live.

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Jan 15 2025
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2

Never heard of this band before but I was surprised yet not shocked they were from Ann Arbor. Does every band that originates in AA have to have some sort of quirky off the wall quality? This album was alright. I don’t love live albums and part of it is some songs are really hard to play live. Their instrumentals are good but after I listened to some of their studio recorded music there is a big difference between that and the live sounds. Overall it was fine. If I were to listen to this band again it wouldn’t be from the live album. 5.6/10

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Jan 18 2025
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2

At the beginning it has a hint of a seventies rhythm with Caribbean rhythms that I even thought was not modern. For a live performance it must have been very lively and energizing, I liked the percussion, but then it became very "Stevie Wonder" with jazz, trumpets everywhere and so on, which frankly seemed to me "a smoothie that I didn't like enough." 2.5 stars

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Jan 26 2025
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2

Great musicians (especially the bass guitar player) playing decent funk and soul music influenced by Stevie Wonder, The Meters and Booker T). Must be fun to attend a performance. Minus points for being a live double album and including the babd introduction as a separate song.

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Feb 09 2025
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2

Well, these guys are talented. But that is no excuse for a live album. Nobody needs to hear the audience. The music is funky, and I'm glad I've been introduced to Vulfpeck. I look forward to listening to their studio-produced stuff that doesn't have the chore of the crowd noises or the audience interaction. A lot of these tracks sound like the opening themes to early 90s sitcoms. You can easily imagine (despite the audience noises) this playing over montage shots of Greg Evigan and Paul Reiser.

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Jan 20 2025
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1

*snaps fingers, points in a soldierly manner* "I want archers with fiery arrows perched there, there, and there. Second level. Covering all exits. No one escapes... Fire at will!"

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