This album is damn near perfect and was played on repeat on this house damn near 15 years but f*ck Kanye

Shoulda done acid first

Evocative of acid era Beatles. Loved the raining refrains making it feel like a complete piece and saving the single ("Watchtower") for the end was climatic in a satisfying way. Also enjoyed the snippets of conversation on the track. Lots of the tracks were just so long and I lost interest/the thread. Should maybe listen to again on LSD

She missed class the day they taught about love. Enjoyed the sketches, would have liked...I dunno, except for the singles I would have liked some melody. Beautiful harmonies, beautiful riffs, but it did not stick with me.

Really good beats, but man every song is like one or two clever lines on repeat. Still, always have to respect a breakup album. Starts strong, stays strong

Very sad and I know what I said about respecting breakup albums but I just can't get over the fact that Beck's an asshole

If you only listen to one Boston album make it this one because it may or may not be the only one! It has all the songs on it. Classic 70s Dad-Rock. Wicked rockin

These sweet soft boys, thinking they can end a war with harmonies

Jaunty and fun and a little grimy, like the gutterpunk art kid you knew in undergrad who turned out to be nice after all. Prominant bass riffs, and playful vocals.

I'm not trying to be a hater for the sake of hating Swifties but this album, even (taylor's version) doesn't feel written so much as engineered. The electric drum kits boom boom bat us through focus-grouped pop bangers. There's a ton of hits on this album, but they all just sound flat.

From the squealing feedback right off the bat this album announces it is going to be quick and dirty. "We Are Gonna Be Friends" feels so innocent it's nearly out of place but it is a nice grace from otherwise hard, fast tracks

It does have quite possibly the best Bowie single on it ("Sound and Vision") and I get it, bRiAn EnO tHo, but like...it's a lot of soundscapy bleepin and bloopin. Powerfully haunting at time but start-to-finish? Not the BEST of Bowie

Funk foundation! I love the lackadaisical friends-hanging-pit vibe and the iconic "We Want the Funk" was asked for and delivered. Some of the sounds just sounded like farts, but props to them for experimenting.

I prefer my Dylan freewheelin'. I feel like I need a highschool English teacher to give me "historical context" for why everyone loves this ambling poetry with some strumming behind it. But then I didn't care for CATS either

There's no denying "One" is a masterpiece but other than that this album is kind of just emo if they smoked PCP instead of cloves. I can only take ao much. Maybe it's the TikTok but I don't need these little symphonies with double kick drums.

Surprisingly political! Boy George, I had no idea. It's a little "Feed the World" as far as its message but hearts (and vocals) are in the right place.

FINALLY, something unfamiliar! French Afropop? More more more please

There's no denying The Smiths. Each song on this album belongs in the same family but they're not identical, like so many other bands' sounds tend to get. I just wish Morrisey wasn't such an asshole.

4 and a half hours? Christian-codes album cover? Ain't nobody got time for that. DidnMt listen.

On the hard rocks side of Bowie but with some Talking Heads weirdness thrown in which I, for one, really love. "TVC15" is both inscrutable and one of my favorite underrated trans anthems

One of my foundational bands and this is them at the height of their sound. Funny, angry, but still listenable

Are all of Bowie's albums gonna be here? Yay soul! Yay title track, tay Across the Universe cover, yay "Somebody Up There Likes Me". More sax if you can afford it.

Hell yeah, bud. Electric jazz? Music to make dinner to

Empire Records, huh? This album feels like it was made in a lab for the mall. "Put the Beach Boys in a blender with Alice in Chains". As trendy as frosted tips and doomed to be as short-lived.

Oh man, I love Phil Collins! Textbook 80s sound. Heavy bass, synth to replace horns. Big and swelly sound but such themes of self-doubt and disillusion with The Times

What fun, what bops. I imagine this would be an amazing live show

No thank you.

What a series of bops. I like the full orchestration bits, we need to bring those back. I also like the solo heartbreak songs. Those seems to be clinging around just fine tho

Eh. Not for me. Angry metal but in French.

Every part of this made me feel happy. Them mid-90s hip hop bits? No sketches? V. Good.

Honestly, if it weren't for the fans this would be a great show

They're very good at what they do.

WHY DOES NOBODY TALK ABOUT THIS AS A FORMATIVE ROCK BAND OF THE 90s OH RIGHT RACISM

Turns out I love 90s afro pop

So synth, so phaser

American folk revival without the hey ho? Heyll yeah. Some of these tracks make me sleepy

Those Brits sure could make some 80s alternative

It's no Rumours

The name turned me off but they were not nearly as hard as this would suggest. More Smash Mouthy and Ska

Classic rock: stinging riffs and sexually problematic lyrics

Love the way each track flows into the next. Imagine the first time you hear "BMW"?

Can't argue with a good Meatpuppets cover band

A whole-ass culture I know nothing about. Sorta fun but what a weird clash in tones, especially that ending

Could not find

I had never heard "For No One" before and found it beautiful! I truly felt the sadness of it in my heart. Yellow Submarine was a delight to listen to. Loved!

If you only take one album with you yo a desert island let it be this one because it will take all day. Still, what an undeniable voice

Hell yeah

This was such a treat, feels like perfect road trip tunes!

These harmonies tho. Introducing themselves with "Judy Blue Eyes" and echoing it with "Helplessly Hoping" it's so sweet and tender to hear these boys so worried they're losing their loves.

I would like fewer long songs please. If I saw them live I bet it would be a bop and I did like the moody distortion

It's albums like these that make you realize some people really just have the one trick repackaged over and over

I mean, sure. But at the end if the day it's very preachy, very quarter-Beatles

Bring out the angsty middle schooler in me

Wild hearing the birth of shoegaze emo like this

Solid blues piano on that one track but the Old Man River cover was embarrassing. Just another white dude playing blues guitar in the late 60s

Call me a basic boi in a college dorm if you must but there's a reason all them posters is there. Social commentary, tasty choirs, and every track runs into the next?? They really nailed it

Turns out I fuckin' live Waylon Jennings. Would recommend as a soundtrack when digging a hole

I preferred Celebrity Skin, it felt more polished than Live Through This but this was a step away from the unfiltered grit of that first album. Hard to separate the art from the artist

This album is damn near perfect and was played on repeat on this house damn near 15 years but f*ck Kanye

Foundational 90s EDM. It can kind of drag but on their own at a rave night, each track is its own bop

I don't really fuck with live albums. But, yeah, guy can play guitar. 2 stars for the casual domestic violence jokes #differenttime

Eh.

Boppy. If I throw a 90s ecstasy party I know where to go

Can't deny Good Vibrations and I do love a"No, this is how it should have sounded" release 40 years later. Weird animal bits tho

Very disco, but I do not need 8 minutes of title track like even the Birdcage faded that shit out

Did not expect that last track! Fun synth, groovy bass, dug it.

Took a walk and listened to this and it absolutely made my summer evenin'

The track titles suck but we can forgive a masterpiece for that

This dude rally has it all going on this album but I especially love the title

I dunno, man, it's fun but would this noncommital rambling be as popular if Massholes didn't de facto support everything MA?

This was surprisingly funny!

I mean, it's still Bono...but it wasn't not a vibe

Noise!

I mean, sure, Bohemian Rhapsody, but honestly? This album is all over the place.

The covers were not nearly as good as the originals and the whole album was kind of just a walk

I had no idea how political this *checks notes* woman who ripped up a picture of the pope was

I mean; it didn't feel like it was doing anything Arctic Monkeys wasn't already doing except lulling me to sleep

Shoulda done acid first

Well, boy, if that ain't some classic metal. I can never tell if a song like "Charlotte the Harlot" is meant to be ironic or not tho

Nothing really stood out for me