What a maximalist indie darling. Lots of nostalgia from high school days. Favorites are Neighborhood #3 and Wake Up.
This was not a smooth album for me, had to take multiple breaks. I suppose it's avant garde because of some of the discordant lofi guitar riffs and primal scream therapy? More like a high concept art project and not much substance aside from some of the mummy issues. I can see why it's pivotal and gives insight into who John was, but not my fave. My favorites from John are when he goes into slightly more uplighting ballad mode, like "Love" or "God"
I liked Van Morrison's voice and his homage to jazz/blues greats like Ray Charles, but the musical genre fusion and instrumentals really stood out the most. Overall, I enjoyed this!
Had never heard of this group before but I can see the threads of this album to the current indie lo fi scene. Definitely grew on me.
I'm surprised at how much I enjoyed this - actually had this on repeat and I only knew Supertramp by their three biggest hits before listening to this. I'm not the biggest fan of the vocals, but it really worked with the desperation in some of the lyrics. I prefer this prog flavor of Supertramp, even with the pop piano and guitar flourishes. Favorites: "School", "Hide in your shell", and "Crime of the century." The title track is so timely and introspective, the sweeping melodies sound like a budding antihero growing out of the ashes, love it.
sure, there are big hits here that are almost like cultural touchstones. but most of the album is nothing special compared to what actual blues artists create.
nice background prog rock listening. i especially enjoyed the riffs and the compositions of "Old Man Going" and "Lonliest Person"
loved this proto-metal album. Child in Time stands out for guitar solo and the crazy vocal range in the "Ah-ahs", I find myself impersonating the Phantom as he commands Christine, "SING my angel of music" lol. knowing that the song is about the cold war and the BS of the time provides a smidge of comfort in tyring to understand today's nonsense.
"Paint it black" and "Under my thumb" are my favorite RS songs (despite the second one's lyrics, and I love the La Roux cover) but most of the album frustrates me. "Stupid girl" gets too cruel and too stupid. Still, I like this album more than Let It Bleed.
The album definitely feels cohesive and a single body of work with some nice instrumentals/strings (very 2000's indie style), but the minimal-range vocals and the plodding nature of the album don't do it for me. I found myself craving Lil Wayne for a weird reason. He released a much better album in the same year, but for some reason it's not on the 1001 albums list???
I liked this album more than expected (2.5 rounded up). I think it's because these guys are so dramatic and emotional, just so over the top in their expression. The beginning of the album starts out kind of rough, but then I start head banging? And then get emotional near the end?
Sorry, but just no. I get that Slim Shady is like a dark urge alter ego and that Eminem is going for shock factor, but this made me want to throw up. I guess I'm Zoe. The one plus: It is cool to see him start blossoming into his angry boy rapping flow that made him so good, with the standout tracks of Just DGAF and Still DGAF.
finally, music not centered in athe US or the UK. this is a delightful album where the artists not only show off their immense talent, but do it so casually that the music really does feel like hanging out at a club - either dancing, chatting with the locals, or in just soaking in the music.
this album brilliantly captured meloncholy and introspection and was huge for my teenage self. 3.5 rounded up
Surprised by 1) how much I like this, though also not a surprise because Christina makes her own mark in R&B (and some rock too!); 2) the mention of Britney from track #1. Christina was always such an amzing vocalist but perhaps her style was not as mainstream/groundbreaking/diva-status. She definitely has some nice surprise tracks in here, and I love her vulnerability
It's a nice album with the best "Without You" version. But mostly just ok generic rock to me, though the first track did make me think I was listening to the Annie soundtrack for a few seconds.