Very modest, pure, elegant, innocent style of optimistic dreamers. Two tenors singing harmonic thirds alternated with the twin riffs of their acoustic guitars, accompanied by a modest rhythm section. The album in short: never a solo, never an out-of-tune note, never an electric arrangement. Succinct and elegant, simple and refreshing, the brothers represented the familiar romance of the average good American boy, neither idol nor rebel. (7/10) Favourite Tracks: Cathy's Clown, Baby What You Want Me to Do

It's very funny to read the reviews of the album. From "crappy" to "genre novelty". I found the album quite decent. Nothing new under the sun, but very pleasant to listen to. (5/10) FT: evermore

An album that was certainly not up to the standard of singer-songwriters of the time, but it showed that Bowie was more than just a pop singer. (7/10) FT: Changes, Oh You Pretty Thing, Life On Mars, Queen Bitch

It’s one of those LPs that just seems pure and uncomplicated. Really loved this record. (8/10) Favourite Tracks: Breakdown, Hometown Blues, American Girl

The riffs come about slowly, dreadful and hyper-distorted, built around depraved melodies. One of the Bands that really starts playing Heavy Metal. (7/10) Favourite Tracks: Doctor Please, Summertime Blues, Out of Focus

Surprisingly good. I don't usually listen to punk, but the album was really good despite the somewhat repetitive songs. Police & Thieves is also now on my private playlist :)

Good Album. Amazing Songs. I loved how the album was structured. Thunder Road as an overture, than the big one born to run and on the end, the emotional peak, Jungleland. I simply love the saxophone solo's.

Pretty solid Sound. (6/10) Favorite Tracks: We are the Pigs, The 2 of us, Still life

A couple of good catchy songs. (6/10) Favourite Tracks: Basket case, When I come around

A mix of country and classic rock that I liked. Very pleasant to listen to. (7/10) Favorite Tracks: Maggie May, Mandolin Wind

I don't usually listen to EDM. However, I was very entertained by the album. Favorite Tracks: Red Alert

Really intense harmonics and likable sound from a punk-band. Short tracks that not all sound the same. (7/10) Favorite Tracks: Mannequin, 12xU, Three Girl Rhumba

It was good to hear other Puente songs. The music just puts me in a good mood. (7/10) Fav. Track: Hong Kong Mambo

Obscure, but interesting guitar riffs, tempo changes and somehow moving. Very interesting style. (7/10) Favorite Tracks: Don Aman, Washer

I didn't expect so many pop tracks. Otherwise quite okay. Her voice is really beautiful. (6/10) Favorite Tracks: The Emperor's New Clothes, Nothing Compares 2 U

Melancholic pop. Very pleasant to listen to and chill around. (7/10) Favourite Song: Pale Blue Eyes

He's a genius. I love him. Great arrangements on some country songs. (8/10) Favourite Tracks: Careless Love, I Can't Stop Loving You, You Are My Sunshine

This album has its moments. I like his voice and the lyrics. But the orchestration aged a little badly. The songs that stood out, I found out, were by Jacques Brel. (5/10) Favorite Tracks: Jackie, Next

Good Riffs. I really like Ozzys voice. This album is the start of a great band and a new music era. (7/10) Favorite Tracks: Black Sabbat, N.I.B, The Wizzard

Mixed feelings. Some songs I like and some I don't. I have to listen to the band more often. (6,5/10) Favorite Tracks: Here

Enjoyed the whole album. Fun and exciting. Little Richard is amazing (9/10) Favorite Tracks: Long Tall Sally

Very funky Livealbum. James Brown's screams are simply legendary and the way he handles the audience! (7/10) Favorite Tracks: Try Me, Lost Someone

I don't usually listen to Metallica. The album made me curious about the original songs. So I have no comparison. (6/10) Favorite Songs: No Leaf Clover, Nothing else Matters, Master of Puppets

Easy listening album of the 60's. Solid Sound, but don't pin out too much. (6/10) Favorite Tracks: How Can I Be Sure

One album several colours. The album is certainly not monotonous but not everyones taste. (6/10) Favorite Tracks: Lazyitis

Solid album. Lot of songs I grew up with. (8/10) Favorite Tracks : Three little birds, One Love

I don't listen to hiphop that often, but her soul voice and the pop/funky beats are a very good mix. (7/10) Favorite Tracks: Every Ghetto, Every City; Doo Wop (That Thing)

Simply brilliant show. I love the way Johnny Cash sings and talks to the audience. (8/10) Favorite Tracks: 25 Minutes to Go, Jackson, Dirty Old Egg-Suckin' Dog

An album I should listen to more often. (7/10) Favorite Tracks: Life During Wartime, Heaven

An album that I would never listen to. I appreciate it. (5/10) Favorite Tracks: Walking Wounded, Before Today

Okay... Funky Bass mixed with brutal rhythmic and vocal styles of funk and rap music with the brutal guitar-driven style of heavy-metal. (6/10) Favorite Tracks: Funky Monks, I Could Have Lied, Under the Bridge

Pleasant voice and good song writing. Some very good guest musicians. (7/10) Favorite Tracks: Think Too Much, The Late Great Johnny Ace

Not really my taste. However, I found some tracks quite interesting. (5/10) Favorite Track: Jesus Built My Hotrod

I like his voice and the slower songs. I feel the energy and the theatrical vibe, but it's not my type of music. (6/10) Favorite Tracks :Black

Really nice Songtexts and meanings. (7/10) Favourite Tracks: Beautiful Love

Good Mood Album. (6/10) Favourite Track: We Got the Beat

Great Album! Great Song and Singer. Unfortunately, he didn't write any of these songs himself. (8/10) Favourite Tracks: I'll Hold You in My Heart (Till I Can Hold You in My Arms), After Loving You , Suspicious Minds

Half of the album are hard rock songs and the other half is more progressive rock. I like the Klezmer-influenced song. (6/10) Favorite Track: Of Course

Good album. Didn't expect that from Alice Cooper. (7/10) Favorite Tracks: School's Out, My Stars

Pure 80's Sound. (He sounds a little bit like George Micheal, didn't he?) Karma Chameleon is a certified hit single. Second half is better than the first. (6/10) Favorite Tracks: Church of the Poison Mind, Mister Man, Melting Pot

An interesting album, with some influences from Patti Smith, Radiohead and Bjork. (6/10) Favourite Tracks: This Mess We're In, Good Fortun

Quite elegant, with an essential preciosity that blends with the airy vocal harmonies with linear melodies and energetic instrumental interventions.(7/10) Favourite Songs: Sunday Afternoon

I like the atmospheric, even vaguely jazzy beats , such as Sunrise, mixed with more conventional elaborations of the old funk-soul sound. (7/10) Favourite Songs: Pacific 202

A rather theatrical album. Some good songs. I love his voice! (7/10) Favourite Songs: Tiny Dancer, Levon, Indian Sunset

A grim and atmospheric ablum sound. The swinging organ theme (as well as its jazz solos) and demented chorus add something to the song Peaches. (6/10) Favourite Song: Sometimes, Peaches

The core of this album is made up of songs, starting with Celebrity Skin and Awful, that repeat the same pattern: soft melodicism over a male beat and melodramatic riffs. (6/10) Favourite Tracks: Celebrity Skin, Malibu

This album surprised me. This is highly intelligent, creative and trans-stylistic postmodernism. The blend of sometimes 3 different styles with a mix of Frank Zappa-esque orchestration. A sharp edge between Hip Hop and Pop (7/10) Favourite Tracks: Jesus Walks, Spaceship

The Songs are pretty similar. From the album you could hear his influences like Prince(not last his falsetto crooning) and Marvin Gaye. (6/10) Favourite Tracks : Lady

Basically a good album. I noticed the influence of the 60's on many songs, like Chuck Berry or Little Richard. (7/10) Favourite songs: Randy Scouse Git, Zilch, Shades of Gray

Ein merkwürdiges Album. Irgendwo zwischen elektronischem Bombardement von Beats auf einem Wandteppich aus renaissanceartigem Gesang. War auch irritiert als 2-3 Songs einfach abrupt enden. (6/10) Favourite Tracks: Hunter, The Rip

It's 1969 and Cohen has released a singer-songwriter album. Very brave. Against the prevailing mood, carving a niche for a kind of subdued, lo-fi, intimate, personal lament. He's brilliant. (7/10) Favourite tracks: The Butcher, Bird on the Wire

The album seems like a soporific dirges arranged in a minimal style. The sinister sorcery of Abbaon Fat Track and the disco diva funk of Suffocated Love don't rest on much of a foundation. On the other hand, there are really interesting tracks on the record like Black Steel. (6/10) Favourite Tracks: Black Steel

Iconic style and riffs. Sometimes a little too repetitive. But I understand why many artists have copied.(7/10) Favourite Tracks: Mannish Boy

From a technical point of view, the way they were able to start a song with a theme that gave no hint of the main theme will also go down in history. (6/10) Favourite Tracks: It's a Sin, What Have I Done To Deserve This, "Always on my Mind"

A Mix of Sinead O'Connor's pathos nd a bit of icy Nico's voice. The music is easy to listen to, but the lyrics seem a bit banal. (7/10) Favourite Tracks: If I Had a Heart

The album draws picture of the violent street life, with colloquial dialogues between Raekwon and Ghostface Killah that introduce the various themes as if they were interviewed for a documentary. (6/10) Favourite Tracks: Ice Cream

Another frenetic and rugged album , featuring Gimme Shelter, a quintessential jam that featured post-psychedelic guitar counterpoint. (8/10) Favourite Songs: Gimme Shelter, You Can’t Always Get What You Want

Virtuoso guitar solos. Some blues numbers that shine more with guitar solos than with vocal performance. (7/10) Favourite Tracks: Layla, Bell Bottom Blues

A wildly eclectic potpourri, Gold sounded almost like the collaboration between a number of different singer-songwriters. From Neil Young to Allman Brothers (6/10) Favourite Songs: When the Stars Go Blue, New York, New York

This album was a nice spectrum of 70's Rock, a prog-rock track of Wars of Armageddon, or a Jimi Hendrix-esque Solo of Maggot brain. (7/10) Favourite Track: Maggot Brain, Can You Get to That

Is a kind of funk in the punk album, filled with metallic dissonances. A Talking Heads mixed with Jimi Hendrix. (6/10) Favourite Songs: Damaged Goods

Their first album without covers. A lot of love songs. I like them, very pop and happy. (7/10)

Crime of The Century is quite dominated by the pop refrains (like Dreamer) , which were still painted with the harmonic complexities and sounds of progressive-rock. (7/10) Favourite Songs: Dreamer, Crime of the Century

Each song is a condensate of polemical rage and "wit", firmly structured on dissonant jazz funk, and a haggard and more analytical rambling in the punk idiom. (6/10) Favourite Songs: Glory Of Man, Corona

It's a "cleaner" version of Blood Sugar Sex Magik. The music is a formulaic repetition of mainstream stereotypes (that they already used in the previous album). (5/10) Favourite Tracks: Road Trippin', Otherside

The whole thing is a parade of chaotic thrash and wild cacophony that assaults and stuns with its obsessive roar. A mosh pit will appear magically in your mind. (6/10) Favourite Tracks: Rise Above, Damaged II

I like the minimal arrangements, funereal cadences, with a muted Hammond organ. A poetric barbarian. (7/10) Favourite Tracks: Jersey Girl, Ruby's Arms

Punk meets New Wave. She is a prominent as a singer, I like her catatonic and monotonous voice, shameless and bored. Really fitting to the era. (7/10) Favourite Tracks: Kool Thing

Sophisticated Pop. An extensive use of electronic keyboards, synthesizers, and polished arrangements. It sound very 80's instead of 90's. (6/10) Favourite Track: Cherry-Coloured Funk

Good production and great, compact jamming. Many good musicians jamming together. (7/10) Favourite Tracks: Expecting to Fly, Bluebird

The Album atmosphere is somewhere between erotic (Perfect Skin) and philosophical (Forest Fire). (6/10) Favourite Tracks: Rattlesnakes, Down on Mission Street

A good country- /folk-rock album. You can feel the melancholy. (8/10) Favorite Tracks : Out on the Weekend, Heart of Gold, The needle and the Damage Done

This record is a collection of poems (Bob Dylan-esque) about an individual who finds himself helplessly at the mercy of the madness of the world. (7/10) Favourite Tracks: Once I Was, Pleasant Street

With this album the Beatles left behind rock and roll to get closer to other musical styles. More experimental. (7/10) Favourite Tracks: Eleanor Rigby, For No One

Pleasant country/folk jams. (7/10) Favorite Tracks : Freedom Rider

Very innovative album, he changed the classic blues rock to a harder, faster syncopated sound. (6/10)

It is above all a demonstration of dynamic and emotional range, as if to prove that the genre has gained maturity and solidity after so many failures (Blur, Oasis). Sparks and Trouble are pretty Smiths-inspired, with the whole album being one gigantic summation of British pop. (7/10) Favourite Tracks: Yellow, Everything's Not Lost , Sparks

This was much less "rap" music than avantgarde music. (6/10) Favourite Tracks: The Seed (2.0)

Soft pleasant new wave pop. The guys certainly had fun. (6/10) Favourite Tracks: Love Plus One, Love's Got Me in Triangles

Unfortunately, I cannot rate this album objectively. I grew up with this album and simply love Queen. A dark album in contrast to their later stage-ready songs. (7/10) Favourite tracks: The March of the Black Queen, Seven Seas of Rhye

It’s one of those LPs that just seems pure and uncomplicated. Really loved this record. (8/10) Favourite Tracks: Breakdown, Hometown Blues, American Girl

If the intention was also to compose music, the Manic Street Preachers end up sounding like less creative. Some Songs are not my cup of tea. (6/10) Favourite Tracks: She Is Suffering

A Album devoted to mediocre imitations of Sixties pop. A dance album that was propelled by both strong disco beats and Rolling Stones-like riffs, that fused acid-house and blues-rock. (6/10) Favourite Songs: Movin' on up, Inner Flight

This album is kind of a shrewd collection that offers imitations of their other successes, but with the highest degree of refinement. (7/10) Favourite Tracks: Girlfriend in a Coma, Last Night I Dreamt That Somebody Loved Me

The album as a whole is a little park walk of the English bourgeoisie and especially their vices, a kind of Kinks concept. But overall it is an album of mediocre songs. (6/10) Favourite Songs: Parklife, To the End

Apart from the ingenuity (and that he produced and played everything himself) and the "mimicry" skills, the sound is somewhat still washed out and has little personality. The real creative approaches are found in the instrumental parts. (6/10) Favourite Tracks: I Saw the Light, Breathless

The sound is that of an amphetamine blues-rock with high explosive potential, grouped into short, rough and deadly loads of TNT which erupt in one breath the volcanic energy of the guitar. (8/10) Favourite Tracks: Red House, Purple Haze, May This Be Love

This overcrowded album certainly brought together good arrangement ambitions in a pompous and multifaceted manner. (7/10) Favourite Tracks: Runaway, Lost in the World

The riffs come about slowly, dreadful and hyper-distorted, built around depraved melodies. One of the Bands that really starts playing Heavy Metal. (7/10) Favourite Tracks: Doctor Please, Summertime Blues, Out of Focus

Classic country. There is not much to add to that. You like it or you don't. (6/10) Favourite Track: Big Iron

That's why we had synth-pop in the 80s, techno in the 90s and glitch in the 00s. And today Nintendocore. One of the first albums that charmed me with robotic rhythms and mechanical melodies. (8/10) Favourite Songs: Europa Endlos, Franz Schubert

I liked the beats, but I couldn't find my way into the lyrics of the song. Partly very difficult music to relax to. (5/10) Favourite Track: Bladerunners

I like the wildly schizophrenic dynamics that flung most songs between acoustic and quasi-symphonic passages. (7/10) Favourite Tracks: Step into the Breeze, If I Were with Her Now

Solid. I like the atmosphere and the brass sound. (8/10) Favourite Tracks: The Kid from Red Bank, Splanky

Really good sound engineering. A homage to rock history in a melacholic way (7/10) Favourite Tracks: He Would Have Laughed, Revival

egendary riffs (Whole Lotta Love ) and drum solos (Moby Dick). Simple and good. I love his voice and its sound. (7/10) Favourite Tracks: Whole Lotta Love, Ramble On

This album is a medival-rock-sphere pop mix. The tracks are less pop-songs and more rock. In the fact its amzing how these hamonic experiments are grafted onto rock structures. (7/10) Favourite Tracks: Lorelei, Persephone

I love her voice, lyrics and tracks. Slam dunks. No comment. (7/10) Favourite Tracks: Gloria: In Excelsis Deo, Free Money

Haunting blues rock of the title track (and very good solo), heavy, cadenced songs. Considering that this is a New Wave of British Heavy Metal Ablum (NWOBHM), it's quite okay. (6/10) Favourite Tracks: Ace of Spades

A hybrid style that combined elements of sophisticated ballads, samba and jazz. And a really depressing albumcover. (7/10) Favourite Tracks: Me Deixe Em Paz

The second Live-Prison-Album was okay. The first live-album was comparatively more relaxed to listen to and more interesting. (6/10) Favourite Tracks: Wreck of the Old '97, Jackson

The double album is practically a collection of extended Stairway to Heaven tracks. (6/10) Favourite Tracks: Kashmir, Boogie with Stu

Mike Patton is a talented rock singer and certainly the most interesting and unique in rock since Robert Smith. He steals a lot of the show here, especially on "Zombie Eaters" and the cover of Sabbath's "War Pigs". However, track 4 "Surprise! You're Dead!" sounds like a very good quasi-new metal modern rock band from 1999. (6/10) Favourite Tracks: Epic, Edge of the World

Es hat mir sehr gut gefallen. Die Originalität der Band zeigt sich jedoch am besten in den Liedern, die die I liked it very much. However, the band's originality is best seen in the songs that cross the line between genres, both in the ethnic realm, especially the syncopated Middle Eastern metal fusion, but also the foreign musical accents , in the pop realm, like the bombastic power ballad Spiders. (8/10) Favorite Tracks: Spiders, Suggestions

Very modest, pure, elegant, innocent style of optimistic dreamers. Two tenors singing harmonic thirds alternated with the twin riffs of their acoustic guitars, accompanied by a modest rhythm section. The album in short: never a solo, never an out-of-tune note, never an electric arrangement. Succinct and elegant, simple and refreshing, the brothers represented the familiar romance of the average good American boy, neither idol nor rebel. (7/10) Favourite Tracks: Cathy's Clown, Baby What You Want Me to Do

Gloomy and at the same time very cheerful album. The jazz elements are well done. Very good for an early 90s hip hop album. (7/10) Favourite Tracks: I'm That Type of Nigga, Passin' Me By,

Song 2 (perhaps the best song) is dissonant vaudeville halfway between Rolling Stones and Sonic Youth. Their traditional melodic sound is delegated to fringe compositions like Strange News From Another Star and Look Inside America. (6/10) Favourite Track: Song 2

Reed sings almost without emotion, and his album has the character of a reportage. Reed's monotone voice and light boogie rhythm practically created a new kind of singer-songwriter, who can be a distant observer and an engaged protagonist at the same time. (7/10) Favourite Tracks: Caroline Says II, Sad Song

It's good-humored blend of southern rock, ranging from cow-punk to Southern boogie, from Tom Petty to the Rolling Stones, from "the Band" to Neil Young. (7/10) Favourite Track: Zip City

Mathers is a calculating pop phenomenon (songs alternate with brief spoken interludes of people commenting on Eminem's attitude, of he having oral sex with two guys, etc, the ultimate form of self-glorification) that viscerally exposes calculating pop phenomena. (8/10) Favorite Tracks: Stan, The Real Slim Shady

The album sounds something like a mutation of Mott The Hoople paired with the Beatles. The songs are a bit trashy and arranged in the cheesiest way (including a trumpet fanfare and a flute march). (6/10) Favourite Track: Something 4 The Weekend

Pump contains a trio of legitimately classic jams in “Love in an Elevator”, “Janie’s Got a Gun”, and “The Other Side”. The rest of the LP is pretty tight, too. (7/10) Favourite Tracks: See above

This album is destined to remain their great masterpiece, and one of the masterpieces of the entire decade, one of the most influential albums of its time. Almost every song speaks for itself. It's hard to find a common denominator, apart from extreme creativity and the usual light-heartedness. The songs are songs, but they go against the antithesis of song because they are always blasted by extreme contrasts, sometimes in an erudite way and sometimes in a crazy way. (8/10) Favourite Songs: Where Is My Mind, Gigantic, Bone Machine

None of the four was a virtuoso, yet each one of them was a genius. My Generation ist pure Wut und Verzweiflung, Geysire jugendlicher Energie, die auch das Talent des größten Songwriters dieser Generation offenbaren. (7/10) Favourite Tracks: I Can't Explain, My Generation

Not only was it a concept album, but it was full of eccentric sounds and the songs seemed like collages obtained with a painstaking art of editing, making use of a small orchestra. Nice but little overrated. (7/10) Favourite Tracks: Wouldn't It Be Nice, God Only Knows, Sloop John B

The tracks exude Pink Floyd's psychedelic majesty, jazz's subdued ambience, random quotations from the history of soul, funk and disco music, and more than a passing mention of Burt Bacharach's and Ennio Morricone's scores. (7/10) Favourite Tracks: All I need

The rappers press on dramatically and paroxysmally in a patchwork of rap noises, casual bandisms, scratch improvisations (Terminator X, aka Norman Rogers, the scratch wizard) and electronic disturbances. It's a classic, an overwhelming and sophisticated sampler of revolutionary music. (7/10) Favourite Tracks: Terminator X to the Edge of Panic

Perhaps one of their best concept albums, could not contrast more starkly with the pomposity of The Who's Tommy. (7/10) Favourite Tracks: Shangri-La, Victoria

Cool, clever and mediocre Stevie Wonder impersonator who reintroduces 70s soul and funk with a touch of cabaret theatrics on the album. Good rhythms and creative arrangements (especially when using horns). (6/10) Favourtie Tracks: When You Gonna Learn?, Blow Your Mind, Whatever It Is, I Can't Stop

Amazingly, the album features a string quartet, a mixed choir and a brass section. The title track is a de facto classical sonata, solemn and elegant. The composition is but a minor detail compared to the effort and care with which the songs have been arranged and produced. The question that remains to be answered is whether it is art or technique. (7/10) Favourite Tracks: Ladies and Gentlemen We Are Floating in Space, I Think I'm in Love

To the best of my knowledge, The Madcap Laughs is the most comprehensive documentary of schizophrenia in music to date. Reading the background of this album make you cry.... similar to a bad trip... (7/10) Favourite Songs: Here I Go, Octopus

Political and sarcastic songs. Nevertheless, there is also no shortage of danceable tempos in pure teenage style, like Chemistry Class and Green Shirt. This album will remain his masterpiece. (7/10) Favourite tracks: Olivers Army, Two Little Hitlers

The Boss is making a statement: “I can write songs without an E Street Band.” I dunno, and I don’t care. Nebraska is a great time-killer, especially if you’re on a long flight or drive. Put it on; forget it’s there. (6/10) Favourite Tracks: Atlantic City

The rousing party music of the trio may evoke Sixties' girl-groups, with punchy guitars and dance beats, but in Hannah's mouth it becomes a channel for hard-line feminist ideology. On the surface one hears folk-rock, Motown soul, but each song is a terrible story that leaves deep scars. (6/10) Favourite Track: Deceptacon

The record is characterised by a somewhat outdated realism, harking back to themes and moods of the 1930s, from Frank Capra to Ernest Hemingway. Where The Streets Have No Name marks a new peak of transcendental intensity, thanks to the frenzied, raga-sounding tones of the long instrumental overture and tribal beat. (7/10) Favourite Tracks: Where The Streets Have No Name, I Still Haven't Found, With Or Without You, Running To Stand Still

Violator was a major turning point: two guitar tracks like Enjoy The Silence (atmospheric riff over a pensive disco beat) and Personal Jesus (an energetic boogie that will remain their most aggressive track ever), Depeche Mode set themselves apart from the old synthpop. (7/10) Favourite Tracks: Personal Jesus, Enjoy the Silence, Policy of Truth

Solid jazz funk fusion album. The first track that came in really felt it like setup the sounds that would stick through the album. Then the bass line in particular was super funky. (6/10) Favourite Tracks: Street Life

This album is a postmodernist essay. Given the goal, it's no surprise that the songs include digital glitches, falsetto choruses and restless dynamics. (7/10) Favourite Tracks: Yoshimi Battles the Pink Robots, Pt. 2, Do You Realize???

Natty Dread probably one of the most essential Bob Marley record you could own. It's a spiritually charged political and social statement.(7/10) FT: Lively Up Yourself

Hip-hop can be corny, too. It wasn’t all gun battles and baby mama drama. (5/10) FT: The Way We Swing

Fun Album. A little theatrical, spooky and catchy. As Alice cooper (7/10) FT: No More Mr. Nice Guy, I Love The Dead

Their sound, bordering on garage-rock of the 1960s and on the new wave of the late 1970s, is the quintessence of sexual frustration and existential desperation. The singer proves to be one of the best shouters of her generation. (6/10) FT: Maps, Date with the Night

Sounding like a nostalgic tribute to the neurotic new-wave of the late 1970s. Like Talking Heads, Bowie etc.(6/10) FT: oh baby

I would call it synth-pop, but I don’t even sure how to categorize their sound properly.I guess they were something special for maybe one year. No offence, just not one of 1001 albums that are a must hear (5/10) FT: Fascist Groove Thang

Simply fantastic. No wonder no one wanted to rival them. (8/10) FT: I'm the One, Ice Cream Man, Eruption

Plagued by heroin dependency, Clapton dropped from the scene for some years, but returned triumphant with 461 Ocean Boulevard. Did you know that Clapton’s cover of Bob Marley and the Wailers’ “I Shot the Sheriff” is his only #1 hit on Billboard’s Hot 100? (6/10) FT: I Shot the Sheriff, Motherless Children, Ain't That Lovin You

The duo indulged in the most artificial/intellectual tricks of various styles of production (hip hop, ambient, funk, industrial, house). Their genre of melodic and exuberant instrumental music was hardly innovative compared with the disco music of their parents. (7/10) FT: Around the World

The Solomon Burke album is sort of a “cool, obscure” , but still a fun record. (7/10) FT: Cry to Me, He'll Have To Go, If You Need Me

It's scary how they were ahead of their time. They are immersed in the dark, oppressive atmosphere of German expressionism and French existentialism, but they also exhaled an epic libido: each song was a sexual fetish, and a cathartic sadomaso release. (9/10) FT: Heroin, Sunday Morning

I’m sure a lot of deep Bowie fans are going to spit and want to slap me, but Young Americans is not a complete must hear. “Fame” is the only gem, and the title track is embarrassing. There also other good songs, in this album. (5/10) FT: Fame, Across the Universe, Young Americans

This album succeeded because the band consisted of five exceptional musicians. It boasted perhaps the best rhythm section of the era, powerful, solemn, exuberant and concise, one of the best ever. (7/10) FT: I Shall Be Released, The Weight

The combination of existential mood and imaginative melodic collage is taken up here. (6/10) FT: Stagger

I’m not sold on these cats. They were influential on the East Coast rap scene, and in some ways, directly responsible for Wu-Tang Clan. There is a hardcore thread running through this record that definitely shows up in future artists. They had some sick rhymes with lyrical substance, but it never really gets cooking on the album. It’s reminiscent of ATCQ, but with none of the excitement or verve. It’s just kind of…there. (7/10) FT: Step in the Arena, Execution of a Chump

I will always love this album. I cannot answer the question of whether the Beatles are a must-hear. (10/10) FT: Something, Oh Darling, Come Together

Great orchestral pop rock, simple arragements that have aged well though. (8/10) FT: Turn To Stone, Mr. Blue Sky, Sweet Talkin' Woman

It's a slower, softer and lighter electronic album. Compared with other album releases during that time. (6/10) FT: Original, Release The Pressure

Hot Rats consists of instrumental jazz-influenced compositions with exhaustive soloing. Zappa described the album as “a movie for your ears.” Thank you wikipedia ;) (7/10) FT: Peaches en Regalia

The Album was a concept about his failed marriage. Sorry about that... (5/10) FT: When Did You Stop Loving Me, When Did I Stop Loving You

They were better than that. The only really must-hear track is "Papa Was A Rolling Stone". (5/10) FT: see above

Nice acoustic covers. Cobain has a style all his own that you have to like, or not (7/10) FT: Where Did You Sleep Last Night, All Apologies

Great voice. Good songwriting. But not a masterpiece... (5/10) FT: A Thing Called Love, Nick Of Time

A somewhat awkward and amateurish work despite the impeccable fusion of electronics and vocals, the impeccable collages, the impeccable production. (5/10) FT: Blood On The Leaves

The Album is a giant cauldron of artificial, natural, social and musical sounds that come from distant lands and distant contexts. Ultimately, though, it is her style and attitude that make it stand out. (6/10) FT: Paper Planes, Jimmy

They downplayed the guitars and emphasized the electronics, moving the band into pop and dance territories. (6/10) FT: Heads Will Roll, Little Shadows

This is the one Iron Maiden album. They may have put out a dozen more records, but this is the apogee of their career, and one of the keystones of 80s metal. (7/10) FT: Run To The Hills, Hallowed Be Thy Name

Wow, methamphetamine and hallucinogens actually get along quite well. A fantastic live show (7/10) FT: Born To Go, The Awakening

A robust album. Nice guitar solos and rythms. 2-3 good songs, the rest is okay. (7/10) FT: Proud Mary, Born On The Bayou

Opus Dei is a lonely flank of post-industrial noise, dark ambient, neo folk, dark wave and neoclassical orchestrations mixed with military marches, historical speeches and political, apolitical or metapolitical lyrics. (4/10) FT: Geburt Einer Nation

It is considered one of the most important movie soundtracks without a movie and is an absolutely delightful instrumental music listening experience. If you got time for that (6/10) FT: The Man With The Golden Arm

An album that was certainly not up to the standard of singer-songwriters of the time, but it showed that Bowie was more than just a pop singer. (7/10) FT: Changes, Oh You Pretty Thing, Life On Mars, Queen Bitch

With this acid guitar riffs I would say is stoner-rock for the masses. (7/10) FT: If Only, Regular John

Among early white rockers, Jerry Lee Lewis was, by far, the most faithful to the wild style of black rockers. Amazing concert! (7/10) FT: Great Balls of Fire, Good Golly Miss Molly

A dreamy album, which quite reflects in Witchy Woman and Take It Easy, based on the Crosby Stills & Nash-like vocal harmonies that were all the rage that year. (6/10) FT: Take It Easy

Document might be one of their BEST ALBUMS, and as much as I like it, you’ve already heard at least one LP from the list. Nevertheless, you pretty much have to be familiar with “It’s the End of the World As We Know It (And I Feel Fine)”. (8/10) FT: It’s the End of the World As We Know It (And I Feel Fine), King of Birds, The One I loveL

A quite good album. Eminem handles classic themes in a cynical way. And the closing "Still Don't Give A" recapitulates this tragic leitmotif in a quasi-classical epic. (7/10) FT: My Name Is

The hits this time are the stentorian boogie of Money For Nothing and the hard-hitting rockabilly of Walk Of Life. A little bit generic and banal rock , but nice Guitar solos and riffs. (6/10) FT: See above

I like The Who, and Sell Out is undoubtedly an entertaining record, but the novelty wears off, leaving two jams ("Armenia City in the Sky" and "I Can See For Miles") and a couple of progressive tunes. (6/10) FT: see above

Last Broadcast brilliantly balances a static chant with a hypnotic rhythm, country-ish guitar-picking and floating female vocals. However, these tracks have a bit too much melodrama, and sometimes they "only" have melodrama. (6/10) FT: There Goes The Fear

Donovan's style had also assimilated elements of jazz and raga. The effect was to transform his medieval odes into small "baroque" chamber pieces, rich in colors, nuances and deviations. We would call it hippy (7/10) FT: Sunshine Superman, Seasons of the Witch

Super album that makes a good mood. Because of the simplicity it makes it fast moving. (7/10) FT: Clandestino, Bongo Bongo

Relaxing, down-to-earth album. Smooth voice and arrangements. It is also one of the best selling albums of all time. (7/10) FT: It's Too Late, You've Got A Friend

The band slightly differ from the average, due to a more punk, Buzzcocks-like feel. (7/10) FT: Alright

Athens' new wave spawned the quirky dance-music with Sixties overtones of the B52's, basically a synthesis of the three leading phenomena of the time (new wave, disco-music and Sixties revival). (7/10) FT: Rock Lobster

A set of complex pieces for tenor saxophone, notably Brilliant Corners and Pannonica, in which Monk played both piano and celeste. This was to remain his masterpiece. (8/10) FT: Brilliant Corners

Modal jazz was fundamentally a reaction to bebop's stereotypical pattern: a rapid succession of chords. Miles, Coltrane, Adderley, Chambers, Bill Evans on piano, Jimmy Cobb on drums improvised in the studio, without any rehearsal. Four lengthy jams, So What... (9/10) FT: So What, Blue in Green

A mixture of blues and gospel elements accelerated according to the same practice of Proud Mary, Bad Moon Rising, more and more immersed in sinister voodoo nightmares. (7/10) FT: Bad Moon Rising

The album created a spasmodic expectation, is a learned encyclopedia of melodramatic tricks, often touching progressive rock arrangements, with a lot of Genesis and Moody Blues between the lines. Moreover, the songs boast lyrics saturated with references to the singer's bisexuality, heroin, sodomy, suicide, according to a plot that sets the music in a bestial world that contrasts (or complements wonderfully) the graceful and innocent face of the singer. (7/10) FT: So Young, Animal Nitrate

She became really recognizable for the bubblegum dance-pop of the Max Martin creations: Bad Blood, Shake It Off and Blank Space. (6/10) FT: see above

I guess this album was influenced by a lot of artist, like Prince, Kate Bush and Lauryn Hill. A concept album that marked a quantum leap forward in musical ambition. (8/10) FT: Say You'll Go, Come Alive

She has a beautiful and pure voice. The first Songs are pretty good. (6/10) FT: Boulder To Birmingham, Too Far Gone

Xx's subdued sound was the equivalent of trip-hop with dubstep rhythms or other fashionable styles replacing hip-hop rhythms. Really relaxing. (7/10) FT: Intro, Crystalised

Listening to their music was a simple act of collective ritual that required no education. But unlike Beatles fans (who became pop singers at best), the teenagers who identified with the "lightness" of Black Sabbath's music were the very ones who would form rock bands: Black Sabbath spread an alien virus, the heavy metal virus. (8/10) FT: War Pigs, Paranoid, Planet Caravan, Iron Man

While preparing to record the album, the drunken Wyatt fell from a third-floor window and was paralysed from the waist down. Nevertheless, Wyatt made Rock Bottom one of the first known rock records recorded by an artist in a wheelchair. (8/10) FT: Sea Song

One of the best-selling albums of all time (twenty million copies), perfected the style with an even more vehement production and roar (You Give Love A Bad Name) and epicness (Living On A Prayer). To paraphrase Rob Tyner of the MC5, you’re either part of the problem, or part of the solution. (6/10) FT: see above

The album is nonetheless one of the most effective indictments of the year, thanks to a fascinating set of punky but not too pretty songs that reinterpret the history of rock music. (6/10) FT: Waking Up, Connection, 2:1

The album is a Mix the sex appeal of Mick Jagger, the erotic guitar of Jimi Hendrix, the shamanic perdition of Jim Morrison. The Stooges' heroic sound was furious and gruff. Love it (8/10) FT: Dirt, L.A. Blues, Down on the Street

This album is something of a triumphant and thematic return to the black and mawkish aesthetic they had explored in the early 1980s, the culmination of almost every musical direction The Cure had ever explored. (7/10) FT: Love Song, Pictures Of You

A scholar of world music, he was able to infuse a country square dance with hip-hop to get Buffalo Gals, or mix African and South American folklore en masse. Hip-hop is even used to rework three famous operas, "Carmen", "Madame Butterfly" and "Turandot". Anyhow, Nice try (6/10) FT: Buffalo Gals, Obatala

The protagonist of Jagged Little Pill is a little girl with mood swings. The album lives from catchy melodies, and especially from the track Ironic, in which the change of tones in the chorus is extremely emotional. In this little dramatic monologue, Morissette reveals an amazing flair and can speak, whisper, scream and modulate with equal ease, only to explode into a shrill teenage tone. (6/10) FT: Mary Jane, Ironic

Bad. Ass. Dudes. While the Beatles were singing "la-la yeah-yeah", the Monks (self-proclaimed "anti-Beatles") scared crowds of well-behaved kids with this album. (7/10) FT: I Hate You

Snivilisation is perhaps one of their most ambitious works, ranging from house to hard rock, using the voice in the subtlest of ways and integrating samples in almost mimetic ways. It is also their most "physical" album, which is a testament to the duo's greatness. (7/10) FT: Forever, Kein Trink Wasser

California Dreamin' remains to date their most memorable refrain and their most exciting vocal counterpoint. The Mamas And Papas took harmony singing of the 1950s, adapted it to the sound of folk-rock, and turned it into a national anthem for the hippie generation. But listen to the whole album?(6,5/10) FT: California Dreamin', Monday Monday

The monumental Being There, comprising 19 songs, revisits the singer's musical roots, from "the Rolling Stones", to "The Band", and many more. It's the arrangements that make the difference to this other bands, that add a dash of humour and weirdness, that turn a pompous recital into an eccentric aphorism. (7/10) FT: Forget the Flowers, Misunderstood, Monday

The album smelled a bit like Hollies mixed with Searchers, prompting the British press to call them "the greatest band in the universe". Rolling Stone magazine speaks of One Album Wonders.... Well,... (6/10) FT: There She Goes, Feelin'

World Clique redefined techno music as futuristic kitsch, a genre for the masses with a sense of humour. "Groove Is in the Heart” is on World Clique, and notably features funk n’ roll godfather, Bootsy Collins on bass and spoken word. That’s it. (6/10) FT: Groove Is in the Heart, What is Love

The clear and straightforward arrangements, the lush harmonies, the high falsetto voices, the humanitarian-populist lyrics characterise Shining Star. But that's pretty everything for that album... (6/10) FT: Shining Star, That's The Way Of The World

Christmas as we know it. Classy arrangements, bright harmonies, but is not my favorite music. (funny side note today is the 25.12.2021) (5/10) FT: White Christmas

Look, I’m about as pro-ganja as you can get, but I’m telling you the title song is the only jam on Legalize It. The rest is forgettable at best. (5/10) FT: see above

In fact, despite being a not-so-special album(for a MUST LISTEN 1001), it's an album I enjoy listening to. Probably because of my love for the saxophone sound and her voice. (6/10) FT: Smooth Operator, Your Love is King , Sally

The sound has attained an expressive maturity unparalleled in the annals of the decade: there are still traces of the experimentalism of the early days, but appropriately camouflaged in balanced harmonies and cleverly referenced to the genres of the rock tradition. The motto is: diversity of style in the unity of the arrangement. The ingredients are basically the same as always: cold and distant vocals, strings stretched to the limit of noise, chaotic interweaving of counterpoints, obsessive chord repetitions, insistent percussiveness, alienation effects and tense atmosphere. (8/10) FT: Total Trash, The Sprawl, Teen Age Rio

The thing is that, the more Morrissey sings, the more the listener realizes that he is always singing the same song, and maybe some songs do not need to be sung even once. (6/10) FT: Why Don't You Find Out for Yourself, The More You Ignore Me, the Closer I Get, Now My Heart Is Full

Wow...Really nice Album. Nothing to add to that. (7/10) FT: Walk On By, By The Time I Get To Phoenix

The "black" album, contains another of their masterpieces and one of their greatest, Enter Sandman (tank cadence, textbook guitar progression, raw and brash chorus, instrumental bridge that heightens the dramatic tension, chorus, coda), and again digs into the darkest depths of the human soul (Of Wolf And Man, My Friend Of Misery), but in general it marks the beginning of a step backwards towards a more human sound: only three tracks have a "thrash" rhythm. It is the most "unspectacular" work of their career: Metallica is a classic mainstream hard rock album and you are going to hear it whether you like it or not. (7/10) FT: Enter Sandman, The Unforgiven, Nothing Else Matters

It's not my favourite genre in hip hop, but this album is solid. Ice Cube speaks hard truths. That's very evident here. Comments on race, violence, inequality, culture, etc. are delivered with aggressive poetry. (7/10) FT: AmeriKKKa's Most Wanted

Is This It, that apes the atonal lo-fi pop of the 1980s; the bouncy and spirited Someday; the ska with progression a` la Cheap Trick of Last Nite. Like it, but don't know if it'S a must hear. (7/10) FT: see above

'77 reveals a strange combination of social attitudes, naïve melodies and surreal fables. The oblique strategy David Byrne used to set his psychotic rigmaroles (which I really love) to music was complemented by a rhythm section consisting of danceable and tribal beats. (8/10) FT: Uh-Oh, Love Comes to Town, New Feeling, Psycho Killer, Pulled Up

The Byrds are the Byrds in name only at this point. Gene Clark and David Crosby are gone. Yet the Byrds continue to release albums... Quite easy listening album (6/10) FT: You Ain’t Going Nowhere, Hickory Wind

A German cabaret singer who I heard in my childhood in Hunchback of Notredam. (see Spotify most listen) Again, I wonder why it's one of the 1001 albums? (6/10) FT: Tango Ballad, The Part You Throw Away

Ambitious album for the time ( sound engeneering and mixing) to combine ambience and 70's rock. Quite relaxing. (6/10) FT: Dirge

The band banished solos permanently and anchored rhythms very clearly. The production is meticulous and you can feel the "touch" of Eno implemented in some songs. (7/10) FT: Found a Job, Take Me to the River

Many of these songs, like the ones on the previous two albums, are fairly predictable, but elsewhere Beck uses elegant arrangements to enhance the emotion hidden in the lyrics and to downplay the simplicity of his delivery. (6/10) FT: Lost Cause, Golden Age

An important album for Disco- and dance lovers. Whether this also applies only to listening, I am not sure. (5/10) FT: We are Family, Lost in Music

Quite pop-ier than their previous albums. A new direction for the band: invigorating music with the author's usual nihilism. (5/10) FT: A Design for Life

A Punk Rock Opera. It sounds like a really bad idea, but it they manage to turn it upside down. (7/10) FT: Boulevard of Broken Dreams, Holiday, Wake Me Up When September Ends

I didn’t like it as much as I thought I wouldn’t. I heard an african album once and they aren't all like this one. (4/10) FT: Désespoir

This is a sort of hip-hop opera,where all the songs being related by the story of a some lost money.(7/10) FT: Fit but You Know It, Wouldn't Have It Any Other Way

The album as a whole is a mixed bag: the band's arranging talent is interesting, the compositional art rather superficial. Nevertheless, the album is very easy to listen to and enjoyable. (6/10) FT: Poor Leno, So Easy

The album is even more varied and dense, with a few more classics of their ragged, debonair style, taken a little from 1920s town bands, a little from barrelhouse entertainers, a little from country bands and a little from 19th century minstrels. (7/10) FT: The Night They Drove Old Dixie Down, Up on Cripple Creek, Jawbone

It's very funny to read the reviews of the album. From "crappy" to "genre novelty". I found the album quite decent. Nothing new under the sun, but very pleasant to listen to. (5/10) FT: evermore

After listening to their last album, they try to keep the same course. They also added 2 catchy songs. (6/10) FT: The Model, Neon Light

The arrangements are as conventional, predictable, abused and traditional as possible, as proven by the singles LMK and Frontline. It's really well produced and pleasant to listen to, but a 1001? (5/10) FT: Blue Light, LMK

Live & Dangerous would be a fucking A-M-A-Z-I-N-G if it was even close to being a live recording. According to producer Tony Visconti, about 25% of the album is recorded live. Very rocking and exemplary for the time. (6/10) FT: Still in Love with you

On closer inspection, they were one of the bands that ushered in the post-punk era. It has punk, new wave and rock elements, it's mediocre. (5/10) FT: Shot by Both Sides, The Light Pours out of Me

This album contains virtually all of Boston’s best cuts and in some way could be considered a greatest hits collection. (6/10) FT: More Than A Feeling, Peace Of Mind

In retrospective, you can say, it's a more mature and "different" Elvis. I like his voice and his entertaining style. (5/10) FT: Such a Night

You must listen to this album before you die, otherwise you will die believing that Anna Calvi and Amanda Palmer were the ultimate women in rock. (6/10) FT: Dress, Sheela-Na-Gig

First album. Really raw. Really old school. Really cool (7/10) FT: Protect Ya Neck, C.R.E.A.M.

The so-called White Album was an example of the change of mood in rock music towards a simpler and more traditional way of making music. It's an album my parents listened to and so I have a more emotional approach to it. (8/10) FT: While my Guitar Gently Weeps, Hapiness is a Warm Gun, Blacckbird, Dear Prudence

It is a very mature album. Siouxsie is perhaps at the peak of her grotesque vocal abilities, and the backing singers accompany her with truly satanic fervour. McGeogh's atmospheric guitar performs little acrobatic feats that enrich the sound. Pretty dark (7/10) FT: Spellbound, Arabian Knights

With sombre monologues, Lydon touches the bottom of existential depression, wandering aimlessly in the grip of a "deadly boredom" for a universe that has reduced itself to a dark and deserted tunnel. (6/10) FT: Public Image, Fodderstompf

A fantastic, hysterical and emphatic exaggeration of rock'n'roll clichés. A wonderful glam rock album. (7/10) FT: Bat out of Hell, Paradise By the Dashboard Light

You know the one song. The question is whether you should also listen to other songs. (6/10) FT: Come On Eileen, Jackie Wilson Said (I'm in Heaven When You Smile)

Joni slowly but surely found her inner sophisticated lounge singer. It's a folk jazz album. Deal with it (8/10) FT: Coyote

Louis Prima is amazing! But ...Listen, would you mind explaining to me how the fuck this list does not contain any Chuck Berry or Louis Armstrong? How is that possible? (7/10) FT: Just a Gigolo / I Ain't Got Nobody (and Nobody Cares for Me), (I'll Be Glad When You're Dead) You Rascal You

The goal of the raga is to create a trancey state, to broadcast a mood of ecstasy. Maybe I need to be high for this. Good introduction (5/10) FT: Dádrá

Incredible heroes of 70's PoP, with disco anthems and musicals that resulted. Whether this album is one of them is questionable. (5/10) FT: One of Us, Slipping Through My Fingers

Among The Living shaped the final sound and some of the classics of the genre trash metal. It's like German tourists on the beach with white socks and sandals. It's strange, but you look at it longer than you think you would be looking at it. (5/10) FT: Caught in A Mosh

One step up from Taylor Swift and two steps up from Ariana Grande, but certainly not revolutionary, and it is debatable who should get credit, since most of the appeal comes from the arrangements. But i like it (6/10) FT: Liability

Humour became satire and portraits became murals. The Beatles were left out with Sgt. Peppers and everything else that appeared in the British charts that year. (6/10) FT: Waterloo Sunset

Good album, which lead to a much greater period. But it’s also another cocaine record. (7/10) FT: Golden Years

Solid bluesy-swamp rock Live-Performance. Too little time to argue for or against this album. (7/10) FT: One Way Out

This album represents another creative high point in Young's career. Possibly one of the best with the band Neil Young & Crazy Horse. (7/10) FT: Powderfinger

A progressive rock classic. Long incredible solos. Genesis took the fusion of folk and psychedelia to the extreme. (6/10) FT: Firth of Fifth

This live album is indeed a grotesque riot of musical cruelty and primitivism, but also an impressive example of destructive power and music of the heart. After that you will understand why modern punk rock is nothing more than a fashion statement. (8/10) FT: Kick Out The Jams , Come Together

I have personally listened to this record at least 100 times in its entirety. I love it... But it's not for everyone...(8/10) FT: Oh My Love, Jealous Guy, Imagine

Undeniably it’s a great folk album. Modern arrangements, astute rhythms and the two harmonising voices. (6/10) FT: Matty Groves

An experimental album of eccentric arrangements and weird melodies. I like it :) (7/10) FT: Jesus, Etc, I Am Trying to Break Your Heart

A very good disco album. Basically not a fan of disco, but Miacheal brings it across in an easy-going way. (6/10) FT: Don’t Stop ’Til You Get Enough, Rock with You

Yeah, noise punk-pop post-hardcore something :) Homogeneous album... (4/10) FT: On the Lash

It is de facto a concept about God... Such an amazing last album. (7/10) FT: You Want It Darker, Leaving the Table, Traveling Light

The lyrics are far less interesting than the atmosphere created by the confused and noisy arrangements. (6/10) FT: I Luv U, Fix Up, Look Sharp

The singer screams like a cross between David Bowie and Robert ,singing lyrics of urban desolation. Somehow disorganised, the record consists of different genres: heavy metal attacks, mystical psychedelics, the hyper-distorted melodramatic blues in Led Zepplin style. (7/10) LT: Jane Says, Ocean Size

An attempt at a jazz-hop-fusion album. Quite okay. (6/10) FT: Buggin' Out, Check the Rhime

A pioneer in the field of bedroom electronica. An album that will inspire many other electro artists. Quite funny to listen to. (5/10) FT: In My Arms, Drop the Pressure

Bad Company had some solid jams, didn't they? Remind me. They were a good to very good band that stayed within the narrow confines of lowbrow hard rock. Still a good album. (6/10) FT: Can't Get Enough, Bad Company

Unconventional mixture of reggae, retro-soul, African root beats and current DJ rhythms. (6/10) FT: It's Great When We're Together

Basically an above-average heavier album from Metallica. Noticeable are the half-hearted riffs, the martial rhythms that repeat themselves ad nauseam. (5/10) FT: One

Senegalese music mixed with reggea and disco. Certainly refreshing for in between. (5/10) FT: Yela

Pretty raw... The Idiot was the first result of the collaboration with Bowie and, in fact, the prototype for Bowie's own album Low. (6/10) FT: Nightclubbing, China Girl

A highly dramatic and unified thematic work (the forms of evil). Epileptic, stormy and satanic. Metal... (7/10) FT: Wake Up Dead

Ah...Annie Lennox is a great vocalist... 2 good songs, the rest are rather poor. (6/10) FT: Sweet Dreams (Are Made Of This), Love Is A Stranger

With this album Weller found his authentic voice. (6/10) FT: Wild Wood, Sunflower

This is what a live album used to be and is supposed to be. Sadly Harlem Square was recorded in 1963, it wasn’t released until 1985. (7/10) FT: It's Alright, Bring it on Home to Me

Great pop album. Catchy motifs and interesting melodies all around. (6/10) FT: Girlfriend, Damn,dis-moi

In my opinion, Roots is not just an album by a mature ensemble, but an avant-garde work whose songs are well thought out. (7/10) FT: Roots Bloody Roots, Ratamahatta

Green has a cultured, effeminate way of establishing himself as a sex symbol, but also superior vocal skills. (7/10) FT: Let’s Stay Together, How Can You Mend a Broken Heart

Very good ballads. Good voice and story telling. (6/10) FT: Fast Car, Talkin' 'bout a Revolution

Surprisingly good album. Many many influences that made the album more exciting. (6/10) FT: Run, Baby, Run, No One Said It Would Be Easy, I Shall Believe

Amazing! Stevie convinces me with the first two songs. (I mean all the good songs would have fit on one album).... (8/10) FT: I Wish, Sir Duke, Isn't She Lovely, Pasttime Paradise, As, Another Star

The album is neurotic and baroque at the same time, like 1000 Umbrellas, and which will remain one of the milestones of pop. …Produced by Todd Rundgren.(7/10) FT: Dear God, 1000 Umbrellas

Great Live album, little bit long, but great barbaric presentation of the band at their peak (7/10) FT: Child in Time, Smoke on the Water, Lazy

I have incredibly beautiful memories with this album. Very beautiful moments and cheesy ballads. (8/10) FT: Nearly whole album :) Movin' Out (Anthony's Song), Scenes from an Italian Restaurant, Vienna, Everybody Has a Dream

Really good jams. Hard boogie to epic ballads. (7/10) FT: Free Bird, Gimme Three Steps, Simple Man

Ah... Madonna is more and more a woman without a man, a woman without feelings, a woman without emotions. Really really pop. Filled with singles (6/10) FT: Like a Prayer

Newman manages to cast such simple music in a socially critical setting. Love it (7/10) FT: Louisiana 1927, Birmingham, Mr. President

An album manifesto that in practice acts as a link between different genres from ambient to heavy metal. The album's greatest weakness is: every second of music is absolutely banal in its context. Prodigy gives the listener exactly what they expect. Triviality has its merits, especially in the field of dance music. (6/10) FT: Breathe

The album's intentions are good, but it has too much fluff. It sounds like the album of musicians that try desperately to sound interesting. But in fact, it was pretty pop. (5/10) FT: Juxtapozed with U

Santana is the Michael Jackson of guitar players. You have to hear one of his albums in its entirety. You don’t have to like it, just listen. (7/10) FT: Oye Como Va, Black Magic Woman, Samba Pa Ti

French dance music, yeah okay. But a 1001AYMHBYD? (5/10) FT: Sometimes

Sam Cooke's guitarist made a phenomenal record if Stevie Wonder didn’t exist. He does. Nevertheless, a beautiful ballad soul crossover. (6/10) FT: If You Think You're Lonely Now, Where Do We Go from Her

The album is more of a vocal tour de force, of wild psychedelic hymns in Indian rhythm. In any case, he is years ahead of his time. (6/10) FT: On Some Faraway Beach

A big and small hit. The rest is rather mediocre. (5/10) FT: Don't You Want Me, Love Action (I Believe in Love)

Solid Hard Rock Album. (6/10) FT: YYZ, Limelight

Indeed, with this album, Pavement have interpreted the anxieties/problems/issues of their time at their best. (6/10) FT: Unfair, Range Life

Okay...It's better, though not as good as the first albums. (6/10) FT: Sugar Kane

One of the milestones of heavy metal. However, I am unfortunately not a speed/trash metal fan... (5/10) FT: Raining Blood

It is an ambitious and creative work, reinventing prog-rock for the post-"rock" generation. (7/10) FT: Inertiatic ESP, Roulette Dares, Televators

He composed, played and produced on his own. Really nice (6/10) FT: Strawberry Letter 23, Pling!, Sweet Thang

A mix of folk and punk, with really good songs. (6/10) FT: Riddle of the Eighties, In My Mind

An album that sold less than the others but offered, a incredible good production sound and solos. I love that album. (8/10) FT: Shine On You Crazy Diamond

A formidable ensemble, and that nice Middle Eastern tone of his tenor. (6/10) FT: Immigrés

this album is ALMOST everything. Almost great, almost incredible but also almost bad and mainstream. (6/10) FT: Sultans Of Swing, Six Blade Knife

A lanky, four-eyed white boy from Texas who shaped the template for today's rock. (5/10) FT: Oh, Boy!, Not Fade Away, That'll Be the Day, Send Me Some Lovin'

I am Brazilian, so I grew up with her. Her voice is just amazing. A prodigy, with a far too sad story. (7/10) FT: Tiro Ao Alvaro, O Que Foi Feito Devera, O Trem Azul

Don't know, why it is a AYMHBYD.... the only track that really justifies the album is the progressive jam Small Hours. (5/10) FT: Small Hours

Run-DMC brought rap to the mainstream rock and pop market, thus to white people. They made hip-hop just white enough without losing its integrity. You can't go wrong with their debut album. (7/10) FT: It's Like That, Rock Box

One of the origin albums of "gangsta rap". (7/10) FT: Straight Outta Compton, Fuck The Police

Not bad for a pop starlet. But really a 1001? (5/10) FT: My All

Afro-beat combined with some James Brown's funk music, highlife and jazz. (6/10) FT: Wonder Wonder

The first impression of Bjork's music is always of something terribly trivial, obnoxious and ultimately boring. With her, a lot always happens in the studio. However, there is something meditative about it, which I thoroughly enjoy. (6/10) FT: Unison, Pagan Poetry

This is mainstream new wave, nothing more than well-crafted pop music with a beat and a sax solo here and there. (6/10) FT: Hungry Like The Wolf

Sounds a bit like a mix of funk and psychedelic. Bit often used the word funk... (6/10) FT: Give Up the Funk (Tear the Roof off the Sucker)

It's a "Pop"-Version of a Radiohead album. Little bit trivia. (5/10) FT: Why Does It Always Rain On Me

With Ginger Baker Live! is basically quite good but no AYMHBD. (5/10) FT: Black Man's Cry

A quiet and gentle album that downplays the rhythmic element and incorporates a stronger melodic element. It builds up like a Wagnerian climax . (7/10) FT: ISI

His voice adapts depending on the song. Truly remarkable. Arrangements are postmodern and baladic. (6/10) FT: DLZ, Family Tree

Harvey's vocals are even more raw and vulgar, able to plumb the depths of despair in Rid of Me, Dry and Rub Til It Bleeds. (7/10) FT: Rid of Me

They have transferred a velvety, romantic style into the techno era. Simply nice (7/10) FT: Round & Round, Vanishing Point

Very well produced for 1985, almost sounds like the music wants to jump out of the speakers. (6/10) FT: Bonny, When Love Breaks Down

The Best Jazz Pianist of the Era. He was on Kind of Blue. The co-founder of low-key bebop. But I find other albums by him even better, therefore only: ( 7/10) FT: Alice In Wonderland, Solar

It’s a slower, radio-friendly mix of mid-tempo 4/4 tap-a-longs. Nothing really remarkable. (5/10) FT: If I Can't Change Your Mind, Helpless

Is an anthology... Swedish garage rockers go Rock'N'Roll. (5/10) FT: Hate to Say I Told You So

The White Queen Of Soul. Really a 60's "white" Soul Album. (7/10) FT: Just a Little Lovin, Son of a Preacher Man

As for his influence on Western pop music, there are a handful of people in the world music genre who have probably ripped this man off from here to Lagos, Nigeria. Certainly a brilliant musician. (6/10) FT: Zombie

Absolutely fantastic (8/10) FT: Come Rain or Come Shine, Tell Me You'll Wait for Me

Morrissey being Morrissey (6/10) FT: Suedehead

A sharp and compact overall sound, with relatively melodic compositions. The arrangements are among the most eccentric of their time. (7/10) FT: Seven and Seven Is

Very pleasant French hip-hop, you hardly notice that you have listened to a complete album. (6/10) FT: Caroline

Great pop. The album has the sad ballads, the up-tempo songs. (7/10) FT: Faith, One More Try, Father Figure

Three levels: Sound quality that becomes more and more crystalline, assimilation of electronics that are now on a par with traditional instruments, and the "alienation" of atmosphere that transforms each song into an increasingly complex abstraction. (7/10) FT: The Big Ship, Golden Hours

Not essential, but not bad. There are some extremely catchy jams on this record, and some queasy-cheesy moments, too. (6/10) FT: Treason, Brave Boys Keep Their Promises

Two things: Aretha Franklin is awesome, especially in the 60s. And this 25 minutes of Aretha. Love her. (8/10) FT: Respect, Dr. Feelgood

Not really outstanding. Don't know why this is a 1001 AYMHBYD. Still not bad (5/10). FT: Laughing, Cowboy Movie

Must Hear if there ever was a Must Hear. Really Futuristic... (9/10) FT: A Love Supreme, Pt. I – Acknowledgement

It's a mix of 50s pop-soul arrangements, with a crooning melodramatic and decadent style in the vein of David Bowie. (6/10) FT: The Look of Love (Part One), Show Me

Sad it's her last album. Such a voice. Such a woman! (7/10) FT: Cry Baby, Me and Bobby McGee, Mercedes Benz, Get It While You Can

Heaps of Merseybeat, psychedelic and pop trivia. Nevertheless, the album set a sales record for a debut album. (6/10) FT: Live Forever, Up In The Sky

Beautiful jazz elements. Each song offers something different. (7/10) FT: Pretzel Logic, Rikki Don't Lose That Number

Post-punk noise pop with gnarly guitars and whining vocals. Solid (7/10) FT: Little Fury Things, Just Like Heaven

The counter-movement of intellectual rock, which in turn were the antithesis of progressive rock of those years. It has a slight trash factor (6/10). FT: Rock On

Merely scratch the surface of their postmodern technique of layering kitschy and retro sounds. Again a repeat of Pink Floyd-ish instrumental tracks. (6/10) FT: Ghost Song, Playground Love, Highschool Lover

Quite accessible for being called the "Ramones from Ireland". (6/10) FT: My Perfect Cousin, Wednesday Week

The record is an ambient techno classic. (6/10) FT: Water From A Vine Leaf

Interesting. Guitar technique and mezzo-soprano singing. (6/10) FT: I Want To See The Bright Lights Tonight

This is the record with which Beck Hansen legitimises his charisma as the most representative singer-songwriter of the 1990s, when the wild style of rap was combined with the courtly style of the folk ballad. (7/10) FT: Jack-Ass, Novacane

With a calm and meditative tone Nick reveals himself to be a lyrical and elegiac poet, dedicated to the search for wisdom through. (7/10) FT: River Man, Saturday Sun

Alice In Chains were a marginal influence on the future of alternative metal.... Quite a fine piece of hard rockery. (6/10) FT: Them Bones, Would?

It is undoubtedly an original record, with orchestrations here and there worthy of classical music elegantly complementing the rock instrumentation. (7/10) FT: Alone Again Or

Just great. I was really amazed (7/10) FT: Juicy, Respect, Big Poppa

Blueprint for a lot of psychedelic albums. As it stands, it’s much more garage rock than anything else. And that’s OK. (6/10) FT: The Kingdom of Heaven (Is Within You), Roller Coaster

The melodies were even more mediocre, but what mattered is the way the song was structured and orchestrated. Anyhow I like it ^^ (6/10) FT: Scientist, Clocks, In My Place

A psychedelic depression with expressionistic overtones. Love him. (7/10) FT: Perfect Day, Walk on the Wild Side

The most gifted jazz vocalist of the era, Ella Fitzgerald, Billie Holiday ans Sarah Vaughan. Sooo goood. (7/10) FT: Willow Weep for Me, Be Anything (But Be Mine)

Like it. If it's a 1001 questionable... (6/10) FT: No Other, Strength of Strings, Some Misunderstanding

Apparently some people think this is an influential record. I don't (6/10) FT: Nocturnal Me, The Killing Moon

Just a great album. Point (7/10) FT: Sympathy for the Devil, Street Fighting Man

They fused hip-hop with jazz, rhythm'n'blues and reggae at a deeper level. Love it (7/10) FT: Ready or Not, Killing Me Softly

I like how they warnend about the genre in advance. Really clunky. (5/10) FT: Xtal, Ageispolis

Sgt Pepper represents a breaking point in their career on several levels. Also happens to be one of the prototypical psychedelic records. It certainly defined the genre. (exception being The Beach Boys – Pet Sounds) (8/10) FT: With a Little Help from My Friends, A Day in the Life

Nightfly is a pleasant and soulful collection of intimate music. The only weaknesses are Fagen's vocals (rather unoriginal and often stretched) and the melodies (rather derivative). (6/10) FT: I.G.Y.

Dark, edgy, and kind of creepy. This is what the cure sounds like (6/10) FT: Play for Today, A Forest

Folk punk. I really like the arragements, the melodies and the spirit of the album. (7/10) FT: Sally MacLennane, Dirty Old Town

A somewhat mediocre album. Mediocre voice, mediocre lyrics, mediocre arragments. 1-2 songs that are good, but no 1001 for me. (5/10) FT: I Remember Me

I fell in love with music because of this album. In classical music, in rock, in jazz, in vocal singing. Thank you Queen (10/10) FT: Bohemian Rhapsody, Love of my Life ... actually the whole album

An album that unites rock and baroque pop. Some songs are also reminiscent of Prince, U2 and Hendrix. Beautiful. (8/10) FT: Knights Of Cydonia, Supermassive Black Hole, Soldiers Poem

For 1991 really ambitious. Worth listening. (7/10) FT: The Concept

Evol is a milestone in the band's history, although the album is less profound and disturbing and more traditional rock, the sound contains the essence of two decades of music of moral decay. (7/10) FT: Shadow of a Doubt

In Rock (1970) was a transitional album. 2-3 really good rock songs, the rest rather average. (6/10) FT: Child in time, Speed King

Thanks to that album, Cohen can be considered one of the most influential singer-songwriters of all times. There is all in there (7/10) FT: Avalanche, Famous Blue Raincoat, Diamonds in the Mine

Remarkable dream-pop, with delicate and stunning merry-go-rounds of sounds. (7/10) FT: Svefn-g-englar

Tango - Ambient - Electric sound. New? I don't know, but I like tango. So anyway (5/10) FT: Época, Santa Maria

Autobiographical storytelling that was certainly more literate than the average. Okay (6/10) FT: Money Trees, m.A.A.d. City

The soft, dreamlike backgrounds that make these songs a kind of existential meditation made Massive Attack famous, at least as producers. The artistic aspect, on the other hand, was to be deepened a few years later: see Portishead. (5/10) FT: Unfinished Sympathy

A ska revival with a pinch of punk rock. Catchy lines. (6/10) FT: Enjoy Yourself, Stereotype / Stereotype Pt.2

Lot of catchy Pop Songs. Maybe responsible for the gospel choirs in throwaway pop music. (6/10) FT: Freedom! '90, Praying for Time

Whether you like it or not, country rock is a thing, and these guys were the Pangaea of the genre. (6/10) FT: Christine's Tune, Hot Burrito #1

The late Curtis Mayfield is the reason you should listen to this album. He’s such a fine singer. Goodness. (7/10) FT: Little Child Runnin' Wild, Pusherman, Superfly

The one of the first and foremost, children of the blues. Incredible tracks and rock-hymns. (9/10) FT: Stairway To Heaven, When The Levee Breaks, Black Dog

Kid A's sound has decomposed and absorbed countless new perfumes, like a carcass in the forest. Radiohead move as close as possible to electronic music, but without endorsing it. (8/10) FT: Everything In Its Right Place, How To Disappear Completely

Its "songs" have replaced most of the "cinematic", noir quality with loud and frantic body movement. (6/10) FT: State of Contraction, Miles

Mellow Boogie Man (5/10) FT: Blueberry Hill

Peace, love, communal living, esoteric mysticism, sitar, gimbri, shenai, oud, harpsichord, panpipes, penny whistles, and 13-minute suites about molecular biology. (7/10) FT: Koeeoaddi There, A Very Cellular Song

The Buzzcocks are a greatest hits band who never had any hits. (6/10) FT: I Don't Mind, Fiction Romance

Seriously, how could anyone listen to current popular music and not think, “How did we get from Elvis Costello to One Direction.” It just boggles the mind. (7/10) FT: Little Triggers

A other level of new-wave music. (6/10) FT: Cars

A fusion of danceable and rock. (6/10) FT: Setting Sun

This album is a mini-symphony of hardcore techno that uses breakbeats to construct atmospheric music. (7/10) FT: Timeless

Surprisingly, Grohl turned out to be a rare pop talent, able to create melodies, rhythms and riffs that are easy to listen to and totally on trend in the post-Cobain world. (7/10) FT: This Is a Call, Big Me

A really talented musician. The white Stevie Wonder, if you will. But not after '77... (6/10) FT: While You See a Chance

Free love and LSD. The band knows how to absorb elements of folk, blues, rock and jazz, but it is the vocal harmonies of Slick (high, majestic voice), Balin (soft, sunny voice) and Kantner (sharp, neurotic voice) that set the tone. (7/10) FT: White Rabbit, Somebody To Love

Wow, pretty late album from JLH. Very solid, very bluesy. (7/10) FT: The Healer, Think Twice Before You Go

It's not particularly original, just better produced than his previous album. (7/10) FT: Praise You, Love Island

Palo Congo is a solid Latin jazz album. However, we already had Tito Puente and Machito. I would have preferred a Django Reinhardt album. (5/10) FT: El cumbanchero

Loved by fans and critics. 11 million copies sold. It's like RnB mixed with the Supremes.(6/10) FT: Creep, Waterfalls

Jethro Tull albums generally follow the CCR Format, but also reinventing Led Zepplin. The title song is a timeless classic and there might be one other really catchy jam on here. (7/10) FT: Aqualung, Locomotive Breath , Bourée

A mix of blue-eyed soul, jazz and modern influences (for the time) made this a more sophisticated, progressive pop album. (6/10) FT: You're the Best Thing, My Ever Changing Moods

A funny album. Lots of unusual odd time signatures that show that a song doesn't necessarily have to be in 4/4. (8/10) FT: Blue Rondo à la Turk, Take Five

It’s easy to see why this album it's on the list. But I think he got better ones (6/10) FT: Down by the River

Beautiful harmonies. There's something about mixing renaissance choral music with a folk band. (8/10) FT: Ragged Wood

He sounds "hard and funny" and raps about "crass materialism" and "life's simple pleasures". Okay... (5/10) FT: Mama Said Knock You Out, Around the Way Girl

The Village Green Preservation Society are songs of the common people, soft, humble and gentle, combining admirably with elegance. (7/10) FT: Picture Book

Nothing to add to this. (7/10) FT: Mr. Tambourine Man , It’s All Over Now, Baby Blue

It's a musical extravaganza with whimsical arrangements and virtuoso vocal performances, even if the songs sometimes become so erratic that they lose their cohesion. One of the highlights is the piano playing, which unfortunately often remains in the background. As it is, it ends up being more about the lyrics than the music, and there are much better poets and novelists out there. (6/10) FT: I Want You to Love Me, Under the Table, Ladies

The future of indie rock. Rock like exploding granite. (6/10) FT: Betray

Couple of original Beatles and a few cover songs. Nothing revolutionary, but good mood music. (5/10) FT: It Won't Be Long, All My Loving, You Really Got a Hold on Me

A collection in the style of 1970s songwriters. Impeccable, great lyrics, but a bit derivative and repetetive (7/10). FT: Marz, Queen of Denmark, Outer Space, Sigourney Weaver

Folk surrealism with crazy rhythms and weird arrangements. Infected alludes to the AIDS epidemic of the time, somehow unfortunate title, don't you think? (5/10) FT: Infected

Musically, the Mondays layered indie-pop guitars with house, funk and Northern soul beats. Yeah okay (6/10). FT: Step On

I think his older albums are better. Songwriting and vocally solid, but it's still nothing new under the sun. (5/10) FT: C'est la Nuit, Alach Tloumouni

They set the British record for fastest-selling debut album of all times. British pop-rock that has been around before. Still great (7/10) FT: I Bet You Look Good on the Dancefloor, A Certain Romance, From the Ritz to the Rubble

The Doors tried to modernise their sound by completely breaking away from the now outdated rock psychedelia concept. (7/10) FT: Been Down So Long , Riders On The Storm

The music consisted of mediocre soul-jazz ballads rooted in the past, but with good lyrics. (6/10). FT: Amy Amy/Outro , I Heard Love Is Blind, Moody's Mood for Love/Teo Licks

Wow, a fully all-instrumental hip-hop album, entirely composed on the sampler but nonetheless lushly orchestrated. (7/10) FT: Midnight in a Perfect World, Building Steam with a Grain of Salt

Bowie's first album in a decade, produced again by Tony Visconti. Solid, not insanely good but solid. (5/10) FT: The Stars and You Feel So Lonely You Could Die, Next Day

Simply great if you like ambient music. (6/10) FT: 1/1 , 2/2

A very entertaining album. Unexpected to have known only 2 songs on it. One of which was by Beethoven (7/10). FT: Beth

A nice fusion of Led Zeppelin and John Spencer Blues Explosion with both driving a punk-ish feel to the songs. (7/10) FT: Seven Nation Army, The Hardest Button To Button, Ball and Biscuit

The album lives almost exclusively from the fact that something is there and not there for the listener to hear. Like, for example, the tempo changes (or "out-of-time") are spectacular. (7/10) FT: Wail, Dynamite Lover

I really appreciate this album. This solid rap with this funk and experimental hip-hop nuances. Reeally good. (7/10) FT: Ms. Jackson, So Fresh, So Clean

Rock Opera par excellence. (6/10) FT: Pinball Wizard, Sally Simpson

Pretty organic album. But unfortunately only one track is really good. (5/10) FT: Savane, Soko Yhinka

An album with many rock anthems and bangers. (8/10) FT: Back in Black, You Shook Me All Night Long

A mixture of eccentric pop of the Pixies with the eccentric dance music of New Wave. (6/10) FT: Only Happy When It's Rain, Stupid Girls

High technical production and good quality pop. Really good (7/10) FT: Good Times Roll, Just What I Needed

Her ballads were simple but profound, personal yet somehow universal, melodically discordant, achieving a synthesis of emotional states and not just musical styles. (7/10) FT: Me And A Gun, Silent All These Years, Crucify

Quite good Country Album. Origins of the “Bakersfield Sound". (6/10) FT: I’ve Got a Tiger By the Tail, Act Naturally, Falling for you

Simplicity. It’s three dudes in a half circle around one microphone, singing these catchy little tunes. Love it (8/10) FT: Blister in the Sun, Kiss Off, Confessions, Gone Daddy Gone

A textbook in how to turn teenage angst into the musical equivalent of fast food. (6/10) FT: One Step Closer, In The End

This album became the best-selling album in the history of the music. There are really 3 great Hits on it. But the rest is mediocre. (7/10) FT: Thriller, Beat It, Billie Jean

Joy Division is a post-punk Cristiano Ronaldo making-off-from-the-top-of-the-key goal. (7/10) FT: Isolation

Yes, a solid soft pop rock album. Good hits. (6/10) FT: What's Love Got to Do with It, Can't Stand the Rain, Private Dancer