1001 Albums Summary

Great beats, amazing lyrics, and lots of interesting sampling from artists I love.

So ahead of its time! Sunday Morning is one of the best songs ever.

Fantastic! One of the greatest opening tracks of all time to set the tone for the album. Love the juxtaposition of The Opera with raucous rock n roll. A great bloody time, the whole time.

Meh. The current spotify version has We Are Family on it 3 times, and two of those versions are over 8 minutes long! Nobody likes that song enough to listen to over 20 minutes of it on one album.

This was apparently shock rock in the 70's. School's Out is a good track on it's own, but the rest of the album sucks. The lyrics are all so cheesy and cornball. Not an album I'll want to listen to again, stick to Alice Cooper's Greatest Hits.

Love this album! Poignant lyrics, endearing ennui, wistful storytelling.

Highly enjoyable listening. Not a jazz fan generally, but this is an album I can see myself putting on again.

Absolute crap. Unlistenable. You know back in the day when you'd go to HMV and they'd have the listening station pre-loaded with the picks of the week? This is like the random album they had to put in that to meet a genre quota mandated by corporate. It suuuuucks.

Meh. Not into concept albums, even less so rock operas. Pinball Wizard is a bop though, I do enjoy that tune. Props for the ambition with this album and it's amazing how they used to do the whole thing live, but I'm just not into it.

It's brilliant, exactly the kind of music I love. A magical blend of rock/punk energies and wry self-deprecating earnestness. I love the absurdist yet heartfelt lyrics and effortless cool layered into every track.

Heard enough of this crap in high school when it was on everyone like a bad rash. Not supporting this misogynistic prick.

This album had some amazing singles, classic George Michael songs that I've always loved. But the rest of it is so meh. It comes out strong with Faith, Father Figure, and I Want Your Sex, but the rest of it just felt like filler.

Never heard of this band or album before. Did not know a single song by this group. The songs are mellow and the overall tone is chill. It just didn't grab my attention though. Meh overall. I don't feel like this is a gap in my musical knowledge that needed to be filled.

Uninteresting, unheard of crap. I'm going to be pissed off if shit like this made the list but something truly remarkable like Flood by They Might Be Giants or Soul Mining by The The didn't.

Spotify doesn't even have the full album! The two singles they did have were alright. But I couldn't give this the full listening experience. Spent the day listening to I, Jonathan by Jonathan Richman instead.

Not my vibes at all. Sure, there might be some merit here, but I don't want to spend time trying to find it.

Enjoyable listening. I prefer George Harrison's solo albums, he really flourished when he was liberated from John's tyranny. The one thing everyone needs to know is that the track Imagine was largely written by Yoko Ono, who John selfishly decided wasn't worth crediting because she's "just a wife, y'know?" He was a total douchebag, but it is easy listening.

A fabulous album through and through, one of my favourites. And props for one of the all-time most iconic songs of the 60's - Time of the Season. It so perfectly encapsulates the hippie counter-culture of that time.

Wtf is Mott? Really shitty band name. And they couldn't come up with a better name for the album? Generic 70’s rock. Inoffensive, mediocre. I wouldn’t flip the station if I saw their name on the display.

Boring. Sampling is just such an uninteresting act. I don’t care for it.

Cool funky grooves. Everyday People and I Want To Take You Higher are absolute classics, welcome additions to any party playlist. Sex Machine is so self-indulgent. I don't need to groove to the same instrumental number for over 13 minutes, that doesn't do it for me. One of those tracks where the people who are really high on the dance floor can zone out and go all night, but the rest of us roll our eyes after 3 minutes and want the DJ to move on.

It's alright, definitely not the worst album I've come across so far. I don't want to listen to a full hour of it. Should definitely be on the list of ugliest album covers ever.

Easiest 5 star rating I'll ever give. No brainer. This otherworldly offering from the B-52's is one of the greatest debut albums ever recorded. They are so fucking cool and I love every track! This is an all-time favourite album of mine that I have loved for years. Dance This Mess Around, Lava, Rock Lobster, and 6060-842 are standout tracks, but I really do love every single note of this album.

It’s alright. No complaints.

This ain’t it. Do not want.

Lousy Oasis wannabes.

They obviously appeal to a lot of people, just not to me. Boring ass music.

I like Lou Reed's voice, but this album doesn't seem particularly special. I listened and didn't mind it, but it never fully arrested my attention.

It's great. Not as a solid as A Night At The Opera, but a damn good listen.

Patti is giving me life today! This is an obvious 5. Iconic debut album. You love to see it: an amazingly talented badass woman at the helm of the punk movement. Fuck yeah!

I dig it! Haven't given The Stooges much attention before, but clearly that's going to change. I enjoyed this album a lot, looking forward to hearing more.

Oh Moz, you’ve certainly made an impression on me.

It’s monotonous, but not as bad as I was expecting.

Disappointed when I saw the album cover, but I gave it a chance. After listening it's clear that it's just more crap undeserving of this list. Clearly chosen because of the British bias of the list-makers. First track was fine. The rest was annoying garbage.

This album is a whole ass fucking MOOD and I am loving every minute of it!!

Enjoyed the Tracks of my Tears cover. Don’t mind Bragg’s voice, but I don’t care enough to go here again. Neutral.

It was saved from a 1 star rating by The Book of Love alone because that song did strike a chord with me. 1 gold nugget amid 68 turds.

Living After Midnight, Rockin' to the dawn! This is quality old school metal that's always fun to listen to. Love it!

A solid album through and through. Dig a lot of the songs, especially I Am The Resurrection.

Classic album, definitely worthy of the list. Happy to see Canada represented. Neil is one of our greatest treasures.

Frank Zappa has never appealed to me musically and that's mainly because his image is so off-putting. He looks like a total fucking creep. Only knew the song Valley Girl and that he gave his kids fucked up names. This shed new light on Zappa for me, but it's still not my bag. *shrug*

This so isn't worthy. It's generic 80's new wave. It's fine and that's it. It shouldn't be on the list.

It's too repetitive, there's no nuance in the sound or production. PSB is one of those \"just the hits\" kind of artists for me, no deep cut hidden gems here.

Gross creepy weirdo whose music sucks.

Absolutely essential grunge album. It will rock the fuck out of your soul from the first track to the last. Chris Cornell was an unparalleled talent and killer vocalist, a tremendous credit to the genre. This album is a stone cold masterpiece.

So not into this weepy whiny drivel.

Didn’t mind it. Big band and swing aren’t my wheelhouse at all, but I can appreciate the musicianship on display here.

Innocuous 90's rock.

It's got some bops that's for sure. Had never heard of Neneh Cherry before, and while this isn't really my kinda jams, I didn't mind having it on in the background.

All the subtlety of a sledgehammer. I bet any money he was a terrible lover in real life, selfish and inconsiderate of his partner's needs. The music isn't unlistenable, but the lyrics are so immature and the artist is a loathsome piece of shit. Jeff Buckley is a far superior musician and artist compared to his deadbeat father.

A pleasant surprise! I love the moody, brooding lyrics contrasting the perky pop-ish guitar.

FINALLY! I've been waiting for an album by one of the big big most worthy artists. Sgt. Pepper is very strong. I appreciate how groundbreaking it was, but it's not my favourite Beatles record. Still such a joy to listen to nonetheless. A fabulous listen through and through! Thank you generator for finally satisfying my Beatles craving.

The southern rock magnum opus. And it’s a debut album! Tuesday’s Gone, Free Bird, and Simple Man existing together on the same album blows my mind. I fucking love it.

It’s fine for what it is, but it’s not for me. I’m glad someone is thinking of the penguins though.

Lovefool is a bop, it permeates 90's radio playlists, but that isn't enough of a reason to say that the whole album merits a spot on this list. And I agree with everyone else saying this is one of the shittiest album covers of all time. I would never look at this and equate it with the syrupy pixie pop that comes out of it.

Sucks ass. I hate it.

I dig it, The Jam are such an underrated gem. I got a lot of mileage out of this album today. It bangs.

It's fine, but it didn't leave a lasting impression on me.

I like it a lot more than I expected to. Sade's voice is fierce and sexy!

I expected more from this. It didn’t give me any feels.

I just couldn’t get into it. Maybe under different circumstances, but I don’t have the time to care today.

It was too one-note for me. Lost Cause was a good track though, I liked it. I zoned out of all the sadness and only noticed that it was over when Spotify automatically went into Beercan off of Mellow Gold. I thought "there's my Beck!" and I was happy again.

Cannot separate the "art" from the artist on this one. Scumbag rapist Nazi fuckhead that I will not listen to.

I'm digging it, but I'm not flipping for it. They didn't reinvent the wheel, it's fine for what it is.

Completely biased rating because FUCK YESSSSSS!! This is the sound of me discovering a musical preference of my own, the sound of being 12 in 1999 and figuring out who I want to be. It is an undeniably groovy and unique album that is a direct line to my younger self.

His voice is so soulful and emotive. I'm digging it. Shame that he's a piece of shit wife-beater. Let's stay together or else I'll beat the piss out of you.

Complete crap. Just total horseshit that I want nothing to do with.

I guess they’re saving all the ecstasy for their next album? Very meh. Unremarkable.

The hits are hits for a reason, all that guitar is goddamn catchy shit and I'm here for it. But the album does become quite monotonous as it goes on. Thank you for giving us "Legs" and knowing how to use them.

The first track hooked me, had to go back to it a few times. Saved to library. The second track was great too. Mostly enjoyed the album, but did get a bit bored by the end. The first two tracks set me up for success and I wanted more of that throughout.

TV Party tonight! TV party tonight! Classic angry youthful punk with a dash of humour. I like it.

Crummy hippie space junk. It fucking sucks and I hate everything about it.

Nerd wizard rock that I do not want.

It felt a bit chaotic, there were too many ideas being jammed into this album. The Stones are always enjoyable though. Solid pick for a Saturday.

This is an absolute monster of an album. “Today” is such a beautiful, tragic song. Peak Corgan sad boi brilliance. The whole thing is a solid listen all the way through, love it!

It's lovely. I appreciate the unfettered authenticity and wistfulness. The melodramatic "Get Me Away From Here I'm Dying" is a song that will always have a special place in my heart.

Been an avid classic rock radio listener my whole life, so I'm very familiar with all of Supertramp's big hits. They're alright. I've never cared enough to seek out more of their music. Would rather listen to Rush. Neutral on this.

Just had "If You're Feeling Sinister" the day before, so it's interesting to compare so closely together. I like this album too, it's got that same whimsical yet sardonic lyricism I appreciate from this group, and it seems to be a peppier album overall. Instrumentation is wonderful, enjoying it a lot.

Completely unenthused about this. I don’t have anything against it, but I’m just not into it. Very meh.

Pure fun! This is such a joyful album. I love Louis's voice and the playful way he engages the other contributors. Everything about this evokes carefree, don't take life too seriously fun vibes. I like it a lot!

#1 Record is a good album. This is not. I tuned out when they started singing about Jesus.

It was better than I expected based on the album art and the incredibly stupid band name. Seriously, who named this band?? It’s such an immature name and it inspires no confidence. Tunes okay though.

I just can't. I'm happy that Björk has had success being her authentically oddball self and whatnot, but I'm just not musically compatible with this record. I want to have a good time when I'm listening to music. Not be all high-brow artsy fartsy experimental. It's not you, Björk, it's me. Points added for the iconic swan dress.

Sappy old drunk, he sang the same song 11 different ways on this album. It gets old fast. But he does have a nice voice.

The album artwork is absolutely abhorrent so I can see why it sold poorly. I've been known to judge music by the album cover and that severely lowered my expectations going in. But I have to admit this album is right up my alley. I'm liking the melding of hard rock and post-punk sounds with the alt rock sensibilities. The intensity of the vocals pairs exceptionally well with the rawness of the music. There's something reminiscent of Freddie Mercury in the vocal tone, am I the only one hearing that? I like.

I just… like, why?? It should not be on the list. There’s nothing about this album that is culturally significant. It’s music. Okay, I’ll give it that. But to say this should be included with the likes of Bowie, The Beatles, Bob Dylan, Nirvana… actual artists whose work was impactful? That’s insane. This doesn’t fit.

I listened to The Joshua Tree a lot when I was in high school. Everyone seems to agree the first three tracks are all monster hits. I also really like Bullet the Blue Sky and Running to Stand Still. It's just a great fucking album.

I hate live albums, but there are always exceptions to the rules. Exception: Johnny fucking Cash. It was a great idea that was executed brilliantly. Felt like a prisoner by the end of it, but that was the point right?

There’s nothing about this that even remotely interests me musically.

Fantastic album, love the collaboration of these four spectacular artists! Even though there wasn't much cohesion between them during the recording process, the end result sounds like they had remarkable recording chemistry throughout. Helpless is a beautiful song, and Our House has been a favourite of mine for many years. Woodstock is quintessential classic rock, it does not get any more classic or any more rock than that song. What a killer start to the week, bloody good album!

The Doors have been one of those bands that I skip on playlists, but I think it's just because their biggest songs are so overplayed. I'm enjoying this listen way more than expected based on my history with The Doors. It's quite remarkable that this is a debut album. It's excellent.

It definitely has a sound that is very specific to its time. I could get into it with more listens, but I just don't have the attention span for it today. It's okay. It got better towards the end of the album.

Hidden gem! I've never heard of this group before but this album speaks directly to my musical sensibilities and tastes. It's remarkable how much Poly Styrene's vocals remind me of Kathleen Hanna. I'm digging this so much. Plus, fuck yeah, saxophone!! I am instantly in love with this record and Poly Styrene. She is a punk goddess and badass feminist icon. Oh bondage up yours indeed!

More of this? What even is the difference between this and Fragile? I'm just glad I could put it on in the background and get through it. Sounds like an uninterrupted continuation of all their albums. *shrug*

You get exactly what they told you: a dirty sounding record, musically. The people writing it off as loud noises owe it a few more listens to appreciate the layers of complexity. It rules, it flies in the face of every commercial instinct other bands at this time followed.

Canada’s Bob Dylan. National Treasure. Icon. This is a wonderful debut album, it’s emotionally driven and poignant music.

Musically it’s good. I liked having it on in the background while I worked. It didn’t make an impact though. It’s just not for me.

Oasis at the pinnacle of their creative success. It plays like a greatest hits and it's good. It's enjoyable music. Not my favourite, but damned if I won't sing along to Wonderwall every single time it comes on. Have to.

I liked "Fun House" better, but I enjoyed this album too. I like their sound, I like their style. Did not love "We Will Fall" though - too long, too jarring compared to the rest of the album. "No Fun" and "1969" were the best tracks.

It’s a bloody good soundtrack for St. Patrick’s Day celebrations. But other than that, not for me.

My top Spotify artist of 2021, fuck yeah! I can’t get enough of The Smiths. The emotional, social, political intensity of the lyrics with the one-of-a-kind catchy jangly Marr guitar work is a heady and addictive pairing. It’s a killer combo for me every time.

I don’t know if there was programmatic collusion, but getting this album on Dec. 25th is a special treat. I enjoyed it a lot this morning while opening gifts. Very 60’s, a classic through and through. But only needed once a year.

Sheryl’s got some hits, some songs with lots of sing-a-long-ability. But as an artist she just doesn’t resonate with me or evoke any powerful feelings. She evokes mediocre feelings at best. No catharsis, some fun. That’s it. And what is with the name of this album?? It’s so hokey.

I was expecting something very different based on the album cover. Instead of some doofus punk rock like Blink-182 I got more of a pre-emo sensitive crooner vibe, like James Blunt or Jason Mraz. It’s not for me. It’s fine, but it sounded like the same song 16 times.

I never understood the appeal. Gave it a chance, but it’s still not music that I can connect with. It’s an impressive debut from an impressive artist on paper. It just doesn’t go any further than that with me.

Fucking iconic! This is a landmark grunge album. Love or hate her, Courtney’s artistry is undeniable. From her furious primal screams on Violet to her heartbroken guttural wailing on Doll Parts she leaves no piece of herself behind. It’s all out there on this record, every raw feeling. And I fucking love every minute of it. Masterpiece.

Finally, just over 100 albums in and the Starman himself graces me with his presence on this journey! It’s not my favourite iteration of Bowie, but it is a damn good one nonetheless.

As a debut album it is wildly successful at telling us exactly who Talking Heads are and what they’re all about. David Byrne is the chosen one of the new wave art punk revolution. I love the quirky POV of this album, and the playfulness in the lyrics. I’m just such a sucker for weirdo misfits that put humour into their work. Stellar record, just love the shit out of this band for daring to be so authentically different and carving their own path.

Know the name, but never knew a single lick of his music. It’s definitely country. But not as dull as I was expecting. There are some major pop elements throughout that make it more listenable than run of the mill guitar and twang country. Steve’s alright with me.

Sympathy for the Devil is a banging opener for an album. Tonally this album is all over the map. But I did enjoy it, a lot. It was a very pleasant classic rock listen this morning, I listened to it end to end several times. There’s something about it that just feels like a good Stones album. Like if you were alive when it came out and bought it you’d be happy with that purchase.

The Shaft theme itself is a killer track. I know it more so as a pervasive pop culture reference than a song. But it slaps. The rest of the album is fine. It’s fine.

I'm not really a hip-hop or rap fan, at least not current modern rap. But early 80's beginnings of rap and hip-hop is prime listening. Especially The Message. That song is beyond influential. It is the critical doctrine for any aspiring rappers and it is still completely relevant today. Banger.

This is what happens when you feed the Mogwai after midnight: a shitty artist creates shitty overindulgent narcissistic album.

Love Talking Heads and this album delivers exactly what I want from them. Excellent follow up to their debut Talking Heads: 77, it’s like a seamless continuation of that album. I’m Not in Love is my new favourite Talking Heads song.

This guy's wikipedia page is a wild ride, he sounds like he was an immature unbearable ass. The music is okay, but it's not something I would seek out. Mingus the Dingus indeed.

It’s fun. Not their best though. The first song felt like a bunch of musicians in the same room but all playing different songs. It hit better by the end. But it’s not a very cohesive album overall.

I don’t give a shit about Cream. This album is surprisingly way more mellow than I thought it’d be. Point added for Sunshine of Your Love, but the rest of it is junk.

I didn't realize I actually knew the song Babylon already. Never knew who sang it, but have heard it millions of times on 90's radio. This was a pleasant Monday morning album to listen to while I caught up on my work. It kinda gave me Damien Rice vibes. But it's not one I'm going to return to, it's just not me.

Mellow. It's like South African doo-wop. Not for me, but it's fine.

Ah Joni, a Canadian national treasure! Always a pleasure listening to her. She's a powerful storyteller and wonderful musician.

Oh goodie, another one for the rubbish bin! I can't stand this experimental electronic crap.

I am pumped, I adore the Pretenders! This is a magnificent debut album. At the intersection of 70's punk and pop rock is where the Pretenders meet to floor everyone with their we-don't-give-a-fuck lyrics melded into peppy instrumentation. They don't juxtapose lyrics and music as intensely as The Smiths do, but they're in that same vein. A precursor for sure. There's that subtle hit of something melancholy or maudlin wrapped in a wistful package and I love it. Chrissie Hynde's voice is magnetic and alluring. She's got that quality that expresses so much toughness and badassery but also softness and vulnerability. She's incredible, I could listen to her on loop for days and never get bored. Big fan!

Love the song Pacific Ocean Blues, but the rest of the album is stuffed with two many conflicting influences and styles. It just feels like a hodgepodge of any musical sound that caught Dennis’s fancy. I can see how working firsthand with Brian Wilson would make it seem like that’s how you create a brilliant album, jamming all the things you like together and stirring it up. But the thing is, you have to actually be a musical genius to know how to meld instruments, styles, and influences together in a brilliant way. Musical genius Dennis Wilson is not. Hairy motherfucker too, wasn’t he? Jeez.

It didn’t sound or feel very different from The Holy Bible, their previous album, which was on my list a while back. It was fine. It just didn’t break new ground or offer anything different. Not sure why both of these albums need to be on the list when they’re essentially the exact same. This album art is definitely an improvement over the other one though!

It's a beautiful album, and I appreciate it so much for what it represents: Brian's triumph over past traumas and a return to his best creative self. A lot of songs and arrangements remind me of They Might Be Giants. He's such an impressive and influential artist. I love to see him being fun, quirky, and oddball in his lyricism, it pairs so perfectly with all of the playful instrumentation.

Buffalo Gals is obviously catchy, and Double Dutch was a cool jam. Jive My Baby got me feeling the sunshine. But I can't listen to a whole album of this stuff. Especially all the "radio program call in" gimmicks, that got old fast.

Not jazzed about this at all. Bland 60's rock. It hasn't moved the needle in any meaningful way musically for me. Should be called Meh music for Meh minds and bodies. This crap needs to be bumped from the list to make room for Weezer's Blue album, which I just learned is NOT on the list and that's a goddamned travesty.

Brilliant! Fuck yes! Starting my day with Tom Sawyer is exactly what I needed. Rush is awesome, this album is awesome, it is undoubtedly a 5 star record. The musicianship on display here is mind-blowing. Neil Peart rules!!

It's hard to come down off the Rush high from yesterday, and this album is not a cushy landing. It's too homogeneous throughout. I just don't care about it. And fuck Eric Clapton! He's an enormous ass. I know he's talented, but he's also such a dick. I'm going back to Rush.

Great band, but this album is too chaotic and unpredictable. There’s no cohesion throughout it’s just like a spastic ADHD foray through styles and tones. Love the song Ma and Pa, reminds me of my pal Peattie and the mix CDs she used to make for me.

The music is lively, funky, fun. It gets you moving. But for me the lyrics are the most important and engaging part of any song. Not speaking the same language as Jorge makes it hard for me to enjoy it. Not into foreign or world music, I’m just not. Musically though it was much more of a joy than some of the other crap on this list.

These guys love a concept album, eh? It’s a funny sight gag for the album cover. I’m not pumped by the music though. It’s just bland. How many Who albums does someone really need to hear to get the gist of it anyways? Give me Baba O’Reilly and call it a day.

Music for a Renaissance Fair. There's too much plinky guitar plucking. I don't know man, I might be in the minority here but I prefer the way more commercially appealing 80's Genesis over this prog rock experimental stuff.

I love the album artwork, but 2013's bloody valentine sounds remarkable similar to 1991's. There doesn't seem to be any stylistic innovation or growth, which is surprising when there's a 22 year gap between albums. It sounds like elevator music for a 2000's wannabe indie neo-noir film that no one saw. This is too much of a downer for me, I won't be coming back to it.

Good Times is a frigging good time, obviously. It's the only memorable bop on the album though. Long live disco and all, this just didn't do it for me.

It's Stevie! At the top of his funk game, bringing slick catchy grooves and buttery, yet emotionally charged vocals together in perfect harmony. Living For the City, Higher Ground, AND All In Love is Fair on the same album blows my mind. He's an incredible artist and he's unparalleled at constructing hit songs without it feeling formulaic or manufactured. It's just beautiful, compelling artistic expression in every song.

Very boring. This was a harsh let down after Stevie Wonder yesterday, damn. It was pleasant enough to have on while I fed my son breakfast this morning but I don’t care about it or for it at all.

Finally! Only 138 albums in and I finally get some Bob! I’ve waded through so much shit to get here. Anyways… This is a more seasoned Bob, a reflective Bob. We still get plenty of his folksy charm, but there’s more effortless polish on this album. It’s cohesive in tone throughout and it flows beautifully from one track to the next. It’s confessional and self-aware even if Bob insists that it’s not meant to be. He can’t help it, he writes from the very base of his soul. He doesn’t just leave blood on the tracks he leaves his whole heart. It’s at an interesting new place in his life and I dig his perspective on it at this point in his career. It’s impressive and inspiring.

Yardbirds without Clapton? I’ll take it! It’s pretty bland though.

The Byrds are cool. I don't mind listening to them, but it's funny I actually prefer other versions of two of their biggest hits from this album. I prefer the Dylan version of Mr. Tambourine Man and the Tom Petty cover of I'll Feel a Whole Lot Better. I'm not in a very 60's mood today though so that may be affecting my rating.

I love the Monkees. They're fun, they don't take themselves too seriously, and their songs are catchy. Yeah, they were a "fake" band for a TV show and the whole schtick was being a blatant Beatles-esque ripoff so you can easily slap a derivative label on them. But they're obviously creative, talented guys who worked well together as a group and the fact that they fought for more creative control over the music and wanted to grow as artists in their own right speaks volumes about them. They may have started out conceptually as puppets for the network but they became so much more. The endurance of their songs well beyond the shelf life of the TV show proves that what they did resonated with a lot people in a truly impactful way. I dig everything they represent and I love their tunes. It's worth noting that I write this as a person born in the 80's who loved watching their show when I was a kid even though the episodes were already 25+ year old reruns.

Who knew Pixar's crown prince of the heartfelt ditty was so sarcastic and satirical? Not I! The unexpected darkness and depth of the lyrical content impresses me, but the showtune-y sheen layered on top of everything gets old fast. I appreciate the way he uses what he's got to make his point, but this won't become every day ongoing listening for me. Glad I stopped by, but even gladder still to be moving on.

Gross. This is my "being contrarian" musical opinion: I just can't fucking stand Radiohead. They're in the same class as Coldplay for me, pretentious music for pseudo intellectuals who think they have taste. Can we get a Muse album up in here instead please?

Beauty and the Beast is a killer start to this album. You’re immediately thrust into the eye of Bowie and Eno’s ambient creative art rock typhoon. You just know you’re in for an unforgettable ride. It’s weird, it’s passionate, it’s aggressive, it’s energetic but it’s ominous and foreboding at times too. Quite a ride, but it’s a solid album. I know there are a lot of Bowie entries on the list, he had his most prolific output in the 70’s, but this on earns its spot. I love Heroes, can never tire of that song. This isn’t my favourite iteration of Bowie, but it’s a damn good one.

No, just no. This boring crap is not worthy. This is just another beneficiary of the list maker’s UK bias. I fail to see how this makes the cut and yet Weezer’s debut album doesn’t. WTF?!?!

Teen Age Riot is one of the best opening tracks of all time, it situates the listener perfectly for what's to come on an album of hefty tracks. I love the flow and progression throughout, it all melds together so brilliantly. Favourite SY album to date. To agree with another listener, Thurston Moore is just such a dickhead. I have to attribute most of the band's success to Kim to be at peace with my listening experience; she's a goddess and a saint for putting up with Moore's shit as long as she did. Amazing album, so influential and impactful on a lot of bands I love. I adore this one.

Perfection - a quality listen the whole way through! I've looped it all morning and it's the most productive I've been in a long time. Endlessly listenable, it's such a joyful album. It puts me into a perfect mellow, chill mood. I love that Bob's message still carries tremendous weight, it isn't lost or diluted by the way it's been packaged and presented: calmly, from a place of peace and love.

Not for me. Respect to Missy for being a badass take no shit kind of artist who does things her way. Work It is a hip-hop classic from my high school days and sampling from the Beastie Boys was a cool surprise, but this was never my scene or genre.

Maybe they matter in the UK, but they only had a one hit wonder with the rest of the world when Bittersweet Symphony hit the airwaves. It was a hugely successful song and nothing else on the album punches in its weight class. I find this such a meh choice. It's not horrible, but it's not special either.

An absolute masterpiece. It's a flawless album from end to end. Cat has a remarkable talent for drawing listeners in and connecting with them while bearing his soul. And he does it with beautiful pop-folk arrangements, gorgeous melodies, and emotional poignant lyricism. He stirs my soul in a way that no other artist can. I adore this album!

Magnificent! Every note is a triumph for awkward weirdo oddballs everywhere. This band changed the game in a major way with this album and subsequent albums. They’ve influenced everyone I love musically and I’m so grateful for their sonic contributions to the world. And this isn’t even my favourite Pixies album!! Black Francis is a pioneering genius and Kim Deal is an otherworldly badass being. All hail Pixies!

Not available on Spotify. Didn’t really have the gumption to listen anywhere else. I know the gist of what Crosby’s all about. Points added for the sheer number of amazing contributors involved. But this is shit. We all know it.

Classic rock in its most generic form. It's not hurting anyone, it's just on the radio sometimes. If you like 10 minute guitar solos on every song you'll love this album. If you're like me and you'd rather get to the point already, you'll move on quickly from this to something better.

Uggghhhhh. I can't with this crap. There's no merit here. Beyoncé seems like more of a product to me than a person. When a massive team of people does all the work and you just show up to sing, I mean, where’s the artistry in that? It just feels so manufactured and artless.

Musicianship on display here is impressive. It’s just not a genre I enjoy. Album art is cool, I dig its vibe.

Ooo I am really liking this one! Brand new discovery for me. Down to the Ground reminds me a lot of Van Morrison's Into The Mystic, the progression of it, the cadence. And something about the second track Help Yourself reminds me a lot of Jeff Buckley, there's a quality to the vocals and musical arrangements that feels very Buckley. It's soulful and passionate, but edgy and deep too. Actually this whole album is reminiscent Buckley, but I know Joan came first. I'm so impressed by this groovy badass woman. I think Joan and Jeff might have been kindred musical spirits. I'm so into it!

I don't hold this album in the same regard as I do The Joshua Tree, but it's a good listen. I'm not a U2 hater, but I'm not obsessed with them either. They've just got some good jams and they make my ears happy sometimes.

She’s a damn good singer and I appreciate that her songwriting is deeply expressive without being so blatantly dirty laundry airing the way that idiot Taylor Swift’s is. This isn’t the kind of music I like to listen to, but I have a lot of respect for her tremendous talent. The album feels too repetitive in tone as it goes on to really give me what I need to be converted to a fan.

I listen to ABBA for the hits, not the deep cuts.

The balls on Ms. Turner to sing about being a private dancer at 45 years old in 1984 when women were still fighting against such a horribly ageist and misogynistic industry - trailblazer! This album is full of hits. Enjoyed it a lot.

This album isn't on Spotify. They do have the title track and I listened to that to get the gist. It didn't make me want to seek out the rest. It's not for me and I'm okay with unfairly writing it off. If the album art is ugly I have a hard time believing I'll like the music... *shrug* feeling brutally honest today I guess. Is it wrong to judge a record by its jacket? Maybe. But it's why they were invented. That's product marketing, baby!

Know thyself. I'm 34 years old, white, from the suburbs. I can't relate to a life of drugs and crime. I don't want to live a life of drugs and crime vicariously through Ghostface either. I just don't really give that much of a shit about hip-hop. I can appreciate that it's got catchy hooks and great production, but ultimately Myself knows this is a respectful no thank you, Mr. Killah.

A time capsule of 1990. I had fun with these NYC party starters.

18 tracks of noise pollution.

I usually like the juxtaposition of oddball irreverent lyrics and serious instrumentation, but it just doesn’t work for me in this case. The singer has a great voice, but I’m not picking up what he’s putting down. It doesn’t feel like an authentic expression of self, it feels contrived and forced. Not a standout.

It’s just so dreary. The whole album is tonally and sonically monotonous. I don’t get all the hype about this band. Bland. Blah.

I appreciate the tongue in cheek irreverence of the songwriting, there's a playfulness there, a subtle sendup of the classic twanging country song in every verse. The deeply earnest "I've got problems" country singer schtick of other artists gets old fast which is why this genre doesn't do anything for me. But I can see Prine up there, winking mischievously at those looking close enough to see it, as if to say "let's not take ourselves so seriously as all that George Jones nonsense, let's have fun." And I'm cool with that. And then there are nuggets of social commentary that don't beat you over the head, and that's cool too. Your Flag Decal Won't Get You Into Heaven Anymore feels relevant in today's American socio-political climate, very on the nose.

I listen to a lot of 90's alt rock and grunge, so Jane's Addiction comes up frequently in the playlists. I don't mind them, but I'm never enthused when their songs come on either. Sometimes I skip their tracks, sometimes I don't. I'm more likely to skip Jane Says than Been Caught Stealing, take from that what you will. Giving a full Jane's Addiction album a listen hasn't really changed my perspective. I appreciate what they bring to the table, but it doesn't resonate with me in the same way Pixies or Sonic Youth do.

I fucking LOVE this album! This might be my favourite iteration of Dylan, I just love him going electric. I know it caused such a stir back in the day when he shifted his style, but it was a bold ballsy move that works for him. He's always challenged his listeners to keep up with him or fuck off. He goes where his artistry guides him and does what he wants, a total maverick. "Don't ask me nothing about nothing, I just might tell you the truth.” Subterranean Homesick Blues is an incredible opening track, Maggie's Farm is such a fun bop (I love cranking that one and singing along loudly in the car), and Mr. Tambourine Man is a high watermark of Dylan's songwriting. It's all solid, the whole way through. It's a great fucking album. It is irresistibly fun and cheeky and it will always hold up. Well done, Bob. Well done!

This album is an all-time forever favourite of mine. It gives you everything in perfect measure. It's emotional yet ebullient, earnest yet flip, folksy yet full of soul; it's a masterclass in storytelling and songwriting. It takes the listener on an incredible journey of good ole' times with quirky characters through wholly visceral places. It's amazing how pleasantly relatable and fun it can be one moment and how swiftly it turns deep and contemplative. Helm's vocals have always been the standout for me, he has a way of evoking deep emotion so easily while maintaining this unique twangy cool. Every note drips authenticity. He's so convicted about everything he says; I believe him and I feel like I know him intimately too. It's remarkable the way he can open up and draw you in to his world in the same breath. I just love this album so fucking much "... and I dig it!"

Cool, funky, edgy, emotional, powerful. I can dig it!

Sounds like the most generic 90’s punk rock ever, it’s very of it’s time. The singer has the typical snotty punk tone of a thousand punk rock singers before him. It’s basic and derivative and not special. I didn’t outright hate it, but I think a more impactful punk band should have their spot on the list.

I would prefer something actually listenable on a Sunday. This ruined brunch.

I'm only familiar with the QOTSA songs that get radio play, haven't listened deeply. And I definitely haven't heard any of the songs from their debut album before, just the hits that came after. I like it, it's in the vein of stoner rock that I dig. I think if I'd been listening to this in college it would have stuck with me more. But it's not breaking any new ground or blowing me away sonically. It's better than a lot of the shit I've waded through so far on this list, I'll give it that. The album artwork is horrifically dated and cheap looking though. It's giving me Bollywood hip-hop / basement porno vibes.

More french electronica? No thanks. I can at least appreciate the impact Daft Punk have had internationally as artists, points for that. But this is not for me and I hate it.

This album creates a very specific ambience. It's a humid summer night in the south, I'm on an airboat en route to a Louisiana gumbo party, just cruising through the bayou. I wanna get there while the cornbread is still warm, but I'm also not rushing. I've never done any of those things in my life, but if I close my eyes while I listen to this album I feel like I might have.

This guy has such a hard-on for what it means to be a loser and what's true, it's just a constant stream of two-bit country boy philosophizing about life. Which is funny because this album was apparently such an abysmal failure when it was originally released. Some things are better left in the rubbish bin. The album art is gorgeous though, it's exactly the kind of arts and craftsmanship stuff I'd expect to get from my friend who makes me mix CDs as gifts sometimes. That's not shade, that's a legit compliment .

A pleasant Friday listen, but it's impossible to overlook the homophobic slurs in Money For Nothing. If you want highly proficient guitar playing combined with soft 80's rock then these are the dudes for you.

Totally inoffensive and fine musically. But boring and not my scene.

This fucking sucks and I hate it. I won’t mince words today or waste time trying to find merit where there is none.

Pleasantly surprised! There's strong new wave and post-punk undertones on all the tracks that I'm so into. There's also an element of funky IDGAF cool that reminds me of Prince on a few tracks. This one grabbed me by my earholes and took me somewhere I didn't know I wanted to go.

k.d. has a beautiful voice, she packs every note to the brim with emotion and her delivery is effortlessly proficient. While Constant Craving is the obvious standout track, the rest just feels like endless buildup to it. Tonally and thematically this album is too homogenous throughout, it gets tired fast. And that's probably why Constant Craving was so successful, it's the only song that stops me in my tracks. It is vibrant, it has motion and life. Has always been.

Frank Black, Black Francis, Charles, whoever you are on any given day, I love listening to you! I'll always love your work with the Pixies best, but this is a great fucking album. Even though we still get the maximum amount of bizarreness and grime in every track, it feels a bit more refined than Pixies albums do. Like all that bizarreness and grime has been passed through a fine mesh strainer. I do think the runtime is a little long, it could have benefited from some streamlining, but I love it.

One of those "change the station" artists for me. Don't get the appeal, can't fucking stand them.

Some classic hard rock on a Friday, alright! I've never been a Motörhead fan, but I can get down with this. The guitar does all the work. The lyrics don't offer anything meaningful or profound, but that's what I expect from my rockers. Just a lot of guttural urges and bravado. And that's okay. "Jailbait" is creepy and gross though, that's not cool. Side note: I did not realize Motörhead was such a sexual band in terms of lyrical content and it is not a turn on. I think people who’ve had sex with Lemmy are entitled to some kind of financial reparation.

The longest breathy sigh recorded in human history lasting exactly 57:20.

This album is the realest, most raw and desperate expression of self that’s ever been recorded. And I think that’s largely why it catapulted Kurt Cobain and Nirvana from obscurity into the stratosphere of iconic mainstream music when it was released. There’s power in all of the unadulterated angst and anger that people immediately connect with, then and now. It’s not overblown hype, this album was the harbinger of a whole new musical era and gave a voice to lonely weirdos everywhere. It is an absolute masterpiece, completely brilliant. Every track is a five star track. It’s fucking phenomenal.

“Can’t Get Enough” will always make me think of Christopher Walken dancing in Wayne’s World 2 and for that I am grateful.

Fun, funky, upbeat good times all around.

Hidden gem! I've never heard of this band before, but I'm really digging their sound. I love the lead singer's vocals, and I love the funky rock fusion. I'm guessing this group has never come up before for me because they were marginalized black voices at a time where there was no room for anyone but white male bands e.g. RHCP or Faith No More. And that means no airtime on MuchMusic. But I'm sure glad I've become acquainted with them now, will definitely revisit! Also, I like that the album art looks like it was designed in MS Paint.

I'm not a danfan, gotta say it. I'll always bop along to Reelin' in the Years and I love Dirty Work, but songs like Rikki Don't Lose That Number feel so trite and cheesy to me. It actually sounds like an 80's one hit wonder, which is weird because this is from 1974, so maybe Steely Dan are visionaries and that's why people are nuts about them. But I'm not. They're okay and I'm okay saying that. I guess what I'm really saying is Can't Buy A Thrill is their best album to me. This one is okay, it's better than Countdown To Ecstasy. I'd sure love a hot pretzel for 15 cents, hot damn, that's a hell of a deal! And that’s something we can all agree on.

Joni's voice is perfection, always, but it is truly magnificent when she's singing this deeply personal and emotional material. This album is her magnum opus, a tour de force, the high watermark of her illustrious career. And she wrote and produced it all herself! Immaculate.

What the fuck is this shit now? I feel a hatred and rage of Joan Crawford proportions coming on. “NO ELECTRONICA!! NO ELECTRONICA EVEEEEERRRR!!!!!”

I wish the music was as striking and powerful as the album artwork. Love the concept, but the delivery leaves a lot to be desired. Couldn’t get into it.

Watered down Led Zeppelin wannabes. Meh.

Was not psyched about this one, absolutely hate the album title. What does "to pimp a butterfly" even mean? But I was surprised, it's not as bad as I expected. There's good stuff here. I appreciate Lamar's commentary and lyricism. The content here is infinitely more interesting than the run of the mill drugs, guns, girls blustering bravado that I hate about most rap and hip hop and can't connect with.

Ever notice how generally bands named after places and locations suck? Think about it: Europe? Sucks. Chicago? Sucks. Japan? Sucks. The theory is sound. Too bad this band isn't.

Solid. Personal Jesus and In My Life were the best ones for me. I don't think I'd listen to this kind of album over and over again. But it's Johnny Cash giving you his one-of-a-kind voice on a lot of great songs, I respect that.

Waste of a perfectly good spot on the list for someone else. As a rule I hate live albums. If I wasn’t at the concert I don’t want to hear it secondhand. Lame.

Spectacular! A flawless album of otherworldly themes, it eschews all the heavy-handed snide emo bullshit that was prevalent at the time. It was a massive breath of fresh air then and it still is now. You can hear and feel the rock stardom yet to come for Bellamy. I love this wholeheartedly.

Someone’s drunk uncle recorded an album of himself doing karaoke at the pub.

How do I call this album iconic without sounding like the Gen Z youth who overuse that word to the point that it's completely lost its impact? If that word still packs any wallop at all, then it's rightly used in full meaning here. The album artwork alone, my god. Everyone on the planet knows it. It also sums up perfectly why George is my favourite. These other dudes in suits and he's giving you Canadian tuxedo hippie man cool. He's the best one! The most enchanting and emotional tracks, Here Comes The Sun and Something, which he wrote both make it onto this album. Bless him for getting a word in edgewise for once! Excellent songwriting, as always. Incredible, groundbreaking instrumentation. Flawless delivery. It's what we've all come to expect of them at this point in their career. It is endlessly listenable, never boring, full of nuance and comfort at the same time. It's the perfect chunky cozy sweater that you'll never part with and look forward to cuddling in every autumn.

I liked it, cool vibes. Wasn't that impactful though, didn't leave me wanting more. It was fine and that's fine for today.

I'll just get this out of the way: I prefer Metallica. Is Mustaine trying to ripoff Axel Rose's vocal style, or is that just the unfortunate way he sings? If you just wanna rock and don't care how this album will do it for you. There's plenty of slamming metal guitar work to go around. But overall it gets repetitive and bland by the back half of the album. Mega-meh.

How many fucking Deep Purple records does someone need to hear? I've had 3 albums from them in a span of 52! Too much!! Thank Brian Christ this one has Highway Star and Smoke on the Water on it though. Classic banger tunes. This is the only DP album you need to hear, the others are just a reiteration of the same points. I hate the album "artwork".

It's a beautiful sunny Friday here in Canada for the first time in months. Spring is trying it's damnedest to spring after a long harsh winter and my energy is high. I'm just not in a bluesy mood. Today would have been a great day for some 80’s Billy Joel instead. I gave Muddy a listen, but it just does not match with my mindset today. Actually, I don't think the blues ever really match my mindset. Respect to Muddy, he is an all-time great musician. Maybe some other day.

Frank has a classic voice. But the songs and the lyrical content hasn’t aged well. I feel like I’m at a stuffy boring dinner party full of accountants and mortgage brokers who think they’re so sophisticated. This crooner shit ain’t for me.

Marty paired perfectly with Sunday brunch this morning. Thought I’d be disappointed but I liked the storytelling. It was a rootin’ tootin’ good time!

Magnificent output from Bob once again. He's just such an impressive artist, growing and changing with the times but also steadfast with his outstanding poetry and storytelling. It's what we love and expect from him. And it's his 30th studio album! He's a prolific artist who continues to create without ever becoming dull or irrelevant; instead he's only gotten better and better at his craft as the time passes. Unlike some of his contemporaries *cough* rolling stones *cough cough* who still write embarrassingly immature songs well into their twilight years. This is a deep, brooding, introspective masterpiece.

A big part of me wants to be snarky and say that I don't want Spotify thinking I'm the kind of person that would actually choose to listen to Norah Jones. Or say that I'm in cheesy lounge singer hell right now. But I listened the whole way through and it was perfectly pleasant. Just because this isn't my scene doesn't mean I need to tear down Norah. She's a fabulous singer. And this album was a huge moment in time when it was released. Even if it wasn't a moment for me, it has definitely earned it's propers and its place on this list.

Straight to video 80's movie opening credits music.

I'll dance my ass off to Come on Eileen every goddamn time that song comes on and love every minute of it. I'll never get sick of it! But I always thought this band was a one hit wonder. Was pleasantly surprised by this album. Contrary to everyone else who hates the sloppy vocals and horns I love those things! I like uniqueness and going against the grain. This is the kind of band I'd love to have seen live at a small dingy shithole bar before they got their 15 minutes of fame. Ooo-ooo ah ah indeed!

As a rule I hate live albums. Nirvana is the exception, always the exception. This is an emotionally charged, raw set. It’s moving and spellbinding. Kurt has gravitas. The covers are all impeccable too! They fit so well with Nirvana’s own material. It all blends together so seamlessly. So many things going right, it’s just so so good. It hits differently than all other live albums. Bottled lightening. Zap!

Aptly named.

These dolls have balls, I’ll give them that. They’re alright, but when I need 70’s New York punk I’ll always prefer the Ramones.

I put it on and tuned it out completely while I was working this morning. Nothing resonated, nothing stuck. I know the name Jurassic 5 and I know they had a major hit at some point in the early/mid-2000's but I could not recall for the life of me what it was and I don't think I ever heard it while this album was on. Just a very meh listening experience overall.

Loud, aggressive, angsty punk rock. I liked it, but I didn't love it. There's classic punk rock like The Ramones that I'll always adore, and then there's all this other stuff that I'm just too old for now, like Minor Threat. I no longer connect with bands like this but I appreciate what they did and what they offer to burgeoning punks that are young enough to connect with their message. Worth noting that I absolutely adore this album art!

Not what I would have chosen for myself from the list to listen to on my birthday, but it might just be what I needed. Tori's voice is incredible, and her songwriting is impressive. I'm in awe of her talent. There's a lot to unpack here, the lyrics are dense with meaning and you can tell this album was a heavily cathartic artistic experience for her. Me and a Gun is bone-chilling. I may not become a regular listener, but goddamn she has my respect now.

A moody and brooding atmospheric offering from The Boss that's perfect cool down music on a rainy day when you've been fighting with your spouse before 9am. I dig that harmonica, man. It knows how I and all of Nebraska feel. Bruce is a very talented storyteller and I love his voice. But I have to say, The Band's cover of Atlantic City is far superior. I would have loved for them to cover this whole album to infuse these songs with their carefree country bumpkin Americana enthusiasm.

The definitive punk album of the late 70's, it is an iconic masterpiece. It's one of the records I can put on and sing along to fervently the whole way through. And I immediately feel 21 and invincible again. It's a straight shot of cocky optimistic joy, spitting in the face of the apocalypse and our slowly burning civilized decline. This is powerful stuff. Every single song offers something different, quirky, oddball, unique. These are punks with style, punks with attitude, but also punks with soul. Top shelf stuff right here, it doesn't get any better than this. Death or glory!! \m/

Hot damn, I enjoyed that a lot more than I was expecting to! That In-A-Gadda-Da-Vida cover hits better than the original! This gives you all the groovy rocking 70s energy you need to pump up the day. It’s fun, I’m a fan.

Everything about this is wrong. The title is stupid, the album artwork is hideously offensive to the eyes, and the music is absolute crap. I hate this beyond measure.

I'm having a good time with this album today. I already knew "There She Goes" because it's one of the most recognizable one-hit wonders of all time. Truthfully, if I have the option I usually skip it when it comes on because it's just so played out for me. But there's some other good stuff here too. I'm not going to be a forever listener or fan from here on out, but I'm glad I spent some time with this album.

Love love love love LOVE it! I mean, Fast Car. C'mon people! That song alone makes it a 5-star album. A completely gorgeous album rife with emotional depth and raw spiritual power. Tracy Chapman is an exceptionally talented songwriter and musician. Consider the fact that this album was released in the late 80's when everything else on mainstream radio was superficial pop/rock hair-sprayed within an inch of its life. And this was the record that was finally able to bust through all of that and grab the spotlight?!?! It makes so much sense that this album was a huge smash hit. You can see how desperate people were for something genuine and authentic. Just honest to goodness brilliant and emotional songs that speak to the human condition. It's a masterpiece and a marvel of its time.

Ethereal is the only word that comes to mind to describe this album. I'm not really one for soft wispy electronic music, but this was lovely to listen to this afternoon. Love the album artwork as well, the packaging accurately meshed with what was delivered.

A live double album? What did I ever do to deserve this? Fucking Frampton. He's got a couple of bops, no doubt. But listening to one of them for 4 1/2 minutes on the radio is the correct dosage. I hate listening to people clap and whoop and holler during recorded music.

Utterly captivating! This is what Jim Croce would sound like if he was deeply depressed. Drake's gentle instrumentation and introspective storytelling beckon the listener to come closer, come closer, so you can fully immerse yourself in his world. What a beautiful, sad, sensitive soul who was too pure for this world.

This record is the exact sound of all indie anti-pop mainstream records in the 2010s. It takes me back to being 25, wanting to get drunk, party, and listen to anything but this style of music. I don’t dislike it, I just can’t have fun with it. And nothing about this feels special or groundbreaking.

Not the right vibes for my Sunday brunch. Even my skiddy metalhead husband didn’t want to listen to this one. Trusting his finely tuned metal ear, we turned it off before the bacon began to sizzle. Brunch was hot and fresh, this album was not.

I cannot process the conceptual absurdity of having a band called The xx and titling the debut album XX but then only putting one X on the cover. Oh, the quirkiness of it all! *eyeroll* What a gamble someone would take buying this album without knowing the band first. Stark black and white, one X. Could be anything, any genre. Imagine buying it, taking it home, putting it on and then what actually comes out of it is just more watered down unoriginal indie? Not knowing this band beforehand, I personally expected something edgier. It's fine. I just never got into that whispery electronic indie guy-girl singer thing that boomed in the late 00's. It's flash in the pan stuff that doesn't have the musical staying power I need.

Wow, I really like this album! I saw the horrific cover art and my stomach sank, because I have been known to judge an album by its cover. But this was such a pleasant surprise! It's the groovy fusion of alt rock and psychedelic pop that does it for me. Unexpected joy for today, thanks generator!

Pleasantly surprised yet again! I'm really digging this. I love The Smiths and I can hear that influence on Suede's (The London Suede’s?) sound. They're obviously way less maudlin and melodramatic than Morrissey could ever be, but they still give me that beautiful combination of melodic songs and achy alt rock lyricism. The yearning desperation of a 20-something misfit in the 90's is palpable. I like it, and will definitely listen again, and again! And thank you Suede for the boldly homoerotic album cover, nothing subversive about this. "Have you ever tried it that way?" No, but I'm going to now!

Sounds like the kind of obscure album Tarantino would mine for soundtrack material. Scott sings in a voice that is peak old timey crooner, so it's not very exciting as a new discovery to me. Maybe if there was a recognizable nostalgic recollection I could latch onto I'd like it more. But for today, I don't have the time to appreciate this old shit that never made it onto my radar. Meh *shrug*.

Every single boy aged 13-17 that I went to high school with in the early 2000s seems to have been fucking obsessed with SOAD. My nu-metal loving skiddy husband was stoked for me to get some System today, his all-time favourite band. He’s a man of his time. There’s more than meets the eye here. I appreciate that it’s not just metal, loud for the sake of loud. The socially conscious hyper-aware lyricism driven by angry, furious instrumentals is so effective. It’s a compelling, well-structured album that rocks.

I will never like Radiohead, you can’t make me! Fuck this boring, self-indulgent drivel. I hate it.

The darkness and pain at the core of this album emanate aggressively outwards. It grabs you in a vicelike grip and doesn’t let go, immersing you in a world of unbearable raw agony, even after the album is over. It lives in the exact point of intersection between metal and grunge. It’s a tragic listen when you’re already very familiar with Layne Staley’s unfortunate story. But it is ultimately cathartic. And it fucking bangs. Would? is my all-time favourite AIC song; the way it builds is fucking flawless. And it closes the album perfectly. Goddamn magnificent album.

Fucking brilliant! The The are criminally underrated and unknown, but they deserve so much more recognition for their powerful, innovative, unique music. This album in particular is a true standout gem of the 80's. It is daring and experimental but also pop as hell somehow. This Is The Day is a heartbreakingly beautiful song; the sentiments expressed in it are both sadly nostalgic and willfully optimistic at the same time. It speaks directly to my soul and calls up an exquisite ache that I'm addicted to. I adore that rich contrast in tone and meaning all of these songs seem to have. This album is endlessly listenable, I get something new from it every time I put it on. It challenges the listener, but it also excites and inspires too. It's just so fucking good, I love it!

There’s a distinct Depeche Mode similarity I’m hearing. And possibly some Tears for Fears rubbed off on them too. I’m alright with it. It’s like those good bands had a little sullen goth okay band.

Whether you like Metallica or not is irrelevant when it comes to this album. Five massive singles, all of them the biggest and most enduring songs of the band’s catalogue, came out of it. You have to give some fucking respect to that no matter what your musical tastes are. And I, for the record, love Metallica. Because of this album. Jesus Christ, it’s got Enter Sandman and Nothing Else Matters on it. That is huge on its own, but then we also get Sad But True, The Unforgiven, AND Wherever I May Roam?!? That’s insanity! It’s just so fucking good. If you need to introduce someone to Metallica, you play this album and that’s it; they’ve been fully indoctrinated and converted to a life of badass high octane metal head banging from here on out. They’re the ones who take you there, fuck yeah! \m/

Gentle, sensitive, pleasant. It’s calm and easy listening if you don’t listen too closely. Drake’s delicate songwriting and instrumentation are integral to his vibe. Hazey Jane II was a bit more peppy than the other songs, which was a nice tonal change. But overall, I fail to see a substantial difference between this album and Drake's debut, Five Leaves Left (which I had 2 weeks ago). Seems like only one of them really needs a spot on this list? Having another one that's just more of the same stuff is a wasted space that could have been given to someone else. I liked it, it just didn't offer anything we hadn't already heard. I appreciate the artistry, but I wanted some creative variation on what came before.

Couldn’t get into it. Too avant-grade try hard and inaccessible. Meh.

I dig it. The White Stripes have effectively created a whole new genre of music with their frenetic musical style and sly lyrical tomfoolery. They are the perfect music for a time capsule - if you needed to encapsulate the early 2000’s in one singular sound The White Stripes would do it perfectly.

I had high expectations after loving Suede’s debut album two weeks ago. I feel so let down. It just wasn’t as interesting or engaging as I’d hoped. They steeped themselves thoroughly in some psychedelic rock influences that just didn’t do it for me. It’s a shame, it just doesn’t compare favourably to the first one.

Oh god. I don't have a problem with this in theory. The sensitive male singer-songwriter. That's fine, if that's who you are. But I don't think that is who James Taylor is. I think it's a well constructed persona to sell records and isn't representative of who he actually is as a person. I don't buy it, I'm highly suspicious of it. Partly because I can't get past a grown man naming his album Sweet Baby James. That is truly wretched. And partly because in this photo he looks so much like my douchebag ex-boyfriend. The flowing long hair and the faraway, emotionally unavailable look in his eyes. I know that look too well. It's a meticulous ruse, a long con. The forlorn and brooding look of the tortured soul bad boy that you could reform, only you and your special love! That look has sucked me into a vortex of bullshit the likes I've never known and I'm not falling for it again. That look is the hallmark of the worst kind of womanizer: the one who truly believes his own manipulative crap. He isn't a player, he's just had bad luck with women. Well, fuck you Luke! Er. James. Fuck you very much. I'm glad he's bald now.

I'm sorry, but who even is this band? The cognitive dissonance I have trying to connect these songs with the group I know for Staying Alive is unbearable. This is not the Bee Gees I know or want. If I'm gunna go Bee Gees it's gunna be disco or nothing. There's no fun here. It's like they're trying to repurpose Brian Wilson's exquisite sadness for themselves and doing a piss poor job of it.

Krautrock eh? So this is what it's come to. It wasn't too bad. This kind of music isn't for me, but it was a pleasant enough listen the whole way through while I was working. Ambient background music that boosted productivity. Is that a compliment? I don't think so. But maybe these Krauts would take it as one.

70's reggae always transports me to a very specific mindset of fuck everything and chill. Not fuck it like have sex with it, but fuck it like "fuck it, man". You know what I mean. I am bake. Good stuff.

I think it's very vital.

Love Vigilantes is an amazing album opener. It sets the tone for New Order to take the wheel and drive you straight to the crescendo of their post-Joy Division glory. Solid album.

Honestly, how much fucking French electronica does this list need to have?!?! I can’t stand it. It’s just so asinine. Point added for this album art though, because it is really cool. I just cannot stand this music and I’ve had my fill of this niche genre already, thanks.

It's Depeche Mode's Music for the Mases featuring none of their greatest hits! Buy now and you can get all this maudlin synth pop absolutely free because absolutely no one else wants it!

It was all very bland. Nothing exciting burrowed into my brain from this listening, it just really missed the mark for me. Which is disappointing because The Killing Moon is a gorgeous song that I love, so I was looking forward to this album. But it’s not on here and these bunnymen are a few years away from that greatness yet.

Never been a Green Day fan. They've got some hits and good rock hooks, but it never felt as authentic to me as some of the other acts at this time who helped revive punk in the 90's, like Bad Religion or Rancid. It's Punk-Lite for spoiled suburban kids who want to feel edgy and have a revolution without ever leaving the comfort of their entitled lives.

18 tracks, are you kidding me?! That's too much. Too much aggressive fronting and misogyny for me this early in the morning. I cannot connect with or relate to any of this and the album artwork is an assault on my eyes. Do not like.

Quite a short record but it's jam packed with the emotional and earnest storytelling we expect from Dolly. She is vulnerable yet strong and proud, and always uniquely herself which is why she is so loved and adored. I like her 80's music more, but this record is the crown jewel of her career in terms of songwriting. Country isn't my thing, but I had a nice time with this one and I respect Dolly as an artist. Iconic album artwork!

This is Bob at the height of his poetic social justice power. And it’s only his second album! He comes out swinging with Blowin’ In The Wind. The songs are beautiful and moving, the music is an emotional and endearing accompaniment. It’s flawless, an impactful listen every time.

Jesus fucking Christ, more French electronica? I’ve already had like 8 albums of this junk. This one was probably the best one on the shit heap though. Sexy Boy was a cool song, I’ll give that one props. But overall I can’t fucking stand this crap. Please, throw me a freakin’ Zeppelin bone already, man!

I know this guy is like some indie singer-songwriter darling, but this is the second album I've had from him and it sounds exactly the same as the last one. There's no perceptible difference, it's just another 36 minutes of exactly the same tone, instrumentation, vocals, and lyrics. It just doesn't do it for me *shrug*.

The casual coolness of an absolute badass posing on his album cover with a half eaten banana perfectly exemplifies what this album is all about: it's a bold new Cohen for a bold new world, it's the juxtaposition of his poetic songwriting with his synth heavy 80's sound. He gives no fucks, takes no shit, and does what he wants. Then he takes Berlin! Everyone went a little synth crazy in the 80's... you were contractually obligated to try it. But you know, we salute a Canadian icon, always. Do your cool different thing with the 80's cheese factor dialled up past 11, it's all good. If you wanted Tom Waits and The The rolled up into a dang tortilla this is a close enough approximation of what you'd get.

A fantastic album! It's not my favourite iteration of the Beatles, but damn you hear so much innovation on this record. They are sowing major seeds of influence here that countless acts have been reaping for over 50 years now. I do love that we're treated to George's vocals right off the hop, on the very first track, Taxman. He's my favourite Beatle, he was the very best one, it's indisputable, and I just love listening to him sing. Just incredibly influential and an impressive display from masters at the top of their game.

It’s a cool, atmospheric album. Lenny has cultivated the 60s ideals of peace and love, and infused them with his smooth funky flow. He’s offering it all up for a new generation of groovy-minded people. I like it a lot. It’s a solid debut album, the perfect introduction of what’s to come.

Bold of you to assume you'd be my new favourite anything. Cheeky buggers.

It’s the blues, by a legendary artist, a cornerstone pioneering founding father of the genre. I know I should be impressed, but this is just the typical late stage career low hanging fruit kind of album. It feels so manufactured, the complete antithesis of everything the blues are about. The stuff Spotify automatically played when this album finished was better.

Karen Carpenter’s ethereal voice sells the soft rock fantasy with ease. You’re getting iconic songs delivered by a voice too pure to exist. It gives me chills.

Paint It Black is about as perfect as it gets for an opening track. I like the stones, it’s an enjoyable listen for the most part. But there is quite a lot of cringey misogyny that hasn’t aged well at all. The classics are classic for a reason, and the rest is reduced to disappointing filler as time marches on.

Fuck yeah, finally! Finally I’m graced with an album from The Purple One, Prince! I mean, c'mon people, this album opens with 3 of Prince's best, most danceable and memorable songs. One minute it's defiant "we're here for a good time" philosophizing, the next its manic desperate horniness boiling over. This album was a seismic shift in the rules of male pop superstardom and a glorious precursor of what was still yet to come from this formidably talented man. Prince has a rapidly sliding scale of moods and energies that take the listener on one hell of a ride. From tenderly suggestive to outright sexual vulgarity, Prince does whatever the fuck he wants, says whatever the fuck he wants, and fucks however the fuck he wants. And the music is always superbly fitting his attitude du jour. Nobody flies their freak flag higher than Prince and it is a spectacle to behold. Utterly unforgettable.

I'm not generally a fan of double albums because they start to feel tedious and I don't always have 2 hours of uninterrupted listening time to fully appreciate them. But goddamn, Stevie provides ample variety tonally, musically, sonically, and lyrically throughout that the hour and forty-five minute runtime never gets stale. I think almost every single song on this album has been sampled, imitated, or borrowed from in some way, it's just such a massive supernova of influence! Conceptually, you think "life" is a very broad topic, but damn if Stevie doesn't find a way to hit on every universally relatable facet of it in these songs. Everything about this album works, it is an immaculate listening experience and an absolute tour de force from one of the all-time greatest musicians to ever live.

It's gunna be a no for me, dawg. I'm a lyrics first listener and I don't speak french. Jacques sounds convicted about what he's saying but I don't know what the hell it is, so for all I know he's going on about putting his dick in the middle of a baked brie. Can't enjoy what I can't understand. Quelle dommage!

Gorgeous harmonizing! I just love the way the Beach Boys sound, it’s the most nostalgic sound in the world to me. This is a fucking great album. You get fun, catchy songs that have matured out of corny surfing themes, but still emanate youthful joy. Brian Wilson is a stunning delicate genius who is too pure for this world.

Sucks. I hate the music and the insipid trying too hard to be “different” lyrics. I hate the sucky ass ugly album cover too. Sucks.

Seminal album of my young adulthood. I discovered Liz Phair in college and immediately related to everything she was singing about. The ideas of empowered female sexuality, owning your desires, and deciding for yourself what your narrative will be in relationships resonated deeply with me. I love her minimalist production too. The songs are so well-written, so sharply observant, biting and acerbic with a cynicism unheard of at her age. But damn if there aren’t sad pathetic little nuggets of optimism throughout as well. You root for this girl, you believe in this girl, you are this girl. Her dry monotone vocals shouldn’t work, but they do. They’re somehow sultry and raw all at once. Phenomenal album from a unique talent and a powerful voice we needed at this time. Thank you Liz for helping me feel empowered about my burgeoning sexuality and for helping me feel seen.

It's fine. Sultans of Swing is one of those ubiquitous classic rock songs that I know all the words to. It's really the only thing I care about on this album. A chill 40 minutes of listening but it didn't rock my world or make me want to dig deeper into this band.

The Byrds getting weird with it and not singing any songs written by Dylan eh? I don't know... Experimental possible originating point of psychedelic rock? Okay, I guess that's something. Turn! Turn! Turn! is stiff competition though, the pinnacle of success for the Byrds and probably their most worthwhile contribution to music. I can vibe with this, but it doesn't get me high.

A Gene Clark album immediately following an album by The Byrds? And not just any album by The Byrds, literally the album they released after Gene Clark left them? Coincidence or collusion? Ooo it makes me wonder. Oh great, this is also a massive commercial and critical failure that made no ripples across the pond in North America... yeah this will be fun. Side rant: how is this my second Gene Clark album and I still haven't gotten any Led Zeppelin? I thought this list was going to be non-stop banging rad music. Wtf. Back to Gene now. Boring, boring boring. It bores in the morning. It bores in the evening. It bores me at suppertime.

"If ya fuck wit me I'll put a foot in ya ass" - words to live by.

This is not Friday music. It does not mesh with all of my whims and the lighthearted frivolity I'm feeling today. I'm going back to N.W.A

A brilliant solo offering from Lou Reed. I fucking love this record. There’s no denying the amazing Bowie influence and production here, but it still has the dank New York stink of Lou’s piss all over it. It’s spectacular. The clever and biting lyricism meshes beautifully with the vulnerable moments of introspective poetry sprinkled throughout. The musicality steers further into the rock n roll vein but retains elements of the avant-garde Velvet Underground style, and that fusion begets Lou’s acquaintance with early glam rock in a truly glorious way. Oh, it’s such a perfect album! It just keeps me hanging onnnnnnn.

The proggiest prog rock that ever progged.

Lot of enduring mega hits on this album, can’t deny that. Baba O’Reilly is a killer opening track, perfectly sets the tone for everything that follows. It’s a very precise and expertly executed album. The absolute best that The Who can be.

What a ride! I did not expect to enjoy this as much as I did. It started off on a deeply eerie note with the actual theme music used for The Exorcist. Those opening tones carried so much menace I wasn't sure I could listen to a full album of it. As it progressed to the midway point of the first track it leaned into a more triumphant rock groove. And it just kept shifting and changing tonally countless other times from there. It was an oddball record that charmed my way through to the end.

Folktronica, really? Fuck right off. I love folk but I hate electronica, it's pineapple on pizza all over again. Now that I'm listening though, I don't think folktronica is the right genre label for this... it's just more like Norah Jones if she smoked in the bathroom because of peer pressure, trying too hard to be cool. This sucks, but it's way lighter on the electronica than I expected so my ears appreciated that.

Eliminator is way better.

Very excited for more Velvet Underground, I've been on a huge Lou Reed kick since getting Transformer a few records back. This is a good, solid album, I'm digging it. But dang, I do miss John Cale. His influence is unmistakable on past albums, the best VG is a VG with Cale on board. Pale Blue Eyes is a standout track, fucking love that song.

You said it, sister. Whatever.

Light and breezy San Fran rock that I liked having on while I made brunch for my family today. Laugh, Laugh is still the best Brummels song, there were no standouts like it on this album. But it was pleasant.

I know this is like, blasphemous, or whatever. But I've always found Jimi Hendrix so incredibly boring. He's got skills, yes. He's got some hits, sure. But this album has nothing remotely interesting on it. This album is Hendrix at his worst, it's just so self-indulgent and obnoxious. The 39 minute runtime might as well be 39 years, it's just such a slog to get through.

Are we really going to pretend that Frankie Goes To Hollywood is more than a one-hit wonder? I mean, COME ON! This is crap. One karaoke worthy song does not an incredible must-hear album make.

An album rife with complexities and contradictions. A perfect portrait of Sinead as an artist, it encapsulates her uniquely polarizing persona and multifaceted talents so precisely. She’s soft, vulnerable, ethereal. Intense, scathing, and irascible. She broke the damn mold beyond any possible repair when she released this album out into the wild. Sinead is the kickass, boldly authentic powerhouse we needed at this time.

The only Faces song I like is Ooh La La and it’s not here. This band is just so mediocre. Rod’s a cool cat, and I dig his voice, but this is all just so lacklustre. Meh to the power of Meh squared.

Magnificent. The best Smiths album. Morrissey is at the height of his maudlin melodramatic lyrical superpowers. It’s just so sonically delicious the way Marr and Morrissey’s different strengths compliment each other. I’m addicted to it, I can’t get enough, I can listen endlessly. You discover something new and fascinating with every play, their music is just jam packed with nuance and pithy potency. The Queen is Dead and The Smiths are too, but I do so wish they’d ride again.

I’m disappointed. Never listened to this group but Chuck D is one of those hyped up figures so I assumed I’d hear something interesting. There was no variety throughout, just all the same tonally. Didn’t live for it, wasn’t impressed by it. Repetitive and dull.

I hate to say this about New Order, but this album is dreadful. It's like the last sad, desperate grasp at their former glory. None of the tracks are distinguishable from one another, it's just the same song over and over again. Not for me. Rating 2 stars though because I sure respect the hell out of their earlier catalogue.

Progressive hip-hop? *groooooooooooans* I swear this project is closing my mind more than opening it. There were some good beats, I'll give it that. But the vocals were so grating. It's not my scene, I don't like it, no thank you.

Flawless album. Iconic voice. Obvious 5 stars.

I dig it. I like Costello's sound, I love his unconventional and quirky vocal stylings, and I love his lyricism. You never get a predictable love song or rock and roll dirge; there's always rich layers of complexity and nuance in the songwriting that give the listener so much to mull over. Especially if you're a lyrics first listener like myself. This isn't the best possible iteration of Costello though. This is someone who knows himself, knows what he's capable of and delivers it expertly. But it isn't Costello at his most powerful and impressive magnitude.

It's a bit better than I expected, but I still don't like it. I need music that I can connect with, that has an element of fun. This was a chore. And "I don't do the dishes, I throw them in the crib."

Haven't listened to PJ at all before, knew the name and the big single Down By The Water, so this is completely new territory for me. I'm enjoying the grittiness of this album. The vocals are excellent, and the music has a sinister quality to it that pairs well with the singing and lyrical themes. I like it. I don't know that I'll go out of my way to listen to it on my own, but I like that I have a better sense of this artist now. Also, I love that PJ is looking like Rashida Jones on this album cover. Gorgeous!

It’s aptly titled. You sure do get what you pay for with this one, lots of songs about fighting robots. Do You Realize?? is a beautiful timeless song. The opening track Fight Test is a killer album kickoff song, I was really into it. Overall, I dig it.

Mad respect to David Byrne and Brian Eno because they are titans of musical production and artistry. But I just don’t like electronica. I tried, but I’m not into it. Sorry dudes, I prefer Talking Heads and Roxy Music to whatever this is.

Aptly named. This is a beautiful album of genuine Americana rock. Such a lovely, folksy, rocking album. And it doesn't even have any of my favourite Dead songs on it!! But damn, it's just so good. Jerry can take the wheel any time, I know I'm in good hands. Ripple is a standout track, and Truckin' is the ultimate ode to road trippin', but Friend of the Devil is a powerful ditty too. I can see why people tossed their lives aside to follow these guys and jam all day long. What a cool, chill way of life. Wish I'd been able to do the same. Rest in power, Jerry! Fucking love you dude. And the rad ice cream you inspired too :)

Fuck yes! I love me some CCR. This is the soundtrack of my early childhood, my dad in the kitchen cooking up dinner for his three rambunctious daughters, the shitty Sony radio on the countertop with this tape in it filling our house with good time tunes. They are the most classic of all the classic rocks for me because of the way they take me back to that place in an instant. John Fogerty has one of the all-time greatest voices because of the way it fuses blues/rock/country sounds into an unforgettable gritty rasping growl. The lyrical content and themes are perfectly complimented by the badass honky tonking guitar work. It's a whole ass mood of down home fun. I can still hear my old hound dog barkin', chasin' down a hoodoo there.

Right on, man! Gimme that sweet sweet Rush! Excellent album, so much amazing rock. I love Geddy’s frenetic singing on this album. Definitely their most iconic artwork on the cover. Tunes are all solid. But not as good overall as Moving Pictures. Respectable 4 star rating.

I like quirky. I like oddball. I like weirdoes and divergent personalities. I appreciate kitschy and campy artists. But I need them to be accessible to me on some level to truly love them. Mad respect to Waits for being all of these things and then some, but I think his reach exceeds my grasp. Some of the instrumentals were quite enjoyable, and when Tom sings a bit softer I can connect (Johnsburg, Illinois). Overall though, the intensity of his trademark growl is just too jarring for me to enjoy for an entire album runtime. Love this album artwork though, it's magnificent!

Ooo ooo oo! POW! Don't Stop 'til You Get Enough! Waaa ooo eeee ooooooooohhhhhh! Yeeee heeee heeeee ya! (I'm having way too much fun to articulate properly how I feel about this one.) Juggernaut! Titan of musical talent and prowess! Perfect listening for a Friday! I'll never get any work done because I can't stop dancing. I just love it, it's the epitome of disco fun and funk. It's the falling in love with this album all over again that's making me high... ooo ooo oo!

Oh okay. Never heard the Rolling Stones in sitar before. Not for me, but it kept my toddler chill during breakfast.

I’m a total jazz n00b. I have no clue how to evaluate this album, other than to say it was pleasant to listen to during my Sunday brunch. That seems to equate to a 4 star rating.

Cross by Justice? And it's French electronica you tell me? I couldn't muster an ounce of enthusiasm for this even if you paid me a million dollars. Say it with me again everyone, in the hopes it actually comes true this time: NO MORE FRENCH ELECTRONICA!!!!!!

Ah yes, the music of old fashioned wife beating inbred alcoholics who've convinced themselves they're just salt of the earth decent folk. An unbearable amount of twang and Jesus. "Ira was notorious for his drinking and short temper. He married four times, his third wife having shot him multiple times in the chest and hand after he allegedly beat her." Yeah, fuck that guy and all his hypocritical gospel songs about love and faith.

No familiarity with Tull beforehand, other than knowing the titular track Aqualung and it's instantly recognizable riff that is the epitome of "classic rock". I always considered them to be "dirtbag rock", you know, rock for dirtbags. But I'm detecting notes of "chamber music nerd" and "prog rock weirdo" throughout this album. There's also a heady amount of Jazz Flute peppered throughout. I'm not a convert or anything, but I had some good times with this one. Guess that makes me a bit of a dirtbag after all.

I mean, if we’re talking about albums with a massive cultural influence look no further. Huge. Ambitious. Powerful. It’s got grit AND effervescent sparkle in spades. If the artist’s aim is to achieve greatness by mining their soul to expose its plumbed depths, Lauryn succeeds astoundingly in that regard. We Stan a beautiful vulnerable and raw black queen who raised the bar for everyone!

I liked the top half of the record, but then it started to get a little bit tedious and repetitive. Meh. Made me wish I was listening to Squeeze instead, just craving a different kind of British sound today. I want less moody meandering 90's and more zany new wave. It's Friday! I want to have fun! Squeeze should have a record in this list, but I'll be quite disappointed if they don't, especially given the heavily biased UK listmakers influence on the chosen records.

Billie is a legend no doubt. But like dang, did she ever have a frog in her throat! I listened the whole way through and there just wasn’t enough variety throughout. Bit of a snoozer this one.

Greatest selling salsa album of all time with the weirdest fucking album art I’ve seen to date. Didn’t understand a lick of lyrics so I have no idea if this cover maybe makes some kind of sense after all? It was cool though, went well with brunch this week.

It is an album. People on it made sounds in a facsimile of music. It sucks and I hated it.

I came of age with 90s era Madonna and my first “album” of hers was The Immaculate Collection, her first greatest hits compilation. So to me, she’s one of those “just the hits” kind of artists. And let’s be honest here, her hits are huge, they totally slap, and all of them unlock core formative years memories for me. The remix of Express Yourself on the compilation album is so much better than this original version. When I got around to buying this album I remember feeling kind of let down by it in comparison. I forgot how much I liked Love Song, that collaboration with Prince is the best thing on this album to me now. They play off of each other in such a sexy way, I dig it.

Let me tell you a little story about French club/house music: NO!

Voice of a booze soaked angel.

Okay, Cube. You're the predator. Sure.

Two Ice’s back to back and neither of them were special to me. I just… it’s not for me. Sorry, I’m not someone who likes or wants to listen to gangster rap. *shrug*

I’m sorry, are they singing about a fucking Tuna Melt Trolley?? Huh? Ohhh Toonerville. Oookay. This whole thing is nonsense garbage. It’s crap.

It’s not for me. Big Time Sensuality is an alright song, but I can’t do a full album of Björk’s oddball schtick. Long live this proud freakish weirdo, but she’s not of my tribe.

90's Cocteau Twins? No thank you! I don't even like 80's Cocteau Twins when they were arguably worth listening to. It's just dreary and bland. Pointless really.

Bob wouldn't want me to kill the mood with in depth analysis of his tunes, he'd just want us all to smoke some weed and have a good time. And Bob is always a good time. I loved spending my morning with this album, it put me in such a calm, chill mood for the workday ahead. Peace, love, weed, and chill.

This is a very 90's album cover, it hinted to me that this was maybe a grunge or post-grunge album. But okay, we got some power Britpop, sure. I don't understand the rationale or connection to 1977? The title doesn't fit what the album actually is. There are some catchy rock/pop tunes here. It's a bit like Belle and Sebastian with some nerve, but not a lot of nerve. The vocals are too soft and wispy for my liking, they are often overwhelmed by the music and hard to hear. As a lyrics first listener that's just not going to work for me.

I love this. It vacillates so nicely between Bragg's sweet and folksy approach to Wilco's moody atmospheric style. Billy Bragg and Wilco really seem to understand Woody Guthrie and what's at the heart of his songwriting. They've interpreted his lyrics beautifully here for a newer audience. I feel like part of something special listening to it. And I love love LOVE this album cover! I love looking at it, it reminds me of all the times I spent walking around my city, wandering, finding cool hidden gems all by myself. But I won't say which ones! If you could bottle the feeling of walking through a city you love with no plans and nowhere to be, I'd pay anything for it. This album is close enough for now.

Jesus fucking Christ, there is entirely TOO MUCH electronica on this bloody list. I really do feel like if you've heard one electronica record, you've heard them all. Why are there so many?!? I hate this.

Damn, Rod Stewart is such a basic bitch. I enjoy his raspy vocals when I hear Maggie May on classic rock radio, don't get me wrong. I just had no idea the songwriting in his broader catalogue was so full of sappy poor-man's witticisms and cliches. "Nighttime is only the other side of daytime" and "War time is only the other side of peace time" *eyeeeeeee rollllllll* Also, peep the lyrics on the album's titular track, just rampant misogyny and racism. It's hard to listen to some mediocre old white man talk so much shit about women.

The first time I ever heard this song I was 10 years old at a Chuck E. Cheese birthday party and the karaoke MC was singing it to us bratty pre-teens in between our pitchy screeching renditions of Spice Girls and TLC songs. Now I realize he wasn’t singing to us, he was singing to himself as some sort of protective self-care break mid-gig to persevere through the remaining hours of his shit job. The day the music died indeed.

The singles from this album are absolute FIRE! I really enjoy this era of Madonna. The overall flow and point of view here is so cohesive and focused. She's still putting a very trite spin on all of the Eastern ideologies she's exploring, but it is an impressive feat of adaptation and growth for Madonna's music and artistry when you consider where she started. Even though I fucking hate electronica with the fiery burning of a 1000 suns, somehow I like it when it's been heavily distilled through Madonna.

"a road that don't have no end" - that's as apt a description as any for this album. I do really like the cover though, it's a bitchin' stage setup.

Oh bloody hell, here we go, more fucking electronic garbage. Seriously, this is my 330th album so far and my 27th of the electronic genre. That's too many! I realize that 27/1001 is only about 2% market share for genre, but like goddamn, even that is too much for me. I do not want this on a train, I do not want this in the rain. I will not put this music in my brain.

Oh! Quelle surprise!The vocals are gorgeous! Lush, and enthralling. The instrumentation is magical. What an incredible combo. It slaps you in the face immediately with its point of view and personality on TC and Honeybear. I'm a huge fan of quirky, oddball, weirdo lyrics presented with straight up earnestness and unapologetic frankness. This is the niche divergent music I am so grateful for. A true hidden gem. I absolutely hate this album cover though. It's so awful and creepy, it does the beautiful music on this album no justice whatsoever and probably alienates a lot of potential listeners. I wasn't excited about it when I saw it. I dreaded it actually. What a pleasant surprise though, I'm glad I gave it a chance.

Boring basic bitch music. Very meh, very that.

Music for basic white men bitches. I don't know, man. It just sounds like every single indie artist of the 2010's with that whiny forlorn, yet aloof "cool artist guy" sound. Meh.

A nice departure from all the electronic crap I've been assigned recently. I was into it. The "love supreme" vocals that kicked in out of nowhere were kind of creepy though. They were just so jarring and at odds with the generally cool vibe of the music.

This album is a perfect time capsule for the 2004 that I experienced.

Fuck yeah! I'm into it because I already know and like The The. But I prefer Soul Mining because it is the superior album.

Some undeniable bops here. Dude is talented, and I like the way he brought something more soulful to 80s pop. A solid debut, not the best ever made, but solid.

This is some form of divine pathetic fallacy intervention for me today. The deeply ominous sounds of this album perfectly mesh with the broiling internal rage I'm currently experiencing because of shitty workplace motherfuckers that have pushed me beyond my capacity for patience. Well done, Leonard, you know what it's like when people be hasslin' and harassing you. Travelling Light is the way to go it seems, good life philosophy.

It’s The Clash, you’re guaranteed a good time. London Calling is the magnum opus, but this is the raucous debut that set us down that path to greatness. Respect for a fucking killer introduction to the world.

A bunch of basic bitches imitate the Beatles.

I hate live albums and I hate bloated, overindulgent track run times. This is way more bluesy than I expected, which is great. But I still can't enjoy the tracks that are over 8, 13, 19, and 23 minutes long. It's just so self-gratifying of the artist and demanding of the listener.

French music is already way overrepresented in this list, but now you want me to listen to an album about a lecherous old pedophile "romancing" an underage girl? FUCK NO! "Oh this album is so influential" say sexual predators, creepy old bastard men and rape apologists because it gives their sick and disturbed predilections validation. This album is garbage and should be wiped from the cultural landscape.

Giving me strong sonic similarity to Soul Asylum. It was fine, but I can see why these guys never made it truly big and are an obscure unheard group. It's not their fault they were eclipsed by the most major grunge and alt rock bands of all time. They just don't have the presence to go toe to toe with Kurt, Eddie, Chris, Layne, Gavin, Billy, Anthony, Dave, Rivers, or even Thurston and Frank Black. They know how to rock, but they ain't got that secret star power sauce.

It's pretty chill, I can vibe to it. But I prefer Lord Huron for my modern folk, tortured indie artist tunes. I love this album cover! I could look at it for hours, it's very amusing and captivating.

It’s the best Jimi ever was. Killer tunes, wailing guitar, rock the fuck out. I dig.

Startlingly still relevant 70s punk I’ve never heard before? The dark and foreboding lyrics paired with the fast and raw musicality really worked for me. I’m going to give this one multiple listens.

A much more polished and tonally mature album than School’s Out is, which I rated 1 star back when I didn’t realize how much actual legitimate crap music would be ahead of me. I liked this one, No More Mr. Nice Guy is one of those very classic classic rock songs that I always enjoy. Hello Hooray is a fun and irreverent track that I forgot I liked as much as I do. Good times.

A whimsical and cheeky record. There are deep layers of humour and wit buried beneath quirky instrumentation and 60s hippie counterculture vibes. Very bri’ish, but in the best possible way.

Garbage is exactly that, garbage. I hate to be so basic in my review and say the very obvious thing, but it's not just obvious in this case, it's resoundingly true. This is one of those bands that I skip when they come up in playlists or change the station on the radio for. I hate their sound, I hate the singing. The lyrics are all such whiny pathetic attempts to be the "edgy cool girl". "I'm only happy when it rains" - oh how pithy! how unique you are! *eyeroll*. This is the lowest point of 90s alt rock for me. I tried going into this with a more open mind today, to see if some of the deeper cuts annoyed me less than the singles, but it truly was all GARBAGE.

Put this album on to ROCK. THE. FUCK. OUT!! It's high octane, head-banging, air guitar-ing goodness all around. Musically, it's powerful, pulse pumping stuff but lyrically there's this very self-deprecating and tongue in cheek underbelly to the seemingly raw and unapologetic cock rock veneer. I love that about it, these guys send up the egotistical self-absorbed rock star character so well. But most importantly of all, it's just so fucking FUN!

I'm not that into Steely Dan, but this album feels like the best elements of their sound and style. I guess Fagen is 99% of Steely's essence? Huh, kinda seems like why even bother going solo? This is just a Steely Dan album with only Fagen's name on it. I'm enjoying it more than I thought I would though, and that's probably because these songs are all brand new to me and haven't been played to death by classic rock radio, unlike Ricki Don't Lose The Number or Reeling in the Years have. I love this album cover, it's a spectacular photograph, it evokes a mood perfectly fitting the album title.