Geography

Eyyy a classic Instant 5 Long time since I have listened to it all. Good to be back.

This artist and their music is smooth as fuck. I definitely will be listening again and checking out more of their discography!

Very entertaining… I had a terrific time listening to this. Interesting styles, sort of jazzy but then some dance-infused songs that made it more interesting (“Disco Yes” for example!). Loved it!

Wow this album is superb. First time listening and an instant classic, loved the Jazz and flow and a nice surprise Loyle Carner popping up on water baby.

Jazzy funky hip-hop influenced grooves, with some cracking guests. Please don't cover Stevie Wonder though, it (almost) never works. His voice sounds oddly like Calvin Harris, which was a bit distracting at points, but a good album and one I would never have heard without it being suggested here. Thanks for the pointer

Great if you're sat by a pool in 30c heat drinking cocktails. Unfortunately I was walking the dog in the rain.

Rating: 8/10 Best songs: Lost in Paris, Movie, We’ve come so far

My music review BFF, tom5643, said it best. This is beach club resort music. Depending on your mood and your surroundings, that may be just what the doctor ordered! Or it may be kind of weightless and forgettable. I was in the right mood yesterday though so I'm all for it.

I suspect that this, both lyrically and musically, probably merited more active listening than I was able to give it at the time. Superficially a kind of light, jazz-adjacent vibe. It didn't quite grab me but I feel like I'll circle around and give it another pass eventually.

This album is smooth, polished, and safe to the point of sterility. Tom Misch is clearly a skilled guitarist and has an ear for groove, but Geography is pure Spotify-core: hyper-produced, mid-tempo, and designed to please everyone without challenging anyone. There’s nothing wrong with easy listening or coffee-shop funk, but I kept wishing his playing was in a rougher, more daring context. The beats are simple, the edges too clean, and the whole thing feels airbrushed. Funk, jazz, and hip-hop all make an appearance, but only in the most polite way possible. A pleasant listen, sure, but far too safe to stick.

I wonder what the genre is for this album. Funkadelic spoken word rap? I'm finding myself moving to some of these beats. The album art looks like a candelabra. Why is it not spelled candlelabra? Movie was a bit slow for me.

This is some nice-enough, easy listening funk that sounds like it wouldn't be out-of-place as incidental music in a low-budget rom-com.

Neo soul, nu jazz, funk, jazz, hip-hop, electronic, jazz-funk, acid jazz, R&B, jazz rap, ambient, nu-disco, alternative. Bastante agradable. Un 4, venga.

This music felt very specifically like music that would be playing at the outdoor shop / lounge area at the Secrets resort we have visited twice in Mexico. Which pleases me. Don’t know if that helps you as a review

Very mellow, in a good way. Not typically something I would listen to on own initiative, but I liked it

Yea I can dig this album. Disco Yes is a song I have absolutely heard before.

Never heard of Tom Misch before so this album was a pleasant surprise. The way he fuses the jazz pop sounds with some solid best production made this a pretty enjoyable album. Listened to it a few times and didn’t get tired. Could definitely revisit. 6.9/10 (nice)

Jazzy, funky, 3/5.

Good revision music according to a friend

Very smooth

Not bad

something very kenny g about this rnb. no shade, just rubbing weird against my anxiety today.

November 19, 2025 "Tick Tock", "It Runs Through Me" (feat. De La Soul), "Man Like You", "Water Baby", "We've Come So Far" Oodles and oodles of potential For such a laidback album, I feel like I went through a wide range of emotions. Anger for hearing such sophistication when I currently crave something noisier (as my voting record for punk and metal shows, that's not a common issue with me). Joy upon hearing that De La Soul was involved, as well as during the funkier tracks like "Water Baby". Contemplation, during the vibier tracks like "We've Come So Far" and that little Stevie Wonder excerpt. Tldr this album made feel everything and nothing 7/10

Really wasn’t for me. A combination of elements to styles that I don’t really enjoy.

It’s alright music to cook to, but that’s about all I got out of it. Kind of tepid

The production is pretty clean which I enjoy but overall it's a bit too poppy for me.

Extremely simple easy-listening music for coffee shops and travel vlogs. Pretty much exactly what you'd expect from an album like this. Hard to hate, hard to write more than two sentences about it. Strong 2/5.

"Just because a record has a groove don't make it in the groove."

It's an okay album, and I can see some qualities, but if not submitted by Tom Misch himself, that is also giving a try to the 1001 challenge, I really do not see how a (component but) quite standard album should be included in a collective all-time best albums of all time. I recognize that everyone has their favorites, and there’s certainly a lot of awful music in the list. Some submissions feel like an attempt to enhance the original list, while others come off as more ironic. Then there are those where someone thinks, "I know this isn't a classic, but it's my favorite of all time." Strangely, to me, this album does not fit into any of these categories, and it leaves me a bit lost on how to evaluate it.

If you're going to have a spoken-word passage at the beginning of your album talking about you're only in it for the music, you should probably ensure the following LP lives up to that self-aggrandizing promise. Despite the tight instrumental execution and thoughtful, clean production, the actual musical content of this album is flatter than a pancake. No matter how many times Misch steps outside of the key or fits in a funky little solo, the bones of these tracks are drop-dead boring: muzak-esque progressions, repetitive lyricism and instrumentation, meandering guest features that feel misplaced or are just plain bad. Tack on the jam band elements and the orobouros of Misch jacking himself off is complete – telling when you need a gratuitous re-do of 'Isn't She Lovely' to inject any kind of life into your album and it manages to be the most memorable track! The whole project is just self-serving and too smug for its own good. The main feat I'll remember from this one is how Misch managed to make even a De La Soul feature feel lifeless and limpid.