So, let's get his straight. Rod wasn't getting laid in Rome and decided to write a song about it? And then he proceeds to say racist things about a woman he met on a ferry in Peking/Beijing? Great album opener there, Rod. A good portion of this album is dated white guy rock that steals heavily from blues and is nowhere as good. I've always really liked Maggie May, but it has super misogynistic lyrics. The last few songs are good, though.

Starts off sort of strong but then falls apart quickly. "Twentieth Century Fox" is just a bad attempt at a song and I don't care what anyone else says. "Alabama Song (Whisky Bar)" is a very good attempt at ruining a Bertolt Brecht song. Their attempt at covering Willie Dixon's "Back Door Man" fails miserably and ends up sounding like some teenagers jamming in their parents' basement. I refuse to spend another second listening to "Light My Fire." This is a downright horrible album that suffers from the weight of their own egos. The only highlight is the openers and closers. But, they've also been ruined by overplaying on classic rock stations. Confirms that the Doors were a shit band.

The most self deprecating hip hop album I've ever heard.

Starts off kinda clunky but by "22 Acacia Avenue" it finds its stride. The intro to "The Prisoner" is *chef's kiss*. And, of course, "The Number of the Beast" and "Run to the Hills" are bangers. "Hallowed Be Thy Name" is the perfect ending.

Separating this U2 from the U2 we know of today... This U2 was a breath of fresh air and like catching lightning in a bottle. They came out swinging with their sonic assault and their political lyrics (things that people weren't really talking about during the Reagan/Thatcher era). This album -- along with Boy -- gave them a reputation among the alternative/new wave crowd of the 80s. So much so that they were spoken of in hushed tones. Great album with alternative rock standards.

This is such a classic album.

Didn't move me all that much. Feels like an overbloated album with two well known songs surrounded by filler. It's pleasant enough and I can understand its importance to multiple genres. But, I don't see me listening to it again. Thanks to its over exposure, I really don't care for "Le Freak." Also, I've never really cared for the singing style in Chic. It was a style that repeated so often through the 70s and 80s and it never worked for me.

I love how raw and unpolished this album is. Just Carol and her piano. My only complaint is that I didn't really care for her version of "Will You Love Me Tomorrow."

This did not age well. I mean, Pacifica 202 is a classic and very likely will always be. But this acid house/techno sound really died out a long time ago and sounds extremely dated.

I did not want to listen to this since I'm not a huge David Byrne fan. But, I was proven wrong. Really enjoyable listen.

Nice one. Been aware of Ruben Blades but never dove into his music. They say in NYC in the 70s there were three separate musical explosions... hip hop, punk, and salsa. I've never had an opportunity to check out the salsa movement nor did I know where to start. I can understand why Ruben is such an icon in the Latino community.

This was great. A nice snapshot of 1970s Black America. Gil Scott-Heron never held back in his life and he does not disappoint in "H2OGate Blues." Love how he touched upon so many social issues. I can definitely see why this is such an important album.

This is a classic. Don't know what else to say about it.

Starts off sort of strong but then falls apart quickly. "Twentieth Century Fox" is just a bad attempt at a song and I don't care what anyone else says. "Alabama Song (Whisky Bar)" is a very good attempt at ruining a Bertolt Brecht song. Their attempt at covering Willie Dixon's "Back Door Man" fails miserably and ends up sounding like some teenagers jamming in their parents' basement. I refuse to spend another second listening to "Light My Fire." This is a downright horrible album that suffers from the weight of their own egos. The only highlight is the openers and closers. But, they've also been ruined by overplaying on classic rock stations. Confirms that the Doors were a shit band.

Never really have been a big fan of Joni Mitchell. Her vocals are a bit unpolished and her style is a bit too clunky for my taste. I suppose this is nice and I know she has a lot of fans. But, it's just not for me.

It's not my favorite David Bowie album. Still, I'm giving it three stars because it's David Bowie.

Love this album. Listen to it all the time. It's a classic in my mind.

Enjoyed this a lot. Sometimes Siouxsie can be just background wallpaper and it's just perfect.

So damn good.

This is cheeseballs.

A classic.

A classic.

This album is so damn good.

I really like this album. I never realized how similar sounding they were to the Mamas and the Papas. My only real exposure to them has been "White Rabbit" and "Somebody to Love." Nice to finally listen. The bluesy stuff was good but not as good as the first half. Feels like two different bands. Too bad this band eventually became Starship.

This is a classic album front to back. This whole album is a "shots fired" situation that ignited a new genre and I'm so thankful for it.

Classic DK album

Y'know, this is a tough one. I get how influential these guys are to grunge and, very specifically, to Nirvana. But, it was a tough listen. I do know that the Meat Puppets got more melodic later in their career, so do love them for that. However, the off key singing is a bit off-putting.

Very pleasant

Such an amazing classic album that's really fun and inventive. So many genres were influenced by Kraftwerk.

Looooooove this album so much.

Great album.

Another great album that I've listened to before.

This actually grew old fast. The hits are still the hits. But, I don't need Stevie telling me to turn to God.

So, let's get his straight. Rod wasn't getting laid in Rome and decided to write a song about it? And then he proceeds to say racist things about a woman he met on a ferry in Peking/Beijing? Great album opener there, Rod. A good portion of this album is dated white guy rock that steals heavily from blues and is nowhere as good. I've always really liked Maggie May, but it has super misogynistic lyrics. The last few songs are good, though.

This was so pleasant and cool. Full of torch songs and often reminded me of Scott Walker or Johnny Cash's American Recordings. Great recommendation.

Excellent album. I don't think there was one bad album in the White Stripes discography.

Great stuff! Didn't want the title track to end.

This is honestly just kind of mid. The hits are the hits. But, a lot of it is filler. I can see the appeal of this in 1966. But, this is before they got super creative and stopped ripping off black R&B artists.

Very nice. This album is gold solely for "Papa Was a Rolling Stone," which is a masterpiece of a song. The rest of the songs are just nice to have.

So damn good. Curtis was at the top of his game when he made this.

Great album

I listened to this one so much in the 90s that I can recite the lyrics in my sleep.

Still a good album

Well. This is just excellent.