I can't be the only one who heard Bowie was releasing an album called Black Star and assumed it was about his wife. It isn't, color me surprised. Another surprise is that I actually found myself enjoying the rest of this album much more than I did when it was first released. It can be a little indulgent but the soundscape is awesome, particularly the sax that appears throughout, the guitars on Lazarus and the synths on Cant Give Everything Away. A lot of beauty in the lyrics but its also a little weird hearing a skeletal geriatric sing about looking for ass in the big apple. However, although I know very little about David Bowie's music, this feels authentic. High 3* for me.

I can't be the only one who heard Bowie was releasing an album called Black Star and assumed it was about his wife. It isn't, color me surprised. Another surprise is that I actually found myself enjoying the rest of this album much more than I did when it was first released. It can be a little indulgent but the soundscape is awesome, particularly the sax that appears throughout, the guitars on Lazarus and the synths on Cant Give Everything Away. A lot of beauty in the lyrics but its also a little weird hearing a skeletal geriatric sing about looking for ass in the big apple. However, although I know very little about David Bowie's music, this feels authentic. High 3* for me.

The perfect LP for pumping yourself up to go creep on Mary Sue down at the Milk Bar while Dad works out his WW2 trauma on mum's jaw downstairs. In other words, beyond Feel It (which rocks), this is just too twee for my millenial ears to be able to fully appreciate - I guess we'll have to assume that "[chorus] bring your lovin home to me tonight (yea!) x 10" was a panty-dropper in the 60s (the crowd sounds like they're having the time of their lives). Sam Cooke's voice sounds really nice, but I just don't have enough musical context to overcome the generational barrier for this one.

Nirvana unplugged is the best version of this band to me. Lake of Fire, All Apologies and Where Did You Sleep Last Night are especially good, but I like all of the renditions of Nirvana songs at least as much as the studio versions & the covers are all great. And the fact it's from an intimate live gig really does add something to the listening experience, although Kurt Cobain's stoner drawl ('this was written by the vessaleeeenes') is a little grating when disembodied & the sound of the crowd is annoying in that tickets to this very small event almost certainly went to industry executives and their douchebag friends. I can get past these petty annoyances: this is a very worthwhile live album and is deserving of its reputation.

I think I'd need to be on drugs to get anything out of this kind of music.