This is by no means gods gift to music in the way some people who wear a dark side of the moon t shirt think it is, but I must admit: Sometimes there is a reason the classics are the classics. The album is bold, almost brooding, and even feels a little avant garde after all of these years. Of course, Pink Floyd’s style of psychedelic rock has stood the test of time, and these tracks rock while also being layered, ethereal and introspective. Essentially the best of both worlds.

A tricky album because it is neither my favorite Beatles album, nor is it the one I consider to be their "best" (however arbitrarily that would be decided) yet I do believe it to be a masterpiece in its own right. This album is stylistically diverse, including new Indian inspired influences, but still has a twinge of early Beatles flavors. Rubber Soul and Revolver are simultaneously transitionary LPs but also some of the best material the band pulled together front to back over the course of their catalogue. "Here, There, Everywhere", "Good Day Sunshine", "Eleanor Rigby", "Taxman" "And Your Bird Can Sing" are some of my favorites

This is by no means gods gift to music in the way some people who wear a dark side of the moon t shirt think it is, but I must admit: Sometimes there is a reason the classics are the classics. The album is bold, almost brooding, and even feels a little avant garde after all of these years. Of course, Pink Floyd’s style of psychedelic rock has stood the test of time, and these tracks rock while also being layered, ethereal and introspective. Essentially the best of both worlds.

Hauntingly Intimate. Lyrical poetry & and a beautiful voice, coupled with strong guitar. This album is so tonally specific and it transports me: I feel like I'm sitting in a cottage in the woods in the fall, at dawn, sipping some coffee and burning a candle.

Not sure I think this album is a 2 straight up, but in the context of 1001 albums you must hear before you die, it feels appropriate to identify it as the lower end. I respect the significance of what this album + Dookie (which is the better project by a country mile, IMO) did for punk pop in the mid 90's but nothing is all that impressive on this LP. Middle school me enjoyed this type of album heavily- and to its credit, the raw, youthful, spit in your face energy is probably far and away its best quality. BUT, rather than being nostalgic, I think I just find myself glad to have outgrown the Green Day/Offspring phase.

Another album that middle school me loved. I still have the CD, even. I do like some of the music here, but the lyrics are kind of weaksauce across the board. Definitely not a bad album. Feels like whitewashed blues pop rock music. I'd liken The Black Keys to being the Target or H&M of Blues Pop Rock, broadly appealing, not much breadth or depth past the surface.

Wow. This kinda blew me away. As a Neil Young rookie, I've heard some of his greatest hits in passing, but haven't been an active listener thus far. After a couple listens to the LP today, I'm really struck by this album as an body of work. It's clear that the 60/70's had some all timers. Neil's voice is raw and almost fragile, but so well accompanied by the piano, guitars and other instruments that show up here. "Birds" is a song I might need to be played at my funeral... Lots of emotion on this one.

Late 2000's indie folk goodness. Fleet Foxes is comfortable on this debut. I really like the harmonies and it is sonically pleasing. A couple songs (Ragged Wood, White Winter Hymnal, Blue Ridge Mountains) really stand out, and then the vast majority of the tracklist is just good not great.

Definitely a new artist/project to me. A little long winded, but I began to appreciate the sounds and things I’m hearing here the more I listened. When I’m typically inundated by US and UK artists, it’s refreshing to try new things out even if it isn’t my favorite

Bjork’s music is easily identified as avant garde and cinematic, but is admittedly still a little over my head. Definitely enjoyed some moments on this one, but found it a bit challenging to really dig in and get a full listen front to back. Pretty sick break up album, though.

The Rolling Stones seem to find a consistent groove on this LP as they play their way through blues, rock, and country inspired cuts. It’s a solid project that has some toe tappers, but I really didn’t feel deeply connected to much of what I listened to here. A little disappointing considering the group itself is so heralded.

Unexpectedly liked this one a lot.

Unique, layered , and worth revisiting

quintessential jazz for someone who enjoys the genre but has very little knowledge of the intricacies

I get why this album gets the praise it does. It is a wee bit bloated but as a front to back experience it’s pretty magnificent

His voice is not THAT annoying. Just a classic brit (but Anna and I have also been rewatching the Harry Potter series recently so maybe that contributes.) This is just some classic, political, salt of the earth folk. Really enjoyed this and was unfamiliar with Braggs work prior.

Dare I say folk Dylan at his best. High highs on this joint, with some of his best guitar and voice only songs- girl from the north country, don’t think twice it’s alright, a hard rains a’ gonna fall, masters of war, blowin in the wind: just there that’s about half the album! Sure, some fo the other cuts on this LP lack the same strength/staying power, but as a front to back listen they slot in more than fine. The covers at the end are solid, too.

Now this is some no frills Blues. Gotta respect Muddy playing “got my mojo working” a second time. Energy really amps up on this album as it goes. Safe to say Muddy Waters has found himself a new fan

first impressions were: this was groovy, White Stevie Wonder!? But ultimately not nearly as great as Stevie himself, and the Jamiroquai frontman kinda seems like a POS after a quick google search.

Not really for me. Shouty but somehow didn't really feel the energy that typically accompanies this type of music. Probably the first album on this list that was truly a slog to get through. Largely forgettable post punk with a couple of decent tracks ("Come See, Come Saw," for example)

Glam. Rock. Vocally pretty interesting, kind of freddie mercury esque vibes with such an unwavering falsetto. I got more into this one as it went on.

Enjoyable debut from the Eagles. Sees the Country rock group in its infancy, it’s an easy (ironic, given two of the best songs on the album have "easy" in the title), appealing listen on the whole. The best songs on this album are the hits, keeping things safest cuts: "take it easy," "Peaceful easy feeling" But I found myself enjoying songs like "Take the Devil" and "Most of Us are Sad" which were a bit different sonically than what I typically associate with the band.

The Replacements show up with some range here. “Androgynous” is not a song I expected and this album but was pleasantly surprised. “Unsatisfied” and “I Will Dare” are solid rock staples. Even the goofy songs ‘Gary’s got a boner’ and ‘Tommy gets his tonsils out’ aren’t bad or lacking.

The Beats are creative, but as soon as the singing comes in it loses me. Respect what is going on here but not really for me personally

Ziggy Stardust is a tour de force. Anything Bowie is going to be unique, yet at only 40 minutes, it's digestible and fairly accessible to the uninitiated. The opener, the closer, front to back this is a gem. Without question, a legendary album that just plain rocks.

Nah man. Just nah

Without context, this album sounds like it came straight from the 70/80s. Then I see it was released in 2003! It is very faithful to the genre and takes the best parts of its predecessors. This is a fun, cheeky record. Would be grasping at straws to find a lot of deeper meaning but the album rocks and its an easy and fun listen.

Weird, prog, expansive, grand, self indulgent. I enjoyed it. Definitely not for everyone, but I found it to be refreshing and unique. So many sounds and wacky choices on this record but that feels like the point

Unfamiliar with this one going in, a massive fan coming out. This album rocks. Insanely hard to decide whether I love the vocals or the guitar work more. Feels really original and earnest. The various sounds they are experimenting with work in tandem to create an masterful final product.

Love the youthful energy on this one. Beats are interesting, features add nice choruses/accents to the wordplay Lupe is laying down. Nothing wrong here, but missing that x factor to make it a 5 star

nothing wrong here, but nothing that moves the needle for me. Bland semi decent Brit rock.

You can feel the energy boiling over in each song. Raucous stuff right here. Can you imagine listening to this as an angsty teenager? Here I am at my corporate desk job in the USA toe tapping like a buffoon, I certainly wasn't who the Clash were making this for.

This wasn't bad but I have a really hard time believing this is one of the 1001 albums you must hear before you die... To me this is album is the epitome of a CD you had in your car in the 2000s where it would autoplay on your commute and you were like "oh this is solid!" but you never gave it any thought past that. Driving background fodder. Coldplay vibes too

I enjoy the atmosphere/sonic choices that were introduced by recording in a church. The usage of ann organ winds up being a really unique piece and creates a hollow and distinct sound across several of the songs. This album is 2000’s indie to the core, and while it is a worthy effort, I think its aged a little poorly and at moments feels fairly mediocre compared to other early Arcade Fire projects.

Nothing really to say, not bad, not memorable. With a couple exceptions, ambient music is more about the connection you create with it in my eyes

jazz at its finest (in my humble opinion) accessible but also just a solid as hell outing. Definitely in the jazz album pantheon and deservedly so

had fun with this one, pleasantly surprising. too often people label a genres like disco as outdated. While disco certainly is centralized to a time period, the music itself stands up isolated from the context with which is was born.

So much I like about this album right alongside so much that doesn't really work for me. Definitely experimental, but pretty longwinded and onerous in spots. I want to LOVE this album, but it's just a like for now

Sometimes you stumble on to something that ticks all the boxes. "All Directions" is that kind of album for me. Has funky ass instrumental sections, the vocals are raw and powerful, slower jams, uptempo cuts, and I'm a sucker for doo-wop, no matter the naysayers! This album is a new favorite!

This is so mid. And truly the definition of the word. not bad, not good. just okay. I half expect these songs to play in an episode of Scrubs or something. 2000s sitcom written allll over them. Moody, sad, right before the voiceover kicks in.