Classic jazz album between big band and bebop.
Great lyrics, but all the songs sound the same.
One album you mustn't listen to. Absolute crap.
Two solo albums as a double album. The second disc is the better one.
Good psychedelic rock, heavy on the Hammond.
Great album without any of the over-rotated hits.
Meh, if you're not angry.
Some live albums are legendary. This is one of them.
Jazzy folk or folksy jazz, doesn't matter. Great tunes.
She shines in the uptempo songs, of which there are too few
Summer of Love Blues. Can't imagine any album being more 1967.
Sounds like a bongo overloaded sample collection in a good way.
Probably classic, but just ok.
I'm sure it's fine, just not my kind of fine.
Some screaming bangers, some screaming fillers.
Overindulgent, but in a good way.
Some Steely Dan songs are good, but none of them are on this album.
Two hitless, yachty Steely Dan albums in a row.
The music of the album makes it a masterpiece. The skits, not so much.
No melodies, no message, no heart, just soulless noise.
Banging beats and truthful lyrics. One of the last (?) hip hop masterpieces.
From the best rhythm section comes an instrumental masterpiece.
"What's that noise?" the 11yo asked, and that is a review as good as any.
A bit too experimental, but you can still hear the Waits.
Christmas is perfect for the Wall of Sound
Partly electrical, partly traditional, all masterful.
Great hits, better fillers than I remembered.
Just ok, for Stevie Wonder.
Apart from a couple of good songs, the album is mostly bland noise.
Summer of Love on an album.
Anonymous songs, but consistent.
Too conceptual, but some great songs.
Even the happy songs are gloomy.
You hear the greatness, but it doesn't do anything for me.
Sounds like sophomore Beatles. Oh, look, it is!
Before Love Shack they were better.
Did NOT sound like 1977, sounded a lot more modern, in a good way.
A one-hit-album is not an album.
Organized noise. Groovy at times, but mostly unpleasant.
Great songs, but a bit too 80s sleek.
No songs. No voice. No good.
Surprisingly good as albums go.
Soul-Bowie is better than the other ones.
Good late-80s-pre-grunge.
The best songs, the best artist, the best cover, the best album.
Difficult for me, probably great for others.
The original songs are good 80s. The covers are bad 80s.
If this was my kind of music, this would be one of best albums.
Blues Cave is better than Lyre Cave, still a good double album.
Born 50 years too late, died 50 years too early.
Good songs when he sings. The instrumentals are more demanding.
Icelandic folksy Enigma is not my kind of groove.
A few good songs, but not much more.
More soul than disco, not bad, but not for dancing.
Between the noise and maracas there are some good songs.
A good mix between dancefloor fillers and album fillers.
Difficult to listen to someone who has become a Nazi.
Great at the time, did not age well.
Wu Tang Monotonous with an occasional banger.
14 songs of American West Coast Hardcore Punk in 15 minutes is just about enough.
Three hours of great songs by a great singer.
One great song does not make a great album.
The greatness is there, but only for the first half.
The black metal songs are bad, and the melodious songs are too few.
Cultural appropriation at its worst.
Not bad. Not bad, at all.
Really good electronic album.
One good song, a couple of decent fillers, that's it.
Ok, but not more than that.
There might be greatness here, but apart from a couple of songs, I can't hear it.
Blusey Stones is good Stones.
Good folksy, almost medieval, album.
A bit too medieval on my ears.
Searching for a sound recquires quite a bit of noise.
Are all British progressive rock bands required to make a medieval album? Barely bearable.
Musically accomplished, I'm sure, but without melodies and rhythm there are no real songs.
A collection of songs does not make an album, but who cares.
Nothing left of good Bowie here.
The lyrics are great, the beats are ok.
Progressive soprano rock, but average.
The best songs are not ballads, but the album is mostly ballads.
More like Blues Implosion, amirite?
One of the best albums ever.
Wish Green Day, but without any melodies.
Frail, but still the greatest.
Vintage Beastie Boys with some of their best beats.
Two hits doesn't make an album.
Two drummers making crap without drums.
Acoustic synth? Sure! Could've lost a couple of songs toward the end, though.
Noise with occasional greatness.
Not groundbreaking, but not bad.
I wish that great voice could hit the right notes more often.
Sad pop does nothing for me.
Groovy, but get to the fucking point already.
It says absolutely nothing.
Cheap Psychedelic Electronica from bargain Joni Mitchell.
Willie's voice on these jazz standards is perfect, although his own songs usually are better.
Dylan is better when Dylan is not being sung by Dylan. A 60s classic.
A jazz giant playing with synthesizers, sure! Early jazz-funk-fusion at its best.
Meh 70s pop from a band that would blossom in the 80s.
Pink Jehovah's Floyd Witnesses accidentally programs a Commodore 64
The sound of bawling drunks in a studio with out of tune instruments they cannot play.
Swingin' Sinatra is the best Sinatra.
He can't sing. His songs are too long. But it still clicks.
Generic, whining and boring. In other words: BritPop.
Great songs, but most of them are better with other artists, especially those who wrote them.
The first CD in any Boomer's collection has an occasional underrated gem.
Muscle Shoals was good for the Stones. A masterpiece.
80s in the most 80s way of the 80s.
A hundred monkeys with a hundred instruments worked for about 5 minutes on this.
The 60s was not a good decade for jazz or ballet and this is a 60s jazz ballet.
Punk, but not too much, not too little.
An ok 70s album from 1990.
If I hear another medieval troubadour wannabe, I'll get ready for a joust and a melee.
Nope. These folksy medieval albums by British progressive bands are awful.
The missing link between Woody Guthrie and Bob Dylan makes a decent album.
Not my generation, but ok.
When it's good it's great. But those are a lot of fillers and not the dancefloor kind.
Not garbage, but not not garbage either.
Good jams on a classic album.
Guess you had to be there
Classic, but not always my kind of jam.
Still good, but still a bit uneven.
Incomprehensible album, just like the band name.
Great classics and other greats.
Sad, bordering on suicidal. Possibly great, but boring.
Mid folksinger in the era of great folksingers.
Weirdly accessible and off-putting at the same time.
I hear the greatness, but it does nothing for me.
Unique voice that died too early.
Their distinct sound sounds awful.
Still not a fan of this kind of jazz.
One of his best, says this man in his 50s.
Nirvana was better unplugged.
Stuck between SkaPunk and BritPop in a bland way.
Great club anthems, but with a few low points.
Bland in every way music, albums or songs can be bland.
Great album from start to finish.
80s synth masterpiece with surprises (Morricone!) and monster hits.
Costello is not my jam. There is no jam whatsoever.
Tired of singing? Just let the gloomy instrumentals drone on.
Can't rap. Can't sing. Good beats.
Now That's What I Call Crap!
Lovely covers, lovely voice.
Should've taught you better.
Not Hillbilly Deluxe, but it's still Dwight Yoakam.
Experimental, but not in a good way.
Whiny, boring and ZZZzzz...
You don't get more 80s than Def Leppard 80s.
Never heard of this, surprisingly good.
Unlike Carey herself, this did not age well.
Classic Electronica masterpiece.
Surprisingly funky at times. Ok songs that haven't been played to death.
The first song is masterful, but it's downhill from there.
Original, funky, soulful masterpiece.
Not a fan of Scottish Cardigans.
Does the Tom Tom Club have tom toms? Indeed they do. Also a couple of good hits.
To make something original from the Beach Boys sound takes a genius.
An album full of greatness, but then one day, music died.
It has nothing that makes music great.
Successful, perhaps, but not a very good album.
Great music from Senegal.
Bland, anonymous and says nothing.
Probably great. Definitely boring.
The point did indeed vanish.
Because it's Beatles it's good, but it's not great Beatles.
The singing makes the music worse. Boring.
Another whiny and pretentious man.
Sounds like Steely Dan, but with more elevator.
Great reinvention of the band.
Not punk enough, not pop enough, not rock enough.
Great? No. Good? No. So, so? No. Bad? Yes.
Not a lot of jam on this one. The sound doesn't affect either.
A real comeback/revival of the best Stones, the blues Stones.
This album has aged a bit, but it's still good.
Great album, but I like their first and third a lot better.
Easy listening, in a good way.
Has not aged a second, for some weird reason.
Adequate electronic music.
Who's that? Good Who, that's Who.
The Motown sound is strong with this one.
What happens if you have no rhythm or talet.
An amazing voice. Too slow, at times.
Some classic triphop songs, some not so classic.
Some good blues songs, but a singer he ain't
Apart from a couple of songs, the album is close to perfect.
Good ABBA, but still not great ABBA.
Good 70s Middle Eastern music, but with some unnecessary covers.
Just like its cover, the album has its ups and downs.
Slow and sleepy, even when it tries to be upbeat.
Atlantic's rawer sound is my kind of soul.
Well, if he can't remember, how can we?
Very much a Sunday album.
I'm all for a good beat, but then what?
One good hit, several average songs.
Lower average among the whiny British bands.
What flaming pile of garbage is this?
As always with live albums, I guess you had to be there.
Not a good album. Not even a decent X-Mas album.
Not enough pop, not enough folk.
Not one of his good albums.
Good 50s country from the 80s.
A couple of good songs, but not one of his best albums.
They never made a bad album.
Punk, but with someone who can sing. Not angry enough.
Sophisticated elevator music to be used in an 80s erotic thriller.
Probably speaks to someone, but not to me.
Take perfectly good country songs, and make them slower and all sound the same.
The classic album of all classic albums.
Not the best, not even good
One of my first albums. Still good.
A few good songs does not make a good album
One of the greatest comeback albums ever.
"Hello, is this the suicidal hotline?"
Concept albums are not always weird. Not always great either.
Good at worst, great as best.
You bleed? My ears bleed.
Shoegazing is literally just as fun as gazing at your shoes.
The 60s, I know, but wtf.
No, not rejoicing at all.
Iconic cover on crap music
The pre-disco BeeGees are not very good.
Great, but not his greatest.
Not atomized, more like a solid turd.
Good disco, but the slow songs are drags
A few great songs does not make a great album, but at least it's good.
The Ark, but from Temu and with more cowbell
Varied, but consistent. Really good.
Expected Sugarbabes, got Sugarcubes.
East Coast Surf Rock, the good kind.
The first try at a rock opera, is more of an error.
Groundbreaking, but not great.
Sounds like a demo tape, and whaddaya know, it is a demo tape. A fairly good one.
One good song does not make an album..
I confess, it's not good.
As uplifting as two wrists, slit to the bone.
Creedence sounding like Creedence.
Some of it is really good. Some of it is crap.
Not speaking, not singing, not good.
Average band name. Average Band album.
Starts good, but then, no.
Groundbreaking, but not breathtaking
Trying not to gaze at my shoes
Some good songs, but not really my cup of tea.
Recognizable songs, still average.
Quite happy before listening to this. Now, no.
Too much drugs, too little talent.
Sad because of what could have been. Happy because of what we have.
A couple of good songs. The rest a drugfuelled search for a melody.
Not quite the end of the world.
The cover is better than the music.
Does nothing for me specifically or for music generally.
Like coming down from a bad shrooms trip in the late 90s. Probably a true story.
Not too much country, is it?
A couple of great songs does not make a great album.
Temu Depeche with a Casio knockoff.
Never heard, never will again.
Never heard a good album by Radiohead before. Still haven't.
Not as classic as Baduizm, but ok.
Everything sounds like theme songs for 70s sitcoms.
A couple of groundbreaking songs does not make for a bloated album.
Apart from a couple of duds, this is a masterpiece.
Wristslittingly depressive.