My 1001 Albums Journey

Album	You	Global	Diff
Sweetheart Of The Rodeo The Byrds	5	2.82	+2.18
The Last Of The True Believers Nanci Griffith	5	2.96	+2.04
Will The Circle Be Unbroken Nitty Gritty Dirt Band	5	2.98	+2.02
Get Rich Or Die Tryin' 50 Cent	5	3.07	+1.93
Honky Tonk Heroes Waylon Jennings	5	3.14	+1.86
Teen Dream Beach House	5	3.27	+1.73
Sunday At The Village Vanguard Bill Evans Trio	5	3.31	+1.69
Gunfighter Ballads And Trail Songs Marty Robbins	5	3.34	+1.66
At Mister Kelly's Sarah Vaughan	5	3.37	+1.63
My Beautiful Dark Twisted Fantasy Kanye West	5	3.4	+1.6

Album	You	Global	Diff
Goo Sonic Youth	1	3.24	-2.24
Dig Your Own Hole The Chemical Brothers	1	3.11	-2.11
Music From The Penguin Cafe Penguin Cafe Orchestra	1	3.02	-2.02
Bug Dinosaur Jr.	1	2.94	-1.94
Non-Stop Erotic Cabaret Soft Cell	1	2.87	-1.87
Bone Machine Tom Waits	1	2.84	-1.84
I Am a Bird Now Antony and the Johnsons	1	2.84	-1.84
Greetings From L.A. Tim Buckley	1	2.84	-1.84
Isn't Anything My Bloody Valentine	1	2.75	-1.75
Alien Lanes Guided By Voices	1	2.75	-1.75

Artist	Albums	Average
Beatles	4	5
Miles Davis	4	4.5
The Rolling Stones	6	4.17
Bob Dylan	4	4.25
Marvin Gaye	3	4.33
Michael Jackson	3	4.33
Kanye West	3	4.33
The Doors	3	4.33

Artist	Albums	Average
Pere Ubu	2	1
Sonic Youth	5	2
Dinosaur Jr.	2	1.5
Tim Buckley	2	1.5
The Chemical Brothers	2	1.5
The Fall	3	2

Artist	Ratings
Lou Reed	5, 2

Parliament

3/5

Awesome bass. Pretty repetitive, I’m guessing for dance reasons. Weird in a good way. Not as many good hooks as I would hope for. Best songs: Mothership Connection, Give Up the Funk, Night of the Thumpasorus Peoples (💨)

The Slim Shady LP

Eminem

2/5

Awesome talent choosing to churn out murder fantasies and bad jokes. I just can’t get behind the lyrics; funny quips mingle with stuff that makes me feel gross. Call me a Gen Z snowflake prude I guess. I will admit that Eminem surely has some consciousness of what he’s doing here (see Role Model, or especially Stan on the next album), but that’s more of a justification than meaningful context. More removed from the lyrics, it’s generally just kind of same-y and repetitive. Some good beats, some mid beats. It’s a young and hungry rapper on a lot of drugs spewing out a bunch of gross stuff, self-aware or otherwise. Best song: My Name Is

The Pleasure Principle

Gary Numan

2/5

Weird, repetitive, not catchy, not a nice singing voice. Yet kind of intriguing anyway? It’s definitely atmospheric, and as much as I don’t care for his voice it adds to that nervy, icy vibe that the whole album has. I wouldn’t listen to this again but I can appreciate what it’s going for. Frankly baffled he got a #1 in the UK off of this though. What is going on on that weird island. Best song: Random

Hunting High And Low

a-ha

3/5

Pretty standard synthpop… but pretty good listening. Good melodies, good song structures, hit-or-miss hooks. First half of the album is stronger than the second. Could be a 2 or a 3; 2.5 seems right. Not really my thing but perfectly decent. Best song: Take On Me (shocker)

Movies

Holger Czukay

2/5

Really weird. Too weird. Musically interesting(?). Do not understand the painful wailing on Give Us More Money or the whole idea of Persian Love. Probably like a 1.5. Best song: Cool in the Pool(???)

A Night At The Opera

Queen

4/5

Really solid album. Pop and hard rock and prog and opera(??) in a mix that only they could pull off. And as overplayed as Bohemian Rhapsody is it is still an awesome song idc what anyone says. Best song: Bohemian Rhapsody (You're My Best Friend deserves a shoutout though)

Licensed To Ill

Beastie Boys

3/5

Very fun, if kinda stupid. The beats are obviously dated but some of these genuinely rip. Girls maybe brought the whole album down a point on its own. Best song: The New Style

Court And Spark

Joni Mitchell

3/5

Very breezy, laid-back, kinda soft rock. It makes the album good mood music but it kinda works against it in the sense that some of the songs end up blurring together. The sound is a bit mealy-mouthed, like the Carpenters or something, and the little injections of jazz hurt more than help. Still, she has such a nice warm voice that it carries the sections I found dull. Best song: Help Me

Music From The Penguin Cafe

Penguin Cafe Orchestra

1/5

What is this. I did not enjoy it. Best song: Penguin Cafe Single???

Nixon

Lambchop

2/5

Interesting downbeat album. Great use of strings, nice guitars, soft but rhythmic and well-mixed. The singer’s decision to sound like either late-career Bob Dylan or Tiny Tim on almost every song does bring it down, though. Best song: Up with People

Private Dancer

Tina Turner

3/5

Incredible voice, full of character and passion. The backing band at times doesn't have much impact; a little too much 80s synth. Not necessarily catchy, kinda lacking in good hooks. Best song: Private Dancer

It Takes A Nation Of Millions To Hold Us Back

Public Enemy

3/5

Energy, lyricism, beats, power. As far as old school hip-hop goes this is pretty strong. Sometimes the loops are too obvious/loud and that becomes grating. Could definitely do without the NOI references but I guess that’s where they were at. Best song: Rebel Without a Pause

Rock 'N Soul

Solomon Burke

3/5

Awesome voice, smooth yet sparky sound. Things do get kinda repetitive near the end, particularly with the backup singers who are the most gratingly dated element here (though I do still like them sometimes). Not the most substantial album but a nice listen. Best song: If You Need Me

(Pronounced 'Leh-'Nérd 'Skin-'Nérd)

Lynyrd Skynyrd

4/5

Awesome guitars, good rhythms, good melodies, good vibes. Call me a basic southern white boy but this is good music right here Best song: Simple Man

Crime Of The Century

Supertramp

3/5

Smooth yet expansive sound with lots of great instrumentation. All songs are listenable yet have some of depth. Still, I don't think I would put this on much again. It's distinctive and well-made, yet not totally for me. Best song: Bloody Well Right

Pretenders

2/5

I don’t really get this one. It’s got some good elements but there’s no real hooks, the singer is just kind of whatever, and none of the songs stick out much. Feels like it’s halfway between punk and new wave in a bad way, not really achieving the strengths of either genre.

Veckatimest

Grizzly Bear

3/5

An interesting one. Great instrumentation, very atmospheric soundscapes. Singer is hit-or-miss and so are the melodies. Some songs sound divine and others sound loud and badly produced. Overall I think the good slightly outweighs the bad here as the highs are quite high. Best song: Two Weeks

Straight Outta Compton

N.W.A.

3/5

Very impactful for obvious reasons considering the context of the time. Still pretty entertaining. Beats are harder and bouncier than a lot of other 80s hip-hop, and Ice Cube and Eazy E are both distinctive and energetic rappers (MC Ren...... well he's not BAD i guess). As far as the subject matter, it's a pretty accurate document of the mentality and vibe of this time for them, if not an accurate document of what was literally happening, lol. Not the kind of thing I'm really attracted to or like to surround myself with these days, but I get it and it's valid artistically. Also what was going on with that last song. Did the label just demand a crappy dance instrumental. Best song: Fuck tha Police

Murmur

R.E.M.

4/5

Really love the sound here. The jangly guitars can be a little thin, but they always give the bass a lot of room to pop and give the songs body. The band just sounds really tight. Good melodies. Michael Stipe’s voice is kind of an acquired taste, but overall really enjoyed this. Best song: Radio Free Europe

Pink Moon

Nick Drake

3/5

This dude must have inspired an entire generation of whispery singer-songwriters. The album itself is quaint, and frankly a little boring, but I can’t help but find it oddly touching. Crushingly intimate, like he’s singing right to me. The fact that it's shorter really works in its favor; doesn't overstay its welcome. Not something I’d put on much, but sincere and worthwhile. Best song: Pink Moon

The Poet

Bobby Womack

2/5

Smooth music with occasional bursts of energy. Pretty repetitive and lacking in melodies/hooks to hang on to. Not particularly inspired songwriting. Nothing wrong with this but not something I’d really choose to listen to. Best song: Lay Your Lovin’ on Me

Emergency On Planet Earth

Jamiroquai

4/5

Groovy, chill, bassy, spacey. A very fun listen. I already knew from limited exposure that I was into the acid jazz sound and this is just further confirmation. Best song: Music of the Mind

Teenage Head

Flamin' Groovies

3/5

Very raw and bluesy. Strong, consistent sound. No one song really stands out from the crowd. Guitar sound is kind of rattle-y and thin. Singer sounds like an OK-but-slightly-drunk Mick Jagger impersonator. A solid album overall. I didn't listen to the CD tracks. Best song: Yesterday's Numbers?

Ragged Glory

Neil Young & Crazy Horse

3/5

Great guitar album. Was dreading the long songs, but I actually found myself vibing to them and being lower on the shorter, more vocal numbers... and the reason for that is probably Neil's voice. I'm not a stranger to him and I think there's a certain resonance to it, but that tends to hit more on his acoustic stuff. With this kind of backing, he mostly just sounds weak and thin. Not many melodies to speak of, either, despite whatever's being attempted on that last song. Band is consistently pretty great though. Best song: Love and Only Love

Penance Soiree

The Icarus Line

1/5

Very loud and raw. I can pick out things to like here; nice riffs, nice rhythms, good stretches; but overall the vibe here is just not for me at all. Some songs/sections of songs (Meatmaker, most of Kiss Like Lizards, the ending of Seasick) are straight up unlistenable. Wouldn't ever put this on again. Best song: Spike Island

Live At The Regal

B.B. King

3/5

A good palate cleanser after Thursday's noise rock. Often repetitive, but consistently sharp and lively. Surprised by how much I liked him as a vocalist. Wish there was more guitar. Very nice albeit not something that left a huge impact. Best song: Worry, Worry

The Beach Boys Today!

The Beach Boys

3/5

Outside of Pet Sounds, the Beach Boys were definitely a singles band. Still, this is nice listening. Love the harmonies, love the pure simple sound, and the length is pretty much perfect. Why did they record themselves eating lunch as the final track? The world may never know. Best song: When I Grow Up (To Be a Man) [Love Help Me Rhonda, but the recording on this album isn't the best version.]

1999

Prince

3/5

Fun, quirky sound. Lots of over-long songs that felt more like jams. Sometimes the quirkiness went a little too far into weird as well, though I wasn't totally negative on that. Overall a very interesting album from a great talent, although I was only really into a few songs. Best song: 1999

Mermaid Avenue

Billy Bragg

4/5

Slow, almost to the point of sleepiness, but mostly a nice vibe. Vocals might not be to everyone's taste but I like the simplicity and gruffness. Contemplative and fittingly old-sounding. Weary more than dreary. Could be a 3 but I'm feeling generous. Best song: California Stars

Songs From A Room

Leonard Cohen

2/5

As someone who's never heard a Leonard Cohen song, this is an interesting one. He's obviously a talented lyricist, with some legitimately piercing images. A couple songs achieved a cold atmosphere that really matched the lyrical content. But when I look at the product as a whole, I have to admit that this is pushing pretty far against the barriers of what I consider listenable music. Half or more is a guy mumbling in monotone over a five-second guitar line repeated to death. Fascinating, good as poetry, but not something I liked much as music. Best song: A Bunch of Lonesome Heroes

The Velvet Underground

4/5

Heard this one before. For a band that started out as Andy Warhol's controversial, challenging art-rock weirdos, this is a shockingly intimate and comfortable album. Soft and gentle without being mushy or forgettable. Even The Murder Mystery, while not exactly an easy listen, is a lot quainter and friendlier than their earlier long experimental stuff. Overall a really pleasant album with some gorgeous ballads. Best song: Candy Says

Eternally Yours

The Saints

2/5

Mid punk album. Sure why not. Idk why it’s on the list. Best song: No, Your Product

Duck Stab/Buster & Glen

The Residents

1/5

I’ve heard enough this is awful. The penguin album deserves a 2 in retrospect. Best song: none

I’ve Got a Tiger By the Tail

Buck Owens

4/5

I love this, call it my Hee Haw heritage I don’t care. There’s a couple very dreary same-y sad songs that do drag things down a bit. Also I love the live cut of Act Naturally but i do have to confront that that’s not on the original album. So it’s tough… but whatever YEEHAW Best song: Wham Bam

Illinois

Sufjan Stevens

4/5

Vaguely familiar with Sufjan Stevens before I heard this, heard a few songs. I was really gripped by this. Folk music crossed with orchestral pop and indie rock(?) in a blend that seems kinda precarious but turns out positively gorgeous. The songwriting and melodies are the common links that hold everything together. Long, weird, disjointed, and not helmed by a traditionally strong singer, but ultimately beautiful. I’ll return to it. Best song: John Wayne Gacey Jr.

The Black Saint And The Sinner Lady

Charles Mingus

3/5

Swaying and sharp, with lots of great trumpet playing. Maybe too experimental for me, although it’s hardly free jazz or something. Could use more devoted listening.

School's Out

Alice Cooper

3/5

As someone who thinks the title track is corny I had low expectations, but this is pretty solid early 70s rock. More of a concept album than I would have guessed. Decent mix of tempos and styles. Nothing world-beating but mostly entertaining. Best song: Blue Turk

Let It Bleed

The Rolling Stones

4/5

All-time great band entering their peak. Songs hard, production simple but strong, and probably some of Jagger’s best vocal performances. The opener and closer do sort of carry the album, but they’re contenders for the best opener and closer I’ve ever heard so do I really care? Best song: You Can’t Always Get What You Want

Dry

PJ Harvey

2/5

It's just OK. Not crazy about the sound of the band; pretty meh 90s alt type stuff. Her vocals are expressive but nothing I'm particularly drawn to. I do hear flashes here that intrigue me. Interestingly abstract lyrics and plenty of passion. I'd be interested to hear one of her later albums, but not a huge fan of this one. Best song: Dress

In A Silent Way

Miles Davis

5/5

Listened to this before. Marvelous. Packed full of overdubs yet never feeling overly busy. Comforting and calming yet challenging and fascinating in equal measure. I can't get into the nitty-gritty of every little musical touch and I get how some might find it boring, but I love this. I could put it on any day of the week and twice on Sunday.

Dookie

Green Day

3/5

A fun listen, full of catchy hooks. Pretty much the definition of same-y, although they do at least vary the tempo a few times. Not mixed particularly well, though maybe it’s a problem on my end. Maybe singlehandedly started the pop punk revival? Definitely a good album, even if it’s pretty mood-dependent for me in terms of how I feel about it. Best song: When I Come Around

The Rolling Stones

3/5

Old school British blues. This doesn’t quite sound like the Stones to me yet since it’s almost(?) all covers. Still, it’s fun, gritty, and fast with a clear sound and identity, despite some weak numbers. Best song: Carol

Beautiful Freak

Eels

2/5

Lots of quiet-loud dynamics. Songs definitely have some depth and variety, though there’s something about the sound I can’t totally gel with. Not something I’d be inclined to return to, but certainly interesting. Best song: Flower

1977

Ash

3/5

I vibed with this, though I didn't love it. Some good hooks, some dumb lyrics. Definitely see the Britpop + pop punk meld of influences. Best song: Lost in You

Selling England By The Pound

Genesis

3/5

I thought this was pretty cool. Definitely different, rooted in atmospheres and suites instead of traditional pop song structures, and I think it works for the intended vision. Very pastoral/medieval English vibes, with a big sweeping sound. In my head I always associate them with 80s synth and solo Phil Collins, so I'm interested to explore more of the Gabriel-era stuff.

MTV Unplugged In New York

Nirvana

4/5

Probably the peak of MTV Unplugged as a program/concept? Some of the hype was definitely due to the unavoidable reality that Kurt had just died when it dropped and the record company was looking to capitalize, but it's also a legitimately great performance. Some songs gain a totally new atmosphere with this backing; Pennyroyal Tea feels downright menacing as a solo acoustic song, and On a Plain feels much better suited to this environment. It's not perfect. The sound is sometimes muted to the point of sleepiness, there's too much mumbling between songs, and Plateau and Oh Me probably could have been left off the set list without a problem. But the highs are high. It’s a quiet, reflective, soul-baring recording from a legendary band dissolved too soon. Best song: Where Did You Sleep Last Night

Blackstar

David Bowie

4/5

Abstract, dark, compelling. Not every song hits equally but they all contribute to a rich, unsettling atmosphere. The jazzy instrumentation fits very well. A swan song for an artistic giant. Best song: Lazarus

Kala

M.I.A.

3/5

Definitely interesting. Some songs are way too repetitive for what they have to offer, but there are a few legit bangers here. More than anything I appreciate how unique the blend of styles and influences is. Best song: Paper Planes

Five Leaves Left

Nick Drake

3/5

Yep this was definitely a Nick Drake album. I think I liked it a little less than Pink Moon, even though in a lot of ways this one was actually more engaging; more varied song structures, sounds, a few more instruments, etc. I did enjoy it, although it is kind of soft and blurry in the middle. I fully understand the praise he gets even if he's not an everyday kind of listen for me. Best song: Three Hours

World Clique

Deee-Lite

2/5

What the hell is this 😭 This is almost a 1 because I'm almost certain I will never touch this again, but yknow what, they're vibing, they're grooving. Groove is in the heart Best song: Good Beat

Ace of Spades

Motörhead

2/5

Wow that was lowkey the same song 12 times. And sometimes I liked the song, but by the end yeah I was kinda tired of it. Jailbait’s gonna bring it down a point. Best song: Ace of Spades but it could probably be any of them

The Joshua Tree

U2

4/5

Great atmosphere and guitar sound, good dynamics. Sometimes Bono’s a bit much for me but when he wants to be he’s an incredible vocalist. Album starts off extremely strong before tapering off through the middle, but overall this is pretty excellent. Best song: I Still Haven’t Found What I’m Looking For

Homework

Daft Punk

3/5

Groovy. Probably a little too straight-up dance for me; not much variety, overlong songs (particularly when it’s one I don’t care for). Still liked it mostly. Best song: Around the World

Shadowland

k.d. lang

4/5

Really into the atmosphere of this. The old-school sound combines with Lang's heavy, yearning voice for a dark, almost film noir vibe on many of the songs. It's somehow both devotedly old-school, with a sound straight out of the 1950s, and yet really off-kilter and unique in its context. The last song doesn't quite fit but is neat as a tribute to the singers who inspired it. Not for everyone, but I'm a fan. Best song: Tears Don't Care Who Cries Them

The Madcap Laughs

Syd Barrett

1/5

It's not the worst thing I've ever heard. It's not good at all, either. I honestly couldn't wait til it was over so I think it has to be a 1. On a wider note I'm not sure I get this one's inclusion. I guess it's a historical interest thing to know what Syd Barrett was doing after he left Pink Floyd, but like, who is this for? This album feels more like a set of demos or 30 mins of noodling around in the studio than an album. Best song: Octopus? maybe?

The Stone Roses

5/5

I'm a little surprised by how much I love this, though I guess I shouldn't be considering the obvious mid-60s influence. The band is crazy tight: sometimes big and distorted, sometimes jangly and sweet, always working just right for the song. Even the two super-long jams don't feel excessive to me. Hate that it seems like they never put out anything else on the level of this, though I'll still seek out their other work to see for myself. Best song: She Bangs the Drums

Rage Against The Machine

4/5

I think rap rock/rap metal is usually an ill-advised medley, but I’m almost convinced it could work off of this album because it rocks. Anger, power, rhythm, awesome awesome guitar playing. Best song: Killing in the Name

Phaedra

Tangerine Dream

3/5

Very interesting and unique. Sound is light yet spacious and serious, drifting you through the clouds. The kind of ambient music I can get behind. Not something I would have sought out on my own, but a cool project that I'm glad the list introduced to me.

Eagles

3/5

I liked this, though I didn't love it. Breezy country-rock with occasional interjections of heavy guitar. Never been a huge Eagles person (beyond Hotel California, that one rules) but have always been cool with them, so no surprises here. Best song: Take It Easy

Bubble And Scrape

Sebadoh

2/5

Grungy 90s indie rock. Not terrible, but kind of tuneless and boring despite all the gestures at experimentation. Not a fan of the vocals. Best song: maybe Homemade

Hot Buttered Soul

Isaac Hayes

3/5

Soulful (shockingly enough). Something to vibe to and feel. Great strings. Sometimes overlong and self-indulgent, but consistently passionate and self-assured. Best song: Walk On By

Led Zeppelin III

Led Zeppelin

3/5

Not all that big on Zeppelin’s acoustic stuff and that’s the main focus here. There are a couple strong tracks, but they’re not exactly brilliant songwriters and it’s harder to hide when they’re not rocking out. It’s still a solid album, just not their best to me. Best song: Since I’ve Been Loving You

Ágætis Byrjun

Sigur Rós

3/5

The talent and vision here are pretty obvious. Big sweeping soundscapes, pretty string arrangements. Honestly, I can’t love this because it makes me feel uneasy. There’s a piercing quality to the vocals and the droning empty spaces that get under my skin ever so slightly. It’s a unique and artful album that deserves props, but as of now I don’t see myself listening again. Best song: Olsen Olsen?

evermore

Taylor Swift

3/5

I do not like Taylor Swift very much. I am also perfectly willing to concede that this is a pretty decent album. Well-spun story songs, polished production, downbeat sound. It’s a pleasant listen that achieves the wintry acoustic vibe it’s going for. I also have to admit that despite the folksy window dressing, Taylor Swift is still 100% Taylor Swift, and so the album is only going to go so high for me. I don’t really like her singing voice, and as much praise as her lyrics get, I feel sometimes they're clunky and overwritten in the name of being “heartfelt.” Also, as tired and unfair as it is to scrutinize Taylor’s personal relationships… wow so many Taylor Swift songs are breakup songs. Like SO many. I just wonder if she gets tired of writing them. She has to, right? Best song: willow or no body no crime

In-A-Gadda-Da-Vida

Iron Butterfly

3/5

Solid if mostly unexceptional acid rock. I like the title track a lot and don't mind the length on principle, but it does drag some in the middle. Best song: In-A-Gadda-Da-Vida

Horses

Patti Smith

4/5

I wouldn’t listen to this all the time, but that doesn’t stop it from being awesome. Not for everyone what with her yowling voice and a few long rambling songs, but to me this album is core essential rock n roll, poetic yet passionate. I’m gonna make her mine make her mine GEELOHARAYAYE Best song: Gloria

Dirt

Alice In Chains

3/5

Dark, sludgy, heavy, dreary. Definitely on the more metal side of grunge. Solid riffs and rhythms throughout, though a few songs overstay their welcome (Sickman). There’s a definite style and mood that the album commits to and executes well, though it’s not one I especially enjoy. Best song: Rain When I Die

Foo Fighters

3/5

Pretty solid grungy rock. I’m impressed that it’s a one man show as I would not have guessed that from the sound. Starts out strong before settling into a rut of just OK. I would throw it on again. Best song: This is a Call

The Band

4/5

I like this a lot. Definitely felt like a concept album even though I can’t identify a story or even a central theme in the lyrics; the sound itself is sepia-toned like the album cover. Great melodies. Did wish I was listening to the Joan Baez version of Old Dixie, but I’ll respect the original. Best song: Up on Cripple Creek

Third/Sister Lovers

Big Star

3/5

Album starts out pretty bright and friendly before getting weird fast. Not a huge fan of the lead singer, but he fits the sound/vibe: ghostly and ephemeral, youthful and yearning. I can't say I liked it all too much, but I am seriously intrigued by it and willing to return. Best song: Thank You Friends or Femme Fatale

Head Hunters

Herbie Hancock

5/5

Fun, chill, vibed out, funky, future-thinking. Awesome. Best song: Chameleon

Bitches Brew

Miles Davis

4/5

Chaotic, messy, rapturous soundscapes. Definitely get how innovative this was when it dropped; compared to In a Silent Way this feels several clicks beyond what it was going for. Not a listen I fully love or would return to much (I think), but very interesting and important. Best song: Sanctuary

Fire Of Love

The Gun Club

2/5

Pretty rough. Lyrics are about as dumb as can be, nothing sticks out instrumentally or vocally, and the melodies rarely hit, if at all. In spite of all that, I can’t deny that it’s tapping into a cool fusion of genres. The opening stretch is pretty decent too. Best song: Preaching the Blues

Parklife

Blur

4/5

I really like this one, which doesn’t surprise me based on my love of Gorillaz + limited past exposure to Blur. It’s kind of a hard album to get a grip on; sincere but sarcastic, super pop but indescribably weird in a way that pop albums rarely are, nostalgic for the past and dismissive of it in the same breath. Definitely one I’ll return to. Best song: End of a Century

Snivilisation

Orbital

3/5

I would never have found this album on my own, and I doubt I’ll revisit it much if at all, but I am really glad to have heard it. Grim and unnerving, yet light and spacious, with some great beats. Sometimes repetitive, but a worthy listen. Best song: Science Friction

Franz Ferdinand

4/5

Simple, vibrant rock. Lots of energy, great guitars, driving rhythm throughout, strong songs. Really nothing to criticize for me. Best song: The Dark of the Matinee

Doolittle

Pixies

3/5

Got kind of excited after Debaser but the album that followed didn’t really live up to it, save one or two songs. Not bad by any means, just weird, prickly, and sort of aimless. There is an interesting mix of pop hooks and hardcore aggression going on; I can see how Nirvana was influenced a lot by this. Best song: Debaser

Mott

Mott The Hoople

3/5

Yeah it's 70s glam. Big, cheesy, sometimes fun, occasionally a slog. A perfectly decent listen even if it's nothing exceptional. Best song: I'm a Cadillac / El Camino Dolo Roso

Live Through This

Hole

4/5

A pretty great feel-bad album. Confrontational, angry, but at the core it feels sad more than anything. Lots of muscle to the sound: if Alice in Chains represented the metal side of grunge, this might be the punk side. Second half is weirder and weaker, but still a strong project. Best song: Doll Parts

Rhythm Nation 1814

Janet Jackson

2/5

When people around my age talk about how much they love 80s music, I’m convinced they are only thinking of like the nine 80s hits everybody’s heard, including the stuff by Janet’s brother. They have not listened to this in full. Was it bad? No, not by my definition. Were the drums cool sometimes? Sure. But it all just keeps going and going and going for an hour, and every song has even cornier synths and even bigger echoier drums than the last song, and over it all Janet squeaks like a ten year old doing her best Whitney Houston impression. Goodbye 1980s. Please don’t come back. Best song: State of the World

Jagged Little Pill

Alanis Morissette

3/5

Solid songwriting, good hooks, good energy. I'm not big on Alanis's voice (though it's distinctive, at least) and the whole thing is drenched in a mid-tempo minor-key 90s malaise that I'm iffy towards. A good example of how I like grunge itself but don't like its effects on the pop music of the decade. Either way, this is a pretty good album. It does get a minus for Head Over Feet, which is a deadpan snore with terrible lyrics, but it also has an all-timer breakup song, so it must be respected. Best song: You Oughta Know

If You Can Believe Your Eyes & Ears

The Mamas & The Papas

3/5

They have a very definite shtick which you're probably going to like or dislike without much in-between. I like it, though I do think a whole album of sunny close-harmony folk-pop (even a relatively short one) is a little much for me. So it's kinda corny and quite dated, but I do enjoy a lot of it. Great melodies and, of course, harmonies. Best song: Spanish Harlem

Fresh Fruit for Rotting Vegetables

Dead Kennedys

3/5

Loud, aggressive. Very loud, very aggressive, in fact. I don’t like Jello Biafra’s voice but I do like the tempo and sound of this album. It’s kinda same-y and it stumbles in places (like the ending of Chemical Warfare and the splitting headache it gave me), but the closing stretch won back most of the goodwill it lost. Best song: Holiday in Cambodia

James Brown Live At The Apollo

James Brown

3/5

Great vocals. Love some of the interaction with the audience. Surprised by how crisp the audio quality is. The extended jams don’t totally land for me, but the band is really tight. My favorite part might be the album cover lol Best song: Please Please Please Medley

Tubular Bells

Mike Oldfield

4/5

I enjoyed this one. Lots of cool instrumentation, pretty good sense of melody, suites/sections that were memorable and easy to follow, and a really big sound that wasn’t too pretentious. I’ve never really been into prog rock or instrumental rock, but this is a good listen.

The Bends

Radiohead

4/5

Radiohead still coming into their own and already very good. I think the idea of them as this super grim mopey band is mostly a stereotype, but it is reinforced by this one, probably their mopiest album. (There’s literally a song called Sulk. I mean. Come on.) Beneath all the dreary moods there are some gorgeous melodies on quality songs, a great mix of rockers and ballads and mid-tempo combos with big choruses. Instrumentally they’re nothing particularly special yet, but Thom Yorke’s ghostly wail is already here and pretty powerful in my book. Best song: Street Spirit (Fade Out)

Blonde On Blonde

Bob Dylan

5/5

Bob Dylan has never been more Bob Dylan than this: a bunch of long songs with weird lyrics crooned in an ugly nasal whiny voice. On paper that sounds kinda terrible, yet I really really like this album. For one thing I just think Dylan’s an excellent songwriter, winning a Nobel Prize for his craft for good reason. For another thing the instrumentation and arrangements are really expert stuff, thanks in no small part to the Nashville session musicians who worked on the album. And then the last track is, for my money, one of his greatest songs and worth all 11 minutes… though it is, you know, 11 minutes, so your mileage may vary. Best song: Sad-Eyed Lady of the Lowlands

The Low End Theory

A Tribe Called Quest

4/5

Kinda repetitive and not the greatest rapping I’ve ever heard, but on the same points, the production is strong and consistent, and the vibes are impeccable. Some really excellent and influential beats. Shoutouts to Busta Rhymes’s random show-stealing appearance on the final track. Best song: Jazz (We’ve Got)

Red Headed Stranger

Willie Nelson

4/5

Simple, dusty, rough-cut yet weirdly tender. A country concept album executed in fittingly humble fashion. The story isn’t especially coherent and it’s got a couple too many short ditties and repetitions of the main theme, but the whole product feels very solid and authentic. Love the sound and the few central songs. Best song: Can I Sleep In Your Arms

Truth And Soul

Fishbone

2/5

Pretty groovy. I’m not particularly struck by anything in a good or bad way, though there are a couple cool riffs and licks. Overall this one just kinda passed over me. Best song: Freddy’s Dead

Raising Hell

Run-D.M.C.

3/5

Beats minimal but hard, raps way more dynamic than I expected, and actual effective fusions of rap and rock. Quite a solid album even if it’s clearly dated. Best song: It’s Tricky

Fear Of Music

Talking Heads

4/5

Fitting to the name, this whole album sounds very nervous, from the thin high-tempo guitars to David Byrne's panicked wail of a voice. That gives it a vibe I can't really compare to anything but which I inexplicably like. It's very fun and groovy as well as being weird and artsy, and those two things never feel like they're in conflict with each other. Definitely a band I'm excited to explore more. Best song: Life During Wartime

Led Zeppelin

4/5

The hardest rock had ever rocked at the time. I’ve heard this album before and I wouldn’t say I love it, I can’t put my finger on why, but I still like it a lot. Bonham’s drumming is crazy. Best song: Dazed and Confused

Leftism

Leftfield

2/5

There’s clearly something going on here, I just don’t think I’m getting it. Spooky 90s dance with lots of wailing backing vocals and jungle drums. Interesting but not very exciting to me.

The Visitors

ABBA

4/5

Big dark pop, still mostly in the disco era but dipping its toes into synthpop. It’s soft in the middle but makes up for it with some great top tracks. A unique vibe executed with the signature ABBA polish and hooks. Best song: Slipping Through My Fingers

The Stranger

Billy Joel

5/5

I’ve always respected Billy Joel and his thing from a slight distance, never being a huge fan, but this album might have changed my mind. This is really clean and hook-filled pop rock, nine tight tracks with no real skips. It's still a bit on the schmaltzy side for me... but there's nothing wrong with some schmaltz every now and then. A great album either way. Best song: Scenes from an Italian Restaurant

Moon Safari

Air

3/5

Very chill, pretty smooth, sometimes aimless, sometimes weird. A nice listen that didn't inspire a lot in me. Best song: You Make It Easy

Transformer

Lou Reed

5/5

The perfect mix of sleaze and sarcasm with kindness and gentleness. Embraces the cheese of glam rock and the 70s as fully as anyone (Satellite of Love) while injecting it with bites of understated darkness (Walk on the Wild Side). Lou Reed is probably one of the best examples of an extremely limited singer who succeeded by knowing exactly how to write for his voice. Love the weird mix of jazz and cabaret influences too. A fantastic album, up there with Ziggy Stardust at the peak of glam for me. Best song: Perfect Day

Rain Dogs

Tom Waits

3/5

Wow that was an odd one. This album sometimes feels more interested in being quirky than it is being, well, good, but it’s a legitimately interesting brew of jazz and blues and rock with an unmistakable mood and approach. Lyrics are strange but help build the seedy old-school America atmosphere, and the same goes for Waits’ warbly roar of a voice. I didn’t enjoy it much, but I appreciate it. Best song: Tango Till They’re Sore

Psychocandy

The Jesus And Mary Chain

2/5

Don’t think I’m into the whole noise rock thing. They’re an OK indie pop band covered in feedback noise for no apparent reason. I guess there’s something there with the contrast between soft melody and harsh noise, but it didn’t stick for me. Best song: The Hardest Walk

Cheap Thrills

Big Brother & The Holding Company

3/5

Not the strongest album from a creative perspective but well-performed and passionate. I expected Janis Joplin to have a big ballsy showstopper voice, and she does obviously do that, but I was impressed by her range and sensitivity. The band is solid too with some great blues guitar. Not an all-time great but a worthy inclusion. Best song: Piece of My Heart

Moondance

Van Morrison

4/5

Chill, smooth, certain. Teetering on the edge of mushiness but I don’t think it gets there: too many good melodies and the jazzy instrumentation feels professional and organic, not saccharine. A high-quality and highly relaxing album. Best song: Moondance

Supa Dupa Fly

Missy Elliott

3/5

Goes hard in the early tracks before tapering off in the second half, though there are hits and skips in both parts. Timbaland’s beats are pretty great, though it is funny to skim the 1997 takes calling them “futuristic” since I think they’re more just weird and memorable. All in all it’s good, though I don’t think it’s her best based on what else I’ve heard. Best song: Sock It 2 Me

So Much For The City

The Thrills

3/5

A pretty mellow album with a nice sense of melody. It's a weird mix of sounds since there's sort of a rustic vibe from the banjos and harmonicas that crosses semi-uncomfortably with the singer's thin whispery indie voice. Overall it's interesting and pretty pleasant, although not something that hits me hard. Best song: Say It Ain't So [hi, Dubya]

Let's Get It On

Marvin Gaye

4/5

Marvin Gaye’s heavenly voice hits some sultry lows. I guess it’s overproduced from a certain perspective but it hits the lush vibe perfectly. Wouldn’t you rather make love children… as opposed to war ☮️ Best song: Let’s Get It On

Unknown Pleasures

Joy Division

3/5

Very atmospheric and emotionally heavy. Really impressed by the production job, I’ve heard some Joy Division before but had no idea their live style was much closer to “normal” punk. A great example of how production can wildly change your sound. It’s quite a downer and none of the songs really hit for me, so I probably won’t come back, but it’s a fascinating and well-constructed album. Best song: She’s Lost Control

The White Album

Beatles

5/5

Even as a massive Beatles fan I’ve never been especially attached to the White Album. I still liked it a lot, but in my mind it couldn’t hold a candle to the Beatles’ “true masterpieces” like Revolver or Abbey Road. My thinking was always influenced by the infamously fraught recording process, where a chaotic and disjointed set of sessions resulted in a pretty chaotic and disjointed album. I guess for me this album represented the beginning of the end for my favorite band, so it was hard to have too much affection for it. All that being said, I’ve rarely done full listens of the White Album, and actually doing one for the first time in a long time helped me realize how much this album teems with creativity. The Beatles try any genre, any style, throw em all at the wall and see what sticks, and they all come out a bit of fun at the worst and masterful at the best. They might be tired and annoyed at each other, but they’re also utterly unserious and having fun at flower power culture’s expense, from tearing down their own mythos in Glass Onion to dismissing the hippies' all-bark-no-bite politics in Revolution 1. And of course John, Paul, and George are all pretty close to the top of their game as writers. When the first side alone features Back in the USSR and Dear Prudence and While My Guitar Gently Weeps, they all could have gone home and celebrated a hard day's work (night?) in my book. Could this album still have been improved by cutting the obvious chaff like “Wild Honey Pie” and “Why Don't We Do It in the Road?" Yes. Is it still chaotic, disjointed, and overlong? Yes. None of that takes away from its magic and beauty. It is, warts and all, the Beatles. Best song: Blackbird

C'est Chic

CHIC

4/5

Lavish, tuneful, funky, fun. Disco executed about as perfectly as it can be. Best song: I Want Your Love

Let Love Rule

Lenny Kravitz

3/5

Cool mix of styles, definitely rock but with a lot of funk and soul and folk influence. I like his voice, though a few of the lyrics were kind of, uh, dodgy, and some of the songs dragged on too long. Best song: Let Love Rule

Something/Anything?

Todd Rundgren

3/5

Definitely a big and expansive album. There are good songs here, but I’m not huge on the whole product. Some 70s fluff vibes with weaker rhythms and vocals. Impressive for the aspect of him doing (almost) all of it himself, if nothing else. Best song: Couldn’t I Just Tell You or You Left Me Sore

Revolver

Beatles

5/5

I’m too familiar with this album to really talk about it in any objective way so I’m not gonna try. I love it to death. Even if you hate it, 100% a must-listen. The Beatles at their greatest intersection of creative energy and unity as a group. Best song: this time it was Tomorrow Never Knows

Heaven Or Las Vegas

Cocteau Twins

3/5

Kinda weird, kinda unsettling, and I lost focus multiple times. Still pretty captivating in a lot of ways. Some fascinating sounds and beautiful harmonies. Best song: Frou-Frou Foxes in Midsummer Fires

The Contino Sessions

Death In Vegas

3/5

Kinda creepy but kinda calming rock-electronic fusion. A unique sound that was worth experiencing, although there's not many individual tracks that I could say much about.

The Slider

T. Rex

4/5

A little bit sleazy and a lot of fun. My thing with glam rock is weird bc I'm honestly not even much a fan of the visual style, which I know was a big piece of the appeal at the time. I guess I feel like they were carrying forward the legacy of 60s pop moreso than the other "new" genres of the 70s: lots of attention to melody, simplicity, immediacy. Anyway it's good. Catchy songs, good guitars. Best song: Rock On

Wild Gift

X

2/5

I used to think I liked punk but honestly maybe I don't. Or maybe punk has to be catchy for me to like it. There's nothing wrong with this album it's just kinda dull and the vocals aren't good and the sound fails to leave an impact. I'm sure it's good in some artsy way but I have no desire to hear it again.

Graceland

Paul Simon

4/5

Lowkey and relaxing. Draws on African influences in ways that are generally interesting instead of distracting or distasteful. A strong listen. Best song: Graceland

The Downward Spiral

Nine Inch Nails

4/5

Seriously dark and heavy music; an unwell guy smearing his soul across an audio file. Maybe the weirdest thing about it is that beneath the abrasive layers it's kind of a groovy album, full of great rhythms and unique song structures. I come away from this thinking Reznor is an extremely legit musician who thankfully seems to have worked past his mid-90s issues that caused the subject matter here. Best song: Closer

Parsley, Sage, Rosemary And Thyme

Simon & Garfunkel

3/5

A very pleasant and pretty lightweight album. Great melodies, not much variety, a little pretentious in the lyrics. Length is good. Best song: Scarborough Fair

Step In The Arena

Gang Starr

4/5

Great beats, smooth delivery, impeccable old-school vibes. Best song: Who’s Gonna Take the Weight?

The Dreaming

Kate Bush

3/5

What a weird album. I still don’t really know how I’m supposed to feel about it, and it could probably use another listen that I’m not willing to commit to. There’s something there though. I think… I liked it. Best song: Suspended in Gaffa?

Illmatic

Nas

5/5

A dark, swirling world of crime reflected on over jazzy bassy boom-bap beats. Lyricism is crazy with the internal rhymes. The peak of gangster rap. Best song: Life’s a Bitch

Pretzel Logic

Steely Dan

2/5

Opening stretch wasn’t bad but I didn’t really enjoy this despite the jazzy stuff. Corny and kinda dull. Would be willing to try again. Best song: Barrytown?

To Pimp A Butterfly

Kendrick Lamar

4/5

Abstract, jazzy, political, purposeful. Maybe a hair overhyped, as I don’t enjoy this as much as Good Kid Maad City or Damn, but it’s a great album with a clear vision. Best song: King Kunta

25

Adele

4/5

Overplayed? Sure, but also super polished, classy, melodic, and delivered by a showstopper of a vocalist. Adele will age well. Best song: When We Were Young

Bummed

Happy Mondays

3/5

Not huge on the vocals. The sound is weird and hard to nail down, but I like the production. It’s the sort of thing I would like, but this doesn’t fully click with me for some reason. I’ll probably revisit at some point. Best song: Lazyitis

Off The Wall

Michael Jackson

4/5

Pretty close to pop/disco perfection in the first half, not as strong in the second, but still a fun listen. A very light and happy album, floating in midair. Best song: Don’t Stop Til You Get Enough

I Never Loved a Man the Way I Love You

Aretha Franklin

3/5

Whoa what a voice. Songs vary in quality, but it’s a pretty consistent 60s soul vibe. A strong album though I’m not especially taken by it. Best song: Respect

Your New Favourite Band

The Hives

2/5

Okay I don't even hate this but there's no way this is a greatest hits album. THIS is the best of what they had??? Best song: Hate to Say I Told You So

The Idiot

Iggy Pop

3/5

Weird, icy, dour, atmospheric. Definitely reminds me of Bowie's Station to Station, though not as high-quality. A very dense and interesting album although not one I'd want to listen to much. Best song: China Girl

Oedipus Schmoedipus

Barry Adamson

2/5

I liked the early jazzy one and the Milestones interpolation, but otherwise a thoroughly strange album that didn’t click with me. I certainly can’t knock it for diversity or atmosphere, though. Best song: Something Wicked This Way Comes

Arthur (Or the Decline and Fall of the British Empire)

The Kinks

4/5

I like this one. Lots of hooks and melody. There’s a pervasive Englishness that might turn some people off but I think it creates a distinct mood and style (and, obviously, it fits the concept). Good songwriting. Best song: Australia

Power In Numbers

Jurassic 5

3/5

A chill album built on top of minimal beats. The energy is very consistent, but few songs stand out over others. Rapping is never bad but never impressive. An album you listen to for vibe above anything else, if this is the vibe you want. I like the more experimental and sample-heavy final song quite a bit, but it doesn't really fit with the album that precedes it. Best song: Acetate Prophets

Done By The Forces Of Nature

Jungle Brothers

3/5

Yeah it's 80s hip-hop. I think this is one of those genres where I had more affection for it when I'd heard less of it, not to say it's bad, but it's just a sound that maybe benefits from the distance of nostalgia. Anyway it's cool. A couple bangers. Best song: Doin' Our Own Dang

At Mister Kelly's

Sarah Vaughan

5/5

Yeah that’s an excellent album. Her voice is so warm and rich yet there’s also these great moments where it gets sharp and brassy. Her voice is very instrument-like in that way, adjusting and curving around notes in so many interesting ways. Really enjoyed it. Best song: How High the Moon

Killing Joke

3/5

I liked this more than I thought I would on first impression. Very well-defined vibe, punk-ish, grim, industrial (not even the genre, just feels like run-down urban factory music). Not really my style but neat enough.

Eliminator

ZZ Top

4/5

Aw yeah. Classic southern rock. Great guitars and grooves. Best song: Gimme All Your Lovin’

The Blueprint

JAY Z

4/5

Great raps. Love the chipmunk soul beats. That Kanye West fella who made some of em seems pretty talented. Wonder what he’s up to these days Best song: Izzo (H.O.V.A)

Os Mutantes

4/5

Happy, colorful, thoroughly strange, and thoroughly creative. Psychedelic pop through a Brazilian lens. I’m not sure if I’ll ever return to this but I had a very good time. Best song: Senhor F

Venus Luxure No. 1 Baby

Girls Against Boys

2/5

It’s very 90s. Very grungy. Very much music. Sure.

Dear Science

TV On The Radio

3/5

Weird genre mix: kinda funky, kinda rock, kinda pop. Lyrics, when I noticed them, led to some eye rolls. A solid album though not one I would seek out. Best song: Dlz

(What's The Story) Morning Glory

Oasis

5/5

The guitars are obnoxiously loud, obnoxiously treble-y, and distorted to death for no evident reason. The lyrics are often faux-deep drivel. Liam Gallagher’s snide sneer of a singing voice is easy to get sick of. A lot of the songs are same-y. All this is true, and this album still kicks an insane amount of ass. Best song: Champagne Supernova

Deja Vu

Crosby, Stills, Nash & Young

3/5

Hippie folk rock, random bites of electric guitar/rock jamming. I’m kinda mixed here because I really enjoy some of this but other parts feel dated and boring. There’s only a couple of songs that bring it all together for me. A bit of a hodgepodge but a solid one. Best song: Our House

Blood Sugar Sex Magik

Red Hot Chili Peppers

4/5

A very fun and heavy album. The last funk rock album didn’t impress me much but I get why these guys are (were?) kings of the genre. Best song: Give It Away

good kid, m.A.A.d city

Kendrick Lamar

5/5

A fantastic album. The concept and the story are well-made without dominating, but more than anything the songs are just really strong. Kendrick on the top of his game. Best song: Money Trees

Scott 2

Scott Walker

2/5

This album was cute-cute in a stupid ass way Best song: Best of Both Worlds?

Wish You Were Here

Pink Floyd

4/5

Great sound and atmosphere. Probably need more knowledge of the band to be moved by the Syd Barrett tribute element of it but I was still kinda moved. Good album. Best song: Wish You Were Here

Tea for the Tillerman

Cat Stevens

4/5

Calm, meditative folk songs with occasional bursts of rhythm. Only a few songs stick out but a really nice listen all in all. Best song: Father and Son

Selected Ambient Works 85-92

Aphex Twin

4/5

I wasn't excited for an hour-long album of ambient music but this legitimately delivered. Bassy atmospheric music with structure, menacing tone, and melodies that are mild but latch onto you. Interested to check out more. Best song: We Are the Music Makers?

Here, My Dear

Marvin Gaye

4/5

Songs of sweeping sorrow. Marvin Gaye’s standard sexiness tempered by misery, making for a weird and distinct emotional tone. Great vocals, subtle but twisted and stretched. Drags at times and more focused on mood than melody, but a strong and memorable breakup album. (Maybe one of THE seminal breakup albums along with Blood on the Tracks?) Best song: When Did You Stop Loving Me, When Did I Stop Loving You

Songs For Swingin' Lovers!

Frank Sinatra

4/5

Obviously there's not a lot of variety here, but I love Sinatra. Immaculately warm vibes. Best song: I've Got You Under My Skin

Back At The Chicken Shack

Jimmy Smith

3/5

Not very exciting but perfectly listenable jazz. Hammond organ brings a cool element. Wish the drums weren’t so quiet in the mix.

Electric Ladyland

Jimi Hendrix

4/5

A highly strange and highly expansive album. The first listen was mixed, but the second was more rewarding, particularly with the long jams. Listening on headphones helped also. Closing pair of songs are incredible. Best song: All Along the Watchtower

Hail To the Thief

Radiohead

4/5

Not quite peak Radiohead but a dark, rich album that's worth exploring. An interesting halfway point between the electronic paranoia of Kid A/Amnesiac and the ultra-clean arpeggiated rock of In Rainbows. Best song: 2 + 2 = 5

Every Picture Tells A Story

Rod Stewart

3/5

Wow that’s a raspy voice. The blues rock stuff was kinda forgettable but the more acoustic stuff was pretty good. Decent album all in all. Best song: Maggie May

Permission to Land

The Darkness

3/5

That shrieky falsetto the singer loves to use got on my nerves kinda fast. That aside, it's a solid album. Very 70s with the bright crunchy guitars and big dramatic vocals. Best song: Friday Night

Play

Moby

4/5

Sometimes repetitive within songs, but pretty varied as a whole. Relaxing, creative, polished, smooth. Not sure I'd do another full listen anytime soon, but pretty fulfilling. Best song: Inside

Bringing It All Back Home

Bob Dylan

4/5

A great album from a master songwriter. I do think the electric numbers aren’t the strongest: Outlaw Blues and On the Road Again could have easily been left off, She Belongs to Me and Love Minus Zero are a little too similar, and he just isn’t tapping into the bite and drive he’d later access on Highway 61. So it borders on a 4, but some of his greatest solo acoustic numbers are on the second side so gonna give it full marks. Best song: Mr. Tambourine Man

A Northern Soul

The Verve

2/5

Long, dreary, drawn out notes, blah vocals. I liked Bittersweet Symphony but this was a disappointment. Also the cover kinda creeps me out cuz they look like vampires. And not the cool kind of vampires, the skinny white guys living in a castle for 500 years kind of vampires. Best song: A Northern Soul

Fleet Foxes

5/5

A perfect one to pop up for the weather getting colder. Reflective, beautiful, melodic, impeccably crafted. Not for everyone or every mood, and no, they’re not “authentic” country woodsmen, but who really cares? Probably the only thing I can fault it for is spawning a few too many sub-par imitators. Best song: Ragged Wood

Bone Machine

Tom Waits

1/5

Yeah I could not finish this one. I kinda liked Rain Dogs but no.

Dusty In Memphis

Dusty Springfield

3/5

Relaxing and pleasant with a glittery, smoky sound. Nothing especially stands out, to the point that it borders on boring, but a very solid easy-listening type of album. Best song: I Can't Make It Alone

British Steel

Judas Priest

4/5

Yeah this rocks. Awesome riffs, great energy, great vocals. The couple of more anthemic songs don’t really land for me but otherwise 🤘 Best song: Breaking the Law

Live / Dead

Grateful Dead

3/5

I was kinda dreading this one, but there are a lot of fun and interesting moments here. There is, of course, also plenty of self-indulgence: the feedback track alone drags down the score. All things considered, they’re a notable act and it’s worth experiencing their very famous live sound, even if it’s a pass for you. Best song: Turn On Your Love Light

american dream

LCD Soundsystem

4/5

I'm a big fan of Sound of Silver, and this album lives up to it. Dense and heavily-layered soundscapes with great grooves, great atmosphere, powerful rhythms, emotional punch. A lengthy album with a lot of lengthy songs, yet I never felt bored or unfocused (save, maybe, at the end). A great comeback. Best song: how do you sleep?

Back In Black

AC/DC

5/5

The perfect hard rock album. No notes, wouldn’t change a thing. Best song: You Shook Me All Night Long

2112

Rush

3/5

Cool. The opening medley is a little much (is there any particular reason all the sections couldn’t have just been songs?) but I think it’s neat. Good instrumentation. Liked the dorky fantasy lyrics, not so much the libertarian stuff. Best song: 2112 Medley

Machine Head

Deep Purple

4/5

That was pretty sick. Wish the sound was a little bit heavier but otherwise pretty unimpeachable hard rock. Best song: Smoke on the Water

Quiet Life

Japan

2/5

I’m not gonna give it a 1 because it’s not terrible, but wow I do not like this. That version of All Tomorrow’s Parties abandons basically everything I like about the song. Limp-wristed mewling synth pop. Best song: The Other Side of Life(?)

Hms Fable

Shack

3/5

Album started really strong and didn’t completely hold that momentum, but overall really tuneful and enjoyable. Best song: Natalie’s Party

Everybody Knows This Is Nowhere

Neil Young & Crazy Horse

4/5

Good raw sound. Sort of an aimless album at times, but isn’t that kind of the point? A clear predecessor to punk, grunge, indie, etc., except for this guy it wasn’t a put-on. Best song: Round & Round?

Brothers In Arms

Dire Straits

3/5

A laid-back, bluesy, shuffle-y rock album. Fittingly unexciting but pleasant, with some interesting musical stuff. Best song: I mean I don’t want it to be Money for Nothing bc of the slurs. But I’m sorry, it’s Money for Nothing

Aftermath

The Rolling Stones

4/5

Classic Stones. Not as hard-edged as their best stuff, but still a great bluesy pop album. Last song is a little excessive but everything up to that point is tight and sharp. Best song: Paint It Black

Desperate Youth, Blood Thirsty Babes

TV On The Radio

2/5

A lengthy downbeat album that threatens to become interesting but never really does. The bass is pretty good and the doubling of the voices is an interesting effect. Beyond that it’s a kind of a snore. Best song: Wear You Out

The Predator

Ice Cube

3/5

Great passion and fire. Ew to Farrakhan. Beats get same-y, but a few hot tracks here. Best song: It Was a Good Day

Green Onions

Booker T. & The MG's

4/5

Sounds like background music to a 60s comedy spy movie. I love it. Band is great, songs are great. Best song: Comin’ Home Baby

Boston

4/5

All killer no filler. Catchy, bright, happy, high-energy rock. Best song: Foreplay/Long Time

The College Dropout

Kanye West

4/5

Well I have to throw out a disclaimer that Kanye is bad and I don't feel great about giving him some pittance of streaming revenue. His decision to start openly spreading antisemitism sure turned me off of him as I think it did a lot of people. But if we're just looking at the album then I have to profess that it's very very good. A generational shift point in the genre for sure, bright bouncy production, oozing with charm and authenticity. All that talent, and look what he's done with it. It all falls down, huh? Best song: All Falls Down

Kick Out The Jams (Live)

MC5

3/5

Rock at it's loudest, rawest, and nastiest... well, at least by 1969 standards. That rawness is the album's main feature but it isn't completely a strength to me; there's not many coherent songs here. Super hard and passionate performances, though. Best song: I Want You Right Now

Electric Music For The Mind And Body

Country Joe & The Fish

3/5

Spacey, trippy, bluesy psych rock. You can tell the genre and its conventions, and particularly its experimental elements, are still up in the air as this isn’t the most exciting album in a lot of ways, but it’s a fun and approachable listen.

Infected

The The

3/5

An odd little album with some nice melodic choruses and some big booming drums. Very 80s. Best song: Heartland

Either Or

Elliott Smith

3/5

Ethereal, moody, dirge-y. Some good melodies and a very certain vibe. Could grow on me. Best song: Alameda

She's So Unusual

Cyndi Lauper

4/5

I’m surprised by this considering I’m not a big fan of 80s pop or Cyndi Lauper’s voice, but this is good. Like REALLY good. All killer no filler synthpop. Best song: All Through the Night

Tom Petty & The Heartbreakers

Tom Petty and the Heartbreakers

3/5

Stripped-down old-school rock. I like Tom Petty’s whole thing on paper but I’ve always had a hard time getting into it outside of the big hits. It’s a very decent short-and-sweet album with no particular flaws but not much that thrills me. Best song: American Girl

Crooked Rain Crooked Rain

Pavement

3/5

An interesting one. Sometimes melodic and breezy, sometimes prickly and unfriendly, occasionally both at once. The whole sleazy downbeat indie vibe here is not really one I can get 100% behind, but a solid album with a spirit all its own. Best song: Gold Soundz

Teen Dream

Beach House

5/5

Gorgeous glimmering music, loud and powerful yet gentle and soothing. Impeccable atmosphere. Best song: Take Care

Stories From The City, Stories From The Sea

PJ Harvey

4/5

A very pleasant surprise after my meh feelings toward Dry, and a confirmation of my impression that she had a lot to offer despite that. A great turn-of-the-2000s rock album with melody, grit, and heart. Best song: A Place Called Home

Black Sabbath

3/5

Very distinctive, atmospheric. You can tell it's foundational for metal but maybe not metal itself because a lot of the album is just heavy blues stuff, close but not quite there, and honestly kinda monotonous. I wouldn't put this on it again but I liked a good amount of it. Best song: Black Sabbath

Justified

Justin Timberlake

3/5

Ultra-polished R&B-flavored pop. The hits are good and the rest is at least passable. Album’s too long. Doesn’t hit me hard but worthwhile. Best song: Rock My Body

Ellington at Newport

Duke Ellington

3/5

Not a huge fan of the big band sound in jazz, at least not compared to what smaller acts do, but there are good moments here. That big sax solo (mostly) met the hype. Best song: Diminuendo and Crescendo in Blue

Histoire De Melody Nelson

Serge Gainsbourg

1/5

A pedophile mumbling over elevator music. Yeah, absolutely not.

Paul's Boutique

Beastie Boys

3/5

The production is pretty expansive and creative, though a lot of the songs themselves feel like afterthoughts for the simple joy of snipping together beats. Still more or less enjoyed it. Best song: B-Boy Bouillabaisse medley

Beggars Banquet

The Rolling Stones

5/5

This might be my favorite Stones album? It's weird because they're supposed to be rock gods and then this album is 80% acoustic country and blues music. Five coke-addicted art students from London shouldn't be able to pull off this type of music this well, but if you ask me they got a serious handle on it. And the classics are, of course, classic: the opener alone demands you to listen to the rest. Best song: Sympathy for the Devil

Trout Mask Replica

Captain Beefheart & His Magic Band

1/5

Okay so uh. There’s interesting stuff happening here. It’s not unlistenably bad. I kinda want to give this a 2 just for the fascination factor of it, but I’m rating it in the middle because I’ve heard enough. It’s not good. What the captain is doing is not for me. But I support him.

The Trinity Session

Cowboy Junkies

4/5

Super slow burn and sort of same-y, but I’m crazy about the vibes here. Incredible atmosphere and an arresting singer help form a strong if unorthodox album. Best song: 200 More Miles

Tapestry

Carole King

4/5

Good songs delivered by a warm, rich voice to simple, earthy music. Don’t need much more than that for a good album. Best song: Way Over Yonder

Blur

3/5

An unfriendly and slightly strange album; the Pavement influence is pretty clear. It’s interesting to see their style filtered through more of an indie rock approach, but I don’t know if I enjoy it too much. Opens really strong before getting hazy and kinda boring. Best song: Beetlebum

A Christmas Gift For You From Phil Spector

Various Artists

4/5

Christmas :) I liked it. Phil Spector knows his stuff even if he is a murderer or whatever Best song: Sleigh Ride

Catch A Fire

Bob Marley & The Wailers

3/5

Well it’s definitely Bob Marley. A very solid reggae album though not my favorite material I’ve heard from him. Best song: Midnight Ravers

The Only Ones

2/5

That wasnt very good

Vespertine

Björk

4/5

This is quite something. On the strange side and sometimes icy, but also full of moments of beauty. Layered production, varied sounds. If you can learn to love Bjork’s voice and get past the weird lyrics this is really strong. Best song: Unison

American IV: The Man Comes Around

Johnny Cash

4/5

Not the most energetic listen, but a fulfilling one. Humble and reflective ballads from an old master. Best song: Hurt

There's No Place Like America Today

Curtis Mayfield

2/5

I like the sound although most of the songs don’t quite get there for me. Also I’m honestly not into his vocal approach; there’s a ton of falsetto and it’s pretty thin and breathy. Overall kind of forgettable. Best song: When Seasons Change

Machine Gun Etiquette

The Damned

2/5

This project has done a number on my opinion of punk rock in general. This album did very little for me until the pretty fun final song. Best song: Smash It Up

Central Reservation

Beth Orton

4/5

I'm not sure what I was expecting out of a "folktronica" album; acoustic guitar backed by beeps and boops?; but this really surpassed whatever those expectations might have been. Occasionally sluggish but often beautiful. A real treat that I will definitely revisit when the mood is right. Best song: Sweetest Decline

California

American Music Club

2/5

Certainly not bad but pretty unexciting. It all just kind of chugs at one of two speeds (mid-tempo or slow) without much melody or variety. The random injections of "YEAH! GUITAR TIME" are more strange than anything. Didn't do much for me. Best song: Firefly?

Born To Run

Bruce Springsteen

4/5

Kinda corny with a self-indulgent final song but not gonna lie, pretty damn good. Almost makes me believe in the Springsteen mythos. Best song: Thunder Road

KIWANUKA

Michael Kiwanuka

3/5

A very solid but only modestly interesting soul album. Really well-crafted and thoughtfully written. Think I could have stood for a little more variety, or maybe a little more melody to go with the atmosphere. Best song: Final Days

Crocodiles

Echo And The Bunnymen

3/5

Not super impressive but perfectly solid. A little weird, pretty jangly, interesting atmosphere. Would try it out again. Best song: Happy Death Men

Marquee Moon

Television

4/5

I've heard some hype for this one over the years and yeah that's a great album. Interesting that it's always connected with punk, because it's not really punk at all yet it definitely *feels* like punk for some reason. The singer's kinda bad, which is an issue, but the music is really something and often sounds years ahead of its time. Best song: Marquee Moon

Behaviour

Pet Shop Boys

3/5

Equal turns brooding and cheesy. The lead singer throws me because he always maintains that very light and airy English dandy voice, which gives everything a definite tone but also makes the boring saccharine stuff even worse. Some good beats and nice melodies, though. Best song: To Face the Truth

American Idiot

Green Day

3/5

Starts off really strong and has some great tracks, but then I don't know what it is with Green Day. It might be the monotony of their sound or just how extremely overplayed they were when I was a kid, but I have a hard time doing a whole album of this. Funnily enough for a punk band, there's also a consistent problem of songs being dragged on longer than necessary; Wake Me Up When September Ends would probably be twice as impactful if they just cut it to 3 minutes max. Then there's the "message"/protest element of it and in the end that just feels a little shallow. But there's no question it's a classic album with a couple classic songs. Best song: American Idiot

Green

R.E.M.

4/5

Yeah it’s REM. I like REM. It’s good. Yeah. Best song: Orange Crush

Disraeli Gears

Cream

4/5

Psychedelic rock peaked hard and early, this album being one of the key examples. It’s interesting bc it’s not particularly “psychedelic”; it’s much less trippy than something like early Pink Floyd; but it fuses dark blues rock with poppy color in all the right ways. Best song: Tales of Brave Ulysses

L'Eau Rouge

The Young Gods

2/5

A very creepy crawly album with a lot of interesting samples and structures. Not very enjoyable, but worth experiencing once I would say. Best song: La fille de la mort?

I'm Your Man

Leonard Cohen

3/5

A pretty quaint and humble singer-songwriter album despite the synths and backing vocals. Leonard Cohen has his clear limitations, and I almost didn't make it through Take This Waltz, but there's some decent songs in a well-defined mood here. Best song: Tower of Song

The Fat Of The Land

The Prodigy

3/5

An intensely 90s album. Not really what I would choose to listen to most days, but I also get dance tracks are meant for, yknow, dancing, so I can live with how crazily long some of the songs are. Lots of cool bass and wobbles. Best song: Firestarter

Exodus

Bob Marley & The Wailers

4/5

I'm not really a reggae connoisseur but I know what I like and I love this. Expansively produced with Marley wailing triumphantly over everything; music of love and joy. The type of album you can listen to over and over. Best song: One Love / People Get Ready

Larks' Tongues In Aspic

King Crimson

3/5

Well that was pretty strange, sometimes unsettling, and mostly interesting. Some of the more abstract stuff and orchestral sections got on my nerves, but this is more or less a weird listen in a fun way. Rock on ya nerds. Best song: Larks' Tongues in Aspic, Pt. 2

Joan Armatrading

2/5

I feel almost bad for this take but this album is boring. I can't explain why but nothing here jumps out to me because it's just a soup of boring. Comfortable boring, but boring nonetheless. I'd be interested to hear her with a more spare backing; a solo coffee house set type of thing. Best song: Somebody Who Loves You

Raw Power

The Stooges

4/5

Whoa. Now that rocks. It does bash and crash a little longer than needed in some spots, but yeah. It rocks. Best song: Search and Destroy

Surrealistic Pillow

Jefferson Airplane

4/5

Psychedelic pop in its heyday. This does drag in a couple places, and it’s one of the few examples of a band where I think a label/manager really should have stepped in and meddled by just making Grace Slick the full time lead singer, but it’s fun and hazy and creative. Best song: Somebody to Love

The Wildest!

Louis Prima

5/5

You know it’s good when you immediately start it over when it’s done. So fun and vibrant and sharp. Loved it start to finish. Best song: Just a Gigolo / I Ain’t Got Nobody

Superfuzz Bigmuff

Mudhoney

2/5

Grunge’s leaner, louder, messier predecessor. Honestly kind of disappointing. Lots of thrashing and screaming without much melody or purpose. Best song: No One Has

Getz/Gilberto

Stan Getz

5/5

Me and my girlfriend did interesting things in the back of my car to this Best song: The Girl from Ipanema

Pills 'n' Thrills And Bellyaches

Happy Mondays

3/5

Happy, lazy, quirky, bright. A little too hazy at times for me, but a pretty pleasant listen. Best song: Dennis and Lois

Bayou Country

Creedence Clearwater Revival

4/5

CCR in their short but sweet prime is pretty hard to top. It was funny the day I learned they were more or less all California hippies because I had assumed for years they came out of an actual swamp in Louisiana. The album certainly sounds it. Best song: Born on the Bayou

Channel Orange

Frank Ocean

4/5

Mellow artful R&B perfection. Every song weaves its own fascinating story. Love the beats and his buttery-smooth vocals. I have listened to this one before and loved it for a long time so I am biased. Even if he doesn’t know how to perform live. Best song: Pyramids

A Rush Of Blood To The Head

Coldplay

4/5

Album starts pretty strong and doesn’t close quite as well but I honestly like it a lot. I think music nerds react badly to Coldplay because they are “safe” and pop-focused but I don’t think those are dirty words. Great melodies. Best song: Green Eyes

Thriller

Michael Jackson

5/5

I mean it’s Thriller. It practically solved pop music. Yeah it’s good as hell, shocker of the year. Best song: Billie Jean

Penthouse And Pavement

Heaven 17

2/5

Extremely 80s synthpop album. A few catchy songs but this is kind of an exhausting full listen. Certainly interesting in its atmosphere, at least. Best song: Play to Win

The Village Green Preservation Society

The Kinks

3/5

Very quaint and whimsical. Honestly, it verges on too quaint and whimsical. Still, Ray Davies is clearly a talented songwriter and there are plenty of lovable moments here. Best song: Picture Book

Goodbye Yellow Brick Road

Elton John

4/5

Never listened much to Elton John but this does pretty much live up to the hype. Catchy, bright, sparkly, well-produced pop rock. Interesting prog-rock opener and mix of styles. A great album. Best song: Bennie and the Jets

At Budokan

Cheap Trick

4/5

Fun catchy high-energy hard rock. Def one of the best live albums I’ve heard. Best song: Surrender

The Coral

3/5

60s psychedelic throwback. That sounds like something I’d super for on paper but it does fall flat on occasion, mostly because it gets a little too interested in being wEiRd and turns hokey. Some good songs and a solid sound here, though. Best song: Dreaming of You

Devotional Songs

Nusrat Fateh Ali Khan

3/5

Definitely different from what I'm used to and definitely not something I'd always be in the mood for. Still, the passion and talent at work here are pretty clear. Great driving rhythms and sometimes mesmerizing vocals. Worth hearing.

Bryter Layter

Nick Drake

3/5

OK yeah, it’s another Nick Drake album with… luxurious arrangements? Strings? Brass? What’s going on? This is definitely the odd duck of the three just due to its production, though I don’t feel substantially different about it. His voice is frankly too weak to sell some of these songs, but the album is sometimes beautiful. One worth coming back to once or twice. Best song: Northern Sky

What's Going On

Marvin Gaye

5/5

Motown’s crowning achievement, a timeless and beautiful album. The gorgeous music shimmers and gleams while Marvin’s voice yearns for happier times. The album is deeply political but never preachy, infused with purpose and emotion. Love the way that melodies and sounds repeat and develop over the course of the album. Incredible work by an incredible artist. Best song: Inner City Blues (Make Me Wanna Holler)

Sunshine Superman

Donovan

3/5

One of the most intensely 60s albums I’ve ever heard. It even came before the Summer of Love, so you could argue this was pretty forward-thinking towards that era. Not a lot of great songs here and the sound is pretty thin, but there’s a charm to it that I can’t really put aside. Best song: Sunshine Superman

The La's

2/5

There’s a couple decent songs, and I can see how this probably influenced the Britpop bands. I certainly don’t think I needed to hear this before I die, though. Best song: There She Goes

I Want To See The Bright Lights Tonight

Richard Thompson

2/5

Not a bad album, but a pretty boring one that failed to grab my attention outside of a decent opening stretch. Not a fan of their vocals. Unopposed but unimpressed. Best song: The Calvary Cross

Zombie

Fela Kuti

4/5

Sharp, muscular, jazzy funk music. Didn’t totally understand the messaging but definitely felt the music. A really solid and quick album (without the CD tracks). Best song: Zombie

This Is Fats Domino

Fats Domino

2/5

I can’t front, I know Fats Domino is a big deal and a huge influence on rock music as a whole, but this is grandpa music. Just not very interesting from a modern perspective. Best song: Blueberry Hill

Fuzzy Logic

Super Furry Animals

2/5

This isn’t that bad or anything, I think I’ve just reached the point where I’m extremely tired of yet another random British band from the 80s or 90s. Best song: Something 4 the Weekend

Hot Shots II

The Beta Band

2/5

A hard one to evaluate. Definitely not something that I felt was an essential pick for the list. Sometimes interesting but sometimes boring in more or less equal measure. At the end of the day I just didn’t enjoy it very much. Best song: Human Being

Ananda Shankar

4/5

A rich and engaging fusion of Western music with Indian music. My attention does drift away a little from the longer more improvisational stuff, but there’s a lot of interesting turns there, too. A worthwhile, unique listen. Best song: Mamata (Affection)

...And Justice For All

Metallica

4/5

Thick, sharp, heavy as hell. Built around riffs, which is a good choice because most of them are great. Several of the songs and the album as a whole could definitely be shorter, but I still enjoyed it a lot. Metal isn’t always my thing but Metallica usually hits the spot. Best song: One

Bridge Over Troubled Water

Simon & Garfunkel

5/5

A beautiful and highly polished send-off. Sometimes upbeat, mostly reflective, always fully realized. The title song is and probably always will be one of my all-time favorites. Best song: Bridge Over Troubled Water

Street Life

The Crusaders

3/5

Yeah. Street life. Life. On the street. Yeah. Best song: Street Life

Dirty

Sonic Youth

2/5

A long, muddy, feedback-drenched album that I’m sure Pitchfork loved. Interesting moments here, though describing what the vocalists are doing here as “singing” would be pretty generous. Best song: 100%

Winter In America

Gil Scott-Heron

3/5

A very slam poetry jazz/soul album. Often a little much, but lots of good piano and organ.

1989

Taylor Swift

4/5

A couple of the album tracks are just okay, and a couple of the hits do get on my nerves, but otherwise this is pretty excellent pop music. If there’s one thing I always have to credit Taylor Swift for it’s her ability to move between styles and registers for each project, which goes back to her songwriting. Best song: Wildest Dreams

Blood On The Tracks

Bob Dylan

5/5

Few albums have more clearly reflected what an artist was going through than this one. Dylan expresses sorrow, anger, regret, and a whole lot more in this bitter self-examination. Not every song is a total winner, but the highs are startling in maybe his last truly great album. Best song: Tangled Up in Blue

No Other

Gene Clark

3/5

A sweeping and occasionally beautiful country(?) album. Sometimes a little too syrupy and overlong. Best song: Life’s Greatest Fool

The Genius Of Ray Charles

Ray Charles

3/5

It’s almost a 4 because Charles is such a great singer and there are some great arrangements here, but it does struggle to engage me at times in the middle. Still a very worthy listen. Shoutouts to the lyric “was I gay… til today?” Best song: It Had to Be You

The New Tango

Astor Piazzolla

2/5

After one hour I have learned I do not like tango

Nilsson Schmilsson

Harry Nilsson

3/5

Bright Beatlesque pop rock. A little sappy at times, but pretty breezy and enjoyable. Best song: Without You

Bat Out Of Hell

Meat Loaf

4/5

A very 70s odyssey, almost insufferably campy and dramatic… emphasis on the almost. A fun and entertaining ride chock full of great vocals. Best song: Paradise by the Dashboard Light

Isn't Anything

My Bloody Valentine

1/5

That started kind of OK before turning into utter bullshit

Kings Of The Wild Frontier

Adam & The Ants

2/5

This might have the most whoops + yelps per capita of any album ever made. Despite all its weirdness it mostly sounds like 80s slop to me. Best song: The Magnificent Five

Talking Heads 77

Talking Heads

4/5

Whatever new wave even is, I don’t usually like it unless it’s coming from the Talking Heads. Love their off-kilter but rock-solid rhythms and the thin, wiry guitars. Pretty weird but highly listenable. Best song: Psycho Killer

Hounds Of Love

Kate Bush

4/5

An artsy piano pop epic full of drama and beauty. The first half is excellent but the second half is a lot more uneven (or at least experimental), leaving me uncertain how to rate it. Definitely one worth experiencing. Best song: Running Up That Hill (A Deal with God)

Juju

Siouxsie And The Banshees

2/5

Well it’s definitely post-punk. I was gonna give this a 3 until I realized it took like five tries for me to drag myself through this album.

Berlin

Lou Reed

2/5

A more understated and "literary" brand of rock opera. Pretty disappointing considering how much I loved Transformer; a little too dour and serious, and honestly kind of same-y. Best song: Sad Song

Buena Vista Social Club

3/5

A very pleasant album that rarely excited me. Probably could have used some cutting and editing, but a nice one to throw on. Best song: De Camino a la Vereda

Maggot Brain

Funkadelic

4/5

Whoa that’s one of the most incredible guitar solos I’ve ever heard. Tempted to give the entire album a 5 off its strength alone but not sure I’m quite that high on it. Still a strong product as a whole with a really tight band. Best song: Maggot Brain

Superunknown

Soundgarden

3/5

Dark grungy rock full of pounding riffs and great vocals. A little too overlong and mopey, but more or less a strong album. Best song: Black Hole Sun

Automatic For The People

R.E.M.

4/5

A very pensive and mature album, probably my favorite I’ve heard by REM. Lots of radio hits on here, which is kinda funny since it’s pretty quiet and slow. Definitely one worth replaying. Best song: Nightswimming

Talk Talk Talk

The Psychedelic Furs

2/5

Yet another British post punk/alt band from the 80s. I’m torn here because there’s nothing bad (except the first song and its out of tune main riff), there’s just nothing here I really want to hear again. Best song: She is Mine

Live!

Fela Kuti

4/5

Love the style and the energy. Amazing rhythms, as you’d expect with Ginger Baker on it. This and Zombie have made me a fan. Best song: Black Man’s Cry

Peggy Suicide

Julian Cope

2/5

Some cool psychedelic guitars but those can’t really save this giant pudgy slog of an album. Overlong and self-important.

Can't Buy A Thrill

Steely Dan

3/5

Well I don’t think I will ever be the world’s biggest fan of Mr. Dan in all his steeliness, but I did like this album better than the last one I heard. Pretty cheery and straightforward with some good melodies. Best song: Reelin’ in the Years

Songs In The Key Of Life

Stevie Wonder

4/5

An immaculate first half followed by a pretty lengthy and self-indulgent second half. Still, there is so much good music here that it barely matters. A bright and joyful album. Best song: Sir Duke

Is This It

The Strokes

5/5

These guys might not have saved rock ‘n’ roll like the pundits thought they would but they pulled it off in my heart. Not a perfect album but a really important one for me as a teenager that cemented my love for guitar rock. Still can sing every song. Best song: Hard to Explain

Triangle

The Beau Brummels

3/5

A very folksy and cozy album in the early psychedelic tradition. Verges on forgettable, but consistently pleasant with a hair of edge. Best song: Nine Pound Hammer

Back to Mystery City

Hanoi Rocks

3/5

A very adequate hair metal album, which is above par for my baseline opinion of hair metal. Mixing is kinda awful as the vocals are often washed out, but a pretty fun sound and mix of songs.

Get Behind Me Satan

The White Stripes

3/5

Probably my least favorite album from a band that I usually love. I get the impulse to experiment and show you can do more than just bash and crash, but piano-based indie-country-blues (or whatever you call this album's sound) is not the best use of these two's talents. There's still several good songs here, but the whole product is messy and not particularly cohesive: almost feels like a collection of B-sides? Best song: Blue Orchid

21

Adele

4/5

Just like 25 this was definitely Adele. It was definitely good. She will still age well. All this said Adele does kinda make the same album over and over so I don’t have a lot to say. But hey it’s a good album. Best song: Someone Like You

Guitar Town

Steve Earle

4/5

“Country rock” sometimes makes me cautious as that can involve a giant tasteless mish-mash of girls-n-trucks songs with 80s guitar solos, but this is a very humble fusion of the two genres’ basics with some great songwriting. Really enjoyed it. Best song: Goodbye’s All We Got Left

Miriam Makeba

3/5

On the one hand, it’s a powerful and unique voice set free in a brisk, tasteful album. On the other hand, I had to listen to all four minutes of “The Naughty Little Flea.”

Highly Evolved

The Vines

3/5

A very solid rock album though there’s not a lot on it that really grabbed me. Definitely sounds very “of the time” for that early 2000s rock revival. Best song: Get Free

A Love Supreme

John Coltrane

5/5

A rich and tumultuous suite featuring some gripping work from a master of the form. Not my favorite of Coltrane’s albums, though I understand why it gets the lion’s share of the accolades due to its high concept and how it serves as a bridge into his more inaccessible free jazz stuff. Still a tremendous and necessary album.

Rio

Duran Duran

3/5

The two big hits are great and the sound is very definite, self-assured, and often convincing. It’s also pretty busy and over-produced, and while the album itself is a good length several of the songs overstay their welcome. I think 80s synthpop just struggles to land for me in general, but as far as that genre goes this is pretty strong. Best song: Hungry Like the Wolf

Shaka Zulu

Ladysmith Black Mambazo

2/5

There’s parts of this I enjoyed but overall kind of a banal listening experience. Very plain and muted.

Blood, Sweat & Tears

3/5

They put their blood sweat and tears into this Best song: And When I Die

Two Dancers

Wild Beasts

3/5

Swirling indie rock with lots of shimmery guitars and falsetto vocals. This is really polished and well-produced though often a little too weird for me to fully connect with it. Not a fan of the vocals. Would probably revisit. Best song: This is Our Lot

The Rise and Fall of Ziggy Stardust and the Spiders from Mars

David Bowie

5/5

Hard to know what to say. Probably one of my ten or so favorite albums ever made. Every last song is a classic. If Bowie never made anything but this he'd still be a legend. Best song: Moonage Daydream

At Folsom Prison

Johnny Cash

5/5

My favorite live album. Such a distinctive atmosphere and concept. Love the interactions with the crowd and the way he infuses this pretty grim and dour set of songs with life and color. The masterwork of an all-time great. Best song: Jackson

Halcyon Digest

Deerhunter

2/5

I dunno, just not really feeling this one. Some cool atmosphere but not a fan of the singer and lacking in memorable moments or melodies. Best song: Desire Lines

The Modern Lovers

3/5

A weird little album. The singer isn't very good but I still find him kinda charming, and the songs range from banal and empty to refreshingly direct. I do think there's a good pop rock band here but they only sometimes manage to emerge. Best song: Astral Plane

Aha Shake Heartbreak

Kings of Leon

2/5

I’ve always kinda liked their two hit singles from 2008 and this is pretty well-made on a technical level, but wow do I not like it. Very sludgy. What is the lead singer doing. Best song: Slow Night, So Long

I Should Coco

Supergrass

4/5

A slightly quirky and highly energetic album. Very British with a very nasal singer, but consistently charming and melodic. Best song: Lose It

Rubber Soul

Beatles

5/5

Middle career Beatles, in transition to being considered “serious artists.” The first proper Beatles album I bought so I have a lot of affection for it. Maybe their most laid-back and pastoral album, very folk rock. Best song: Nowhere Man

I See You

The xx

3/5

A very clean and well-made album, though not an especially memorable one. A few of the songs were intriguing and the production was slick throughout. Best song: On Hold

Led Zeppelin II

Led Zeppelin

4/5

Pretty quintessential Led Zeppelin. More spacious and dramatic than their debut but not quite as raw and immediate. Very good though not what I would consider one of my favorite albums or anything. Best song: Heartbreaker

Aladdin Sane

David Bowie

4/5

Ziggy’s darker, weirder younger brother. I get why this album hasn’t had the same level of staying power because the mix isn’t that great and it’s not super immediate, but still a strong and rewarding album with a lot of interesting twists. Best song: Cracked Actor

Exile On Main Street

The Rolling Stones

4/5

Big, messy, wild, and brash, but also clinically tight and sharp. I think this has some of the Stones’ best work on it, but it also gets sloggy in the middle and there are a few throwaways, so it’s hard to rate. I think I prefer their more focused albums but there’s a lot to love here. Best song: Tumbling Dice

Speakerboxxx/The Love Below

OutKast

3/5

Wow that’s a lot of music. I consider myself a fan of Outkast but I’m both overwhelmed and underwhelmed by this collection—and I do think collection is a more accurate word than album, because this is two solo albums mashed together without much cohesion between the two projects (aside from both being packed full with mostly unfunny skits). Both of them are solid but not especially memorable, and listening to them back to back doesn’t elevate either of them. I think it deserves a spot on the list because it received so many accolades at the time and it produced one of the biggest singles of the decade, but I don’t think it’s an ideal showcase of this duo’s talents. Best song: Hey Ya

Post Orgasmic Chill

Skunk Anansie

3/5

Maybe my least favorite album title so far, but actually a pretty solid album behind it. Some good heavy tracks and some surprisingly strong use of orchestral drama. Great singer. Best song: Lately

Country Life

Roxy Music

2/5

This isn’t bad or anything but wow is it not hitting for me. Pretty boring. Surprising lack of edge considering the album cover. Best song: The Thrill of It All

Sweet Baby James

James Taylor

4/5

Sweet, mild, and soothing. Some might say they provide variety but I actually think the serene vibe is hampered a bit (and the saccharine vibe amplified) by the blues songs and the big band in the closer… either way, they don’t detract much from the whole product. Best song: Fire and Rain

Tommy

The Who

4/5

It may not be a magnum opus, but I still find this really engaging and well-made. Great use of motifs, and while the story isn’t especially coherent I also don’t think it’s a complete mess. Really love the mix of softness and hardness in their sound. Deserves its classic status. Best song: Go to the Mirror

Crosby, Stills & Nash

4/5

Beautiful harmonies and (usually) melodies in a much simpler and more focused album than Deja Vu. It’s hippie music but damn if I don’t like a lot of hippie music. Best song: Judy Blue Eyes

Otis Blue/Otis Redding Sings Soul

Otis Redding

4/5

A legendary voice explores some soul standards (and one rock standard). Really like how the sound is tasteful but maintains some bite. Smooth, easy listening. Best song: Wonderful World

Bug

Dinosaur Jr.

1/5

Well that was an unremarkable but acceptable 2 until the final song. Dinosaur Sr I think you should give this kid a hug.

Innervisions

Stevie Wonder

5/5

Very few artists are capable of making music this bright and easy while infusing it with weight and importance. Tight, focused, varied, and exceptional. Best song: Living for the City

Hotel California

Eagles

4/5

Opening pair of tracks are fantastic and the rest of the album ranges from OK-to-good. Is the last song supposed to be like an apology for manifest destiny?? Some weirdness aside it’s definitely worth a listen or two. Best song: Hotel California

Heroes

David Bowie

3/5

I of course know the title track, but beyond that this album was surprising, and often not in a good way. It’s a little too icy and weird for me, and Bowie stretches his voice further than he should to mixed effect. The instrumentals also didn’t really land for me. All that said, I get that it’s one of those albums you probably need to invest some time into to really “get,” and I appreciate just how odd and experimental it is. Best song: Heroes

Casanova

The Divine Comedy

3/5

Kind of a weird one but not unenjoyable. Has a movie soundtrack vibe, particularly with the title track. Some good melodies, and the failed experiments are at least trying something. Best song: Theme from Casanova

Space Ritual

Hawkwind

2/5

Well that sure was two hours of a dude grunting “SPACE… SPACE…” over some C-tier Black Sabbath instrumentals. Best song: Down Through the Night

Paranoid

Black Sabbath

5/5

The fact that it features a few of the greatest guitar riffs ever played pretty much guarantees this is a good album, but there is also zero filler here, not a single missed beat, and many interesting ideas to boot (Planet Caravan?!). Fantastic. Best song: War Pigs

Jazz Samba

Stan Getz

4/5

Very Monsters Inc, and that is a high compliment. A little more traditional than Getz/Gilberto but a high-quality and highly relaxing album nonetheless. Best song: Desafinado

Tracy Chapman

4/5

A very thoughtful and well-constructed folk album. Maybe lacking in energy here and there, but largely engaging, reflective, and rewarding with a couple genuine classics. Best song: Fast Car

Chris

Christine and the Queens

3/5

A very 2010s/Trump-era pop album. A couple heavy hitters in the first half but some parts border on generic. Very well-produced but lacking in personality. Interesting vocal cadence and phrasing (though not always in a good way). Best song: The Walker

Teenager Of The Year

Frank Black

3/5

90s slacker rock with a lot of bright, quick, punchy songs. Kind of feels like an attempt to mainstream the Pixies’ sound or at least fit it into the grunge/alt paradigm (ironic considering the Pixies laid part of the foundation for that paradigm), and I don’t think it totally succeeds. There’s also not really enough meat on the bone here to justify an hour-plus length. Despite all this, a pretty enjoyable listen. Best song: Thalassocracy

Queen Of Denmark

John Grant

2/5

A pretty unique singer-songwriter album with a deadpan singer and some pretty odd lyrics. Some good melodies. A couple of the songs are strong, but there’s a lack of variety and kind of an unsettling vibe about the whole thing from the album cover on down. Slurs never help either. Best song: It’s Easier

Tres Hombres

ZZ Top

3/5

Grizzled guitar-heavy southern rock. Not quite as into this one as Eliminator; it’s a bit rawer and realer, but it’s just not quite as fun to listen to. Still, far from bad. Best song: La Grange

L.A. Woman

The Doors

4/5

Dark, minimal, muscular, very bluesy. It was interesting to see the direction their sound grew in from their debut, which is similar yet very different. It’s a pretty good but not especially notable album until the final song, which is such a masterpiece it elevates the whole project. Best song: Riders on the Storm

Vincebus Eruptum

Blue Cheer

4/5

Heavy, trippy, and fun to listen. Also the rare 60s proto-metal album that actually does sound like metal. Best song: Summertime Blues

Meat Is Murder

The Smiths

3/5

Some great melodies and guitar lines. Closes pretty strong too. That said, sometimes I am just not in the mood to hear Morrissey sing. Best song: Barbarism Begins at Home

NEU! 75

Neu!

3/5

A pretty light and engaging first half followed by a more repetitive second half. An interesting fusion of electronic music with rock/punk. Best song: Isi

That's The Way Of The World

Earth, Wind & Fire

3/5

An unfortunately heavy chunk of this is overproduced schlock, though what is good here is quite good. Besides, even the songs I don’t care for are performed pretty professionally and convincingly. Best song: Shining Star

Wild Is The Wind

Nina Simone

4/5

Rich, meaningful, emotionally heavy. Sound can verge on boring sometimes, but consistently classy and well-executed. Best song: Four Women

In Our Heads

Hot Chip

4/5

Weird, groovy, dance-friendly. Good ebb and flow to the tracks. A fun and memorable listen. Best song: How Do You Do?

A Date With The Everly Brothers

The Everly Brothers

3/5

A very simple, short, and sweet album. Really enjoy the fusion of pop, country, and rock-n-roll. A little same-y. Best song: So How Come

Basket of Light

Pentangle

3/5

Very stately and well-arranged. Boring in places, but quite original and often interesting. Best song: Train Song

Metallica

4/5

I get that Metallica got a lot of criticism for going “mainstream,” but this sounds more like a streamlined album than a compromised one. A little too long, but really heavy, tight, and memorable. Best song: Nothing Else Matters

Figure 8

Elliott Smith

3/5

A pretty solid album with a lot of welcome 60s homage to the sound. That being said there’s something that screams hipster about this album that I can’t put my finger on but it definitely annoyed me. That’s kinda irrational though. Best song: Pretty Mary Kay

Trans Europe Express

Kraftwerk

4/5

This is an interesting case where I don’t find this particular set of tracks super exciting (except for a couple genuinely great ones), but I have a huge appreciation for this album’s aesthetics, innovation, and place in music history. So in a vacuum it’s merely decent, particularly by today’s standards, but all the surrounding context is enough to elevate the score for me. Best song: Europe Endless

Phrenology

The Roots

2/5

I want to like this, and there are a few strong songs, but honestly this is not fun to listen to. It’s somehow a little too experimental yet also pretty boring? Something’s just not clicking. Best song: Rhymes and Ammo

Antichrist Superstar

Marilyn Manson

2/5

It fits the bill as pretty evil- and gross-sounding music (by a pretty evil and gross dude, at that). This is definitely not something I would seek out on my own, but I do have to give it some credit for its vision, plus a few good guitar riffs. Best song: The Beautiful People

The Atomic Mr Basie

Count Basie & His Orchestra

3/5

Swing music is one of those genres I have plenty of appreciation but little excitement for. This album doesn’t really contradict that opinion, but it’s certainly worthy and well-performed.

Cloud Nine

The Temptations

4/5

Unexpectedly edgy in the first half and more of what I was anticipating in the second half. Neither is better than the other: a strong blend of tradition and experimentation, built on a foundation of powerful vocals and hypnotic rhythms. Best song: Hey Girl

Ten

Pearl Jam

4/5

The contradiction of Pearl Jam is that their arrival, along with Nirvana and Alice in Chains and all the brothers-in-arms in grunge, was supposed to herald a new and raw and more authentic brand of rock—and yet this album, even more so than the hordes of hair metal slop being churned out in the late 80s, sounds tailor-made to be blasted over the PA system in your local Home Depot or beer garden. The formula for most of these songs is simple: enough heavy guitar to appeal to the average American macho man, but mild and hook-y enough to serve as inoffensive background music. I would argue Pearl Jam's music, and Ten specifically, became the blueprint for two whole decades of mainstream radio rock, the two decades that completely and utterly killed the format... yes, Pearl Jam fans must confront the uncomfortable reality that there is probably no Nickelback, no Creed, no Hoobastank without this album. Without those bands and their overpoweringly muddy and divisive sound, rock radio stations may never have fallen apart. Based on all this information, you might comfortably assume that the album is trash and it killed an entire genre of music’s mainstream relevance and so it should be hated for generations to come. But the contradiction spreads further and deeper, because you know what? This album really IS good. Like, all-hits-no-misses levels of good. This album's formula works. Pearl Jam knows how to write some melodies, and Eddie Vedder's unconventional wailing and moaning feels like it should be a huge miscue, but instead it suits those melodies perfectly. There really is realness, rawness, and edge here: a song like Jeremy would never have hit the radio before this album dropped, but these guys sell it perfectly. So what do you do with Ten? I would say you can't really blame a band for what record executives and hack imitators choose to do with their style; it would be foolish to blame the Beatles for every two-bit boy band that came in their wake, after all. Still, I don't blame anyone for passing on this one just for how overdone its sound became, and for all it represents. I find it fascinating how you could point to it as the root of rock radio’s demise, but I'm happy to enjoy it for what it is. Best song: Jeremy

Frampton Comes Alive

Peter Frampton

4/5

I was not excited when I saw this come up but I can’t lie, that was pretty sick. Great guitar, great melodies, and great energy. Best song: Show Me the Way

Aqualung

Jethro Tull

2/5

Well that has to be one of the most thoroughly lame albums I’ve ever heard. Jethro Tull enjoyers please keep enjoying them. I will pass. Best song: Aqualung

Yoshimi Battles The Pink Robots

The Flaming Lips

3/5

Lots of interesting sounds and vibes here. A little self-absorbed in that way only indie rock can be, but it has some good melodies, some nice bass, and some cool ideas. Best song: Yoshimi Battles the Pink Robots, Pt. 1

Led Zeppelin IV

Led Zeppelin

5/5

Zeppelin's magnum opus. A statement so massive that it came out in only the second year of the 1970s and yet it loomed over the whole decade. Big, brash, stupid, stupendous, overplayed as all hell, and, yes, a wonderful album. Best song: Rock and Roll

Third

Soft Machine

2/5

I may have spoken too soon when I accused Aqualung of being the lamest album I’d ever heard. Best song: Slightly All the Time

Black Metal

Venom

2/5

Considering it's the namesake of one of the most extreme musical genres out there, and that its cover is literally just Satan's face, this is a surprisingly sludgy and unexciting album. The singer's deadpan grunt drags the tone down more often than not, and the guitar solos are pretty good but they're few and far between. All that said, I would have liked this less if it was actual black metal, so there weren't many ways to win me over here. Best song: Buried Alive

Elephant

The White Stripes

5/5

It almost sucks that most people only know this album (and this band) for being the source of that one sports arena song, because this is a cold stone classic. The White Stripes have a dead-simple blueprint: blues-ily flail around on guitar and drums (and ONLY guitar and drums) for a few minutes at a time, throw in some quiet-loud and stop-start dynamics, and pivot to acoustic guitar once in a while. Sounds like there's not much room to grow there, but that formula has somehow progressed and elevated here in a way that doesn't betray its principles while still evolving into new frontiers. The band kind of peaked here and then just gave up two albums later, which implies Elephant might be the limit of what two blues-punk wackos (only one of whom actually knows how to play their instrument) can accomplish. I'm cool with that, though, as this is a pretty awesome peak. Best song: Little Acorns

Strangeways, Here We Come

The Smiths

3/5

Bigger and more atmospheric than the last Smiths album, though I don’t feel too differently about it. This is succeeding at what it wants to do, I think I’ve just learned I’m not the world’s biggest fan of what the Smiths want to do. Best song: Last Night I Dreamt That Somebody Loved Me

Sticky Fingers

The Rolling Stones

5/5

The Stones at their sharpest, nastiest, sweetest, heaviest, and best. Let’s just try to forget the words to that first song. Best song: Wild Horses

The Wall

Pink Floyd

3/5

When this album sits down and focuses on the music, the songs are actually quite strong. The problem is it doesn’t do that a ton. I get that for a lot of people the artwork of this album is the story it tries to tell, but I found it confusing and distracting rather than contributing any kind of cohesion to the final product. Roger Waters certainly has his vision, but I wasn’t much for it. Best song: Comfortably Numb

Bluesbreakers

John Mayall & The Bluesbreakers

3/5

Well it’s very bluesy. Some good guitar, as you’d expect. Not particularly inspiring or weighty, but certainly not bad and probably influential. Best song: What’d I Say

Twelve Dreams Of Dr. Sardonicus

Spirit

2/5

Oh goodie, another band from the Steely Dan/Jethro Tull school of rock music. Just what I wanted. Best song: Mr. Skin

Layla And Other Assorted Love Songs

Derek & The Dominos

3/5

My second album with Clapton on it in three days, oh boy. This one starts quite strong, but when the nine-minute jams start rolling in is when I start to lose interest. The title track is remarkable in some places (the beautiful instrumentals of the second half) and irritating in others (LAYYYLUHHH!!!). Overall worth hearing if far from a masterpiece. Best song: Bell Bottom Blues

Parallel Lines

Blondie

4/5

Edgy but polished, grimy but pristine, Blondie somehow straddles two worlds in late 70s pop and pulls it off. A fun listen with some depth. Best song: Heart of Glass

Traffic

3/5

A very consistent vibe, folksy brassy party time. Not totally my thing, but pretty well-written and well-executed. Best song: Feelin’ Alright?

Boy In Da Corner

Dizzee Rascal

1/5

The British have a mixed record with interpreting American forms of music. Rhythm and blues? Imperfect, but pretty great. Jazz? Not much to talk about, but inoffensive. Rap? An assault on the ears. Best song: Fix Up, Look Sharp

Hot Rats

Frank Zappa

4/5

Really inventive and well-executed. Definitely weird, but a legible and interesting mix of genres. Really enjoy the jazzy stuff and the guitar work. Best song: Willie the Pimp

S&M

Metallica

3/5

Bombastic and epic, but also sludgy and sluggish. Probably more interesting in concept than in execution. Not bad, but I don’t need two hours of this. Best song: The Call of Ktulu

After The Gold Rush

Neil Young

4/5

A quiet, raw, and honest album, laying the groundwork for who knows how many earnest singer-songwriters. The songs are pretty excellent and the focus and vision are clear. I hate to be prissy about this, but the number one issue is that Neil’s shrieky singing voice is just never going to be my cup of tea… I got over that issue with Bob Dylan, but I can’t get all the way there with him. I also think Neil’s hard rock side isn’t perfectly integrated—Southern Man is great, but When You Dance is a mismatch. Summing up, it’s a well-written and sometimes beautiful album, even if the performances aren’t always my favorite. Best song: Southern Man

Haut de gamme / Koweït, rive gauche

Koffi Olomide

2/5

I always appreciate it when the generator gives me the opportunity to hear a new genre and/or culture. That being said, this sounds like background music at a resort with some dude moaning in French over it. Best song: Désespoir

Oracular Spectacular

MGMT

4/5

Bright, spacey, fluid, and super well-produced. Not every song connects with me, but the three big singles are so good and the vibe is so well-established that I still come away with pretty good feelings about this one. Best song: Electric Feel

Pieces Of The Sky

Emmylou Harris

4/5

A heartbroken album, with the sadness amplified by Harris’ voice sounding like it might break at any moment, a la Tammy Wynette. Just like Wynette, though, there’s a lot of power in that vulnerability, and the album as a whole exists in that power too. A little dirge-y at times, but really emotional and effective. Best song: Boulder to Birmingham

Born In The U.S.A.

Bruce Springsteen

4/5

I’m pretty sure I prefer this to Born to Run, which feels a little blasphemous but I have no qualms about it. A lot of artists were terrified of the 80s, but Springsteen leans into them and I think he succeeds. The album feels genuinely bright and celebratory even though most of the songs are about small-town desperation and misery, and that’s an interesting emotional mix that I don’t think could be pulled off without this style of production. And, of course, most of it is just damn catchy. Best song: Dancing in the Dark

The Miseducation of Lauryn Hill

Lauryn Hill

4/5

Impeccably crafted, smartly written, and a pretty fun listen to boot? Surely Lauryn Hill became the next hip-hop mega star and broke the doors down for women in—oh. I don’t want to dwell on Lauryn never really capitalizing on this album because it’s more sad than anything, but it is too bad this is basically all we ever got from someone who seemed to be a budding master. Thankfully, the album is still here and is still great. Best song: Doo Wop (That Thing)

Cafe Bleu

The Style Council

3/5

A very weird and pretty polished genre mish-mash. Quite listenable even if I didn’t love some of it. Worth hearing if only for the novelty. Best song: The Paris Match

Rip It Up

Orange Juice

3/5

A very unique sound, mixing post-punk with funk and, uh, disco? That sounds kinda awful but I actually think it works, more or less, even if I don’t love some of the production choices. The singer is a bit of an acquired taste, too. I enjoyed it all in all. Best song: Rip It Up

McCartney

Paul McCartney

4/5

Not Paul’s finest work, though I tend to agree with the modern re-assessments that this album was under-appreciated when it released. The scattered, unfinished nature of the album reflects Paul’s own scattered frame of mind as his life’s work disintegrated around him… or he was too lazy and/or stoned to finish the songs and accidentally created lo-fi as a genre. Either way, it’s got Maybe I’m Amazed on it. Best song: Maybe I’m Amazed

Live At Leeds

The Who

4/5

A titanic showing by a titanic band. Big, nasty, and melodic, minimalist in setup and maximalist in scope, with some killer musicianship. Best song: My Generation Medley

The Köln Concert

Keith Jarrett

4/5

An elegant, fully realized, and impressive display of virtuosity on the piano. There’s a lot of engaging sections and cool musical moments here, too, not just a display of raw talent. Keith could stand to moan a little less, though.

Brothers

The Black Keys

3/5

When I was 16 years old in 2015 or so, I was kind of a big Black Keys fan and I actually bought this album on iTunes, one of my treasured gift-card-off-the-Walmart-rack purchases. Today I have mixed feelings about the Black Keys and their sound. To sum it up, they sometimes feels like the beer commercial version of a much better band. But isn’t that kind of an elitist take? The Black Keys were a valuable window into a wider world of rock music for me, and I imagine I can’t be alone in that. Maybe in the years since they blew up in the early 2010s, they’ve actually become under-appreciated? Anyway, the album. There are a few great songs here alongside a variety of mid bluesy filler. The production is objectively pretty strong, as everything’s very clear and sharp, but something about this fuzzy yet clean sound isn’t clicking for me. I could definitely get in a mood where this album hits for me, but it’s telling that I can remember finishing Brothers for the first time as a teenager and feeling my love for the Black Keys starting to fade. There’s something about this album, and this band as a whole, that just feels hollow and overcooked. But hey, they can still write some great singles and you can still have fun listening to them. Best song: Everlasting Light

Apocalypse 91… The Enemy Strikes Black

Public Enemy

3/5

High-octane, hard-edged, swinging and pounding music. Almost feels like a more rap-oriented companion to Rage Against the Machine, although that’s sort of a labored comparison that probably doesn’t do either album proper justice. The production is a little too busy and crazy for me on most songs, but this is still a fairly rewarding listen. Best song: Bring the Noise

At Newport 1960

Muddy Waters

3/5

It’s definitely the blues. Pretty dated, but a sharp and well-executed set from one of the kings of the genre. Best song: Got My Mojo Working

All Things Must Pass

George Harrison

5/5

A huge achievement by the Beatles’ most undervalued member, bursting with creativity and spirituality. The length is a little much, but I think it’s appropriate to the album’s scope and its massive Wall of Sound production. I can also take or leave the Apple Jam, but I consider those to be bonus tracks and not really a part of the main album. Either way, this is George’s day in the sun as a songwriter that deserves to be taken just as seriously as John and Paul. Best song: Isn’t It a Pity (Version 1)

People's Instinctive Travels and the Paths of Rhythm

A Tribe Called Quest

4/5

I’m pretty sure I prefer this to The Low End Theory—it’s not quite as focused, but the beats are fresher, the lyrics are stronger, and there’s a little more range. Great production as you’d expect. Could be a little shorter but a really solid album. Best song: Can I Kick It?

The Yes Album

Yes

4/5

Really melodic with some great harmonies and cool multi-section songs. Kinda dorky in that distinctly prog-rock way, but quite enjoyable. Best song: Yours is No Disgrace

Made In Japan

Deep Purple

4/5

Damn. That rocked.

Doggystyle

Snoop Dogg

3/5

I saw a post not long ago talking about how Snoop Dogg was in a weird situation where he had become known more for his cultural legacy and not his music. I listen to this album and I find that hard to believe considering the incredible beats and buttery-smooth delivery. Then I pay attention to the lyrics and I realize how hard this album clashes with Snoop’s wholesome modern image as your friendly weed-loving uncle, because this is an aggressively misogynistic set of songs. I guess the fact that he was a scion of gangsta rap is part of the entire joke of Snoop being considered so wholesome today, but I feel like a lot of people wouldn’t consider it quite so funny anymore if they were reminded of what he was actually saying back then. Can you ignore it? Sure, but it’s part of the package whether you do or not. This is a fun and brilliantly produced album, but it is something of a relic for good reason. Best song: Gin and Juice

Music From Big Pink

The Band

2/5

Wow that's disappointing. I get that the scattershot sound of this album probably helps it sound authentic for a lot of people, but this straight up does not sound good. The three singers clash and run into each other a ton, and the production is kind of a mess. There's some strong songs here, but I have serious trouble enjoying them. Best song: The Weight

Fear Of A Black Planet

Public Enemy

3/5

I've got plenty of respect for Public Enemy, but man I was not necessarily angling to hear another hour-long Public Enemy album within a week of the last one. The production is good but clearly dated, and the raps are dynamic but sometimes heavy-handed. I also just flat out got tired of Flavor Flav. I can't pinpoint why, I got nothing against him, I'm just not very into hearing Flavor Flav's voice anymore. Best song: Fight the Power

Fear and Whiskey

Mekons

3/5

This album fuses country with British post-punk, and it sounds just as weird as you’d expect. This isn’t very good in a lot of ways but I’m kind of into it regardless. Best song: Lost Highway

Kilimanjaro

The Teardrop Explodes

4/5

I was not excited when I saw Julian Cope's name attached to this album... but this is good! It mixes new wave with psychedelic pop in interesting ways while staying anchored by strong melodies. The horns can be a little much but I really enjoyed it. Best song: Treason

Locust Abortion Technician

Butthole Surfers

1/5

Well that definitely sounds like some dudes on drugs in a random home studio in Georgia. Best song: Sweat Loaf?

Music in Exile

Songhoy Blues

3/5

A cool and unique take on American blues/rock. Not the most exciting, but pretty well-executed. Best song: Sekou Oumarou

Abattoir Blues / The Lyre of Orpheus

Nick Cave & The Bad Seeds

3/5

Long, heavy, dramatic, and pretty interesting if occasionally boring. His voice took a little getting used to but I think I liked it. The arrangements never really hit a sweet spot for me, either too formal and "arranged" or too slapdash and experimental, but I still would say I liked this more than I didn't. Best song: Hiding All Away

Pacific Ocean Blue

Dennis Wilson

2/5

A raspy, ethereal, orchestral rock album with a highly original sound. That original sound did not really click with me, but it’s certainly a fascinating one. RIP Dennis. Best song: Rainbows

Strange Cargo III

William Orbit

3/5

A pretty enjoyable if not very impactful electronica album. There wasn't a lot of music going on in the last couple tracks, but the atmosphere was solid throughout. Some good bass. Best song: Water from a Vine Leaf

The Colour Of Spring

Talk Talk

2/5

Well you can definitely tell it was made in the 80s. There’s some interesting ideas and decent atmosphere here, but I don’t especially like any of the songs, so that’s kind of a hard problem to overcome. Best song: Living in Another World

Songs Of Leonard Cohen

Leonard Cohen

3/5

Leonard Cohen’s voice might have about as much personality as a wet sack of gravel, but you know what, I will concede it. The man can write some songs. Best song: So Long, Marianne

Abraxas

Santana

4/5

That was pretty sick. Lots of great guitar, cool Latin rhythms, highly smooth vibes. I liked it. Best song: Black Magic Woman

Let's Stay Together

Al Green

4/5

Smooth and warm. Traces of pain give some depth to plenty of joy. Drags a little, but overall a full slate of classic soul. Best song: Let's Stay Together

Deep Purple In Rock

Deep Purple

4/5

That went hard. Deep Purple is not the most inspiring band in the world, but damn do they go hard. Best song: Child In Time

Morrison Hotel

The Doors

4/5

Sharp, dark, bluesy. Drags a bit in the middle but there’s some really strong stuff here. Best song: Roadhouse Blues

All Directions

The Temptations

2/5

Some great grooves here, but pretty scattered and lacking in melody for my taste. Not necessarily what I’d be looking for out of this band, either. Best song: Funky Music Sho Nuff Turns Me On

Hard Again

Muddy Waters

4/5

Really gritty and electric album, great energy. Waters’ voice grounds the music, which already has a great balance between edge and old-school blues fundamentals. Quite enjoyed it. Best song: I Can’t Be Satisfied

The Age Of The Understatement

The Last Shadow Puppets

4/5

Cool and smoky with high-quality production and some strong melodies. Quite unorthodox but in a welcome way. I’m no Scott Walker fan, but I can hear and even appreciate his influence on this album. Best song: Standing Next to Me

Since I Left You

The Avalanches

3/5

A wild, creative, and mildly disorienting mix of dance(?) music. The whole concept doesn’t totally click with me, and neither do some of the songs, but there are some great moments here. Best song: Frontier Psychologist

Here Come The Warm Jets

Brian Eno

2/5

That’s definitely fascinating but too weird for me to enjoy it very much. Brian Eno has a lot of interesting ideas, but he is not a good singer and only a couple of these songs really grab me. Still, I come away curious to hear his other albums. Best song: On Some Faraway Beach

From Elvis In Memphis

Elvis Presley

3/5

Woohoo it’s Elvis. He is kinda old and kinda lame already, but it’s still Elvis. Extremely schmaltzy, but a couple great songs. Best song: Gentle On My Mind

The World is a Ghetto

War

4/5

Great flow and vibe to this album. Strong musicianship, love the jazzy touches. Took a little extra time with it to really get a handle on it, but once I did I really enjoyed it. Best song: The World is a Ghetto

OK

Talvin Singh

2/5

I wouldn’t listen to this again but I will give it some credit for its originality. Doesn’t save it from being kind of a snore unfortunately. Best song: Ok

I Do Not Want What I Haven't Got

Sinead O'Connor

4/5

Slow, sorrowful, grim, and soulful. Great songwriting, pretty solid production, and of course it has the big hit. Worth more listens. Best song: Nothing Compares 2 U

My Generation

The Who

3/5

The pop/rock songs are mostly very good and the blues/R&B songs are mostly very mediocre, so kind of a mixed bag. Definitely the beginnings of something good, though. Keith Moon’s drumming is so insane. Best song: My Generation

In Rainbows

Radiohead

5/5

An all-time favorite. One of the tightest albums I’ve ever heard in terms of both production and performance; so smooth, crisp, and clean. It’s not perfect—I can take or leave Faust Arp and even Videotape—but to me this is Radiohead near the top of their game, fusing the mope-rock of their 90s with the electronic experiments of their 2000s to excellent effect. Best song: Jigsaw Falling Into Place

Darkness on the Edge of Town

Bruce Springsteen

5/5

My favorite Springsteen album. I think Springsteen is a good (if repetitive) singer-songwriter who has trouble balancing that with his bombastic showman persona, but he strikes the balance as well as he ever does here. The performances are strong, the arrangements clean, and Bruce’s gravelly roar of a voice is at its most effective. Most critically, lots of great songs. Best song: Adam Raised a Cain

Sex Packets

Digital Underground

2/5

Parts of this are charming and I do like some of the beats, but so much of it is corny and inane that I can’t say I enjoyed it all that much. Also these guys seriously needed editors—did Doowutchyalike really have to be 9 minutes long? Best song: Underwater Rimes

Deserter's Songs

Mercury Rev

3/5

Strange, creative, whispery, soothing yet eerie. Indie Disney is the best way I can describe the sound. This is not really my thing but definitely worth hearing. Best song: Endlessly

Yeezus

Kanye West

4/5

Woo, Yeezus. One of the most challenging albums I’ve heard (and actually enjoyed). It doesn’t help matters that Kanye West himself has become a more challenging guy to appreciate than ever, but I’m going to set that aside for now and just focus on Yeezus in its own context, at least as much as I’m able to. From the start, Yeezus is disorienting and confrontational. That’s not to say it’s some completely uncommercial experimental album, but it’s also not designed to be a friendly listen. If 808s and Heartbreak was expanding who Kanye West could be and My Beautiful Dark Twisted Fantasy was a celebration of his accomplishments, then Yeezus is a furious assault on his past work, his fanbase, and even himself. Try to ignore the comically excessive bragging and boasting on “I Am a God” and “New Slaves” and just listen. Does this sound like a guy who’s having a good time? Beneath the uber-horny hyper-masculine bluster, Yeezus contains a barrage of negative emotions: anger, paranoia, and resentment abound. It’s the most aggressively misogynistic album Kanye ever made (which is saying something) and the lyrics tend towards vulgarity more than any coherent theme, but honestly, that matches what’s going on here sonically. This is the psyche of a man enraged by the world he lives in, one where he’s shattered every barrier to success and still feels like a second-class citizen in his own country, without a single real friend or even a real peer. (Note the crushing loneliness of “I Am a God”—he’s so arrogant that it’s made him despondent.) Pretty much all he’s got left to say now is some variation of “fuck all y’all.” The music itself is in a continual feedback loop with the troubled emotional state of the songs, and it sounds like nothing Kanye had done before. It’s full of chopped-up electronic noise, grinding synths and guitars, eerily empty spaces, screams and roars shoved through AutoTune. By the time we finally reach some familiar territory in the chipmunk soul of “Bound 2,” the song almost feels like a cruel mockery of his old work, a final goodbye to the awkward guy in the pink polo that he started out as. Now we’re left with this snarling megalomaniac, lost in his own myth, endlessly chasing highs at the cost of his own family, and apparently in love with Hitler. You listen to this album and it really shouldn’t be a shock that Kanye turned into what he is, he’s always been almost *too* honest about himself—after all, his masterpiece, Runaway, is a self-pitying confession about what a bad person he is… but I digress. One thing I want to highlight is the way Kanye sometimes breaks the hostile environment with sudden and emotive interludes: see the children’s choir in “On Sight,” the arena-rock finale of “New Slaves,” or the gospel bridge of “Bound 2.” It’s hard for me to identify why these sections work so well for me, even though they’re usually completely out of step with the songs they’re included in. A reprieve from the harsh sound font of the album? A reminder that there’s still some light among the darkness? I just like the melodies? Maybe all of the above, but whatever the reason is, they’re among the album’s most memorable moments. Many of these songs live on contrasts, the switch between soft and sharp, and the execution of that idea is pretty great. I don’t love Yeezus. It would take someone made of tougher stuff than me to love an album with this many jagged edges, that goes out of its way to spit in your face so often. But I do admire it, because in a musical world increasingly defined by the monotony that the streaming economy rewards, Yeezus sticks out as a legitimately bold move. I can’t think of an artist today with the sort of stature that Kanye had in 2013 who would release something this intense and unusual. It isn’t my favorite Kanye album, but it probably represents his peak as an artist who commanded real respect and attention. Now he commands none of either, and that just makes Yeezus even more of a feel-bad album than it already was. Would be a shame if he didn’t deserve it. Best song: Blood on the Leaves

Bad Company

3/5

Exceptionally average 70s rock. Consistent, if unexciting. Best song: Bad Company, by Bad Company, on Bad Company

Ctrl

SZA

4/5

Shimmery, emotive, yearning soul music, like someone threw Aaliyah and Beach House in a blender. Great atmosphere and vocals. I’m into it. Best song: Normal Girl

Come Find Yourself

Fun Lovin' Criminals

2/5

This is relatively innovative, smooth, and cleanly produced. All that said, there is something I find profoundly lame about this album that I can’t dismiss. Most of it sounds like the music that would play when the henchmen appear in a bad 90s movie. Best song: We Have All the Time in the World?

Le Tigre

2/5

The energy and sharpness of this album are cool, but the sound is pretty thin, the production is blah, and the vocals range from nonstandard to flat-out bad. It’s definitely a unique spin on punk, so I can appreciate it but I’m not a big fan of it. Best song: Slideshow at Free University

Steve McQueen

Prefab Sprout

4/5

“Sophisti-pop” is not a genre label that excited me on first glance, but this is not only sophisticated but also emotive, well-written, and well-produced pop. It’s certainly lacking in edge, but it makes up for it in craft. Best song: Polly

Superfly

Curtis Mayfield

4/5

I'm not really into Curtis Mayfield's love for falsetto, but this is still a very fun yet weighty album with a crystal-clear concept. Strong melodies and rhythms. Best song: No Thing on Me (Cocaine Song)

The Scream

Siouxsie And The Banshees

2/5

Well it’s definitely Siouxsie—lots of wailing, icy guitars, and foam-soft drums. I acknowledge the very distinctive soundfont and vibe that this album has, I just don’t really enjoy it. Best song: Carcass

The Who Sell Out

The Who

3/5

Well that doesn’t really sound like the Who. This is a solid psychedelic pop album, though I also find it pretty scattershot and unfocused. (But isn’t a lot of psychedelic music like that, for obvious reasons?) There are some very melodic and pleasant songs here, just not quite what I would be looking for. Best song: I Can See for Miles

The Sensual World

Kate Bush

4/5

Somehow enormous and intimate at the same time. Kate Bush isn’t the most approachable but wow can she knock it out of the park once you get drawn in. Will return at some point. Best song: Love and Anger

KE*A*H** (Psalm 69)

Ministry

2/5

Well that wasn’t very pleasant. I do like some of the guitar riffs here, but I don’t really like music that tries this hard to be dark and intense. Best song: Hero

Protection

Massive Attack

3/5

An ethereal electronic album that relies on atmospheres and textures. Consistently relaxing, occasionally interesting, and sometimes forgettable. Best song: Weather Storm

Konnichiwa

Skepta

2/5

That was definitely better than the last grime album I got. Unfortunately, that doesn’t mean it’s good.

Seventh Tree

Goldfrapp

3/5

Kinda sounds like diet Bjork with more synths. Not always my vibe, but there are a few quality songs here. Best song: Happiness

Want One

Rufus Wainwright

2/5

There are decent songs here, though the theatrical arrangements aren’t really my thing. I almost came to like this album, but sadly I can’t really get past Rufus Wainwright’s voice. He sounds like Thom Yorke if you sliced out 75% of his range and ability to emote. Best song: I Don’t Know What It Is

Amnesiac

Radiohead

3/5

Not as high on this as I am on most Radiohead albums. This is probably their most difficult release, clearly a companion to Kid A but more muted and mysterious than that already kinda challenging album. The songs don’t get all the way there for me, but it’s still an interesting listen. Best song: Knives Out

Whatever

Aimee Mann

4/5

Very 90s, from the cover on down. There are lots of good songs here, sharp, melodic, and performed with a distinct style. A strong album for sure. Best song: Stupid Thing

I Am a Bird Now

Antony and the Johnsons

1/5

Sounds like Sam Smith and James Blake’s love child freestyling over orchestra practice. Best song: Fistful of Love

Clube Da Esquina

Milton Nascimento

4/5

Bright, expansive, creative, and fun. A little different but a real treat. This list’s Brazilian music has been hitting so far. Best song: Dos Cruces

Smokers Delight

Nightmares On Wax

2/5

There’s nothing really wrong with this, but wow did it leave no impression at all.

Destroyer

KISS

4/5

There are not a lot of bands out there who are dumber and louder than Kiss. They are truly music for the lowest common denominator. And damn if they don’t rock. Note: I was not aware until listening to this whole album how hilariously out of place Beth is. Also the music tries to sell it as this deep emotional song about separated lovers, but it’s literally just a dude at band practice telling his girlfriend sorry but we’re still practicing. It’s only fitting that one of the dumbest bands ever has one of the dumbest ballads ever. Best song: God of Thunder

John Prine

4/5

The most striking thing about this album is the chilliness of it. I’d always thought of John Prine as this warm folksy Appalachian grandpa, with my only real exposure being his funny and warm “In Spite of Ourselves,” but this album reads as dispassionate and cynical. “Sam Stone” paints a haunting picture of addiction while punching you in the gut with its frank statement that “Jesus Christ died for nothing, I suppose,” and “Pretty Good” is a biting dismissal of the idea that anything really means anything. Prine weaves stories of average people suffering under a grim and disinterested universe. Even the more comical songs, like “Donald and Lydia,” tend towards a cosmic flatness, as two outcasts who seem meant for each other never actually make it happen; they’re destined only to “make love ten miles away.” The opener, an ode to marijuana in “Illegal Smile,” seems friendly, but even it’s openly about using drugs to escape the misery of everyday life. This is a DOUR album. So to me, while this album is good and Prine is clearly talented, it’s not hard to understand why he never gained the wide audience that songwriters like Bob Dylan or Neil Young or Paul Simon picked up. Dylan was often cynical, but that cynicism came from strong emotion; Young was often miserable, but he was also sentimental and had a rah-rah electric guitar side to balance it; Simon was often dispassionate, but his removed character studies are usually more charming than sad. Prine is all three of these things, and he makes no attempt to water them down or make his songs more palatable to a popular audience. That goes to the sound, too, as his dry bleat of a voice lends little color to the spare arrangements. Charitably, he’s an uncompromising sort of artist, too honest to be accepted by the general public. Uncharitably, his music is too damn boring and depressing to earn a huge fanbase. Either way, I come away impressed by his talent but not necessarily excited to hear more. Best song: Hello in There

Fly Or Die

N.E.R.D

3/5

Bouncy, pitchy, goofy pop rock. The songs are kind of hit-or-miss, but I can appreciate this. It’s pretty fun, and Pharrell knows how to write a hook. Best song: Wonderful Place

Pet Sounds

The Beach Boys

4/5

Well it’s a massively regarded album for good reason. I’ve heard Pet Sounds several times and it always felt more like something I’m supposed to love than something I actually love. This time I definitely appreciated its scope and its craft, especially for 1966 and especially coming from a teen-pop band of surfer dudes. There are a couple all-time classics, especially the heartbreakingly gorgeous God Only Knows. But I feel like, I dunno, some of the songs are just not really cutting it? The album’s production is super overpowering and it does all the work in the weaker tracks, and I don’t love the effect of that. But whatever minor criticisms I can toss at Pet Sounds, its place in pop music history is assured. Best song: God Only Knows

Too Rye Ay

Dexys Midnight Runners

3/5

I’d always dismissed these guys as one-hit wonders, but this is a pretty bright and fun genre mix that shows they had more to offer than just the one hit. It is very 80s, for better and worse, but I enjoyed it. Best song: Come On Eileen

Kenya

Machito

3/5

Not really sure what this had to do with Kenya, but it’s a solid swing album with a neat mixture of Latin rhythms. Best song: Blues a la Machito

En-Tact

The Shamen

2/5

British techno slop. Pass.

Vivid

Living Colour

3/5

A bright and heavy rock album with some funk influence mixed in. Nothing special, but a fun listen. Best song: Cult of Personality

Remedy

Basement Jaxx

2/5

Sensual yet robotic, sharp, seedy. I’m not really into the vibe or sound of this, but I can see how it might have impressed a lot of people back in its era. Best song: Red Alert

Manassas

Stephen Stills

2/5

My first exposure to Stephen Stills was watching the Americana Music Awards with my dad when I was around 15. He was receiving some sort of lifetime achievement award, and the ceremony closed with him performing Buffalo Springfield’s “For What It’s Worth” with a giant band for about ten solid minutes. For What It’s Worth is a pleasant (if overrated) song, and I was willing to go for it. Then the performance started, and I quickly realized this band was going to attempt to go full Americana and mix at least five genres together—rock and roll, folk, country, psychedelia, blues, and bluegrass were all there, and most of them were not welcome. As the band riffed on and on, as countless white man blues guitar solos rained down, and as old man Stephen Stills kept wailing the by-then meaningless hook (“STOP HEY WUT’S THAT SOUND? ERRYBODY LOOK WHAT’S GOING DOWN!”), I became so utterly disgusted that I resolved never to watch the Americana Music Awards again. Listening to this album, whether fairly or not, reminded me of that experience. There are a few songs I like here, but it’s just a big fat messy hodgepodge that goes on way too long for its own good. Best song: Colorado?

Apocalypse Dudes

Turbonegro

3/5

That was stupid as crap, but the guitars were pretty nice. Best song: Are You Ready (For Some Darkness)

Synchronicity

The Police

3/5

A very odd little album for something that apparently was such a big hit. Listening to it I think mainly of Talking Heads, as it has a similar sense of paranoia, but it sounds much lighter and softer than them and I’m not certain that works. There are some boring moments and some bizarre turns (Mother??), but the good songs are really good. So it’s hard for me to get a handle on. Best song: Synchronicity II

Greetings From L.A.

Tim Buckley

1/5

That didn’t necessarily sound horrible, but wow did I hate it. Worked about as well as you’d expect white man sex funk to work.

Run-D.M.C.

2/5

I get why this album is a big deal, but man it is hideously dated. There’s just not a lot here that I find engaging. Best song: 30 Days

Mama Said Knock You Out

LL Cool J

4/5

Smooth, muscular, and very fun old-school rap. This feels like a major vibe and sound shift from most of the other 80s rap I’ve heard on the list, as full bass-driven beats dominate here. LL Cool J isn’t exactly a virtuoso, but he’s still a charismatic and talented rapper who sells every song successfully. Best song: Mama Said Knock You Out

461 Ocean Boulevard

Eric Clapton

2/5

Oh God, Clapton. It’s not even like this is bad, it’s actually pretty polished for what it is, but I have zero desire to hear it again. The only memorable song is I Shot the Sheriff, which is all well and good except that it’s just a meek and flabby version of the much better Bob Marley original. Clapton please go away now.

Millions Now Living Will Never Die

Tortoise

4/5

A fascinating instrumental album with a well-defined vibe of mystery and strong musicianship. Post-rock can look difficult to get into but in my limited experience it’s a pretty strong genre, and this album reinforced that for me. Best song: Djed

Live At The Harlem Square Club

Sam Cooke

4/5

Lively, gritty, warm album. Great sound quality and crowd interaction. Big fan. Best song: (I Love You) For Sentimental Reasons

Foxbase Alpha

Saint Etienne

4/5

Light, dreamy, well-crafted album somewhere on the edge between dance and indie pop. Not what I would naturally seek out, but a great piece of work. Best song: Nothing Can Stop Us

Hybrid Theory

Linkin Park

4/5

Why the hell do I like this album so much? I could easily chalk it up to being a child of the 2000s and call it a day, but there’s something more here, from the massive glitchy production to the killer riffs to the legitimate hooks permeating almost every song. Linkin Park are very easy to mock, but I will stand by this forever as a genuinely good album. Best song: With You

Chirping Crickets

Buddy Holly & The Crickets

4/5

A wonderfully bright and simple album. It might seem primitive at times, but the template for generations of pop and rock music is laid out here. Fun, wholesome, and pretty impressive. Best song: Not Fade Away

Are You Experienced

Jimi Hendrix

4/5

Oozing with creativity and packed with virtuosic guitar playing, this album ushered in the psychedelic era more than any other. Hendrix’s career wasn’t long but it was impactful, and perhaps none were more impactful than this. Best song: Third Stone from the Sun

Physical Graffiti

Led Zeppelin

3/5

Definitely some good material here, but does it really have to go on for so long? You can feel Zeppelin starting to sag under their own weight by the end of it. Best song: Houses of the Holy

All Hope Is Gone

Slipknot

3/5

I hate horror movies, Hot Topic, and body odor, so one would think I'm inclined to hate Slipknot. This album was a pleasant surprise, though, even if I may be one of the first people ever to apply the word "pleasant" to this thing. The riffs were consistently great, and the band shows a bit of range, sprinkling in clean vocals here and blast beats there to prove they can do more than one type of metal. As shocking and off-putting as they are on the surface, their sound is actually pretty polished and well-produced, and while I understand why that might make them a joke to a lot of metalheads, it definitely helped things go down easier for me. I didn't love this, but I did enjoy a lot of it and I now get why they have (had?) such a big fanbase. Best song: Psychosocial

The Modern Dance

Pere Ubu

1/5

An utter slab of shit. Actual money was spent to record this. It really makes you think.

Faith

George Michael

2/5

Well that sure was some 80s pop. Luxuriously produced, quite polished, and incredibly syrupy. I wouldn’t call this terrible, I think it’s just not my taste at all. Best song: Faith

Vulgar Display Of Power

Pantera

2/5

After the Slipknot album I thought I was warming more to metal but nope, I don’t really like this one. I think the number one culprit is Phil Anselmo’s voice. Whatever he’s doing, I hate it. Best song: Walk

The Queen Is Dead

The Smiths

4/5

The last two Smiths album made me question whether I actually liked them, but this album reminded me that they do have a lot to offer. Still, l’m not as high on them as I once was… partly because their bizarre lyrics now read as more annoying than clever, partly because they lack for sonic and emotional range, and partly because I don’t like Morrissey’s voice (though he is unique, I must give him that). But I don’t want to be too negative. In spite of everything, this is a pretty great album with a few classic songs. Best song: There is a Light That Never Goes Out

Rust Never Sleeps

Neil Young & Crazy Horse

4/5

Probably my favorite Neil Young album, and the best fusion I’ve heard between his acoustic side and electric side (though there still is some tension there). A great set of songs delivered with his distinctively emotive weariness. Best song: Powderfinger

The Next Day

David Bowie

3/5

It's hard to describe how I feel about this one. It reminds me of Blackstar, with a different sound but similarly dour tone, and it has a couple really strong songs that stand up with Bowie's classics. But the whole thing just sort of drags, and the album cover really sets an accurate tone; an old, ragged, dismissive, and derivative take on Bowie's peak years in the 70s. Today is another day, and where are we now? Just as in the song, he sounds tired and unsure of the answer. Best song: The Stars (Are Out Tonight)

Lazer Guided Melodies

Spiritualized

2/5

Some might describe this as calming—I’d describe it as eerie and droning. I get why people would be into this, but it’s not my cup of tea. Best song: Run

GI

Germs

3/5

Fast, nasty, hard-hitting. Cool song structures and some good guitar stuff. Off-beat but I was into it—is my faith in punk rock being restored? Best song: Lexicon Devil

Dig Your Own Hole

The Chemical Brothers

1/5

A 1 feels really harsh but I am absolutely not finishing this. It literally gave me a headache. Best song: There were songs?

Club Classics Vol. One

Soul II Soul

2/5

I was vibing with this until the male singer came in and pretty much ruined the album. Doesn’t help that it feels quite dated. Best song: Keep On Movin’

Surfer Rosa

Pixies

2/5

A scattershot “slacker rock” album that feels half-finished on purpose. I do appreciate the colorful sound here, disparate genres mashed together to craft interesting textures… but come on, is this really “good” by any normal metric? I guess it was to Kurt Cobain, who translated these ideas into much better music. Best song: Tony’s Theme

Live And Dangerous

Thin Lizzy

4/5

That’s pretty rad. Great riffs and hooks and energy. Quintessential hard rock. Best song: Cowboy Song

Peter Gabriel

2/5

This is pretty well-crafted, but man is it a drag. Listening to this feels like I’m 8 years old and have been forced into attending an orchestra. Best song: Solsbury Hill

Dust

Screaming Trees

2/5

A few nice melodies, but such a grungy and dingy sound. I kinda want to like this, but not much memorable here unfortunately. Best song: All I Know

Who's Next

The Who

5/5

I’ve always found it pretty easy to slot the Who at third place in the imaginary contest between the Big Three British Bands of the 60s (the Beatles being 1st and the Stones being 2nd, naturally), but I will always give them their respect for this album, a towering and majestic peak if any artist ever had one. Possibly my favorite opener-closer pair of any album, and everything in between is pretty awesome to boot. Best song: Won’t Get Fooled Again

I Against I

Bad Brains

4/5

A sharp, spiky, paranoid album. Very much “post-punk” in a way that I prefer to a lot of actual post-punk albums. Really like the sound here, atmospheric, mixing heavy and light textures together. Best song: I Against I

Duck Rock

Malcolm McLaren

1/5

That started out alright before descending into utter madness. Not for me. Best song: Obatala

xx

The xx

3/5

This isn’t the most exciting album in the world, but it is very smooth and well-produced, and a little innovative to boot. You could throw this on almost any time for almost any mood. Still, its applicability to everything means it ends up not being specific to much of anything. Best song: Islands

Talking With the Taxman About Poetry

Billy Bragg

2/5

I respect the earnestness of this, but the preachiness and the monotony both turn me off. I’ve always been a bit skeptical when people call melodies derivative, thinking that a good melody should always be a good melody, but this album really made me get that criticism. To be fair, it all might have worked better if he didn’t sound like… that. Best song: The Warmest Room

The Doors

5/5

Moody, rich, and immaculately crafted, fusing the darkness of blues, the sound of jazz, the edge of rock, and the hooks of pop as effectively as anyone ever did. Greatest debut album ever? Best song: Light My Fire

Apple Venus Volume 1

XTC

3/5

Bizarre, elliptical, sort of stupid… but memorable. The production is pretty dense, the melodies are pretty good, and I come away uncertain but interested. Best song: I Can’t Own Her

The Undertones

3/5

Bright boyish punk rock, full of loud hooks they keep hammering on you. Not my favorite, but pretty fun. Best song: (She’s a) Runaround

Ray Of Light

Madonna

3/5

The unique and expansive production definitely elevates this album. Unfortunately, we’ve gotten to a point where the sound is pretty dated, and Madonna’s voice has never really been my cup of tea. Still some good stuff here despite those factors. Best song: Little Star

Crazysexycool

TLC

4/5

Awesome beats, better production, catchy melodies, great vocals and vibes. A peak intersection between 90s hip-hop, R&B, and pop. Best song: Waterfalls

Life Thru A Lens

Robbie Williams

3/5

Britpop that leans hard into the pop side. Oasis was clearly a reference point. A little vapid, but I enjoyed it. Best song: Angels

In Utero

Nirvana

4/5

A rawer and angrier album than Nevermind, almost like a rejection of that album’s success. I can’t say I enjoy it quite as much, but I do appreciate its darker tone and rawer emotions. Strong production and dynamics, and of course, Cobain’s ear for melody is still here and strong ever. Best song: Heart-Shaped Box

Actually

Pet Shop Boys

2/5

Incredibly dated 80s synth-pop. I guess some people go for the detached tone here, and I actually kind of liked their last album we got, but this is not for me at all. Best song: What Have I Done to Deserve This?

Buenas Noches From A Lonely Room

Dwight Yoakam

4/5

Twangy and mournful with a full sound. Great mix of instruments. Great songs. Best song: Buenas Noches from a Lonely Room (She Wore Red Dresses)

E.V.O.L.

Sonic Youth

2/5

I must be thoroughly uncool, because I don’t get these guys at all and I have no desire to. Best song: Shadow of a Doubt

American Gothic

David Ackles

3/5

Thoroughly strange and unique, mixing show tunes with folk music and a grim naturalist approach to lyrics. I can’t say I loved it, but it’s definitely well-made and something I appreciated being exposed to. Best song: Ballad of the Ship of State

A Hard Day's Night

Beatles

5/5

The peak of Beatlemania. Bright, fresh, happy, energetic. Fills me with good feelings. Best song: If I Fell

Ogden's Nut Gone Flake

Small Faces

2/5

Well that sure was weird. Some interesting sounds here, but also some weird mixing decisions—I often felt like the melody was way too low in the mix. And then the last song was more tedious than anything. Best song: Lazy Sunday

Tigermilk

Belle & Sebastian

3/5

Considering this is one of the most hipster-coded albums I've ever heard in my life, it’s really not bad. Best song: I Could Be Dreaming

You Are The Quarry

Morrissey

2/5

I definitely didn’t need to hear that before I died. A few good tunes I guess. Best song: I Like You

S.F. Sorrow

The Pretty Things

3/5

Strange, psychedelic, creative, and colorful. I’m pretty into this despite its wonky sound.

Legalize It

Peter Tosh

4/5

I’ve never smoked weed but that still ripped Best song: Legalize It

Whatever People Say I Am, That's What I'm Not

Arctic Monkeys

4/5

Sharp, pulsing, and (for the time) genuinely modern rock, carving a new direction for the genre. It didn’t necessarily follow that direction, but I still really enjoy this album. Feels like a next step from the garage rock of the Strokes and the White Stripes, with a British twist. Best song: Fake Tales of San Francisco

Pyromania

Def Leppard

3/5

Loud, catchy, and 80s as hell. This is one of the best takes on pop metal (AKA hair metal) that you’re going to find, but I do find it starts to get repetitive at a certain point. Best song: Stagefright

3 Years, 5 Months And 2 Days In The Life Of...

Arrested Development

3/5

There are a lot of good beats here, and the album is packed with melody, harmony, and great energy. But wow is it corny, and the preachiness really is too much sometimes. My view of this group is possibly colored by Todd in the Shadows’ review of this album’s follow-up, Zingalamaduni, but songs like People Everyday and U definitely make me understand why they drove some people nuts when they were popular. Best song: Tennessee

Djam Leelii

Baaba Maal

2/5

Sure. That’s cool I guess.

Music for the Masses

Depeche Mode

3/5

An eerie, atmospheric, and well-crafted album. Embraces the computerized, almost alien sound of synthpop to good effect. I don’t think I loved it, but I would give it another listen or two. Best song: The Things You Said

Let England Shake

PJ Harvey

2/5

Well that’s wildly different from her last couple albums I heard. Far inferior to Stories from the Sea, but not bad, really—just kind of boring? This one really fails to grab me in sound or vibe. Best song: Bitter Branches

I See A Darkness

Bonnie "Prince" Billy

2/5

Weepy and boring. I could get behind the atmosphere of this, but no compelling songs or performances. Best song: Madeleine-Mary?

BEYONCÉ

Beyoncé

3/5

I am always okay to admit when I just don’t “get” an artist, and I am never really going to “get” Beyonce. I am a straight white guy and her music is not really for me. This album is solid, certainly well-made, but stinks way too much of 2010s pop trends and polish. Still, this is an interesting album since you can see the perception of her transforming from pop-soul diva to Serious Artist Making Serious Statements. Her own conception of herself seems to be changing in the same way—I don’t know why else she would include a whole-ass excerpt of Chimamanda Ngozi Adichie giving a talk on feminism. The transformation would solidify on Lemonade, but it is kind of funny to see an early draft of it on that song, where you have her trying to mash together serious commentary on women’s worth with her roaring “I’m the shit, bow down bitches.” I guess for a lot of people it synthesizes perfectly… but again, not really for me. Best song: Blue

You're Living All Over Me

Dinosaur Jr.

2/5

Oh yay it’s these guys again. This is easily better than Bug, but the end of Tarpit, the butchering of Just Like Heaven, and the singer sounding like he's on opioids all combine to bring it down. Best song: Little Fury Things

Here Are the Sonics

The Sonics

4/5

It’s raw, it’s dirty, it’s stupid, it’s repetitive, it rocks. Best song: Psycho

Rocks

Aerosmith

3/5

Sharp and definitely well-made, but kind of uninspiring with no great songs (but some good guitar riffs). I have always found Aerosmith overrated, so maybe I came in with a bias, but I’ve heard some hype for this album and was ready to have my opinion changed. Sadly, it wasn’t. Best song: Sick as a Dog

Fetch The Bolt Cutters

Fiona Apple

4/5

This album often sounds light, but it’s richly dark, searing with intensity and instability just under the surface. Pretty odd, but really unique, passionate, and purposeful. Great stuff. Best song: Fetch the Bolt Cutters

Drunk

Thundercat

4/5

Wild, weird, colorful, and creative. A great mix of psychedelia, soul, jazz, and hip-hop. Best song: Inferno

Repeater

Fugazi

4/5

A prickly album, forcing the anger and aggression of punk inwards and spewing it back out in complicated and compartmentalized form. A little unfriendly, but pretty rewarding. Best song: Shut the Door

Midnight Ride

Paul Revere & The Raiders

3/5

I like the sound of 60s pop rock and there are some great moments here, but it’s all just a little quaint. Then the last song is pleasant but almost impossibly corny. Best song: I’m Not Your Stepping Stone

Savane

Ali Farka Touré

3/5

One of those albums where I really appreciate being exposed to it, even if I don’t necessarily love it. Kind of muted and verges on boring, but still a valuable and unique mixture of sounds and cultures. Best song: Banga

Wild Wood

Paul Weller

2/5

Old man rock. There are some decent tunes here, but just incredibly unexciting. Best song: Moon on Your Pyjamas

Honky Tonk Heroes

Waylon Jennings

5/5

One of the kings of country at the top of his game. Quick and punchy, rollicking one minute and mourning the next. A quintessential country album. Best song: Honky Tonk Heroes

Californication

Red Hot Chili Peppers

4/5

Smoother and softer than earlier RHCP albums, mostly to good effect. This is a weird album because I think they became kind of boring and milquetoast after it, but here, the synthesis between their early party-funk sound and their later adult-alternative sound works for me. Best song: Otherside

Natty Dread

Bob Marley & The Wailers

4/5

Classic Marley front to back. I did jolt a bit at the line about bombing a church. Best song: No Woman, No Cry

Fuzzy

Grant Lee Buffalo

3/5

A dour and mysterious album that infuses 90s alt-rock with some country sound. Sometimes a little too serious and mopey, but sometimes quite good. Best song: You Just Have to Be Crazy

Elvis Is Back

Elvis Presley

3/5

It’s Elvis! Kind of what you’d expect from post-army Elvis, and kind of all the same. Nice vocals and pleasant sound, though. Best song: Such a Night

Skylarking

XTC

3/5

A lot to chew on with this one. I can honestly say I’ve never heard a band with a sound quite like theirs. I was sometimes entranced and sometimes bored, but I was never not fascinated by their originality. Very much worth hearing, and even worth re-listening, even if I’m not a huge fan of it at the end of the day. Best song: Season Cycle

Coles Corner

Richard Hawley

3/5

At first this seemed pretty boring, and I guess it honestly is, but I enjoyed it. It can get dirge-y, but it’s also well-written, well-produced, and quite calming. Best song: The Ocean

Darklands

The Jesus And Mary Chain

4/5

Thin and shadowy rock music, buzzing with feedback but also chiming with melody. Great atmosphere and great songs. For my money, this is the successful master release that follows the rough pre-alpha build that was Psychocandy. Best song: Happy When It Rains

Yankee Hotel Foxtrot

Wilco

3/5

This one has a pretty big reputation. I can’t really say I’m too impressed by it. I’m not a big fan of Jeff Tweedy’s scratchy hipster singing voice, and the sound is pretty mopey and verging on monotonous. But there are some good songs here, and it is very well-produced, and there is clearly a vision. So I can’t love it, but I definitely can’t hate it. In the end I think the story behind the album (and its ominous release on 9/11, with that cover??) are a little more interesting than the actual album. Best song: Pot Kettle Black

Bossanova

Pixies

3/5

I think this is our last Pixies album, and I come away kind of unimpressed by this band even though this was a decent album. This has a claim to being my favorite of the three, but I think it also has a good claim to being the most boring. Not sure what that says about my taste. Best song: Havalina

Arc Of A Diver

Steve Winwood

3/5

That was pretty much what I expected: well-produced, nauseatingly 80s, kind of lame. The one unexpected factor was that I kinda liked it. You do you Steve. Best song: Arc of a Diver

Sunday At The Village Vanguard

Bill Evans Trio

5/5

Minimal, clean, creative, and brilliant live jazz. Requires a little focused listening, but very rewarding. Evans might be my favorite pianist ever. Best song: Alice in Wonderland

Every Good Boy Deserves Fudge

Mudhoney

3/5

More muted and even than Superfuzz Bigmuff. Probably not as memorable, but a stronger collection more suited to my taste. Best song: Into the Drink

Clandestino

Manu Chao

4/5

A unique album, bouncing between languages and vibes while staying rooted in a laid-back Latin-reggae sound. I really enjoyed the continent-hopping feel of this, and it helps that it’s a fun listen. Best song: Desaparecido

Slipknot

1/5

I gave them a couple flowers for their other album but no, hell no. Who actually likes this and what is wrong with them?

Pump

Aerosmith

2/5

I’m into a lot of the big dad rock bands, but I have never liked Aerosmith. On paper this is something I’d be down for, but the whole product does not come together at all. I can’t pinpoint why, either. I’m not really into sleaze and I find Steven Tyler highly annoying, so I guess there’s two factors. Best song: Janie’s Got a Gun

Second Toughest In The Infants

Underworld

2/5

Pretty solid background music with one or two interesting moments. Way too long. Best song: Banstyle / Sappys Curry

Pornography

The Cure

2/5

Lots of mewling and moaning over echoing soundscapes. Fairly unique, but not very impressive.

Roxy Music

2/5

I’ve long thought that critics of the arts can often become so familiar with their chosen medium that they become desperate for originality, and that desperation leads them to develop some really bizarre taste. There are few better examples of my idea than the fact that so many music critics seem to love Roxy Music. Best song: The Bob (Medley)

Back To Black

Amy Winehouse

5/5

Overdone? Sure, maybe. Incredible? Absolutely. Best song: Back to Black

The Real Thing

Faith No More

4/5

Sharp, heavy, consistent, and fun. A treat to listen to, even if it is a little dated. Best song: Epic

Happy Sad

Tim Buckley

2/5

This is certainly better than his 70s “funk” music. It’s still not very good, but it’s at least trying some stuff alongside a bunch of self-indulgent hippie crap. Nice vibraphone. Best song: Buzzin’ Fly

John Barleycorn Must Die

Traffic

3/5

Kind of lame, but quite well-done with a realized sound and some good musicianship. I’m cool with it. Best song: Glad

Signing Off

UB40

3/5

It’s white reggae, so I get why people would dislike this, but honestly that’s pretty good. A little too slick at times, but a nice listen. Best song: Burden of Shame

Rattus Norvegicus

The Stranglers

4/5

Strange, offbeat, and quite a lot of fun. Never would have thought an organ could work in punk music, but here’s some compelling evidence to the contrary. Best song: Get a Grip on Yourself

69 Love Songs

The Magnetic Fields

3/5

A singular experience. This sounds like an alien or an AI model who’s been fed 69 random love songs and has tried to recreate 69 of its own, realizing the form but feeling distinctly soulless and unnerving in the actual content. But it seems that was the exact vibe they wanted? There’s a lot I could say about this, much of it bad, some of it good. There are some horrible songs, a few legitimately good ones, and a ton of experimental oddities swimming around in the difference. It’s difficult to evaluate that last group, because so many tracks feel more like goofy proofs-of-concept or stabs at a new genre rather than actual songs. The experience of listening to it is full of novelty, but at the end you’re going “what?” more than any feeling of admiration. So I have no desire to ever listen to this again, but I can’t keep myself from appreciating the extreme ambition as well as the bizarre humility of this album. It did exactly what it set out to do in an incredibly weird way, and so I can’t help but judge it to be a success. Disc 1’s best song: The Book of Love Disc 2’s best song: Papa Was a Rodeo Disc 3’s best song: I Can’t Touch You Anymore

Night Life

Ray Price

4/5

Very classic-style country album. Not the most variety, but great consistency, melody, and concept. I enjoyed it. Best song: The Wild Side of Life

London Calling

The Clash

4/5

A titanic album that (briefly) established the Clash as a huge and important band. It’s probably a little too big for its own good, and a couple of the genre experiments don’t really work, but it’s a great album that still sounds fresh and raw. Best song: Spanish Bombs

Maxinquaye

Tricky

2/5

Objectively, this album was pretty dense and unique, with lots of original ideas and beats. Personally, I kind of hated it. We’ll split the difference.

Heroes to Zeros

The Beta Band

2/5

There’s no way you can convince me that the damn Beta Band deserved two albums on this list.

Arise

Sepultura

3/5

Kind of all the same thing, but very consistent and heavy with some great guitar. Best song: Desperate Cry

Want Two

Rufus Wainwright

2/5

From Kings of Leon to the Beta Band to this guy, I can’t help but feel like the makers of this list did not have great foresight about who was going to come out of the 2000s interesting or relevant. Best song: Peach Trees

Cee-Lo Green... Is The Soul Machine

Cee Lo Green

3/5

I started out a little iffy on his voice, but I actually got super into this as it stretched on. His voice can be an acquired taste though, and then I discovered he’s kind of a creep. Whoops. The album’s still pretty good I guess. Best song: Die Trying

The Cars

3/5

A fun and well-made pop album. I recognize this is quality but I can’t say I’m super into it myself. Best song: You Might Think

Time (The Revelator)

Gillian Welch

4/5

A rich album with a distinct sound and an artful voice. It can be self-indulgent, but it’s a great piece of work. Best song: Revelator

Opus Dei

Laibach

2/5

One of the most profoundly strange albums that the generator has offered up. I appreciated its unique vibe and sound, but I can’t say I enjoyed much of the actual music. Best song: Opus Dei

Achtung Baby

U2

3/5

This album is quite well-produced, has some solid melodies, and deserves some credit for being a successful shift in sound for the band. That said, I don’t think this holds up super well. It’s often a little too slick and professional, and overall just kind of lacking in passion. Best song: One

Welcome To The Pleasuredome

Frankie Goes To Hollywood

2/5

This is mostly 80s slop, though I acknowledge there is more effort and vision here than most 80s slop. An interesting album if not one I liked. Best song: The Power of Love

Songs Of Love And Hate

Leonard Cohen

2/5

I acknowledge Leonard Cohen’s talent but damn dude, sometimes I’m just not in the mood. Best song: Joan of Arc

Mama's Gun

Erykah Badu

4/5

A few too many excessively long songs, but overall a great album driven by a strong, unique voice. Best song: Didn’t Cha Know

The Piper At The Gates Of Dawn

Pink Floyd

3/5

A profoundly creative album, packed full of soundscapes that would have been unrealizable just a couple years prior to its release. Of course, much of it is self-indulgent stoner BS, but if you have at least as much of a stomach for it as I do then you’ll probably like this. Best song: Astronomy Domine

The Last Of The True Believers

Nanci Griffith

5/5

Gorgeous and understated, wall-to-wall full of great songs. Maybe the shiniest hidden gem that the generator has treated me to. Best song: Love at the Five & Dime

Dare!

The Human League

3/5

I’m not a big fan of the 80s sound, but I can recognize when it works, and it works here. Similar to Tears for Fears or Depeche Mode, I think I’m into this album because there’s an awareness of how icy and robotic its synths sound, and the band leans into that rather then letting the dissonance sit there unacknowledged. Helps that a lot of it is really catchy. Best song: Don’t You Want Me

Fromohio

fIREHOSE

3/5

A strange little album with a sound that’s hard to pin down, tossing acoustic guitar into a surprisingly textural and atmospheric album that somehow still feels like punk. I didn’t love it but I did enjoy it. Best song: Understanding

Sign 'O' The Times

Prince

4/5

A colossal and quite creative album that takes some weird turns but consistently dazzles. I’m not even the biggest fan of him personally, but I still think Prince probably hasn’t quite earned his due as one of our best all-around musicians. Best song: Adore

Modern Sounds in Country and Western Music

Ray Charles

4/5

Dated, without question, but also a bright and daring slash through the racial barriers of American music in the mid-20th century. Charles takes country music and dresses it up in the styles of jazz and R&B to make it his own. A fascinating intersection of American musical traditions, and a great album. Best song: I Can’t Stop Loving You

The Healer

John Lee Hooker

2/5

John Lee Hooker’s got plenty of respect from me, but wow that was one of the most boring albums I’ve ever heard. Best song: No Substitute

Gentlemen

The Afghan Whigs

3/5

A very 90s album, though I wouldn’t really call it grunge; closer to something like Fugazi. A bit repetitive (and maybe bordering on misogynistic) but the music is pretty good. Best song: Debonair

Who Killed...... The Zutons?

The Zutons

3/5

This is objectively solid with some catchy melodies and tight compositions, but the band sounds like they were brewed in a vat to make songs for car commercials and that kinda bothers me. Best song: Pressure Point

Africa Brasil

Jorge Ben Jor

3/5

I’m gonna come out with a frank and unenlightened take—a few too many weird noises in this album for me. Great energy and vibes though. Best song: Xica da Silva

Melody A.M.

Röyksopp

3/5

Pretty chill vibes.

Nick Of Time

Bonnie Raitt

2/5

Incredibly lame and overproduced. I’m sorry Bonnie.

Be

Common

4/5

Soulful, humble, and impactful with some great production. Best song: They Say

Melodrama

Lorde

3/5

Very definite mood, style, and vision. It is interesting how she twists the 2010s electropop sound to suit the album’s needs, but I don’t like electropop so a bit of a hard sell for me. Best song: Green Light

Alien Lanes

Guided By Voices

1/5

How do you even have an opinion on that? A few decent melodies buried in there, but all in all it’s a deluge of crap.

Rust In Peace

Megadeth

4/5

That kicked ass. Best song: Hangar 18

Get Rich Or Die Tryin'

50 Cent

5/5

Wall-to-wall bangers. And don’t skip those bonus tracks. Music may have peaked with Wanksta. Best song: Many Men (Wish Death)

We're Only In It For The Money

The Mothers Of Invention

2/5

OK dude, I get it, you hate hippies.

My Life In The Bush Of Ghosts

Brian Eno

2/5

Trippy, sample-heavy ambient(?) music. Sometimes sounds like a forerunner to trip-hop. Cool ideas, though I can’t say I care too much.

American Pie

Don McLean

3/5

A great song followed by a decent but forgettable folk album. Best song: American Pie

Sea Change

Beck

3/5

Quite slow and sad, but also full and well-produced. A bit of a dirge, but not bad at all.

One Nation Under A Groove

Funkadelic

4/5

Wild, weird, and fun with lots of great musicianship. They can really shred, too. Best song: One Nation Under a Groove

Time Out Of Mind

Bob Dylan

3/5

Old man Dylan trying to re-discover his place in the world. Not much to talk about compared to his prime years, but an interesting look at his style aging into something more bluesy and downtempo. Best song: Make You Feel My Love

The Number Of The Beast

Iron Maiden

5/5

Unbelievably kick-ass album. Heavy metal is so much better when the musicians are obsessed with sci-fi and fantasy instead of slasher movies. Best song: Hallowed Be Thy Name

Funeral

Arcade Fire

3/5

A rich and well-made album, though not one that made a strong connection with me. I appreciated the big and heartfelt sound, though. Best song: Neighborhood #1 (Tunnels)

1984

Van Halen

4/5

The original hair metal band and possibly the only good one. Definitely corny at times, but damn is it catchy. Best song: Panama

Bizarre Ride II The Pharcyde

The Pharcyde

3/5

Love the boom-bap sound and the energetic flow. The lyrics haven’t aged too well—a very 90s South Park-style sense of humor that isn’t really for me. So a mixed bag, but it’s worth hearing. Best song: Passin’ Me By

Cross

Justice

4/5

I don’t really like much dance music but I’ve always liked French house, for some reason. This album is no exception. Love the big glitchy production and the heavy bass. Best song: D.A.N.C.E

The Rising

Bruce Springsteen

3/5

Bruce is sad about what just happened but hopeful for the future. That’s great but not sure he needed to communicate that exact emotion over and over for 15 songs. Best song: Into the Fire

Real Life

Magazine

3/5

Punk sound and attitude at a slower, more introspective pace, which I guess is typical post-punk. This is pretty strong with some good guitar. Best song: Burst

Come Away With Me

Norah Jones

4/5

Even and lowkey “lounge” music with diverse influences, including jazz, blues, country, and traditional pop. A really solid album that invites repeat listens. Best song: The Nearness of You

Colour By Numbers

Culture Club

2/5

The opener is a classic but it gets way too 80s for me after that. Best song: Karma Chameleon

Dr. Octagonecologyst

Dr. Octagon

2/5

Don’t think I’ve ever heard the word “rectum” used that much in an album. I like Automator’s production, but the porno “skits” (we are stretching the definition there) and obsession with being weird got to be too much for me. Best song: Earth People

More Songs About Buildings And Food

Talking Heads

3/5

A solid album with the signature Talking Heads funk-punk-pop(???) sound, though none of the songs really grabbed me. Best song: Take Me to the River

Rings Around The World

Super Furry Animals

3/5

A very lush album with some big melodies. Too long, but I appreciate the exposure to something I’d never have heard otherwise.

Truth

Jeff Beck

3/5

Pretty classic, though there’s too much blues and not enough rocking out. Best song: Beck’s Bolero

White Ladder

David Gray

3/5

A low-key but full-sounding singer-songwriter album. Very pleasant but verges on monotonous, particularly in the last song. Best song: Babylon

Lost In The Dream

The War On Drugs

4/5

A big and atmospheric album with a psychedelic sound. Meanders a little too much, but really strong in spite of that. Best song: Under the Pressure

In It For The Money

Supergrass

3/5

A bright and loud album that makes some fun noise but doesn’t leave a significant impression. A step down from their debut.

White Blood Cells

The White Stripes

4/5

Sledgehammer-blunt yet mysterious, clearly classic yet sharply modern (at least by 2001's standards), the White Stripes are hard to pin down. This is probably their most quintessential recording, so as someone who loves the band, I love the album. Best song: Fell in Love with a Girl

Shleep

Robert Wyatt

2/5

I do kinda go for the weirdness of this but there’s only so much I can hear about the miners from Asturias and their shiny moneyboxes

Little Earthquakes

Tori Amos

4/5

Quite soft yet quite intense. She’s pretty good at mining darkness and negative emotions without overwhelming you or coming off as whiny. I’m impressed. Best song: Winter

Birth Of The Cool

Miles Davis

4/5

Thank you Miles, very cool!

Smile

Brian Wilson

2/5

Well it has Good Vibrations, I guess. Otherwise it sounds like the disheveled ramblings of a very troubled guy with a lot of talent and studio time. RIP Brian Best song: Good Vibrations

Tical

Method Man

3/5

Peak “listening to music about murder and drugs on the way to my 9-5”-coded music

Destroy Rock & Roll

Mylo

3/5

Solid electronic album with smooth vibes and a consistent mood. Not really into all the spoken-word samples. Best song: In My Arms

Lost Souls

Doves

3/5

Very atmospheric and textual and all that fancy stuff. An interesting listen if not the most memorable one.

Live At The Witch Trials

The Fall

2/5

Really drives home how thoroughly many of the punks could not sing. Pretty creative, at least. Best song: Two Steps Back

Sister

Sonic Youth

2/5

This album is the closest I’ve come to truly “getting” this band, though I still feel like I’m not quite getting the point. Best song: Catholic Block

Sulk

The Associates

3/5

Very 80s, but pretty original with some rich production. Worth more listens. Best song: Party Fears Two

The Last Broadcast

Doves

3/5

Two Doves albums in a week was not on my bingo card. They’re clearly pretty good but just not the kind of band I’m gonna get out of bed for. Best song: Caught by the River

Raw Like Sushi

Neneh Cherry

2/5

New jack swing sure was a genre huh Best song: Buffalo Stance

Madman Across The Water

Elton John

3/5

Pretty strong album with a classic opener. It does get same-y though, and Indian Sunset had me rolling my eyes. Best song: Tiny Dancer

Kollaps

Einstürzende Neubauten

2/5

I went in knowing this was the lowest-rated album on the list, and after a couple songs, I determined this was actual music (if extremely avant-garde music), not as bad as I was anticipating, and legitimately interesting in a few ways. So what the hell, 2. I got more out of it than hearing Dinosaur Jr shriek “WHY DON’T YOU LIKE MEEEE?!?!” for five minutes straight.

Tanto Tempo

Bebel Gilberto

4/5

Smooth, sleek, charming, relaxing. A worthy successor to her dad. Best song: So Nice (Summer Samba)

Blue Lines

Massive Attack

3/5

This album has a unique and consistent sound plus some interesting ideas, but it doesn’t speak much to me. British music started going in some weird directions from the 80s onward. Best song: Be Thankful for What You’ve Got

Future Days

Can

2/5

Sounded like whatever Aaron Rodgers was listening to when he did ayahuasca on his darkness retreat

My Beautiful Dark Twisted Fantasy

Kanye West

5/5

Kanye’s definitive statement, a colossal and excessive portrait of an egomaniac in crisis. Huge beats, huge hooks, huge stars, huge everything. Full of sin, self-loathing, self-pity, arrogance, violence, and loneliness. Probably a masterpiece. Best song: Runaway

Beach Samba

Astrud Gilberto

3/5

Perfect summer album. I don’t really remember most of the songs but who cares. Best song: Beach Samba (Bossa na praia)

Face to Face

The Kinks

3/5

Kind of insulting to get an extremely British band on the fourth of July. Oh well, at least the album’s not bad. Best song: Sunny Afternoon

All Hail the Queen

Queen Latifah

2/5

This isn’t really bad, but it’s not very interesting and wanting for catchiness. Old school hip-hop has had more misses than hits sadly.

Harvest

Neil Young

3/5

Some good songs and a nice country tone. It is middle-of-the-road as can be, though, and I’m not crazy about the production—very distant sound on most songs. Best song: The Needle and the Damage Done

Very

Pet Shop Boys

2/5

Good Lord do we really need three albums from these guys. I got the picture the first time.

Darkdancer

Les Rythmes Digitales

1/5

Utterly maddening. The 1980s and their consequences have been a disaster for the human race.

Odessa

Bee Gees

3/5

Kinda hokey, but nice melodies and harmonies. Possibly a hot take but I prefer this to their disco music. Best song: Marley Purt Drive

Out Of The Blue

Electric Light Orchestra

3/5

So big, so many strings, so many choirs… they can write a melody but damn dude, chill a little. Best song: Mr. Blue Sky

Better Living Through Chemistry

Fatboy Slim

2/5

Not as obnoxious as the Chemical Brothers, but not for me. It sounds like forgettable video game soundtrack music.

Punishing Kiss

Ute Lemper

3/5

Very traditional, stately, and cinematic. Good voice and production. Not something I would seek out, but I appreciate how unique it is from the rest of the list. Best song: The Case Continues

Beauty And The Beat

The Go-Go's

3/5

Slightly maddening but kinda fun anyway.

Grievous Angel

Gram Parsons

4/5

Good album that successfully mixes traditional country with 60s-70s folk rock, though it can be lacking in energy and melody. Best song: Brass Buttons

Goo

Sonic Youth

1/5

Look at me I can’t sing or play guitar I’m so edgy oooooo

Sheet Music

10cc

3/5

A strange and idiosyncratic album with a big 60s pop rock sound. Nice harmonies.

Vol. 4

Black Sabbath

4/5

Hell yeah. RIP Ozzy Best song: Wheels of Confusion / The Straightener

Hot Fuss

The Killers

4/5

I spent a lot of time listening to this as a teenager so pretty much impossible to take an unbiased view. Huge sound, huge hooks. The Killers can be a little annoying but they reach some pop-rock perfection on this album. Best song: Midnight Show

Ghosteen

Nick Cave & The Bad Seeds

2/5

As a statement of loss and grief, this album does its job stunningly well. I found it agonizingly dour and depressing, but maybe in the right frame of mind I could connect with this. I really really hope I’m never in the right frame of mind to connect with this.

Car Wheels On A Gravel Road

Lucinda Williams

4/5

Rough and gritty, yet soothing and meditative. (Much like, wouldn’t you know it, car wheels on a gravel road. It’s poetic and whatnot.) Some great stuff on this album. Best song: Greenville

Tago Mago

Can

3/5

I was really into the first half but the second disc went wildly off the rails. Since that’s intended to be the weird experimental half I guess I can accept it and split the difference. Best song: Halleluhwah

Out of Step

Minor Threat

3/5

The aggressive energy of this album is really striking. You get a little tired of listening to the same song over and over but the whole thing is only 20 minutes.

Heaux Tales

Jazmine Sullivan

2/5

You’ve heard of the Booty Jam. Now get ready for its enlightened and empowered cousin, the Dick Jam

Sweetheart Of The Rodeo

The Byrds

5/5

A fascinating album since it seems nobody knew how to take it at the time of release: way too hokey and earnest for the critics, way too twangy and traditional for the hippies, way too soft and hippy-dippy for the rednecks. Despite that, it’s stood the test of time as a foundational album for alternative country. The Byrds’ harmonies and jangly guitars blend beautifully with country standards and style. Best song: Hickory Wind

Django Django

4/5

A very strange but entertaining album with a highly original sound. I was in the right mood for it.

This Nation’s Saving Grace

The Fall

2/5

Yeah that’s not for me my friend. Too much wailing and thrashing.

Let It Be

The Replacements

4/5

Punks get serious about their lives. There’s a world where this album is flabby and boring, but they successfully mix raw guitar music with smooth balladry. I liked it.

Bookends

Simon & Garfunkel

3/5

A mysterious album, full of whispery vocals, mild instrumentation, and strange lyrics that seem to finish stories you can’t even guess the beginnings of. I’m not a huge fan of it, but it is memorable and has lots of great harmonies. Best song: Mrs. Robinson

Urban Hymns

The Verve

4/5

Going pop isn’t always a bad thing. A slightly bloated but quite good Britpop album. Best song: The Drugs Don’t Work

Architecture And Morality

Orchestral Manoeuvres In The Dark

2/5

Couldn’t connect with this one. Maybe too avant-garde, or maybe just not into synthpop enough. There’s definitely a vision here, though.

Red Dirt Girl

Emmylou Harris

2/5

That’s tough because I do love Emmylou’s voice and there are a couple good songs here, but the genericized “Americana” fusion sound is not really my thing. Just a very dull and grey-sounding album. Best song: Bang the Drum Slowly

Kimono My House

Sparks

3/5

Unhinged energy in this one. The band is pretty great, but the singer is a bit of an acquired taste (soooo much falsetto). I liked this all in all, definitely something different. Best song: In My Family

All That You Can't Leave Behind

U2

3/5

Definitely middle-of-the-road, but I guess where I split with this album’s detractors is that I think there are worse things you can be than boring. There are good songs and good moments on this album, even if its mild sound foretold U2 becoming one of the most irrelevant bands ever. Best song: Beautiful Day

Third

Portishead

3/5

A very strange and inventive electronic album. Not really my thing, but massaged my brain pretty good.

Closer

Joy Division

3/5

A slow, dour, and repetitive album that succeeds at crafting a singular atmosphere. Pretty tight band. I enjoyed it despite its flaws. Best song: Decades

Stand!

Sly & The Family Stone

4/5

A bright and full album from a band just as capable with simple pop songs as they are with long instrumental freak-outs. I liked it! Best song: Everyday People

Untitled (Black Is)

SAULT

2/5

This album is not bad—it’s very competently made—but I really don’t care for it even a little. Honestly, it doesn’t inspire many good feelings in me since it’s an extremely 2020-core album. The very conceit of the project is that it’s some revolutionary statement that will “speak truth to power” and “get into good trouble” or whatever, when really it’s just a mid-ass R&B album with a bunch of inane lyrics. Living in the Trump 2.0 era makes you really cynical about what the point of this kind of crap ever was. But hey, I’m a white guy, so take my opinion as you will. Best song: Hard Life

Oxygène

Jean-Michel Jarre

2/5

That was pretty calming annnnnd I can’t think of a single other thing to say about it.

Dog Man Star

Suede

4/5

Huge sound, melancholy tone, and great melodies. I think a lot of David Bowie and the Smiths, both of whom have inspired plenty of bad bands, but this was quite good and well-crafted. Best song: New Generation

Dance Mania

Tito Puente

3/5

AIYIYIYIYIYI

O.G. Original Gangster

Ice T

3/5

Some real gangster shit. Not sure it needed to be that long though. Best song: Lifestyles of the Rich and Infamous

The Grand Tour

George Jones

4/5

Well George Jones is a great singer, but… I dunno, George, there ain’t anything else to sing about? Just all the women that have left you? There’s like 2 songs on this album that aren’t about that. You think there might be a common denominator here, George? Best song: Our Private Life

The Lexicon Of Love

ABC

2/5

Well-made, for sure, but kind of a big yawn sadly.

Let's Get Killed

David Holmes

3/5

Pretty good soundtrack music.

Fragile

Yes

4/5

A very bright album with a lot of weird but fun stuff going on musically. I’m for it. Best song: Roundabout

Scott 4

Scott Walker

4/5

A much more somber atmosphere than Scott 2, and a much better album, full of great vocals on grim mysterious songs. Takes a little time to warm to but really interesting. Best song: The Old Man’s Back Again

A Girl Called Dusty

Dusty Springfield

3/5

Big, catchy, and pretty fun. That 60s sound is nice but a little overwhelming.

The Sounds Of India

Ravi Shankar

3/5

Something different. A soothing and occasionally engaging intro to classical Indian music.

The Score

Fugees

3/5

Insane Lauryn Hill carry job. Wyclef Jean’s No Woman No Cry cover tempted me to give this a 2. Best song: Ready or Not

Heartattack And Vine

Tom Waits

3/5

I appreciate Tom Waits’ crazy voice and singular style, but I found myself getting tired of this before it was over. Best song: Jersey Girl

Shake Your Money Maker

The Black Crowes

3/5

Very well-done with a couple good songs. It did get a little monotonous at a certain point. Best song: She Talks to Angels

Chelsea Girl

Nico

1/5

Wow Nico actually can’t sing huh. I quit in the middle of the nine minute avant garde song.

Sunshine Hit Me

The Bees

2/5

Mild, quiet, and weird. Some nice jazzy stuff here but not my vibe.

Shalimar

Rahul Dev Burman

2/5

Well that was cute(?)

Celebrity Skin

Hole

3/5

A strong rock album, though it often feels a little stiff and commercial for reasons I have trouble identifying. Lacking the grungier edge of Live Through This, for better or worse.

Stephen Stills

2/5

Horns and gospel choirs and bluesy wailing and epic guitar… damn dude, calm down. Stephen Stills is just not my cup of tea.

Life's Too Good

The Sugarcubes

2/5

Bjork’s origin story. Some interesting moments here but it failed to really grab me at any moment. That echo-y, texture-heavy post-punk sound isn’t my thing.

D.O.A. the Third and Final Report of Throbbing Gristle

Throbbing Gristle

1/5

At this point you might as well go listen to some local construction. I will give this one thing, though: it’s not really trying to be listenable music. It’s some kind of weird art statement. Does it succeed at that? I dunno, but it’s hard to fail it as music when it’s barely that in the first place.

Jack Takes the Floor

Ramblin' Jack Elliott

4/5

This re-awakened my Woody Guthrie phase like an activated sleeper agent. You can definitely hear his influence on Bob Dylan, especially vocally. I liked it a lot.

It's A Shame About Ray

The Lemonheads

3/5

I saw this described as grunge on Wikipedia, which is confusing since this is very jangly and melodic, more like a heavier take on REM. I was into it. Best song: Hannah & Gabi

The Clash

4/5

Quintessential punk. You can see from the start that the Clash have their eyes set a little higher than their contemporaries; a lengthy multi-part track like “Police & Thieves” would not fly with punk purists; but it’s also easy to tell that their talent is way higher than the average garage band. A classic. Best song: Janie Jones

Sincere

Mj Cole

2/5

Dated, boring, and repetitive. A weird inclusion. Best song: Strung Out

The Holy Bible

Manic Street Preachers

2/5

The sound of this album is fairly dense and interesting. Sadly, the shrieky lead singer and edgelord lyrics turned me off.

The Man Machine

Kraftwerk

3/5

This what Mr. Krabs was listening into his office going “beep boop boo boo bop”

The Seldom Seen Kid

Elbow

3/5

Quite a dreary and rainy album. Verges on boring, but it worked for me on this rainy day. Some great production. Best song: One Day Like This

Ys

Joanna Newsom

3/5

I appreciated the idiosyncratic style of this, even if it’s not something I would throw on regularly. Keep wailing about monkeys and sages over your harp Joanna.

Myths Of The Near Future

Klaxons

3/5

An interesting one. Some good melodies and pretty tight production. Their sound is kind of overwhelming, but I think that’s the whole idea. Not my thing but not bad at all.

The Good, The Bad & The Queen

2/5

I’m usually into Damon Albarn but that’s a tremendously boring album. Kind of reminds me of Age of the Understatement if you stripped out all the mystery and made it 50% sleepier.

3 Feet High and Rising

De La Soul

3/5

A lot of fun. Too long. The beats are much more interesting than the rapping. The orgy skit tempted me to drop this to 2 but there is too much value here to do that. Best song: Me Myself and I

Countdown To Ecstasy

Steely Dan

4/5

I never really wanted to be the kind of guy that was into Steely Dan but yknow what, maybe I am that kind of guy. That was pretty sick. Best song: Pearl of the Quarter

The Libertines

3/5

One of the most 3/5 albums ever. Quite decent but I’ll never remember it. And whaddya know the global ratings’s a perfect 3.

Exile In Guyville

Liz Phair

3/5

A very confrontational yet resigned album; horny but lazy, insisting on freedom and complaining about boredom, angry but constantly shrugging about it. I didn’t love it but I did like it and can see how it connected with so many people. Kind of a shame that her career never quite became what this album promised. Best song: Divorce Song

Floodland

Sisters Of Mercy

3/5

Very chilly and rich album with great atmosphere. I’m not a goth but I understand those tortured souls a little better now. Best song: Dominion / Mother Russia

Walking Wounded

Everything But The Girl

3/5

Nice atmosphere. A little same-y and a little too lush, but I enjoyed the sound of this. Best song: Wrong

If I Should Fall From Grace With God

The Pogues

3/5

There were parts of this that didn’t click with me, but I found it pretty unique and engaging as a total package. Pretty sure my ancestors were mostly English so sorry boyos.

Giant Steps

The Boo Radleys

2/5

Not sure what this had to do with John Coltrane or To Kill a Mockingbird

Rumours

Fleetwood Mac

4/5

A classic and pristine fusion of blues, rock, folk, country, and pop: a real “American music” album. I’ve never listened to this front-to-back and it has such a mythic reputation that I did find myself a little disappointed. As much as I like the laid-back sound, it bordered on sleepy here and there, and Christine McVie is a glaring weak link among the three singers. But at the end of the day, come on, it’s Rumours. It’s good. Best song: The Chain

Logical Progression

LTJ Bukem

2/5

It’s not like I have a problem with this, it’s nice background music, but… what’s the point? Do people dance to this?

Kind Of Blue

Miles Davis

5/5

A desert island album for sure. It might be the only jazz album some people ever hear, and that’s OK by me. Best song: So What

Tarkus

Emerson, Lake & Palmer

3/5

A bizarre, bombastic, nerdy rock symphony. Some weird moments and sus lines but I was pretty into it.

Beyond Skin

Nitin Sawhney

3/5

A long and weird mix of jazz, downbeat electronica, and world(?) music, tied together by the impending doom of nuclear war. Certainly has some low moments (tikitikitatikitikita for one), but still a creative and fascinating album.

In The Wee Small Hours

Frank Sinatra

4/5

Maybe the first “concept album?” This album can drag at times, but it’s really successful at establishing a mood and ambience. Great for, unironically, the wee small hours of the morning.

Bad

Michael Jackson

4/5

Can’t tell if it’s funny or sad that the album cover is MJ’s vision of a “bad boy.” The music is pretty good. This is not as tight as Thriller for sure, and he’s not as suited to this weird rock-ish sound as he was to disco and R&B, but he could still pump out classics on an off day. Should we still be listening to him? I really don’t know. He’s dead anyway—it’s God’s job to judge him now. Best song: Dirty Diana

Music For The Jilted Generation

The Prodigy

2/5

One of the most tedious albums I’ve ever heard. Not really bad per se, but man is it flirting with a 1.

Vulnicura

Björk

3/5

A very weird and very sad album, about as crushing of a breakup album as you’ll hear. I have no desire to listen to this again, but I come away respectful as ever of Bjork’s unique talents.

Idlewild

Everything But The Girl

3/5

Does this need to be on the list? Surely not, but I thought it was very pleasant and relaxing, if unadventurous. It strays to the edge of cheesiness but I don’t think it ever quite gets there. Best song: Tears All Over Town

More Specials

The Specials

3/5

A strange and buoyant little album, bouncing between moods and genres. Not all the songs are much good, but it’s a fun listening experience. Best song: Enjoy Yourself

Fever To Tell

Yeah Yeah Yeahs

3/5

A pretty good rock album, one of the most original of the early-2000s garage rock boom. I do think the album is lacking in guts, for lack of a better word. Only a few songs have real bite to them, and except for Maps (which I don’t like as much as most do anyway), the slower artier songs are uniformly the weaker ones. Best song: Date with the Night

Maverick A Strike

Finley Quaye

2/5

I guess that was “innovating” reggae but I don’t like its innovations. Way too squawky and boring.

Van Halen

5/5

This album basically created the entire sound of 80s rock. This led to a bunch of terrible bands, but I get why so many teenagers decided to start terrible bands off this album. Pop metal perfection. Best song: Jamie’s Cryin’

Olympia 64

Jacques Brel

3/5

Made me feel like I was in Ratatouille. Best song: Amsterdam

Inspiration Information

Shuggie Otis

3/5

A chill if unfocused album with a diversity of sound. Interesting but not too impactful.

Siembra

Willie Colón & Rubén Blades

3/5

A fun if repetitive album. Full of bright sounds and great instrumentation.

New Wave

The Auteurs

3/5

I am a sucker for Beatlesque rock. Solid if not especially memorable album.

Copper Blue

Sugar

3/5

Grungy but with nice melodies and guitars. I liked it.

Suicide

2/5

An incredibly dismal album with a singular atmosphere. I don’t know if it’s really possible to “enjoy” any of this, but there is a vision there.

Master Of Puppets

Metallica

4/5

A classic, though it’s a little too monotonous for me to rank it among the best of all time. Still, if you want to learn about metal, this is one of the first few albums you should check out. Best song: Master of Puppets

Exit Planet Dust

The Chemical Brothers

2/5

49 damn minutes of WOMP woo woo woo WOMPPPP woo woo

No Sleep 'Til Hammersmith (Live)

Motörhead

4/5

Rock on you Bri’ish mu’ufu’ers

Gold

Ryan Adams

2/5

A couple decent songs here but the album is sooooo long and so dull. Doesn’t help that Ryan Adams himself is awful. Best song: The Rescue Blues

Follow The Leader

Korn

1/5

Cookie Monster screams about how his daddy and the females hate him. The sound of the band is actually not bad—often, they’re quite talented. I guess it may be my best-sounding 1/5. What an ignominious honor. Best song: Freak on a Leash

Listen Without Prejudice Vol. 1

George Michael

3/5

Soft, moody, acoustic, atmospheric. Too saccharine at times, but an interesting turn for a big pop star. Best song: Something to Save

Arrival

ABBA

3/5

It’s ABBA! Corny as hell, catchy as hell, and bedazzled to death. Best song: Dancing Queen

Younger Than Yesterday

The Byrds

4/5

You can kind of hear the sound of 60s rock change in real time on this album. Some of the psychedelic stuff is a little much, but a strong album from a great band.

Coat Of Many Colors

Dolly Parton

4/5

A wonderful little album full of sweet, simple songs. Dolly will forever be the queen of country. Best song: Coat of Many Colors

Emperor Tomato Ketchup

Stereolab

3/5

Fascinating and weird. The Apple Music blurb describes it as “music about listening to music,” much like the Avalanches or sample-heavy hip-hop, and I think that’s not a bad description. A sometimes excessive but consistently interesting collage of pop music.

Born To Be With You

Dion

2/5

A pretty boring album with the classic Phil Spector Wall of Sound production. Unmemorable, but not really bad.

They Were Wrong, So We Drowned

Liars

2/5

A weird witchy album with an almost childlike sound. You know, like a demented child. I didn’t really like it, but I don’t think it deserves to be one of the lowest-rated albums, either. It’s pretty cohesive and not an active assault on the ears, unlike some of the other bottom feeders.

System Of A Down

4/5

The best band to come out of the nu metal/alt metal scene. Well, probably. I just know I’ll take this over Slipknot eight days a week. Best song: Sugar

The Psychedelic Sounds of the 13th Floor Elevators

The 13th Floor Elevators

2/5

I guess it’s an innovative album, and it has a couple decent tunes, but I’m left pretty cold by it. The guitar tone is grating, the production is bad, and the songs feel really half-baked.

The Hissing Of Summer Lawns

Joni Mitchell

4/5

A rich album fusing jazz and experimental sounds with Mitchell’s singer-songwriter approach. A little hard to get a handle on, but very good and deserving more listens. Best song: The Hissing of Summer Lawns

Imagine

John Lennon

3/5

I had to take a long hard look at myself and ask, if this hadn’t been made by a Beatle, would I think all that highly of it? And the answer is, no, not really. This is John approaching his most self-righteous and pretentious state (to be fully realized in Some Time in New York City), and the sound is too sappy and overproduced for my taste. The title track has always been wildly overrated. The melody’s nice, but there’s nothing too special about it and the lyrics scream of John’s self-importance more than they relate any deep message. (But maybe I’ve been poisoned by the Gal Gadot video back in 2020.) The album’s best moment happens when John abandons his delusions of being some kind of people’s poet and attacks his former best friend in a mean, nasty diss track. Probably more revealing than any of the peace-on-Earth stuff, which John was never the best at, no matter how much he wanted to be. His specialty was always mining negative emotions, providing the darkness to Paul’s light, so it’s only fitting that he fails by straying from the grim intimacy of Plastic Ono Band but strikes gold by mocking his old foil. So yeah, not John’s finest. It’s not bad, there’s good songs here, but it’s red meat for the haters in some ways. Best song: How Do You Sleep

Liege And Lief

Fairport Convention

3/5

Kind of a boring album, but a well-made one that executes a cool concept, applying the American folk rock approach to British folk music. I can appreciate it. Best song: Matty Groves

Call of the Valley

Shivkumar Sharma

4/5

The exact type of thing you’d want the generator to introduce you to. A calm and beautiful album that conjures up the countryside perfectly.

Throwing Muses

2/5

I sorta want to like this since the start isn’t bad, but it gets way too sloppy and discordant for me by the end. Kind of reminds me of Patti Smith if you took away the musicianship and the hooks.

Freak Out!

The Mothers Of Invention

3/5

Frank Zappa is clearly very talented and quite creative, but for whatever reason, he demonstrates almost no interest in making music the average person would describe as good. He does produce some entertaining send-ups of 50s pop and 60s rock on this album, but I think those are mostly accidents that come out of his real intent of mocking those genres and the people who like them. I can’t tell if Zappa is a grump that hates fun or if he’s actually having more fun than any other musician out there. Either way, this album is worth hearing even if it will obviously not be everyone’s taste.

If I Could Only Remember My Name

David Crosby

3/5

The hippies may be gone, but their memory remains with us, largely through their music. Some of it beautiful, some of it ridiculous, some of it brilliant, some of it cringe, but all of it reflective of their drugged-out lil brains. The whole spectrum is here on this album, which makes it an interesting document for the era. Best song: Traction in the Rain

Music

Madonna

2/5

Well I guess music was not in a good place in the year 2000. What It Feels Like for a Girl narrowly saved this from a 1 just by being a competent pop song.

Groovin'

The Young Rascals

4/5

A mix of psychedelia, soul, garage rock, and chamber pop(?). Also 60s as hell. Objectively not that great but damn is it well suited to my taste. Best song: Groovin’

Dub Housing

Pere Ubu

1/5

I’m all for experimentation and innovation, but when it leads to music no longer sounding good by any normal metric, I tap out very quickly. What a great example I have of this idea in Pere Ubu.

Another Music In A Different Kitchen

Buzzcocks

3/5

Kind of the closest thing Britain had to the Ramones, although they’re snider, shriekier, and less catchy. It falls into the large category of albums I liked fine but wouldn’t have put on the list.

What's That Noise?

Coldcut

2/5

An hour of basic-ass repetitive electronic music from 1989. I’m so stoked. I’m pumped dude.

So

Peter Gabriel

2/5

What the boomers listened to if they wanted to feel sophisticated, I guess. It’s not 80s slop but it’s not very good. Best song: In Your Eyes

When I Was Born For The 7th Time

Cornershop

4/5

Actually quite a neat album with tuneful melodies and strong rhythms. Wasn’t expecting much but was into it. Discovered some great Indian/Indian-influenced music on the generator. Best song: Good to Be on the Road Back Home

Rum Sodomy & The Lash

The Pogues

3/5

I think there’s a certain cultural gap here that keeps me from fully “getting” this, probably akin to how non-Americans feel listening to country music. Still, it’s a solid album with great energy and a unique sound.

Southern Rock Opera

Drive-By Truckers

2/5

This feels like something I should like on paper—a Southern rock opera would be in my wheelhouse. But it’s so damn long and they’re so obsessed with Skynyrd. I get that’s the entire idea but I do not want to hear someone make a movie-length album about a totally different band.

Trafalgar

Bee Gees

2/5

The Bee Gees are one of the most profoundly lame bands of all time, and as this album demonstrates, it’s not just for the disco.

The Rise & Fall

Madness

3/5

Hearing the Our House song was a light jumpscare. A very respectable album that doesn’t fit well in any genre, though I can’t say I loved it. Best song: Madness (Is All in the Mind)

The Gershwin Songbook

Ella Fitzgerald

3/5

Well that’s an experience. I was going to criticize the inclusion of this for being a compilation, but it looks like it l was intended as a single new release, with the songs recorded newly for the album. Fitzgerald is obviously a master vocalist, and the songs are polished as can be. So you can’t knock it, but I’m not going to lie and act like this didn’t get wildly monotonous. I respect it, but I don’t plan on returning to it.

My Aim Is True

Elvis Costello

3/5

Kind of like Britain’s nerdier, punkier answer to Springsteen. A solid album although nothing here wowed me. Best song: Miracle Man

Lady Soul

Aretha Franklin

4/5

Classics from a master. Best song: (You Make Me Feel Like) A Natural Woman

Junkyard

The Birthday Party

1/5

Well it’s rare that an album sounds this much like its cover art. That’s about all the praise I got.

There's A Riot Goin' On

Sly & The Family Stone

4/5

Very funky and psychedelic with a tripped-out hazy sound, notes and melodies floating over the rock-solid rhythms. A little hard to grasp at times, but I liked it. Best song: Family Affair

Medúlla

Björk

2/5

It’s as if she’s mocking me when she sings “where is the line?” (Excuse me, “whur is dee lay-ay-i-i-ine???”) Well, this is it, Bjork, this is the line. I’ve tolerated and even enjoyed much of your Bjorkness through this project. This is it, I’m tapping out. Concentrations of Bjork this strong could kill weaker men. Perhaps it will enlighten stronger men. It is driving this man away. You’ve Bjorked me out, Bjork. Good work.

Will The Circle Be Unbroken

Nitty Gritty Dirt Band

5/5

There are few genres of music more wrapped up in their own history and tradition than country music, and so there have been many attempts over the years to rediscover or revive the roots of the form. None have ever been more successful than this album, which assembles an all-star cast from country and bluegrass’s early days. Performing almost entirely covers and traditional folk songs, the album sways between instrumental virtuosity and simple balladry with equal acumen. It’s also extremely long, traditional to a purist level, and not really an album in the normal sense. But that’s all fine with me. Some may complain about the studio chatter that bookends songs, but that’s part of the entire point, documenting the voices of these old legends before they pass away or retire. This ain’t for everybody. For my money, it’s an essential recording, a humble yet epic tribute to country’s origins. And it was all pulled off by a band of west coast hippies? Hoo-wee. Music truly forms a new circle.

La Revancha Del Tango

Gotan Project

3/5

A solid album mixing tango sounds with modern electronic production, though I had a hard time appreciating it beyond the point of good background music.

Mask

Bauhaus

2/5

I sure hope this spoke to somebody out there cuz it didn’t speak to me.

Different Class

Pulp

3/5

This album has a strong sound and an all-time classic song (Common People), but there’s also something about it that kinda makes my skin crawl. Jarvis Cocker has a weird anti-charisma going on.

Meat Puppets II

Meat Puppets

3/5

Cowpunk has never made much sense to me as a genre, and I don’t think it makes any more sense after listening to this. Still, it was a decent album that I enjoyed some of the pieces and components of, particularly with the instrumentals. Best song: The Whistling Song

The Message

Grandmaster Flash & The Furious Five

2/5

Obviously important historically, and the title song is pretty impressive for its commentary and the foundation it lays for the genre. Still, it’s a very dated album. Some might describe the primitive techno song or the generic schmaltzy soul ballad as showing the album’s variety, but they added zilch for me. I wouldn’t listen to this again.

Hunky Dory

David Bowie

4/5

Kind of like a cross between early 70s rock and show tunes. I do not like show tunes, but Bowie sells it pretty effectively. It deserves its status as his first classic album, though I think it’s just a taste of things to come. Best song: Oh! You Pretty Things

Treasure

Cocteau Twins

3/5

An atmospheric and unique album with a good mix of melody and experimentation. Probably too weird for me to really be into it, especially with the nonsense vocals, but well-thought and well-executed.

Moby Grape

3/5

A prototypical Summer of Love album. Great harmonies and vibes, though none of the songs really struck me.

Bongo Rock

Incredible Bongo Band

3/5

I was told there would be bongos. I was not disappointed.

Underwater Moonlight

The Soft Boys

4/5

A great album, mixing sunny 60s harmonies and jangly guitars with surreal lyrics and post-punk darkness. Reading that this influenced REM and the Stone Roses makes a lot of sense. Best song: Tonight

High Violet

The National

3/5

A quirky one. Kind of dark and withdrawn but with a “lighter” sound, like a less claustrophobic Joy Division. A lot of the songs feel like endless buildup with that humming guitar/piano/string drone that seems to be present in every song. I didn’t love it, but it’s worth more attention. Best song: Vanderlyle Crybaby Geeks

Violent Femmes

3/5

What a strange little album. Sounds like someone formed a punk rock band with old acoustic instruments lying around grandma’s house. I ping-ponged between liking and hating it. I think it’s worth hearing at the end of the day.

Sweet Dreams (Are Made Of This)

Eurythmics

2/5

A very dull and bare-bones synthpop album. The title track is pretty good, but one of my hotter takes is that the Marilyn Manson version is better anyway.

Fishscale

Ghostface Killah

3/5

The sound is too big and in-your-face, it’s too long, and the skits are pretty much all wastes of time. The fact that this still kinda rips despite all that is impressive. Best song: Back Like That

Vento De Maio

Elis Regina

4/5

I’m not confident I listened to the right album, but what I heard was very bright and fun. Brazilian music keeps hitting time after time.

Atomizer

Big Black

2/5

It’s hard for me to actually like an album that’s this vicious and nasty, but they sure can force some interesting noises out of their guitars. Best song: Kerosene

Among The Living

Anthrax

3/5

Not memorable enough to stick much for me (save maybe for the goofy and glorious Judge Dredd tribute), but still a worthy entry in the 80s thrash canon. This is around the heaviness threshold where I can still enjoy metal.

Broken English

Marianne Faithfull

3/5

A bitter album with a chilly, dark atmosphere. I don’t intend to revisit it, but very much worth hearing.

Ready To Die

The Notorious B.I.G.

4/5

A core gangsta rap album, approaching the very id of the genre. Full of bragadocious boasting, luxurious boom-bap beats, and portraits of crime, sex, and drugs which oscillate between caricature and autobiography. Behind it all, though, is Biggie’s stark fear of his own mortality—it’s right there in the title, and made clear as can be on the final track. So this album really captures the tension of this entire genre, glorifying a life of crime in the same breath as it despairs over it. This is how it fulfills multiple purposes, providing escapism for the white kids in the suburbs as well as chilly reality for the adults in the slums. And, of course, the album works because Biggie is an all-time great rapper. His flow never cracks. An important album which will live for a long time, though it is dated (and occasionally cringe-worthy) enough that I wouldn’t call it one of my favorites. Best song: Juicy

Non-Stop Erotic Cabaret

Soft Cell

1/5

They don’t really expect me to listen to a song called “Sex Dwarf,” do they? Oh they sure do. And it’s 5 minutes long.

G. Love And Special Sauce

G. Love & Special Sauce

2/5

Not really bad, but very boring and occasionally annoying. Like a white guy pulled out a guitar and said hey guys, mind if I get a little funky, uh huh huh.

Scissor Sisters

3/5

A fun and catchy pop rock album, if a little insubstantial. Could definitely see how this was a breath of fresh air at the time.

Crossing the Red Sea With the Adverts

The Adverts

3/5

A solid punk album, loud, angry, and vaguely catchy.

This Is Hardcore

Pulp

3/5

Bigger, heavier, and more dramatic than Different Class. I like this album a little more, probably because it dispenses with the twee fake optimism and embraces the misery at the core of this band’s music. I respect its honesty, and the songcraft, but something this grim and sleazy isn’t really for me.

Pearl

Janis Joplin

3/5

A titanic voice that will be remembered. I’m not really into the arrangements of Joplin’s songs—very white-blues isn’t-this-groovy stuff that sounds really muddy. Still, her talent is enough to elevate this. Best song: Cry Baby

Blunderbuss

Jack White

3/5

A very decent album, although kind of a disappointing one relative to White’s best. Rock musicians tend to peak at a lower level of maturity and then become progressively less interesting the further they mature, and unfortunately I think this is true of Jack. Best song: Freedom at 21

Neon Bible

Arcade Fire

3/5

It’s hard to imagine a band more intensely millennial than Arcade Fire. They may not have been a “stomp-clap-hey” band themselves, but they are the intellectual godfathers of that sound. In stark contrast to the dark, grungy, cynical rock bands of the 90s, they made it cool to be big, bright, theatrical, and hopelessly sincere. You listen to these people and you just know they love to talk about their heckin’ doggos and how they just can’t even. But of course, most of this highly-online mumbo jumbo is irrelevant, and it was completely irrelevant in 2007. Back then these guys were legitimately new and fresh, an innovative band with sharp songwriting and a big indie rock sound that didn’t rely on the guitar. Do I go for it? Not really, but I can see why a lot of people did. Arcade Fire exemplifies an era of youthful optimism and artistry that now feels incredibly naive. But at their best, they make you believe in it.

Moss Side Story

Barry Adamson

2/5

It might be cool as a movie soundtrack but man, I just don’t really care?

Liquid Swords

GZA

4/5

The other Wu-Tang solo albums I’ve heard have forgotten a very important element of their sound. You can’t only have drugs and murder; you ALSO need wacky references to kung fu movies, sci-fi, and philosophy. GZA, genius that he is, understands this well.

Never Mind The Bollocks, Here’s The Sex Pistols

Sex Pistols

4/5

While the Ramones will always be my favorite punk rock band, I think the Sex Pistols are much closer to the core identity of the genre. They embody its simple sound, its rebellious spirit, its revolutionary but incoherent politics (as indeed, it’s hard to parse what the Pistols actually believe in beyond hatred of the powers that be), and its spiky-haired torn-clothes safety-pinned image. Image was very important to the punks, maybe more than the way the music actually sounded. Of course, this album survives because the music does sound great: raw, nasty, immediate, and furious. The Pistols could have been an actual rock band on the level of the Clash had they survived, but that was probably impossible. They were more of a moment in time than a band, scrapped together by a scheming manager to capitalize on the ascendant punk movement. Their immortal status in rock history is a statement to their talent (save for Sid Vicious, who was just there to look the part), but also to sheer luck and circumstance. I find them really fascinating even if I wouldn’t call this one of my all-time favorite albums. Best song: Pretty Vacant

Dummy

Portishead

3/5

Chill, moody, polished music with some dark depths. Worth re-listening.

Hysteria

Def Leppard

2/5

I acknowledge that this is legendary, titanic, chart-topping, baby-making butt rock. It is butt rock nonetheless.

Timeless

Goldie

2/5

There were drums. There was bass. It was not timeless.

The Hangman's Beautiful Daughter

The Incredible String Band

3/5

What a bizarre album. I kinda respect its sheer wackiness and its variety of instrumentation, and the melodies aren’t bad either. Definitely not for everyone, though.

Joan Baez

4/5

A legendary voice singing traditional songs. Too stark and spare for some I’m sure, but great to me.

Talking Timbuktu

Ali Farka Touré

3/5

One of those albums I respect more on paper than in practice. Definitely glad I heard it, at least. Also, “Ry Cooder” sounds like the name of a lost Looney Tunes character.

Searching For The Young Soul Rebels

Dexys Midnight Runners

3/5

I liked this OK, though I prefer whatever their sound is on Come On Eileen. The singer is a little much, and the soul instrumentals try a little too hard.

New Boots And Panties

Ian Dury

1/5

Hahahaha British people can’t be serious

Band On The Run

Paul McCartney and Wings

5/5

Quintessential Paul. How can I not love it? Has a case as the best solo Beatle album.

Only Built 4 Cuban Linx

Raekwon

3/5

A giant, ambitious, in-your-face gangsta rap album. A little too long and a little too repetitive, but I like the samples, beats, and performances.

I’m a Lonesome Fugitive

Merle Haggard

4/5

Classic Haggard. I really like that lean, hardy Bakersfield sound on this album, even though only a few of the songs are all too memorable. Best song: Life in Prison

Our Aim Is To Satisfy

Red Snapper

2/5

It was fine I guess. Got annoying in places. It’s hard for me to “get” electronic music sometimes.

Take Me Apart

Kelela

2/5

It’s rare that I criticize an album for this, but I think the sound here is too minimal. When your backing track is just a basic synth loop and generic rhythm, you need more than what’s here to stick out. Her voice, the melodies, and the atmosphere are all very competent, but none of it wows you.

Slayed?

Slade

2/5

These guys look and sound like four cavemen that stumbled out of the ruins of Stonehenge and decide to mayk sum rokk n role, baybee. On a different day, maybe I would view this as a positive. Not today.

Chicago Transit Authority

Chicago

4/5

Previously I thought of Chicago as the lamest of all the dad rock bands. I must correct my opinion. That was pretty damn good.

Live At The Star Club, Hamburg

Jerry Lee Lewis

4/5

OK yes he married a child but have you heard him play Long Tall Sally

The Specials

2/5

I’m not really a ska hater, and I can understand how this was impactful in its time, but man I was not into this. Mostly sounded like cartoon music.

Here's Little Richard

Little Richard

4/5

“The stem cells of rock ‘n’ roll” is a great way to describe this album. My second album in 3 days with Long Tall Sally on it and I ain’t sick of it.

Unhalfbricking

Fairport Convention

3/5

A very solid if unexceptional folk rock album. I think I liked it a little more than Liege and Lief.

Nothing's Shocking

Jane's Addiction

2/5

I’m not very impressed. None of the songs stand out a lot and the few that do are kind of ruined by the singer.

Reign In Blood

Slayer

2/5

There are cool parts of this here and there instrumentally, but man I have never heard such a silly album take itself so seriously. Sure dude, hail Satan or whatever.

Armed Forces

Elvis Costello & The Attractions

4/5

I don’t necessarily feel good about thinking this is very good, or that the song with the slur in it is the best one, but damn it I can’t lie to myself. Maybe you deserved a *few* albums on this list Mr. Costello, but the verdict is still out. Best song: Oliver’s Army

Felt Mountain

Goldfrapp

2/5

That did very little for me. Nice atmosphere, I guess, sometimes.

#1 Record

Big Star

4/5

A little hard to grasp at times, but a strong album with great melodies and harmonies. I get the hype now, more or less.

Iron Maiden

4/5

Oh hell yeah. Could be a 5 honestly. Best song: Phantom of the Opera

Daydream Nation

Sonic Youth

3/5

Sonic Youth will never be a band I truly like, but I acknowledge this as their best and most complete album. They are talented, just too edgy and vague for me. Best song: Teen Age Riot

Peace Sells...But Who's Buying

Megadeth

4/5

I have a tenuous relationship with heavy metal. Sometimes I think it’s awesome, sometimes I think it’s turgid. Megadeth is straddling that line, but somehow they end up on the awesome side of it. Their music is dumb as hell, and on some level they seem to know it, but on a technical level they are masters of the craft. You’ve got to be in the right mood, but if you are, this kicks ass.

Like Water For Chocolate

Common

3/5

“The world’s oldest proFESSION… whole thing is like a LESSON… ain’t no second GUESSIN…” Cmon dude be serious

Lust For Life

Iggy Pop

4/5

A weird and intriguing rock album. It has a very simple and straight-ahead sound in many ways, but it also has a very shady and detached tone that colors everything in a whole different vibe. Accessible, but with plenty of layers. I liked it.

Calenture

The Triffids

2/5

Sounds like a bunch of mid-tier 90s Irish Eurovision entries.

Stripped

Christina Aguilera

2/5

There’s nothing all that wrong with this album, but it’s really dated, it’s really long, and I really don’t care.

Young Americans

David Bowie

3/5

Not Bowie’s strongest, but an interesting pivot out of his glam rock years. “Plastic soul” is a pretty accurate (if not entirely positive) descriptor.

Maxwell's Urban Hang Suite

Maxwell

4/5

Damn that’s smooth. Some great instrumental work here.

Endtroducing.....

DJ Shadow

3/5

Very interesting from a craft perspective, though I can’t say the music itself does a ton for me. Still, I understand its accolades and would be willing to listen again.

The Dark Side Of The Moon

Pink Floyd

4/5

I tried listening to this for the first time several years ago and wasn’t all that impressed. While I can get annoyed with people who dismiss or down on the Beatles, I do understand the impulse to resist whatever past generations have slobbered over, because I sort of gave up near the end, decided this album was overrated, and left it alone. I was wrong. This is damn good and certainly a statement recording. I don’t know if I quite think of it as some eternal masterpiece, but it deserves its flowers as an all-time great. Will return.

Connected

Stereo MC's

2/5

A very corny and empty album. Not really terrible but completely asinine.

Cut

The Slits

3/5

An exceptionally weird and fun album. No they can’t really sing, but who cares?

Songs The Lord Taught Us

The Cramps

2/5

Repetitive. Loud and muddy, yet also weirdly thin and hollow-sounding. Not a big fan.

Elvis Presley

3/5

It’s Elvis. It’s dated, and it’s not his best material, but at least it’s pretty fun.

Yank Crime

Drive Like Jehu

4/5

Angular, insular, and mostly instrumental. An introspective take on hardcore, full of unique rhythms and riffs. I really dug it, it’s encouraging me to check out more math rock.

The Renaissance

Q-Tip

3/5

A solid 2000s rap album, though it’s kinda odd to hear this poppier/funkier sound being rapped over by the Tribe Called Quest guy.

The Stooges

3/5

These young men are going absolutely nowhere in life huh?

The Infotainment Scan

The Fall

2/5

Kinda sounds like a digital bridge between the 80s and 90s. That doesn’t make it good. Really repetitive and boring.

Fever Ray

3/5

Eerie, icy, and rich. I don’t know if I liked it but I can certainly appreciate it.

Elastica

3/5

A decent rock album. The songs do blur together a little, but the guitars sound good and it doesn’t waste your time.

Aja

Steely Dan

3/5

Very slick and well-produced. I enjoy the jazz elements, but the album’s still a little boring. It’s not commercial slop, but it’s lacking the edge of their first couple albums.

Imperial Bedroom

Elvis Costello & The Attractions

3/5

Weirder and more ambitious than his past albums. I don’t know if his voice or vibe suits this sound all that well. Some good stuff here for sure, but it’s all a little off and none of the songs wow me.

Gunfighter Ballads And Trail Songs

Marty Robbins

5/5

Can’t believe that went as hard as it did. Yeehaw baby.

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