Good good
This album has been submitted by a user and is not included in any edition of the book.
Boxer is the fourth studio album by American indie rock band the National, released on May 22, 2007, on Beggars Banquet Records. Following its release, the album debuted at number 68 on the U.S. Billboard 200, selling about 9,500 copies in its first week. A documentary film, titled A Skin, A Night, was released the following year. Focusing on the recording process of Boxer, the film was directed by independent filmmaker Vincent Moon, and released in conjunction with a collection of B-sides, demos and live recordings, titled The Virginia EP, on May 20, 2008. Boxer received widespread acclaim from music critics. In the year-end issue of Paste the album was named the best record of 2007. "Mistaken for Strangers" was number 92 on Rolling Stone's list of "The 100 Best Songs of 2007". Popular internet publication Pitchfork ranked the album number 17 in their annual end-of-the-year "Top 50 Albums of 2007" list, as well as on Stylus Magazine's "Top 50 Albums of 2007" list at number 5. Stylus also ranked "Fake Empire" at number 7 on their "Top 50 Songs of 2007" list. Boxer also garnered the top position on WOXY.com's "97 Best of 2007". Boxer has made numerous "albums of the decade" lists including Pitchfork, Aquarium Drunkard, and Paste. In 2019, the album was ranked 68th on The Guardian's 100 Best Albums of the 21st Century list.
Good good
Good stuff, surprised it's not on the original list. 4 stars.
Rating: 8/10 Best songs: Brainy, Squalor Victoria, Ada, Fake empire, Gospel
This was lovely, should have made the original list. Elegant, evocative and highly listenable. Fave Songs: Apartment Story, Slow Show, Guest Room, Mistaken for Strangers, Fake Empire
The National is one of those bands - I never find the music objectionable, all very competent. It's got that Gen-X male roots-adjacent alternative vocal thing which gets old for me and I find works better in a lower-fi, see e.g. Smog. Just fine.
Tired of hearing this band and their most recent LP on indie radio lately – while this LP contains my favorite song of theirs (“Mistaken For Strangers”), it’s still filled mostly with the droll, wandering tracks that the band continually chooses to make instead of the inspired indie rock they’re clearly capable of. Not sure how much Berninger is involved in the instrumental songwriting, but his tendency to mostly talk the lyrics he seems to think are so inspired definitely weighs down most of the band’s compositions.