As someone who is not a fan of country music, this album was enlightening. I always knew Dolly Parton was something special, but this album reinforced that knowledge. She manages to take what I often times feel is a tired and repetitive genre and produced songs that are poignant, sweet, and funny. An absolutely fantastic album.

What an unbelievable energy right from the start and boy does it carry through the album. It's hard to believe this album came out in 1993; it holds up incredibly well. That's due in equal parts to Bjork's voice, the wonderful instrumentals, and the interesting variety between songs.

I really wanted to like this album more, but it was just missing any real musical depth. The instrumentals felt the same from beginning to end, and they weren't memorable enough for that to be a good thing.

It's bad when the first song has me looking at the time left to make sure I don't have to listen to it for too long; "Time Becomes" is a terrible opening song to this album. The repetitive lyric thing gets old real quick, and I was dismayed when it happened again in the second song, which actually had some interesting beats, and the final song. As the album went on, however, I found my attention waning; the songs and the beats just didn't grab me, certainly not enough to enjoy listening for over an hour. Perhaps it's just dated, because I can see why people would have liked it at the time; I just can't get into it now. "Halcyon and On and On" was probably the best song on the album.

I thought for a long time that Tom Waits was not the artist for me and that I would not enjoy any of his works, but that was before I heard this album. Unlike the problems I had with Heartattack and Vine, this album I believe showcases where Waits' voice really shines. Abstract and weird in the best ways, this album was a colossal, strange, wondrous ride through Waits' mind. He doesn't let himself get shoehorned into that deep gravely voice that he is known for, and there are some quieter, smoother songs that showcase a range I didn't know he had. Sometimes you just get some quiet instrumentals or tracks where he just speaks, which is a nice palate cleanser between songs. Overall, an album that shocked me with how great it was.

At points the vocals made me think I was listening to Weird Al. "Gotta Get Away" had serious Nirvana vibes. Overall not a bad variety of songs.

A great first album. Weird but catchy and lively songs. Not too heavy. And there's a reason why Psycho Killer is a hit. Got me to listen to other Talking Heads albums.

Having not heard much from The Who other than Baba O'Riley, this was a nice album that showcased what the band has to offer. Some really good variety of rock. Hard to believe at times that it was a live recording!

Though I'm not a fan of country, there are some nicely subdued tracks on this that make it a decent album.

There's no doubt that it's good, but after a while I felt like I was listening to one big song, there was just no real variety to be seen in the first half. The greatest variety came from songs on the latter half of the album, starting with "Pre-Road Downs." The album feels its strongest when an individual member is showcasing their vocal talents, and not when they are all harmonizing with one another; though perhaps that's just because so many of their songs are harmonies.

A chill, relaxing album with some really catchy songs. Overall, really nice.

I'm not sure what I'm listening to but... I like it? Hard to hear what's being said because the vocals are whispers and the instruments are loud, but still strangely enjoyable.

A solid album. After the first listen, I enjoyed the first song but overall felt the album was unremarkable. Listened to it again on a whim and it really got a lot better. Some nice, unique songs

A good jazz album. It would be great to sleep to if not for the yelling halfway through during "Rumba Mama".

One of the best albums. There's little better than the Beach Boys at their best, and this album is definitely a great one.

An okay album by the kinks.

A great folk rock album that says a lot in a very little amount of time.

A quality hard rock album. Some of ZZ Top's best.

I've tried to listen to this album so many times but never made it through. For the longest time I didn't get the hype. However, after listening to the whole thing there's an undeniable whirlwind energy that carries through the album that makes it excellent.

I really wanted to like this album more, but it was just missing any real musical depth. The instrumentals felt the same from beginning to end, and they weren't memorable enough for that to be a good thing.

A fantastic rap album.

A high quality rap album with great rhymes and beats. The album flows through from beginning to end and it's hard not to bop your head to the beat. I thought I wouldn't like it from the first song/skit, but it drew me in and I enjoyed it until the end.

Another good Fleetwood Mac album, though it's not as fantastic as their previous two, 'Rumors' and 'Fleetwood Mac'. It's not bad, but you can definitely tell that the musical direction has changed.

A decent indie rock album. Slower at some points, which offers a nice break from the rest of the album which plays fast and loud.

A wonderful selection of songs that are carried far by Nelson's voice. Beautifully peaceful, a great listen.

A quality autobiographical rap album. Good rhymes and dope beats throughout.

Some catchy songs but nothing really stands out. Overall it's good, but nothing extraordinary.

I get the point of the talking sections but I feel like they distract from the pretty decent music of the album. Enjoyed the duality of the vocals.

Some serious Bob Dylan vibes, but nothing as impactful as Dylan. A nice listen, but things started to blend together after a while.

A mellow, lovely Grateful Dead album. I'm not always a fan of the Grateful Dead, but I can see myself listening to this again! Especially loved Box of Rain and Friend of the Devil.

I'm not sure why this record is on the list to be honest. It's fine, but that's all it is. Nothing jumped out at me as I listened.

Unfortunately, the sound goes from too soft to hear to blazingly loud at the drop of a hat. The vocals are often too quiet. At times the sound can just be grating on the ears.

A bit dated, but still enjoyable for a listen. Just maybe not a repeat listen.

Having never listened to "Wonderwall" or anything else by Oasis, this was a new experience for me. It was a good album, though I was more wowed by songs like "Don't Look Back in Anger" than by "Wonderwall."

Odd. A weird, kind of magical journey. I can't quite decipher this album, but it does start to leave an impression. Unfortunately, that impression gets soured the longer the album goes on, and the longer the repetitive sections go on.

The vocals felt very monotone and grating throughout. The variety in the instrumentals between songs was nice, I just can't get behind the lead vocalists style.

An album with a catchy beat but really soft vocals for most of the songs. Other than "The Forest", nothing really stands out as spectacular.

Some decent hip-hop. Nothing terrible, nothing that really wowed me.

A nice album that made me wish I could understand the lyrics to fully appreciate it.

Weird, but not bad.

I absolutely can't stand when songs just repeat the same lyric over and over, which is why 'Flight Tonight' really got on my nerves and ruined this listening experience for me. It was grating and obnoxious in the middle of what was otherwise a fine album. Aside from that glaring problem, the album is good background listening, not really something that you need to focus on or pay much attention to.

Not sure what this being live does to make the album better. There's not an extra energy that the lead singer seems to bring; in fact he doesn't really sound excited at all. Apparently, it also isn't even all live, as the sound has been "cleaned up," which I don't understand. Again, what's the point of this being live?

High energy throughout. Nothing to complain about, but nothing that grabbed me and kept me enthralled either.

I get the point and the musicality of the album, but Tom Waits is just not the singer for me, unfortunately.

Quite a surprise of an album. Fully instrumental, I could feel the raw emotion throughout. Will definitely be a repeat listen.

The songs are fun and great head-boppers, but they don't build up to/don't stand up to the highs of the album, which they need to if the album is going to come together as a whole. It sometimes feels like the other songs are just filler for the killer hit of "Sweet Dreams," or the less killer but still really good "Love is a Stranger." That's not to say they're bad, just secondary.

I actually like how the album starts, just listening to the sounds of the city as it slowly moves into a beat. Good transitions between the songs; good background listening music.

An amazing voice and great background vocals that carry an otherwise so-so album. The songs feel a little too similar, but they're not bad.

What an unbelievable energy right from the start and boy does it carry through the album. It's hard to believe this album came out in 1993; it holds up incredibly well. That's due in equal parts to Bjork's voice, the wonderful instrumentals, and the interesting variety between songs.

This album starts out with a bang with "Chocolate Cake;" It's catchy, light, and fun. The album sags a little bit in places but never breaks, carrying that fun and lighthearted tone throughout. The vocals work really well together and the backing instrumentals are different enough between each song that it doesn't ever feel like any two songs blur together. Some of the songs are even beautiful and solemn, like "Four Seasons in One Day," but they don't detract from the positive feeling the album gives you.

One of the greats at his best. A relaxing, rocking joy to listen to.

Initial thoughts: the singer's voice is a little monotone and sometimes too soft, but the subdued instrumental backing carries the vocals through. The lyrics and tone are dark and depressing and sometimes too repetitive but I suppose that's the point. Not the kind of music I enjoy listening to most of the time, but it has its place. It just doesn't feel special in any real way; like there's nothing groundbreaking there.

It's bad when the first song has me looking at the time left to make sure I don't have to listen to it for too long; "Time Becomes" is a terrible opening song to this album. The repetitive lyric thing gets old real quick, and I was dismayed when it happened again in the second song, which actually had some interesting beats, and the final song. As the album went on, however, I found my attention waning; the songs and the beats just didn't grab me, certainly not enough to enjoy listening for over an hour. Perhaps it's just dated, because I can see why people would have liked it at the time; I just can't get into it now. "Halcyon and On and On" was probably the best song on the album.

Repetitive and grating.

I thought for a long time that Tom Waits was not the artist for me and that I would not enjoy any of his works, but that was before I heard this album. Unlike the problems I had with Heartattack and Vine, this album I believe showcases where Waits' voice really shines. Abstract and weird in the best ways, this album was a colossal, strange, wondrous ride through Waits' mind. He doesn't let himself get shoehorned into that deep gravely voice that he is known for, and there are some quieter, smoother songs that showcase a range I didn't know he had. Sometimes you just get some quiet instrumentals or tracks where he just speaks, which is a nice palate cleanser between songs. Overall, an album that shocked me with how great it was.

A wholly interesting album that screams "rock opera." The album is at times catchy (Pinball Wizard), at times disturbing (Fiddle About), but on its whole it was a joy to listen to and a feat for The Who to accomplish. Following Tommy throughout his life, I suppose it would make sense to visit all of the ups and the downs, because that is what makes up all of our lives. Parts of it put me off, but in the end the album won me over.

Bland and not exciting in any way. An underwhelming album about love.

A beautiful jazz album. Relaxing and pleasant. Maybe the best jazz album I've listened to.

Feels very spacey in a good way. Easy to listen to while relaxing or working.

A great hip-hop album. At times the songs feel like they can blend together and that might have to do with the beat, but I have no real complaints about that. Ice Cube has some important things to say, and they're still relevant to this day.

A deep, sometimes hard hitting album. John Grant has a great voice and his lyrics are wonderful.

An interesting psychedelic album. Some fun tracks to listen to but unfortunately some meh ones that just don't really strike a chord as well.

The album starts off incredibly strong with "Thunder Road" and keeps up the energy and strength as it moves, hitting a crescendo with "Born to Run" before coming down to prepare you for the end. I won't claim to know everything that Springsteen is trying to say, but his lyrics speak volumes and his voice just works with the words he sings, kind of like Dylan.

Hit after hit on this album. Sometimes the songs blur together but that's not necessarily a bad thing since it's so high-energy.

It's a catchy album and it starts off that way from the beginning of the first song and continues with hits like "Does Anybody Really Know What Time It Is," and "I'm a Man." A wonderful mixture of rock and jazz with the instrumentals, and the variety of vocals, gives the album a lot of range.

I wasn't sure what to expect going into this album, and the first song caught me a little off guard; louder and more in your face than I was expecting from an album titled "The Lexicon of Love." Overall it wasn't bad, though perhaps a little dated. The instrumentals blend together a bit so it's hard to tell when you're moving from one song to the next. Overall, an enjoyable listen though.

A fantastic hard rock journey. It's easy to see why this album but Pearl Jam on the map. Haven't listened to Even Flow since I played it on Guitar Hero when I was a kid, but the song is still magical.

There's not a lot to say about this album aside from the fact that it's pleasing to the ears. Easy listening with chill instrumentals and soft vocals.

A decent hip-hop album that ultimately doesn't leave you with much that's super memorable. I think it's mostly because the album feels dated, but I can see how it was something special when it came out.

Nice and short, which actually isn't a great thing to say about an album, is it? You should want to listen to more of it when you're done. Unfortunately, Olympia 64 is just mediocre. Brel's voice is nothing to really write home about, and the music just doesn't pop.

Strange and unique, but man was this album full of life and exciting new things. Never having heard Sparks before, this was definitely the hook I needed to check out their other music.

As someone who is not a fan of country music, this album was enlightening. I always knew Dolly Parton was something special, but this album reinforced that knowledge. She manages to take what I often times feel is a tired and repetitive genre and produced songs that are poignant, sweet, and funny. An absolutely fantastic album.

A bit too dark for me in some places. The albums starts off on a high note with 'School's Out', which is a jam, but begins to kind of fall flat as it goes along, with nothing really standing out.

Not all what I was expecting when I started to listen. I was pleasantly surprised by the album. Sone really great Celtic rock.

Before this album, I didn't think of myself as a Prince fan, but I have to admit that every song on this album is a catchy thrill. These might not be the songs he's known for, but that doesn't really matter; the songs come together to make a full and complete experience that will make you want to listen again and again.

I can't think of better words to describe this album than 'calm' and 'comfy'. Joni's voice and instrumentals and lyrics all combine to make this album a joy to listen to. The time flew by, and I can see myself listening to this again when I need something smooth to relax to.

The first song with its slow build gave me a chill up my spine, which is a hell of a way to start an album. Unfortunately, the rest of the album fell short of the expectations it set up in the first song. From then on, the pieces range from bad to mediocre. The songs don't have anything to them that makes them stand out from one another. Disappointing.

This was a really good, calm, and soothing experimental album by the Grizzly Bear. It didn't completely suck me in, but it is something I'll definitely listen to again.

A catchy album. The vocals kind of drifted into the background for me, but the instrumentals were where the whole thing really shined.

This album starts off strong with 'Around the World' and then just keeps it rolling with 'Parallel Universe' and 'Scar Tissue'. It's hard to find a song on this album that isn't a banger; even the softer songs hit hard. This is arguably the Red Hot Chili Peppers at their best.

Not sure what I just listened to, but it wasn't all bad, I guess? I see people comparing it to Bowie and I'm confused because this is nothing like Bowie unless you just think everything weird is 'like Bowie.'

An upbeat, mellow, album that goes down smooth. It feels almost mystic at times. I wasn't sure about the album when it started but by the end I was enraptured. The album made me happy, and I don't know that there's higher praise I can give than that.

A surprisingly enjoyable album to listen to. Mostly calm and melodic, the album doesn't feel samey in any place and the lead vocalist has a great voice.

Alright. Nothing extraordinary. Some of the songs were monotonous which detracted from the experience.

I must not understand this album. The lyrics at times feel nonsensical, Elvis Costello's voice is okay at best but it's hard to even understand him sometimes, like he's putting on a slur for show. The tone of the album goes all over the place and doesn't flow at all. Disappointing.

If I could describe this album in one word it would be: cringey. The vocals aren't great, the lyrics go from awkward to terrible, and the melodies aren't anything to write home about. It's like the group thought they were these tough gangsters but they're just kind of a mess. Overall a really underwhelming album.

At first, I was pretty harsh on this album, but as I listened more, I started to soften to it. The soft reggae rock vibes it puts out are pretty great, and though I initially thought it was just a mediocre voice combined with mediocre lyrics, I found myself being carried away by the melodies. Sometimes it was too heavy, and I think those moments take away from the lighter ones, which really make the album.

Funky. Most every song has a good beat that catches you. The album really shines with 'Groove is in the Heart', and the rest unfortunately suffers a bit because of the strength of the one song. Nothing really has the same complexity and vibrancy as that one song.

'Stay With Me' had me moving, but other than that, the album felt rather bland. Good for some background listening.

A little overproduced in some areas, but Janet has an amazing voice and some poignant lyrics that make this a catchy and enjoyable listen.

I could listen to Bob Marley \"wail\" for days at a time. His voice is just that iconic, and his songs are the right ratio of catchy to saying something. When you're in the mood for reggae, you can't do better than Marley.

The album starts off weak. I don't know why people think that just repeating the same lyrics over and over makes for interesting or fun listening, but it doesn't. Maybe I'm just not in the mood for an electronic dance album, but none of the beats stood out to me in a way that made me excited.

'Take on Me' starts the album off super strong, from the first notes that make you want to bop your head. 'Hunting High and Low' is another really great piece from the album. It seems like the album suffers from the plague of all albums that have a really standout song, and it's that the other songs don't live up to the expectations set by the stellar song. All in all, the album is enjoyable, but the experience doesn't feel like it's complete enough to fully stand out.

I listened to the entire album and realized once I got to the end that I hadn't formed an opinion on it at all. Thinking critically about it, there are some great songs on here that are a joy to listen to, and it starts off great with 'Bodhisattva', but the middling parts of the album are just so middling that they left almost zero long-term impression. Great vocals; they definitely are talented, no question about that. So, in short, good vocals, good instrumentals, low remembrance.

A lot of the songs were hit or miss for me, not really standing out in any special way. There was a lot of muddling together in the songs that appeared in this album. The songs with guests were the strongest. 'Tokyo' had some great instrumentals if not lyrics, which I feel like encapsulates most of the songs on the album. Overall, I'd describe this album as "bizarre but in a kind of good way?"

Hey, one I already own! There's a rockin' start to this album with 'Roadhouse Blues'. The album keeps it up mostly, though it stalls at times when it gets slower and more contemplative. Overall, however, the album comes together as a cohesive vision, which I really appreciate. So many albums feel fragmented and broken apart from song to song, but this one maintains a steadiness throughout that makes it an engaging listen from beginning to end. I also really like that it doesn't linger longer than it needs to. It's a little bit of a shorter album than some of the other's on here, and I can appreciate getting in, making your point, and getting out.

Unoffensive and uninteresting. Decent enough for background listening when your focus is elsewhere, but really it's nothing more special than that.

All I could think while I was listening was wow, what a strong debut album. I feel like the opening lyrics to 'Mother - Sister!' really encapsulates this album in the best way. "Er, what's this thing about? Er, nothing." I feel like the artists didn't worry about hitting you over the head with a message or conforming to what might have been expected from a debut album, they just created a series of rocking songs from start to finish. Some might dismiss it as sounding like drunken rambling at times, but I think that's what makes the album special.

A good metal album that paved the way for better metal, and which has been overshadowed by those better albums, unfortunately.

I've listened to this so many times, it's hard for me to come to it with a fresh, untouched opinion, but I think that this is a masterpiece of an album. Normally I don't like albums that are just instrumental, but Miles Davis et al. really show their mastery of music here. Some of the best jazz out there, no question about it.

Weird, loud, and at times nonsensical, this album was actually a fun, interesting, wild listen! A good album filled with wonderful glam rock that reminds me of David Bowie. I want to listen to more, however, unfortunately it's just missing that little something special to push it up to five stars.

I was worried when I got this album generated for me. I knew the song 'Take Me Out', and it's fantastic, but I was worried that, like with most albums that have a super popular hit, the rest of the songs were going to not stand out in comparison. Nothing ever reaches the high of 'Take Me Out', but there are still a number of fantastic songs that make this album a complete experience, and not something you listen to just to hear the one hit.

Good beats and a strong energy, but that's about all there is to be said. Glad I listened to it, but I probably won't ever listen again.

A powerful, beautiful blend of musical styles. Despite what the lyrics are talking about, which is important and serious stuff, the instrumentals were soothing and just a joy to listen to. The piano work in this is amazing. And damn, 'H2OGate Blues' is such a good, poignant, powerful song.

I wish that I loved this album more than I did. I think I have the capacity to love it, but it just didn't click with me today. It was some great rock, but I either just wasn't in the mood or something was missing and I'm not sure what it was.

Ah, heavy metal. I recently found out that the genre, for some reason, calms my anxiety, so I'd been dabbling in Judas Priest which I've greatly enjoyed. This album is, however, my first time listening to Metallica. The production, the instrumentals and the lyrics, which are sometimes meh in heavy metal, are all top quality. As can be a problem with metal, the later songs did start to feel 'samey' and I found myself losing interest. Solid start and a solid 4 though.

I like prog rock because you never really know what you're going to get, and that was certainly the case with Tarkus. Unfortunately, things were a bit too all over the place and nothing really clicked for me. Some solid sounds, but for me the finish wasn't there.

Some of the things in this album... don't age well. A lot of misogyny, homophobia, etc. Not great, but that's what you get most of the time with gangster rap. But, that being said, this album is an important piece of music history, and a lot of the other themes that run rampant through the album are still important today. If you can get past the problematic parts, the album really has an important message. Unfortunately, I just got tired listening to it after a while.

Some good, ol' fashioned country music. If there's one thing that I've learned from this album generator, it's that I don't hate country music, I hate modern country music. The songs go down smooth and don't overstay their welcome. Hadn't heard of Merle Haggard before, but I'll definitely be listening to him more from here on out.

A sad, soft album. I liked that it never screamed at me about the things it was trying to say, just let the lyrics and his soft-spoken voice do the job. A pleasant listen that I think will grow on me more with age.

I don't know if it's my headphones, but the mixing on this is awful. The instrumentals drown out the vocals entirely. Loud and obnoxious, at times I had to take off my headphones because the sound was just horrible. The droning eventually became too much and I couldn't make it through.

A nice, sweet, romantic album with a medley of musical influences. Hawley's got a great voice and a nice assortment of lyrics that make this a joy of an album to listen to.

Ella's voice is enchanting, and the songs compliment her voice beautifully. This album felt like a comfy dream that I didn't want to wake up from. Will definitely be listening to this album again.

Very fast, very energetic, very mediocre rock. I get that it inspired a lot of other groups, but the album itself just felt bland to me.

Don't know what I was expecting but it wasn't a nearly full instrumental album, but then again, I really know nothing about Frank Zappa. This album has been described as a "movie for your ears," and I get the description after listening. Smooth jazz fusion that tells a fun and engaging story.

An interesting, up and down album for me. Some songs were really great, while others didn't resonate. Maybe it was just how I was feeling when I was listening, but even though I enjoyed the rough gravel of her voice, I couldn't get lost in her songs the way I wanted to.

My first introduction to Radiohead, and I have to say, it sadly didn't leave a lasting impression. Solid rock music, but nothing stand-out for me.

Quite a fun album; Numan makes some good synth-pop. Some of the songs dragged on for too long, such as 'Conversation,' and when the songs drag on for too long you can really feel the repetitiveness of some of the music, which detracts from the experience. Interesting and a great demo for what it spawned, but I don't see myself listening to the album again.

It's an... interesting album I guess? The woman has a good voice, but the guy sounds so full of himself when he's talking that it's almost insufferable. I'm just not sure how to even begin wrapping my head around this album. It's not inherently bad, but I struggle finding points that stand out at all. It ended without me feeling anything at all, which is a bad sign.

This album had me enraptured from the opening minute. Space gospel, space rock, whatever this is, it's great. It's really unlike anything I've heard before, and that uniqueness carries you through the album, making you wish there was more to listen to.

Some decent rock music. Didn't know Neil Young had this phase in his career. I'm not really sure what about this album makes it "one you have to hear before you die." By the end, however, I was kind of waiting for the album to be over. Not Young's best.

An enjoyable album. The main vocalist's voice went from nice to grating depending on the mood I was in, so it's a fine line. Relatively calm and relaxed, overall a nice album.

Not a big Coldplay fan, but the album was okay. Mostly I just have a hard time getting past the lead singer's voice, but it wasn't wholly unpleasant like I was worried it would be. A bit melodramatic and slow, the backing instrumentals are pretty plain. I think I would have cared about that less if the lead vocalist was stronger.

Some lovely, lovely psychedelic rock. This is the album I think of when I think of Cream. It's just a joy to listen to. Calming at some points, rocking at others, Eric Clapton's guitar work is superb. I don't think there's a bad song on this album. The last song, 'Mother's Lament' is a bit weird and dark, but its an... interesting way to end the album? Nevertheless, a fantastic album that I will be listening to again soon.

Not what I expected from Madonna. Not that I was super familiar with her breadth of work, though. This was a chill techno-pop album. It had an interesting blend of influences and I enjoyed the listen. Nothing really super remarkable though that would make me want to listen again though.

Wow, what an introduction to The White Stripes for me. Don't know how I never listened to them sooner, but it feels criminal. The album just made me smile like I haven't smiled at an album for a long time. It was a warm, comfy rock album, and every song managed to hit all the right notes with me. Super impressed and will be checking out more by The White Stripes.

A comfy blanket of an album. It wraps you up and makes you feel at home/loved. Excellent work by Norah Jones. The soft piano on 'Come Away With Me' is enchanting and uplifts her voice and the song so much. 'Painter Song' also stands out as a wonderful song on this album. They're all wonderful!

Just a slog to get through. Repetitive and uninteresting. Really disappointed in this one.

Decent R&B, but nothing that really stood out and screamed "I'm a great album!!" It was just kind of there. I'm not disappointed I listened to it, and I'm not ecstatic I listened to it.

Early, unrefined ska revival. I think that the album is good, but there are better ska albums out there, so I don't know that I'd listen to this one again.

Wow, I'm kind of shocked to say that I've found an album by The Cure that I really like. Music from The Cure was, I thought, not really my thing: too dour and depressing. But apparently I hadn't been listening to the right albums/songs.That's not to say that some of the songs don't make me feel a little down, but it's not a wholly unpleasant experience. The beats and instrumentals are really, really good throughout, and songs like 'Lovesong,' 'Plainsong,' and 'Pictures of You' stand out as exemplary music. Hell, I'm having trouble finding a song on here I don't like. The album, however, does feel a bit front-loaded. It's not that the second half is bad, but it just doesn't stand out as much as the first half.

An amazing voice. Lovely songs. A great album to get lost in or to use as background music.

This is not the Kinks album I was expecting, and indeed it was a nice surprise! This album gets off to a rocking start with 'Victoria' and carries through with an interesting story. Not my favorite Kinks album but an enjoyable listen nonetheless.

Not a lot for me to say about this album. Some good punk rock, but that's about all it was for me.

This was an album that I had to check the Wikipedia for to try and figure out why it was on the list. I just didn't get it at first. However, the longer it went on the more I liked it. 'Hospital' is where it started to turn around for me, and I think the album shines especially bright in its quieter moments. By the end I was actually wanting more, which is a complete 180 from where I was when I started listening.

A comprehensive, intriguing, soulful, masterpiece? I don't know a masterpiece when I hear it but this might be one. It gave me a feeling of awe as I listened, like I was consuming something far bigger than myself. That is thanks in part to the power of his voice and the elegant use of the instruments and backing vocals. Everything feels big and bold. A really wonderful album; give me more Kiwanuka!

I mean, it's Michael Jackson. A really great, funky album that hits the highs of 'Thriller,' but doesn't maintain them as well. The last few songs on this album were just okay and it sort of detracted from the overall experience.

Another record I own! Little Richard's first, and what a first album it is! I don't know if there's a song on here that won't get caught in your brain when you listen to it. I know I had 'Tutti Frutti' going through my head for most of the day. I also appreciate that it's a quick listen and doesn't outstay it's welcome. A really solid, important first album.

Looking at the production of this album, it's amazing. Overall, however, the songs don't stand out a ton to me. I really love the ambient stuff far more than the lyrical pieces, and so that's where I feel the album shines.

I'll admit I was surprised to see this over his album at Folsom Prison, but after listening to it for the first time, I get why it's included (though I hope they're both on this list somewhere). Incredible energy from Cash and the audience alike. Plus, Cash's laid back attitude with regards to people telling him what to do is hilarious. I have massive respect for Cash for his series of prison performances. Just an outstanding, fun album.

Some really good, recognizable cool jazz. Would pop this on to relax.

Some good beats and social commentary, but it just never clicked properly for me. I'm just not a big fan of this kind of hip hop/rap.

A great Santana album. I really appreciate the use of vocals in the album. Without any, it would feel a little dry, but they use just enough to keep things interesting while still letting Carlos Santana's guitar work speak for itself. Some instantly recognizable songs on this album. Would definitely listen again!

This album is just screaming at me for no reason, Jesus. What a God awful beginning song with 'Germfree Adolescence,' but then somehow it gets worse? What is she saying, and why does she have to scream it constantly? Please stop. I like punk but this is ridiculous. The quieter moments where I don't feel like someone has a megaphone to my ear save this from being a 1 star.

5. It's a 5. The album is a 5. Everybody knows it's a 5 even if they're too afraid to give it a 5. I've listened to this album before and I remember when I first saw it in my parent's album collection. I thought it would be okay, I mean it's Stevie Wonder after all, but I never expected (before I listened to it) that it would be so impactful, creative, and masterful. It was album of the year, it's his bestselling album, and it's a 5. 'Love's In Need Of Love Today' as an appetizer, moving into 'Have a Talk With God,' just, how can you listen to those two opening songs and not fall in love with this album. And then it hits you over the head with 'I Wish' and 'Pastime Paradise.' And that's just the first half. Incredible. 5/5. It's just a 5. Get over it.

Kind of creepy with the whispering at some points... but it's not a bad album. Some enjoyable artrock or whatever genre you'd put this in. I never got tired of listening to it, which is more than I can say for some of the albums on here. Dude's got sex on his mind all the time though, and it becomes a little comical by the end of the album.

A great, easy listen by Clapton. Could see myself relaxing on a beach in Florida listening to this. The guitar work, as many others have pointed out, is phenomenal and adds another layer to listening. I actually think the album starts on a lower note with 'Motherless Children,' but picks up dramatically from there. By the third song, 'Willie and the Hand Jive,' I was completely bought in to the album.

Eh. There were times it was okay, and there were times I was wondering what the hell I was listening to. '4 Better of 4 Worse' is complete garbage. Being weird and gross doesn't make for interesting listening. Really wanted this to be over unfortunately.

Some great hip hop. Solid beats and lyrics without the blatant misogyny that has permeated a lot of the other hip hop albums I've been given so far! This is really good to just have on in the background as well. Nothing, unfortunately, that really stood out to me, however.

Kind of a slog. Repetitive and not very interesting, the lyrics are droll. That's unfortunately all I really have to say or even can say about this album.

A pretty decent indie rock album. Chill vibes emanated from the album, and I found myself pretty relaxed listening to it. Where some albums I've gotten recently have been harder rock or more intensive listens, I enjoyed the mellowness of this.

Vocally... wow is this all over the place. I wasn't a fan of the lead singer's voice from the first song, but as the album progressed and he did other, weird things with his voice, I was shocked that my opinion of his singing got worse. Honestly, the backup vocalist who took over in 'All The King's Men' was so much better than the lead. Give me more from him. The lyrics didn't do anything for me. I don't know, were they supposed to evoke any emotion at all? 'Hooting and Howling' was just... bland. I got it. He's hooting and howling. The instrumentals are the only saving grace to this, frankly, mess of an album. Still not enough to save it from a 1 star.

Killer instrumentals on the opening track set the expectations high for this album. Unfortunately, it doesn't fully live up to those expectations. Still an enjoyable listen, just not a stand out hit.

Hmmm... a little weird... Reminds me a little bit of Bjork but without the good instrumentals and special something that Bjork's voice has. Midway through the first song I was already starting to get sick of her voice. Not good. To her credit, she seems to have mostly dropped the weird thing she was doing with her voice after the first song, but it's still just meh. Then the man's voice comes in and I... what's happening? What are these lyrics?

I was really expecting not to like this album but, surprise surprise, it was actually really enjoyable. Brimful of Asha was great of course. Some of it was a bit weird and seemed like filler, and maybe it went on a little too long, but overall an enjoyable listen!

Noisy, not in a bad way, alt rock thats really strong. Much prefer the female vocalists songs to those of the guy's, but that's more my taste in alt rock than a reflection of his singing, which is still pretty good! Give me that slightly disinterested, monotone, yelling female vocal performance, I'm a sucker for it.

Really enjoyed the beats in this album even if I couldnt understand the lyrics. I wasn't sure how to describe the kind of music until I read the Wikipedia and they called it "desert blues," which really fits. Knowing their story makes the music all the more impactful. Great album.

Generally extremely catchy and entertaining. Some of the lyrics may be a bit silly or repetitive, but it really, strangely, doesn't take away from the enjoyment I got from listening to this album. Of course it has the absolute masterpiece of 'Don't You Want Me Baby,' but I think it starts with a sleeper hit with 'The Things That Dreams Are Made Of.' The energy in the song is easy to catch, and it carries through the majority of the album. 'I Am The Law' unfortunately slows things down a bit, but leaving the big hit for the end makes sure you're left on an upbeat, positive note.

Overall it was okay. Kind of weird sometimes, but that's not necessarily a bad thing.

Ah my love/hate relationship with prog rock back at it again. By all measures I should love this album: impressive instrumentals, interesting lyrics and vocals. But then the first song has to be titled "2112: Overture/The Temples of Syrinx/Discovery/Presentation/Oracle/Soliloquy/Grand Finale (Medley)" and I just want to tear my hair out because it just screams excessive and pretentious. I have no clue when these transitions happen in the twenty minute song, nor do I really care. Like I said, the first song is twenty minutes. It's just too weirdly long. I suppose I should just appreciate it the way it is, but it's hard to digest. I like when it gets weird, but it doesn't get weird nearly fast or long enough for my tastes. Despite this all, it's still a good album. As mentioned at the beginning, the vocals are unique and the instrumentals are killer. Love/hate relationship.

Vaguely knew about Peter Tosh, but I had no idea he was a part of the Wailers until I got this album picked for me! Absolutely wonderful Reggae. Calming and catchy, just like it should be, and a nice break from the typical Marley dominated Reggae I'd been listening to. There were only a few places where I felt the album faltered a little, but overall it was a joy to listen to.

'Come on Eileen' is one of my favorite songs, so I was excited to see more from Dexys Midnight Runners on here, because I really wasn't familiar with them other than the album with that one song. Some really enjoyable songs, but also some unenjoyable ones, unfortunately. Love 'Geno' and really disliked 'I'm Just Looking.' Kind of a hit or miss album for me.

A bit repetitive to start out. Luckily that seems to change as the album progresses. Some nice music, but nothing that stands out as "I must listen to this before I die."

I always thought I felt pretty middling about Neil Young. Something about his voice and his songs just never really clicked for me. That being said, this album really blew me away. Maybe his lyrics just hit me in the right way for once; I'm still trying to process it really. What I do know for sure is that this is an album I could listen to again and again. Hard to pick a standout song because I like them all, but I really enjoyed 'Vampire Blues' as well as 'Walk On.' The minimalistic, toned down instrumentals are an interesting choice, but I think they really do a service to the album. A great first half that's bolstered by a strong second half.

Ironic this album should be called 'Entertainment!' because it provided almost no entertainment value whatsoever. Okay, thats a little harsh. Repetitive and grating to start, this album got off on a bad foot, but I think it grew on me over time.

Not usually a fan of electronic music, but man did this hit all the right notes for me. Made me feel like I was floating in space a lot of the time, and the vocals sprinkled here and there did much to break up any monotony there could have been.

A band I'd always meant to listen to more, but never found the time to. The album starts off fire with 'Finest Worksong' and keeps on rocking from there. I think I actually like the other songs on the album more than 'It's the End of the World,' which is still a certified banger.

A wholly okay album. Inoffensive to the ears, there are some moments that stand out, but it never really gets past its 'easy listening' stage.

I'm a sucker for some good non-electronic piano in my music, so the first song pulled me in and set the mood for the album. Soft, gentle, sweet, this was a joy to listen to. Perhaps not something that you have to listen to before you die, but something that you won't regret listening to at least once.

Hell yeah! That angry female grunge/punk rock always gets me. It's a surprise to me how I've missed out on Hole, though, thinking about it, I realize I am familiar with the song 'Celebrity Skin,' but that's been the extent of my exposure. A strong start, with 'Violet' setting high expectations for the album. Love goes from the softer notes to the complete ear-ringing shouting so well.

It's... some kind of hip hop. Unconventional, I'll give it that. It's unashamedly immature. Like, really immature. Maybe if I was younger I would have liked it? But then I wouldn't have been allowed to listen to it, so I'm not sure who the intended audience is. He doesn't have a great voice, but I guess that's not necessary to enjoy, or try to enjoy, this album. It's just that at times he sounds disinterested, which kills any excitement I might have had. Ultimately, I had to sign off early. It just felt like boring, uninterested rambling after a while.

It's sadly pretty boring. Nothing really engaging happened in this album. The lyrics didn't hit me in any real way, the instrumentals were bland, and though it's undeniable that Crosby has a good voice, it doesn't do anything to save me from nearly falling asleep.

A great, laid back listen. Perfect blues to have on while working or reading.

Wow. It's... edgy? I don't know another way to describe this album. From the first song I felt like it was just trying to be crude and weird for the sake of being crude and weird. There just didn't seem to be any point to the lyrics, at least to me. Not my cup of tea at all. But maybe it would have clicked more if I was an angsty teenager when I listened to it for the first time. I really tried to listen to the whole thing, but it just wasn't in the cards for me.

Strong, strong start with the titular song 'Born in the USA,' which is great for reasons that most people unfortunately don't realize. A scathing review of America and its policies, the lyrics hit hard and are where the song really shines. It's the kind of song only Springsteen can sing, and he does it so well. Then the album keeps it going with 'Cover Me:' catchy and high energy. And actually, high energy is what I'd call the majority of this album. It's pretty impressive how he manages to keep the beat and spirit going throughout, even when he gets to a song like 'Downbound Train,' which slows things down a bit. Some songs are just certified hits, like 'Glory Days' and 'Dancing in the Dark.' Ultimately, it's not as fantastic as his 'Born to Run' album, but 'Born in the USA' is still an amazing album that solidifies Springsteen as a lyrical master whose voice is perfect for his words and themes.

Far better than the last Neil Young & Crazy Horse album on here that was a weird grunge experiment. I like how the album comes full circle with its opening and closing songs. A bit weird in some places, but overall enjoyable.

Mediocre metal, and if that's the best I can say about a metal album, that's a bad sign. I honestly forgot I was listening at one point and just let it fade into the background. I really wanted to like it more, but it just wasn't happening.

A not-bad country album. Good background music, but there wasn't anything that made me go "Wow, this is some great country music!" To be fair, it's rare for country to make me say that, but still.

Oh my god. From the first Overture I immediately thought, "This is beautiful." I was worried to have high expectations so early; little did I know that the rest of the album would exceed any expectations I had set up. Janelle Monae has an amazingly beautiful voice, and the album is simply electric. She mixes genres as styles flawlessly intermingle with one another. The energy burns you from the inside and doesn't give you a break. Production is top notch. What is there to criticize about this album? It feels like a real work of art.

My second Byrds album, and I'm already enjoying it a lot more than 'Sweetheart of the Rodeo.' Interesting that they pulled the titular track from Bob Dylan, along with several others. Would have liked to hear more of what they had to say, but Dylan's stuff was great of course. I didn't realize that this album was instrumental in popularizing folk rock, but I can see why. It's really solid.

This is my third Byrds album. It also happens to be the first Byrds album that doesn't rely on any of Bob Dylan's songs. He may not have his songs featured, but the influence is still heavily there, at least early on. Better than 'Sweetheart of the Rodeo,' not as good as 'Mr. Tambourine Man,' 'Fifth Dimension' was an interesting, sometimes psychedelic ride with the Byrds that ultimately didn't really wind up anywhere super noteworthy.

One of Queen's best with a lot of songs that I think should have been bigger hits than they were. The big standouts were 'Brighton Rock,' 'Killer Queen' obviously, and 'Stone Cold Crazy.' Amazing that Queen could put together such an astounding album with great lyrics, vocals, instrumentals, and production and it's not really one of their most talked about.

I know, I know. Another Springsteen album, another 5/5. But this one really deserves it, maybe more so than 'Born in the USA' and 'Born to Run.' It's a little harder to say this one is better than 'Born to Run,' but damn is this album good. 'Darkness on the Edge of Town' just has that Springsteen feel to it. You know it's him and you know how things are going to progress, but not in a bad way. After the success of 'Born to Run,' it feels like Springsteen wanted to put even more of himself into this album, and boy oh boy, does he belt it out when he sings. There's serious weight behind his voice and his words, and you can feel it when he delivers harsh words like "Adam raised a Cain." A fantastic album from start to finish.

Not really very psychedelic if I'm being honest. A little grating on the ears, at times weird and uncomfortable, I'm not sure what this album was going for.

Where heavy metal sometimes falters, in its inevitable sameness that overtakes most albums, Judas Priest I think shines. Every song on this album was a joy to listen to, some obviously more than others like 'Breaking the Law' and 'You Don't Have to Be Old to Be Wise.' Judas Priest just does something for me that other musicians don't. They're strangely calming in their intensity, and British Steel is perhaps the best showcase of what they offer. Fantastic album, fantastic band. 5/5.

Are we just reaching for that 1001 number at this point? Okay, not painful to listen to, which is how I dictate what gets a 1, but not much fun either. It's just mediocre. Mediocre voices, mediocre backing instrumentals, mediocre lyrics. I suppose they all match each other nicely that way. Is this the kind of music you put on for your kid to entertain them? That's what the first song felt like for sure.

Far, far better than their debut album, 'Isn't Anything,' this album solidifies their sound in a wonderful way. I was really put off by getting the other album first, but this one might have turned me around on My Bloody Valentine. dreamy in the best ways, the music made me feel like I was floating in air. The ethereal nature of the songs are just that good.

I was listening to this and thought, "huh, the lead singer is really doing their best Bjork impression." Cue me being surprised to learn that this was the band Bjork was in before she made it big! Listening to Bjork is an experience, and look, realistically not everyone's going to like that experience. I happen to enjoy it a lot. I think her vocals are unique, weird, and strong. So for me this album was totally enjoyable, but I can see why some people are turned off by it.

Hard for me to describe on my own. Luckily Wikipedia has my back! Some really interesting psychedelic funk/New Orleans R&B. Can't say I've ever listened to an album quite like this one, and for that I'm grateful that this came my way. Weird and sometimes creepy to listen to, it was a unique experience that left me smiling.

Okay R&B but not something I'd consider to be one of the greatest 1001 albums of all time. Really wanted this album to be over quicker than it was. Nothing stood out and nothing grabbed my attention. Guy's got a good voice, but sounded bored through most of the songs.

Oh boy. More synth-pop. Mellow, bland, poor lyrics, too-quiet voices. Apt that the first song is titled 'Being Boring.' This just isn't for me. Couldn't make it through a full three songs.

Listened to 'Document' before this one and was really impressed! This album, however, blew me away completely. 'Everybody Hurts,' which I knew of but hadn't really listened to in full before, is a haunting, painful, beautiful song that just completely enraptures you. Add onto that 'Nightswimming,' and you have two really standout ballads that elevate this album to something special. A solid 4/5 that is almost a perfect score. I just felt as though some of the songs didn't click this listen, though that might change as I listen to the album again in the future.

You can't be serious. 2 hours and 19 minutes? I can't actually listen to this album to judge it in its entirety. Maybe if it was a quality album, but just from the time I listened, it felt outdated. Eh. Some of the beats were okay, but man was it repetitive. Good on the people who made it and got a Mercury Prize! But that doesn't necessarily translate to quality listening today. Clearly.

Wow, does this albums start off super strong. 'I Wanna Be Adored,' 'She Bangs the Drums,' and 'Waterfall' are all fantastic songs that set a strong tone for the rest of the album. The other songs don't quite live up to what was set up, but they're still great to have on. This is one of those albums that introduces you to a band and makes you wonder, "How have I never heard of these guys before?" I don't know if the rest of The Stone Roses albums are of the same quality, but I will definitely be listening to more from them in the future.

It's Dylan at maybe his best? At the very least this is up there with the rest of his works as one of the best. The lyrics are pointed and hit, and Bob Dylan's maybe the only person who could sing them and make them work. On top of that, the songs are just plain good. Good melody, good instrumentals, good everything. There's a reason why Dylan is/was as influential as he is/was, and it's on display perfectly with this album.

Beautiful but haunting at times. Don't know how I never heard of Nick Drake before but I'll definitely be giving his other two albums a listen even though I know they'll come up on here sooner or later. His voice is quiet and airy, and a lot of the compositions, though rooted in folk, have a jazzy quality that makes this feel more upbeat than I think it really is. Overall a really wonderful album.

Unoffensive listening. It doesn't really do much for me. Wikipedia calls it soul or R&B, which I can see, but it just feels like pop to me. Nothing really stood out and some of the guitar-work was repetitive and grating on the ears. I wouldn't avoid listening to this album again, but I wouldn't seek it out either.

Amazing songs (NOT written by Elvis) that are sung by an amazing performer. Looking at it strictly from an entertainment and enjoyment perspective, this is a solid 5/5 album. The vocals are just so solid, energetic, and magical. The songs as originally sung by their respective artists are great as well, but Elvis' voice is just something special.

Man, there's just something about this album that made me fall in love with Lou Reed. So many great songs that are just catchy and meaningful and... comforting? His voice sounds totally disassociated from what he's singing, but he makes it work. The instrumentals are nice and varied and used perfectly. Just one of those albums that comes together in its entirety and clicks on every level.

Gave me an experience I wasn't expecting. A little all over the place. The first song is good psychedelic rock, and then it feels like the album shifts. The second song onward are mostly these comfy, soft compositions. This isn't a bad thing, and I enjoyed the style of music played with here. Unfortunately it shifts again with 'Season of the Witch,' which is a good song, but again, it just felt a little all over the place.

Another R.E.M. album, another album that leaves me unimpressed. The music is good, but so far none of R.E.M.'s stuff has left an impression on me, and that's something that I really want my music to do. It doesn't matter if it's weird or pushing the boundaries, but I want it to be unique. Murmur didn't feel like it was pushing any boundaries nor did it feel like it was doing much different from the band's other albums. I know some people have said that it clicks different after numerous listens, but I don't see myself wanting to really go back for another listen.

Loud and weird and unapologetic... but maybe it should apologize. Not terrible, decent rock, but nothing that really stood out. Sometimes the weirdness became too much to deal with and I was just like, 'No thanks.' Definitely not better than School's Out, and that was only a solid 3. I think Alice Cooper just isn't for me. It ends on a solidly terrible note. Thanks, edgelord.

I think I'm either in a bad mood or I'm feeling more critical today, I don't know. Decent enough rock, but man does everything just blend together, which I hate. I want these albums to leave SOME kind of impression, bad or good. It's almost worse when they feel like they lack any personality at all.

Probably the band's best album. It's got most of the band's hits, and they're great, but it also shines with its lesser known songs. The album is just a great listen from start to finish. Debbie Harry has a wonderful range, from a little rasp that shines through when she gets louder to the soft whispers in the quieter moments.

Such a unique voice the lead singer has, and it carries the album along with some great instrumentals. 'Come on Eileen' is obviously the standout hit, but this album is just such a joyous romp from start to finish. Listen to it on a bad day and your mood is sure to improve! The album would have been 4 stars if not for the fantastic 'stick-the-landing' ending that is 'Come on Eileen,' which bumps it up to a 5.

Catchy and cool, but the songs started to blur together as the album went on. Really enjoyable as background music though. 'Wild West End' and 'Sultans of Swing' were standout songs, however.

After getting 'British Steel' by Judas Priest on here, the bar is set pretty high for me when it comes to metal, and unfortunately this just didn't live up to expectations even though it was more metal/rock. It was hard at times to understand what the artists were saying, and at other times it was just... boring, which is a bad thing to say about a metal/rock album. Nothing in this was terrible, but it just didn't stand out as anything special in comparison with better metal bands.

My second Dire Straits album in three days, and I'm left to wonder how in the world I haven't listened to this group before. The guitar work is top notch, the songs are catchy, the vocals are superb, it just all comes together to make a noteworthy and memorable album. Mostly rocking, sometimes jazzy, sometimes soft, the album dips into different genres and tempos with the instrumentals and has a nice variety. The only negative I can come up with is that I hadn't listened to this album sooner!

I've listened to this one before, but I think I forgot just how perfect of an album this is. Everything hits just right, and it honestly feels like Led Zeppelin flexing for 45 minutes straight. They prove with this album that they're masters of the craft of rock, and it's hard to hold a candle to them.

Elton John's second best album behind 'Goodbye Yellow Brick Road,' with many amazing classics like 'Tiny Dancer' and 'Levon.' The lyrics are sometimes weird, but more often are they whimsical and carry you away to some strange place you didn't know you wanted to be in. I could listen to this album many times over before getting tired of it.

Starts off with the lead singer just screaming. What an immediate turnoff. Then it's whispers to screams to whispers to screams... Until the third song, I wasn't sure if they were aware there is a section in the middle of those two extremes where better music tends to be. The album is at its best when it calms down, which isn't nearly often enough.

For someone who isn't a huge fan of punk, I gotta say that these guys know how to make a punk rock album. The songs don't overstay their welcome and things don't blend together like I was worried they would do. Just a great, high-energy time.

Beautiful. Strange. Haunting. A masterpiece. One of those albums that just might change your life. To me, this felt like an amazing dry run for Pink Floyd's next album, 'Wish You Were Here,' which I think is slightly better/tighter. But 'The Dark Side Of The Moon' stands on its own as one of the greatest albums ever made. God, if only other artists could experiment and toy around with sound like Pink Floyd did. One of the best albums you'll ever listen to if you give it a proper chance. What else can I say that hasn't already been said a million times? An album I'll go back to time after time.

Cheerful and upbeat start. Then it's just kind of there. Good music, but nothing that makes me excited, except maybe 'Down,' which had some real life to it. 'Without You' is downbeat but I can definitely see why it was a hit. Also 'Coconut'... okay, maybe there's more to this album than I initially thought.

I mean, it's undeniable he's got a great voice, but there just doesn't seem to be much life to the songs. Dull and kind of uninspired, most of the best songs are the ones from the Great American Songbook. Also, how many times can he sing 'The Girl From Ipanema?' It's a great song (written and first performed by someone else), but I mean come on. Get some variety in there. This album lost the Grammy to 'Sgt. Pepper's Lonely Hearts Club Band,' and rightfully so.

It's hard to say a lot about something that's perfect. It just sits there and overwhelms you with its quality and you can't help but be in awe. Miles Davis is one of those genius creators who's made multiple perfect pieces, this being just one of them. Loved every second of this album.

Wow, I really hated this guy's voice. It just sounded nasally and whiny. The instrumentals and synth were okay, I guess, but they didn't do much of anything to redeem the album. I listened to the whole thing and I hate myself for it.

Hmmm. This album started out not really doing anything for me, but 'Crystal Days' got my attention. I feel like it should have been the beginning of the album; it feels like there's life to the song. A lot of the other songs just feel deadened. They're haunting, but at times there doesn't feel like a point behind them or much emotion. I don't know if I just can't relate to the main singer's voice, or what. It wasn't terrible, but it's not something I would probably seek out again.

Never heard of Aimee Mann before, but wow, the album really sucked me in. Her voice is nice, light, and airy. The songs feel like just the right mix of rock and pop. It might not stand out next to other albums, but it was a really enjoyable listen.

Some decent hip-hop, but man when it gets repetitive it gets REPETITIVE. At times nice to listen to, at times grating, it just felt all over the place quality-wise. And when you hit a song that's bad it really drags on too long and hits you over the head with how bad it is. Not an album I'd go back to again.

Understated is the best word to describe this. I need to listen to this again more carefully and not as background music, because I only just realized halfway through that there's a story to the lyrics. I was expecting typical country nonsense, but I was pleasantly surprised. So far not my favorite Nelson album, but it's still very good.

I normally like unique voices but I just can't get into Patti Smith. My third time listening to this album and it still just feels like loud wailing and wavering from a voice that isn't super great to begin with. I get that a lot of people really love her, but it isn't for me unfortunately.

A wonderful album that started to lose me towards the end. At the front, however, it was a great mix of vocals, instrumentals, and production. Everything felt very understated and it allowed her voice, which is the real selling point of the album, to shine through.

Strange and I suppose unique, this just wasn't for me. I thought it would be a solid 3, but then I got to 'Knight-Errant' and the sound of the song made me realize how much this album put me off. Wish I could have enjoyed this more.

I have to be honest, the album didn't start to capture me until 'Criminal.' It was that song which made me start to appreciate Fiona Apple's voice and lyrics. I'd listened to 'Fetch the Bolt Cutters' once before and didn't really feel much, but this album felt like it had more passion and zest behind it. 'Slow Like Honey' showcased a broader range which I appreciated. 'The First Taste' is mystic and... man I'm starting to feel like I'm listening to a masterpiece honestly. She has such a quiet way with words that shines through on a full listen. I wasn't impressed to start, but Apple not only won me over but completely wowed me by the end.

Drifted into background noise as the album went on. Highs were high but the lows were low. Some really great songs in the mix though. Great voices and instrumentals. My mood might just not have been right in the moment for this to really stand out.

I have yet to listen to a bad David Bowie album; I don't know if one exists. This one is certainly up there with some of the best. I'd heard the eponymous song 'Young Americans' and 'Fame' before and they're just pretty much perfect songs, but the entirety of the album is fantastic R&B/soul from a guy who wasn't, at the time, known for it. Bowie just has the talent to take in a new genre and roll with it, making some of the best music ever. Geez, what I would do to have that kind of talent.

Loud and triumphant, the instrumentals really do a lot of work for what I feel is a mediocre voice and okay lyrics. It just feels like the guy has a generic male singer voice, which is a shame. Everything jumbled together by the second song. Also it just gave off a depressing vibe. Not my cup of tea.

Unfortunately, all this reminds me of are the 'tough' kids in middle school who would just scream out the lyrics to Beastie Boys songs like they were some kind of badass. It wasn't badass, it was cringe. This album isn't badass, it's cringe.