Journey Complete!
Finisher #542 to complete the list
1089
Albums Rated
3.56
Average Rating
100%
Complete
The Stone Roses
The Stone Roses
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2020s
Favorite Decade
Reggae
Favorite Genre
US
Top Origin
Cheerleader
Rater Style ?
254
5-Star Albums
36
1-Star Albums
Taste Analysis
Genre Preferences
Ratings by genre
Origin Preferences
Ratings by country
Rating Style
You Love More Than Most
Albums you rated higher than global average
| Album | You | Global | Diff |
|---|---|---|---|
| Trout Mask Replica | 5 | 2.28 | +2.72 |
| L'Eau Rouge | 5 | 2.32 | +2.68 |
| Rock Bottom | 5 | 2.39 | +2.61 |
| Antichrist Superstar | 5 | 2.48 | +2.52 |
| American Gothic | 5 | 2.49 | +2.51 |
| Moss Side Story | 5 | 2.53 | +2.47 |
| Calenture | 5 | 2.55 | +2.45 |
| Boy In Da Corner | 5 | 2.57 | +2.43 |
| Duck Rock | 5 | 2.66 | +2.34 |
| A Grand Don't Come For Free | 5 | 2.67 | +2.33 |
You Love Less Than Most
Albums you rated lower than global average
| Album | You | Global | Diff |
|---|---|---|---|
| Gorillaz | 1 | 3.53 | -2.53 |
| Rio | 1 | 3.49 | -2.49 |
| Frank | 1 | 3.45 | -2.45 |
| Reggatta De Blanc | 1 | 3.45 | -2.45 |
| Get Behind Me Satan | 1 | 3.42 | -2.42 |
| Green Onions | 1 | 3.4 | -2.4 |
| Risque | 1 | 3.27 | -2.27 |
| Something Else By The Kinks | 1 | 3.24 | -2.24 |
| School's Out | 1 | 3.2 | -2.2 |
| Songs From A Room | 1 | 3.16 | -2.16 |
Artist Analysis
Favorite Artists
Artists with 2+ albums
| Artist | Albums | Average |
|---|---|---|
| Pink Floyd | 4 | 5 |
| Brian Eno | 5 | 4.8 |
| Bruce Springsteen | 5 | 4.6 |
| Jimi Hendrix | 3 | 5 |
| Kate Bush | 3 | 5 |
| Beastie Boys | 3 | 5 |
| Public Enemy | 3 | 5 |
| Stevie Wonder | 4 | 4.5 |
| Miles Davis | 4 | 4.5 |
| Yes | 3 | 4.67 |
| The Beach Boys | 3 | 4.67 |
| Deep Purple | 3 | 4.67 |
| Queen | 3 | 4.67 |
| Arcade Fire | 3 | 4.67 |
| Prince | 3 | 4.67 |
| Roxy Music | 3 | 4.67 |
| Kanye West | 3 | 4.67 |
| Bob Dylan | 7 | 4.14 |
| Kendrick Lamar | 2 | 5 |
| Cocteau Twins | 2 | 5 |
| Todd Rundgren | 2 | 5 |
| Aretha Franklin | 2 | 5 |
| Björk | 4 | 4.25 |
| David Bowie | 9 | 3.89 |
| Radiohead | 6 | 4 |
| The Doors | 3 | 4.33 |
| Bob Marley & The Wailers | 3 | 4.33 |
| Black Sabbath | 3 | 4.33 |
| The Who | 5 | 4 |
| Led Zeppelin | 5 | 4 |
Least Favorite Artists
Artists with 2+ albums
| Artist | Albums | Average |
|---|---|---|
| Lou Reed | 2 | 1.5 |
| The Verve | 2 | 1.5 |
| Kings of Leon | 3 | 2 |
| Steely Dan | 4 | 2.25 |
| Morrissey | 4 | 2.25 |
Controversial Artists
Artists you rate inconsistently
| Artist | Ratings |
|---|---|
| The Kinks | 1, 3, 5, 5 |
| The Fall | 1, 3, 5 |
| Fleetwood Mac | 5, 2 |
| Adele | 2, 5 |
| Dinosaur Jr. | 1, 4 |
5-Star Albums (254)
View Album Wall
Popular Reviews
50 Cent
3/5
3/5. It's pretty obvious how this album got so popular, these are well written pop songs. Sure there is rapping and it is identified as hip hop but there are great choruses and accessible music, while the beats and themes remain heavy, diverse, and rap-oriented. I do acknowledge these are good songs and respect it and I do enjoy most of the songs on here. I may skip the song if I was by myself but wouldn't be upset if it came on the radio or in public. I also think 50 cent is an okay rapper but if he went towards more pop music, I think he's better at that. The album as a whole felt a little too long for the vibe it was going for. There are serious songs on here but it's not really the theme of the album, not that it needs to happen, it just feels conflicted. Best Song: P.I.M.P, In Da Club, If I Can't
Also, as a P.S., shoutout to the reviews being blatantly racist, no matter how many times you say "I'm just speaking the truth." No, you are a bigot, which is the truth. You just created a narrative because you saw someone you didn't like looking at listening to this music and now everyone who listens to this is not a good person to you. If I told you I am the nerdiest person, I play dungeons and dragons, my favorite bands are Rush, Pink Floyd, and the Beach Boys, and I said I enjoyed this album enough to listen to it on loud speakers, would you be able to comprehend that or is that too much for your narrow minds? Re-evaluate what you say before you make yourself look stupid online. Not liking an album because of the artist is one thing but not liking it because of the people who listen to it is deplorable. Do better.
7 likes
David Ackles
5/5
5/5. This is such a unique album, definitely reminds me of the emo folk revival I'm seeing in some newer artists. It is theatrical and over the top sometimes with mundane ideas but because of that, really humanizes those feelings and lets the mind exist in that anxiety. It's definitely not a great one to listen to while sad but it is a beautiful album nonetheless. The instrumentation is wonderful and David's singing/speaking is so full and whole. The last song does take some patience to get through but it was never bad, just longer than I expected. Overall, the album is wonderful (even with the Jesus songs). Best Song: Waiting For The Moving Van, Love's Enough, One Night Stand
5 likes
5/5
5/5. Just unadulterated punk. The guitar playing is sloppy, the singing is chaotic, the rhythm is nonexistent mostly. This is how live albums should be, no filter just raw sound. I love this so much, just blast it at full volume. The lack of clear production works in its favor, so it annoys the people who don't care to listen. Best Song: Kick Out The Jams, Motor City Burning, Ramblin' Rose
5 likes
Turbonegro
5/5
5/5. Now this is the correct combination of heavy rock and punk, or metal and glam. Does not take itself seriously, even funny sometimes to the clear misunderstanding of English curse words. They just thought it was cool and don't care what anyone else thinks, if you liked it or not, doesn't matter. If that ain't punk I don't know what is. The wall of sound and heavy riffs is hard to not dig into to. Glad I can run into an album like this to include in my rotation. No notes, just awesome rock. Best Song: Get It On, The Age of Pampirus, Prince of the Rodeo, Humiliation Street
4 likes
Boston
5/5
5/5. A classic, classic rock album. Every song is just so well written and feels so clean. This is just a perfect album and the first side is one of the best vinyl sides in music history. Just so good.
4 likes
1-Star Albums (36)
All Ratings
The Doors
4/5
4/5. First half is perfect but second half has a lot of filler songs. The End is great but doesn’t make up for the three songs before it that don’t land.
Tricky
3/5
3/5. Good background music. Not the best electronic album I’ve heard. Would rather listen to massive attack.
Love
5/5
5/5. Very unique collection of songs that surprises on each listen. A lost gem of the era.
The Stooges
2/5
2/5. Some good songs but kind of weak compared to Funhouse. Wouldn’t listen again besides 1969 and No Fun.
The Smiths
3/5
3/5. Fairly a good album with some listenable songs. Not my favorite genre but see the appeal.
Beatles
4/5
4/5. Crazy how there are so many hits on this album. It should be a 5/5 but some of the lesser known ones sound too similar that it’s hard to tell them apart. By the end of the album you get the vibe but dang does this album have bangers.
The Who
4/5
4/5. Some songs like song is over and bargain are pretty mid. Every other song is very good.
Linkin Park
3/5
3/5. I can see the influence the band gave to future rock/rap bands but it’s not a genre I enjoy.
Scott Walker
2/5
2/5. Lyrics are quite interesting and unique songwriting, but I would never listen to this album regularly. Makes me feel so out of place. Some songs I might listen to again but never the whole album.
Yes
4/5
4/5. Amazing musicianship but too many filler songs. They were nice interludes but felt unnecessary. Otherwise, all 4 main songs were great.
Grateful Dead
4/5
4/5. A mostly solid album of nice folk rock songs. Songs on here that are going to be on repeat for me. Some songs I will skip every time. Good ones outweigh the bad.
Louis Prima
5/5
5/5. What a fun and musically talented album. Everybody in the band seems to be having fun and each song stands on its own. Louis Prima is such a good frontman.
Leonard Cohen
1/5
1/5. I’m sure these songs would have been more powerful back in the day but I do not want to listen to this more than I have to.
Blue Cheer
2/5
2/5. Fun jams and musicianship but some of the songs are longer than necessary. Summertime blues and second time around are the highlights. The others are okay.
Derek & The Dominos
5/5
5/5. A great collection of songs that I can choose from any and be satisfied. Just great songwriting and musicianship.
Little Simz
4/5
4/5. It’s a pretty well-rounded rap album that doesn’t really have a bad song on it. There are just some songs I’d skip after a few listens.
William Orbit
3/5
3/5. It had a great first half with enjoyable listens however it dragged on at the end. If this album was only 40 minutes long it would be perfect.
Herbie Hancock
4/5
4/5. The last song is not great but every other song really brings it. Super funky and awesome.
Britney Spears
3/5
3/5. Surprisingly more enjoyable than I was expecting. Fell off near the end of the album but overall pretty solid for what it is.
The Replacements
3/5
A mostly great album with some skippable songs. Androgynous is a necessary song for all music lovers. Maybe a few more listens would warrant a higher score but not at the moment.
Talking Heads
5/5
5/5. An awesome album that has back to back bangers. Although not all songs are the best songs in the world, the first half of the album really makes it amazing. The second half is a lot darker but still great.
5/5
5/5. A wild and musically expressive album. There was no filler and each song stands out on its own. The lyrics don’t quite make sense but the voice is beautiful. It feels like I’m listening to a feeling.
Fleetwood Mac
5/5
5/5. As many times as I’ve listened to this album, it still surprises me how catchy and well made these songs are. And knowing the tension between the band members, the songs become that much more powerful.
Beatles
5/5
5/5. What an amazing album. Truly a masterpiece. Not a single bad song, it’s crazy how each one is just followed by another.
John Martyn
3/5
Gil Scott-Heron
4/5
4/5. This is an important album for the Black Experience but there are definitely some misses on the album. I don’t think Gil is a very good singer so extended periods of him just singing is not working for me.
The Go-Betweens
1/5
1/5. Quite a boring album with nothing new to offer within the pop world. Maybe I’m not a love song enjoyer but it was pretty bad.
Bill Evans Trio
2/5
2/5. Great musicianship with bland music. Hard to dig for long periods of time.
Aerosmith
4/5
4/5. A pretty enjoyable album with amazing vocals from Steven Tyler. Some of the songs are cliche but the transitions between songs really makes this album stand out.
Adam & The Ants
3/5
3/5. An fun album of talking heads inspired music. But there are a few quite annoying songs that bring this album down some.
Lenny Kravitz
3/5
A pretty well rounded album of excellent singing and some topical songs. Most are not too crazy though to write home about.
Pixies
2/5
2/5. Doesn’t feel as amazing as I’ve heard it to be. Feels like a group of people who had fun playing but didn’t know how to play their instruments and then started a band. There are some catchy songs but most lean on the side of annoying.
Missy Elliott
5/5
5/5. Every song was enjoyable and fun and the beats were amazing. Some okay songs but no bad ones.
Nas
5/5
5/5. A truly forward-thinking album that is important not only to the rap community but also to America and the world as a whole.
Led Zeppelin
4/5
4/5. Mostly the songs are really good but near the end they start to sound similar and don’t stand out enough. A shorter album would have been better.
The Strokes
4/5
4/5. Just a great pop album. Some skippable songs but last nite and someday are classics. Recommended for all.
Lou Reed
1/5
1/5. Not a very enjoyable album. Boring and uninteresting.
Pet Shop Boys
3/5
3/5. Many of the songs sound the same but they are all fairly enjoyable.
R.E.M.
2/5
2/5. An interesting rock album with some standouts but probably not going to visit much later.
Sparks
3/5
3/5. A pretty unique and enjoyable album. Hard to get into at first but found a few new sounds on relistens.
Aimee Mann
3/5
3/5. It’s an interesting perspective that provides a solid collection of songs to the indie rock scene.
Cat Stevens
3/5
3/5. Some bangers but several songs that fall really flat. Even Wild World is not great despite it being a popular one.
Machito
4/5
4/5. Quite a good collection of big band songs. It’s not perfect but great musicianship and instrumentation all around.
The Everly Brothers
2/5
2/5. I wanted to be excited for this after the first song but there was a lot of empty feeling in this album compared to early Beatles and beach boys. Didn’t have the same passion.
Billy Joel
5/5
5/5. Although the last song isn’t my favorite, every song after another is a classic. I can choose any song and be fine with listening to it.
Earth, Wind & Fire
4/5
4/5. Mostly a perfect album besides some songs that drag on a little too long.
Adele
2/5
2/5. Some good songs but mostly bland pop.
3/5
3/5. The first half of the album are all amazing songs but it significantly drops in quality. If this was a 4 song EP it would be a 5/5.
Manic Street Preachers
3/5
3/5. Pretty good punk album that could be more enjoyable but it may take a few listens. Some songs sound similar.
Joy Division
3/5
3/5. A fairly good album but the singer can be annoying at times. Dig the cool instrumentation though.
Coldplay
2/5
2/5. Some great slow pop songs but otherwise, a boring album. Not much is said despite the epicness it tries to reach.
Sonic Youth
4/5
4/5. A surprisingly enjoyable listen. Some great punk songs and weird instrumentals. Definitely going to spin this one again.
Waylon Jennings
2/5
2/5. Maybe I’m not a country guy but most of these were quite generic. It was not hard to listen to but it if it was any longer it might have been.
The Temptations
4/5
4/5. First half is solid. Second half has some sleepers but overall a great listen.
Frank Sinatra
4/5
4/5. A pretty great collection of songs with it getting a little repetitive near the end. Sinatra has a great way of setting the mood with every song somehow.
The Kinks
1/5
1/5. I can see the songwriting chops but this did not age very well. Not even the hit single off the album is worth listening to. Won’t put on again.
Run-D.M.C.
4/5
4/5. A really fun and jamming album that discusses politics and controversial topics in a unique way. Some songs do not hit at all but I found myself into it for most of the way through.
Stevie Wonder
5/5
5/5. Hard to not like this album. A perfect one front to back. No other notes needed.
Country Joe & The Fish
3/5
3/5. A fun political album, with some jamming vibes. I can tell they are having fun but not necessarily great musicianship.
R.E.M.
4/5
4/5. Not all songs are perfect but there are some bonafide classics like everything hurts, nightswimming, and man on the moon. Less songs would make this a perfect album.
U2
4/5
4/5. As much as I respect this album, it’s not something I would listen to on repeat. Great songs, but the general vibe is not for me.
The Beach Boys
5/5
5/5. There are just a few songs that prevent the 5/5 score but it is so close that I thought I’d give it anyway. 4.8/5 to be exact.
Portishead
4/5
4/5. A great collection of tracks but some sound too similar to feel like they stand out.
Nick Drake
4/5
4/5. Sad and lovely music that really pulls at the heart strings.
Iggy Pop
5/5
5/5. Not a bad song on this. At least on first listen. Might go down later but it was really good.
Dinosaur Jr.
1/5
1/5. Not the vibe at all. Nothing stood out and it all sounds like a hot mess. I’ll try it once more at a later time but just no good at all.
Isaac Hayes
2/5
2/5. Some great instrumentals but mostly very similar styles without much diversity among them. The opening track is great but I would rather just watch the movie.
Steely Dan
2/5
2/5. It’s a technically good album but it feels like a group of people who just found out that jazz was a genre and made a whole album to try it out. I don’t feel the passion in it.
Pixies
4/5
4/5. So much better than Doolittle. This actually feels like punk.
Nick Cave & The Bad Seeds
3/5
3/5. This is a very beautiful album but I feel like I need to be in the mood for it. The lyrics are amazing but it does feel like spoken word poetry with some backing tracks.
Gary Numan
4/5
4/5. A fairly enjoyable album with a few duds but mostly the aesthetic makes up for it.
Dusty Springfield
4/5
4/5. The passion and uniqueness of her voice really elevates this album. She is just mesmerizing to listen to. The only downside is the fact they are covers.
TLC
4/5
4/5. Honestly not a bad song on here but some okay songs that could be removed for a nice tight album.
George Jones
3/5
3/5. Honestly a surprise of how good this was. The latter half of the album is not as good but still an enjoyable listen.
The Cure
2/5
2/5. Not bad but not quite good either. It feels too epic for themes that don’t feel very epic. Every song feels like the end of the world.
Sonic Youth
2/5
2/5. Feels like a mix of punk and experimental which doesn’t sit quite right.
The United States Of America
3/5
3/5. A fun collection of psychedelic songs with unique instrumentation but nothing to write home about.
Miles Davis
4/5
4/5. An essential in jazz listening but sometimes you’re not always in the mood for jazz.
John Lee Hooker
3/5
3/5. A good blues album but feels a little long. All the guest appearances were great but it maybe should have ended there.
Deep Purple
4/5
4/5. A fantastic collection of heavy rock songs. There are some skippable songs on here but truly an awesome album.
3/5
3/5. Saw a description of this album that was “jazz in the form of hardcore-punk” and that is the most accurate one I could find. It’s honesty fairly enjoyable and interesting but not a repeatable listen without feeing like your head is gonna explode.
Milton Nascimento
2/5
2/5. The language barrier is the biggest obstacle but it feels too dreamy to feel invested. I can tell there are repetitive lyrics but not in a good way.
Stevie Wonder
3/5
3/5. Many great songs but they don’t flow very well. Feels like many b-sides to other singles.
Jurassic 5
3/5
3/5. Not many bad songs but maybe a few filler. Overall a pretty well rounded album.
Van Halen
3/5
3/5. Some classics but overall too short and even the other songs somehow still feel like filler.
Muddy Waters
3/5
3/5. A good collection of blues songs but a little short to feel like an album. And because of that, the okay songs feel too long.
Rahul Dev Burman
3/5
3/5. A fairly enjoyable soundtrack with fun instrumentation. The hits are the vocal tracks though.
Various Artists
4/5
4/5. Not a huge Christmas person but these songs slap. The instrumentals are what really bring this home, with driving guitar and drums. The singers are great too, all providing their own styles.
James Brown
4/5
4/5. A pretty loud and fun live album but the first half feels unfinished. Second half is basically perfect. Just 4 long songs would make this a banger.
Sisters Of Mercy
3/5
3/5. I heard the first few notes and thought I wasn’t going to like it but it has definitely grown on me. It does get a little old later in the album but at least three of the songs are very fun.
The Mars Volta
3/5
3/5. A good prog metal album but doesn’t hold up all the way throughout. And prog can definitely drag if it isn’t great from front to back.
The Jon Spencer Blues Explosion
1/5
1/5. Definitely not blues and not really that interesting either. Kind of hard to even listen to with some songs.
Arctic Monkeys
5/5
5/5. Not quite rock, not quite punk, a bit of both. Every song slaps and any one could be randomly put on and it’d be awesome.
The Who
4/5
4/5. I love the energy but it doesn’t go hard enough honestly. Feels light hearted at times and I get distracted during songs. Musicianship is great but there is a sense of light heartedness that takes away from the energy of the album.
Tori Amos
4/5
4/5. Honestly a great collection of soft pop songs. Each one filled with great vocals and lyrics. A moving album for a debut.
Buena Vista Social Club
3/5
3/5. First half of the album is great but the second half drags on a little too long. Plus I guess I’m not much of a Cuban music listener.
Mercury Rev
3/5
3/5. Sounds a little like too many other songs. Like almost similar note patterns. Some fun and unique instrumentation keeps this from being a bad album.
Joni Mitchell
3/5
3/5. Unique enough to stand out but the middle of the album does not stand out enough. It picks up near the end and it’s not bad, just not a repeat listen.
Fiona Apple
3/5
3/5. Feels bigger than it should be. What I mean is, it was okay but it takes itself too seriously. None of the songs really mean much but they sound nice.
The Lemonheads
2/5
2/5. Not a lot of memorable songs and the Mrs. Robinson track wasn’t even on the office track listing. It’s not unlistenable just not important.
X-Ray Spex
3/5
3/5. A fun collection of punk pop but a little repetitive and the vocals are unintelligible at best. Catchy though.
Duran Duran
1/5
1/5. I mean, this is doesn’t feel new age or disco, just a bad mix of both. Even the single is hard to swallow. Just feels empty.
Jethro Tull
4/5
4/5. An awesome album with very intelligent lyrics about life, homelessness, religion, and purpose through a dirty lens of progressive rock. Some misses but mostly great stuff.
New Order
3/5
3/5. A fun pop album but nothing standing out as amazing. May have to listen again for better rating.
Laibach
2/5
2/5. A very interesting album. It’s not bad but it’s not unique enough to listen to again. The only that feels different is the German language. Don’t have too many feelings for this one.
Shivkumar Sharma
4/5
4/5. Honestly a very relaxing and peaceful album. I don’t have any complaints really besides you may need to be in the mood for it and if you’re not it can be hard to get into.
Oasis
3/5
3/5. A fairly good rock album but some songs do not hit. They seem like pop songs forced onto rock songs.
Neil Young & Crazy Horse
3/5
3/5. A call back to awesome jamming songs. It’s a little long to be a 4 but it definitely is a good time. An album to play really loud for sure.
Big Brother & The Holding Company
3/5
3/5. A pretty good blues psych album. Janis really stands as the key component here but despite the uniqueness there, there are only a few that are good. But those ones are really good.
Amy Winehouse
3/5
3/5. Some great vocals but not too many great songs. About two or three classics mixed with okay stuff.
The Charlatans
2/5
2/5. Nothing super interesting to take with me. Feels like they should sound from the 70s but they’re from the 90s and that’s not a compliment.
FKA twigs
2/5
2/5. A unique voice mixed with good beats should yield good results but the songs just come out boring and uninspired most of the time. I can listen to it, I just would rather listen to something else.
Jimmy Smith
3/5
3/5. A fun jazz album that makes it stand out with the organ. Pretty good background music.
Badly Drawn Boy
4/5
4/5. Honestly a pretty wholesome collection of songs. Sounds like pastoral fantasy put into song. Whisky and free.
Youssou N'Dour
3/5
3/5. The vocals the main driving force here but the instrumentation still goes hard. Fun and energetic vibes.
Don McLean
2/5
2/5. American Pie the song is great and there are some other good ones here but they do just feel like covers of better singers and writers. It’s okay to listen to but don’t think I’ll be returning.
Taylor Swift
4/5
4/5. It’s almost perfect but a few songs do feel a little lackluster. All the other songs are straight bangers though.
Thin Lizzy
5/5
5/5. What a fun and energetic live album. Never a huge fan of thin lizzy but this just covers all the bases for a live album and is just greatest hits but better.
Drive Like Jehu
2/5
2/5. It’s an okay punk album. Some good guitar work but not super engaging. The long songs do drag on and the short ones don’t feel distinct enough.
Hugh Masekela
3/5
3/5. A fairly good jazz album. Some songs slap including the first one. Some are okay. Decent overall.
The Byrds
3/5
3/5. An okay pop rock psyche album. Some songs seem pretty evolved while others are trying way too hard to be psychedelic.
Booker T. & The MG's
1/5
1/5. At best, it is good elevator music. I understand it didn’t have a lot of competition in 1962 and sure felt ahead of it’s time but at the moment it just feels dated.
The Blue Nile
2/5
2/5. The heavy bass and orchestral instrumentation on several songs really are good but I’m pretty sure he talks about being in love with me for at least half of the songs. Just not interesting enough later on to keep me invested.
Pulp
3/5
3/5. A pretty good album with not bad songs but not amazing songs. Don’t mind if this was on, unique songwriting keeps it interesting.
Queen Latifah
4/5
4/5. A fun and energetic rap album from a creative artist. Crazy that she’s 18 years old here. Some misses but gosh darn are there some bangers on here.
The Sabres Of Paradise
2/5
2/5. An interesting electronic album that feels a little too long for its own good. Some okay songs but nothing too lasting. Not bad background music though.
The Velvet Underground
5/5
5/5. It’s hard not to praise this album for its originality and creativeness. Each song is great, although not all accessible at first. Anyone can find a different favorite song here.
Radiohead
2/5
2/5. Wish I could be into this one but it drags on too long without going anywhere. Some good songs but feels quite bloated at times.
Everything But The Girl
4/5
4/5. Honestly a pretty solid pop electronic house album. No Portishead or daft punk, but a nice in between. Great background music but in a good way.
Deep Purple
5/5
5/5. The best live album I know. Every song is enhanced live and the solos and instrumental work is so much better than studio. Truly amazing.
Charles Mingus
5/5
5/5. Honestly an amazing jazz album. It feels so innovative and amazing. Although I may not play it all the time, it just feels so necessary and unique.
Kraftwerk
3/5
3/5. First half of the album is really great and the true highlight of the album. The other songs are good but feel more like experiments of sound instead of songs. I get ambience but not quite the same here.
The Black Crowes
3/5
3/5. An upbeat rock album with some blues involved. The best songs are the only good songs. Other songs are kind of skippable but still enjoyable.
Fairport Convention
3/5
3/5. A very interesting and engaging folk album. Hard to break away from for several songs but others can definitely be skipped.
CHIC
1/5
1/5. Honestly, sure, it’s definitely some disco but quite boring. Good times is old at this point and the fact that it is 7 minutes makes it worse.
Motörhead
3/5
3/5. Some of motorkill’s best songs but really only 3 at most. Everything else sounds so similar it’s hard to pick and choose which I would rather listen to, and most of the time it’s none of the other ones. Still rocks.
Jamiroquai
3/5
3/5. A fun, albeit forgettable album of acid jazz. I would have thought this would hit all the right notes for me but just kind of drags in many parts of the album. Mostly danceable.
Amy Winehouse
1/5
1/5. I don’t know what it is but this definitely ain’t it. Feels so forced and nothing stands out as listenable. Don’t get the Amy winehouse hype, wish I could.
Neil Young
3/5
3/5. There’s some interesting songs on this one but don’t think it pushes it over to a 4 despite the great ones on this one. Heart of gold, old man, Alabama, and words are all great. Everything else is not interesting enough besides maybe out on the weekend.
The Stranglers
2/5
2/5. The songs do hit and sure there is a nice vibe throughout, but not sure if play again. Some songs I’ll grab and keep, the others can stay where they are. Fun rock but not good enough. Also, the main hit is just kinda gross and did not age well.
Primal Scream
2/5
2/5. I don’t know honestly. It’s good but I’m not going to listen to it again. It just didn’t hit. Wish I had a better reason. Bopping head throughout but not anything that feels down my alley.
DJ Shadow
3/5
3/5. A very interesting and unique album that says more in its existence than its listenability. Cool samples and some good songs but mostly a statement on music itself that feels important.
Mudhoney
2/5
2/5. A pretty fun collection of distorted garage rock. Nothing standing out as a repeat listen.
The Undertones
4/5
4/5. Honestly, got better the more I listened to it. Doesn’t redefine the wheel but definitely stands out as great songwriting and rock/pop songs.
Bob Dylan
5/5
5/5. Hard to rate this lower despite some of the misses on the album. As an overall experience, it feels like a storybook of ideas that hits just right wherever you start. A true album listening experience.
Patti Smith
3/5
3/5. Okay respect the originality and the straightforwardness of it. In your face yet complex and smart. However, not a listenable album really. Definitely an experience and may be better the more I listen to it. But from the get go, hard to not switch at some points.
Aerosmith
2/5
2/5. Just a generic rock album. Sure, more raw than normal, but nothing in the way of songwriting. Not bad but just okay.
The Louvin Brothers
2/5
2/5. I really do enjoy the creative lyricism here, as it invokes themes such as death, murder, madness, and other darker themes in contrast with the folksy music. However, it is the folksy music that is a negative for me. Reading the lyrics is more interesting than hearing someone sing it.
Belle & Sebastian
4/5
4/5. A sweet and beautiful album that feels innocent and young, riddled with trauma and sadness. I will have to see if that feeing lasts to bump it up to a 5 but is definitely a relisten.
Nick Drake
3/5
3/5. Another beautiful album from Drake, not as good as Bryter but it may grow on me like the other one. This one feels too quiet and the other one had great instrumentation which made it stand out.
LCD Soundsystem
3/5
3/5. I’ve listen to LCD sound system’s earlier stuff and this doesn’t have that kick and punch that the others have. Sure I may like it better if it was the LCD album I listened to but even then, not awesome. Still good but nowhere near perfect.
Isaac Hayes
3/5
3/5. What a wild album, 10+ minute long songs mostly and amazing crooning from Hayes. However, that last song is not listenable. 18+ minutes with most of it just talking. First three are fantastic though.
Blondie
3/5
3/5. A great pop album with the singer really guiding the album. Some classics for sure on here but definitely some misses. Will pick and choose but not listen all the way through again.
Butthole Surfers
4/5
4/5. I don’t know why I like this one so much, I guess it’s the bluntness of the lyrics and the creative use of sound and samples. Not perfect and not a game changer, but gosh is this fun to listen to.
The Flying Burrito Brothers
2/5
2/5. Yeah it was okay. The “alt-country” it created was surely in its beginning stages, didn’t age very well.
Michael Jackson
4/5
4/5. An influential pop album with many classics and hits but the bookend 1-2 songs of the album are definite misses. If this was an EP, with the middle 4 songs, it would be perfect.
Judas Priest
3/5
3/5. Some good songs on here but several skips. It’s definitely still listenable but nowhere near perfect.
Nusrat Fateh Ali Khan
3/5
3/5. Quite good music, great rhythm and overall vibe. Don’t think I’d listen to it in my free time but it definitely was not bad.
Fugees
3/5
3/5. Debating on this one for a while and it came down to would I go out of my way to listen to it again and probably not at the moment. It’s really good but don’t think I’m putting it on repeat.
PJ Harvey
2/5
2/5. Idk, wish this was better than it was. Sure some interesting pop sounds and innovative songwriting, but not enjoyable. Just fine.
The Monkees
2/5
2/5. Feels like a B-Sides collection of Beach Boys or Beatles, they are fine but I would rather change it to one of the other bands.
Meat Puppets
3/5
3/5. A unique and one of a kind album. I learned what Cowpunk was so that was cool. Somehow it feels like it is not trying at all but also trying too hard. Still good enough for 3 I think.
Grizzly Bear
1/5
1/5. Yeah sure, indie rock. Woo. Idk, instrumentation is cool but it’s not engaging. I gave it three listens too just in case. Like, I just don’t care what they’re singing about.
Emerson, Lake & Palmer
3/5
3/5. It is a rocking album to listen to but it falls off near the end and on The Sage. I want to enjoy that song but I have no idea what he’s saying, it is badly produced. All the piano/synthesizer instrumentals slap though.
The Magnetic Fields
2/5
2/5. I am only going to listen to this album once. Sure there are some good songs but this is insane. Like, if this was a band that tried wildly different genres it could super enjoyable but I can’t tell 20 songs from each other. Not a 1 for the ambition.
George Michael
3/5
3/5. A pretty solid pop album, lots of talk about sex but otherwise an enjoyable listen. Don’t think it’s perfect but it is fun.
Prefab Sprout
3/5
3/5. Okay this was pretty fun. Airy and jazzy with some rock. Might spin again, it would nice to listen to all the way through again.
Buddy Holly & The Crickets
3/5
3/5. An enjoyable rockabilly album with some great hits and some definite misses. A lot of average as well. Not bad. A point up for influence.
Orbital
3/5
3/5. This is kind of a protest album apparently. It’s got some chill and danceable beats with great riffs and melodies. Think a little more oomph would have benefited this one.
System Of A Down
3/5
3/5. Not a bad album but don’t think I’d throw it on as often as a 4 would. It is quite good, don’t get me wrong, but as engaging in the latter part of the album.
Pavement
3/5
3/5. A pretty fun grunge album with accessible songs but not enough for a high rating. It’s just not unique enough, mostly feels like it could be better but the lack of trying is the draw.
Death In Vegas
3/5
3/5. Not any bad songs but not something I’d listen to on repeat or go out of my way for again.
Alice Cooper
4/5
4/5. Okay honestly, an album I must of missed out on when I was really into 70’s rock. This matches all the correct notes, maybe some misses, obvious radio singles, but overall a pretty cohesive and original album. Might be a 5 later.
Steely Dan
2/5
2/5. Steely Dan is not great. It feels like they are trying too hard to be different. They could make decent songs but they change key for no reason just to sound unique and jazzy. I appreciate the musicianship but it’s not enjoyable music. Giving it 2 because I did like their more poppier stuff.
Air
3/5
3/5. Bopping beats and the instrumentals were the highlights. Might go up to a 4 later but sticking with 3 because the lyrical songs threw me off. I honestly just wanted more synth.
Beck
3/5
3/5. This one may increase over time but I’m sticking with 3 because it was good, the songs were catchy, some beautiful, but it didn’t keep me super interested. Many of them flowed into one another and I was done with the album when I thought I was only halfway. That’s not a good sign.
Jah Wobble's Invaders Of The Heart
2/5
2/5. Yeah it was okay, two songs on the album were great. The rest were not memorable.
Fela Kuti
4/5
4/5. Crazy story behind this one that truly elevates the listening experience, however it was still pretty banging even before that. The title track alone brings this one to a 4. It’s not a 5 because the second track is a little slow at times.
Neil Young & Crazy Horse
3/5
3/5. It’s got some pretty great songs but if this was half its length and just an EP, it would be great. Just some songs that sound like other ones and aren’t unique enough to stand on their own.
fIREHOSE
2/5
2/5. A decent collection of short, punchy tracks that I don’t remember at all. It’s nice but I didn’t feel anything really.
Michael Jackson
2/5
2/5. I don’t know, I think this one is just overrated. The first song and the midway song are pretty cool bangers but not even his best stuff. The rest are just half-decent to unlistenable. Production is great but the music has much to be desired. Only giving it a 2 instead of a 1 cause I’ve heard worse.
Metallica
3/5
3/5. A solid metal album but a little too long with not much variety throughout. I’d pick about 5 I’d listen to often and the rest not necessary.
Madonna
2/5
2/5. Most of the album is a miss unfortunately. There is the first song, a little of the second, and most nice sounds throughout. Lower than average for sure.
Pere Ubu
1/5
1/5. I just don’t like post punk I guess. Not memorable and just noise. Wish I appreciate it but doesn’t feel like there’s much to appreciate.
Cyndi Lauper
3/5
3/5. A pretty fun one to listen to, lowers in quality near the end but overall a good time.
Nightmares On Wax
2/5
2/5. Not bad just kind of background music to chill and study to.
Bad Brains
3/5
3/5. Really appreciate the mix of genres but it’s not a repeat listen to me. Not lower for the obvious infuence and innovation this album provides.
Van Halen
5/5
5/5. Not every song is perfect but the best ones really do stand out. An awesome collection of rock songs that are rarely skippable.
Hookworms
3/5
3/5. A solid pop album that I had no complaints about but didn’t stand out enough for a 4.
Neneh Cherry
1/5
1/5. Honestly, even the hits were not interesting. I usually remember at least something from the album but there was nothing to gather from this one.
The White Stripes
3/5
3/5. Maybe a little controversial but not a perfect album. Some definite misses and even some hit songs are skips. It’s not bad just not awesome.
Garbage
3/5
3/5. A pretty solid album with some unique songs and catchy ones. Will maybe come back to this one at a later time.
A Tribe Called Quest
4/5
4/5. Honestly, the more I listen to this album the better it gets. The chill low bass is what drives this album, with some nice rhythmic and smooth riffs and beats. The lyrical content will take some time to digest but if it’s excellent, this could definitely be a 5.
Baaba Maal
2/5
2/5. Some fun songs but nothing super interesting, many sound quite similar and it drags on at points.
Eagles
3/5
3/5. The three singles are truly awesome but the other songs are not memorable at all. Wish this could be higher but it’s just okay.
Sarah Vaughan
4/5
4/5. A super relaxed and well-sung album. The silly songs and side bits matched with the sad and emotional pieces really drives the human aspect of this record. It’s beautifully haunting.
Pearl Jam
3/5
3/5. Sure, the first half of the album is quite repeatable then the second half is nothing. Plus even the first half are not the best songs, just some good songs.
Hole
3/5
3/5. Some important work here with progressive lyrics. The songs are catchy somewhat but the musicianship isn’t the highlight. It’s good songs overall.
Elvis Costello & The Attractions
4/5
4/5. This album grew on me the more I listened to it. The songs are super catchy and it feels a lot like punk without coming off as entitled from a white dude. Plus the instrumentation is really clean and well produced.
Led Zeppelin
3/5
3/5. Not a perfect zeppelin album. Lemon song to living loving maid is not super fun. Everything else is a banger though. Thought I would like it more but it feels like it’s missing something.
Megadeth
4/5
4/5. Not a perfect metal album with some misses but Black Friday and The Conjuring are great as well as most of the other songs. Fast and angry, short and sweet.
White Denim
4/5
4/5. A rocking psychedelic country trip. The guitar work is fantastic and the rhythm section goes hard. Groovy and jazzy at times, this is a good musical experience front to back. The last two songs don’t hit as hard which keeps it from a 5 but a high 4 for sure.
Shack
3/5
3/5. Some really beautiful songs in this one but most of them are pretty forgettable. It’s a solid one, just some filler for sure.
Calexico
2/5
2/5. It’s a nice collection of songs but it doesn’t hit right. Sometimes feels a little too pretentious. Not bad, just doesn’t work for me. The mixing of genres is the highlight for sure.
The Band
5/5
5/5. A raw, feel-good album with super original and amazing songwriting. Everyone feels so strong as a member of the band, it’s really hard to find a fault in this one. Some days it’s a 4/5 but this is hard to bring down.
Leonard Cohen
3/5
3/5. Dark and depressing themes, especially for a man who dies 2 weeks later. The title track is really good but there are some definite misses throughout. Some blend into each other, as is with most Leonard cohen songs.
The Velvet Underground
3/5
3/5. I can see the appeal for sure but it’s not amazing. There is a swagger to the music and the instrumentation is the best velvet underground stuff. The issue is the songs are not repeated listens. You get what they’re going for after the first time. Best song: White Light, The Gift
Pantera
4/5
4/5. A truly vulgar display of power. Honestly if this album was tighter and didn’t have a few songs for filler, it might be a perfect album. The aggression drives it so much I want scream with them. Best song: Walk, This Love
Bob Marley & The Wailers
4/5
4/5. I’m not a huge reggae guy but Exodus was a pretty moving experience. You can feel the sadness in each song as Marley tries his best to convey his campaign for peace. Some classics for sure but even the other songs are repeated listens. Best song: Exodus, One Love
Tom Waits
3/5
3/5. Honestly a much better album than I was anticipating. It is a little long and boring at times, but the jazzy aspects give it that twist of surprise. Best song: Better Off without a wife, warm beer and cold women
Talking Heads
4/5
4/5. I want to give this a 5 just cause of the uniqueness but some are definitely skippable, especially the last song. It still bops though and is a fantastic record nonetheless. I never realized how integral the instrumentation was to Byrne’s voice, they work so well together.
Fairport Convention
3/5
3/5. The first half of the album is really good but it falls off a little on second half. The heaviness and other-worldly nature is what drives this. Some beautiful songs mixed with a little drawn out songs. Best song: Matty Groves, Reynardine
Scissor Sisters
3/5
3/5. The first half of the album contains some very important and danceable songs. The second half is a little less fortunate. Also, as innovative the Comfortably Numb song is, hard to beat the original. Best Song: Take Your Mama.
The Byrds
4/5
4/5. Honestly, the more I listened to it, the better it got. It feels like the quality of a rock/pop band diving into country and making catchy tunes. Some songs don’t fully hit but it is a good album overall. Also, the twangy guitar can get a little old but it’s not bad. The song quality makes up for it. Best song: I Am a Pilgrim, Nothing Was Delivered
Creedence Clearwater Revival
5/5
5/5. Just an awesome collection of iconic singles and jams that still sound fresh today. Not a bad song on here, great front to back. Fogerty’a voice is one for the ages and the band’s instrumentation meshes so well.
Kraftwerk
2/5
2/5. I get the sentiment behind it because it’s not as unique as their earlier work, or even in general. It’s background music that annoys sometimes. There are some chill beats but I’d choose a song and then move on: The Robots, Spacelab.
Slayer
3/5
3/5. Quite heavy and a serious change in the type of music coming out. Not really a repeated listen but some songs do stand out. Best Song: Angel of Death, Raining Blood
Underworld
3/5
3/5. I want to say I love most of this album but it feels a little too long. If the album was just the first 5 songs it would be perfect. The extra filler keeps me waiting until the album is over. But otherwise it was one of the more enjoyable heavy dance records I’ve listened to.
Megadeth
3/5
3/5. Honestly, not as enjoyable as their first. It’s got some great songs but as an album, it doesn’t flow that nicely. The guitar is fantastic, don’t get me wrong, but the songs themselves could use some work. Still rocks hard.
The Temptations
3/5
3/5. There’s only a handful of songs that really stand out. The second half of the album is good, and there are some decent soul and r&b songs there but nothing for repeated listens. The first half is quite good, the first song being a classic. Wish they dug more into the longer, jamming songs that give off that funk. Best song: Cloud Nine, Runaway Child
The Chemical Brothers
4/5
4/5. A catchy and heavy-hitting electronic album. Each song sounds unique and the album as a whole flows very nicely between the songs, transitions on point. Also great background music as well when doing something else. Best song: Block Rockin’ Beats, Elektrobank.
Elvis Presley
3/5
3/5. Honestly some pretty killer songs. I knew none of them going in and although not all are perfect, some rock and it’s a decent album all the way through.
Beatles
2/5
2/5. Sure some good songs on her but overall a pretty boring album. Half of these songs are covers so not great, and the other half, although original, only a few stand out as classics. The others are throwaways. I understand it’s the Beatles but even on its own, it’s just okay.
The Cure
3/5
3/5. The bigger songs are awesome, so catchy and dark. There is a lot of filler though and many start to sound similar to each other. At some points, I didn’t realize it moved to the next song, the backing instrumentation sounded exactly the same. But some songs are great and noticeably unique.
2/5
2/5. A lot of these covers do not bring much to be desired. Sure, Loretta has a good voice but it doesn’t convince me she is feeing what she is singing. However, the few songs she has written herself are excellent. If the whole album was original material, might be a near perfect album. Best song: Don’t Come Home A Drinkin’, I Got Caught
Doves
2/5
2/5. I mean, it’s okay. It’s not bad just not memorable. Many songs just flow into each other and not in a good way. There some nice sounding songs but overall, mostly uninspired rock-pop.
John Lennon
3/5
3/5. There are some good songs on here but it just feels empty really. Almost like John doesn’t care about what he’s singing. The hard hitting songs are quiet and the soft songs are the better part of the album. Maybe it’s the Brit fatigue but this was just okay. Best song: Imagine, Jealous Guy.
Talking Heads
2/5
2/5. I understand the vibe and the crazy jump in rock music but the songs are just not super fun to listen to. You can tell there is potential for sure but David Byrne doesn’t feel like he knows what he’s singing about. Like someone told him to sing these songs. They’re fine but some can be quite annoying. Best song: Psycho Killer, New Feeling
Saint Etienne
3/5
3/5. Some good electronic dance songs with some ones that are definite repeated listens. Can get a little old near the end but definitely a fun album. Best song: Only love can break your heart.
Dolly Parton
4/5
4/5. Quite a good album with not a bad song. Dolly Parton has something to say and she sings it with conviction. It's beautiful, short and sweet. It ends before you know it and just want to play it all over again. Best song: The Way I See You, She Never Met a Man
Sly & The Family Stone
4/5
4/5. A funky and awesome album, full of political and danceable songs. The last song is just okay and the 13 minute jam goes a little too long sometimes. However, the first 6 tracks are purely amazing, back to back bangers. Best song: Sing a simple song, I want to take you higher.
Sepultura
2/5
2/5. It’s a good metal album but I honestly don’t remember most of the songs. Wish it was higher but didn’t stand out enough.
The Monks
4/5
4/5. A surprisingly in your face album before punk even existed. You can hear every punk band through this album. And honestly, it still goes hard despite how early it is.
Snoop Dogg
4/5
4/5. A really enjoyable album. The beats are so infectious and Snoop’s flow feels laid back but passionate. None of the songs are bad but some of the songs are not necessarily perfect. It could go up to 5 but I’ll have to spin it a few more times which I will.
1/5
1/5. Boring and annoying. I listened to it three times just in case but could not latch onto anything worthwhile. Like it sounds like they are having fun but it’s just a worse talking heads. It’s not great honestly.
Tim Buckley
4/5
4/5. What a funky album, not at all what I expected. It’s so groovy and heavily inspired by r&b and soul. Some funny lyrics and vocal trains that make this one so fun to listen to.
The Beach Boys
5/5
5/5. This is a perfect pop album. I can pick any song and it would be better than most other pop songs. I am biased as I have put this on repeat many times before this list but I’m never tired of hearing it. The instrumentation is so unique with all the bells and whistles and the vocal harmonies are beyond beautiful. Best song: God only knows, Wouldn’t it be nice
Elvis Costello & The Attractions
2/5
2/5. Some good songs on here but mostly annoying. There seems to be a constant strain in wanting to actually want to sing. The instrumentation is there but Elvis does not want to be there. Which makes me not want to stay for long.
Randy Newman
4/5
4/5. Quite an interesting album. Each song is filled with dread and sadness despite the amazing songwriting of Newman. It is quite unfortunate that the catchiest song is Rednecks. The only fault is that a few songs sound pretty similar and have similar themes. Very close to a 5 though.
James Taylor
3/5
3/5. It’s a nice album and it’s short and sweet but not anything groundbreaking. Some research revealed he made this album on $7500 which is pretty wild. Besides some hits, probably not gonna play the other ones.
B.B. King
5/5
5/5. A lively and passionate blues album. The audience screaming along with him really brings the energy up. There is a small dip in the middle of the album but otherwise it’s funny, heartfelt, and sexy all at the same time. There is not a bad song on this and it finishes in time where the blues doesn’t become boring. Best song: Sweet Little Angel, Worry Worry
Radiohead
5/5
5/5. An emotional and depressing album full of songs about life, society, the future, the present, and the self. The singing is haunting and sad and the instrumentation feels angry. This is a beautiful album that is hard to match. Best song: Paranoid Android, Let Down
Guided By Voices
3/5
3/5. A pretty awesome collection of songs. They all sound quite similar which is what brings it down. It feels like one continuous song but broken into 2 minute pieces. It can work, I just don’t remember which one I like the most.
Stephen Stills
3/5
3/5. A pretty decent album, some more guitar licks than I was expecting based on the cover but not anything that stands out. The hit song from the album gets real old real quick. I have skipped it through my listens sometimes.
Bruce Springsteen
5/5
5/5. An intelligent and emotional album driven by male desire and passion. There are some great songs here and even though I’ve listened to it multiple times, I still find something new that I love about it. The run of Thunder Road, Born to Run, and Jungleland are a perfect trio. The other songs like Backstreets and She’s the One also stand on their own. With the other songs filling out the space, there is never a dull moment throughout. Being a Jersey native myself, this one speaks to me.
Queen
4/5
4/5. An almost perfect album. I admire the progressive aspect of the prophet’s song but this isn’t the album to throw that on. There are a good mix of silly and serious songs on here and most of them are awesome, some are a little annoying. The album flows really nice but I get bored around the middle of the album leading up to bohemian rhapsody. Still, a good album either way. Best song: Bohemian Rhapsody
Elton John
5/5
5/5. Not all songs are perfect but it is a perfect album. Going from beautiful idea to progressive concept to wild lyrical composition, this album feels like it is about nothing and everything. It gets better with each listen and yet I still don’t know what the songs really mean, they are just so good to sing-a-long to. I can listen to this one front to back anytime. Best song: Tiny Dancer, Indian Sunset
Arcade Fire
5/5
5/5. When I first had this album, I only had the first four and last four songs. Not sure if it was a computer glitch, but it was still a repeated listen for me. Knowing now many years later there were 3 more songs that add to the aesthetic and concept of the album, while also sounding great, makes me love it even more. There is not a bad song on here, one of my favorites for sure. Best song: Intervention, (Antichrist Television Blues)
Miles Davis
4/5
4/5. A unique experience being not too familiar with jazz. I wasn’t aware these songs were some of the first to change the music space to the slower more methodical method of jazz music. It’s unique for sure, but I wouldn’t play it all the time. I’m giving it the 4 for importance and it is great background music.
Malcolm McLaren
5/5
5/5. Honestly a pretty rockin album. I have no idea what the genre is but it’s cool nonetheless. It has aged, with the use of “Female” constantly but the switch between radio and songs is really smooth. And the influences this album takes is numerous, from African to Indian to Jazz and Soul to Electronic sampling finishing it off with hip hop. A pretty cool experience. Best song: Double Dutch, Duck for the Oyster (mainly for the insanity that is this song)
Johnny Cash
3/5
3/5. Johnny cash at his rowdiest. He did not give a damn this whole album, seemed like he had a grudge honestly, which it made it all the more funnier. The only issues I have really is that it was too short, and not all of the songs were super good choices, which made for an overall mid album. Best song: San Quentin, A Boy Named Sue
3/5
3/5. A pretty neat collection of songs, nothing too crazy but nothing bad. I like their earlier self titled album more but as this one stands, it is a safe one.
Elbow
2/5
2/5. A pop/rock album that feels really bloated and would rather just listen to Radiohead because this is not working for me. I don't feel the emotion in the lyrics and the instrumentation is the worst part. It's honestly not that bad but I just don't care. There wasn't a song that I actively enjoyed from the album.
My Bloody Valentine
3/5
3/5. It has great potential and the songs are easy to listen to despite the heaviness behind each one. I just get lost in each one to the point that I don’t know which song I’m on. They blend into each other and they sound great but it’s not for me. I would listen to it again but not often.
Marvin Gaye
4/5
4/5. It’s almost a perfect album but some of the songs meander a little too long. The content is so important but I find myself waiting for certain songs to finish to get to the next one. It’s still quite a good album, with a wonderful message and beautiful singing and instrumentation. Just not perfect songwriting.
Neil Young
2/5
2/5. Only listened to once so might go up later but I can confirm this is not the best Young album. No song stood out and just felt generally quiet and uninteresting. I understand that it is supposed to be sad, but I've felt more emotion in other records.
The B-52's
4/5
4/5. Quite weird but so silly and fun. Hard for me to say I would enjoy this all the time but I cannot find a fault on this one. And although Rock Lobster is joked about a lot, it really is such a good song. Plus the songs flow into each other so well. It does drop near the end of the album but almost perfect.
The Stooges
3/5
3/5. A solid collection of rock songs and lot heavier than previous albums but there is something missing in the energy. I don’t feel the passion from Iggy like I should. It’s still good but can sound generic at some points.
Nico
2/5
2/5. The songs are sweet and chill, but Nico only has so much uniqueness to listen to for long periods of time. It was nice after the first few songs but it got a little annoying later on. I didn’t even care what the lyrics were to push through.
The Jesus And Mary Chain
3/5
3/5. Honestly, thought this would be something I couldn’t get into but it was quite enjoyable. Sure, definitely requires a specific mood but the ability to mix drone with pop is wild and yet works so well. Definitely gonna throw this one on again. A unique and interesting album.
The White Stripes
1/5
1/5. I don’t even like a single song on this album. The hits are boring and everything else seems so filler. Hard to even put on again, feels like I’m wasting my time.
Curtis Mayfield
5/5
5/5. Not a bad song on this one, even the instrumentals are great. Although I don’t entirely agree with the message, the passion Mayfield sings with makes me feel for him. All the songs flow so smoothly with each other, a classic in its own right. Wild that it’s a soundtrack.
Lana Del Rey
3/5
3/5. Beautiful and haunting, the songs feel annoying after a bit of relistens, especially that first song. Wish it was exciting, I don’t care during some songs and just skip them. But dang, can she sing and make me feel like every song is everything and the most important thing in the world. It’s just not after thinking about it for a few seconds.
Destiny's Child
3/5
3/5. A solid collection of pop songs but there seems to be a general uneasiness and a lack of confidence in the songwriting and vocals. There is potential here but some amateur singing as well that makes the record fall flat.
Queen
5/5
5/5. A little biased but these songs do just flow into one another so easily. Short and sweet, they are unique and stand out so I’m never confused as to what song I’m listening to. Beautiful at times, silly and crazy at others, just a solid album.
Fugazi
4/5
4/5. It's hard to get punk right but this one slams it out of the park. I don't remember it too much but it's not for lack of songwriting. I felt the rage and anger. Also, the songs are catchy as well so that's a plus.
Lorde
3/5
3/5. A solid collection of pop songs, nothing too bad but not something I’m listening to a lot. Still better than normal, just not my cup of tea all the time.
Can
2/5
2/5. I definitely understand how unquiet this album is with it's extended experimental music, and trust me I love progressive rock, but this isn't it. It's not terrible but is hard to listen to sometimes. I would need to be in a specific mood and don't think I got that in me for a bit. It's a 2 because I don't hate it, just not going to sit and listen to it all the way through.
Nine Inch Nails
4/5
4/5. Not what I was expecting at all but a pleasant surprise. A lot more accessible, but still goes so hard. The lyrics are not something I can fully understand but the ones I can understand really do slap. Just a great, but depressing, vibe that does such a good job at conveying a mood. And that mood is “F this, and F you, and F me”
The Auteurs
1/5
1/5. Mostly boring. It’s airy and sweet but not worth listening to. It’s at best fine but I’d rather be listening to most anything else.
Television
2/5
2/5. I wanted to like this a lot more but I don’t know, the songs were good but not awesome and the 10 minute title track was nowhere near the hype it was set out to be. The guitar solo was great but the lyrics and verses felt so chaotic and messy, and not in a good way. There were some good songs like See no evil and friction that I could listen to again but a weak album overall.
Bob Dylan
4/5
4/5. A super important album that although is not perfect, is an enjoyable listen and a depressing reality check. Dylan's lyrics still resonate today and are just as heavy. The album falls off near the end but it contains some excellent songs on the first half to be a necessary listen.
Electric Light Orchestra
4/5
4/5. A solid pop album with some great songs but some weak ones too to get a 5. No doubt I will be listening to this multiple times but not a perfect album, wish it was.
Fun Lovin' Criminals
4/5
4/5. I'm a sucker for rock-rap. There is not really a bad song on here but the hit singles are the weaker tracks for sure. The guitar work is just as impressive as the rapping. It's hard to give perfect but it is really fun to listen to.
Bert Jansch
3/5
3/5. A pretty solid guitar focused album. Well-played but not amazing. It's quiet but not personal, so it feels distant. With little instrumentation, the emptiness doesn't do this one justice. Nice lyrical phrases and guitar playing though.
The Killers
2/5
2/5. Although the first two songs are absolute bangers, it definitely falls way off after that. Somebody Told Me is also good but not amazing. If this was an EP, it would be awesome.
The Stone Roses
5/5
5/5. I was a little hesitant because Brit-pop can be quite annoying but truly amazing the genres they span on this album without missing a beat. The lengthy dance tracks, the catchy pop songs, the airy and ethereal ballads. It's hard to find a bad song on here, it all flows so evenly. Front to back perfect songs.
Sade
4/5
4/5. A grooving and smooth album. This is very close to 5 but some songs I skip sometimes. Such good instrumentation and lyrical passages. A beautiful, low crooning voice guides this album, so unique and honestly, sexy. Hard to not like the vibe of this album.
Metallica
5/5
5/5. An amazing thrash metal album. Every song has amazing riffs and catchy vocals, despite the aggression. The lyrical content is just as important, with anti-war and anti-government themes. The instrumentation is so heavy and good, I've put this on repeat so many times. Although the instrumental song is not perfect, this album as a whole is awesome.
Björk
4/5
4/5. Beautiful and cold, it feels as though she is upset and disappointed. A cold winter alone is the aesthetic. Although some songs run a little long, overall this is a great album. Most likely won't run it often due to the length and sadness surrounding it.
Captain Beefheart & His Magic Band
3/5
3/5. About as safe as can be. Yes, it’s a little weird and silly, but not crazy. It’s a blues-rock album at the end of the day with its jams and some psychedelic themes. There are some catchy songs but mostly just experimental.
Blur
2/5
2/5. Hard to be excited for brit-pop/rock, especially one I haven't heard before because you can tell they are all borrowing from each other, and not in a good way. It's not bad, but there aren't any great songs on this one. Mostly boring and same attitude of not caring which feels like they care too much. A hard attitude to pull off right.
Bob Dylan
5/5
5/5. A solid collection of songs, Dylan experimenting with electric and acoustic. This album flows so smoothly with the lyrics ranging from angry and silly, to melancholic and important. The messages on just It’s Alright Ma might seem like ramblings but I hear a man who is done with the world he lives in and has something to say. Dylan’s best quality is his voice not because he is a good singer, but because he isn’t. He is not going to let someone else sing what’s on his mind.
Bob Marley & The Wailers
4/5
4/5. Amazing instrumentation and heavy lyrics with still a chill vibe. Some okay songs but not a single bad one on here. Very close to a 5 but need more time to listen.
1/5. Just a super boring album. Not interesting at all. No song stands on its own and surprising the hit single from the album has anywhere near that many listens. It’s awfully mediocre at best.
Bob Dylan
5/5
5/5. Arguably the best Dylan album. Every song stands on its own yet creates a full story of Dylan working through his own problems. It's a breakup album at the end of it and although not as powerful as his earlier stuff, it is a lot more personal and his voice representing the every day man, it makes it that much more relatable, especially if you've gone through a breakup. Plus Idiot Wind is hilarious and Tangled, Twist, Lonesome, Lily, and Shelter are perfect songs.
4/5
4/5. Man I really wanted this to be a 5 but I can't give it with my history which is I played this every day in high school. I know this album front to back and the run from 64 to morning was always kind of mid. It's super important and should be listened to but it can never be anyone's favorite, that would only mean they haven't listened to anything else.
Jack White
2/5
2/5. Look, I don't want it is but Jack White is not my type of music. I love rock and guitar driven songs but there is just something that throws me off. I even genuinely liked a lot of these songs. Just not one for the repeat. The songs weren't good enough I guess.
Dirty Projectors
4/5
4/5. Very funky and danceable, the end of the album does feel like b-sides of the first side. Definitely just sounds like slower versions of the better songs. Falls off but still the first few songs are bangers.
Wilco
3/5
3/5. The first few songs are very beautiful and a few later but the whole album is quite long and drags on too often to make any higher. I would listen to it again but maybe in parts.
The Human League
3/5
3/5. Honestly a lot more enjoyable than I was expecting after the first song. Synth solos and pop music galore. However, every song does sound the same. It was still a fun listen though.
Eminem
4/5
4/5. A heavy, hitting and personal album. Aged a bit with certain phrases but there is still some progressive and mature themes within the album about toxic masculinity and abusive relationships despite his age. The beats and instrumentation was unique yet rock-inspired. I did really like the album but it was a little long. If this was a 40 minute run time, this would be a 5/5.
Kendrick Lamar
5/5
5/5. I listened to this album many times in high school and although at first, this was much different than what I was used to, there is no denying this is a classic. Amazing instrumentation, deep lyrical flows and themes, and important lessons that go over your head if you refuse to listen to any rap. It’s not hard to listen to this album; it’s hard to go out of your way to hate something before even giving it a chance. You’re the only one missing out. Probably should get up and wash your ass. Classic. Masterpiece. Awesome album.
The Smashing Pumpkins
3/5
3/5. A solid rock opera but hard to get past some of the songs. The whining singing is definitely a vibe but two hours of it is hard to get through. The music was absolutely gorgeous which is why it definitely isn't bad and a wild ride throughout. I think upon more listens it might go up, when I can differentiate between the songs but two listens gives me a good rundown.
The Sugarcubes
2/5
2/5. Not too bad but not interesting enough to hold my attention. A little too artsy and not enough punk for me. The singer is the best part and her vocals are not utilized enough, save a few songs. If it went a little bit harder, this would be really good.
Soul II Soul
1/5
1/5. Wasn't terrible to listen to just very forgettable. Would rather listen to better versions of the same genre. It's club music but if the club was occupied by 3 people who all don't really want to be there.
Fatboy Slim
3/5
3/5. A solid electronic album but not perfect. Definitely some songs overstay their welcome and others are a little annoying. The good songs though are bangers and head-boppers. Got some of them on playlists now, probably won't listen to the whole thing again.
Cocteau Twins
5/5
5/5. Beautiful and ethereal. Great dream pop. There is a driving sense to each song, making me feel like I'm walking toward an end goal only leave me hanging, wanting more. There is definitely some Latin American influence in some of these songs which they use to great effectiveness. Although it is sitting at a 4.5/5 for me, I'm bumping it up for the beautiful nature.
The Rolling Stones
2/5
2/5. Cover albums are never good, just one song here and there might stand out but only because of the great songwriting of the original. Sure this has some chaotic energy but nothing to write home about. It's not a 1 because it's at least enjoyable.
The Flaming Lips
4/5
4/5. It's really good especially the first time I heard it, but feels a little aged after listening so many times. The songs don't hit as hard. The first few songs are classics but it definitely drops in quality the further into the album you go. Don't get me wrong, this isn't a bad album just not a perfect 5/5.
The Stooges
5/5
5/5. An awesome and chaotic record, full of energy and fight. Each song is more wild than the last, exploding into a wall of noise by the end. Not only that, but each song is just so good, a driving force of rock and roll.
Boston
5/5
5/5. A classic, classic rock album. Every song is just so well written and feels so clean. This is just a perfect album and the first side is one of the best vinyl sides in music history. Just so good.
The Residents
2/5
2/5. This is surely an album that stands out as weird and rebellious but hasn't aged well. I have heard weirder albums. It's definitely not terrible, just not as important as it may have been. It is still a little funny.
Nina Simone
4/5
4/5. A beautiful, heart wrenching album. Some songs are happy which are needed to not be sad throughout the whole thing. The only downside is the song by the same name as the album, very forgettable. And some songs are just good but not awesome. Overall though, an honest and direct album from a black woman who is tired of putting on an act and decides to be herself instead.
2/5
2/5. It's an alright live album but the studio versions sound better, especially the first half. There seems to be an annoyance doing his own songs, like he doesn't want to be singing them. The second half is good, with some chaotic playing from the backing band, and fun versions of the studio songs. Other than that, honestly not a great live album, feels pretty weak.
Ash
4/5
4/5. A pretty catchy and fun rock album with a lot of influence from other bands that sometimes makes it sound unoriginal but very few times. There is definitely still some good songwriting here and hard not to like. There is young teenage energy here that you love to see on a debut.
Kings of Leon
2/5
2/5. Some of the songs are enjoyable but gosh darn does it get old quick. After Manhattan, it falls hard and the only other stand out is Be Somebody. It's hard to tell what they are going for because they are not hard enough to rock out to but their lyrics don't stand out as interesting (Sex on Fire???) to be profound. Less than mid.
Magazine
4/5
4/5. A weird and interesting "rock" album with saxophones, synthesizers, and other random sounds. Goes hard during times I don't expect it with piano and drums or just the vocals while everything else is chill. There is a creepy and nervous vibe around the whole album. I really do enjoy it though.
Beck
2/5
2/5. It's not a bad album honestly, some bops, it's just not my type of music. A personal rating for this one. He just sounds bored which in turn makes me bored even though the songs are good.
N.W.A.
3/5
3/5. What an opener, back to back the first two songs tell me what they are about. Later in the album, they decide to also show the less flavorful part of themselves, and it does not age well. Plus, many of the flows are similar throughout and I mix up some songs with other ones accidentally. Mostly great beats and important messages, from an honest group of fellas. ACAB.
The Cars
3/5
3/5. Not as annoying as I remember, these songs actually stand up to the test of time. However, just a few of them. Half of the songs are perfect hits, the other half are skippable. Not much more to say about this one.
Fleet Foxes
4/5
4/5. A beautiful and haunting collection of mountain songs. It feels fresh but also like a lost collection of hymns. There are definitely some misses but overall, a great album to put on while driving through the mountains or chilling outside with a fall breeze.
Ella Fitzgerald
4/5
4/5. A beautiful collection of soft and powerful ballads. Love the smooth way she sings and the great instrumentation backing her. Not a bad song but not every one is a banger. Hard to feel like it’s perfect because you do need to be in the mood for slow. Great nonetheless.
The Police
3/5
3/5. A much different album than I was expecting, pretty nerdy and progressive for what I thought the Police were. However, the first half of the album does not grab your attention. Once the second half starts, you realize why this album got the attention it did. But it falls too quickly. Definitely banger after banger later on but overall, too experimental and not in a good way.
Prince
5/5
5/5. A classic album that has some mid songs thrown in there. No doubting the significance and importance of purple rain, when doves cry, and let’s go crazy. Personal favorite is daring Nikki. There are some skippable songs though which keeps it from perfect but will bump it up to 5 cause prince is great.
Jane Weaver
4/5
4/5. An airy album, with a slight dystopian undertone, with lyrics alternating between ethereal and optimistic to dark and heavy. Her voice feels more like an instrument, flowing and distorting with the backing instrumentation. There is some bangers on this and some very nice songs to listen to as well, but overall an experience, like a story being told about a lost civilization. Don't think that's what it is about but it feels like it.
The Rolling Stones
2/5
2/5. Some good singles but overall, just an okay one. I do not see the hype and this wouldn’t even be an album without the hits. Many of these bands need to just release singles and when they actually have good content, then release an album. Especially the 11 minute last song, so unnecessary.
Dusty Springfield
3/5
3/5. Some nice soul-country (?) with a couple great tracks. Not my favorite genre so it felt a little taxing with some songs, and some just forgettable. Might take a few more listens but right now, just another one down. Not a bad listen, just not riveting.
The Black Keys
3/5
3/5. A solid collection of rock songs that did not need to be a double album. Definitely felt the same about halfway through, especially the last few songs dragged on. Right around the sinister kid could have been the end. And they aren’t awesome songs, just catchy and bluesy.
Beatles
3/5
3/5. A lot of people say this is their favorite Beatles album and it’s hard to believe they listened to any of the later Beatles albums. Some songs in the middle and the last few songs are not classics. There are definitely some great ones here like In My Life and Norwegian Wood, but some not great ones like The Word and Wait. It’s still good but I don’t think I’d put this on over most other Beatles albums.
Elliott Smith
3/5
3/5. A very personal album that feels distant, like he's not making for this for anyone but himself, which isn't bad but it is hard to connect. The main issue is the lyrics are a little hard to understand when just listening and the music is simple but just enough without overbearing the thought to listen. I understand the vocals are a vibe, but they really detract from the messages in the songs. I want to enjoy this one but it's definitely got its flaws as a listener. It's not bad but it'll take at least 10 listens to really click with me.
Jeff Beck
3/5
3/5. It's a decent album but mostly some okay songs surrounded by Beck flexing his guitar skills. For sure a necessary listen among guitar heavy albums but just focusing on the guitar will provide the most enjoyment. A decent blues album but mostly a guitar album with backing instruments.
Soundgarden
4/5
4/5. Not really a bad song on this one, all goes hard, but difficult to differentiate between some of them. It also feels too long, especially without many differing themes and sounds. It's really close to a 5 but I would need to really like each song usually for it to reach that status. A more concise track listing, without multiple similar sounding songs, and it would be a perfect one imo. Still a great rock grunge album nonetheless.
Travis
3/5
3/5. A nice and simple soft-pop album, with some meaningful lyrics but nothing too crazy. Not bad and might listen to again, just not awesome. There are definitely some personal emotions you can feel through the lyrics which makes it a peaceful listen.
The Rolling Stones
3/5
3/5. The first half of the album is really good. Second half feels like B-sides, definitely a weaker run. Also, Brown Sugar, despite being the best on the album, is a little concerning to listen to nowadays. Can't You Hear Me Knocking is arguably the best song, with its great solos. Overall, a decent rock album, more country-rock in general.
Jimi Hendrix
5/5
5/5. A classic for me and I definitely understand not for everyone, doesn't have his hits like on Are You Experience? (save for the last two songs). However, this is definitely his most fine tuned album, and the potential was insane if he was still around. There was still some experimenting going on but feels intentional instead of just silly. An experience for sure, recommend to any guitar lovers.
The Go-Go's
4/5
4/5. A solid pop album that is fun and exciting to listen to, and each listen provides more joy and happiness. They are just having a good time which means I'm having a good time. Probably not a constant repeat listen but otherwise very good.
Sonic Youth
3/5
3/5. I love the jam aspect of the album, a lot of long form guitar riffs and solos. This one feels like an investment to get into, I didn't not like the songs, I just felt distant at times. I understand the importance of this album but I would have to be willing to sit through it which feels like not a 5/5. I listened to it once and the second time I was dreading it. It's not bad, just not the best overall.
The Roots
5/5
5/5. A solid collection of conscious and bopping rap and R&B. Smart music and real easy-going while also being present and direct. Instrumentation is top notch, so many little noises and drums that drive and differentiate this album. It's almost a 5 but it was good enough that it deserves it. Gonna play it back again.
Peter Gabriel
5/5
5/5. Possibly a personal bias but I love Peter Gabriel already and this post-punk and industrial rock album is such a good combination. Each song is dripping with anger and fear, where it just ends up with the listener feeling the same way but also sad. Somehow it works and you feel uncomfortable but in a good way? Hard to describe but so good. Plus a great closer, powerful and political.
TV On The Radio
3/5
3/5. This is an interesting and unique album. Not quite pop or rock or dance, but all three at the same time. It can sound a little off sometimes, like sounding different to sound different and no other reason. I appreciate the uniqueness but it doesn't land all the time and can be boring. Not perfect but still a fun listen.
Aerosmith
2/5
2/5. Like yeah this is definitely a high tier rock album but is it actually fun to listen to? A little? The hits are good but they wear down over time. Honestly the last two songs on the album slap but there are a few to get through to get there. The album doesn't hit the spots for me but I appreciate the quality of songwriting.
The Slits
2/5
2/5. It feels like world music mixed with disco and progressive pop. It definitely is a vibe but I'm not sure it's my vibe. It mostly drags on for me, like they are not sure where they are going with it. It is unique and I can hear the modern female indie scene heavily inspired by this album and energy. I'll just say that it can work but others have perfected it.
Fatboy Slim
4/5
4/5. A quite enjoyable and danceable electronic album, somehow better than his sophomore album. Although his second one definitely has some better induvial songs, this one flows so nicely and each has some passion and drive behind it. It also never slows down which is a plus. Although it is a little long, it's still really good.
Simon & Garfunkel
2/5
2/5. There is some beautiful imagery and poetic writing but it doesn't always translate well into song. Not many I would repeat listen but none of it was bad. Maybe reading the lyric sheet would prove more enjoyable. Short enough to not be tiresome but that's not always a good thing. Definitely a path where Paul Simon was a poet.
Simon & Garfunkel
4/5
4/5. A great album but some limited songwriting, feels like Paul Simon was stretched out. The instrumentation is wonderful but some songs are too slow or too short. Frank Lloyd and El Condor Pasa are overrated. There is a tension throughout that feels off. There are some great songs and the album front to back is good, but not perfect. Still will listen again in the future and Bridge is a perfect song.
Tears For Fears
4/5
4/5. A disco-fied, dark and moody pop album. A lot of it rolls together, besides the main hit from the album, but it still does slap. I love the atmosphere and it is a great background to have. Like, if the bee gees existed in the shadow realm haha
The Flaming Lips
5/5
5/5. A unique and weird collection of psychedelic songs that have an air of sadness and curiosity in each one. The album is the perfect length and there is not a bad song on this one, ethereal or pop. I feel like I cannot relate to any of the songs but they sound so familiar, like a friend is telling me about their life.
Depeche Mode
4/5
4/5. A solid and weird electronic album. The sampling choices are definitely unique, mostly environmental and ambient sounds just sitting in the background yet they feel the loudest as well. The songs are good as well, which is a plus. I'm a fan of mixing two opposing vibes and creating a discomforting feeling. This is definitely not for everyone, so the title is misleading lol
David Bowie
5/5
5/5. It's honestly hard to describe this album. The best way is an alien coming to experience earth for the first time, excited to move, and realizing the place is a lot more depressing and sad than you were expecting. There isn't a bad song on this one, but it's hard to listen to not all the way through. It is an experience and an enjoyable one but also you come out of it sad and wondering what this world he is living is in, but then you look it up and realize it is just Berlin in the late 70s. The first half of the album feels like thoughts about moving away, anxiety and excitement mixed in one. This one is truly an experience and must-listen to album.
Suede
3/5
3/5. A pretty fun britpop album but the hits definitely shine above the other ones. Not really a bad song on this one but I'm going to need a few more listens to cement a 4 score. Just britpop is becoming harder to listen to because a lot of it sounds too similar. A personal bias but that's my rating.
Blur
5/5
5/5. I can't believe I am saying this but this was a really good brit-pop album. I thought I've heard it all but when it sounds less like brit-pop and more like everything else, I guess that is when it is good. Still some normal rock and pop songs, but multi-instrumental and experimental as well. The willingness to try new sounds in a genre so confined is what drives this album. Awesome stuff and each new listen confirms a different favorite song.
My Bloody Valentine
2/5
2/5. Yup shoegaze, I mean yeah it's got some fun choices for wall of noise but I guess it's not for me? Definitely a game changer in the field of music, I just don't know if that's the direction I want to go right now. Maybe I'll appreciate it later, but I'll respect it from over here for now. Not terrible, so not a 1, does have some choice instrumentation that goes hard.
Bauhaus
3/5
3/5. A gothic and poppy album that provides a good mix between punk and accessible. There is definitely some days I would not enjoy this but today is one of those days I do enjoy it. The inclusion of funk and happier sounds mixed with dark ambience is always a good choice though.
Suicide
3/5
3/5. A very intense and quiet album, not planning on listening to it multiple times but it was enjoyable nonetheless, more from a comedic factor for how over the top some of the singing was. It is also, at the same time, insanely terrifying, at least the 10+ minute long track on there. But there is a subtle threatening air throughout the whole album. Would not recommend but also would.
Neil Young
4/5
4/5. It's definitely a very quiet album, more singer-songwriter than anything. It's chill and there are some great lyrics and rhythms, but there is a sense of throwaway songs, like a lot of them don't feel finished or they could be better. Overall, it is a beautiful album but not perfect.
U2
3/5
3/5. A pretty strong release from U2, not necessarily a bad song on here but don't remember all of it. There were some great songs, but still not songs I'd listen to on repeat, despite the accessibility. The political energy and direct stance on issues is what makes this a good album. It might go to a 4 on repeated listens but it's a solid to high 3 on this one.
Merle Haggard
3/5
3/5. This is way too personal which is what makes it good. There are some really depressing and direct lines in here about suicide, depression, alcoholism, prison, identity crisis, heartbreak, etc. There are some normal country songs sprinkled in between which brings this score down. Just like "Wee small hours" from Sinatra, making the whole album about similar themes makes it better, especially with these deep and serious lyrics. Still some great ones here.
Thelonious Monk
3/5
3/5. It definitely is jazz and although the first song is wild to listen to, the album has some other pretty good ones. There feels like there is tension despite the quiet nature of most of the instruments. Like I am waiting for something to happen and it never does. Not bad, but definitely had me on edge while listening!
Brian Eno
5/5
5/5. A pretty wild album with such unique songs and ideas that I have to give it a 5. Each song is awesome and also so silly, I just love the energy. I was never bored throughout the album, and I went back and listened to individual ones for the fun of it. Good stuff.
Ghostface Killah
4/5
4/5. A very lyrically heavy and interesting album, albeit a little long. Goes really hard and the instrumentation and sampling is great. Slick features from other artists and Ghostface has a great way to words, clear and articulate despite the complexity of scenarios he is creating. Just a great album front to back, only downside is some filler skits and the length of the album.
The Electric Prunes
3/5
3/5. A solid collection of rock songs tinged with psychedelia and weird instrumentation. It flows nicely and each one has an aggression that works well with the moving riffs or a cool and slow ambience that feels like an interlude. Plus the lyrics are fun and imaginative.
Jerry Lee Lewis
5/5
5/5. A wild and exceptional live album. The energy is what drives this album entirely but there can be some repetitive vibes considering the genre, otherwise would be perfect. The man can play piano no doubt, crazy stuff. Still giving a 5 because this is a live album, and man does he play his heart out.
Red Hot Chili Peppers
2/5
2/5. There are some popular songs on here but I wouldn't say I necessarily enjoy them. There are a few that rock but others are just annoying or boring. I don't know, this one dragged on and I stopped paying attention halfway through. The bassist is what drives this album through each song and the highlight overall. Other than that, most sound too similar to be exciting.
PJ Harvey
5/5
5/5. Short and sweet songs that don't overstay their welcome but leave you wanting for more. They are heavy and loud while still feeling restrained, in a good way. This is the aggressive and punk feminine energy album we need. Her singing imitates pain but also pleasure that is hard to determine, giving an uneasy welcoming but uninviting message. I love it and glad I was surprised by this one.
Sufjan Stevens
4/5
4/5. From the initial listen, it sounds like a children's album of educational songs about Illinois. Upon further listens, this is a deeply depressing and personal album about a man trying to find the joy of knowledge while ignoring the personal pains of this real/fake life he is living. The backing vocals seem like intrusive thoughts. Not all songs are great to be fair, some are definitely skippable, but overall an interesting listen that changes my viewpoint each time. It's quiet and quite simple, but something it doesn't have to be complicated to express yourself effectively.
Frank Sinatra
3/5
3/5. The latin-flavored Sinatra sound is a unique choice and there are some nice and sweet instrumentals and passages but they can sometimes counteract each other. Kind of like they added the orchestra as an after thought because the guitar was not providing enough background, and now it sounds like two backing tracks working against each other. Sometimes it works, but mainly because Sinatra's voice is present enough to ignore the other stuff. It's a nice collection of slow dance songs but it has its flaws.
The Good, The Bad & The Queen
1/5
1/5. This album was honestly just so boring. It felt like multiple ideas being thrown around with none of them landing. The lack of processing on Albarn's voice felt so out of place for the vibe of the album. It felt like a Gorillaz album with some instruments thrown in there besides just a electronic beat. There was potential for sure, and it wasn't necessarily terrible to listen to, but there is no reason for me to revisit this one.
Madonna
4/5
4/5. At first listen, I was not a fan of this album but on second listen, I really enjoy the aesthetic and the songs stand out much more than before. There are some heavy hitters and some experimental songs that feel like the songs are written by a professional willing to branch out and explore new sounds, making it a refreshing and well-produced listen. Sure not all songs are perfect but I am glad I gave this one a second chance.
ZZ Top
3/5
3/5. A fun bluesy boogie album that is way more danceable than it has right to be. There are a few songs that are skippable for sure and but the good ones are pure rock and roll. It's fun and smooth but not a perfect album, just an okay bluesy rocking time.
Peter Gabriel
3/5
3/5. I love several songs on this album but there are definitely some misses, including the hit Don't Give Up, which loses me in the positivity and feels fake. There are some other good songs but the great songs like Red Rain, Sledgehammer, and In Your Eyes make up for it. Just an EP with those three and Big Time would be amazing. There is disco, electronic, and industrial taken from previous albums but it doesn't seem to find a place here. As an album as a whole though, pretty good but not awesome.
Pink Floyd
5/5
5/5. Scary, beautiful, personal, ethereal. This is a perfect album. The instrumentation is the best Pink Floyd has ever sounded and the collaboration was strongest here. The guitar and keyboard/synthesizer really shine (get it?) here. This is one of the rare occurrences that if this album was 10-15 minutes longer, it would be better. Hard to not feel enraptured by the music and lyrics, many different themes but all feel connected and flow so well. This is an album ahead of its time and holds up even today as a new experience for anybody listening to Pink Floyd for the first time. Might be my favorite of theirs, still up in the air.
The Doors
4/5
4/5. I do love this album a lot and the first side run is perfect. However, most of the second side is skippable. Texas Radio and L'America are definitely misses. And as an album as a whole, it rocks but not like other Doors albums. Jim's sultry blues voice is the best it's sounded and the instrumentation is more collective but the songwriting is what is missing here. Still some great songs overall.
Neil Young
4/5
4/5. There isn't necessarily a bad song on this album but not sure how I feel about it. There is definitely an undertone of anger and resentment about life and America. It also has a bleak and sad air about the songs that provide the listener with a sense that this album is talking about a time long gone and a place lost to ruin. It's beautiful and sad at the same time. It's not perfect but it truly is otherworldly and a pleasure to listen to, despite the ambience.
Rod Stewart
2/5
2/5. Sure, Rod Stewart can sing but it would be nice if there were some great songs on here. Unfortunately, it feels like there might be some interesting lyrics here if the production was good or the music didn't overpower his vocals. Plus, the songs are just okay, most of them covers anyway and none of them great. Not terrible to listen to so not a 1 but close.
The Triffids
5/5
5/5. A strong and powerful love album, a lost or distant love. There is passion in the voice and although everything is over the top, I feel the emotions coming from a man who has been hurt and damaged. It is essentially pop but they feel like old tales of love on the sea. The title of the album is about a hallucinatory sickness that sailors got from being out on the sea for long periods of time. The music evokes that feeling so well, it's hard to not see the pain and sorrow from the lyrics. I don't even remember most of the album but I remember feeling enraptured, like a siren on the sea, so it gets a 5.
Funkadelic
4/5
4/5. A lot more groovy and jam heavy than other Funkadelic albums. They have something they want to say and once they say it, they let the guitar speak. The only downside really is the 11 minute epic that seems to be trailing a little too long about poop and brains, like sure, I'll drink to that but feel like they got a little too drunk on it. The album totally funkin rocks just lost me in the middle there.
Jefferson Airplane
4/5
4/5. A fun and catchy psychedelic album with some great and classic songs here that will be on repeat. There isn't necessarily a bad one on this one but it's not all perfect songs. Still a repeat listen though, especially for Somebody to Love and White Rabbit.
The La's
3/5
3/5. An enjoyable collection of britpop songs but nothing stands out. It was a nice listen and I can hear the influence from other bands as well as the inspiration to other bands this album provided. Especially the last song stands out as a highlight, it's just the shorter songs don't provide much sustenance.
Eels
3/5
3/5. Some solid 90's rock songs, nothing crazy original but had a good time listening to them. Not sure I quite understand what's going on with the lyrics but hey, they sounded good and that's the first step. Noticed some songs I've heard before and that was fun. It was a good album just might need some time to click for me if it's great or not.
Van Morrison
3/5
3/5. One of the highlights of the album is the chemistry between Van and his band, following him to a T and feels so raw but coordinated. There are just songs on here that I don't enjoy to begin with so I only listen to the ones I know and although some sound better on here, most I like the studio version better. Still a good collection, kind of like a greatest hits.
Ravi Shankar
4/5
4/5. A love the introduction of this album, and before each song, as if guiding me through a new experience and letting me know that everything will be okay. This is at the end of the day a jam album and I'm all for it. Shankar is having a great time flexing on his instrument and the backing instrumentation is well done. There is a beautiful sense of control yet letting go, and just a wonderful album in general. Although not all the time, I'd put this on as background music or even as meditation easily.
Frank Black
2/5
2/5. An interesting punk-rock album that doesn't go quite hard but isn't simple either. There are a lot of fun experiments on this one sonically but not sure I'm playing this one multiple times just cause it's hard to follow and stay invested. Like sure, it's weird but that's one of the main things it's got going for it. Not a bad listen but honestly a little too long, a solid 30 minute punk run of the best songs on this would be awesome.
David Bowie
3/5
3/5. A very unique pop album from someone who is lauded as the best art rock/pop artist. It contains some of his most personal songs but also some fun ditties that have not aged well. Among the rest of the songs, the off ones are good but by themselves, are not great. I don't think this is a bad album but it's not amazing.
N.E.R.D
3/5
3/5. Not quite r&b, not quite pop, it's got some funk and groove. It's got this young energy of experimentation and cool. It's not necessarily my vibe but this does jam for sure. Maybe will go up later but right now, I enjoyed it and not much more. I respect it as well, expanding the sonic barrier of what pop can do.
Baaba Maal
3/5
3/5. I have no negative reactions to this album but I am out of place here, considering I am not familiar with language, it is just hard for it to be a classic because of this barrier for me. I really enjoy the diverse selection of instruments so it was at least a unique and enjoyable listening experience.
Frank Zappa
5/5
5/5. Fantastic and excellent jams and instrumentals, each unique in their own way without getting jumbled together. Amazing solos on Gumbo and Willie, and honestly beautiful sounds coming from Peaches and Umbrellas. Overall, a glorious musical experience with new favorites every listen, something here for everyone, while sticking with that Frank Zappa sound.
David Bowie
4/5
4/5. It feels as though David is going through a fever dream from song to song, he is overly emotional in some songs while stating facts in others, like he is having a manic episode which I'm sure is the cocaine. But heck, did it give us a great album. I would say Golden Years is honestly one of the weaker songs on the album, but fits in with the scattered ideas throughout this one. The instrumentals are great, orchestral and pompous, like flying through Bowie's mind.
Iggy Pop
3/5
3/5. I'm a fan of the stooges and Iggy but this one didn't do it for me. I didn't feel like the songwriting was up to par on this one. The instrumentation was simple but effective, and Iggy performed well but I felt like there was an energy missing, or at least this wasn't the genre of music for him, which is base rock and pop. We either need heavier or weirder. I enjoyed some of the songs but it felt like a Bowie album with someone else singing where his voice should be.
The Cult
3/5
3/5. I did enjoy this album, and it's glam and hard rock vibes. Definitely trying to be multiple different bands but hey, it was fun to listen to. The songwriting, pretty basic, but they rocked out and the production was amazing. Felt fresh and new despite the 80's release date.
Santana
3/5
3/5. A Latin-infused blues album, that has some okay lyrics but Santana's guitarwork is what drives each song. There are instrumentals on this album but they don't stand out as excellent, I feel like this one has a chiller vibe but doesn't match the aggressive energy Santana is known for. Good on some days, but not amazing.
Leonard Cohen
3/5
3/5. A sad and tragic album (save a few songs) about a man who has given up on life, despite only being a young man writing this. It all flows together, as in I can't remember which song is which, but the lyrics are beautiful. A full monotone voice along with the same guitar picking can get old quick but you can't deny those word pictures.
Ute Lemper
4/5
4/5. Had no idea who this was but the Broadway background shines through and surprising it translates so well through a studio album. This was really good with dramatic and well-written songs from multiple artists, through Ute's powerful voice with great instrumentation following her lead. Felt like I was listening to a play, missing the talking parts in between the songs.
2/5
2/5. I mean, maybe this is deeper than it seems but nothing really stands out as innovative or interesting. There are some good songs but not ones I would necessarily go out of my way to listen to, just ones that could be on and I would enjoy it. Don't get me wrong, I'm sure there is some good songwriting here, it just doesn't seem for me.
Red Hot Chili Peppers
4/5
4/5. More exciting songs on this than I was expecting. The hits rock (Give it away can get old), but there are some others on here that stand out and are re-listens. A nice run from top to bottom, nothing stands out as out of place and they are comfortable with their sound while still experimenting which is what makes this more solid than other releases. The driving force is Flea on his bass, putting that out front is the smartest decision in music history, what a great choice.
Billie Holiday
2/5
2/5. Holiday's voice is so unique and soothing, an album of slow ballads about heartbreak and loss, feels so sad to listen to. About halfway through the album, I was mostly done with it and I was no longer sad, just kind of bored. It's good, and a few songs here and there are enjoyable but a whole album is hard to listen to.
Morrissey
1/5
1/5. I don't care on a good day about the Smiths, hard to feel anything listening to this. It's boring at the best of times. There are some catchy beats and the guitar work is impressive in some songs but I can't get the hype about Morrissey. I wish I related more but I don't. The last song is funny though, but that's all I can credit it.
Stan Getz
4/5
4/5. A well-rounded jazz album that doesn't overstay it's welcome and keeps the solos nice and sweet. It feels experimental but not amateurish. The players play off each other so well, and there is a genuine excitement among the playing, not sure how but it feels that way. I don't necessarily think it's perfect, but the songs do sound fresh and unique.
Barry Adamson
4/5
4/5. It's hard to understand what kind of genre this is but each song has a dark undertone that I love the vibe of. A review I saw described the songs as "homicides if taken form" and what a great way to describe them. Even the upbeat and calm ones feel more psychopathic than the dark and heavy ones. This is great backdrop music for drive through a dark wood or in an abandoned town, if you wanna scare yourself even more. The only negative is that I don't want to get scared all the time and this isn't always a mood lol but gosh darn what a mood!
The Shamen
3/5
3/5. A pretty chill collection of electronic songs, doesn't stand out but is nice to the ear. I'll probably play this in the background as I study or write, no stand outs just no bad ones either.
Radiohead
4/5
4/5. An interesting and depressing collection of songs with great guitarwork. Yorke is still finding his voice in this one but on the songs he got it figured out, it really stands out. The first half of the album is the highlight with some okay songs near the end. Overall though, a surprisingly good album that I wasn't expecting and gets better with each listen.
KISS
3/5
3/5. Although, yes it can be very cheesy on most days, I would jam to this. The lyrics are so simple and the instrumentation isn't crazy as well but throwing this on at 11 really shows where Kiss are coming from. However, there are songs that go on too long despite only being less than 4 minutes long. The hits are great but not enough to bring this above a 3.
Talking Heads
5/5
5/5. A sporadic and fear-fueled album, every song you believe Byrne is truly terrified of these things. His displays of unconventional vocal prowess drives each song and I do feel concerned despite also fully investing in these feelings. Not to mention the exciting instrumentation that backs Byrne's voice, sometimes he's catching up and other times, the instruments are catching up. A wonderful, crazy album; a classic.
Peter Gabriel
3/5
3/5. Man, this one is all over the place. Dark and jazzy on some, poppy and upbeat, silly and cute, and just weird. Like a greatest hits but not all of them are great. And if we're being honest, Solisbury Hill, maybe Flood, are the ones to take from this one. The other ones are good, and the album is enjoyable but there definitely some flaws.
LCD Soundsystem
5/5
5/5. A great collection of dance-ish rock/pop songs. Bias, I have heard this one many times, but each listen is so fun and well conceived. Feels young and fun, while still being concise and amazingly produced. A great road trip album but sounds great on loud speakers. Plus the lyrics are personal on some but also so weird on others that it creates a nice barrier between each.
SZA
3/5
3/5. I enjoyed this one, specifically a lot of the personal and serious songs that SZA was comfortable singing about. The instrumentation was beautiful, filling the space with R&B but leaving room for electronic and ambience. Even the explicit songs contain some subtle fears and desires. The album loses me with some of the songs just not as good as I would have liked. I do dig Prom, Gina, and Wavy for example but not really Doves, Drew, and Weekend. Like it's not a bad album just not over the top amazing.
Common
4/5
4/5. This is one of the most complex and intellectual albums (like to pimp a butterfly). Although yes, there are some simple songs on the album, each one has deeper meanings than the surface level implies. Conscious hip-hop gets better with time and this might be a 5/5 for me but I don't fully get it yet, but what I did hear I very much enjoyed. The beats are so smooth, but not quite full hip-hop, a mix of jazz and funk as well. A great series of rap tracks that feel super influential to artists like Kendrick, Jay-Z, J-Cole, Run the Jewels, etc.
Fats Domino
3/5
3/5. A solid collection of well-written love songs with a strong and smooth-singing front-man. There wasn't necessarily a bad song here but it's not unique enough to feel it deserves higher than a 3. Not bad, and might put it on later, but not amazing.
The Disposable Heroes Of Hiphoprisy
3/5
3/5. More a spoken word-poetry with some heavy beats behind it, but fun to listen to none-the-less. I enjoyed this, and the TV song was fun. Love straightforward feelings about politics in songs. Favorite line was about the news using oxymoronic language like "military intelligence." Love it. Some of the lyrics definitely aged, and some did not at all. Overall, pretty good.
k.d. lang
2/5
2/5. A cool fusion of jazz and country, pop and theater. Quiet songs of love and loss. Didn't hit me as hard as I thought it would. It's beautiful don't get me wrong, but I don't think I'm going out of my way to listen to this one again. Most songs are too slow without much change that it does kind of drag in places. The hits are great but other than that, an okay album at best.
Solomon Burke
3/5
3/5. Just well-written and beautiful ballads that is just nice to listen to. The only downside is that they don't provide a lot of diversity but Burke is just a great and powerful singer that each one is still enjoyable. Nothing crazy good, just good.
CHIC
3/5
3/5. This had some great songs and nothing lasted too long to be overbearing, still had some R&B influence involved that saved it from being too repetitive or annoying. The main hit single was enjoyable and the rest of the songs complimented a sense of a dance record you might hear in a mansion, instead of a club; pretentious but confident in its themes and aesthetic. Although it's not a repeated listen for me, it's a good one to have on.
David Holmes
4/5
4/5. These are some well-produced songs, providing a feeling of dread, like walking through a city where it feels like everyone is watching you. The samples of people talking make this album feel alive, giving some solace between the long instrumental tracks. There aren't any bad tracks here but some don't stand out as much as others. The trip hop genre provides a lot of opportunity for other genres to fit in with the music, like Latin, rock, pop, and ambient. This album welcomes those genres with open arms.
Sex Pistols
5/5
5/5. I truly do not like the main singer from what I have seen on the news but man do these songs slap. Love the direct controversial topics and the unwavering opinion of Rotten, which is nice to see in punk where some bands are afraid to say what they mean, for fear of not being liked. I don't necessarily agree with all the lyrics but hey, I do dig the music and the passion, and some of the lyrics. It's just an objectively good album from what I'm hearing. Plus the simple instrumentation, with driving guitar chords and 4/4 time signature allows Rotten to just say what he wants to say without being overbearing.
Pink Floyd
5/5
5/5. Man, although I wouldn't say all the songs on here are perfect, it's really hard for me to deny the 5 this deserves. Unique instrumentation, wild and spacey lyrics while also being real, a feeling of dread spread throughout the album. For an album about life, it truly hits home the depressing state we all go through even back in 1973. Personally bias of course but this is definitely one you have to listen to before you die. Plus we love the anti-capitalist mindset they were preaching.
Haircut 100
4/5
4/5. A great collection of pop songs that brings vibes of pet shop boys and the beach boys, creating a fun and happy-go-lucky vibe mostly besides some one off dark ones. Otherwise a really enjoyable pop album, full of short and sweet songs about random stuff that feels unique. Can't wait to explore this one more!
Yes
5/5
5/5. Totally biased but progressive rock is my favorite and amazing instrumentation with clean songwriting takes me higher. Hard to feel like people might not enjoy these songs. Sure they can be long and overbearing but they are just so fun to listen to, I have no idea what any of it means but it's so easy to sing along to and jam to. Although objectively these aren't Yes's best songs, the flow of the album and the 4 main long tracks really stand out here.
Miriam Makeba
5/5
5/5. I'm usually disconnected from albums that are not in English, just due to nature of understanding, but I don't need to know what Makeba is saying to feel that emotion and power from her vocals. Instrumentation is simple, to let her shine. The songs in English are dark and brooding mostly, despite the lyrical content. The uplifting non-English songs are beautiful and calming, I feel welcome in her voice, I don't know how to describe it.
Jimi Hendrix
5/5
5/5. Honestly a classic. Third stone kind of makes it hard to give it a 5, but gosh darn is everything else too good. The expanded version is a great addition as well but even with just the base album, it's hard to deny the quality of these songs and its influence on rock and music in general. Although there are like 5 hits on this one, the other songs do not slack, amazing work from everyone in the band. Crazy how this was all packed into one album.
Tom Waits
4/5
4/5. A carnival of sadness and fear. Not sure where Waits is coming from but there seems to be something he should probably go to therapy, thankfully he at least is expressing it through music. He has such a unique voice that matches the minimalist and raw instrumentation, like I found myself in a Saw movie and this was playing over the speakers in the dungeon I was chained up in. I know I'm not lasting long if this was playing. The only downside is some of the spoken word tracks sound similar and have similar themes of death and depression.
Alanis Morissette
4/5
4/5. A great collection of grunge and pop and although her voice can be a little jarring at first with the cracks and nasally whines, it's what makes this better. Like she is mocking the genre while also shining through it. Some of the energy gets lost later in the album but these are just well-written songs at the end of the day. I enjoyed this one despite the precedence I've had from society telling me I shouldn't like it. Love breaking those norms.
Alice In Chains
4/5
4/5. A heavy grunge/metal album chock full of bangers. I didn't realize this is where my favorite metal bands clearly got their influence from. This honestly just rocks so hard and each song has an amazing accessibility despite the lyrical content and music atmosphere. Love this genre, and love to find new albums within it.
Brian Eno
5/5
5/5. A very weird album but so very catchy. There is a sense of New Wave and Glam Rock here but also Ambient thrown in. None of the songs make any sense and there isn't a pre-established concept, just songs with no concept. They somehow still create a world inside Eno's mind that feels so real, I want to have whatever he's having. The first half are some pretty upbeat pop/rock songs. The second half is starting to become my favorite with its slow and brooding ballads, quiet and dark. Overall, there is a lot to like from this one, high 4 but I'll give it the 5.
Goldfrapp
4/5
4/5. A smooth and suave album, with dark and sexual themes throughout. I enjoyed the minimalist but heavy instrumentation matched with the flowing female voice. An ambient, trippy atmosphere surrounds these songs and feels like a brooding dream that slowly transforms into a nightmare. When I want to feel like I'm being watched, I'll put this one on.
Deep Purple
5/5
5/5. Awesome rock album. Just great riffs and songs, and a great flow front to back. First side is superior to the second side but still just epic and heavy all around. Although this wasn't necessarily amazingly influential, it is just good stuff. Child in Time is a banger, amazing solos all around, and even the non-hits are just pure rock at its core.
The Who
4/5
4/5. A funny album that shows that the Who can be fun while still being some of the best musicians of their time. They carried this energy over to Tommy but even this one has some well-written songs but definitely some major silly ones that don't necessarily age too well. But I can't knock the fun they are having and I'm here for those vibes.
Elastica
3/5
3/5. Short and sweet brit pop songs that were definitely fun to listen to but didn't get a lot of substance from it. I'm sure I could enjoy this more if I wasn't subjected to 40 brit rock/pop albums already. It really needs to stand out and this one was punk and heavy, but not my vibe fully. I still do think this is at least a good album.
Black Sabbath
5/5
5/5. A classic heavy metal album, the origin for those about to rock. Each cut on here is memorable and unique, some slow and ethereal while others heavy and dark. Mostly the latter. There is just honestly not a bad song on here, hard to find fault.
Common
4/5
4/5. These are all just super well-written songs, catchy, short, high quality production, and smart lyrics. There are some political undertones on this one but mostly a simpler concept than other Common albums. The songs feel uplifting but with Kanye and Common trading verses, it feels like two black men having a conversation on a corner, about the past, present, and future of their lives and the black race. It's beautiful and sad, uplifting and depressing. Although I am not a huge fan of all the songs, the album as a whole is a good listen and an important one.
Steely Dan
3/5
3/5. I don't like Steely Dan on a good day, but this was decent because it had short and sweet songs without being overbearing or trying too hard. The songs are catchy and well-made, I even put it on a few times. The guitarwork is the best part with wonderful solos. Innovative pop songs with a jazz flavor but again, just not doing it all the way for me. There's just a pretentious energy that is hard to enjoy from them.
My Bloody Valentine
3/5
3/5. It starts off the same, front and center distorted guitar with no lyrics, just ineligible words and I was afraid it was going to be a whole album of that. Thankfully, halfway through, we are introduced to a front and center bass and drums and synthesizer. Still ineligible and frustrating lyrics but at least the emotion entered and it felt like an enjoyable album to listen to, even beautiful at times.
Tortoise
5/5
5/5. A really great post-rock album, slow-moving and hesitant without ever feeling boring. The best song is the first 20-minute long Djed but the second side of small ideas is also great. They all feel urgent yet basking in their patience hoping the audience will relax with them, and if you do allow yourself to calm down, your experience will be heightened. Although I wouldn't say I would enjoy this all the time, this was one I couldn't really find fault in.
Miles Davis
5/5
5/5. Just innovative and unique, trying stuff out, expanding the realm of what jazz could be. There seems to be a conversation, between diverse groups of people and still co-mingling. There's just so much happening in these two songs. Quiet and tapping at pandora's box, wanting to let it out but just playing with it. In the end, it's just a great album, switching between jazz and rock with such ease.
The 13th Floor Elevators
2/5
2/5. Kind of a mid psychedelic rock album, and I do understand it is one of the first ones and paved the way for great albums to come but I don't think it's aged very well, save a few songs. There are many that are just annoying. The use of certain instruments are fun and I'm sure this was wild to hear when it came out but a lot of it feels like flash over quality.
Yeah Yeah Yeahs
3/5
3/5. An enjoyable indie pop album with a wonderful front lead. Chaotic and sweet, with some great songs throughout. There are some ones I could skip so not as exciting all the way through but some catchy and fun ones as well.
Public Image Ltd.
4/5
4/5. Industrial punk might be one of my new favorite genres, every new album in that genre sounds so good to me. The chaotic singing and drowned vocals of the singer makes the heavy riffing of the guitar resemble metal more than rock. Some songs go on a little too long but most are great. The lyrics also stand out to be very direct about their opinions on religion, torture, self degradation, and being an awful person. You know, classic punk stuff.
Black Sabbath
3/5
3/5. A metal album from a metal band that refuses to fit into that stereotype. With songs like Laguna and Changes, Black Sabbath really try something different and sometimes it works, and other times it doesn't. Any of the heavier songs are some of the best in their discography (Supernaut, Snowblind), but also some okay ones like Dream and St. Vitus that bring it down. And many people say Laguna is one of their favorite Black Sabbath songs but just because it's different than what they normally do, does not mean it's good. That is the worst song on the album, so annoying. I appreciate them branching out but don't think it works all the time. Still a great album but nowhere near perfect.
Paul Revere & The Raiders
2/5
2/5. Psychedelic rock/pop is hard to make stand out since that genre is usually monopolized by The Beatles in every year from 1964-70. So it's okay, singer does bring some heat that makes this unique but not too crazy to make it a good record. Not terrible just too familiar.
Sigur Rós
4/5
4/5. Slow and sweet, these songs transcend the language barrier. I have no idea what he is signing about but I enjoy it nonetheless. Orchestral and brass sections pulling me through these songs. It's not perfect for some of the passages going on a little too long or the vocals are a little too breathy, but when it hits, it's alien and familiar, cozied up in my bed and dreaming of the stars.
R.E.M.
2/5
2/5. Maybe I'm not getting it, is this really a 10/10 like all these reviews are saying? Sure, it was definitely ahead of its time, basically started the 90's rock revival in 1983, but it's influence does not weigh more than the actual listening of the album. I didn't hate it but it was quite boring. Sure, there were some bops but I must not be getting it because I wouldn't care to play this one again, nothing excited me, just did enough mid without being annoying.
The Hives
4/5
4/5. Think this is my first compilation album, which feels a little like cheating but these are some pretty cool songs. Pop punk is fun genre when done right and this is done very well. Short and sweet, solid ideas portrayed and stay just as long as needed. Will probably play these songs multiple times, great stuff.
Girls Against Boys
3/5
3/5. Heavy and thick, close to sludge metal, this goes pretty hard. Mostly unintelligible lyrics save a few but it feels like that is correct. The riffs are clean and drudging, akin to early black sabbath but providing the punk of the Stooges for example. Some of these songs last a little long, but they do go pretty hard. Slows down a little near the end but a solid listening experience.
The Vines
2/5
2/5. The short punk Nirvana-esque songs are really the standouts. The slower, long-winded songs lose me, just not the vibe or the strength of this album. Like it's not terrible but just boring, like a bunch of B-sides from Oasis. I'm also not a huge Nirvana fan in the first place so even the good songs weren't great, just okay.
Robert Wyatt
2/5
2/5. I like soft machine sometimes but it's definitely not the best choice all of the time. Wyatt's foray into solo music comes out with some nice songs and airy, ambience that gives a sense of floating on a cloud, like the cover art suggests. However, sometimes, I would like to come down but it kind of just gets boring up there, and the atmosphere loses its serenity. There are some standouts so not terrible but seem to be missing the enjoyment of this.
Mekons
3/5
3/5. This was good? It's definitely different and that's a nice change of pace. I do think with some time I will like this a lot, with its interesting melodies and instrumentation. It goes hard in some songs and I don't know how British voices feel more comfortable in country music than artists from the Southern United States sometimes. Again, it's good, but too different to feel correct to give higher than 3.
The Band
4/5
4/5. Probably one of the most recognizable Americana album and songs. Overall, a great listen from front to back but not all individual songs are great. Hits are great (despite the obviously problematic Dixie Down) and there are some others that stand out. I keep seeing 10/10 on every site but there are definitely not all perfect songs on here. Sure, great lyrics but melodies are where it fails sometimes. Again, it's close to perfect, just some misses along the way.
Teenage Fanclub
4/5
4/5. These are just well written and fully fleshed out songs, a breathe of fresh air. Each song follows the other with excellent cohesion and no song over stays its welcome, including the longer songs. It feels like a mixture of pop with post rock; post-pop? It's mostly accessible sounds and the instrumental sections are great. Not all the way perfect but a good listen nonetheless.
Jeff Buckley
4/5
4/5. There's some great songwriting here and Jeff's singing is insane, and makes this one that much harder to listen to with his death. I definitely think we could have received an amazing catalogue from him as his writing style improved, but it is just a fantasy now. The reason I bring up the possibility is the fact that there are some drags on this album, but even the covers sound original. I do enjoy this album but I do skip some songs.
808 State
3/5
3/5. I swear this most have been the inspiration for many video games to come, this feels like it comes directly from a video game score, specifically retro or indie. It's repetitive, it is electronic, but the little additions thrown in keep it from being stale like a violin, or heavy bass note that pops up. It's not a repeatable listen for me but it was pretty good.
The Beta Band
2/5
2/5. An interesting series of electronic folk? but not for me I think. If I was older when this originally released this might have been my jam but feel like its aged a little. Not very memorable but not bad, just experimental but not super landing perfectly. Maybe another listen might do it for me, but don't feel like doing that right now.
The Who
4/5
4/5. A concept album about a deaf, dumb, and blind boy. This shouldn't work for a lot of reasons but can Keith Moon hit those drums. The melodies are pretty and heavy while still being silly and fun. Sometimes, it can be a little too silly which prevents it from being a 5. I enjoy some comedy in music but it can just not sound good like Do You Think It's Alright, Welcome and Tommy's holiday camp. Those can be a little cringe and annoying. It's an overall good album but not perfect, mainly due to the instrumentation and passionate singing from Daltrey. Also Underture is an unnecessary track, too long and just the same riffs, plus a few, from Overture.
Supergrass
3/5
3/5. The album started off strong, but lost me near the middle. By themselves, the songs are pretty fun and would work well in a playlist but back to back feels too overpowering with the fuzz and hazy atmosphere. There are some great ones on here like Sun Hits The Sky and Hollow Little Reign but didn't vibe with this one as much as other britpop albums.
Suzanne Vega
1/5
1/5. Indie pop that could be a lot better, like it's not terrible but it's really not that good. Just pretty unforgettable songs, wish there was more here but it's just a bland record with not much to offer, not even a re-listen is worth it.
Koffi Olomide
2/5
2/5. Yeah definitely something. I mean, it's a fun gimmick but not an hour worth, it's only natural to start tuning out. Like it's not bad but it's just a lot especially for a different language. Sometimes, multi-lingual albums transcend my language barrier but this one inhibits it. It's good background music and nothing more.
Jorge Ben Jor
5/5
5/5. Dang, didn't think was gonna so hard. I do not speak Portuguese but his vocal melodies and harmonies are smooth and work so well with the band and guitar riffs. The ad-libs in the background create an environment that feels like I am in a large room in the basement of a bar or something. It goes really hard, just great musicianship and fun stuff.
Jeru The Damaja
4/5
4/5. These beats are insane and the samples are so fun, definitely feel the parliament-funkadelic influence throughout. The flows are fresh and still relevant today. The album is also really well produced and has the alien and old-school vibe but sounds modern. The first side is stronger than the second side but still goes hard. The best parts are the transitions between songs, skits, ad-libs, and samples. All flows together so nicely.
k.d. lang
4/5
4/5. Country music with a voice of a rising 90's indie rock artist. It's definitely unique, I'll give it that. These covers actually feel like original songs which is nice and she sure can sing, belting through some of them. It's basically if feminine-Morrissey did noir-country, it's a vibe for sure that sometimes hits, sometimes not but it was better than I was expecting from the first song.
Simple Minds
3/5
3/5. This was an enjoyable pop album, had great instrumentals. The vocals were muddy and hard to hear, bad producing on that part but otherwise, felt like a great instrumental album. The songs didn't stand out too clearly, but I didn't hate it.
The Boo Radleys
1/5
1/5. I don't know what it is about shoegaze but it just isn't for me. The mix of quiet vocals and sudden bursts of sound feels so jarring, and the high pitched feedback doesn't help either. This honestly just hurt to listen to. Even the slow songs without loud sounds was just boring. Maybe I'm getting old but this was not enjoyable, I don't even remember most of the songs, I was just annoyed and waiting for it to be over.
Hawkwind
3/5
3/5. I have to definitely be in a mood for this one but I do very much enjoy the jams. It's hard to know exactly how this is to be experienced without being completely stoned on at least 5 different substances but sober it's still pretty good. Throwing the bass out front is such a smart choice, as it drives a lot of the actual songs. The spacey, ambience really brings home this otherworldly feeling but it can be lost on me sometimes. Again, have to be in the mood but it do be rocking.
The Byrds
2/5
2/5. Yeah just kind of boring, especially since it's a lot of covers. Just feels lazy, despite this wonderful 12-string guitar that everyone keeps talking about. Like some fun songs but just okay, maybe just wasn't in the mood but that was my experience. Was interested in most of them, the hits were fine though.
The Velvet Underground
4/5
4/5. Super chill and definitely drugged out but there is a sweetness among the lyrics that feels innocent. There is a dark undertone among it all which keeps me on edge but that is a good thing. I enjoyed most of these acoustic songs but some misses (looking at you murder mystery and that's the story) but overall these are very accessible and simple songs that stand the test of time.
The Pogues
4/5
4/5. An interesting collection of Irish classics and originals. The vocals and instrumentals are so very Irish, it has a nice atmosphere, like I'm drinking late into the night surrounded by friends and we don't care what happens tomorrow because tonight is all that matters. It's a wonderful feeling but my drunkenness' might make the sound better than it actually is. Still, can't knock the boys for having fun, a jolly good time overall.
The Sensational Alex Harvey Band
4/5
4/5. A heavier than expected album full of awesome riffs. Some of the lyrics, sure a little iffy, but I have a feeling that might have been the point? Alex really defines the sound, kind of like a Scottish Tim Buckley. I can see the influence this album provided to bands like Black Midi today, and it does hold up in my opinion. It's weird and seedy, but goes hard in almost every song. Next... arguably my favorite song on the album.
Os Mutantes
3/5
3/5. Very psychedelic but oddly entertaining. The instrumentation is fun and has Latin and salsa influences despite taking heavily from Psychedelia. I don't quite understand the lyrics, because I don't speak Spanish, and the skill isn't all there, but it fits the music very well, leading me along a guided head trip. This was an enjoyable listen and I might play it again to freak my friends out lol
Ananda Shankar
3/5
3/5. Definitely a fun thought experiment. Feels like bardcore with a sitar instead of a lyre. I enjoyed this one, especially the covers and jam session with Sagar. It had a good mix of multiple ideas but still felt like they were trying to stuff out, nothing solidified yet. He can damn sure play that Sitar though, going ham in those solos.
Nitty Gritty Dirt Band
4/5
4/5. I thought I was going to get annoyed with the length of this album but honestly, the little talks and tuning in between makes the songs feel more real and the live performance nature brings these songs down to earth. It feels like a fun evening outside, on a warmer than normal night, with your friends playing songs together. Yes, it is quite long but that is the only detriment. Upbeat, but also solemn, and fun throughout.
Al Green
4/5
4/5. Smooth and jazzy R&B, Al Green uses his voice to guide the sound and rises and falls whenever he pleases. There is a rhythm to it but he changes so effortlessly that it feels random. A mechanical backing track, following the basics, are held backstage for his voice. It's mesmerizing at the very least, but sometimes it's hard to stay attentive. These are well written songs and in someone else's hands they can just be R&B pop but he decided that is not what is going to happen.
Madness
1/5
1/5. I mean, sure. Our House is the hit from the album, already a super annoying song, not much else is standout. House of Fun is interesting just because of the vibe but that's all it got going for it. It's not necessarily a bad album, it's just not as enjoyable as it's trying to be.
Traffic
4/5
4/5. Great instrumentation and each song stands on its own. Have no clue what every song honestly means, especially the title track, but hey it sounds good. It's like a soft jazz and rock album with some heavier moments throughout. Smooth singing but not perfect, great instrumentals.
The White Stripes
4/5
4/5. Arguably the best White Stripes album as a collection of songs. Short riff heavy rock songs that don't overstay their welcome. It feels like a brainstorming session come to life, each song feels very different and original. I get something new out of every re-listen, and a different song becomes my favorite. Not a huge fan of the band or sound, but it's not grating like it could be so it passed the tolerance threshold and now has my attention.
Wild Beasts
1/5
1/5. This was just boring man, and not because it was slow but because there was just no energy in it. No feeling in these songs, just empty holes. Like it's rock without the roll, ya know? Just a whatever album.
Cee Lo Green
2/5
2/5. He really do be the Soul Machine, as in he is very soulful, a unique voice that causes relaxation. He is also a machine in that these songs are so formulaic and repetitive that they just pass one another until the album is finished. There are some good songs that have great flow like Childz Play and I'll Be Around but I kind of lost interest about halfway through, Glockappella took me back for a second but that was it.
Elvis Presley
3/5
3/5. Mostly a collection of normal do-wap songs that could be done by any male artist from the time. Fever stands out as dark and dangerous, bookended by silly love songs. No bad songs, just nothing too exciting. Feels like Elvis is playing it safe save a few. There are some strong vocal performances but it's not amazing, still enjoyable.
Bee Gees
3/5
3/5. There is a sense of sweet innocence among these songs that feels mature at the same time. Sure, many of them sound a little too similar and drags in some, but it's a calming atmosphere they create, a yearning. Interesting choice for album title, but I imagine this feeling among those who did not go to war and waiting for their family to return from the war, knowing full well they won't. It's grand at time but also not good at others. A solid mid album.
Nirvana
3/5
3/5. I did enjoy the first half of this but there are a few tracks throughout the album that just kind of annoy me more than anything. I think I missed the train cause I've just heard better punk and grunge rock. Sure these were awesome when they came out, hard to see it nowadays. And I'm all for music that is supposed to make people upset but it's not the lyrics that are making me upset, it's just the bad songwriting. Again, I enjoy the overall aesthetic just could be a really good EP rather than filler through half of it.
Lambchop
3/5
3/5. A pretty chill and relaxing album, except when he tries for the prince-tier high pitched singing, takes me completely out, and that's like half of the songs. The instrumentation is so good but his vocals are kind of a negative for me. I enjoyed it but hard to find myself relistening.
Led Zeppelin
4/5
4/5. A classic among rock albums. Hard to dismiss the talent displayed here. Yes, they did steal many of these songs, so can't give it a 5/5, plus the second half does drag a little but side one is back to back bangers. Just so good played loud, especially Babe I'm Gonna Leave You, that driving chorus riff hits hard. Would totally recommend this to anyone who is even interested in rock, it's just not perfect. Zep 4 is where its at.
King Crimson
5/5
5/5. Okay, a little biased, this is my holy grail of Prog Rock, which is one of my favorite genres. Just a world and vision of spacey creation without feeling derived from drugs, which is hard to come by, especially in the 60s. Fantasy for music lovers basically. There are only 5 songs and each one is very distinct from the other. Schizoid: Banger. Wind: Relaxing. Epitaph: Haunting. Moonchild: Sweet and chaotic. (Sure it lasts a little too long imo, another song would have been cool, still an interesting choice adds to the vibe). Court: Fantastical. It's just really cool okay! Listen to it in a dark room with headphones, nothing better.
Creedence Clearwater Revival
3/5
3/5. I love the jams and Cajun vibes, it brings a swampy and slow drag through each song. Blues rock at its core, CCR does well here but not perfect. This a strong vocal performance from Fogerty though, each song he comes so strong through. Not all songs are very re-listenable but overall the album flows well, drinking and relaxing on a back porch under the blazing sun.
Robbie Williams
4/5
4/5. Love the energy from this one: loud, in your face, punkish, and beautiful at times. Brit-pop/rock is a hit or miss. Sometimes it is the most boring thing in the world or it can be like this with well-written songs and the energy needed to match the instrumentation. And that energy is here to shine. Not a perfect album but definitely worth the listen.
Belle & Sebastian
4/5
4/5. Wonderful, catchy and sing-able songs, relaxing and relatable lyrics. It feels like I'm growing up again, going through all those emotions in a safe space. It's not quite a perfect album with every song being really good, but the atmosphere the album brings is worth the listen for sure. It's sad and aching with some sense of optimism in the face of death, a.k.a. the average teenager.
Lucinda Williams
5/5
5/5. Hard to find fault in these collection of Americana songs. Just back to back, wonderful simple vocals from Lucinda on all songs. Catchy lyrics, easy to sing with, or listen and enjoy the breezy and thoughtful music. Love this, no notes.
Happy Mondays
3/5
3/5. Well-written and catchy, upbeat songs make you want to vibe with them. Nothing too crazy offered here but I did enjoy it nonetheless. English rock with some influence from the Stone Roses and some other funk and punk elements creates a some fun songs but nothing influential.
Erykah Badu
4/5
4/5. A beautiful and heartfelt album, you can feel Badu's pain and sadness through the album, even if they are silly or not serious. Themes of self-doubt and acceptance, personal view versus society's view. I really enjoyed this, some songs were a little slow, but otherwise, nice and chill, vibing music if you will.
Dagmar Krause
2/5
2/5. I mean, I do like some of the lines and short songs but this whole album feels like I am listening to a disjointed play where the plot does not exist. Some strong themes of anti-war and nationalism and those opposing ideals. Kind of feels like a best of only the German songs from the stop motion Christmas movies. Which is not a promising venture. Still better than other ones I've hear so if I was in the mood, might enjoy it more so it's not a 1.
The Coral
3/5
3/5. I super enjoyed the first half of the album, but it definitely falls off later, simple and kind of lazy writing. The first few feel diverse and original and unique, like I'm listening to a band finding their roots. They have some bangers but not exceedingly cool throughout. Just a little cool.
Justin Timberlake
3/5
3/5. A much better album than I was expecting. He really has that frontman skill, even through studio recordings. A diverse, mostly serious, and sexy album full of high quality R&B songs. Although not my favorite genre, I can respect the songwriting skill through this album. Not an easy feat to make every song not-skippable. Good stuff.
Minor Threat
4/5
4/5. Punk at its finest. The shortest album on here running so far at a solid 21 minutes. No song overstays its welcome and most lyrics are intelligible but the passion is there. Great to repeat listen to, songs are unique enough to stand out. I definitely enjoyed this!
The Incredible String Band
2/5
2/5. The 13 minute long song is the best one on here but everything else is definitely boring or just bad music. Like, I do understand that it was definitely interesting to listen to but I will need several drugs to “get it.” Trying the George Harrison treatment, just not working exactly. Wish this was better, enjoy the vibe just not good, nothing more to say, but I do really like the cellular song.
Lou Reed
2/5
2/5. There are some good songs here but god damn, Lou Reed doesn’t even want be here singing it. It’s like lazy karaoke, just boring vocals and lyrics. There are just mostly songs by other artists that sound exactly like these songs but better: Bowie, Doors, etc. I would rather just listen to those other albums. I do like satellite and wild side but otherwise, mostly pretty bad, not wholly unlistenable.
Frank Ocean
5/5
5/5. A collection of wonderful R&B/soul/pop songs that just hits back to back. Each song truly stands out on his own but I would only want to listen to it all the way through. Frank Ocean moved R&B and music to the next step, beautiful vocals and thematically appropriate lyrics to tell the story of his life.
The Beach Boys
4/5
4/5. A clean collection of pop tracks from these fellas. Definitely got some misses, the cutesy children-type songs really do not age well, if they were ever good to begin with. Most of the other songs are well written and achieve that pop success they achieved earlier. Not my first recommendation of Beach Boys album but definitely my second.
Marvin Gaye
4/5
4/5. A complex, yet simple R&B and soul album. Most of the songs follow similar structure and sound but the lyrics differ from self-pity, to regret, to love, to sci-fi funk? Hey not complaining, the sci-fi song probably the best one on the album. It's a very vulnerable and complex lyrical album, and will take me a few listens to really get into it, got lost for a few of them, but I enjoyed my listen throughout.
The The
4/5
4/5. Oh my gosh, post punk that doesn't suck! Love the chaotic instrumentation and the chill, lax vocals. The piano solos is not something I was expecting in my punk but it super works. Xylophone behind a disco beat, with aggressive vocals. Truly a masterpiece. Only one or two misses, everything else awesome.
Marilyn Manson
5/5
5/5. I understand it is just the modern The Wall basically, but damn does this slap so hard. I’ve always heard opinions about Manson so avoided it but damn, wish I found this sooner. It’s metal, punk, and rock all in one. The riffs and the guitar front and center are awesome. There are quiet songs that are haunting but highlights are definitely just the ripping and shredding in most songs. Don’t quite get the concept yet, read it was a concept album, but it seems dark and terrifying, so excited to continue listening.
Super Furry Animals
4/5
4/5. A very enjoyable and creative album of diverse, chaotic, and at times, beautiful album. The songs are very well-written and the pop songs are so catchy and accessible. Throwing a metal song in there and rock songs here and there mixed with electronic sounds brings up the score for the album. Honestly, could be a 5 but might need another listen to full appreciate it.
Brian Eno
4/5
4/5. An excellent collection of rhythmic beats and instrumentals with unique samples. It's interesting to remind myself this is made by two white guys. This is great music and reminds me of the instrumentals of Remain in Light by the Talking Heads. The difference in quality is unfortunately Byrne's missing singing. If these songs had singing, this would be elevated to best album of all time status.
The Cure
2/5
2/5. I thought there was a valiant effort, simple yet innovative. The goth new wave scene feels in its early stages and I appreciate the creative ventures but it does not age well. It's not terrible to listen to but not super enjoyable either. Below average in my opinion.
Hole
3/5
3/5. It's got a song of the summer vibe with a dark undertone, and punk aspect that is more subtle than other alt-rock punk albums. It's a good album and has great songwriting, I guess it's just not for me. I enjoyed it but probably not gonna check it out again.
Stan Getz
5/5
5/5. This was so much more enjoyable than I was expecting, actually relaxing but not annoying. Some might call this elevator music, and yes there are similarities, but there is actually creative and well-played instrumentation here. And although there is a language barrier for most of the songs, it doesn't take away from the enjoyment because it is so smooth and quiet that it never overtakes the main attraction of the music.
The Darkness
4/5
4/5. Yeah, I mean it's basically rock. The singer has a unique high octave operatic tone they can reach and the normal singing is nice to listen to. Guitar work and instrumentation resembles Boston in a good way but some songs don't land as effectively. First half is so good and I do like how they have no filter, fills in some of the passion missing from older classic rock albums. It's a little silly, and that adds to the charm, I just wish more of the songs landed, overall a good newer rock album, hard to find.
Prince
4/5
4/5. This is a very good album but the vibe is not hooking me, it feels like a more raunchy and direct Songs in the Key of Life. Like you can hear the soul and disco but it's not as refined in my opinion. It is an experimental album, some new sounds, which is unique and fun, don't think it's a fully realized album though. To be fair, it is still an amazing album, just not perfect in my opinion.
The Kinks
3/5
3/5. Much better than I was expecting, it's happy-go-lucky energy through me off but most of these are just well written pop songs. Short and sweet. Although not game changing for me, this was enjoyable and was nice to hear something that felt unique despite the overabundance of same style of music from this era.
John Coltrane
5/5
5/5. Hard to put into words, just an enjoyable yet smooth jazz album. Every instrument has its place and it feels so raw yet meticulous. I looked up and saw there were 90,000+ takes for these songs. The dedication alone shows, it's mastery of music on another level. I need to listen to this a bunch more to hear everything, it's so good.
Caetano Veloso
2/5
2/5. I do think there is a beautiful nature among the songs of this album but I there is a language barrier that I do need to know to understand the importance. The instrumentals do not save it, a little outdated psychedelic music fronted by lyrics I need to understand but do not. I did check them out and they are interesting, and I do understand the importance of the album, but do not enjoy listening to it too much. It's not terrible, some good songs but not great either.
Ian Dury
4/5
4/5. Love the instrumentation but wow is his accent super thick. I mean, it works in most songs just an interesting combination. Weird lyrics, it feels like he decided to put his therapy conversations in song. I know these are satirical songs, including the title, and some are definitely funny. I did enjoy it I think from a musical standpoint but also the lyrics are definitely intriguing. It's kind of like British Humor: the album.
Tom Waits
5/5
5/5. Wild how this is not only a super uncomfortable record but so strangely beautiful at the same time. Each song is so minimal in instrumentation but feels so different, less is more and Tom knows how to use each instrument to its fullest potential. I feel passion and sincerity in some songs, and then the next I am listening to a serial killer, also sincere unfortunately. Awesome album, just really unique and well-written.
The Style Council
4/5
4/5. I like the chill instrumental songs the most, but this does provide a nice atmosphere of late night sad bars with single people who have never been loved. Then it becomes way more diverse than I expected, side 2 bangs out a rap song out of nowhere and stays pretty hype through the next song. Then it slows down and goes back to similar energy as first side. Overall, a much more enjoyable than it started out to be, glad I didn't just give up immediately lol.
Paul Simon
2/5
2/5. Paul sings so well, it's hard to notice when the songs are boring but this one manages to help me out. Some are sweet for sure but just not great songwriting in others straight up. "Cars are cars"? Yeah, I mean like let's be serious. Someone must have heard this and thought something right? Maybe saying No to Simon was not possible. It's hard to say 1 just cause some songs are okay but it's a low 2 at best.
Grateful Dead
3/5
3/5. Jam album, full stop. The solos do go pretty hard but I think this is definitely have to have been there vibe, with additional supplements to assist in the listening experience. It's still enjoyable but goes a little too long. Light does bring the energy the album is missing but really only that one.
The Prodigy
4/5
4/5. This is a solid collection of heavy electronic songs with songs that can sometimes be annoying after a bit but it's mostly banger after banger. Just foot-tapping goodness and slick and wet beats driving each song. I imagine a dank and sweaty basement with 50 people crammed raving to this. So yeah, it goes hard.
Björk
5/5
5/5. I sure do love diverse albums. Throw every genre at me, make the listening experience a chaotic display of uniqueness. Bjork's singing is also so powerful and creates an interesting dichotomy of art pop and a voice that might fit better in rock music. Her growls are a highlight of her vocals, so fun and exciting. I feel like I barely scratched the surface of the album from each song but I did very much like what I heard.
Kings of Leon
2/5
2/5. I do like the vocals, has an Elvis Costello influence for sure, including the music as well. The songs itself are just mid though, nothing crazy that stands out. I enjoyed it and it rocks sometimes but on a list of albums I need to listen to, not sure it belongs.
Tito Puente
3/5
3/5. An upbeat and danceable album (aptly named). Although I'm not going manic over it, it was still enjoyable. Steady and solid instrumentation and if I knew how to dance at all, this might be more up my speed but I'm a swayer so don't got much to offer to the scene lol. Enjoyable nontheless, not my cup of tea totally.
TV On The Radio
4/5
4/5. I dig the experimentation and the art rock, normally it sounds pretentious but this one sounds fun and curious seeing if sounds work. Although not all songs work, the album in general has a vibe of youthful experience. Not sure how old these guys are but it's unique for sure. It's a well made album with a sense of dread and creativity that doesn't become as pretentious as it should be.
Joe Ely
4/5
4/5. A solid mix of calming country and heavy blues, with soft yet powerful vocals. The production quality also elevates this one above other country albums. There are some sweet lyrics along with some heavy lower class struggles. Some super generic country songs does prevent it from being a 5 but they were enjoyable nonetheless.
LL Cool J
4/5
4/5. Heavy and direct rapping, feel like LL Cool J is talking to me, and that is not the position I want to be in. The beats are so good, simple yet loud. His flows are smooth and fast. I feel the passion through all the songs and it also hypes me up as well. It's also pretty sexy at some points as well, a little too much at some times, but otherwise great overall.
The Streets
5/5
5/5. I don't know what it is, it feels objectively bad but it has an energy that I really dig. The singing is mostly terrible but the beats go hard and there is a sense of amateur vibe that feels so real and raw. The story is silly and feels like an unreliable narrator that makes you second guess what you are listening to. It somehow ends really beautifully, making me really feel for the main character. This was a great listen, unique and well-written, and subverts a lot of expectations for what could be an enjoyable album. A 5 for sure.
Daft Punk
4/5
4/5. Quintessential house music. Despite mostly repetitive background sounds, it somehow never gets old and can still be enjoyed with an attentive ear without being annoying. The thing that makes Daft Punk not annoying is that every four bars there is always a new instrumentation or slight change that keeps you invested. The only downside really is the length of the album. I enjoy the long songs but it feels like there is some filler here that could be trimmed down. Otherwise, a necessary listen for any lover of electronic music.
Throwing Muses
4/5
4/5. Female-driven punk is sweet. There actually feels like something she has to be angry about and although I didn't super pay attention the lyrics, I didn't really need to. The instrumentation was actually enjoyable which is rare to find in punk. Sure, just a simple drum and 4 chord structure usually but even still, was nice to listen to and fronted by a woman. It still went hard and would probably replay again in the future.
Curtis Mayfield
2/5
2/5. This could be really soulful and powerful but it feels like a knock off What's Going On. Like, not fully realized songs and the emotion is there but it does not feel as powerful as it could be. I honestly was bored through most of the songs, wish I wasn't but that was the experience I had. Like there is a disconnect between the vocals and instrumentation. Jesus was good but not much else. It's not terrible but it's not re-listenable.
Ice Cube
3/5
3/5. Love the passion, anger, and truth coming from Ice Cube. There are some great songs and lyrics, and even the skits don't seem out of place which is rare. They are all good but they all have similar sounds and lyrics that it does feel repetitive. No doubt, these messages need to be said multiple times for everyone to finally understand, even 30 years later, and the 1000s of years before. I think there could have been more focus on fewer songs with tighter rapping and songwriting because I do lose interest through some of the songs. It's good, deserves to be on the list, but not as enjoyable as an album itself.
Jacques Brel
4/5
4/5. Pretty passionate singing and powerful vocals. Soothing at times as well. I do not understand the language but I do believe it can surpass the understanding and strive on feeling only. I like how the instruments put themselves in the background for most of the songs, allowing the vocals to shine. Also, the happy go lucky songs still contain so much passion that it feels like these lyrics mean so much to the singer. Much better than I was expecting. Best Song: Amsterdam, Tango funebre
Maxwell
5/5
5/5. A chill and smooth soul and R&B album with disco elements. I love that the tempo slows with each song, creating a more intimate and sexy album as based on the concept. There is not really a bad song on here with serious and expressive songwriting. The songs are long but such a great album to vibe to.
Faust
4/5
4/5. At times beautiful, at times head-bopping, and unfortunately, at few times boring. I did enjoy it for the most part but I think I might have been in the wrong headspace. The first track is still the highlight and I liked Jennifer as well. I think Giggly Smile lost me halfway through. Akin to electronic and disco receptiveness, using rock as the backdrop does provide a unique ambience because it takes a lot of skill to use these instruments in a way that feels robotic and yet interesting. They sure did it. It might need a 5 but right now it's a 4 based on a couple too slow or repetitive moments.
Sam Cooke
5/5
5/5. The energy and skill is undeniable, just a greatest hits collection. The flow into each song is flawless, and his singing is so passionate and exceptional. It honestly feels too short for the amount we should be getting. I was expecting way more but was very satisfied with the quality and artistry through this record. Definitely a repeat listen for me.
Gotan Project
4/5
4/5. Chill beats to study/focus to basically. I enjoy it but it definitely serves the purpose of background music. No doubt well made but not something I'm playing often unless I need to have chill good background music. Still overall a great track listing. There are also some more groovy active listening songs. Best songs: Triptico, Last Tango in Paris
The Associates
3/5
3/5. I super dig the dark undertone with the creative and simple instrumentation. I appreciate the willingness to create songs that will definitely not do well on the radio but are still super enjoyable and awesome. It's a cognitive dissonance because I hear the loud and bombastic drums and synth mixed with the high vocals and I still feel scared, like something is going to jump up from the music and grab me. The main downside is that they can sound a little similar so can take away the mystery and then becomes somewhat boring later on in the album due to the similarity. Best song: No, Bap De La Bap
Kate Bush
5/5
5/5. This is the vibe I'm looking for. Love me some progressive pop. It feels like a story being told and this has not aged at all. Correct electronic sounds makes this an 80's, 90's, 2000's album. You can definitely see some influence Bjork took from this. If you just it the songs wash over you, you get enraptured in her worldbuilding and wall of sound. There is definitely a mindset you need to be in to appreciate this, thankfully I was on my listen, but can definitely see a 4 rating especially with the second side. It's a classic for me though.
Queen
5/5
5/5. This is a bias pick for sure, objectively some silly and naïve songwriting but gosh darn does this go hard. It got through me through my teenage years (no wonder it was so hard to make friends lol). The dual sided structure with light and dark, love the exploration of that concept. Although the love song stands out on side 2, it's overall a great front to back, great vocals and instrumentation, as always from Queen. Give it a listen for the nerdiness alone or for the great music as a bonus!
The Clash
4/5
4/5. I know, why not a 5/5?? This like the best album of all time according to everyone! And yes, this is an amazing collection of songs, each one unique and great in their own ways. However, there are definitely some forgettable songs later on in the album and just like "Heroes and Villains" and "Vegetables" from the Beach Boys, some are so god awful annoying. Spanish bombs, Rudie can't fail, wrong em boyo? How am I supposed to honestly listen to those and lie to myself that those are enjoyable. Punk has evolved to a point where I need actual energy to be able to feel the passion. But like I said, it's a good album just not great. I think if I went into it knowing it is a pop album and not a punk album, I might have enjoyed it more, just left a bad taste over the genre. It's like being told the Beatles is rock, which is just a lie. And I know genre is subjective but seriously, get out more if you still think this punk.
Brian Eno
5/5
5/5. A unique and experimental album from an artist who is not afraid to expand his horizons. The transition from quirky rock to ambient instrumentals finds this album at the perfect transition stage, combining the best parts of both. Each song is a pleasure for the ears, creating imaginative worlds in less than 3 minutes each. It's a new experience at first but is a sensational listen. Best Song: Sky Saw, Big Ship, Becalmed
Jazmine Sullivan
5/5
5/5. A short and tight album (even the deluxe) with skits and interludes that flow with the track list and each full song is so memorable and well-written. Way more R&B and soul and Jazmine does have the soothing voice to match. I think there can be a disconnect to listen to a very direct and honest woman speak about sex, love, individuality, and vulnerability. She, or others, may say things in her skits that rub you the wrong way but they are not apologetic, they know what they want and you may not like them, but that's who they are. I would never want to be friends irl based on their morals but that does not take away her skill of an artist to be able to create amazing songs for each opinion. Best song: Pick up your feelings, Lost one, Hurt me so good
The Zutons
4/5
4/5. A solid collection or pop/rock songs, just great songwriting front to back and despite a few songs at the end, super catchy and enjoyable. Not much else to say, really dug Confusion, Railroad, and Remember Me. Just a good album, no other notes.
3/5
3/5. Super British but works very well considering the concept of anti-American consumerism. It's also diverse enough to not get bored and feels like a full album, front to back a fun listen, including random riffs from different instruments keeping you on your toes throughout. Not all songs are great though and definitely skippable but decent enough. Best Song: Advert, Chemical World, Coping
Joni Mitchell
3/5
3/5. A folk jazz album. It can work in some songs but I think the lyrics are so sporadic that it gives off a vibe of slam poetry. I think I might be too slow to fully enjoy it. From what I could gather, the themes are empowering and thoughtful but I lose track very easily. The instrumentation is good, including a synth and alternating instruments per song is a great choice. On future listens, has potential to be a 5. Best song: Shades of Scarlet Conquering, Harry's House
The Smashing Pumpkins
4/5
4/5. A very expressive and loud album. Simple instrumentation and mostly simple lyrics as well, it's somehow easy listening despite the wall of sound of every song. It has a buzzing and shoegaze feel yet the production is really good that it takes away the annoyingness of what shoegaze usually feels like. It's not a perfect album but I did not enjoy more songs than I was expecting and appreciate the unique sound. Best songs: Disarm, Mayonnaise, and Silverf***.
Yeah Yeah Yeahs
5/5
5/5. A bluesy and chaotic rock album. Not quite punk, more aggressive rock. Vocals really compliment the music so well, a scratchy high pitch mixed with low bass-front instrumentation and shredding guitar. It's also somehow accessible and catchy despite being so loud yet doesn't remove the ambience. The later songs on the album slow down a bit yet still creates a more subtle and calming theme with Karen's wonderful voice. A really cool album of great songs back to back. Best Song: Date With the Night, Man, Modern Romance
Traffic
3/5
3/5. I do enjoy bluesy rock as much as the next guy, feel like if this was the first type of blues-rock I heard, it would be much higher rating but it doesn't feel it adds anything new to the genre. I enjoyed my listen for sure, guitar is best part of this album, and the woodwinds were a nice addition you don't see often, but not much else to offer. Best Song: Feelin' Alright, Pearly Queen, Roamin' Thru'
The Cramps
4/5
4/5. Angry punk and rockabilly. I have no idea what he is saying ever but I did enjoy the energy for sure. It's almost scary at times with the ambience, like the Crickets mixed with Tom Waits. It's a little aggressive at times and although I do dig it at times, the vibe can throw me off a little. No doubt, I do really like this, especially Fever, Teenage Werewolf, and Garbageman, just gotta be in the mood for sure.
Korn
1/5
1/5. I heard jokes about this band and didn't want to give it a bad rating without listening to it myself, honor and all that. Today, I regret honor because that was just bad writing. I can definitely see why this is in this book, I should listen to it so I can set the standard of what not to do if I wanted to write music. I mean it was definitely very popular for a reason, which is why I don't have much hope for the future. Not terrible song: Seed, Freak on a Leash, Reclaim My Place
Sebadoh
3/5
3/5. Gotta appreciate the uniqueness of the sound, and the willingness to try sounds that normally don't go together. Sometimes it works, a lot of the times it does not. There are some great punk/pop songs on here, but it would require a re-listen to see if I actually enjoyed the listen or if the shock was the main thing that drew me in. Best Song: Soul and Fire, Sister, Emma Get Wild
Jungle Brothers
5/5
5/5. A danceable and super upbeat rap album despite having lyrical themes of social politics and the "good ol' days." It feels so real and well-produced, so smooth and flows well like they knew they were making a great album but still having fun with it. Full of black love and reminding people that black people are not always mad about life but have a good reason to be so while still keeping love at the forefront. Best Song: Beyond This World, Acknowledge Your Own History, Doin' Our Own Dang
Rush
5/5
5/5. I am biased, Rush is my favorite band. Surprised they don't have more than 2 albums on here but it's not surprising considering every critic review of Rush. Side one of this album is a classic, hard to argue that each song offers a little something for everybody. And side two has their unique and proggy sound that is oh so sweet and the other two songs are great in their right. RIP Neil, this is a wonderful album and this supergroup will always need to be recognized. Best Song: Limelight, YYZ, Witch Hunt
Rage Against The Machine
5/5
5/5. Unnecessary and frustrating that this is still relevant today. It makes me angry and they do such a good job and inciting that rage. Hard rock and rap elements, this music is a necessary listen for anyone willing to have any empathy for our fellow neighbor. ACAB 100% and if you believe otherwise nowadays, you lack empathy and are part of the problem. It also helps this goes so hard. Best Song: Bombtrack, Killing in the name, Bullet in the head
Spiritualized
5/5
5/5. A cacophony of sound, beauty, and experience, this album encapsulates the experience of a journey through the mind. A great trip album for sure. Even sober though, this is a relaxing and chaotic album all at once. Front to back the album is a classic and is such an awesome experience to listen to. Best Song: Ladies and Gentlemen, I Think I'm In Love, Electricity
Green Day
4/5
4/5. A pretty catchy and loud album. Sure the production could be better and the lyrics are hard to understand sometimes but I get that it can be the aesthetic. The vocals are definitely straining at times but I cannot deny the songwriting is top quality. I do appreciate the personal takes, feels grounded and relatable. Best song: Chump, Welcome to Paradise, Basket Case
Leonard Cohen
4/5
4/5. Finally, a style of music that works for this man. A compliment of large instrumentation and backing vocals finally makes his music listenable and very enjoyable. He implements that deep voice to create a dark ambience despite talking about love and success, but always with a sinister twist. This was a really excellent album with great songwriting without it being boring. They are a few misses but mostly top quality. Best Song: Ain't No Cure For Love, Tower of Song
Can
3/5
3/5. The Germans really like their extended instrumentals passages, don't they? Thankfully, I like most of it too as well. It's not quite beautiful or aggressive, more anxious and scared, like it doesn't really know where it wants to go and just holds you there as well. Throwing the vocals way in the background makes it seem more like an instrument than something I need to pay attention to. It was a nice listening experience but nothing breathtaking, just an interesting atmosphere to wade in for the time being. Best Song: Future Days, Bel Air
Guns N' Roses
3/5
3/5. I do appreciate the unique vocals and the hits go so hard but otherwise it feels like a very generic stadium/heavy/glam rock album. It's not bad but can get old fast especially with similar sounding songs in a row. Guitar is a highlight though but vocals can get annoying by the end of it. Best Song: Welcome to the Jungle, Sweet Child O' MIne
Röyksopp
4/5
4/5. Has an interesting bossa nova vibe full electronic, creating a groovy and relaxing background sound. I think there are some slow tempo songs that do not hit the mark, but anything where the beat and drums are at the forefront, that is where this album shines and thankfully that is most of it. Some nice vocals as well, different for each song too so it feels more like a collection of hits versus an album. Best Song: So Easy, Royksopp's Night Out, Remind Me
Keith Jarrett
5/5
5/5. A beautiful and impressive album, with only one instrument guiding each song it still feels more powerful and fulfilling than most other albums. With my ADHD brain, it can be hard to stay focused but that is only an issue on my part. There is intent with each stroke of the keys and there is no doubting the mastery of the piano. This is just a necessary listen for anybody willing to experience beauty. Best Song: Part I, Part II B
Kate Bush
5/5
5/5. I don't know how she does it, every album feels so expressive and experienced. There is a passion and world-building that exists through your voice but also through great choices in instrumentation. This album, and most of her albums, spawned a generation of art pop that allowed female artists to explore the experimental without commercial or executive pushback. Just an awesome album, just like most of her stuff, great harmonies and backing vocals as well. Best Song: Love And Anger, Rocket's Tail, This Woman's Work
Paul Weller
4/5
4/5. A really solid collection of soft rock songs that have an edge to them, with the vocals and guitar providing that hardness. I think the album is a little long but even despite that, each song delivered an enjoyable head-bobbing experience. The production and instrumentation is also well-done, giving it a old sound but almost timeless. Best Song: Sunflower, Holy Man, 5th Season
New Order
3/5
3/5. I do like the instrumentation but the vocals do get tiresome and whiny at some points. That can be a vibe for sure but it doesn't feel like it fits this style of music. Like there is an epic backdrop with some of the instrumentals and then there is just a dude who is talking over it. I admit, I did enjoy some songs but it was mostly because of the music. Another instance of game-changing but not necessarily in the right direction. Best Song: Love Vigilantes, Sunrise, Elegia
The Birthday Party
3/5
3/5. The energy in the studio is definitely interesting. It feels like this is recorded under a bridge at 3:00 AM but that benefits the direction they are going for here. Gives a Stooges vibe mixed with even more chaotic instrumentation and vocals. It's scary and haunting but has a non-serious vibe as well, kind of like a scary clown, hence the cover art I assume. There is definitely a mood you need to be in but I enjoyed it today. Best Song: Junkyard, She's Hit, Blast Off
The Jam
4/5
4/5. Sure, clear influence from Kinks and British jam bands (hence the name I guess) but great songwriting and catchy songs nonetheless. Mostly short and tight songs with upbeat instrumentation with some dark lyrics strewn throughout. Great guitar riffs is a highlight here as well as well bassline in the forefront. Best Song: Mr. Clean, English Rose, Down In The Tube Station At Midnight
Radiohead
3/5
3/5. I do enjoy most of the songs on here, and it has a nice mix of the rock and experimental. Plus the experimental stuff is actually enjoyable to listen to. I think Yorke's voice sounds a little weak on the album, but only because it kind of stays in the same range of energy on each song. A little sassy and sad at the same time. It's not a bad album but it does make me want to listen to other albums more. It's definitely a B-Sides album. Best Song: Pyramid Song, I Might BE Wrong, Life In a Glasshouse
The Young Gods
5/5
5/5. An atmosphere of futuristic wasteland is the best way I can describe it, like a broken down ice cream truck stuck in the middle of a forever sandstorm. Dark industrial sounds with rough and heavy vocals with great rock style samples throughout. I want to explore this world they have created but would know I have no way of surviving in it. Just awesome stuff, no flaws. Best Song: La fille de la mort, L'eau rouge, Longue Route
Ramones
4/5
4/5. British punk at its core. Sure, way more pop than punk but the short songs mixed with an undertone of naivety and anger create a youthful energy that somehow has an early Beach Boys vibe mixed with the Stooges. It's definitely here to say what they want to say and then leave with no explanation. It's funny but it is a voice of a generation. Just not my vibe all the time so it stays at a 4 for me. Best Song: Blitzkrieg Bop, Judy Is A Punk, Now I Wanna Sniff Some Glue
Love
4/5
4/5. A surprisingly enjoyable record. Sure, it is 60's rock but some unique vocals and passages makes this one worth listening. I love the energy throughout and the last song, although long, didn't ever get boring for me. Great instrumentation and choice of instruments as well. A good album to dig into. Best Song: Stephanie Knows Who, She Comes in Colors, Revelation
Willie Nelson
3/5
3/5. Love hearing Willie's voice and the songs are nice but there does seem to be some missing passion in some songs. These are not bad songs just okay as a collection in general. Not much else to say, but I might check out some of these songs later on. Best Song: Georgia On My Mind, Unchained Melody, Someone To Watch Over Me
5/5
5/5. Great mix of disco, post-punk and new wave with songs about love and heartache. Not really a bad song on here and super catchy and great instrumentation. Each instrument throws itself in the forefront and yet the vocals give an air of Smiths that mixes well with this slightly dark and upbeat aesthetic. My foot was constantly bouncing, who said disco would not age well? Best Song: Show Me, Tears Are Not Enough, 4 Ever 2 Gether
Fred Neil
3/5
3/5. A solid collection of folk songs, and Fred's vocals are relaxing and nice to listen to. Although the songs can get lost in the haze, there are some that standout enough to make this a chill listen. A sadness and depression stays throughout the album, relying on the wrong things to keep you happy like other people's approval, regretting lost loves, and drugs. Best Song: That's the Bag I'm In, Everybody's Talkin, Cynicrustpetefredjohn Raga
Marty Robbins
3/5
3/5. It's like Country music yet definitely has 50's ballads throughout. It's a solid collection of songs, not sure all of them work for me though. Don't get me wrong, Marty has a wonderful and beautiful voice but the same rhythm and style of singing is exactly the same through at least 5 different songs. The songs are heroic and sad but I've heard better country outlaw albums and songs. I respect the vibe of the album but definitely not perfect. Best Song: Big Iron, They're Hanging Me Tonight, El Paso
Green Day
5/5
5/5. This is another one of those albums where although some might call it punk, there are definitely some punk elements but this is more of a rock opera, especially with songs like Jesus and Homecoming. This is a façade and on purpose. You see on the surface, those only listening to the first song and Holiday that is a rebellious album. This is a story about the American Dream. The songs are full of sadness and hope and the need to create polished rock is the only way to tell this story to match the fakeness of radio rock and try to get your message out there while appealing to the masses, counteracting yourself. It's beautiful and wonderful. Also all the songs are so good. Best Song: Jesus of Suburbia, Holiday / Boulevard, Wake Me Up, Whatshername
Siouxsie And The Banshees
4/5
4/5. Loud and excessive, there is a uniqueness to it that doesn't feel old and has aged well. There is clear guitar rhythms in the background but the vocals really shine over everything else with a sense of passion mixed with "F*** it" attitude. The lyrics for some of the songs definitely are lost on me, not sure what they are about but I do see the Talking Heads vibe where they are not really about anything. This is a vibe album, gotta be in the right mood for it but it is epic nonetheless. Best Song: Carcass, Metal Postcard, Switch
Kings of Leon
2/5
2/5. Some fun rock songs and I appreciate the energy, kind of nonchalant and young, with silly lyrics. This works in their favor a little but the amateur songwriting gets old fast. This belongs on a college campus until they are able to better hone their skills. There is potential but not right now. Best Song: Slow Night So Long, The Bucket, Four Kicks
Skepta
3/5
3/5. Great Hip-Hop, great flows and danceable beats, plus heavy bass grime. The main issues on the account though is that every song has a sketch, and they can get annoying quick. The middle of the album really slows down, I get they might be radio hits but they do not work. The first few songs are great and it also ends strong with the last 4 songs are excellent. Otherwise, an enjoyable listen. Best Song: Lyrics, Shutdown, That's Not Me
R.E.M.
2/5
2/5. College alt rock, political and tongue in cheek. There are some good songs on here but it does have a priority to get a message across over songwriting. It's a vibe for sure but doesn't really stick with me throughout. REM albums do take a few listens but as a first time around, not super feeling it save a few good songs. Best Song: Get Up, Orange Crush, Turn You Inside-Out
Elton John
4/5
4/5. From the gate, just 25 minutes of amazing songwriting then a huge drop of quality. Song Has No Title and Jamaica and huge fumbles especially after the first four songs. The rest of the album kind of goes up and down in quality but overall, a great album full of singable and well-written songs. I think this is a good double album, 15-20 minutes per side, but maybe just like 3-4 songs less and it would be perfect. It's also Elton, hard to have a full miss with the king. Best Song: Funeral/Love, Candle in the Wind, Saturday Night, I've Seen That Movie Too
Bee Gees
3/5
3/5. It's like experimental soft rock? I did enjoy the album and I can even see many bands today taking inspiration from the experimentation. There are basic singles for sure, but I respect the ability to make a double album about a boat, I think? It's not even the whole album, unless there's a lot of hidden meaning I am missing. It is was enjoyable though, and some songs had that beauty this band can be known for. Also country songs sometimes? Respect the audacity. Best Song: Odessa, Lamplight, First of May
The KLF
3/5
3/5. A solid electronic house album with a lack of uniqueness of some of the songs but a good runtime throughout. Thought I would get annoyed once I saw the runtime of No More Tears but that might be the best one on here, super chill and relaxed. I wouldn't say a great club album but a good vibing album. Best Song: Last Train to Trancentral, No More Tears, Justified and Ancient
Syd Barrett
2/5
2/5. An interesting possible future for a Pink Floyd sound. Psychedelic as heck, drawn out rock. Half of the songs, Syd doesn't even want to be there, as his vocals err on the side of mumbling on some songs. I think there is potential here and I can even hear future Pink Floyd songs being inspired by this album. Dark Globe fits on the Final Cut. It is more sad than anything listening to the album, as a lost artist to history. Best Song: Terrapin, Dark Globe, Octopus
Brian Eno
5/5
5/5. Beautiful. Transcendent. A perfect relaxing album full of patience and quietness, it allows the listener to reflect and truly listen or ignore completely and let it follow your mindset, coming along with you on the internal journey. It's similar notes and patterns yet feel distant and with additional notes here and there, it never gets old or boring. A must-listen experience in the dark or laying down, or even with loud sounds elsewhere, it adds to what whatever atmosphere you find yourself in. Best Song: The Whole Album
Dinosaur Jr.
4/5
4/5. An actually good dinosaur jr. album, is this possible? Normally the punk devolves to unlistenable grunge but this time, there is actual melody and good vocals, and the lyrics are interesting as well while still maintaining that heavy aesthetic and punk energy. This was a surprisingly enjoyable listen, would recommend. Plus the guitar work was excellent. Best Song: No Bones, Yeah We Know, Don't
Crosby, Stills & Nash
2/5
2/5. A relaxing and expressive folk album that loses feeling more often than not. The intertwining vocals is definitely the highlight here with songs creating a chorus of sound despite only being three singers. There is some good songwriting but some are just not very enjoyable to listen to. I would say I like a little less than half of this album but of the songs I do like, very memorable and well-written songs. Otherwise, wholly forgettable and boring. Could have been better, not a well-aged album. Best Song: Suite, Wooden Ships, Lady of the Island
Dennis Wilson
5/5
5/5. A healthy mix of blues rock and upbeat pop. Every song stood out as unique and what a change of vocals from the Beach Boys. The instrumentation was beautiful, soulful with horns and choruses. Feels like I am drifting out on the ocean, heading to shore, but comfortable if I did end up passing away. There is not really a faulty song on here, beautiful and calming despite the dark undertone, just like life. Best Song: River Song, Dreamer, Pacific Ocean Blue
David Bowie
3/5
3/5. Like most david bowie albums, I don't get it immediately. This one was mostly straightforward. I enjoyed some of the songs, and the album overall was a cool collection of callbacks and unique lyrical ideas. The instrumentation is highlight, changing tempos and aesthetic back to back for each song. Is it a necessary listen, no, but it is fun. Best Song: Where Are We Now?, Love Is Lost, How Does The Grass Grow?
The Only Ones
4/5
4/5. I love the energy on this album and although the vocals aren't ones I wouldn't consider as top quality, it matches the chaotic and punkish vibe of these songs. The nasally and drawn out tone adds to the instrumentation. I am definitely going to check this one out again, just great songwriting on each of these songs but I do need to be in the mood to enjoy. Best Song: Another Girl Another Planet, Creature of Doom, Language Problem
Joni Mitchell
5/5
5/5. The most relaxing album ever. And as a bonus, if you listen to the lyrics you can cry too. I respect the avenues of music Joni took but this will forever be a perfect album of back to back songs of pure emotion and lyrical prose. Each listen provides a new favorite song and new way of experiencing it, with age comes new understanding. A must-listen. Best Song: All I Want, California, River
John Cale
4/5
4/5. A well-polished collection of orchestral pop songs with a voice that does take away from the effort made to make this as beautiful as possible. There are epic moments here as well beautiful moments as well. The influence I hear through these songs on so many future albums is impressive and I would listen to this one again, just not a masterpiece. Best Song: Child's Christmas in Wales, Macbeth, Paris 1919
Barry Adamson
5/5
5/5. Not quite a concept album, but I've listened to another Adamson album before and it's always a banger. The mood creation from the music alone, and the expertise in doing so as a debut is impressive. An epic cacophony of sound, truly an awesome experience of music. Best Song: Under Wraps, Sounds From The Big House, The Swinging Detective
2Pac
4/5
4/5. I saw this labeled as "rap blues" and that seems about right, more soulful and R&B based. The lyrics are very pronounced, easy to follow and sing a long to even. The highlights are the beats and the solid instrumentals that make these songs stand out among other 90s rap. There is definitely a perspective I am not familiar with as I am not a black man who grew up without privilege. I can definitely hear the passion in the lyrics and how important this must have been for so many disenfranchised people. I could make this a low review for what 2Pac has done to make this album a little cringe to listen to, and some of that is preventing this from being a 5, considering the songs are literally about being the victim in all aspects of his life, which is not true, but true enough as a black man in America that I can respect most of the album. Best Song: Me Against the World, Temptations, Dear Mama
New York Dolls
3/5
3/5. Dang, way more punk than I thought. I do like the loud and different energy but it can be a little much sometimes. I do enjoy some instances of it and I dig the choice to dress in drag to follow that punk mindset. And to clarify, I love the Kiss and Stooges energy, it just doesn't work with all of the songs on the album. Some of the songs are just not well written. Maybe it'll grow on me but not right now. Best Song: Personality Crisis, Vietnamese Baby, Jet Boy
The Adverts
4/5
4/5. A pretty good punk album with a more upbeat energy and poppy sound. Each song is short and sweet but there is not much substance here, as it was playing, I lost track of which song I was on in the album. I did enjoy it but not sure I would consider it great. (Listened to it again, scratch that, these songs rock, it's going up to a 4). Best Song: Bored Teenagers, No Time To Be 21, New Day Dawns
4/5
4/5. A slow and methodical soul and rock album that lets you relax and chill along. It feels close to jazz but not quite, like a solid mix between multiple genres. There are moments when it can be a little too slow but it definitely creates an atmosphere of down-trodden luck but also a cacophony of sounds to show community. A great album to vibe to. Best Song: The Cisco Kid, Four Cornered Room, The World is a Ghetto
Wire
5/5
5/5. There are about 5 actual songs here but it makes for a really easy listening experience as there is just enough energy put into each song as deserved, never overstays their welcome but gives the listener something to think about for about a second before throwing a new idea at you and the suddenly the album ends and you want to throw it back on because you didn't get everything, repeat process. An excellent formula and although unconventionally enjoyable, it was a good album, no notes. Best Song: Ex Lion Tamer, Lowdown, Champs
Happy Mondays
4/5
4/5. Ethereal and drug-filled, these songs create a great atmosphere. It feels like I am falling through a dream but it's not scary, but there is an existential dread through it all despite the upbeat major chords. Although it kind of flows all together, the jamming riffs and repetitive drums drowned in reverb and acid makes it actually sounds unique amongst the British rock-alikes. It's a good album to listen to front to back filling your ears with ecstasy. Best Song: Moving In With, Wrote For Luck, Country Song
George Harrison
4/5
4/5. Every debut album by each of the Beatles feels a little like latching onto that band energy with a little flair that separates them enough. To be fair, this does feel like a greatest hits album of George songs which does contain some great songs, and then it kind of feels like an album I shouldn't be listening to in all one sitting, like a greatest hits album. Again, a great collection of songs, but not a great front to back album considering the similarity and length, so doesn't get that 5. 4 is pretty accurate. Can't knock the spiritual wholesomeness in these tracks. And the jams are definitely fun as well. Best Song: My Sweet Lord, Isn't It A Pity, What is Life, All Things Must Pass, Out of the Blue
Suede
5/5
5/5. A pretty excellent, drug-infused britpop album that is not quite exactly that with new instrumentation and actually catchy songs lol. There wasn't a bad song on here and I'm hard pressed to believe this may be the best Britpop album I've listened to. It feels new and unique despite it's release date. Best Song: We Are The Pigs, The Power, This Hollywood Life, Still Life
Ramblin' Jack Elliott
3/5
3/5. A lighthearted, yet sad, country folk album, kind of feels like I'm sitting around a fire with Jack to drink and chill for the night. I do feel like I might fall asleep during some of the songs, which benefits the vibe but not the listening experience. There are some songs that are well written but definitely not all of them (I'm looking at you Goose). I would recommend this though to anyone looking for a more relaxing listening experience, plus it's funny sometimes too. Best Song: Ol' Riley. Mule Skinner Blues, Dink's Song
The Thrills
4/5
4/5. A super uplifting album made by sad people, these songs are so catchy and makes a great road trip album. It starts off with three great songs and then definitely doesn't keep the same quality, but not bad at all. To be fair, there are sad songs here but there is a hopefulness still, like the future is still ahead of us despite what is happening now. Best Song: Santa Cruz, Old Friends, Till The Tide Creeps In
Dr. Dre
4/5
4/5. Excellent beats, such a good idea to take advantage of those funk beats from Mr. Clinton. The lyrics are definitely smooth and flow well, not sure what all the lyrics were but every song stood out as a single, super well written. I know there is some misogyny and homophobia on the album and doesn't age well but I can listen to this music without being offended. I understand if people cannot listen to this because of that. The main issue is that this should be a collab album with Snoop doing half the work here. I can tell when his influence comes in and it shows on like every song. 4 instead of 5 for lack of respect to Snoop, plus other stuff. Best Song: F** Wit Dre Day, Lil' Ghetto Boy, The Roach
Todd Rundgren
5/5
5/5. Progressive in my albums I need to listen to. Yes please! I love the fact that throughout this album, they are separated neatly into categories and it creates a nice flow of listening, like putting on different albums throughout the listening experience. The 3rd side where it "gets heavy" is not that heavy but it is still great listening. It's an awesome album and I am excited to explore more with each listen! Best Song: It Wouldn't Have Made A Difference, Marlene, Little Red Lights, Dust In The Wind
Stephen Stills
3/5
3/5. I do enjoy most of the songs on here, and appreciate the separation of vinyl sides with names and themes, the concept is fun to have just like Something/Anything?. I will say some of the songs do sound a little generic within their respective genre. Like a lot of the 2nd side flows a little too similarly. Like I said, I do like the theme, but they don't stand out enough now, which is frustrating. So it's good, but could definitely be better. Best Song: Jet Set (Sigh), The Love Gangster, Blues Man
Morrissey
3/5
3/5. It's hard for me to get into Morissey because of his natural pretentiousness in his music but this well-polished and simple recording works well for him. Sure it definitely is more accessible and poppier but it works, it can be annoying when artists refuse to change their style for "art's sake." These are catchy and still introspective, even if some lyrics are a little too surface level. Best Song: Irish Blood, I Have Forgiven Jesus, First of the Gang to Die
Justice
5/5
5/5. I can admit not every song is perfect on here but gosh darn is this not a banger front to back or what? Each instrumental has unique beats and rhythms while sticking to the formula. The features are fun and the only improvement would be a more diverse track list setup such as 2 instrumentals -> song -> 2 instrumentals -> song, etc. Otherwise, awesome album still front to back. Best Song: Genesis, DVNO, Waters of Nazareth
The Cardigans
5/5
5/5. Love this crunchy and poppy arrangement, well-written pop songs and yet the instrumentation puts the drums at the front, which is an excellent choice because of the skill of this drummer. Each song stands out and is so fun, yes, even the iron man song. I honestly respect the boldness to do a cover that way. Album is fun as hell, gives indie mixed with portishead. Best Song: Been It, Lovefool, Choke
A Tribe Called Quest
5/5
5/5. It feels like a world is being built before my ears, like I am listening to a history of this otherworldly musical world and I am being taught about the every day life of these people. Although the lyrics don't portray that, something new shows up in each song and the fact that each song is preceded by the song title at the end of the previous song shows there is a strong sense of continuity. I am just being brought along, here for the ride and it's jam packed with great songs. On a more mechanical sense, it's just experimentation the album with a constant and steady flow throughout keeping my grounded and present. Best Song: Luck of Lucien, Can I Kick It?, Rhythm
Nirvana
4/5
4/5. Okay, awesome. A change in the right direction from Nevermind. No filler, no extended songs for no reason, and no bad song, just some okay ones. Although it doesn't have bangers like the first side of Nevermind, it does have consistency and for a band that's loud and chaotic, that's a skill. It does garner repeated listens but I can give it the benefit of the doubt and give it a 4 at least. Best Song: Heart-Shaped Box, Milk It, R*** Me
Roxy Music
4/5
4/5. Hard rock and progressiveness mixed with glam? Count me in, this album rocks! Just throwing caution to the wind and bringing the energy full force, with the vocals not quite being the focus but when they are there, only heightens the experience. The weird eerie ballad songs are also highlights, a nice break from the energy of the other songs while still being engaging. The only downsides are some extended instrumental parts that do overstay their welcome, otherwise still great front to back. Best Song: Re-Make, Ladytron, Bitters End
David Gray
2/5
2/5. Soft indie rock-pop ballads is probably the best description. He has a very unique voice and although I want to like it, some of these songs are just straight up boring. It sounds like he just discovered this sound with the electronic snare in the forefront and that's the song now with some introspective lyrics. To be fair, I do like some of the songs but I lose myself among them because they start to sound similar. It wasn't terrible but wasn't a repeat listen, save some songs. Best Song: Babylon, This Year's Love, Sail Away
Everything But The Girl
3/5
3/5. Pretty chill and catchy. Not very much going through each song though so it is nice, it is also the same song throughout. I want it to be exciting but it really is the same drum beat throughout, sped up or slowed down. It does save itself by having some songs with no choruses, mostly just verse after verse, which is unique in pop and keeps me entertained. It was not a bad listen, just not something I haven't heard before. Best Song: I Don't Want To Talk About It, I Was Always Your Girl, Lonesome For A Place I Know
Ray Charles
5/5
5/5. This is such a unique sound, it's hard to deny the influence and importance of this album. Ray's soulful tones through these country ballads and songs, adding big band saxophones and background vocals expands the power and simple vocals these songs contain. Just throwing these guitar and vocal songs into larger than life experiences is a masterclass in and of itself. Great song choices as well so just a bonus. Best Song: You Don't Know Me, Half As Much, Careless Love
John Martyn
3/5
3/5. I would say a pretty interesting album, got this cool jazzy feel yet electronic vibes backing each song. Like a noir dance basement. The vocals are cool, low and raspy enough to sound like an instrument. The first is definitely the highlight, with more jazzy numbers. I can probably kick back to this one again but wasn't perfect. Best Song: Dealer, Smiling Stranger, Couldn't You Love Me More
Gorillaz
1/5
1/5. Definitely a trial period. Without Clint Eastwood this would not have gotten a second chance. Thankfully it did but dang this album does not age well. So many just unlistenable songs, like someone trying out electronic music for the first time. Even Clint Eastwood isn't that good, couldn't push myself to even finish the album. Best Song: Clint Eastwood but barely
ABBA
4/5
4/5. A solid collection of disco pop with several classic songs and Dancing Queen throws this up a whole number. There are definitely some misses and Abba is best enjoyed as a greatest hits album but as an album goes, it's short and sweet with mostly enjoyable songs save a couple. Forget the haters who are missing out on the fun, just play it and enjoy. Best Song: Dancing Queen, Tiger, Money
The xx
3/5
3/5. A multi-faceted pop album, with experimental yet intentional diverse sounds creating a nice collection of electronic songs. It's smooth and chilling, keeping us anticipating each note. I did like it but not sure I would keep it a repeat listen just because some of the songs do sound similar, each vocalist creates their own unique sound yet over several songs, hard to differentiate their respective songs. Best Song: Hold, On, Say Something Loving, Brave For You
Johnny Cash
4/5
4/5. Love the melancholy and sadness throughout. Don't normally like cover albums but these sound very different from the original for most of them. So it's like listening to a new song. His voice is very soothing so it's more relaxing than normal. A world has been created, one that I don't want to live in, but one that feels cold and empty, Johnny's voice echoing through the desolate space. Hauntingly Beautiful. Best Song: When The Man Comes Around, Hurt, Give My Love To Rose, Streets of Laredo
Q-Tip
3/5
3/5. I can hear the major influence on conscious and progressive rap even for today. Although yes, it is mostly a hip hop album but there are a lot more signing and pop choruses, much different from his Quest days. I do lose interest after some songs so it's not perfect but I do like this genre and creates a well-polished and complete album. Best Song: Move, ManWomanBoogie, Gettin' Up
Dion
2/5
2/5. The songs are nice and chill but feels so unoriginal. The wall of sound offered by Phil Spector drives this album because the songs are pretty generic. It's an album I might find in thrift store playing on the speakers, not sure I would have needed to listen to this one but it wasn't terrible. Best Song: Born To Be With You, New York City Song, Make The Woman Love Me
Janis Joplin
5/5
5/5. Some solid rock songwriting, each song sounds diverse enough to feel like a complete album. No denying Janis's vocals are the standout here. The raspy, broken singing brings out the passion of each song. I feel like this is such a good break up album, longing for a love that is no longer here. Yes, most of the songs are covers but hard to appreciate them any other way besides here. Best Song: My Baby, Me and Bobby McGee, Cry Baby
The Byrds
2/5
2/5. A little more intelligent writing with unique experimental sounds for a pop band but it doesn't really age well. A lot of inspiration from the Beach Boys and Beatles but not quite the same feeling. It kind of just gives off feelings trying too hard to sound different. It gets points for the willingness to try something new but didn't astound me. Also the mixing truly drowns out the vocals. Best Song: Artificial Energy, Wasn't Born To Follow, Tribal Gathering
The Jesus And Mary Chain
4/5
4/5. Dark and brooding, a little too edgy sometimes but cannot deny the accessible, sometimes catchy, post punk songs. Hooks mixed with punk lyrics is an interesting choice and I think they found that nice balance. Don't think I'd listen to it on repeat but it is a good one to throw on now and then, when I'm feeling happily depressed. Best Song: Darklands, April Skies, Nine Million Rainy Days
AC/DC
3/5
3/5. Loud and in your face, this album really drives home the fact that you can't ever be too loud. Every instrument and vocal is turned up to 11, impossible to listen to this quietly. I gotta respect that. And despite the screaming vocals, they are still fairly clear and understandable, something many bands fail at. Is this a good album, kind of. Some great fun songs, some repetitive rockers, a fine line between them. Best Song: Highway To Hell, Touch Too Much, Night Prowler (hopefully not controversial for what I read about it lol)
Blood, Sweat & Tears
2/5
2/5. There are a lot of influences from other bands here but doesn't feel like a fully practiced sound. Like, the song arrangements are not very well made despite a lot of loud sounds to seem like it. It kind of feels like B-side Chicago songs. To be fair, I do enjoy some of these songs but not an album I would vibe with. Best Song: Spinning Wheel, God Bless The Child, Blues Part 2
Massive Attack
4/5
4/5. Massive Attack hits again for another album of experimental but more accessible electronic beats. Each song is enjoyable on its own, most of them including vocals, which act more as the primary instrument than for the lyrics. Not many notes, just not a perfect album, some songs not as enjoyable as others but good either way. Kinda wasn't feeling the Doors cover. Best Song: Sly, Protection, Three
Joy Division
5/5
5/5. Hard to describe the feeling of listening to it, since this is the first time, but kind of feels like the Doors and Talking Heads mixed with a drum track. I know there is no drum track here but it feels upbeat and constant while also being told about how life isn't worth it. It's mesmerizing and inspirational musically. There are two entities here, the loud and progressing sounds of the band, and the other is the depressing and poetic lyrics, creating a weird dichotomy but an interesting feeling. The exact feeling one gets while coping with the existential dread of life with an unhealthy substance keeping their mood lifted but brain damaged. It's a good album. Best Song: Isolation, Colony, Decades
Deee-Lite
3/5
3/5. A fun and accessible dance album, despite some progressive instrumentation and vocals. I do enjoy that the samples are coming from the source and just the main vocals but edited. There are silly "boops and bops" that keep me entertained with sporadic changes in the repetitiveness that disco and pop music can have. It's not enough though as this album could be shorter and more enjoyable, as there does seem to be some filler on here. Best Song: Good Beat, Power Of Love, Groove Is In The Heart
Lightning Bolt
4/5
4/5. Driving drums and bass, not sure how this is just two guys. Just heavy hitter after another. First half is better than second half but really beating down those instruments. Vocals are nothing which prevents it from being a 5 but I thoroughly enjoyed my listen. Listen to it when you do not have a headache otherwise it will make it worse but otherwise please do, it's awesome. Best Song: Assassins, Dracula Mountain, 2 Towers
Marianne Faithfull
3/5
3/5. Raspy and a little discombobulated vocals, like she's not sure where she wants to go. I do feel the emotion and passion in some of the lyrics but it's not necessarily great. The disco-esque orchestral music in the background saves this from being bad. It is better than other singer songwriters I have had on this list but not amazing. Last song does bring me back though, great closer. Best Song: Why'd Ya Do It, Guilt, The Ballad of Lucy Jordan
The Dictators
5/5
5/5. Now this is punk, full of satire and aggressive sounds, something to piss off anyone it's trying to. The amateur sound is what brings this above other "punk" like the Ramones and the Clash, a clean studio sound really takes away from the passion of not giving a F. The lyrics are a little silly sometimes but there are definitely some political statements throughout, enough to upset the right people. (To be clear those people are those who support the felon). Best Song: Master Race Rock, Two Tub Man, I Got You Babe
Emmylou Harris
3/5
3/5. A beautiful voice and some nice arrangements of some well-known songs. Simple instrumentation, and slow trailing vocals, this one can sometimes drag but if you stop and smell the flowers, there is beauty in its simplicity. The main issue is that it can be too slow to keep focus. It's doesn't have to be rock, but some variety in the songs can benefit the album as a whole. Maybe on subsequent listens it could grow on me. Best Song: If Only I Could Win Your Love, Sleepless Nights, For No One
Hüsker Dü
2/5
2/5. 90's rock. A mix of REM and Nirvana. I mean, sure I'm not gonna say it's bad, respectfully there is some great songwriting here. The album length, I felt so drained by the end of it, like I was expecting something new and it just blended all together. I read that there was a fight between the two songwriters. They should have just released their own album with each of their songs. This just feels like too much, I might pick and choose my favorite songs and make an album that way. As is, it's kind of hard to listen to but not awful. Best Song: Could You Be The One?, Ice Cold Ice, Visionary
The Mothers Of Invention
3/5
3/5. Honestly kind of hard to rate this one. I mean, I did enjoy but it's always hard to tell with Zappa. I have listened to this one before and I didn't necessarily like it but on a later listen, I am getting some of the energy and statements, especially the commercially charged hippie movement, that sometimes is even present today. As far as the songs, super weird. I don't think I'd listen to it often but I do respect the weirdness. Is it an album I would recommend? Probably never. It was funny sometimes and it will probably go up or down in rating depending the day. It wasn't bad, interesting for sure, not really an album though. The short songs usually take away from it. Best Song: Who Needs The Peace Corps?, What's The Ugliest Part Of Your Body?, Let's Make The Water Turn Black
Ray Charles
3/5
3/5. A nice dual album, big band on one side and ballads on the other. The horns are very loud yet don't drown out Ray's voice. I think the slower songs are better but the loud ones are still just as good. The album itself is okay, I mean, it's a greatest hits because these are all covers. Ray's voice does keep me interested but the songs themselves don't necessarily make me want to re-listen. It wasn't bad, just okay. Best Song: Am I Blue?, Let The Good Time Roll, Come Rain or Come Shine
Throbbing Gristle
3/5
3/5. Highly respectable experimental electronic music. Was it fun to listen to? Sometimes but mostly a head space of experimentation. Spacey and out there signals, as if sent from another planet to us as a collection of recordings to define their culture, just like what we send out for any response. An important record for sure. When I saw industrial, I was excited because that's been some of my favorite albums from this list. Every genre gotta start somewhere, I'll give the respect it deserves but not necessarily another listen. Best Song: I.B.M., Hamburger Lady, AB/7A
Einstürzende Neubauten
4/5
4/5. Another experimental album right after another, but hey I guess that's randomly decided. I think I resonated with this one more than I expected to despite it being in a language I do not understand. It is much more abrasive than other experimental albums I've heard and the use of makeshift instruments is an interesting addition that only adds to the music, not take away. The screaming vocals creates a scary and dangerous atmosphere like the final speech of a world leader before the bombs drop. Best Song: Steh auf Berlin, Negativ Nein, Kollaps
The Saints
2/5
2/5. Sick solos really drive this and the horns are an interesting choice. Not complaining, just definitely new. The punkish lyrics feel more depressing than aggressive, like he's putting me down instead of hyping me up. I would even say more emo grunge rock than punk. Either way, it was okay but not a total vibe for me. Best Song: Know Your Product, Lost and Found, This Perfect Day
Madonna
3/5
3/5. These are some solid electronic pop songs. I do hear the genre bending, and I think it works for a lot of the faster songs but when it slows down, it's hard to really follow and enjoy for some of them. There is even some influence from Alt Rock, R&B, country that I can hear. It's unique and enjoyable but I don't think it's perfect. It might go up in rating on more listens, which I do want to do, but don't think I super enjoyed it save for some songs. Best Song: Music, What It Feels Like For A Girl, Paradise (Not For Me)
Turbonegro
5/5
5/5. Now this is the correct combination of heavy rock and punk, or metal and glam. Does not take itself seriously, even funny sometimes to the clear misunderstanding of English curse words. They just thought it was cool and don't care what anyone else thinks, if you liked it or not, doesn't matter. If that ain't punk I don't know what is. The wall of sound and heavy riffs is hard to not dig into to. Glad I can run into an album like this to include in my rotation. No notes, just awesome rock. Best Song: Get It On, The Age of Pampirus, Prince of the Rodeo, Humiliation Street
Christina Aguilera
4/5
4/5. Honestly hard to find a bad song on this one, as long as your willing to explore it. A diverse mix of pop, Latin, rock, R&B, etc. Christina's vocals create a huge range of beautiful and angry and everything in between. I wasn't familiar with any of these songs, which might be why I enjoyed it more. Just back to front a solid set list. There are some not great songs but not something I can't dig a little at least. Plus we love woman-empowerment in this house. Best Song: Beautiful, Walk Away, Fighter
Moby
5/5
5/5. Back to back bangers, all danceable and great use of R&B and Rock mixed with clean and steady electronic beats. Even his vocals are good enough to keep the song enjoyable on some of them. The highlights are very much the ones with excellent sample choice. I feel like this very much inspired a lot of electronic artists today as well as Rap artists, especially Kanye. Hard pressed to find a bad song on here and even a great album to listen to front to back, which also having great singles. Best Song: Find My Baby, Bodyrock, Honey
Metallica
4/5
4/5. Not the first time I've heard a symphony play with a band live but the whole 2+ hour album is kind of crazy. I think I am at a disadvantage because I am not familiar with half of these songs. Most of them sounded like the symphony belonged and even enhanced some of the ones I already enjoyed. The length is daunting and hard to consume all the way through when just listening through headphones, would obviously be worth it live. But these are Metallica songs, basically a greatest hits compilation and then some other okay ones so hard not to like for the most part. Best Song: Fuel, Master of Puppets, Bleeding Me, Enter Sandman
Ms. Dynamite
2/5
2/5. I think I must not be getting the vibe but songs felt experimental and not in a good way. This is rap and R&B but the soul or passion seems to be missing. This very much sounds like a debut album, without beginner's luck. Most of the songs were skippable and just uninteresting. To be fair, there are some strong lyrics about growing up with poverty and speaking on family and relationships, as well as racial injustice. Just not an album I would not really recommend mostly for the music, which I am rating the album on. Best Song: Put Him Out, Afraid 2 Fly, Danger
Nick Cave & The Bad Seeds
3/5
3/5. What's wrong with Nick Cave? I know he is not incapable of writing well-written songs and great melodies and yet the choice to write slam poetry and uneven structure is unique but can definitely feel a little old sometimes. Maybe I am being close minded by not being able to experience new structure but it's hard to listen to nonetheless for me. I like the theme of these songs and some are great, but not all of them. Best Song: Stagger Lee, Where The Wild Roses Grow, The Kindness of Strangers
Pink Floyd
5/5
5/5. I tried going into this one with a critical mind because I had listened to it more than 30 times probably. I know psychedelic music can age poorly. Despite some production issues it is so unique in its worldbuilding, it truly feels like I am inside someone else's dream, or nightmare depending on the song. The music itself holds up as well: weird, scary, silly, heavy and light. And despite the inaccessibility, it is surprisingly catchy. Definitely a must listen before I die. Best Song: Astronomy Domine, Bike, Interstellar Overdrive, Lucifer Sam
MC Solaar
4/5
4/5. Great samples and flows really drive my enjoyment of this album since what he is talking about, I have no clue. It takes some skill to make an album in a different language enjoyable. It is more equivalent to an instrument jam album flowing and vibing. Definitely a great album and I'm sure if I understood French, it could be a 5. Just a detriment on my part but that is perspective at this point. Best Song: Qui sème le vent récolte le tempo, Victime de la mode, Ragga Jam
Finley Quaye
4/5
4/5. Really well-written Reggae songs that mixes some R&B and rock instruments like an electric guitar and synths and pianos among other sounds. Quaye is at the forefront of each song of course, and what a chill and relaxing voice, even if the song is heavier. Reggae is harder to get into for me, and I do have to be in the mood for it, but this was good and much better than I was expecting. First half of the album the highlight for sure. Best Song: Even After All, Ultra Simulation, It's Great When We're Together
The Mothers Of Invention
5/5
5/5. First off, pretty crazy this was released in 1966. Like even the Beatles haven't gotten super psychedelic yet. This album makes fun of rockabilly, the ballad era (Sinatra), cops, white people, and every other band without apology but still making catchy and interesting songs. This album should at least be released in 1971 with the themes and sounds they bring forth. Even today, there are some unique choices not made anywhere else. Sure, bands inspired by the Mothers have made well-produced albums and better use of this aesthetic but even still, this album truly holds up as something you've never heard anything like. Is it perfect? Definitely not, the last act of the album is truly one of the choices of all time. Is it still a good album. Also debatable. Is it an album you must listen to before you die? Absolutely. Best Song: Trouble Every Day, Anyway The Wind Blows, Who Are The Brain Police?
Lupe Fiasco
5/5
5/5. Honestly, this is definitely influenced from so many early 2000's rap albums that had already come out but this still sounds unique enough, especially since Lupe can 100% sing unlike other rap artists at the time, providing some really nice choruses. These are uplifting serious songs and I really enjoyed this one. Catchy songs and replay-ability is super high. The word play is intelligent as well and the features are so well used and beautiful as well. And the rock and big band samples and instrumentals are awesome. The only downside is the outro but I don't think it affects everything else to bring down the score. Best Song: Daydreamin', Kick Push, Hurt Me Soul
Nick Drake
5/5
5/5. This album by itself is good but not as powerful if the context is not known. You feel the depression and sadness through the music and lyrics. It is an album that is a cry for help. There is a fine line with music where it can sound disingenuous when talking about depression but it's hard to not feel chills and the need to talk to Nick Drake. You want to get him a hot tea and hangout with him. The songs are hard to listen to not because they are bad, they are quite beautifully soft, but because it is relatable in so many ways as someone on anti-depressants. Not to mention the influence on most if not all singer-songwriters especially in the 90s when the album received critical acclaim retrospectively. Best Song: Place To Be, Parasite, Pink Moon
Tim Buckley
2/5
2/5. I enjoy experimentation on albums, and this is surely a big step from his previous work. It is heading to a bombastic future release of Leaving LA but this is the middle zone. I like the progressive jazz spread throughout but I have heard better. Trying this to try things is a vibe but intentional experimentation is different from calculated experimentation. This is the former. It's unique, but not enough. I do like the jam session despite the unfortunate title. Best Song: Gypsy Woman, Strange Feelin', Buzzin Fly
Funkadelic
5/5
5/5. Maggot Brain. The best guitar solo in the title track. It's a 5 by itself but then it is followed by 5 very funky tracks akin to the funkadelic we know. I will say, the only mid song here is the last track but even then, it's not that bad just super experimental and still has great licks from Eddie. It's a crazy album front to back honestly but no complaints, and amazing musicianship and vocals throughout. Best Song: Maggot Brain, Can You Get To That, Super Stupid
Bruce Springsteen
4/5
4/5. Stark and dark lyrics, this is a difficult one. It's not even bad, the lyrics are sad and so expressive while also being mostly quiet throughout and creates the most palpable environment on any album I've heard. It is a place of danger and darkness, of sadness and broken promises: the United States of America. His voice speaks of experience of several lifetimes while also still sounding young and naïve. As much as I do enjoy this album, I will say the amount of times I had to listen to get into it as well as some songs still not standing well enough to not skip sometimes take away from the perfect score. It's a great album but not perfect imo. Best Song: Atlantic City, Highway Patrolman, My Father's House
Bon Jovi
4/5
4/5. This was a great album after some depressing and slow albums but also, as its own, crazy how this was still very enjoyable. It doesn't have to be serious or even innovative to be good music. Sometimes, it can just be nice to listen to and that's it. Plus, like the obvious inspiration of Aerosmith, The Who, and Rolling Stones, there are also some very heartfelt songs right next to sexy rock songs. 5 years ago, I would have said I hated Bon Jovi but only because it was popular. That's always the incorrect reason to not like something. There were some songs I might skip but overall, a pretty good one front to back. Best Song: Wanted Dead Or Alive, Livin' On A Prayer, I'd Die For You
Dolly Parton
5/5
5/5. A beautifully sung and and orchestrated collection of songs, just a sweet and yet sad album from three intelligent and strong women, expressing their feelings and worries in front of the listener, not worrying about being accepted, just a message told. This was a great listen, it's not perfect. I would say just some songs are not perfect but this was near perfect for sure. Best Song: Wildflowers, Making Plans, Farther Along
3/5
3/5. It's hard to say if I even liked it. I did like some of the songs but to say this is 10/10 like all these critics are saying is a pretty wild choice. I like the punk and the fresh take on it with the mixing of different genres but it's not crazy good. I have to stop looking at other reviews and just take it at face value. This was not bad, but it didn't wow me. Best Song: In This House That I Call Home, It's Who You Know, White Girl
Donald Fagen
4/5
4/5. This was more enjoyable than a Steely Dan album, felt like jazzy and just more pop, following a pretty straightforward drum machine and playing off of that. It felt like more creativity despite the lack of multiple instruments. Just one dude's vision. Plus the production is incredible and after reading up on it, awesome background to how they got the sounds as a digital recording, one of the first to do so. I can't say it's perfect because there is still some of that pretention in there but it's still very good. Best Song: I.G.Y., The Nightfly, Ruby Baby
Primal Scream
2/5
2/5. I appreciate the experimentation and diversity of tracks on this album but unfortunately, they are not interesting or enjoyable songs. I thought it was a cool concept and it does succeed in providing an ambience, but it wasn't the right one. And although Star was a nice change of pace, it was just an okay song in general. Oh well, can't all be winners, but again, it wasn't terrible. Best Song: Star, Trainspotting, Motorhead
Pet Shop Boys
4/5
4/5. An excellent pop album, starting to like the Pet Shop Boys more and more with each album. Although the first half of the album is clearer the better half, it was a good listen throughout. It's not perfect because some songs on the second side were not comparable to the other tracks. Got no other notes, highly recommend and amazing production. Best Song: One More Chance, It's A Sin, What Have I Done To Deserve This
Ozomatli
3/5
3/5. Latin funk, always an enjoyable genre at least. It also has some rap throughout, which I would say is not the highlight here but still not bad. I do enjoy it but I wouldn't say it stands out as impressive. The pop and rock songs are definitely inspired by Santana but this one is more focused on the band as a whole instead of just the guitar. There is a similar rhythm throughout which creates a concise theme but can be a little much with the maracas and hand drum taking up the background of the songs. It was fun and danceable but not a constant repeat listen. Best Song: (Who Discovered) America?, Believe, Nadie Te Tira
Genesis
5/5
5/5. This is nostalgia for me, and that will definitely be put into my score for this album. I can admit that song to song, they are not all perfect, but with albums as a whole, especially concept albums, the flow from song to song is most important and I am engaged every time, moving through each song with feeling and arriving solid conclusion. And then I want to start it up again. Progressive Rock is pretentious but it is also fun and epic, trying new things, hoping they stick, and if they do, it's hard dislike. My opinion of course, but an awesome album for me. Best Song: Carpet Crawlers, In The Cage, The Lamb Lies Down On Broadway
Cocteau Twins
5/5
5/5. I don't know what it is about this band, I don't normally enjoy shoegaze or even unintelligible lyrics, but this creates a beautiful and uplifting feeling while listening, akin to a mix between Abba and Sigur Ros. The vocalist is such a perfect choice for this album, which is why every Cocteau Twins album I've heard so far feels so unique and wonderful. Just each song stands on its own and creates an ethereal world while being down to Earth. Awesome album. Best Song: Cherry-Coloured Funk, I Wear Your Ring, Iceblink Luck
Sabu
4/5
4/5. I didn't know we could have a Congo solo but I'm not complaining. This was more of a jam album located in the basement of a latin bar, hot and sweaty with barely enough standing space. The vocals seem more like ad-lib or instruments themselves. This was a very enjoyable listen, chill and down to earth. Definitely not an all the time album but great nonetheless. Best Song: El Cumbanchero, Asabache, Simba
3/5
3/5. I understand this is not supposed to by funny, but if I view it as an R-rated Weird Al album, this is a great album. It's like a parody of linkin park, rage against the machine, and other similar bands. It's not even that the musicianship's bad, it really is the vocalist and lyrics making it hard to take seriously. Plus the use of weird sounds in each song, it feels intentional. I'm going to rate as I see it, hilarious and simple enough to enjoy. The amount of times f*** is said has to be part of the joke. Edit: After listening to the Outro, it went to 3 because they are not taking themselves seriously at all. Best Song: Rollin' (Air Raid Vehicle), Full Nelson, Take A Look Around
Rush
4/5
4/5. 2112, title track, is one of the best progressive rock songs, arguably the best, of all time. If the album was just the single song, it would be perfect. Unfortunately, the 2nd half is really lacking. Lessons and Tears are pretty bad. It ends on a high note with Something but not enough to bring it to a 5. And look, Rush is maybe my favorite band, so I have to be critical at some point. Best Song: 2112, Something for Nothing, Twilight Zone
Beastie Boys
5/5
5/5. Lyrics don't age very well but the production and rapping in general, plus amazing beats, keeps this a classic. Taking the best from groups like Run-DMC and providing just back to back bangers, everyone can have a different favorite song from this album and it's hard to disagree. The confidence from these white boys is definitely misplaced and offensive but it's hard to not vibe with them, they can rock. Best Song: No Sleep 'Till Brooklyn, She's Crafty, Time To Get Ill
Dexys Midnight Runners
3/5
3/5. Clearly the highlight is Eileen but the rest of the album is still pretty enjoyable. The Celtic vibe with multiple genres, mostly poppy and accessible, creates a nice experience but I wouldn't say the album as a whole is a great album. Just some songs here and there are notable. Best Song: Come On Eileen, Jackie Wilson Said (I'm In Heaven When You Smile), Until I Believe In My Soul
Radiohead
5/5
5/5. Kid A is an album that is hard to describe but such an important album that I don't believe it inspired any future albums, it feels too unique to even attempt a similar style again. The mixing of genres of electronic, jazz, ambient, rock, dance, etc. create an album of excellence. I love the album but understand the hesitation to get into it. Once you break down that barrier though, it's a great listening experience. Best Song: Everything In It's Right Place, Idioteque, Optimistic
Van Morrison
5/5
5/5. This is purely ethereal and beautiful. Hard to describe exactly the feeling but each time I listen to it, I tear up with at least one song. This time it was Madame George. Van Morrison as a person, pretty bad, as a singer and songwriter, hard to beat. I wouldn't even say he has a great voice, but it is unique and he knows how to expertly control and manipulate it to create an otherworldly sound. It's not the most accessible but letting yourself go while listening is the best approach. Best Song: Cyprus Avenue, Madame George, Astral Weeks
American Music Club
3/5
3/5. Pretty catchy indie-country album with some ballads throughout. And the vocals are interesting at first but become more likeable on continued listens. Although I did enjoy it, not sure I would listen to it again. It definitely was unfortunate I could only hear 9 of the 12 songs on YouTube. Hard to rate it higher than 2 since I didn't experience the whole thing the best way. Giving it a 3 though for the potential. Best Song: Western Skies, Firefly, Lonely
The Waterboys
5/5
5/5. I love the energy in each of these songs, kind of inspired by stone roses and Oasis with some pretty strings throughout, giving a more down to earth vibe. The longer songs are definitely the highlights, with beautiful arrangements. This is a repeat listen for me for sure, just each song has a big sound in it as well while feeling so personal. Best Song: We Will Not Be Lovers, Sweet Thing, Fisherman's Blues
Tom Tom Club
3/5
3/5. I do enjoy the funk and style brought from Talking Heads, with a different vocalist creating a new experience. Unfortunately, it's hard to bring a new sound when David Byrne makes the Talking Heads so much from different New Wave bands. To be fair, this is not bad, definitely a higher quality than other bands from that genre but kind of just makes me want to listen to Talking Heads. They are great musicians in their own right but it is just missing that extra kick. I would have more enjoyment if I heard this before the Talking Heads. Best Song: Genius of Love, Under the Boardwalk, Wordy Rappinghood
Meat Loaf
5/5
5/5. Even listening to it so many times already, each listen just brings a different song to the light. It's a banger after banger, even the slow ballads are some catchy and well-written. Sure, dramatic vocals, but they match the vibe. It is a musical, not a coherent one but they are so exaggerated and extra that makes this album such a treat to listen to. Hard to really dislike this one. You're no fun if you can't enjoy at least one song on here. Best Song: Bat Out Of Hell, Paradise By The Dashboard Light, Two Out Of Three Ain't Bad
The Chemical Brothers
4/5
4/5. A solid electronic album where a personality is being formed in the songs. A more optimistic viewpoint from the samples and sounds, and a skill to portray that emotion without lyrics is definitely a skill. A start of a good relationship between the group members. There is not anything that stands out for me, and some of the songs don't keep me invested for their length time but I wouldn't say it's bad, I appreciate the experimentation at least, always love new ideas. Just would rather listen to a more mature album of theirs, still a solid listen. Best Song: Chico's Groove, Life Is Sweet, Leave Home
Arrested Development
4/5
4/5. This has a solid collection of diverse rap songs that more air on the side of R&B and spoken word, with some great beats throughout. I appreciate the ability to rap about serious issues like personal growth while still not having to conform to anti-black language, which I know happens when trying to make "anti-gangster" music as a lot of the critics of this album seem to talk about. It's more upbeat for sure but samples and instrumentation of influence and inspiration really make the songs stand out and are more enjoyable. Although some of the themes and lyrics are a little direct versus subtle, it's still a great listen. Best Song: Tennessee, People Everyday, U
Foo Fighters
3/5
3/5. It's a fun rock album full of songs that are good to throw on whenever but not much more than that. It's still highly impressive that it is all Dave Grohl: all instruments, vocals, lyrics. With that in mind, each song is pretty elevated. As an album as a whole, I don't think it stands out but was still a good listen. Best Song: Big Me, This Is A Call, Exhausted
Ryan Adams
4/5
4/5. I had a very different view of Ryan Adams when I first listened to him. His music has altered to a more rock and emo oriented versus just basically country like this one. And honestly, glad I was surprised I liked this one more than I was expecting. Just a solid album of back to back well-written country songs, each one standing on its own but the songs are good enough to make this feel more like a Greatest Hits album. Now I don't think the whole is album is perfect, but it's good enough to get a 4 in my opinion. It's intrigued me enough to explore the songs some more, just in case there was a song I missed fully and the ones I already enjoyed are great. Best Song: When The Stars Go Blue, La Cienega Just Smiled, New York, New York
Buck Owens
4/5
4/5. Threw me for a loop at first, very strong energy from the first song. As the album went on, it was just great songwriting for each song, honestly enjoyed the album all the way through. Plus, the telecaster guitar near the front really provides a unique and exciting sound that brings that country feeling with some rock. The ballads I believe are my favorite. Hard to find any notes for improvement, but some songs have aged and are a little silly, but it almost adds to the vibe of the time and album. Best Song: If You Fall Out Of Love With Me, Streets of Laredo, I've Got A Tiger By The Tail
Antony and the Johnsons
5/5
5/5. Such a beautiful album, hard to deny the expert vocals and with the simple instrumentation, it knows what to highlight. The lyrics are clear and direct but contain sadness in each one. There is most likely an underlying meaning as well. Then during the songs that slowly raise in sound, it adds more instrumentation and feels more like an anthem with such soulful vocals. This is hard to not like, so freakin good. Can't believe I've missed out on this, a repeat listen for sure. Best Song: Hope There's Someone, Fistful of Love, You Are My Sister
Frank Sinatra
4/5
4/5. A sad and moody album, one of the first concept albums. It doesn't have songs that overstay their welcome and are not cringe or uncomfortable. These feel more like internal thoughts that one might have after a breakup. His voice is calming and the instrumentation is simple and powerful, following his voice like jazz. There is such a sadness here but one that is so important to history of music. The only unfortunate part is that the first side is much better than the second side so it goes down a point. Best Song: In The Wee Small Hours Of The Morning, Deep In A Dream, Glad To Be Unhappy
Laura Nyro
5/5
5/5. Love the time changes and how each song feels like two full songs mixed together. The mix of jazz and pop and experimentation is done so expertly. Laura's voice is beautiful and so expressive with her range. Although some songs I am not sure what she is saying, I blame that on the production, which is normally superb on this one. Feels like Joni Mitchell but better. Best Song: Eli's Comin, Luckie, Woman's Blues
The Smiths
4/5
4/5. A better produced and wall of sound album with each instrument being prominent. The songs are catchy and yet dark, as is the Smiths aesthetic. There were more songs I enjoyed on here than not, which surprising for the Smiths, and the extended instrumentals for the songs definitely has influence of many of the 90's and 2000's indie bands. This was a great album once concluded, made me want to put it back on but only when I can handle Morrissey's voice. Best Song: Girlfriend In A Coma, Last Night I Dreamt That Somebody Loved Me, Death Of A Disco Dancer
Mariah Carey
2/5
2/5. I enjoyed the R&B touch to these pop songs but I don't think it aged super well or was made perfectly. R&B, especially extended vocal passages, can be easy to do but hard to master. I don't think she's got it down yet, but definitely see the potential. No doubt, she can sing and the features are only a plus but overall, the album has some skippable moments. The first and last few songs on the album are definitely the highlights. Best Song: Honey, Butterfly, The Beautiful Ones
Air
3/5
3/5. I do enjoy a good Score to a movie, and this was a positive listen. I could feel the subtle darkness through some of the upbeat electronic drones. There is a nice theme through each song that reminds you are listening to a collective linear album. Now I'm interested in the movie. Not perfect of course but an enjoyable listen. Best Song: Playground Love, Highschool Lover, Ghost Song
Bebel Gilberto
4/5
4/5. Electronic and Bossa Nova was such a good choice because it adds the steady beat that bossa nova is missing, sometimes too much swaying or soft notes can leave the listener bored. And the switching languages creates a feeling of otherworldliness, like I am not quite here. Not even mentioning the beautiful voice driving these songs. The slow and plodding songs sometimes exist but most are mixed with other instruments to bring out the flavor so it's not all of them. Best Song: Samba da Bênção, Tanto Tempo, Bananeira
Roxy Music
5/5
5/5. This is a pretty full and diverse album. No song feels out of place though and it just feels complete, each song is weird and artsy. Sure it can seem pretentious, but these are just well-written songs in general so hard to see how it matters. The riffs are great and the vocals are not something to write home about but they fit the vibe of the music. Kind reminds me of some progressive rock as well. I wouldn't say it's perfect since the last song can drag on a bit and it's not an always listen kind of album, but it's still dang good that I think it gets a 5. Best Song: Do The Strand, Strictly Confidential, The Bogus Man
Julian Cope
4/5
4/5. This is a hard one to grade because on the one hand, I appreciate experimentation and trying new things but also some of these songs are just not good and hard to listen to. From most of the album, especially after the first song, it does pick up and there are definitely some highlights. There is some Frank Zappa influence for sure along with some other alt-rock/pop from the 80's. Each song brings a different style and it's weird at first but slowly grows on you. I still can't get over some of them but it was a much better than album by the end. Best Song: East Easy Rider, Safesurfer, If You Loved Me At All
Living Colour
5/5
5/5. This is awesome. It's got a strong Aerosmith vibe, and although that's not my favorite, the soulful vocals and distorted riffs and solos make it stand out. Plus the lyrics of anti-politics, homelessness, the removal of the third place, housing prices, the black experience in Amercia, creates a more powerful album than just heavy music, it's heavy lyrics. I think it is important to note that all members are black. If anyone's got a right to be angry about way life is, it's them. The guitar riffs really shine here, inspired by Rush and Motorhead as well. Just feels like a culmination of every good thing about heavy rock in the 20 years leading up to this made into an album. It rocks. Best Song: Cult Of Personality, Middle Man, Which Way To Your America?, Open Letter (To a Landlord)
Peter Frampton
3/5
3/5. Charismatic front-man and classic 70's rock creates a chill live experience. Some cool solos and musicianship in the songs, most are pretty simple though. The crowd is the loudest I have heard a crowd on a live album and I think that was intentional. The production uses the crowd to enhance the songs with a solidarity energy. Would these songs sound as good on a studio album? Probably not, but I guess that's why this one is on this list and not the other ones. At face value, this was a fun album and a good full listen but I don't think it was perfect. Last song goes hard but the rest of the album isn't good enough to make up for it. Best Song: Do You Feel Like We Do, Show Me The Way, Baby I Love Your Way,
Ministry
5/5
5/5. This rocks. Heavy Metal Industrial Psychobilly is a new term that I never thought I'd hear but I'm not upset. I can barely understand the lyrics but the riffs are heavy and dope. There aesthetic is immaculate, like being hunted by hillbillies in the woods, maybe even eldritch horrors as well. A more appropriate feeling of the Appalachian horrors. Just cool stuff, love to see the metal representation in this list. Best Song: Jesus Built My Hotrod, Scare Crow, N.W.O.
Emerson, Lake & Palmer
3/5
3/5. Clearly, the highlight is the title track. If they just dropped that and walked away, would be awesome. However, they attached 6 just okay songs that make me want to stop before I even get there. I do like Crystal and Time and Place but it really does feel like B-sides. I love prog don't get me wrong but there is just not enough her to make a great album, it's good as long as you only listen to the first song. Best Song: Tarkus, Crystal, A Time And A Place
Morrissey
3/5
3/5. Some better production and lyrics able to understand really does wonders to Morrissey. It's almost like if the main part of his music to feel the lyrics, being to understand what he is saying feels like priority number one. I did enjoy the singles and other songs that stood out. His voice also sounds more bearable on this one, with instrumentation sections having enough time for breaks. Overall, not a choice I would put on but it was not a bad listen. Best Song: The More You Ignore Me - The Closer I Get, Now My Heart Is Full, The Lazy Sunbathers
Tracy Chapman
5/5
5/5. A beautiful and sad album of important messages and quiet songs of longing and heartache. There is love throughout but scarce enough to remind you of the bleakness of the world. Optimism is a message trying to break through each song but it always ends in disappointment at the police, society, yourself. She has a very accessible voice and each song provides enough diversity that doesn't sound like a plain acoustic pop album. Best Song: Fast Car, Baby Can I Hold You, Talkin' 'Bout A Revolution
Nick Cave & The Bad Seeds
4/5
4/5. Creepy and upbeat, these are accessible songs with the energy of a cult telling stories around a campfire where everyone knows the songs. Spooky but not scary, feels like an homage to concept songs. I enjoyed all the songs mostly, save a couple, but otherwise this was a better album than I was expecting from Nick Cave based on previous experiences. Most of the lyrics are surface level despite the intensity of them. And the album does not overstay its welcome either, which is a good choice especially with Cave's songs. Best Song: Straight To You, Papa Won't Leave You Henry, Jack The Ripper
Bobby Womack
3/5
3/5. Love the weird sounds and experimental background instruments along with the pop/r&b. The album makes you want to move for sure with the upbeat ones and the ballads are okay, don't think that's his highlight stuff. Lonely was an outlier. The album was enjoyable but I don't think it was too unique to stand out to me. The second half turned out to be better than when it started. Best Song: If You Think You're Lonely Now, Stand Up, Where Do We Go From Here
M.I.A.
4/5
4/5. A shock of sound threw me off at first but each song stands alone as a testament to mixing pop and electronic to multiple different cultural styles while still sounding fresh and new just as if it came out today, not that it's very old. I enjoyed this album more than I thought I would on the first song but it really grew on me, once I got the energy it was giving. This is going to be a repeat listen for sure and probably bump up to a 5 from what I'm feeling but right now it is a 4 cause some songs didn't land fully. Still great though! Best Song: Paper Planes, Bird Flu, Boyz
UB40
4/5
4/5. This was a very interesting album. I think I enjoyed most of it but reggae can become tiresome after a little bit. Thankfully, this album mixed it up with some heavier guitars and electronic sounds that made it sound more like a space jam than a reggae sesh. Although some of the songs overstayed their welcome, the epic Madam Medusa felt correct. It changed up enough to take on some progressive rock sounds. I think this album will take some growing but to stay optimistic, I'm putting it at 4 because it was "cool" reggae, which is hard to do. Best Song: Tyler, Madam Medusa, Food For Thought
Paul McCartney
4/5
4/5. I was expecting a little overblown pop but honestly, the simple melodies and mostly down to earth songs really worked. Maybe I'm Amazed is clearly the highlight but just a nice collection of simple pop songs is a nice change of pace, and McCartney definitely knows how to write and sing them. And some of them are just instrumental, feels like a collection of ideas that were maybe rejected by the other members of the Beatles that he could finally just sit down and relax for once. It's not perfect but it does exactly what it sets out to do, meander and wander like a relaxing day at the park. Best Song: Maybe I'm Amazed, Every Night, Momma Miss America
G. Love & Special Sauce
3/5
3/5. This is a good album to nod your head to and the vocal cadences are fun, switching between blues, soul, spoken word, and rap. It is mostly blues instrumentation with simple drums, bass, and guitar. The vocals are the unique part here, with a slow and flowing rhythm, never staccato. I enjoyed the first half of the album, but then the second half sounded exactly the same, like it was alternate takes of the same songs. I wanted to like this more than I did but I did enjoy it for the most part. Just a little too long I think. Best Song: The Things That I Used To Do, Garbage Man, Baby's Got Sauce
Led Zeppelin
4/5
4/5. Probably the black sheep of Led Zeppelin self titled albums. It's surely the quietest and this change of pace can throw you off at first but these are some of the most down to earth in their whole discography. Sure, there some bangers on here but the rest of the songs hold merit as well. I can pick almost any song on here and would not skip it. Softer sounds do not mean less talented and Led Zeppelin proves it here. I will say, it is not perfect despite the good ones mainly because the last two songs kind of end the album on a bad note. Otherwise, another W in Zep's catalogue. Best Song: Immigrant Song, Since I've Been Loving You, Gallows Pole
Emmylou Harris
2/5
2/5. There is a story within each song that feels like I am at someone's funeral I do not know and listening to these events in their life. It's not necessarily sad, just distant. Unfortunately, that does not help the album. I kind of lose interest about a few songs in and some do stand out, but I don't think they are unique enough to keep me interested. I do enjoy the instrumentation choice with heavy non-country drums and country guitar. I think I would appreciate this one more if I was invested in Emmylou but with my lack of knowledge there, it kind of brings down the experience. That distant feeling again. Not good enough to feel like I need to listen again. Best Song: I Don't Want To Talk About It Now, Bang The Drum Slowly, One Big Love
King Crimson
4/5
4/5. I love King Crimson and this is a good choice for this list, but so very weird. The title tracks are the highlights for sure but the songs in between tell their own story to hold their own. The vocals are not great which is why half of the songs, more than 70% of the album is instrumental, all of the longer songs. This is a scary album, in a light sense of the word, but there is a dark undertone in all of the songs, like someone is following you or watching you in your own home. I don't know, it's hard to dislike this one for me and I would recommend it to anyone willing to venture into more progressive rock. Only downside are the songs with vocals, except Easy Money. Excellent instrumentation otherwise, like an album from Hell. Best Song: Larks' Tongues in Aspic Part Two, Larks' Tongues in Aspic Part 1, Easy Money
Steve Winwood
3/5
3/5. There are some instrumental passages and riffs throughout the album but I wouldn't say any more than three songs stood out to me. It wasn't that the other ones were bad, just didn't provide an interesting enough sound to stay engaged. It is impressive he played all the instruments himself according to the internet but it can take away from the feeling without multiple instruments playing at the same time. Feels more robotic despite his soothing voice. Best Song: While You See A Chance, Night Train, Arc of a Diver
5/5
5/5. Just unadulterated punk. The guitar playing is sloppy, the singing is chaotic, the rhythm is nonexistent mostly. This is how live albums should be, no filter just raw sound. I love this so much, just blast it at full volume. The lack of clear production works in its favor, so it annoys the people who don't care to listen. Best Song: Kick Out The Jams, Motor City Burning, Ramblin' Rose
Buzzcocks
4/5
4/5. The fast and short songs don't really get old and each song feels unique enough despite a very similar style and rhythm. There is an intensity, not necessarily of anger, despite some lyrics, but more of a misunderstanding, like someone who has been betrayed and is standing up for themself. It doesn't always reflect in the lyrics but there is a sadness here too which is interesting. Maybe I'm only projecting but I did enjoy this one the more I listened to it. To be fair, there is an overall excited energy in general which is hard to not enjoy
. Overall, it was a pretty good album, not perfect but still great. Best Song: I Don't Mind, Moving Away from the Pulsebeat, I Need
Pentangle
2/5
2/5. Psychedelia taken to the edge I think, just a complete reversal going to back to traditional songs and songwriting mixed with diverse instrumentation and choral arrangements. Mix that with a lot of psychedelics and you got this album. Were they fully present when signing these songs? Most likely not. It wasn't necessarily bad but I don't think I would ever go out of my way to listen to it again or share it with anyone. Maybe it will grow on me (or get worse) over time so for now it stays at 2. Best Song: House Carpenter, Hunting Song, Light Flight
Cowboy Junkies
3/5
3/5. These are very beautiful and calming songs, and give very traditional vibes, even the ones that are modern covers for their time. It runs the risk of getting caught in the repetitive cycle of similar sounding songs that are hard to differentiate and although there are times I lost track if it was the same song, it is nice enough to listen to to make up for it. I wouldn't say it is profoundly awesome but it's a good to throw on now and then when you want to relax. Best Song: Blue Moon Revisited, Walkin' After Midnight, Working On A Building
Ice Cube
5/5
5/5. Hard to argue here, these songs flow so well and the scene by scene style creates a near perfect album. Each song talks about similar themes but has great beats, a little old school, but his anger and lines hit hard enough to make up for it. I understand that there is definitely misogyny that has not aged well here but to discredit the whole album is pretty confusing because you are paying attention to the problem that exists within the "projects" as a black man. Ice Cube, whether playing a character or as himself, this album has only aged well because Ice Cube is not someone to root for yet we just heard his trouble as living as a black man in America. He finds the need to have power over women because he has no power anywhere else, the irony of the title of "It's A Man's World." It is not an excuse to write or rap songs like that, I do not condone these morals, but as an album, it makes Ice Cube a confusing and complicated character, which shows that he views himself as the main character despite his many, many flaws. It's art honestly. Best Song: You Can't Fade Me, Endangered Species, Rollin' Wit The Lench Mob
PJ Harvey
2/5
2/5. I didn't feel much a way about this one. I enjoyed the energy but it wasn't quite emotion but more of a performance on an emotion. I think the songs are good but it's just a missing feeling. It might take another listen but from the get-go, this was an aggressive album of songs about hating yourself and others. I get it for sure, just felt a little too edgy at times. The best part is definitely the production, the use of whispered and screaming vocals along with the instrumentation. Maybe it will click but it's not doing it for me right now. Best Song: 50ft Queenie, Rid Of Me, Ecstasy
Captain Beefheart & His Magic Band
5/5
5/5. It's wild because I was preparing to hear unlistenable music and then it was just Frank Zappa, just a little more chaotic. Sure, this honestly feels more like artists trying stuff just to try it, even sounding like none of them have picked up an instrument before. And yet other times it is counteracted by intelligent and complicated riffs and musicianship, creating a fine line between both. I think by the end of it, I would say this is an album of so many creative ideas that it's too important not to rate high. And the lyrics in the spoken word songs are so weird it feels like I am having a fever dream. Any musician can hear the amazing songwriting here, it's hard to deny this is an awesome album. Best Song: Moonlight on Vermont, China Pig, Ella Guru (Honestly it depends on the day though which one I like the most)
Ryan Adams
5/5
5/5. This is a sweet album to listen, very country and quiet for the most part but beautiful songwriting. A great breakup album honestly and really fits the aesthetic it is going for. I am finding out more that this man is a country artist when I always thought he was rock. Glad I was introduced to these, bypassing the recent releases. Hard to find any fault on this one, it is just a series of great songs and a wonderful album front to back to listen to. Also, I am rating this on the listening of the album since that is the point of this list. Best Song: To Be Young, Oh My Sweet Carolina, In My Time of Need, Why Do They Leave?
Mylo
3/5
3/5. I am a fan of electronic dance music but this wasn't anything crazy. It was fun but don't know if this will be a repeat listen for me. The samples and lyrics were arguably the best part, especially the one on Destroy Rock & Roll. Like these are good beats here and mostly not overcomplicated and straightforward, but I don't think there is enough diversity to not get repetitive sometimes. Still something I wouldn't skip if it came on. Best Song: Destroy Rock & Roll, Drop The Pressure, Musclecar (Reform Reprise)
Peter Tosh
4/5
4/5. Great production to start out with, heavy on the bass and has a dark tone throughout while still having positive lyrics in some songs. Plus the musical tones and vocal flows are definitely reggae but has influence from classical music as well some rock. Just a series of great songs, maybe one or two I can skip but overall, an amazing album. Peter was clearly the musician, even if Marley was more well-known. And the directness in his message is a nice change of pace for reggae music which has always been political, even if it shouldn't have to be. Best Song: Legalize It, No Sympathy, Igziabeher
Venom
4/5
4/5. Surprisingly, despite the terrible production, this has aged well, music wise. Sure, some (most) of the lyrics can be a little cringe (Teacher's Pet). The direct songs about Satan and revolution are the best of course, and the heaviness throughout the album really shines, especially on the second side. There are several staples here for the metal genre that have inspired so many. I don't want to say this is perfect, because it is not, but this was a fun listen and I did enjoy it overall. The unapologetic attitude talking about things that are not real but knows it will make people mad is pretty funny how over the top they go. Mad respect there. Best Song: Black Metal, Countess Bathory, Heaven's On Fire
Big Star
3/5
3/5. This album feels so ahead of its time, like the lyrics and even music feels like the album should wait for the 80s to go this dark. Sure, it's poppy and has some ballads but there are songs about depression and loss and longing which feel so out of place with the genre this might be directed towards. I really enjoy the change and I wouldn't say it's perfect but it's still really good. There are some generic pop-rock lyrics on here but they still sound good. I did lose interest as the album went on but was not a bad listen. Best Song: Jesus Christ, Holocaust, Kizza Me
Dead Kennedys
5/5
5/5. God I love punk. These guys are just having so much fun saying the things people are thinking nowadays already. Like sure, the Sex Pistols album is a landmark in punk, it's great, but this is American to a tee and although a lot of it is anti-Vietnam war so a little dated, it's easily replaceable with any American Government act for the last 60 years and then some. The titles of the songs alone are great. It's not great singing, or music, or even listenability, but it's got great lyrics and the energy is off the charts and that makes up for it. The amateur sound they are going for is what makes this so good as they stuff they are talking about is what makes the rich and those in power scared if more people were thinking this way. We would solve a lot of problems lol. Best Song: Holiday In Cambodia, Let's Lynch The Landlord, Kill The Poor
Motörhead
4/5
4/5. Love me some Motorhead, and live songs just fits the bill. The louder the better and this throws everything into the mix, everything is at 11. Lemmy is screaming in every song and yet he seems the quietest part of each song. The album front to back is at full speed and its over before you realize. It feels like a greatest hits, especially with the bonus tracks on the expanded version. There are some songs to be fair, that do feel unneeded and sound similar to other songs. It is still a great live album, just need to listen with good head phones or in the car and you will not be disappointed, maybe skip a song or two. Best Song: Overkill, Capricorn, Motorhead
John Prine
4/5
4/5. Love this, and sad how a lot of these are still very relatable to what's happening today. Direct lyrics about exactly what he is thinking and his feelings about the world. I understand that that's what folk is basically but not as clear as this and no holding back. No walking around the subject. The music itself is nice but not something to praise. And some of the later songs on the album don't hold up as much as other ones. This is definitely on rotation but not perfect. Best Song: Angel From Montgomery, Sam Stone, Paradise
Public Enemy
5/5
5/5. The production is so chaotic and loud, it works so well to match the energy the rappers are bringing. Each song just has great beats and instrumentation. It is very complex and layered that it feels so full and dope. It is also surprisingly danceable and catchy. I don't remember wanting to skip any songs even if I didn't catch all of the lyrics but from what I did catch, they were rapping about ideals I mostly agree with, like ACAB, pro-black messages, and anti-racist morals. I did hear some anti-gay lyrics but I'd have to relisten to confirm. I can see how these songs can be overwhelming but I enjoyed it all the way through. Excited to check out more Public Enemy. Best Song: Can't Truss It, By The Time I Get To Arizona, Bring Tha Noize
The Beta Band
4/5
4/5. I really enjoyed this album and a different genre that seems like a mix with a lot of other genres. Like it's soft rock, trip hop, pop, electronic, and alt rock. It has an atmospheric element where the vocals are more like an instrument. It's catchy so you can sing along yet still interesting enough to keep you coming back. I honestly didn't experience a bad song on here but there were some songs that were just okay on the latter part of the album, still a great listen. The other downside is the cover art is pretty trash lol. Best Song: Squares, Alleged, Dragon
50 Cent
3/5
3/5. It's pretty obvious how this album got so popular, these are well written pop songs. Sure there is rapping and it is identified as hip hop but there are great choruses and accessible music, while the beats and themes remain heavy, diverse, and rap-oriented. I do acknowledge these are good songs and respect it and I do enjoy most of the songs on here. I may skip the song if I was by myself but wouldn't be upset if it came on the radio or in public. I also think 50 cent is an okay rapper but if he went towards more pop music, I think he's better at that. The album as a whole felt a little too long for the vibe it was going for. There are serious songs on here but it's not really the theme of the album, not that it needs to happen, it just feels conflicted. Best Song: P.I.M.P, In Da Club, If I Can't
Also, as a P.S., shoutout to the reviews being blatantly racist, no matter how many times you say "I'm just speaking the truth." No, you are a bigot, which is the truth. You just created a narrative because you saw someone you didn't like looking at listening to this music and now everyone who listens to this is not a good person to you. If I told you I am the nerdiest person, I play dungeons and dragons, my favorite bands are Rush, Pink Floyd, and the Beach Boys, and I said I enjoyed this album enough to listen to it on loud speakers, would you be able to comprehend that or is that too much for your narrow minds? Re-evaluate what you say before you make yourself look stupid online. Not liking an album because of the artist is one thing but not liking it because of the people who listen to it is deplorable. Do better.
Creedence Clearwater Revival
3/5
3/5. Short and sweet, very much to the point with every song. Got some great songs on here and there isn't necessarily a bad one here but not all of them are perfect. To be fair, when listening to this, I just kind of have rather been listening to another CCR album, not that these were bad but it's hard not to compare when you've listened to other ones. Still a good album but not something I'm going out of my way to listen to. Best Song: Bad Moon Rising, Green River, Lodi
Leftfield
4/5
4/5. A well-balanced electronic atmospheric and dance album, implementing a lot of ambience to start most of their songs and then using an infectious beat to drive the song to the end. It's a little formulaic but it's not a bad thing. These songs sound so good and are fun to listen to, each one sounds unique enough for me to tell the difference to which one I am listening to. There are some that overstay their welcome with the length that they are but it's very welcome for most of them. I did lose focus near the last few songs it was good overall. Best Song: Original, Melt, Release The Pressure
David Bowie
3/5
3/5. I think this album has a lot going for it. It is definitely has the most grooves throughout, just smooth soul and rhythm. The choice of background singers at first does seem out of place but they provide the vibe that Bowie could never bring. He almost allows them a lot of the spotlight in songs, which is cool choice. The issue though is that some of the songs definitely drag on and some are just not great. I think the first half is definitely better and the only song that is okay on the second side is Fame really. Best Song: Young Americans, Fascination, Fame
The Fall
1/5
1/5. After some good post-punk albums on this list, I had optimism I was the not liking it phase. This album brought me back unfortunately. Like, I hear the punk and understand the choice of having sounds that are offensive is the point, I just feel like there is a better way of going about that. This album does not do itself any favors. Best Song: Not really any of them, maybe Rebellious Jukebox idk
Orchestral Manoeuvres In The Dark
5/5
5/5. The minimalism really works here and yet there is grandness about it that makes it sound maximalist. A perfect balance with great song writing. The instruments are diverse and the singing seems like amateur holiness, like a young person's heaven. It kind of feels like Bowie's Heroes and Low second half of each album, but just continued past the end of the album and this came of it. It's a mixture of beautiful and haunting. And it's short enough to just throw on repeat. Best Song: Souvenir, Joan Of Arc, Georgia
Bill Callahan
2/5
2/5. I understand the genre where this derives from but I never had an easy time getting into it. The lyrics are nice and instrumentation is simple and beautiful. The issue is the voice where there is not much going on for feeling and emotion and the monotone talking can only take me so far without getting bored. The lyrics were nice but I felt like I would rather enjoy reading a book than this audiobook. Best Song: Jim Cain, All Thoughts Are Prey To Some Beast, Eid Ma Clack Shaw
Dire Straits
3/5
3/5. This is a great sounding album, each instrument feels like it is at the forefront without overcrowding others. However, I think this album is a little overrated. There are songs on here that have recognizable and repeating motifs but I think they do not do the song good and make them seem more pretentious. The piano lick in Why Worry and the saxophone in Your Latest Trick are good examples on this. Sure they are unique but very quickly they become annoying. Most of the other songs are not great. There are some bangers on here and they save the album a little but definitely not one I would recommend. Best Song: Money For Nothing, Brothers In Arms, The Man's Too Strong
The Who
4/5
4/5. The instrumentation is definitely a standout here. They could have been a copy of every band before them but they bring Keith Moon and John Entwistle up front and the chaotic nature added creates almost a sense of uneasiness like pop might not be their foray. Although this is a debut, it definitely feels experimental and I think in some of the songs they finally found that balance. It's an authentic raw moment with it's only downfall being the covers and reliance on some generic British pop tropes. Best Song: My Generation, The Kids Are Alright, The Ox
Talvin Singh
4/5
4/5. Beautiful and haunting, the techno beats give me an energy of danceable 90's horror that takes place in India. It's an interesting vibe and I dig it, upbeat classic beats and great samples/actual performances. There were definitely some misses as the performance was not good or it got a little too repetitive, mostly near the end. Overall though, a great album, especially for getting into this Indian music. Best Song: OK, Traveller, Sutrix
Chicago
5/5
5/5. A big jam band with sophisticated brass rhythms and a unique vocal. The highlight is the guitar here that drives most of the songs. The solos are insane. This is a great album to listen to front to back, it flows so nicely and another song becomes your favorite with each listen. I wouldn't say every song is perfect but they all are well-written and structured. A very good listening experience. Best Song: Questions 67 & 68, Beginnings, Poem 58
Joan Baez
5/5
5/5. A beautiful voice, ethereal even. It's hard to deny why she became so popular so fast. It's almost all traditional songs and considering the release date, it kind of make sense. She could have written her own songs and cover albums are always a little worrisome but her voice is so wonderful to listen to that it honestly doesn't matter what she is singing. Sometimes albums have a good balance of lyrics, vocals, music, etc. Other times if you are just good at one of those things, it's a classic. Bob Dylan got lyrics, Santana got music, Joan Baez can have vocals. It's honestly just too good. Best Song: House of the Rising Sun, Silver Dagger, Mary Hamilton
The Psychedelic Furs
3/5
3/5. The riffs and rhythms carry this album. It sounds like they are trying for a Talking Heads and Stooges vibe. They have their own sound for sure but I don't think it's as exciting as it could be. It's loud and upbeat for sure but it feels like it is missing that soul. It's not a bad album I think but it definitely feels more like a fun listen than anything more. Thankfully this was actually listenable post punk, but does sound more like New Wave than punk. Best Song: Dumb Waiters, Into You Like A Train, Pretty In Pink
Franz Ferdinand
4/5
4/5. This was a very fun album with each song being pretty tight and accessible despite the heavier sound. Many tropes working against it but despite that, these are very danceable and excitable songs. I don't really have anything bad to say about this, but I don't think it reaches masterpiece status. But I can definitely listen to this front to back and enjoy most of them. Gotta love the Scots. Best Song: Take Me Out, This Fire, Auf Achse
Frankie Goes To Hollywood
3/5
3/5. This is mostly my kind of weird. Electronic, dance, progressive rock, classical. They are trying stuff out and I love the experimentation that sometimes lands but the effort is there and each song is different enough to stand out on its own. When I listened to the 13 minute opener, it kind of felt like a more poppy Rush song and even the later songs feel like they could fit on an album like that. Either way, this band makes some hype and maybe pretentious stuff but they make it work enough to be fun. The unfortunate thing is that as the album goes on, the quality drops a lot. The second half of the album is honestly not good. If it was just the first like 5 songs, plus one or two later on, it would be perfect. A double album that needed to be edited. Best Song: Relax, Welcome To The Pleasuredome, War
Jane's Addiction
4/5
4/5. A heavy rock album that brings back that sense of late 70's and 80's rock. I do not like it when artists take up the exact sound of other bands but I think they sound unique enough that I could differentiate between their sound and their influence. Each song is pretty banging, including the slower and more spacey ones, but there are some I would skip just because it doesn't keep my interest long enough. This was a well-made album front to back but not perfect. The main downside are the lyrics which do not provide much substance here. Best Song: Mountain Song, Ocean Size, Jane Says
Manic Street Preachers
2/5
2/5. It feels like a directionless album. Like the songs are good but I don't really feel connected to them. It kind of feels like that similar brit pop feel but just not as engaging as the many other albums that fall in the same genre. I enjoy the general vibe but it is also produced terribly. I really wanted to like this one, and it's not terrible, but it just didn't catch me despite it's popularity with critics and critical success. Like they were learning how to write songs for the first time but were still musically inclined. Best Song: A Design For Life, The Girl Who Wanted To Be God, No Surface All Feeling
Massive Attack
5/5
5/5. This is one of those classics that is hard to argue with. Just the innovative energy through the whole thing, you can even hear it nowadays. They jumped into something new and are so confident about it. Every song feels like a step into a new door of a beautiful and elegant mansion. It's simply a well made and produced album that is a must listen. The blending of the darker genres mixed with upbeat genres of dance and electronic is perfect. It's walking on a beautiful day in the park while being worried someone might be following you vibes. Just awesome stuff. Best Song: Safe From Harm, Be Thankful For What You Got, Unfinished Sympathy
ZZ Top
4/5
4/5. Much better than I was expecting. Just blues and pop rock mostly but the production is sleek and clean, with bass right up in the front. The drum machine is a choice that does feel a little disingenuous considering their aesthetic but after listening and realizing what they are going for, it works very well. It's just as hard to make a catchy, accessible song and they made several of them from this album. It's not perfect and some songs do not hold up or stay interesting. Though for what this is, it's still really good. Best Song: Sharp Dressed Man, Gimme All Your Lovin', Legs
Dire Straits
3/5
3/5. This is a chill album with sweet guitar licks and relaxed vocals with some drawl and edge. These songs by themselves are not much to write home about and without the guitar highlight, this wouldn't really be an album of much. Fortunately, this a great album to drink or vibe to. Don't think it really belongs on the list but it was not a bad listen. Sultans is really what you need this album for, maybe a couple others that stand out, but not much else. Listen to it for the guitar. Best Song: Sultans of Swing, Down To The Waterline, Setting Me Up
Van Morrison
4/5
4/5. A jazz and pop album that Morrison balances expertly. Very poetic yet relatable and down to earth. The first half of the album has no bad songs and so beautiful. The second half does drop in quality as well. Great radio songs but it feels like there is missing emotion that was present earlier on. One of Morrison's main draws that not only does he write well but it's a voice that can only sing his songs. Some songs on here do not warrant his voice, anyone can sing them and they would provide the same feeling. To be fair, it's no bad songs but upon multiple listens, there are definitely some skips. Best Song: And It Stoned Me, Moondance, Caravan
Siouxsie And The Banshees
4/5
4/5. This is definitely a listen to multiple times kind of album before I get it. Yes, it was actually good post-punk, always a nice surprise. A better descriptor feels like pop-punk considering the catchy lyrics and mostly steady beat. The first half was definitely better, not really a bad song except for Halloween which was a little eh. I liked most of the second half and it wasn't even the trippy last track that threw me off. I feel confident I will like this one more than I did now so in lieu of that, I will give it a 4. It may go down or up depending on how I feel at later dates but it was good and I would recommend it. Best Song: Spellbound, Arabian Knights, Night Shift
Killing Joke
5/5
5/5. Love me some industrial heaviness. Great grainy and abrasive production along with faded and drowned out vocals while still having catchy lyrics and great riffs and guitar work. Every song still had a sense of structure and accessibility that expertly rode that line of punk and pop. It kind of had a heavy punk-funk vibe, just danceable music with very aggressive lyrics. Yes, may need to be in a mood but this genre just keeps giving for me and I'm not complaining. Best Song: Requiem, Bloodsport, Change
Spiritualized
4/5
4/5. I love psychedelic gospel. I was already in love with Ladies and Gentleman and didn't realize there were more of equal quality. Airiness and cool chills is what comes from this music. The songs last a little longer here, especially near the second half of the album. It can take away from some investment but I still think it creates the correct aesthetic they are going for and I am all here for it. Don't think it's a classic, since I did lose focus a few times but with a few more listens it could be. Best Song: Run, If I Were With Her Now, Shine A Light
Public Image Ltd.
2/5
2/5. I must not be getting it. I must be musically challenged because apparently this is a perfect album by everyone who reviews music for a living. I didn't hate it honestly, and did like the instrumentation, but I think if this was just an instrumental album, then it would be much better. I know the choice of singing in this way was intentional but it's not the edginess it wants to be. Socialist is great because it is all instrumental and provides the energy I was expecting from this album. The bass and other instruments provide enough quality that John Lyndon adding his voice is just about as pretentious you can get for no reason. Best Song: Socialist, Graveyard, Radio 4
Beck
3/5
3/5. I don't think I really have an issue with this album, and the songs are good but there is a weird sense I get from listening to Beck in general. Nothing to do with the guy, just a vibe like my ears don't like it when I can agree it is very good. Opinions are allowed of course, and my opinion is that I don't like the album even though I do enjoy the listening experience. It's not quite pretention but it's not authentic either. The songs are well-written and unique and the genre changes are wonderful, love that. Just don't think I like the album though, just the feeling. It's getting a 3 because I can't move it either way honestly. Best Song: Devil's Haircut, Lord Only Knows, Where It's At
Beth Orton
1/5
1/5. After many instances, I have to believe that if an album is at all associated with the Mercury Awards, there is a 90% chance it is pretentious and or not good at all. Unfortunately, this one was one of the 90%. I wanted to remain interested but it just kept dragging on for what seemed like the same 4 chords through the whole album. I wanted to like it because she has a very nice voice but it is not enough to save this one. Just so boring honestly and hard to imagine anyone can sit through the whole thing without wanting to change it or just walking away. There some okay takeaways but listening to these all the way through is not the vibe. Best Song: Feel To Believe, Stars All Seem To Weep, Stolen Car
Drive-By Truckers
4/5
4/5. This almost felt like listening to a fantasy novel, a place of sin and debauchery with epic heroes who were lost long ago. Since then, we are waiting for our heroes to return to save us. It's specific enough to be generally relatable, similar to Bruce Springsteen. It's a tour through the south and although country music is not necessarily my thing, it's similar to listening to bigger epic albums from other countries in a different language. I may not be familiar with Spanish or French but if an album is enjoyable, it's enjoyable. It helps I understand this one because the lyrics are the highlight. It's not a perfect album for sure, some just okay country songs here and there but as an album all the way through, it is a good front to back. It's funny reading the reviews who can't listen to it because it's country and that's beneath you. Kind of proves what the album is talking about. Eh, c'est la vie. Best Song: The Southern Thing, Cassie's Brother, Angels And Fuselage
Joan Armatrading
5/5
5/5. This is truly the perfect mix of singer songwriter pop and soul. The instrumentation is truly wonderful. Big and loud while still being quiet and in the background. The production elevates this to another level. And I haven't gotten to the lyrics and her vocal expertise. It feels so natural and beautiful. Like Joni Mitchell with Aretha Franklin. I never was bored throughout the whole album and each song hits just right. Sometimes it's somber, other times it's so funky and awesome. Crazy I never heard this one but so glad this one showed up, a classic for me for sure. Best Song: Love And Affection, Join The Boys, Down To Zero
Big Black
5/5
5/5. From the get go, I did not want to like this but it's hard to deny the excellent instrumentation throughout this one. It's heavy, and can be loud just to be loud, but considering the lyrical content, it's no where near as abrasive as it should be. The bass is a constant pressure to keep your attention present, just banging down on that like it's a drum. It's hard to find any really bad song on here. The vocals are loud and angry but even still, it doesn't feel weird, like I can tell they don't actually feel what they are singing. It's kind of funny how crazy some of these lyrics are that it's hard to take seriously, which is probably the point. Best Song: Fists of Love, Kerosene, Jordan - Minnesota
Fela Kuti
4/5
4/5. This is definitely a great live album but I have two gripes that does keep this from a 5. The first is that there was a weird tension between Ginger and Fela, it just kind of felt like he did not want Ginger there. He cut off the applause for him, made fun of him, and called him not a good friend. I may be reading too much into it and this is how they show friendship, idk. The real reason it's a 4 is because although I understand the vibe of afrobeat listening to previous Fela albums, it feels like this one drags on some of the songs a little too long. It has parts that slow down to a crawl which can be interesting but this time it didn't really work for me. I cannot deny the skill of all these musicians so it was not a bad listen, just would rather listen to another Fela album. Also Baker is wild on this, a necessity for any lover of drums. Best Song: Let's Start, Ginger Baker and Tony Allen Drum Solo, Ye Ye De Smell
Elvis Presley
3/5
3/5. It's always hard with albums that are not necessarily bad but feels like it's a classic because of the context. It's impossible not to view albums through certain perspectives and biases. Elvis was always the king in my middle class suburban life but with the knowledge of more music and experiences, including the ones stolen from, it's hard to appreciate it in the same way. The long and short of it, this is a good album but I think you can look at it's influence for it's importance and less the actual quality because it's good but not perfect. I do respect the release of 1956 with everything else going on during that time but it's not one I'm putting on often. It gets a nod of approval and then we move on. Best Song: Blue Suede Shoes, Trying to Get To You, I Got A Woman
5/5
5/5. Liam said they were better than the Beatles, and although that is a stretch, it's hard to deny their songwriting prowess. Every song (save maybe one or two) is an absolute pop rock masterpiece. This is a near perfect front to back experience, I'll recommend it to anyone. There's not much I can say that hasn't already been said. Just awesome. Best Song: Champagne Supernova, Wonderwall, Don't Look Back In Anger
Sleater-Kinney
5/5
5/5. Hell yeah, love this raw and straightforward punk album. I'm sure they would be great live, they just give that kind of energy. I've listened to some newer Sleater-Kinney before but this one has that missing amateur element some of the more polished albums lack. At first, I was thrown off by her vocals but just like David Byrne, it just matches perfectly after another listen. Back to back punk rock. I could pick out mistakes or songs that aren't perfect but this was just so good most of the time that it gets that perfect score. Best Song: One More Hour, Dig Me Out, Little Babies, Not What You Want
Carpenters
4/5
4/5. Wow, was expecting something different from the first song. Sure, it matched the expectations of a soft pop album but the intricacies in the vocals and melodies really makes stand it. It's subtle too, one moment Karen is singing and the next she is using her voice in a way I didn't think was possible, just changing octaves so casually. It's so enchanting. And then every now and then, a drum breakdown or a series of vocal cadences akin to an instrument. The songs themselves are well written but I don't think all of them are perfect but it may require another listen to fully enjoy it. Despite it being slow, it didn't make me tired but I do think on the wrong day I could get bored. Most of the time it's an impressive feat of pop music. Best Song: They Long To Be Close To You, We've Only Just Begun, Maybe It's You
Björk
5/5
5/5. Bjork really is hit or miss and fortunately this one was a hit for me. The sparse vocals and minimalistic instrumentation really challenges Bjork to make it interesting all on her own. Her beautiful and strange vocals shine through and with an album that has very little instrumentation, it feels all the more powerful for it. The features and background vocals stand out on each track. The layering is beautiful and the album is so well produced, each sound clear and not abrasive or too quiet. It does flow together very nicely but because of that I do lose my place and forget how many songs have passed. It doesn't bother me as I am going to enjoy going back to relisten to this one and fall back into admiring her talent. Best Song: Who Is It, Where Is The Line, Öll Birtan
Super Furry Animals
3/5
3/5. This was good, I mean I didn't feel super invested but I wasn't bored save a song here and there. This was a solid front to back pop-rock album with distorted vocals and guitar, kind of like more accessible shoegaze. It wasn't a bad listen and it might grow on me but it was good and nothing more for now. Best Song: God! Show Me Magic, Something 4 The Weekend, Hometown Unicorn
The Byrds
3/5
3/5. I really enjoy the songwriting on this one. The covers are what the Byrds are known for but the original songs on this here are interesting and stand out. I don't think it's innovative but it was an enjoyable listen. The production is a little aged of course, with a wall of sound that feels like a wave like it should be but more like a brick wall. It definitely still feels like a lot of songs with ideas but none of them completed. Was short with short songs to make up for anytime I wasn't enjoying a song. Best Song: Eight Miles High, Mr. Spaceman, Wild Mountain Thyme
The National
3/5
3/5. It has that stereotype of 2000s rock of quiet and intimate voice with loud guitar and drums in the background. His voice is not common, low and not quite monotone but creating that energy on purpose. It's a nice change of pace of the higher pitched vocalists. I did like a few songs on here and I could recommend this to someone I can guess could like it. Don't wanna say it's game changing but it's good and I could see myself throwing it on every now and then. Best Song: Bloodbuzz Ohio, Sorrow, Runaway
Anita Baker
4/5
4/5. I have heard albums like this and although it has been done before, still a great listen. Strong voice with jamming background vocals and instruments in each song. Some jazzy vocals along with slow pop really escalates this one. To be fair, not every song is a banger, and the first half is much stronger than the second half. Overall, I think an excellent listening experience with only a few downsides. Best Song: Sweet Love, You Bring Me Joy, Caught Up In The Rapture
M.I.A.
2/5
2/5. After listening to her second album, it's clear this one is the weaker of the two. Feel like she is trying to find her sound still. The beats are great and the instrumentation is diverse and interesting but the vocals feel like they are not too confident of themselves, despite some of the political lyrics. Some of the songs sound similar too, just biased from the next in her discography. Don't think I'd put this one on often though. Best Song: Galang, Fire Fire, M.I.A.
The Fall
3/5
3/5. Okay, maybe if I heard this first, I would have appreciate the other Fall album more. Not that much more to be honest because it's seems like they are either pushing boundaries or staying safe. Maybe I can see their change in sound by listening to their other albums but I'm not going to do that. The singer is both the best and worst part of this. Sometimes it really works, giving an Iggy Pop in a pop band and sometimes it's just a bad choice for vocals. The music is fun and accessible with danceable riffs and they do go harder than they have any right to be. Overall, there are more good than bad songs on this one so it gets an average score. After finishing it, it definitely sounds like LCD Soundsystem but a little more rock than electronic. Best Song: Paranoia Man In Cheap Sh*t Room, The League Of Bald-Headed Men, Lost In Music
10cc
3/5
3/5. I read the wiki and saw this was heavily inspired by Paul McCartney and I thought I was listening to a side project until about halfway through. Now I enjoy Paul every now and then but it's not the best style of music and an album dedicated to that sound that isn't McCartney feels weird. The songs were good and enjoyable but I don't think it's perfect or even for me all the time. I would recommend to anyone who likes the Beatles, or Queen even, but that's it. It's fun as part of a playlist but the whole album can be a little jarring. Best Song: The Worst Band In The World, Wall Street Shuffle, Baron Samedi
Arcade Fire
5/5
5/5. Quintessential indie rock album. A new wave of indie was formed from this and many albums were inspired by this one. Was excited to see it here as it was a common listen for me already. The vocals and lyrics feel relatable despite some interesting wordplay. The instrumentation is nothing to write home about but it does it's job and provides a sound that is unique and accessible. And the French vocalist provides a change in vibe that creates an album that flows really well. I really gotta stop reading the other reviews because half of them are hating on different age groups or races because of this album existing. Weird to do, nobody saying things about other races or age groups are bad because certain albums released when they were growing up sucked. I think it's best to look at an album with a perspective based off your environment and experience and not judge other people based on art you don't like. Just me though. Also, this is David Bowie's favorite band. You really going to tell Bowie he's wrong? Best Song: Rebellion (Lies), Neighborhood #1 (Tunnels), Wake Up
Richard Thompson
4/5
4/5. The album cover really does not match the vibes of the album. I felt like I was about to listen to a punk album. I though this was a good album and I'm not usually a huge fan of folk. The main difference is that this album had full and warm production, instead of the twangy higher pitched songs that folk usually has. A full band and more accessible instrumentation and melodies. The singing does veer into alternate folk but stays the main course usually. The lyrics are depressing and eerie, and their singing is also very pretty. There are a few songs on here that get dragged to the folk side and I'm suddenly transported from a cozy basement to a church with way too many people inside. Overall, I did enjoy it and will probably throw it on again sometime. Best Song: I Want To See The Bright Lights Tonight, The Cavalry Cross, The End Of The Rainbow
The Icarus Line
4/5
4/5. I think it was good? But overall I don't think I liked it. Hardcore garage rock that is catchy and well-written but don't think I like this as much as I thought I would. Nevermind, mid writing this review I listened to Getting Bright At Night and that was awesome. As the album went on, I kind of got the vibe it was going for and now I want to re-listen with that in mind. The main issue is that it can be a little jarring with so much noise but it does break it up sometimes with some softer openings or more riffs than just noise. Overall, once I got past the jarring energy, I was with it. Best Song: Big Sleep, Getting Bright At Night, Virgin Velcro
Gang Starr
3/5
3/5. Just so chill. Like there is hype on some songs but overall I'm just laxing and bobbing my head up and down. I don't know if I really got all the lyrics, the songs very easily flow into each other with one or two weird sounds in each song to slightly tell them apart. After 50 minutes of this, I just kind of felt lost and distracted. It wasn't bad, from what I remember I liked it. Just can't say it was all too interesting the whole time. Best Song: Step In The Arena, Just To Get A Rep, Who's Gonna Take The Weight?
Kanye West
5/5
5/5. A classic. It's only gotten better over the years. This was my introduction into rap and it feels like cheating since this is mostly just great songwriting in an epic concept album about the struggles of success instead of rap. It can be jarring at first, very direct and non-apologetic but when you re-listen, you see this man knows he is not a good person. He is having an identity crisis and over compensating, self sabotaging to avoid the attention or to try and match the personality the media has created for him. It is not an excuse and this album is his therapy, not a healthy outlet which is why this one feels so raw and emotional. Regardless of the concept, these are just well-written songs and it's a great front to back listen. I never pick a random point, I have to always start from the beginning. It's unfortunate who he is today but listening to this album feels like you can start seeing that side of him very clearly. This was the first sign of that decline. It's fortunate we get this album but at what cost for him? I guess we found out too late. Best Song: Power, Runaway, Monster
4/5
4/5. Awesome sauce. The dissonance and heaviness mixed with accessible and catchy melodies and lyrics. The lyrics are weird and spacey while also political. Some of the songs do carry similar structure and just being loud is a main feature of some songs. Love the vocals and guitar. Plus there are at least 4 songs on here that are absolute bangers. The main issue comes around the second half of the album, I kind of lose interest and then it comes back around in the last two songs. Otherwise, a great collection of songs. Best Song: Supermassive Black Hole, Invincible, Starlight
The The
2/5
2/5. It started off strong but I really lost track of where it was going. The vibe was good but it wasn't great instrumentally. It seems like the kind of music I could dig but it was missing a little edge to push it over the top. I enjoyed it but it wasn't as memorable as I wanted it to be, so I don't think I'll be playing this one again. Best Song: Infected, Sweet Bird Of Truth, The Mercy Beat
Serge Gainsbourg
2/5
2/5. I dig the instrumentation but the deep, French voice throughout the album really throws me off and does not add anything positive. The album is short so it is not overbearing and I do want to enjoy the funk and rock vibes throughout, it's just not doing it for me all the way. I think language does not have to inhibit enjoyment of music but this time it does. Only not a 1 due to the music part of it. Best Song: En Melody, Cargo Culte, Ballade de Melody Nelson
Minutemen
4/5
4/5. They have a lot of stuff to say but also nothing at all. No song is long enough to materialize to more than idea but somehow it works. They are very direct in their lyrics, sometimes saying something political, other times just kind of vibing. Many of the songs sound similar so it can be hard to determine the difference between them but that is definitely the purpose. It is punk after all, it should make you slightly upset as it breaks the norm. Solid riffs with mellow vocals, sometimes yelling, in a simple (sometimes complex) guitar, bass, drums combo. Can't get more American than that. Best Song: The Glory of Man, Corona, This Ain't No Picnic, Viet Nam
5/5
5/5. There are some really great and unique pop songs on here and the lyrics are funny and yet very relatable even today. Politics is politics and the only winners are the ones at the top and who say do as I say not as I do. I've heard every concept album from this time and yet never listened to the Kinks. The instrumentation, especially the drumming, is excellent And the production is full of sound. Maybe the vocals could be a little more at the forefront but otherwise, still beautiful to listen to. It is a very re-listenable album and I just ran it again once it finished. Best Song: Shangri-La, Victoria, Some Mother's Son
Joanna Newsom
4/5
4/5. I remember hearing a lot about this album when I was younger and so I checked it out. Terrible choice to listen to in high school. After about 10 years later, it's a crazy, beautiful album. Layered and so mesmerizing. With experience and many albums under my belt, it's easy to understand the impressiveness of this album. Despite the length of the songs, there is not a moment I lost attention. Progressive classical-jazz-folk is the best way I can describe it. Love albums that provide an original and unique experience that keeps me coming back because of its individuality. Glad it came back up in my life, great stuff. And yet despite these praises, it cannot be a masterpiece because I am not always in the mood. Once I finished the album, I realized this. Best Song: Emily, Cosmia, Monkey & Bear
Fleetwood Mac
2/5
2/5. I don't have any true feelings about this album. I skipped it because on my first listen I got nothing from it, it felt like just sound. I love other Fleetwood Mac material but this was nothing. I let it sit for like a year and now reviewing it again and... it's about the same. Nicks songs were the best part about this record, and a lot of the other songs were just fumbles. Sure, some of the songs are simple and fun but that enjoyment goes away by the end of the song and I forget what I just listened to. Again, it wasn't terrible but this was the not great overall. Best Song: Storms, Sisters Of The Moon, What Makes You Think You're the One
The Youngbloods
4/5
4/5. This is a perfect balance of psychedelic rock and country rock, as the wiki page stated. They are well written and unique while taking influence from good sources. Stands the test of time because if an artist today released this, I can see that as it feels like a tribute with new music. Not every song is a masterpiece but it is a good album front to back. The bass is the standout here, bringing it closer to the front is always a plus for me. Best Song: Darkness Darkness, Beautiful, Quicksand
Beastie Boys
5/5
5/5. Each time I listen to this album, there is something else I notice or another song becomes my favorite. It's a crazy collection of songs and crazy Licensed to Ill came right before this. The silliness and nonchalant attitude is here yet the production is the work of experienced professionals with intention. If you like hip hop at all or even interested in music at all, this is a must listen just for the sheer audacity they brought to the studio after already establishing themselves. Best Song: Shadrach, Shake Your Rump, B-Boy Bouillabaisse (feels like cheating, and in response, eat it squareheads)
Nick Cave & The Bad Seeds
3/5
3/5. I do see the appeal of nick cave now, which I think got overshadowed by the loud post punk of his other albums. Akin to Leonard Cohen and Bob Dylan, dark and serious lyrics while still have a hint of pessimism and yet optimistic at the same time. These are dark times but we'll make it through. I would say it could be better since it does get kind of similar sounding as the album progresses. It started at a 4 but now it's a 3 which is unfortunate because I had high hopes. Oh well, maybe next time Cave. Best Song: Into My Arms, Are You The One I've Been Waiting For?, There Is A Kingdom
Janet Jackson
5/5
5/5. This is one of those albums that feels unfair that it was made, akin to Boston debut, where every song is just a perfect hit. This is just a greatest hits album, every song has its strengths and there are no weaknesses I can see. Sure, it helps she is a Jackson but there is no denying that the name doesn't matter here. These are all just really well-made. There are some more melancholy songs that do sometimes feel out of place but the interludes really help, when normally they wouldn't. It gives the listener that break between each song. First half is much better and with 3 less songs total, this would be a classic for the history books (more than it already is) but it is still really good to keep it at a 5. There is a weird vibe of dark lyrics of the state of the world with poppy music but honestly, dealing with tragedy with danceable and accessible music feels like a very healthy way to go about it. We live on in spite of the evil of the world, that is how we fight it instead of giving into the pessimism the world expects us to do. Best Song: Miss You Much, Escapade, Rhythm Nation
The Verve
1/5
1/5. I love jam albums because the band can just vibe and show off their talents. This feels like structured jams and that feels bad. Plus it's Britpop and this was a miss overall. It had high hopes from the get go since the first few songs were good but they basically took the same song structure and slowed it down or sped it up. It's a verse, chorus, and then constant repeating of the same line until the song ends. I wanted a good Britpop album but the chances are usually low. There are like 5 good ones total of the 30+ on this list. Oh well, maybe next time. I wanted to give it at least a 2 but I'm not coming back to this one ever. Best Song: This is Music, A New Decade
Orange Juice
4/5
4/5. This was a pretty fun album with a unique sound, providing that diverse sound David Bowie and the Talking Heads started. Each song sounds slightly different while still keeping that accessible danceable beat throughout. There always feels like there is a dark undertone here, just underneath the surface. It's not perfect but it is chill. This is a great album to throw on whenever, a great pick for this list. Best Song: Rip It Up, I Can't Help Myself, Hokoyo
Boards of Canada
5/5
5/5. I actually really enjoyed this, kind of defined the whole "chill beats to listen to" wave. Very good music to pay attention to and vibe with or let it sit in the background and create the environment. This was peaceful and yet dark at the same time. I don't quite get the childhood reminiscence from the album, I also didn't grow up with any electronic music so that might be the reason. Either way, this was a great listen and will definitely be playing this many times to hear other songs I might not have fully digested. Great stuff. Best Song: Telephasic Workshop, Sixtyten, Pete Standing Alone
Cream
5/5
5/5. Took me a bit to grow on me and if this was the first time hearing this one, I would probably not like it fully. On further listens, each song displays great musicianship, and Eric's guitar slaps. Some of the songs are silly but somehow feel needed because the album has an air of just having fun, like none of them are taking themselves seriously, even if they were. I would recommend this to anyone as an introduction to heavier psychedelia. Best Song: Strange Brew, Tales Of Brave Ulysses, SWLABR
The Allman Brothers Band
4/5
4/5. Guitar solo: the album. Don't get me wrong, these are some very nice guitar solos. It can be a lot sometimes and I feel like each side can be taken in bursts. Listening all the way through front to back can be overwhelming but gosh darn do these solos rock. Hard to pick a favorite honestly because it does feel like one continuous guitar solo. Just great stuff though, will definitely listen to this one again. Best Song: In Memory of Elizabeth Reed, Stormy Monday, Whipping Post
Todd Rundgren
5/5
5/5. This is such an interesting album, feels like progressive, experimental pop. The choice to have psychedelia and experimental in the first half and then throw a medley of older R&B songs in the second half along with other pop and rock songs is wild. This album is all over the place and I love it. Not every song is perfect but most of the songs are very short so they provide a little sample but don't stay too long. This was just a unique and fun album, hard to find any fault. Best Song: International Feel, Medley, Is It My Name?
Silver Jews
4/5
4/5. At first, I thought this was going to be a pretentious album and although there is that energy there, the lyrics and vocals imply intense sadness. There is a twinge of hope but more realistic than optimistic. This album is full of emotion and the songs are well written. I would not want to listen to this on a bad night, challenges those thoughts. It's simple melodies and although not great singing, I don't really think that's the point. I enjoyed the listening experience. Best Song: I Remember Me, Tennessee, Slow Education
Animal Collective
4/5
4/5. I think in high school, this was a perfect album to me but I do see some flaws here and there. Listening not with good headphones also takes it down some steps but even still, the album is a little too long. Some songs can definitely be trimmed and making it a solid 40 minutes would be perfect. No doubt, a great album still, the melodies and sounds used to invoke this feeling of etherealness and yet down to earth, hard to match. And I would still recommend it to anyone wanting some new styles not found most places. Animal Collective as a whole got some great albums so was glad to see this here. Best Song: My Girls, Brother Sport, Bluish
Grandmaster Flash & The Furious Five
3/5
3/5. This album is hilarious. There is a perfect blend of surface level serious lyrics, so direct about the problems of the world, and yet saying nothing. Themes about God being our savior and how there is greed in the world but that we got to stick together. It's so basic it's funny. The music is pretty good, first few songs are good, drags so hard in the middle, and then the message and the adventure saves it. A whole song about Stevie Wonder is crazy and despite singing about loving each other, using gay slurs seems to be alright. This is a weird one and I don't think it's great, but I'll put it on for a good laugh. It gets a 3 because some of the songs are still really good. Best Song: The Message, The Adventures of Grandmaster Flash on the Wheels of Steel, She's Fresh
Rod Stewart
4/5
4/5. Rod has such an interesting singing voice. Like he's smoked 70 years of cigarettes at 26. His lyrics are also pretty beautiful sometimes. With a voice like that he would have done great in a hair metal band but glad he was able to still express himself creatively. This album has some great songs, and some good songs. I don't think it's perfect but I definitely enjoy it front to back. Folk rock is the genre but I feel like it's because he has a mandolin here. If you include a saxophone in a metal song is it now jazz? This is rock pop at best. And it's good stuff. Best Song: Maggie May, Every Picture Tells A Story, I Know I'm Losing You
Ladysmith Black Mambazo
4/5
4/5. This is a very beautiful album, with some grand voices that truly elevate the feeling of gospel. I am not a religious person, but this singing could make me believe. There are some songs that overstay their welcome, and the downside of speaking a different language, makes the experience not quite a masterpiece for me. I'm sure if I knew what they were saying, this could be perfect. Either way, I'm sure this is someone's 5/5 and I would have no notes. A great album to find in here. Best Song: Unomathemba, Hello My Baby, Yibo Labo
Crowded House
3/5
3/5. This album has some highlights and unfortunately, some lowlights as well. It feels like a natural progression of where psychedelic music would go and it does the genre well but not sure it's my favorite. The first half is much better than the second half, so it does drag on for a little longer than it should. I might feel like the songs are better on second listen but it felt very surface level. Either way they were catchy and very 90's. It was a good listen but not a great listen. Best Song: Chocolate Cake, Weather With You, How Will You Go
Def Leppard
2/5
2/5. A glam metal album that has hints of progressiveness and just plain rock. It is hype and does have an energy of excitedness but unlike Kiss it's not as catchy and unlike AC/DC it's not as cool. It kind of feels like, despite the confidence, they were still experimenting. I wanted to like this more, I'm not above heavy hair metal, but I don't think this album did it for me. It wasn't bad but nothing to write home about. Best Song: Photograph, Foolin', Rock Of Ages
Queens of the Stone Age
5/5
5/5. This album does not get boring despite it's length and lack of diversity. Each song still feels unique and actually heavy while still being accessible. The desert stoner metal is strong in this one and several genres I'm already a fan of. I have listened to the hits before but never the full album. Glad this came up so I could experience it. Awesome stuff and great concept as well, dark and foreboding throughout while still being manic and wild. Best Song: No One Knows, First It Giveth, Mosquito Song
Little Richard
4/5
4/5. It's impressive that most of these songs were written by Richard. With albums around this time, it's usually a series of older covers that do improve the original usually but these songs are all self-written. Although all of the songs are not super unique, they are fun and accessible. Put this album on and no one's gonna complain, just a grand time. Plus he sure can sing, excellent accompanying instrumentation as well. Best Song: Tutti Frutti, Long Tall Sally, Rip It Up
Kanye West
5/5
5/5. It's crazy this was the first drop from Kanye. Sure, he evolved into a concerning and dangerous person but listening to this shows great promise for a successful career and this is just a fact that his discography is excellent. This is a double album that never feels boring and has funny skits that compliment the songs. It's hard find a bad song here, even the silly ones are just good objectively. It's a balance of rap, R&B, and soul that creates a perfect experience. This is a great front to back listen and a must for this list. A nice dream to see a different man here than who he is today. Best Song: Never Let Me Down, All Falls Down, Through The Wire
ABBA
5/5
5/5. An interesting release from Abba, known disco experts. There is a more serious and darker tone throughout while still maintaining catchy and accessible songs. I thoroughly enjoyed this one, with something new to hear on different listens. The instrumentation and vocals are more complex with a steady beat. It's honestly hard to find a bad track on here, not that I should be looking. This was awesome. Best Song: Head Over Heels, Let The Music Speak, When All Is Said And Done
The Libertines
3/5
3/5. There is an amateur vibe the Libertines bring, like they are casually playing music, like a couple of kids in college. This does carry over sometimes to the actual songs, making some skippable. I do think the album as a whole has a chill energy, college music for sure. I can dig it only so much with the Brit Pop influence, which I think is slowly starting to become my least favorite genre. Thankfully I don't live in Britain or I'd never be free of that accent. Best Song: Can't Stand Me Now, The Ha Ha Wall, Road To Ruin
Supertramp
4/5
4/5. I already loved this album before starting this list. Anything progressive rock was already in queue. And although this was a repeat listen, there are some songs on here that I am not a fan of: Dreamer and Everyone was listening. Just don't vibe with me. Everything else is really good and worth it. Since it is about 1/5th of the album I'm not including, even if everything else is great, it can only get a 4. This album is not for everyone and even if you hated the whole thing, I would get it. It feels like toned down progressive rock, like they are trying to be complex but not going far enough. It is a relatable album though, especially in your younger years, about feeling like a nobody and wondering what your part in all this is. And in this day and age, I think we can all relate to that experience. A good listen overall, and love to see it here. Best Song: Bloody Well Right, Asylum, Crime Of The Century
Jane's Addiction
4/5
4/5. This was a great album. It created a nice balance between heavy rock and progressive rock that scratched that perfect itch for me. I will say it may take another listen to get through the second half that does falter a bit. I wouldn't say it's a masterpiece but it does showcase some great musicianship and songwriting. Enjoyed both Jane albums on this list, think I might have to dig some more of their discography later. Best Song: Been Caught Stealing, Stop!, Three Days
David Ackles
5/5
5/5. This is such a unique album, definitely reminds me of the emo folk revival I'm seeing in some newer artists. It is theatrical and over the top sometimes with mundane ideas but because of that, really humanizes those feelings and lets the mind exist in that anxiety. It's definitely not a great one to listen to while sad but it is a beautiful album nonetheless. The instrumentation is wonderful and David's singing/speaking is so full and whole. The last song does take some patience to get through but it was never bad, just longer than I expected. Overall, the album is wonderful (even with the Jesus songs). Best Song: Waiting For The Moving Van, Love's Enough, One Night Stand
Cornershop
3/5
3/5. I think this is a fun album with some nice ideas but overall not something that stood out to me. I did enjoy the instrumentals the most, as they took some new sounds to indie British pop. The album does flow nicely and there some hits that are okay. Might deserve a second listen but it was still a good first listen. Best Song: Brimful of Asha, We're In Yr Corner, When The Light Appears Boy
Run-D.M.C.
5/5
5/5. Masterpiece, front to back basically perfection, save some aged lyrics. Sometimes you forget how good guitar riffs and solos sound with rap beats and vocals. This goes hard even today and its Run DMC. Sure the lyrics are mild sometimes but there is a raw energy that come through on each song. Didn't realize so many classics were on the same album. Gonna be on repeat for a bit. Best Song: Walk This Way, It's Tricky, Raising Hell
Muddy Waters
5/5
5/5. This album feels like a few friends just chilling in a basement with about 7 people at their show but they are all having a good time. But these friends are expert musicians and have been playing for years. Blues is simple and yet every instrument gives it their all and it brings an energy sometimes missing in blues records and that is joy which is ironic. These are just chill and great songs back to back, it doesn't really even matter what they are playing. They are just having a good time, and so am I. Best Song: Mannish Boy, Bus Driver, Crosseyed Cat
T. Rex
4/5
4/5. I remember not getting into this for a while, maybe I was expecting something different with that album cover that goes hard. After researching the year, and the history of T-Rex as a band, it makes sense the songs coming from the album. It's categorized as glam rock and I can definitely see David Bowie and Prince taking influence from this. The album is not perfect but I do enjoy the innovative songwriting and music. Depending on the day, I might like it less or more but it feels like a good album nonetheless. Best Song: Get It On, Cosmic Dancer, Jeepster
Orbital
3/5
3/5. It feels like electronic dance music that you would play wile waiting for the main act. It's not necessarily bad, it just feels like it doesn't provide me with enough variety or interesting beats to get me up and moving. Mostly just nodding my head up and down. Checked back at my rating of their previous album and seems I felt the same way. Good but not great. Best Song: Lush 3-1, Halcyon And On And On, Planet Of The Shapes
CHVRCHES
4/5
4/5. I'm a sucker for some electronic synth-pop but these are full and well-produced. Although some songs are a little forgetful, they do provide an uplifting feeling and there are bangers here for sure. Plus it's enjoyable front to back, that the similar sounds compliment. Production is a highlight and switching between singers keeps it fresh. Best Song: The Mother We Share, We Sink, Under The Tide
Brian Wilson
5/5
5/5. It feels pretentious to give this a 5 but with every listen, I notice a different song and it's crazy these were thought of in 1967 and how progressive they are. It feels like the evolution from Beastie Boys debut to Paul's Boutique. Keeps the same genre but really evolves it to almost a new genre in and of itself. I always think about something I read that said pop music would be very different if this actually came out in 1967. We would have artists try a lot more things if this came out. A lot of people say Beatles albums were progressive but only in one direction. This goes everywhere and it's 100% an album that needs to be listened to front to back. It's a 5 for audacity and innovation alone, plus it's a fun listen. The original recordings version is better that came out later but still great here. Best Song: Heroes and Villains, Surf's Up, Wonderful
Billy Bragg
3/5
3/5. A contemporary take on older lyrics written by Woody Guthrie. The lyrics contain themes of companionship, love, sarcasm, and politics, normal for Guthrie. Although some songs work, especially the more serious ones that they slow down, the faster paced ones do not hold up. There is a rawness missing of just a man and his guitar that these lyrics would thrive in. I think Billy was a good choice but the full band of Wilco feels out of place. To be fair, the album was a good listen but the lyrics do not match the vibe sometimes. Would be interested if they were redone in a bare bones style. Best Song: California Stars, The Unwelcome Guest, At My Window Sad And Lonely
The Isley Brothers
4/5
4/5. Just a solid album of R&B masterpieces. That Lady and Summer Breeze have excellent guitar playing and the ballads are still catchy and smooth. The Doobie Brothers cover is okay, just makes me want to listen to the original, but most of the other songs are great., just a miss here and there. It's not a perfect album but still a wonderful listen. Best Song: Summer Breeze, That Lady, If You Were There
Christina Aguilera
4/5
4/5. A very innovative and creative album, to include both sides as a double album. Side one is the superior of the two, with excellent songs and hits, barely any skippable ones. It's not perfect but it is excellent. The second side is the lesser of the two but very interesting with it's theme of nostalgia while giving a twist of agency within simpler lyrics. It's not bad, and if it was released by itself, it might have more to hold on but it does feel like an added bonus album. Overall, it was a great listening experience but there seemed to be some hesitation in releasing them separately, and that does feel weird at the end of it all. Best Song: Ain't No Other Man, Makes Me Want To Pray, Slow Down Baby
Deerhunter
4/5
4/5. The aesthetic of this album alone is impressive, the sonic emptiness, feeling alone yet totally surrounded. I don't think this is a perfect album since some of the songs don't keep me interested but it is a more complex album than just indie pop so I do plan on revisiting. From what I did here, it was great. Best Song: Memory Boy, Desire Lines, He Would Have Laughed
XTC
5/5
5/5. Every song on here is just so well written and catchy, front to back no skips. The album feels like a concept album but is mostly songs about life and death, not a specific one. I have listened to this album a few times before already and each time a different song stands out. There is a sense of naivety with Dear God but it honestly feels just very direct about its intentions and says just the right things to be valid in its conclusion. The many other songs are excellent of course, but it's always so funny the reactions to that specific song because there really is no argument, they are just upset someone is providing facts. Seeing that on the wiki article about riots because of the song was hilarious. Best Song: Dear God, 1000 Umbrellas, Grass, Sacrificial Bonfire
Bad Company
3/5
3/5. Some good songs, some okay songs, nothing crazy. Don't get me wrong, the album is short and sweet, while not overstaying it's welcome and no song is bad. Just as it stands, and its influence, just another rock record. A couple songs here were definitely on repeat when I was younger and it was nice to hear new material. Solid stuff. Best Song: Can't Get Enough, Bad Company, Movin' On
D'Angelo
5/5
5/5. This feels like a monumental album that stands the test of time. It's jazz but the vocal layering is the best you'll find in any black gospel church. The jams and extended choruses are smooth and hypnotizing, just impressed with every part of the song. You can feel the influences yet they are mixed so well, it feels so original. Excited to throw this on repeat, no notes. Best Song: Brown Sugar, Me And Those Dreamin' Eyes Of Mine, Lady
Goldie
2/5
2/5. Great background music when gaming but it's not giving enough to keep me interested. There are some otherworldly and spacey moments that make it stand out so it's cool in that aspect. I think I was done about halfway through though because I felt like I might hear more of the same. To be fair, this genre is setup to be repetitive so it might just not be for me. I enjoyed it more than others though so it's not a 1. Best Song: State of Mind, Sea of Birds, Timeless
Stevie Wonder
5/5
5/5. Hard to deny the expert songwriting and instrumentation from this man. Every song on here, although some better than others, stands alone with craft and experience. Some songs do take some time to get into but really listening to each one bring this album up to a masterpiece. The funk to the slow ballads all stand out on their own and the run is amazing from start to finish. Stevie Wonder is king. Best Song: Superstition, Maybe Your Baby, You And I
Ali Farka Touré
5/5
5/5. Excellent guitar work and mesmerizing vocals. Could be due to the fact that I have no idea what he's saying but the cadences and flow with his guitar really enhances the music. The album flows together which can be a detriment in other albums but this one keeps the same energy while introducing new instruments or vocals to make them stand out. It's blues that's older than the blues, according to his words, and that tracks. Only complaint is that it is a little long, a 40 minute album would be perfect. Best Song: Soyas, Savane, Erdi
Willie Nelson
5/5
5/5. A perfect country album, Willie's voice is so soothing and sweet that even when he's talking about murder, you still feel entrapped in his stories. This is an interesting album because although it is mostly covers, they all are setup to tell a story. I've never seen this done before and should be how covers of songs should go. Although it is a short and loose story of a troubled man, it still feels complete. What a perfect album start to finish. 6 out of 5 if I could. Best Song: Can I Sleep In Your Arms, Blue Eyes Crying In The Rain, Hand On The Wheel
John Grant
5/5
5/5. Another classic in a row of albums here. It's an album of ballads but each one is so beautiful in its own right. The vocals are simple and the melodies have hints of progressive rock albums and Brian Eno for sure, so down my alley. I also see the influence on newer artists as well very clearly. The lyrics are silly and very un-serious sometimes and other times profound and personal. I've never heard of Grant or even the band he's fun but this was a great listen. Best Song: Marz, Queen of Denmark, JC Hates F******
Mike Oldfield
5/5
5/5. This guy was 19 when he made this. I'll just stick to my desk job lol. But seriously, super impressive stuff and although you can hear some simple changes in measures, the playing of the instruments and the epic melodies and themes throughout really define themselves without jumbling together on both sides. Silly at times, heavy at others, but the closing of Side One is definitely the highlight with the different instruments coming and going and the sick riff. Still crazy it's mostly just one guy at that age. Best Song: Part One, Part Two (not many options to choose from)
Stevie Wonder
5/5
5/5. Stevie does it again. Just a perfect album, front to back. Some of the slower songs are a little harder to get into but there are just some absolute bangers on here. Feels so much longer than it is and that just means the songs are so dense and full, I almost don't want them to end. His vocal range is excellent here, although it may shine more on Songs in the Key of Life. The instrumentation is unique and fun, trying out more minor keys for style and experimentation. Also, each song is so unique that any one of them could be someone's favorite and I would not argue. Another masterpiece. Best Song: Jesus Children of America, Living For The City, Higher Ground, He's Misstra Know-It-All
Wu-Tang Clan
3/5
3/5. I remember listening to this a while ago and enjoying it but on another listen, some of the songs last a little too long and it loses focus. The skits are also sometimes out of place. I enjoy the multiple rappers, creates a diverse energy, while still keeping that anger needed for this influential style of rap. I appreciate and respect the album but the beats leave much wanting. The samples are fun so that's a plus. It might just be my experience with rap already, but this doesn't stand out to me compared to other rap albums that came after or around the same time. Influential but not aged imo. Best Song: Bring Da Ruckus, Clan In Da Front, Protect Ya Neck
The Afghan Whigs
1/5
1/5. Maybe just not for me, but wasn't feeling the hype this album was getting according to critics. It's in a similar vein of smashing pumpkins which are also a little more difficult to get into for me. There just seems to many songs with similar guitar riffs and walls of sound. I also found it kind it hard to hear the R&B in it, just felt like badly sung ballads. I want to say I'll come back to this but I don't think I will. Oh well, can't all be bangers. Best Song: Gentlemen, If I Were Going, My Curse
Sonic Youth
2/5
2/5. I don't think I like Sonic Youth. There is a sense of punk here but it feels filtered. Loud and static, but missing substance. There are some songs here that have some merit and listenability but most are not interesting enough. I do enjoy the vocals and the fact that they switch between the vocalists. The guitar is good most of the time, I just don't like the fuzz and feedback throughout all the time. Best Song: Chapel Hill, Sugar Kane, Swimsuit Issue
Ali Farka Touré
3/5
3/5. A pretty chill, mostly instrumental album, with repeated phrases and lines in some songs. I do enjoy the slide guitar as much as the next person but I think it overstayed it's welcome here. I enjoy the more bluesy style of the last album I heard from him. This one seemed more like a jam session which can be good but there was not enough diversity for the jam. I still enjoyed the album but it wasn't great, just good. Best Song: Ai Du, Soukora, Amandrai
Gene Clark
4/5
4/5. The Byrds do country rock very well for a specific period of time and this album is a good example of well written songs in the genre. With a better focus on the instrumentation and guitar-heavy in general, this album from Clark allows for more space in each song. It feels ethereal at times and the ballads don't feel super soft, there is still a driving force in each one, with a darker energy as well. I will say not all of the songs stood out to me, and the second side was a little less impressive than the first side, but it was still a positive listen. Best Song: No Other, Silver Raven, Strength of Strings
Goldfrapp
4/5
4/5. A very chill and relaxing album, doesn't overstay it's welcome in each song as it moves from quiet ambience to electronic ballad. To be fair, it is hard to tell one from the other so it feels like one long song, akin to other quieter electronic groups I've heard. It can be bad or good depending on the actual quality of the music and this album does it well. No masterpiece because of this continuous flow but still a good one front to back. Best Song: Road To Somewhere, Caravan Girl, A&E
Rufus Wainwright
4/5
4/5. These are well-written songs and has direct influence for bands like Mika and Vampire Weekend. His voice is just so calming and inviting, it almost doesn't matter what he's saying but of the lyrics I did catch, there are some sweet and naive words among thoughtful passages and themes. Just so much to explore, I am excited to revisit the album. Can't say it's a masterpiece because some did not stick with but I did enjoy the listening experience. Best Song: Oh What A World, 14th Street, Dinner At Eight
Faith No More
4/5
4/5. Nu-metal is major hit or miss and it really just depends on the vibe. There are some cringe moments here, a staple of nu-metal, but there are some pretty sweet heavier moments that let it stand out. Like the vocalist can really sing when he wants to and the drummer goes hard along with the guitarist. This was a much more satisfying album than I was expecting but it's on thin ice to go down to a 3. Best Song: Epic, The Real Thing, Woodpecker From Mars (Bonus, I dig the War Pigs cover, that was pretty sick)
The Damned
2/5
2/5. This is a very weird album, it's hard to pinpoint the vibe. I like the energy and the creativity but there are not really many songs on here that I remember during its runtime. It was punk but just not sure to feel about it. It wasn't bad... I think? It's not as memorable as I was hoping but I did enjoy some of the songs. Best Song: Smash It Up, Love Song, Looking At You
Paul Simon
3/5
3/5. It is a very quiet album and close to the heart. I think this works wonders in the more soulful songs but not all songs on the album are great, got some skips in there despite the short length of the album. I guess I lose interest after some time and it doesn't hold up as a front to back masterpiece like other albums Simon is involved in. Best Song: Me And Julio Down By The Schoolyard, Peace Like a River, Duncan
Kanye West
4/5
4/5. I am sure half the people who listen to this album do not listen to this album because of the artist. And look, you don't have to listen to any album because of any reason but you should always give something a chance. To say this album is not creative and innovative especially with its release time. This album inspired a lot of our electronic based popular music today and yet it doesn't feel old. I know it's not that old but it could have been released today and will probably feel the same 10 years from now as well. The lyrics are definitely cringe but this album, like most of Kanye's later albums, whether intentional or not, there is a pity with all this ego talk, this man is one of the most insecure people in the world. It does not excuse his personality or actions but it does make the music more complex than just the surface level, which is already well-made. The last few songs on the second side, especially the last song, are not great compared to the rest of the album, so it's not a masterpiece. Best Song: Black Skinhead, On Sight, I'm In It
Echo And The Bunnymen
3/5
3/5. I think too many bands got influence from the Smiths, which were already a lot most of the time. At first, I thought the first few songs were going to be the highlight but it got better as the album went on with some great music coming from Shankar who is on all of the strings. Still not grown fully on me but much better by the end than I was expecting. And it does stand on its own from The Smiths. For one, the music is a highlight. Not all songs were great but most were good. Best Song: The Back Of Love, Heads Will Roll, The Cutter
Eagles
5/5
5/5. This is just a greatest hits album. Sometimes, a band will release an album that just includes only great, well-written songs. Each song, even the ones not well known, are just perfect. The guitar work has a good mix of heavy and soft. The vocals are beautiful and the strings in almost every song are gorgeous. The last song is not a masterpiece but it has a special place here. Just a great album overall. Best Song: Wasted Time, Hotel California, Try and Love Again
Skunk Anansie
4/5
4/5. This one was pretty cool, not too sure what I was expecting based on the album name but glad it turned out much differently than I was expecting. A heavy rock, sometimes electronic, and even R&B, album with an awesome vocalist. Love the heavier songs than the slower ones but it's got good genre diversity throughout which keeps you invested. Best Song: Charlie Big Potato, Secretly, Cheap Honesty
Penguin Cafe Orchestra
4/5
4/5. An interesting electronic album that feels so ahead of its time in 1976. You can hear it is inspired by Frank Zappa and Brian Eno but it still feels like it could have come out in the 90s or 2000s. And each song is diverse yet fits within the confines of the album. The latter half of much longer songs is the highlight, very beautiful arrangements and less electronic, more classical, yet doesn't feel out of place. Not sure what it has to do with penguins but it was still very nice to listen to. I would need to be in a mood for this, which does take away from masterpiece but still a very worthwhile listen. Best Song: Hugebaby, The Sound of Someone You Love Who's Going Away and It Doesn't Matter, In A Sydney Motel
Morrissey
2/5
2/5. Almost got me there, but there are too many Morrissey albums on here, and here is another one that is okay but not great. The rockabilly and upbeat vibe helps to stand Morrissey when he usually decides to have instruments just to have something there. The lyrics are not something I really paid attention to and although that is usually a highlight for Morrissey, it was nice not to have to pay attention too much. Then the counter to that is that of what I did here, it felt nonsensical. Can't really win but I enjoyed the music at least. Best Song: Glamorous Glue, You're the One for Me Fatty, Tomorrow
Elliott Smith
3/5
3/5. I think Elliot Smith is a good artist but I always feel like I'm not getting it. He sings beautifully but because of these whispers, it is a little hard to stay connected to the lyrics. The instrumentation feels very full and is a good direction he took from previous albums, leaning more into the fuller sounds which do compliment his voice still. I don't think this one is for me but I wouldn't say it was bad, I can see the appeal, so it's middle score. Best Song: Son of Sam, Stupidity Tries, Easy Way Out
Elvis Costello & The Attractions
5/5
5/5. Costello albums usually take about 3-4 listens to fully get into but I am going to pre-emptively give this one a 5 considering how much This Year's Model has been on my rotation. That one is definitely a 5 and this one has much more complex instrumentation and layered songs. Costello still delivering sarcasm and intelligent lyrics. Plus this one has more anti-fascist themes and that is only good, especially nowadays. Will be on repeat like his other early albums. Best Song: Oliver's Army, Party Girl, Goon Squad, (What's So Funny 'Bout) Peace, Love, and Understanding
The Rolling Stones
5/5
5/5. A classic. I always avoided this album in the Rolling Stone discography because it felt so messy and misguided compared to their other straightforward albums. Upon relistening, a few years later, it's very clear this is just as clear cut as previous albums but with the guise of messiness and drugs (they might also have been on many of the latter still). Each song is just something you might hear in the basement of a seedy bar and yet experience something close to religious ecstasy along with Mick and the gang. Thankfully with this record you'll still be able to find your way home the next day. Best Song: Tumbling Dice, Rocks Off, Shine A Light
The Divine Comedy
4/5
4/5. I appreciate the very tongue in cheek and non-serious lyrics under a backdrop of classical pop. With a voice like Frank Sinatra, it's funny to hear curse words and hear ideas and thoughts we have all had, and then some weird ones, about love. There are self-deprecating lyrics here as well which still feel relatable while also fitting in a concert hall with a big band. He does not take himself seriously at all and anyone who does when listening is not getting it. The instrumentation is simple, not deviating much. By the end, it feels like I need to look around to see if I need to give a standing ovation, but like an awkward one. A great album, even if some songs sound a little too similar. Best Song: Everybody Knows (Except You), If I Were You (I'd Be Through With Me), If...
5/5
5/5. Every song is a classic, and all while still being diverse and unique. The front to back is a perfect listen, no skips. David Bowie at his best here with the pure rock genre. His ballads are highlights as well, and the themes and concepts of this album might have been weird and silly back then, it has only aged like wine with our current events. This is an anthem of being different. The king does it again. Best Song: Ziggy Stardust, Moonage Daydream, Lady Stardust, Suffragette City
Radiohead
5/5
5/5. I want to have mixed feelings about this but the production and uniqueness of this album just always stands above everything else. It feels more like a continuous song and idea than several different ideas like their previous releases. It's an album of loneliness, it's not one you play with other people. A moment of existential crisis and eventual collapse overthinking everything, an allegory for the curse of a human brain. The mind death of ourselves. A wonderful and terrible listening experience. Best Song: 15 Step, Bodysnatchers, Weird Fishes/Arpeggi, Videotape
Soft Cell
4/5
4/5. Edgy synth-pop, making it because it's what you have to do but you don't like it so you make fun it while making it. That is the energy I get from this. And honestly it's fresh and fun. Just random screaming and talking in the middle of choruses. And even when they want to be serious, they do have the singing chops to do so too. I think some songs were not well written in general but overall, the energy alone carries this one. Moody yet not serious, fun times. Best Song: Tainted Love, Frustration, Say Hello, Wave Goodbye
Neil Young & Crazy Horse
5/5
5/5. If this was just three songs, Cinnamon Girl jam at 10 minutes, keep Down by the River the same, and extend Cowgirl by another 10 minutes, it would be awesome. Let's be real, Neil is not a great guitar player but he is a good enough guitar player to jam, and that's what it's all about here. Not all of the songs are perfect, sure, but in the context of the album, they create good breaks between the jams. I wouldn't say I would play one outside of the album but front to back it's perfect. It's a little difficult to get into at first but once you get the energy they are going for, which feels like a jam session in a park, then it lets you relax and vibe with the simple solos and riffs. Best Song: Cinnamon Girl, Down By The River, Cowgirl In The Sand
JAY Z
3/5
3/5. There is an interesting energy around this album and after some songs I think I figured it out. A lot of rappers try to have bravado and it doesn't come off right, like they are trying too hard. Jay-Z doesn't have that issue, he means what he says and there is not a hesitation here. Some aged lyrics, mainly the F-slur, but overall a series of complex yet straightforward lyrics mixed with excellent sampling and production all around. I'm sure it will take some time to fully enjoy but not sure I'm throwing this on multiple times. Didn't fully connect with me as much as I was hoping it would. I respect the quality, but not sure it's for me. Best Song: U Don't Know, Takeover, Song Cry
Sly & The Family Stone
5/5
5/5. This has been on repeat for me for years, you already know this is getting a 5. Instrumentals in each song are so unique plus Sly with his backing vocalists create so much emotion. The lyrics are vague and yet still heartbreaking and personal. I saw an article somewhere this album was the end of the summer of love and into the violence and direct nature of the people tired of the situation in America. And even today, this album feels relevant and anthemic to the plight of issues that are still present today as they were when it was released. Additionally, this is one that needs to be listened to front to back, not one that you take a song here and there, the whole thing is the art. Best Song: Thank You For Talkin' To Me Africa, Family Affair, Poet
Big Star
4/5
4/5. It's hard not to like this one, it feels recognizable and yet unique. It's clear who their rock-pop influence is but still this one has heart and emotion, like they are really happy doing this, which is rare to hear. They just seem to be happy trying ideas and playing some songs. And the songs are not bad either, they feel like lost #1 hits in a different timeline. And with that title, they were seeing what the audience wasn't when it originally released. It's not perfect, but it is fun. Best Song: Thirteen, The Ballad Of El Goodo, Watch The Sunrise
Tangerine Dream
4/5
4/5. Definitely requires more than one listen, but I do think this album is pretty sick. It is of the electronic ambient genre to create a weird, alien planet that still feels like Earth. Almost like a cold, arctic, uncharted tundra. It's creepy and yet exciting. No wonder they decided to go into movie soundtracks, that seems to be exactly where their skills excel. As an album, I don't know if it's perfect but it does excel as what it is aiming to do and that is respectable. Best Song: Mysterious Semblance at the Strand of Nightmares, Phaedra, Sequent C'
Michael Kiwanuka
5/5
5/5. R&B Rock is some epic stuff. And each song flows into the next one so smoothly, this is a concept album as well but I am not sure I understand the concept just yet. Maybe a few more listens and I can get the vibe but honestly, I have very few notes here. The vocals are chill and calming while having a mixture of ballad and rock that works either way. It's ethereal yet grounded. Finally a Mercury Prize winner that doesn't suck. And although there maybe some songs I don't remember, the album as a whole feels full and complete. Best Song: You Ain't The Problem, Hero, Light
Nitin Sawhney
2/5
2/5. Drum and bass genre does offer great background music but feel like the energy stayed about the same throughout. The vocals seemed to either be samplings or pure 80s-90s ballads, with one hip-hop track on here. It feels like we are listening to an unintentional radio without a clear sense of what it's going for, just samples with drums and bass. And some songs are good but many are just not interesting enough to keep my attention. The vocal trills are crazy impressive though. Best Song: Broken Skin, Beyond Skin, Nadia
Dizzee Rascal
5/5
5/5. Awesome beats with some videogame style sounds and heavy bass driving the melody. His rapping is fast and with the British accent, it is hard to understand honestly, but it's just enough to get the energy you rocking to it. Each song just offers some unique and fun sounds and engaging rapping. The inclusion of a female background singer, or matching vocals on some songs, really keeps the songs present and interesting. Honestly hard to find a bad song on here, each one offers something unique. Best Song: Fix Up - Look Sharp, Stop Dat, I Luv U
Gene Clark
3/5
3/5. 13 year old me would eat this up, and honestly it might get to me after a listen or two more but right now, it feels like I could instead just listen to Bob Dylan or Neil Young and get the same but better result. To be fair, I did not hate it and I do enjoy this music but it didn't stand out as groundbreaking or crazy good. Just a nice folk rock album with calming vocal themes. An interesting take on Tears of Rage as well, more submitting to the pain than begging for it to end as the Band's suggests. Best Song: White Light, For A Spanish Guitar, Tears Of Rage
Liz Phair
5/5
5/5. An excellent collection of short songs, akin to the main street version, except with a more slowed down and down to earth approach. There is a sense of calling people out, mostly men, while also being a girl's girl. It's aggressive without her raising her voice a lot, just very direct about her feelings. It sounds a lot like a lot of soft rock indie artists today so most likely an inspiration for those newer bands. I honestly don't have many notes. This genre can suffer from annoying or boring songs but each one was well written and enjoyable to listen to. Also a great repeat listen, you always find something new to like. Best Song: Never Said, Divorce Song, 6'1"
Dr. Octagon
3/5
3/5. A kind of gross word-vomit rap album, with a weird concept of an sci-fi alien doctor who is not qualified to be a doctor. The beats and samples are excellent, droning bass and low quality drums create an eerie feeling, kind of like abandoned halls of a hospital. The lyrics are expressive but definitely a lot for one whole album. Maybe a song here and there that is extreme would be okay but this is a lot in every song. Not my favorite front to back but the music is respectable, the lyrics though are little rough. Best Song: I'm Destructive, Earth People, Blue Flowers
Elvis Costello & The Attractions
4/5
4/5. I didn't feel like this was a classic but it was definitely high quality Costello. The ballads are hit or miss. The songs are either smooth and jazzy while others are just slow rock songs for no reason. The more chaotic tracks are where Costello and his band shine, as is usual. The production is more full and really enhances the album, which would be the main difference, but overall, a similar vibe to his previous works. Best Song: Beyond Belief, Shabby Doll, Kid About It
Sonic Youth
5/5
5/5. Everyone talks about Daydream Nation but this one rides that balance of punk and noise pop perfectly. Each song stands out as unique and the guitar work is excellent, chaotic but stable. The noise sections are well done and normally, it would turn me away but they find that correct sound. It does get more distorted and feedback heavy as the album goes on, so it creates a theme of slowly falling into madness. It is supposedly a concept album about Philip K. Dick, the science fiction author, and how he was not well after his sister's death at birth. Hard to garner that through what I heard but hey, it does feel weird enough to be there. This is finally a post punk album I can get behind. Best Song: (I Got A) Catholic Block, Schizophrenia, Kotton Krown
Cypress Hill
4/5
4/5. This was a super enjoyable rap album, always a sucker for rock rap, and guitar riffs used in the beats. There are also some other fun samples and sounds used in each song. The instrumentals/short songs balance the album and keep it interesting and thematic. The only downside is that the rhythm of the rapping does get repetitive so some songs sound like other songs. It's not bad, you just lose yourself sometimes in the track list. It's a great listen overall. Best Song: Hand on the Pump, The Phuncky Feel One, Psycobetabuckdown
Moby Grape
5/5
5/5. Sucks that this is another one that is not fully on Spotify but was able to find it online. Every song is short and so good, there is not a bad song on here. Yes there are other psychedelic rock albums that are similar to this one, but the guitar is excellent and it doesn't lean too far into the psych, just far enough to have more exciting rock sound. A rough and bluesy voice guides some of these songs matched with a more pop oriented one keeps the songs diverse and interesting. They do feel like demos which is a small downside but I like to see it as they had nothing else to say. Best Song: Omaha, 8:05, Hey Grandma
Pretenders
4/5
4/5. This feels like if the cool alt kids at your school made music. Looking at the cover, they are really trying to be cool and thankfully the music does ooze slickness and smooth, in an artsy kid kind of way. The bassist is really coming through and the instrumentals as a whole create a nice punk edge while staying accessible. The vocalist is unique as well, the lowest female voice I have heard from memory and she keeps you engaged. It's an excellent album but not all songs are perfect. Best Song: Brass In Pocket, Mystery Achievement, Space Invader
Bob Dylan
5/5
5/5. You already know what it is. What a perfect album, each song stands on its own and although these songs definitely have a weird and strange theme surrounding them. Political and angry yet a fever dream of Western history and events. It's just one of many masterpieces that stands the test of time from Dylan. Not much else to say that hasn't already been said. Awesome album. Best Song: Like A Rolling Stone, Desolation Row, Just Like Tom Thumb's Blues, Tombstone Blues
Depeche Mode
4/5
4/5. The driving bass line and excellent riffs from the synth keep each song engaging and danceable but like sad dancing. There was not a bad song on here, each one had great instrumentation and the vocals are quietly aggressive, like warning or a threat. Great aesthetic, even if it does sound like many other emo electronic new wave artists. There are some forgettable songs on here, just because it can blend in the sound, but no bad songs, an overall fun listen. Best Song: Enjoy The Silence, Personal Jesus, World In My Eyes
Aretha Franklin
5/5
5/5. She is 25 on this album and yet sings as though she has lived 7 different lives as a black woman, married, divorced, humiliated, and disrespected but no more. She stands her ground and lets everyone know who she is and how she exists for herself and for whoever she wishes to give time to. And I'm sure she received the same flack young female artists receive today, probably even more so. Just by listening to the album, you can already tell she is well aware of this and is already just providing the energy needed to keep her sanity. Just a crazy good album, even if she is the only highlight from each song really. Best Song: Respect, A Change Is Gonna Come, Soul Serenade
Dr. John
3/5
3/5. That was pretty wild, not sure how I feel about it honestly. This is a foreign language album because man was speaking in tongues. I understand is a heavy accent, maybe even involving some New Orleans French, but mixed with the art on the cover, they are not beating the witchcraft allegations, a curse was definitely laid on me. It is not something I'm putting on regularly but it is a unique listen, I'll give it that and wasn't bored since it was so short. Definitely something you should listen to, but maybe not more than once. Best Song: Mama Roux, Gris-Gris Gumbo Ya Ya, I Walk On Guilded Splinters
The Rolling Stones
4/5
4/5. As an album, this is definitely not the best Stones album but it does have some great songs on here that does take to above average. Gimme Shelter and You Can't Always Get take it to a 3 alone but there are some other good songs on here that make the album a solid listen all the way through. Definitely some lazy songs that we can do without but most are great. Best Song: Gimme Shelter, You Can't Always Get What You Want, Midnight Rambler
Eurythmics
2/5
2/5. I do enjoy some dance-pop but not all of the songs on here make me to get up and moving. The title tracks and some of the hits slap but otherwise, it feels mostly like a filler album with the singles. Fortunately, the singles do stand out so it's an entirely terrible listen but it is not a great album overall. Best Song: Sweet Dreams (Are Made Of This), The Walk, Jennifer
Eminem
3/5
3/5. Something I noticed through this album, Eminem is pretty good at writing catchy hooks and choruses. The lyrics are so wild and over the top it's hard be offended by it but I do believe he is feeling all the emotions, even if he does not act like it. I think therapy could have helped his issues of misogyny and suicidal thoughts but then I guess his rap career would have ended much sooner. This album, and especially the follow up, redefined what rap could be, an important one for sure. His lyrical and rapping skills are some of the best, and his comical tone really makes him stand out. However, some of the lyrics do not age, and not even in the graphic way, they are just not funny or smart anymore. It was an enjoyable listen but not something I'm recommending often. Best Song: My Name Is, Guilty Conscience, My Fault
Raekwon
5/5
5/5. Crazy flow and rhymes, his voice is its own instrument. The fact that all Wu-Tang members appear on this album shows that there is excellent support and creative ideas shared. The production and beats feel so clear and fresh despite its age. Sure, there is influence from previous rap groups but the skill in each track is hard to beat. This was an enjoyable album front to back even if there are some lyrics that do not age well. Best Song: Can It Be All So Simple, Criminology, Heaven & Hell
Simon & Garfunkel
4/5
4/5. This is a great album, even if Bridge is objectively better. If they committed to a full concept album all songs were interconnected, I think this would be considered one of the greatest albums of all time. The writing chops are there, but the second half feels like B-sides even if they were the hits. It's not perfect and some songs on both sides bring it down in my opinion. But it's still a folk rock classic. Best Song: America, Mrs. Robinson, Old Friends
Beatles
4/5
4/5. A nearly perfect list of singles but there are some that are either annoying or don't leave a lasting effect. To be fair, there are a lot of great songs here and the album as a whole is great, I would just skip over some of them though and select some specifically over other ones. It is not even because they are relative to the other songs on the album, they are just not great. It's difficult to rate a Beatles album because all of them are (objectively) 5/5 but not really. The fact that each album is an essay on Wikipedia is a little much. Some songs have aged and it's okay. Best Song: Eleanor Rigby, For No One, Tomorrow Never Knows
The Rolling Stones
3/5
3/5. A country rock album. I think there is a dissonance because I do expect a certain sound from the Rolling Stones, and although that is here, there are other songs that really fall out of line. Some are good, like No Expectations, but many of the other songs don't sit right with me. The Stones don't need a specific sound, but it still feels like experimentation they haven't quite landed yet. It's an okay album but not a lot to hold it as a great album. Best Song: Sympathy For The Devil, Street Fighting Man, Stray Cat Blues
Basement Jaxx
2/5
2/5. This one might take some time to really get into just like Homework. At the moment, it's fun and simple, and I'm sure there's more than just what I'm hearing going on, but I am not feeling the bounce or the passion in the house music. I don't think I'm finding myself dancing to this often, but there is an organic feel to it. Despite the electronics, it feels like people are playing these instruments, instead of a repetitive beat which clearly sounds robotic. The main issue is that the music is not all good to begin with, so the organic addition does not improve it much. It's not terrible but not great. Best Song: Bingo Bango, Jump n' Shout, Always Be There
The Jam
5/5
5/5. It's honestly hard for me to find a bad song on this album. It all flows well has a driving force in each song. It is giving British punk but it doesn't overstay its welcome. Each track has a great riff and instrumentation in general. Very British vocals can be a negative sometimes but it fits the energy here. Definitely influence from Elvis Costello here. A pretty solid front to back, no complaints despite the genre. Best Song: Start!, Set The House Ablaze, Music For The Last Couple
Sheryl Crow
3/5
3/5. I love the authentic and raw emotion on this album. You can definitely feel the debut energy of it but it still has a lot of heart that you can hear in her vocals. The instrumentation is simple and with the joint songwriting, there are some varied ideas that don't always land but Sheryl somehow still makes them work. It's a solid album overall and a nice listen. Best Song: All I Wanna Do, Run Baby Run, Strong Enough
4/5
4/5. Progressive pop to the core. Pretentious for sure but eccentric enough to keep me interested and intrigued. It has that XTC energy I come to expect from previous albums. I enjoy experimentation with new sounds and this album is full of them, including new styles of songwriting not found in other other progressive pop albums. The layering vocals are aplenty here and they are expertly done. The uniqueness alone is what keeps this album at a higher tier than other pop albums, so far as to say that the influence is heavily Beach Boys inspired. Don't think it's perfect but it is overall a great listen. Best Song: Easter Theatre, River of Orchids, Greenman
OutKast
5/5
5/5. It was hard to get into this previously, I am not sure why, maybe it was the length and the genre of music I didn't find myself listening to often. As I have explored more genres, this definitely stands out as a great collection of songs. It's crazy how many are just great and no skips. The first half is a solid southern rap album with great production. And it is very clear where Andre's side starts, as he falls into a dream like experience of bumping bass and airy and smooth instrumentation. I can see the Prince influence but there is also a lot of experimentation going on with sounds and his vocals. Plus Andre's lyrics really go into the complexity of love as well as male and female toxicity in relationships and why many fail because of societal standards and norms. It's hard to narrow down exactly which one is better but honestly, they work well together as a full album. Best Song: Hey Ya!, GhettoMusick, Church, Spread, The Way You Move
Bonnie Raitt
4/5
4/5. She feels very collected and to the point, not like she is half-hearted in your energy, but more that she is an expert in her craft. And it took me halfway through the album to even question if she wrote these songs or not. They feel so close to her vocal style and tone that she takes command of each song. And it's country but has a general blues sound and even some R&B and funk. I wouldn't say every song is great or for me but it's hard to deny the expertise here. Best Song: Nick Of Time, Real Man, Nobody's Girl
Black Flag
4/5
4/5. Excellent guitar work and yes, vocals are interesting for sure, but it never was annoying which could have been the case. It's aggressive and they are still smart with their delivery and choice of words. It truly feels like someone on the brink of breakdown, less so an angsty attitude. It was a quick and to the point album, lingering on some songs a little longer than others. I wouldn't say I would dig this all the time but overall, much better than I was expecting from the get go. Definitely a solid punk record. Best Song: Rise Above, TV Party, Damaged II
Rocket From The Crypt
3/5
3/5. It's giving a mix of Elvis Costello and King of Leon as well as some Ramones, with Ska. It's a pretty neat collection of songs and it has a pretty fun uplifting vibe. Musicianship is not crazy but they are having fun. The lyrics I think are the downside of this. It doesn't have to be super intelligent or meaningful, but I don't even think they are silly or wild enough. It still was pretty fun though. Best Song: On A Rope, Drop Out, Young Livers
Lloyd Cole And The Commotions
3/5
3/5. A chill and mostly calm soft rock album. The lyrics are not something to write home about but the style of singing and music is hard to resist vibing with. I wouldn't say it's my favorite and not sure I'm listening to it again but it wasn't a bad listen. I always enjoy a dylan-esque artist. Best Song: Perfect Skin, Forest Fire, Rattlesnakes
Bruce Springsteen
5/5
5/5. At first, I was definitely turned off by a lot of these songs because of their radio presence on the classic rock station. But the fact that he wrote Nebraska and then this right after is versatility. Each song is so catchy and well-written. There are some choruses that can be a little repetitive but it still works. The aesthetic implies an uplifting spirit yet a profound sadness and anger about the state of the world. Even songs like Glory Days, which is about as dad rock as you can get, is a sad song about adults unwilling to move on with their past because of the troubles that are happening now so they drink away their feelings. Bruce shows that their is always a second meaning under his surface level of songwriting. An excellent album altogether. Best Song: Born In The U.S.A., Dancing In The Dark, Bobbie Jean
The xx
5/5
5/5. A duo vocal arrangement over some minimalist and laid back beats is the album. And it works really well. It does have an undertone of generic folk pop duo but it skirts by and it is all due to Jamie XX great production and beats. He makes it sound less like indie pop and more electronic R&B. Romy is clearly the better collaborator but even still, each song is just so strong yet so quiet. The album doesn't overstay it's welcome and comes and goes like a meditative moment. Best Song: Crystalized, Islands, Shelter, Intro
Adele
5/5
5/5. To deny the importance and influence of this album is to admit living under a rock for a decade. Every song here, even if not a hit, imbues a higher tier of songwriting. Yes, it's pop ballad album from the 2010s yet sounds like it could fit in any decade before. And with the plethora of similar styles, each song is unique and original within the massive genre. I know it's already been said, but she is 21 here. I could barely graduate college and she wrote 10 #1 singles. She deserves the credit she receives. Best Song: Someone Like You, Rolling In The Deep, Set Fire To The Rain, Don't You Remember
3/5
3/5. A mixture of Thee Oh Sees and Nine Inch Nails, psychedelic witchy alternative indie tribal. Not sure exactly how to feel about it but it is new and it's not annoying honestly, compared to post punk. It's eerie, like I stumbled upon something I wasn't supposed to see. I wouldn't want to put this on while walking alone in the dark but it feels correct there. In the daylight, it's interesting enough to be enjoyable. Best Song: If Your A Wizard Then Why Do You Wear Glasses?, Broken Witch, Flow My Tears The Spider Said
Led Zeppelin
5/5
5/5. You already know what it is. A classic in every sense of the word. A perfect rock album with a collection of hard rock tracks and even some slower songs to cover the breadth of rock & roll. Led Zeppelin always hits and the skill in each musician is not questioned ever but the songs here are just far above the best written in their catalogue. It truly is amazing that even after I have listened to Led Zeppelin for years, coming back after a while always feels fresh and new. These songs are just timeless. Best Song: Stairway To Heaven, When The Levee Breaks, Black Dog, Misty Mountain Hop (Honestly all of them are just perfect)
Paul Simon
4/5
4/5. I think this album is definitely culturally significant. Simon wanted to use South African music in his album and provided malicious incompetence in why he couldn't wait. He was offered the reason why he couldn't do it according to the African National Congress, he ignored it, and then wondered why they were mad at him. He made up his own reasoning why it was a good idea, without knowledge of the apartheid, and then later said "well actually what I did was good." I'm sure the musicians on the album enjoyed the experience and royalties but at the expense of the rest of the country. Now did he end up ruining everything down there? Obviously not, but it made the fight that much more difficult.
And now, the music. This is a classic in its innovativeness and songwriting. It introduces South African music to a wider audience, providing more South African artists to gain mainstream and for other artists in America and elsewhere to use and implement this style of music. The songs are all well written and even the inclusion of an a cappella song offers a fun listening experience. Taking these songs out of context and placing them through normal Simon albums, they would still be mostly popular. The base is still there and the songs are carried mostly by his vocals and choices of classic instruments he normally uses. They are only amplified here, making them stand out more. I don't think it's a perfect album and loses it's steam in the latter half but it is still an important listen.
It's important to remember that art can exist on its own while still being relevant to its surroundings context. You can enjoy an album but to deny, or worse, reject, reality and the cultural implications this album stirred, is to offer a chance to repeat history at some other time and/or place. Everything is more than one thing and for those reviews on either side of the fence, to view things in black and white can cause more harm than good. Simon can be ignorant in his hubris to create his album while still benefitting African music in the long run by providing a larger audience. Just because that was the outcome, does not mean it did not cause harm in doing so. Retrospect is 20/20 and each art piece battles with the perspective of Time. Best Song: You Can Call Me Al, Diamonds On The Soles Of Her Shoes, The Boy In The Bubble
Pink Floyd
5/5
5/5. Do I even have to say anything? One of the best albums of all time. If I could give it 6/5, I would but the option is not here. Guitar work is amazing, the lyrics are creative and intelligent, the production and sounds are unique, and the concept is scary yet relevant. It's a perfect album and with each listen, a new song becomes my favorite. You will like at least one or another on this one and if you listen to the whole thing, it's hard to deny how good it is. Best Song: Comfortably Numb, Another Brick In The Wall Part 2., Run Like Hell, Nobody Home, Empty Spaces
Tina Turner
4/5
4/5. Just a crazy good collection of hits, even though none of them written by her. Although I usually feel weird about a song of other people's songs, only a few were performed by other artists, many were written for her. And does she sing them like she owns them. These are ingrained in pop music forever. Even the slower ballads are good, sometimes hard to find in the 80s. And the production is phenomenal, everything revolves around Tina and there is no doubt who is the star of the show. I think the last few songs are a little hit/miss but the first half is a classic collection for sure. Best Song: I Can't Stand The Rain, What's Love Got To Do With It, I Might Have Been Queen
Beyoncé
4/5
4/5. With each listen, I do appreciate the songwriting and musical production more. As far as the songs themselves, I enjoy them but don't think their perfect. The influence this album has though is not something to deny. If this album was mostly instrumental, I think I might enjoy it more because the beats are really good. Beyonce can still sing though and the way she uses her voice in certain songs is on an expert level. There are just some songs on here that stand out and not in a good way. Overall, I do think it's a necessary album but not her best. Best Song: XO, Rocket, Haunted
Aretha Franklin
5/5
5/5. Although "Never Loved..." is more popular, I do believe this is overall a better and more soulful album. She feels confident here and with a solid backing vocal chorus and band, you can tell she is in her own. Plus the song selection here is shorter but she is allowed to go all out on each one, so the longer ones feel that much more full. I think this is a pretty perfect album, short and sweet with more soul than it should be allowed to contain. Best Song: Chain of Fools, (You Make Me Feel Like) A Natural Woman, People Get Ready
Beastie Boys
5/5
5/5. B-Boys sampling is unmatched but the inclusion of punk and jazz with live instrumentation was such a good evolution of their sound. The tracks that are just instrumentals is also a great choice. They feel like interludes while also sounding like part of a movie soundtrack with other songs with lyrics in between. There is definitely some influence from electronic artists here as well with the beats and song structure. This was a great listen front to back and despite it being longer, I was never bored. Another excellent release I never delved into from them, glad it was on the list. Best Song: Sabotage, Sure Shot, Futterman's Rule, Get It Together
MGMT
4/5
4/5. If you like music, you'll probably enjoy this. This is just well-written psychedelic pop and awesome instrumentation to back it. You're bound to like at least one song on this one and even still, the album front to back is a great listen. This was a repeat in high school but even listening to it again after several years all the way through, it's easy to see why these songs are recognizable while still feeling original. I think the only thing that does bring it down from perfect is the second half not being as strong as the first half. Best Song: Time To Pretend, Kids, Electric Feel
Randy Newman
5/5
5/5. Putting on a Randy Newman record no longer gives an air of ease. There is now always a sense of sarcasm and underlying meaning in each song and after listening to this album with that in mind, it's such a dark and pessimistic energy. And I love it. I don't know how to describe it but knowing there is some blunt energy behind simple lyrics, it feels like it is meant to go right over the head of those without reading comprehension. Yes, some lyrics are pretty obvious, and some songs also don't have a an extra deep meaning, but the album as a whole feels some much more intense. Every album I listen to is always a joy to listen to multiple times to gather all his intentions. Best Song: Sail Away, God's Song (That's Why I Love Mankind), Simon Smith and the Amazing Dancing Bear
Weather Report
4/5
4/5. Despite the title, a lot of the songs on here are mostly pretty chill and relaxing. There are a few that stand out, especially the opening track, which is a classic by itself, as well as others that keep that heaviness they are referring to. The album as a whole definitely has some great work from the bassist which at first I thought was some sort of synthesizer with how prominent it carries the music here. The melody is up front but the bass is moving it forward, along with the percussion. I don't think I would be down with this album all the time but it's definitely a wonderful listen front to back. Best Song: Birdland, Havona, Harlequin
The Pharcyde
2/5
2/5. A fun album, with some questionable lyrics, it's a nice change of pace especially with the climate of rap during this time. To be fair, I would rather listen to Beastie Boys but it's nice to see more laid back energy in the Black community, a necessary feeling to get through life. It also has some Parliament-style ad-libs and backing vocals. I think the album can drag a little at times and I am not sure I want to revisit it honestly. I think the energy didn't keep me invested enough to vibe with it. Plus the rapping flow wasn't enough to save it from it being uninspired at times. Best Song: Passing Me By, 4 Better Or 4 Worse, Otha Fish
Steely Dan
2/5
2/5. You know when a movie comes out and you watch and maybe even enjoy it, but it was 100% made to win an Oscar? That's what this album feels like. Like, to be fair, it is enjoyable and the hits are great of course, but it kind of keeps the same energy throughout, chill soft rock with a similar sounding chorus for each song. It's fine but it's not classic worthy. Steely Dan just does not do it for me most of the time. Best Song: Do It Again, Reelin' In The Years, Brooklyn (Owes the Charmer Under Me)
The Modern Lovers
4/5
4/5. Britpop mixed with Television and Elvis Costello. Surprisingly they go very well together, with lyrics reminiscent of the Talking Heads, weird and strange yet to the point, and the great rhythm work by the band. I wouldn't say it's a classic like the reviews say but it was pretty good. Much more fun to listen to than solo Lou Reed, who is a clear inspiration here. Best Song: Roadrunner, Pablo Picasso, Modern World
Flamin' Groovies
3/5
3/5. Blues rock with a mix of Captain Beefheart and the Stones. Although it feels sloppy and amateurish, it kind of adds to its charm and the change of tempo and dragging rhythms fits correctly within its attempted genre while adding some unique flairs. Is it the best blues rock? No, but it is unique enough to listen to multiple times which is a feat at least in my book. Plus the bonus tracks I found of classic covers are not bad either. Best Song: Have You Seen My Baby, Whiskey Woman, High Flyin' Baby
Iron Butterfly
2/5
2/5. Not even close what the best track on here is. Unfortunately it took a bit to get there. The first side is just okay, psychedelic rock songs that don't stand out much and don't provide any new substance. If the album was just more soloing for another 17 minutes, it would be a better album. Does the track make up for the first side, honestly not really so I wouldn't recommend it but it was good enough to not be a bad album. Best Song: In-A-Gadda-Da-Vida
Sister Sledge
3/5
3/5. Nile Rodgers and Bernard Edwards are carrying the album. The sisters sound great of course, but I'm sure they would sound great anywhere. It's the combo of the two that really make them shine. Every track is not a banger for sure but the hits are classics, especially the title track. However, that first song really gets you groovin' the most. It's a solid disco album but don't think the whole album was a classic. The musicianship alone is worth it. Best Song: He's The Greatest Dancer, We Are Family, You're A Friend To Me
Sepultura
5/5
5/5. It's rare to find metal on lists like these so when this came on, I honestly forgot it was still a genre especially when pulling from here. At first, I was thrown off by vocals but with great mixing and guitar and drums, this album sounds amazing. I was enjoying each song and was excited to replay it. Part of it might have been the fact that I never get to hear metal on here so it was a nice change of pace. Even still, I was having a good time and I'll have to revisit the lyrics but from what I could catch, seemed very political and angry at the right people so that's always a plus. There are also clear signs of introducing different styles to classic thrash that was nice to hear. Best Song: Arise, Dead Embryonic Cells, Altered State, Infected Voice
The Prodigy
5/5
5/5. We love the heavy electronic beats that make you wanna rave like a crab on the beach. This album is wild and fun, with different ideas being thrown around and an energy difficult to ignore. Each song keeps the energy while providing rap, signing, vocal intricacies, or just instrumental. I don't think it's a perfect album but it is one I am very fond of and that gets to be rated high because of it. Great gaming music too. Best Song: Breathe, Smack My B*tch Up, Firestarter
Spacemen 3
4/5
4/5. I have been of fan of Spiritualized so I kind of got the energy I was going to get from this album. A lot less song structure and more just repeated riffs and phrases. I am not usually a fan of shoegaze, but this hit the right balance for me. It felt "spacey" and yet like you are falling down to Earth, sometimes just grabbing onto the orbit and other times getting ready to hit the Earth. Like with other shoegaze, it does fall into the category of not being able to put this on anytime. It's not perfect but I do enjoy it. Best Song: Revolution, Honey, How Does It Feel?
Sinead O'Connor
2/5
2/5. It is giving singer-songwriter that holds a lot of emotion that is not super resonating with me. There are some tracks that exude power and passion while others kind of drag on. I wouldn't say it's bad but it's definitely not for me. I think a little more volume could have helped these songs, not necessarily here signing but rather the production. There is a way to make whispered singing come through with the emotion it is projecting and this one wasn't really doing it for me. All love to Sinead and her whole controversy of *checks notes* speaking the truth and I'm sure this album is for somebody but not me. Best Song: Nothing Compares 2 U, The Emperor's New Clothes, I Am Stretched On Your Grave
Bob Dylan
3/5
3/5. The Blues album by Bob Dylan. I think the production is a highlight here, with Dylan sounding like he is trapped on a railroad train car in a deep tunnel. Many of the songs don't strike me as unique but some are really good, so there is kind of a balance that equates to a decent album, but not something I'm super invested in. The latter half of the album was much better than the first, except for Highlands, hard to justify the length. It could it may take a few listens like Dylan albums are want to need. Best Song: Cold Irons Bound, Can't Wait, Not Dark Yet
Leonard Cohen
4/5
4/5. The highlight is clearly the lyrics, imagery is vivid and his voice feels young and naive yet experienced. The main issue is that Leonard kind of sticks with the same way of saying things which although can have a certain energy to it, it ends just being monotone. I respect the music arrangements, with some backing vocals or unique instrument. I think it's almost perfect but the vocals are not doing it for me. Best Song: So Long Marianne, Suzanne, Sisters of Mercy
Elvis Costello
3/5
3/5. Ah, another Elvis Costello album. I enjoy some of his stuff but I feel like there are too many albums on here to expect something different. This is about mid range what I expect from Elvis, but still fairly good. Much better songwriting and signing from him as well, kind of like a reinvigoration of his earlier work. I know this one isn't going to be a constant revisit but whenever I am craving Elvis, this will be on the rotation. Best Song: Clown Strike, Sulky Girl, Rocking Horse Road
Donovan
5/5
5/5. It's hard to define exactly why this album stands out to me, it kind of feels like a solid collection of the aesthetic of other albums released at this time while still sound original. And from start to finish, it's quiet yet feels epic, like a story is being told with different acts and themes. It is just a collection of songs, but it has a Bowie/Beatles vibe coming before both of their ventures into their similar albums. This is an excellent album and I'm glad this list reminded me of it, putting back on the repeat repertoire. Best Song: Season of the Witch, Sunshine Superman, Legend Of A Girl Child Linda, Celeste
Dwight Yoakam
3/5
3/5. I was checking out other people were saying about and I feel like people have not heard of concept albums before. Red Headed Stranger is a clear influence for this album but no one thinks Willie killed someone. This is just called writing, like in other works of fiction. Same thing with Johnny Cash on Folsom Prison Blues. I get if you don't like the music just maybe use some media literacy before reading everything surface level.
Upon further listening, there are some songs that are a little problematic like I Sang Dixie kind of romanticizing the Southern pride. And Hold on to God feels satirical but doesn't land quite right so it just sounds like direct Gospel. Additionally, after a while, the songs do start to sound similar. I don't think this was a perfect album but I can enjoy some old timey country music with a modern flair. Best Song: I Got You, What I Don't Know, Streets of Bakersfield
T. Rex
2/5
2/5. I remember enjoying Electric Warrior but can't remember why because this feels so weak and cheesy. I can enjoy a satirical album but I am not getting that from here. Like the simple beat is there to keep my leg bouncing but I am cringing at these lyrics and vocals. To be fair, there are some that lean into the more heavy guitar and these work much better. It feels like they are having fun but it feels a little too relaxed, like they are not recording an album, and not in the raw and authentic way. Best Song: Telegram Sam, Buick MacKane, Rabbit Fighter
The War On Drugs
5/5
5/5. An ethereal and shoegaze-y album inspired by 70's and 80's rock is not something you find every day. The songs go on for 5+ minutes usually with minimal lyrics and just backing guitar riffs and solos sometimes. When I first heard the album when it first came out a while ago, I don't think I quite felt like it was for me. As the years have gone by, and my listening has diversified, I can hear and appreciate the influence and excellent songwriting. This is such a great road trip album while also being a good one to just let it wash over you in headphones. The production is fantastic and you can hear the passion in his voice. Glad I had a chance to revisit this one. Best Song: Under The Pressure, Red Eyes, Burning, An Ocean In Between The Waves
Ice T
5/5
5/5. I have a general guess of what I was expecting going into the album released in the 90's but the lyrics are surprisingly kind of progressive and intelligent, re-evaluating the word b**** and showing acceptance to gay and lesbian people. I'm glad we still got some antidisestablishmentarianism in the songs. Each track has a great beat and the skits are funny, which is what these skits are for. The samples are unique and interesting. There's even just a straight rock song on here. This is what it means to not care about what other people think while still supporting those that are suffering equally. This was an excellent album and don't even get me started on his flow, so clean and quick while taking his time when he needs to. Best Song: Straight Up N****, Mind Over Matter, Escape From The Killing Fields, B****** 2
The Doors
5/5
5/5. I think this is the best doors album, even with all their other records. I just feel like every song offers something different while still remaining mostly blues-y. It feels creative and new without being too experimental. Morrison sounds great here and he gives off the most energy while taking it down smooth and slow on songs like The Spy. I don't ever skip a song here and can throw this on any time. Great album. Best Song: Roadhouse Blues, Waiting For The Sun, Maggie M'Gill, Peace Frog
Ride
3/5
3/5. Shoegaze is difficult to get into for me and I think part of it is the singing that is hard to understand. However, although the vocals are still an issue, the epic wall of sound and catchy riffs and instrumentation is what brings this album up. It feels optimistic and yet the lyrics tell another story. It's major chords with a dissonant and minor backdrop. And its loud to drown out the world around you, a positive feature of shoegaze usually. It's just not something I would say won me over. Overall, I think the album was good but not a go to for me. Best Song: Vapour Trail, Seagull, Polar Bear
Miles Davis
5/5
5/5. I would argue this may be one of the most controversial albums I can think of. Some say its genius, others say it is an abomination. I guess I find it hard to pick one or the other. It's not necessarily "listenable" all of the time but also it's so unique and evocative that it's hard to turn away from. You can clearly tell the talent here is intentional and yet, you wonder why they started to record it at all. It feels like one long song through the whole album, like a story being told of the beginning and end of all things. It feels sort of epic and cinematic in some ways. I think upon finishing it fully again, I do think this album has more to offer than not and I have the desire to listen to it again. I do think it is worthy of its genius title. Best Song: Miles Run Down The Voodoo, B****** Brew, Spanish Key
The Verve
2/5
2/5. Okay so I blanked out about halfway through listening to this and that does not bode well for the score. I mean, to be fair, there were some songs that stood out but overall, the wall of sound was just too much. I was getting lost and not at all figuring out why I wouldn't just listen to Oasis. I recognize some songs but I wouldn't say they were game changing. This was alright, maybe I'll take another listen at a different time. It was just so long. Best Song: Bitter Sweet Symphony, The Drugs Don't Work, The Rolling People
Robert Wyatt
5/5
5/5. So this is the second Robert Wyatt album on this list and it's weird because I had an idea of what I was getting into. This felt more reminiscent of progressive rock like Genesis mixed with alternative art rock like Radiohead. I did realize that jazz was also involved when looking through the production notes. That fact that Pink Floyd were involved as well is not surprising. It sounds like a mixture of modern issues along with old Canterbury phrases, it's hard to describe but it fits the term "hauntingly beautiful." It starts off unsteady and I was glad I stuck around, this was such a unique one, going to be a repeated listen for sure. Best Song: Sea Song, Little Red Riding Hood Hit The Road, Alifib
Pulp
5/5
5/5. This is what a Brit Pop album should be. It's giving modern Kinks with the high production found in British albums around this time while still feeling fresh and relevant, especially with the lyrics. It's silly and sex-driven but also depressing and humbling. Every song feels so alive and present, from the instrumentation to the vocals. It's honestly hard to find a song I'm skipping on this one. Pretty perfect all around. Best Song: Common People, Mis-Shapes, Something Changed, I Spy
The Soft Boys
3/5
3/5. It's kind of catchy while also still being unique in its lyrics and instrumentation. It's psychedelic in a way with some 80s punk involved. I think with additional listens it could grow on me but it doesn't do a lot of me at this time. It was intriguing for sure so I am interested to re-explore. First listen was average though. Best Song: Queen of Eyes, Insanely Jealous, You'll Have To Go Sideways
Doves
2/5
2/5. This might be a good drums and bass band but it kind of feels like someone took already established instrumental songs and added lyrics to them. I can't remember what the songs were even about just that they had a good beat. Then all of a sudden in the second half, they are making regular pop-rock songs. Some of them stand out but overall, not anything crazy there either. I wouldn't say this was terrible but it's not down my alley. Not a 1 because the instrumentals were good and one or two songs were actually kind of good. But this is background music at best. Best Song: The Cedar Room, Firesuite, Melody Calls
Richard Hawley
4/5
4/5. Dang, I'm a sucker for this music. I understand this can be a cliche genre but it's not quite soft rock, like a lot of singer songwriters popped up around this time. It really does feel like it could be from the 40's and 50's which is impressive to replicate so well and being completely unironic in its creation. I feel the yearning love in each song, something that's harder to find nowadays. Yes, it does get a little familiar as the album goes on but I do enjoy it for what it is. Best Song: Coles Corner, Just Like The Rain, The Ocean
George Michael
5/5
5/5. I was letdown with George's first album but this album is what good pop music sounds like. He stretches his vocal expertise, stabilizing himself into recognition. The melodies on each song are so easy going and beautiful at the same time. Hints of Freddie and Prince and Brian Wilson. The production is wonderful, feels like I am in a chamber hall with a small audience. It's honestly just so good and is a perfect length of time. I have no notes. Best Song: Praying For Time, Freedom! 90', Mother's Pride, Soul Free
The Smiths
2/5
2/5. You can definitely feel the young and moody energy from this one. It can fit a certain vibe but there is a sense of suburban middle class in the 90s that feels a little disingenuous. Everyone has the right to their emotions and if you feel connected to this, especially in middle and high school, more power to you. It's just not really what I'm relating to at this time. The riffs are neat and fun to listen to, and are honestly the highlight of the album. Don't think it saves it from Morrissey, once again. Best Song: That Joke Isn't Funny Anymore, Barbarism Begins At Home, The Headmaster Ritual
Lauryn Hill
5/5
5/5. I never listened to this one even though I know it is highly praised. And of course, it's excellent, the beats and instrumentation are amazing and her vocals are excellent, especially the Jamaican raps. Each song stands out and feels so fresh and original, while honoring the past. The skits are also bittersweet and cute, reminiscing on school and those teachers who define your childhood. There was never a skip on here, so glad it showed on this list. Throwing it up on my albums I repeat listen to. Best Song: Ex-Factor, Doo Wop (That Thing), Nothing Even Matters, Superstar
Femi Kuti
4/5
4/5. I love afrobeat, it's just so danceable and with political messaging, it goes even harder. Although not as good as his father, Femi still brings it. More jazz-centric with a solid sax solo every song, it's controlled chaos. The only downside is that the album does overstay its welcome a bit, each song does similar things with instrumentation then vocals then long solo then closing vocals for the most part. It can be hard to differentiate. However, the songs do go hard so it's still enjoyable for the most part. Best Song: Frustrations, Nawa, Wonder Wonder
Iron Maiden
4/5
4/5. This was an interesting listen, you can definitely hear their inspirations while trying to find their own sound. I honestly hear some Rush, Thin Lizzy and despite them hating punk, it's hard to deny the influence. There is a good mix of slower and faster songs on here. The instrumentation rocks and it's clearly the highlight. I think the vocalist does a good job but not crazy, especially when they replace him with Dickinson. It's a classic album and pretty straightforward, not my favorite but still a heavy listen for sure. Best Song: Running Free, Phantom of the Opera, Strange World
The Avalanches
5/5
5/5. Such a unique album that it's hard not to include on a list like this. The production is phenomenal, it really just feels like one continuous track, with foreshadowing of future tracks with some samples and some repeated themes throughout. It just seems like they are having a lot of fun here with these samples as it shows through the chosen samples. The beats are enjoyable as well with random instruments and sounds added throughout. It's also crazy that they just dropped this as a debut. Best Song: Frontier Psychiatry, Since I Left You, Live at Dominoes
GZA
5/5
5/5. An album of cinematic proportions, it's got that Wu-Tang style of rapping and lyrical content, samples that are memorable and unique, and beats that stand the test of time. It's a complex and minimalist album of deep and dark sounds, feels sinister with a mix of comradery and in-fighting, but not really, like a concept album of internal and outward struggle. I didn't get all the lyrics at first listen but it seems like an album of brotherhood. Also, it has great production for creating the aesthetic GZA wants to go for. Best Song: Shadowboxin, Liquid Sword, 4th Chamber, Investigative Reports
Buffalo Springfield
5/5
5/5. It's not necessarily a perfect album, and it does feel disconnected, but I just enjoyed the whole thing. Every song was fun and unique. With each member inputting like 3 songs each it feels like they only chose the best ones. Psychedelic rock, with some more rock-adjacent and some definitely more psychedelic. It's just a fun album front to back, I just had a good time. Not much more to say on that. Best Song: Mr. Soul, Broken Arrow, Everydays
Red Snapper
2/5
2/5. It's got a nice repetitive rhythm in each song that makes for a good run of songs. They are to find a sound or sample that feels catchy without feeling annoying, which is a difficult feat to achieve. Unfortunately my statement was proven incorrect about halfway through with Rough and Quick. I'm all for explicit content but it doesn't really land, kind of just feels like someone found out some new swears and decided to use them right now. Other than that though, it was okay. I wouldn't say it wowed me but it wasn't terrible. Best Song: Shellback, The Rake, Bussing
Hot Chip
4/5
4/5. A fun and happy-go-lucky album of earworm melodies, wall of sound production, and danceable beats. It can be a little much as a full hour long album but for the most part, it is a welcome listening experience. The lyrics are not very memorable but the vocals match the energy with the rest of the instrumentation. It's funky, 80s synth with modern indie melodies, hard to be upset about, just maybe a little same sounding from song to song. Best Song: Motion Sickness, Flutes, How Do You Do?
Steve Earle
3/5
3/5. Yeah that's country alright. The guitar work is great, up and center with crisp and clean playing. The lyrical content is young and optimistic for someone with big dreams and love. It's honestly kind of inspirational for those afraid of change or trying something new. There are some sad songs as well and even the optimistic ones have a tinge of darkness to them. Felt much better about the album by the end but wasn't crazy about it. Still a good listen and maybe better with repeat listens. Best Song: Someday, Fearless Heart, Goodbye's All We Got Left
a-ha
2/5
2/5. As much as I was hoping each song was going to be something that stood out, nothing came close to the opening Take On Me. Sure, the other songs were fine but even without Take On Me to compare, they are not doing it for me. Synth pop only goes so far and it is best taken in small doses, usually. It's just very forgettable quick and only 2, maybe 3, stand out. Best Song: Take On Me, The Sun Always Shines On T.V., I Dream Myself Alive
Supergrass
5/5
5/5. Alternative indie punk, this album goes hard. It's upbeat but has grueling guitar riffs and excellent drums. The vocals are clear and young, yet feels like they carry some experience. In the latter half of the album, they seem to be experiencing with some new sounds and although it is a different, slower energy, it still works honestly. It feels complete and resolved by the end. A great album from this list. Best Song: Alright, Caught By The Fuzz, She's So Loose, Sofa (Of My Lethargy)
Pere Ubu
3/5
3/5. From the get go, with the high pitched drone, it was not great. As the album continued, I found myself appreciating the post punk scene some more, and realized that some bands I enjoy today definitely got influence from this band like Viagra Boys and Black Midi. The songs themselves have charm to them and there is a sense of curiosity involved which feeling confident in their musical choices. It does not always land but the confidence is there. The album is not a 5/5, like all these critics are saying, so if I could talk to one of them to ask what they are listening to, that would be great. It was still better than expected and might listen to it again once I mentally prepare. Best Song: The Modern Dance, Real World, Street Waves
The Pogues
5/5
5/5. A full collection of great songs, none overstaying their welcome and all unique in their own way. They really nailed down the energy of short and quick folk-punk tracks for the most part, sprinkling the ballads throughout here and there. Although I can barely understand any of the vocals, they are still exciting and rhythmic in their own way. The album is a treat to listen to front to back. Best Song: Fairytale of New York, Fiesta, Turkish Song Of The Damned
Astrud Gilberto
1/5
1/5. No shade on her vocal ability, I just don't think this is the type of music she should be doing. I feel like there is a lack of energy in these tracks, like someone else chose these songs for her. I am not sure exactly but letting her make that decision would be best. Now if she did make these song choices, then maybe someone else should decide lol. Instrumentals are fine and it's a very simple album so it's inoffensive but in the same vain, it's beyond boring. It's not terrible but there is no feeling and that's somehow worse. The only thing that saves it is the background musicians. Actually I completely zoned out for several songs, then I was near the end. I wanted to give it the benefit of the doubt but unfortunately felt relieved when the album ended so I'll go with my gut on this one. Best Song: My Foolish Heart, I Had The Craziest Dream, Não Bate O Coração
The Gun Club
4/5
4/5. Love this punk album, they are just so nonchalant about it, confident in their playing, like they've been doing this for years. And it seems like they have, as part of other bands and it shows. Great use of traditional blues songs and sounds to elevate the energy already found in the blues. Some of the songs do sound similar but the heaviness keeps you engaged. Plus the vocalist is unique enough to match the energy. A great punk blues album even if similar sounding. Best Song: Preaching The Blues, For The Love Of Ivy, Fire Spirit
Eric Clapton
2/5
2/5. This feels like a bootleg copy of unreleased songs found on an anniversary album 25 years later. It's not necessarily bad but I was kind of hoping for the actual album at some point. Just listening to the guitar is fun because Eric has not found his front man voice yet. Honestly just having guest singers would have been a better choice. It's an okay album, just not something I'm listening to again really. Best Song: I Shot The Sheriff, Motherless Children, Steady Rollin' Man
Harry Nilsson
4/5
4/5. A short and sweet track list of mostly lesser known songs that still stand by themselves. Nilsson had a few hits I knew about but each song on here is still worthwhile and a nice treat. The hits are obviously great, except for Coconut which does not age well in my opinion. Like, it's okay just annoying. That plus some mid songs like Let The Good Times Roll and Driving Along, it's not a perfect album but it is much better than I was expecting. Best Song: Without You, Jump Into The Fire, Down
Marvin Gaye
4/5
4/5. After reading some context in regards to Marvin's life, these songs are much more powerful. It is a therapeutic process of a man recognizing his worth and that his past trauma does not define him. You almost can hear that he is not talking to anyone in particular, but rather using his voice and music to move through these emotions. As far as the full album goes, it's powerful and he takes his time with each one, but it does slow down way too much at certain times that takes away from the experience. It's a great album but it does not land all the way through. Best Song: Let's Get It On, If I Should Die Tonight, Distant Lover
Echo And The Bunnymen
3/5
3/5. You can definitely tell they have not found their sound yet and are rather an imitation of other bands. Fortunately, they still sound great and you can see the direction they are heading. Interesting lyrics and sharp front and center guitar. This was a good listen but didn't give me many new feelings about Echo or this genre in general. Best Song: Pictures On My Wall, Rescue, Do It Clean
Abdullah Ibrahim
5/5
5/5. It's an album that derives inspiration from cocktail jazz yet brings an air of optimism and hope for a brighter South African future. You can feel the pain in each note, despite the uplifting and beautiful melodies. These compositions are so perfect and precise, yet allowing for improvisation from the soloists. I had a hard time finding any issue putting this one on and letting it play. A great discovery. Best Song: Mandela, Song For Sathima, The Wedding
Tom Waits
4/5
4/5. With each Waits album, I am starting to like him more and more. His deep and unserious vocals while singing quiet ballads or chaotic tunes is such a vibe, it's just so fun to listen to. It feels sad but in a pathetic way, like a drunk in a bar but not quite karaoke. More like a melodramatic theater production that takes place all in a bar. I wouldn't say every song was perfect, but the album as a whole is just another in Tom's discography I am going to come back to. Best Song: Heartattack And Vine, On The Nickel, In Shades
Roni Size
1/5
1/5. Look, I can appreciate a good drum and bass album, and being presented with 10+ on this list was more than I was expecting. It's not necessarily groundbreaking, and it goes on the "Mercury Prize winners that are not great albums" list once again. Are we sure the people deciding the Mercury winners have ears? It's hard to tell at this point. Like sure, maybe good uses for some sample in a future rap song, but right now it feels like a lot of unfinished ideas into 2+ hours of music. I don't even remember the difference between the songs honestly. Even if it was just the first CD, it's a little much honestly. Best Song: I don't remember, I'll just choose Railing cause it's kind of short and had promise
The Pretty Things
5/5
5/5. An enjoyable and really well made concept album. It sucks it is not as well-known, especially among the same circles of those who listen to the Beatles and the Who. Each song offers something different, tackling multiple genres with great instrumentation and lyrics. It's a great front to back album and definitely belongs on this list. A classic in my opinion. Best Song: Bracelets of Fingers, Baron Saturday, S.F. Sorrow Is Born, Trust
The Crusaders
2/5
2/5. It's a jazz jam band and although there are some fun, disco-esque melodies here, I am just not feeling the funk of it all. Like it's chill and that's about it. It doesn't give me a want to repeat this specific album, it feels like they are part of a larger playlist of the same genre. It's just a step from elevator music, even the title track is kind of eh, despite it's popularity. I wouldn't say it's terrible, the musicianship is good, so it's got that going for it, but not much else. Best Song: Street Life, Carnival Of The Night
David Bowie
5/5
5/5. Glad this finally showed up. This and Low are just perfect albums. There are obviously the hits but each song is so unique and especially the second half where each song flows into each other. It's got an industrial disco vibe in the first half, and the second half is experimental yet has a sense of fear and concern involved with it. The album ends with a tonal shift but still works, leaving the listener on a good note instead of concluding with the trepidation of the previous tracks. It's hard to describe what genre this is as a whole, it feels like an album made entirely separate from the musical scene it was released in. Like a message from another place and time. A great listen at any time. Best Song: Heroes, V-2 Schneider, Beauty And The Beast, The Secret Life of Arabia
The Teardrop Explodes
3/5
3/5. Teardrops for Fear of Exploding. It's fun and the songwriting is well done honestly, but it's not better than Tears for Fears, which does it better later. I give it credit for innovating a sound that will be much popular down the road. Overall, it was a pretty solid album, and maybe I just wasn't super feeling it, but I wasn't inspired to repeat listen. If someone did like it a lot, I can definitely see it. Best Song: Treason, Sleeping Gas, Went Crazy
Joni Mitchell
4/5
4/5. Joni Mitchell is an interesting person, and with each album, I feel like I'm learning more about her while also asking double the questions. It's not that she's mysterious, it's that everything she's done seems to be known by everyone. There is a weird sense of violence towards her from many men in the music industry and I wondered why that could be. And after listening to this album, I think I understand. I think many men just hate women. Now, I knew this already but hearing Joni speak about travel, what if's, cocaine, and being alone, it became clear why these things were happening to her. She was smart, witty, confident, and yet still sexual, hence being with many music men. But these music men did not like that, they needed to be the smart ones. And so she never stayed with anyone too long for fear of harm.
As far as the album itself, I still think Blue is her best. However, I did grow to like this more with each song. Hearing Joni speak from a place of privilege yet shame, the cocaine made sense. Identity crisis on another level filled with ego and hubris. It's a wild combination. It's sad to listen to Joni, as it is clear to those who will listen, that every song feels like a cry for help with a mix of shade and anger. And men don't like to hear that. I enjoyed it, but not Mitchell's best imo. Best Song: Coyote, Song For Sharon, Hejira
Talk Talk
3/5
3/5. It's got some chill aesthetic and the instrumentation is beautiful at times, but I'm not with it the whole time. To be fair, if this album came out today, I would not be surprised, it does feel timeless. But I guess I wouldn't be listening to this even today. I can definitely see the potential and if someone liked this album, I wouldn't be surprised. It was good, just not great to me. Best Song: Living In Another World, Life's What You Make It, Time It's Time
Astor Piazzolla
5/5
5/5. This was a crazy album, full of expert musicianship and instruments I have not heard before played in this way. I feel like I'm listening to a controlled fever dream. It's eerie and loud and quiet and beautiful all at the same time. It's like horror movie soundtrack mixed with classical Tango. It's honestly crazy how they were able to make this music live on stage, I feels like it was recorded and edited in a studio and then you hear the audience at the end of each song and you are brought back. No complaints, entertaining, kept me engaged with the unique sounds throughout the record. I love finding albums like this through this list. Best Song: Nuevo Tango, Vibraphonissimo, Operation Tango
Afrika Bambaataa
2/5
2/5. I can definitely see how this heavily inspired artists like Daft Punk more so than future hip-hop records. The beats are iconic and high quality. It does feel like anything could have been rapped or sung behind the beats for most of the tracks. Which is why this album in general did not age well. Because what they chose as the vocals is quite repetitive (not in a good way) and annoying. Like it is really just okay, and only gets more than 1 because of the beats and production of the music only. Best Song: Planet Rock, Looking For The Perfect Beat, Renegades of Funk
Kacey Musgraves
4/5
4/5. "Oh no! An album that released after 1990! How will I handle new information!" That's how some of you all sound. Chill, make your own list if you don't like this one and explore something new for once. Some of you just want validation for records you like to be on this list.
For the review, it took me some time to get into the album at first since Country is not my go to genre but letting it play slowly, and letting it just trail off, really allowed me to appreciate the calmness and sweetness of the record. I don't think it's a perfect record but there is some great songwriting and singing on this one. The lyrics are a little simple at times and some songs could be passed in the run time but overall, a great indie country album. Best Song: Space Cowboy, Rainbow, Butterflies
Portishead
4/5
4/5. There is a sense of experimentation here in the tracks while still feeling like they are experts at the craft. A lot louder and chaotic than their debut, these tracks are sometimes ending abruptly like an unfinished idea but with the jarring change, it keeps you engaged throughout wondering if you accidentally skipped the song. I think like the debut, this album will grow on me the more I listen to it so for now, it's not perfect. Overall, I love the aesthetic, dark and moody yet still has an air of curiosity about it, like they are also experiencing these new sounds as they are making them. Like a long hallway with different doors, each one just as mysterious as the last. Best Song: The Rip, Machine Gun, Threads
Khaled
4/5
4/5. It feels like a time capsule of previous phases of Western music but was honestly quite enjoyable. Just some fun upbeat pop music in a language I don't understand but the vocal melodies work really well with the disco and pop tracks. I also heard some Latin influence as well in some songs. It feels like a Jack of All Trades record and I'm here for it. It was enjoyable and fun, not many complaints except for maybe some of the more ballad-esque songs. Best Song: El Harba Wine, El Bab, Aâlach Tloumouni
Johnny Cash
5/5
5/5. This is the greatest live album of all time. No one has this much charm and the audience makes it that much more engaging. The choice to make all the songs related to prison, loneliness, or a similar dark theme in some way is beautiful. He even wrote some songs related to this prison already which is just so unique in any live album. With each song, you can't help but smile, as he lays out the bs with the prison system while still relating to every man in that prison about life and the human condition. And ending the album on a song a prisoner wrote is wholesome especially when the rest of the prison is cheering for it. It ends on a hollow note though, as the prisoners shuffle away, and you are reminded that they must go back, after a small reprieve from hell. It's funny, sad, heartfelt, silly, serious, and just good music in general. It's amazing and deserves to be listened to. Best Song: Folsom Prison Blues, Jackson, Cocaine Blues, Green Green Grass of Home
The Offspring
2/5
2/5. It's alright, it feels like how I expected a 90s Grunge band to sound. It can be a fun sound at times but even Nirvana is not an every day listen and I would rather listen to them if I wanted this sound. I recognize the hits but even still, they were just kind of there, not something I would actively seek out. I can see why it was popular, or even is popular, but it's not the best. I enjoyed it for what it was, and I might listen to it again, who knows. Best Song: Self Esteem, Bad Habit, Come Out To Play
Billy Bragg
3/5
3/5. Once you get past the heavy accent, and some people might not and that is valid, there is some pretty introspective and progressive lyrics here. The production is full and crisp, allowing me to understand most of the lyrics despite the accent. And there is an innocent charm to the vocals, but also not sure it's for me all the time. I enjoyed it but it's not something I would necessarily recommend. Folk Punk is a good genre classification, but I guess I would have liked a little more Punk. Best Song: Ideology, There Is Power In A Union, Levi Stubbs' Tears
Mudhoney
3/5
3/5. Loud and heavy, I did enjoy the aesthetic but many of the songs were forgettable. 90's grunge is fun to listen to but it does need to be unique as it can easily fall into loud to be loud. Thankfully, there are melodies and slower songs on here mixed in. It definitely leans pop a few times as well. Overall, it was good but not great. Best Song: Let It Slide, Fuzzgun '91, Into The Drink
The Sonics
4/5
4/5. This is a bold album to be released at this time. It still definitely feels dated at times but if someone told me this was released late 70s or 80s, that would also not be surprising, if this was an intentional production. This was actually fun to listen to and the screaming into breaking audio adds to the fun, even if it did become a gimmick after some time. I like the covers but the original songs were usually better just because it was new and creative. This was definitely a statement, and I can easily see how this inspired the heavier more punk/grunge bands down the line. Best Song: The Witch, Psycho, Roll Over Beethoven
Jimi Hendrix
5/5
5/5. It's just a fact that the first three Jimi albums are perfect. Although this one may have less hits and be less known in general, it still stands among the other two records, with a lot more psychedelic influence. The guitar playing as always is excellent, and even the song from the other member on vocals is great. Relative to the other two, it is the weakest but relative to albums in general, it's awesome. Best Song: Spanish Castle Magic, Bold As Love, If 6 Was 9, Castle Made Of Sand
Pet Shop Boys
4/5
4/5. I'm starting to love the Pet Shop Boys more with each new album I listen to. It's beautiful at times, funny at others and the production is always fantastic, using orchestral sounds to drive the beat. Their vocals sound innocent and naive, backdropped against epic music. I wouldn't say this was perfect, as some songs I don't remember, but it still was great and the aesthetic is always excellent. A much more calm and chill album than their other records. Best Song: Being Boring, Nervously, How Can You Expect To Be Taken Seriously?, The End Of The World
Duke Ellington
5/5
5/5. I listened to the complete sessions of this album and it was definitely the correct choice. Up to the last main concert track, not the repeated songs later. The crowd gets more riled up as the songs go on and it culminates in an almost riot. This must have been a wild atmosphere because the jazz is good but there might have been something else going on in the audience. Either way, this was fantastic and a testament to the jazz genre. Excellent musicianship and energy from the band, these arrangements are complex yet accessible. Duke is a genius and this is a must listen for anyone who has the time. Best Song: Diminuendo and Crescendo In Blue, Black And Tan Fantasy, Blues To Be There
Scritti Politti
3/5
3/5. This honestly feels like indie disco, like something you will hear today, mixed with Phil Collins. It's upbeat and happy-go-lucky, makes you want to nod your head. It isn't a full energy, more chill, but enjoyable. Bass is excellent, and the random drum sounds and samples are great. The issue is that some of the songs are not super interesting, so I lose focus. I think this is one that will grow on me but for now, it gets a decent score. Best Song: Hypnotize, Wood Beez, Absolute
Tom Waits
3/5
3/5. Tom Waits is very interesting and intentionally so. I believe he makes a certain kind of music, partly because he thinks it sounds good but also because he knows some people won't think it sounds good. Granted, I do like Waits but I think this album needs to grow on me. Seeing the 10/10 scores and being hyped up when it would show up on this list considering I've listened to all his other albums on here, it kind of left me underwhelmed. Like one of the draws of Tom is the weird aspects of him, and all of the songs on here didn't hit that same energy as his other stuff. I guess this is one more "accessible" which reaches a larger audience. But that feels like a downside. It was an okay listen, I'll have to relisten again. I enjoyed the album, don't get me wrong, just didn't feel like his magnum opus. Best Song: Hang Down Your Head, Clap Hands, Jockey Full Of Bourbon
The Fall
5/5
5/5. Never would I expect to give a post-punk album a 5 out of 5. A 3 was generous usually. But this one actually sounds like an album, and especially can see the influence that they took from along with the inspiration they provided to future bands. This is a 90s album through and through released 5 years before. The vocals are intentionally jarring but with the garage-rock sound it creates an air of punk because the thing about being punk is that you have to care a little bit, otherwise you are just an anarchist. And this is that nice balance of wanting to make enjoyable music while also not conforming to the standard. In other post punk albums it feels in spite of the standard instead of challenging it, and this album finds that balance. Best Song: L.A., Bombast, Mansion, Couldn't Get Ahead
Songhoy Blues
4/5
4/5. It's a mix of blues jam bands and afrobeat, which both kind of exist in similar circles anyway. It is relaxing and still hype, the vocals kind of giving more of an instrument in and of itself, since I am not able to understand the lyrics. It's repetitive but in a good way, like a jam band. There is a more recent band called Mdou Moctar that has a similar sound, most likely inspired by Songhoy. It's a vibe for sure, and I would definitely relisten to it. Best Song: Soubour, Al Hassidi Terei, Wayei
Genesis
4/5
4/5. Unique for sure, it's rock but feels like it could be from a distant past. This is an album we were told we had to listen to and like, for anyone looking into progressive rock after Pink Floyd and Yes. And although I do like it, it does take a few go arounds to get into. The silliness at first feels out of place and cringe, and now it's hard not to quote it outside of the song, because of how iconic it is. If someone listens to this at first and is turned off by it, I honestly get it. The guitar and keys are the highlights, but I don't think this is Peter Gabriel's best. If the lyrics were a little more finetuned or with more care, this would be perfect. This album does not hold up as a perfect album, despite how much I do like it. Best Song: Dancing With The Moonlit Knight, The Cinema Show, I Know What I Like (In Your Wardrobe)
Stereolab
2/5
2/5. A pretty chill collection of well-produced upbeat tracks, with some repeated vocals here and there, or a full song. The instrumentals imply a more electronic pop or even hip hop base. It leans more towards pop and although the beats do get your attention, it's not always enjoyable. Some songs can be a little much they are not unique enough to not blend into the other tracks. Overall, I don't think it's a repeated listen for me. More than a 1 for the instrumentals alone. Best Song: Cybele's Reverie, The Noise of Carpet, Metronomic Underground
Nirvana
3/5
3/5. I don't think this is a great album but I respect the authenticity and the humility to sound worse on songs that he did not need to sound bad on. He changes the key just cause, and then strains his voice. This is a hard record to listen to with the context of his suicide. It seems like he does not want to be there, like his life is just a performance for others. And at the end, he breaks, moving past the bounds of the music and crashes. Like he has realized what he had to do and the concert was his thought process through it. It's a hard listen, and unfortunately doesn't sound good a lot of the time, purposefully and also not on purpose. I think you can really hate this record or really love it and probably for the same reason. Best Song: Where Did You Sleep Last Night, The Man Who Sold The World, Pennyroyal Tea
Incubus
3/5
3/5. Honestly, not a bad album, the refusal to stick to any one genre gives this album a bit of a novelty that they are just making whatever they feel sounds good. And that is respectful. Now to be fair, there is definitely some aggressively corny 90s rock but the mixture of tabletop scratches, metal, and softer ballads makes this a fun and interesting listening experience. I wouldn't say it wow'd me but it was definitely good. Best Song: Drive, Stellar, Battlestar Scralatchtica, Consequence
David Bowie
4/5
4/5. A haunting and yet relaxing, for the most part, album on death, stardom, and a possible fake play? Not sure I fully understand that last one. It is a weird and jazzy album, abstract yet structured here and there, as if the norm was complexity. They are not rock songs or even pop songs, they seem to be studies on sounds. I am hyping this album up but I don't think it was perfect. It is unique and important, in regards to its relationship with its creator. But I think not all of the songs are classics or interesting enough to impress me. Best Song: Tis A Pity She Was A Whore, Blackstar, Girl Loves Me
Michael Jackson
3/5
3/5. Difficult to rate a Michael Jackson record in general, but this one had more songs on it that I enjoyed than not. Yes, he's a "bad" (get it?) person but I'm just listening to the music here. Some tracks on here are absolute classics, while the other ones are on the other end and very forgettable. Seeing the track list, I was hoping to like this better than I was expecting but I was a little disappointed. I would say this gets to be an okay album, even though I know many of these songs defined a generation. Even without the baggage of Michael as a person, the album was overall just good, not bad, but also is bad, because that's the album. I'll see myself out. Best Song: Smooth Criminal, Man In The Mirror, Dirty Diana, Bad
4/5. A pretty solid rock album, just well-written songs throughout. Most are pretty short and don't overstay their welcome. The alternating vocals of Stewart and Lane between songs was a great choice. And the guitar at the forefront with Wood at the helm makes this album feel a little heavier which is to its benefit. Not all of the songs were perfect, but this was still really good. I definitely feel like it will grow on me with more listens. Best Song: Stay With Me, Miss Judy's Farm, Memphis, That's All You Need
Quicksilver Messenger Service
5/5
5/5. I just love jam bands, especially ones that don't take themselves seriously. The whole Love Suite is hilarious, just the complete unseriousness of it keeps me entertained the whole time. The solos are awesome in every part of the song and each one feels distinct enough to know which part I'm at. The second half of the album is not as good overall but I wasn't surprised to hear more solos and long winded jams. There are better albums but this one just gave me what I needed and I enjoyed the whole thing. Best Song: Who Do You Love Suite (Who Do You Love Part 2 mostly), Mona, Calvary
Digital Underground
3/5
3/5. The lyrics can be a bit cringe but the beats are phenomenal, the funkiness of the hip hop is so clean and smooth, it makes sense that it sounds like Parliament-Funkadelic because they are those samples. Upon further listening, the lyrics are not great in general due to the verbal assault against women but it's hard to deny the catchiness of these tracks. And then kind of an queer ally with Doowutchyalike. Then he mentions about being with a 17 year old and then he loses me. I wanted to like this more but there are some aged lyrics here that bring it down. Best Song: The Humpty Dance, Doowutchyalike, The Danger Zone
Screaming Trees
3/5
3/5. Love this heavy grunge and rock with sweet and catchy melodies, even throw in some psychedelia and diverse instruments and you get a pretty interesting record. It is giving similar 90s grunge bands in that I have no idea what they are saying most of the time but at least it is definitely more understandable than normal. The layering of the vocals with the instruments is almost shoegaze as well. There is a lot of influence here but it seems to hold its own, not necessarily innovative but enjoyable. Best Song: All I Know, Sworn And Broken, Dying Days
The Yardbirds
3/5
3/5. This band is the launching point for many guitarists, and Beck really shines through here. I did enjoy many of the songs here, they are still enjoyable for sure, even if dated a bit. It's a solid rock album, I was not finding myself from skipping any songs but I don't think these stand as great songs but still much better than other albums around this time. Best Song: Lost Woman, He's Always There, The Nazz Are Blue
Beatles
5/5
5/5. I kind of go on stretches of listening to music all by one band and then move on. So the White Album is something that just mixes in with my Beatles discography listening experience so it kind blends in with the other albums. Listening to it solo, without the context of the Beatles in general, it really is crazy this album was released. Like sure, the Beatles were influential, but it feels like they invented like 10 genres here. It's not even that the songs are all good, it's just impressive that they were able to throw all these ideas together. It does feel like a series of throwaways made into an album so it can be a little much after some time of okay songs, especially near the end of the album. Although as a whole album, I don't think this is the Beatles' best or even one I would recommend, but it is just a wholly influential album on every level that it is hard to deny its importance. Best Song: While My Guitar Gently Weeps, Rocky Raccoon, Back In The U.S.S.R., Blackbird
The Notorious B.I.G.
5/5
5/5. From the get go, Biggy lets us know his influences and why he's making this record. This man is 22 at the time of this album, growing up in New York, and with the help of a few established producers, basically wrote the whole album himself. He had full creative freedom and you can hear the naive young mind along with an experienced and traumatized person. There are jokes throughout, within his lyrical genius and his skits. Hearing the skits can be uncomfortable but actually listening to the words is hilarious, Biggy is displaying his hubris in this skit while also humbling himself in the deprecating words the woman says. He goes on to demean women but in a way that feels self aware, saying kind words and then calling her a B****. I think with enough time, Biggy could have been a progressive rapper and activist, or at least I like to imagine, once he finds his place and removes the toxic people from his life. The suicidal thoughts and even title itself is haunting in retrospect, especially considering the changes he was making to his mental health later on. This is a young man who needs therapy but instead found it in his music. It's a great album, samples, beats, and all. It deserves the recognition it gets. Best Song: Things Done Changed, Juicy, Gimme The Loot
Wilco
3/5
3/5. The songs are nice and the aesthetic is a soft rock/country one with sad and self-deprecating lyrics. The issue seems to be the length of the album, after a while it does seem to just be alterations on the same theme, with little variety in instrumentation as well. I think Jeff can have a nice voice if he wants but the lack of effort in some songs is a good choice up to a point. There is a good balance for the most part but it can get annoying, especially when you know he can sing if he wants to. The album was enjoyable but a little too long and similar throughout. Best Song: Say You Miss Me, Misunderstood, Forget The Flowers
The Police
1/5
1/5. White reggae is the name of the album. Reggae already is not for me and now we somehow make it worse? Like, sure, I am bobbing my head up and down but it's not good music. I know this was a big record, along with the Police in general, but it's not something I can take a whole album of. I like Rush, and they have songs that are definitely influenced by this genre, it's just not the whole album. I lost track of where I was here and can't remember any of them besides maybe two of them. Even then, Message In A Bottle is overrated, and yet still the best one on this album. Also, the title track has vocals but won best Rock Instrumental, which feels a little off. I was vibing to it but I would rather listen to anything else than put it on again. Best Song: Message In A Bottle, Bring On the Night
Giant Sand
2/5
2/5. This was an interesting listen, I was concerned as it first started out, with nonchalant everything. As it continued, it seems to gradually add more sound and instrumentation, as if other members got up on stage as the performance continued. It culminates in Shiver and then drops again. I think it's just hard for me to get over the lyrics and vocals, which kind of feel like he doesn't want to be here which then makes me not want to be here. I think there is a balance to the monotonous singing/talking and if it goes too far to the bored side, it creates a bad experience. The music is great, changing with the vocals while still playing a song of their own. If this was a fully instrumental album, it would feel more like a movie soundtrack or video game soundtrack. I think the vocals make or break this one and it depends on the track. Overall, it was okay but not great, not enough to really revisit. Best Song: Shiver, Temptation of Egg, Wolfy
Incredible Bongo Band
5/5
5/5. Now this is that good stuff, this is what soundtracks are made out of. I know these are just regular tracks but I love that big band, multiple instruments tracks, like instrumental Chicago or Santana songs. The fun jams and bongos go crazy, this just hits that right energy I'm looking for in music to dance to. Was this a very inventive or original album? Not really. But it was fun as hell to listen to. If anyone else is reading this, and liked this album, you should check out Brown Sabbath, similar type of covers to Black Sabbath songs. Best Song: Apache, In-A-Gadda-Da-Vida, Bongolia
The Bees
2/5
2/5. It just feels not very self realized, like just a collection of okay songs with not much feeling there. It is impressive it is just two guys but it's not interesting enough to be worth the listen in my opinion. It's gentle and quiet but there is a way to do that while still being impactful, they don't seem to achieve that here, save maybe a few songs. I'll give it the benefit of not being bad, just not good really. Best Song: A Minha Menina, Zia, Punchbag
Kendrick Lamar
5/5
5/5. I am glad we have the updated list because a list like this without Kendrick is incomplete. It's also clear from others on this website that they lack media literacy. This is a concept album, Kendrick is telling us a story about growing up in Compton and the album starts off with an exaggerated version of his younger self and he evolves throughout, recognizing who he is and the changes he goes through. How are you going to listen to Sing About Me, I'm Dying Of Thirst and tell me this is "gangsta" rap? This is one of the best albums of this century, period. I've heard this at least 50 times now and it's still fresh and great. A classic forever. Best Song: Compton, M.A.A.D. City, B**** Don't Kill My Vibe, Sing About Me I'm Dying Of Thirst
The Zombies
5/5
5/5. This really does feel like the perfect mix of the Beach Boys and the Beatles, and even has a more modern feel as well, with the melodies. I think I was expecting a sillier album but there is a good case for a good album here. Some serious lyrics with excellent vocals and instrumentation. I was enjoying pretty much every song and although I don't remember each one, it felt like a 5 rating by the end of it. Maybe because it ended strong but it made me want to restart it so I'll take that as a plus. It might change in my head but this was a great listen. Best Song: Time Of The Season, This Will Be Our Year, Beechwood Park, Care Of Cell 44, Friends Of Mine
SAULT
4/5
4/5. About halfway through the album, I realized the energy I was getting. It's urgent R&B, like the music implies them taking their time but the writing feels rushed, like they are pushing to get their lyrics out but are beholden to the slower beats. It is slightly anxiety inducing but in a way to keep your attention, and the message is important so they a good job at getting it across. I think the album does suffer from length, around Eternal Life or June Child, could have been a good closer. Overall though, this was a great listen, and although the album was not meant for me, I was present in the room and felt the need for this record especially in the United States. Just some trimming around the edges, a little more polishing, and this would be a perfect record. Best Song: Wildfires, Black, Stop Dem, Eternal Life
Fishbone
3/5
3/5. It's funky and fun, just not sure it is essential. If I found this album in the wild, I am pretty sure I would dig it for a few days and then kind of pass on it. The fact that it is here on this list kind of makes it weird. I still enjoyed it, don't get me wrong, but didn't love it. The vocal diversity is a highlight and the big band energy does shine through and the lyrics are pretty progressive for the time. Best Song: Freddie's Dead, Slow Bus Movin', Pouring Rain
Coldcut
2/5
2/5. Wasn't able to find the album as a whole but found most of the songs on a greatest hits album. And if these were the greatest hits, don't think I'd enjoy the other songs on the album. It's similar to electronic music, with simple and repetitive vocals, but the samples are not fun enough to be interesting. It's not necessarily bad but I don't think I'm going to listen to it again. Best Song: People Hold On, My Telephone, Doctorin' The House
Alexander 'Skip' Spence
2/5
2/5. It is wild to know this album came out in 1969, when it could easily fit in the post punk/quiet grunge era of the 90s. Now I wouldn't say it was great, as there was definitely some mental health issues affecting the music here but it does create the sought after sound of depression and fear. I feel sad listening to this, as it feels like a mix of someone who just needed help to possibly be successful, but also the muffled sound and vocals feels draining. The worst part is that it is not that good either, which is the most unfortunate part. Best Song: Books of Moses, Grey Afro, Little Hands
Method Man
3/5
3/5. A bass production with a minimalist rap performance, it feels large and heavy, like rising from a pit. The actual content was not memorable, it seemed very laid and chill while still having this dark undertone though. It's interesting listening to all the Wu-Tang members debut albums and how they all have their unique sound while still sticking with similar themes. This seems to be mainly due to RZA, the producer of all the records. This one definitely feels the least interesting, compared to the other two, despite Method Man's legacy. It was not bad but a little too laid back to be a great album. Best Song: Release Yo' Delf, Bring The Pain, Meth Vs. Chef
Christine and the Queens
4/5
4/5. A pretty catchy and danceable album of well-produced and written pop songs. Sometimes it doesn't need to change the game, but rather expand on it, and Rahim does a good job at perfecting that craft. It's simple yet complex, pop music is meant to be this way, and I had a great time listening to this. It's not perfect but it is still really good. Best Song: Doesn't Matter, Comme Si, Goya Soda
Fever Ray
3/5
3/5. Production is peak on this one, minimalist and similar to dungeon synth with Bjork-style lyrics on top. It's a great combination but I don't know if the actual songs are doing it for me. I respect the album as a whole but I don't think I'm listening to this often when I want to put something on. Like, it's a good concept, but I don't think was executed as well as it could have been. Best Song: If I Had A Heart, Coconut, When I Grow Up
Dexys Midnight Runners
4/5
4/5. This was a surprising listen, especially after their hit album, which I found good but not great. This one was a lot more enjoyable for some reason, it felt like they wanted to make an album instead of hits. The main downsides were the "skits" during the songs but the raw vocals with the orchestral and big bad energy gave this album a very authentic feel, despite the quality production, which was still to its benefit. I wouldn't say it was perfect but I do think as a whole, this was a pretty complete and succinct album. It was also fun to listen to, so that's always a plus. Best Song: The Occasional Flicker, This Is What She's Like, One Of Those Things
3/5
3/5. Sticky and hot, this album really exudes sitting outside, late at night, you shirt stuck to your back, as you sit alone or with a couple buddies underneath the only street lamp for several blocks. The enjoyment though is in the experience, rather than the music. The music is in the space with us but it's not the center focus. This can be good and bad, and as I am just in my home listening to this in my A/C, it's to its detriment. I did enjoy it for the most part but it's not something I would consider great music, perfect background music though. Best Song: Você Gosta, Antropófagos, Abraço (They all kind of flowed together though)
Gram Parsons
3/5
3/5. It's not anything fantastic but it is a short and sweet album of some pretty solid soft and country tracks. There is an air of promise in these songs, a naivety of a brighter future despite the dark times. It makes that much more meaningful considering Gram passed away before this was released. Granted without Emmylou, this album would not be as good, as she does bring the much needed vocals to elevate this music. It was a nice listen, and I might grow to enjoy it, but as it stands it was a good listen. Best Song: Return of the Grievous Angel, Heart On Fire, Love Hurts, In My Hour Of Darkness
Fiona Apple
5/5
5/5. I think my feeling about this album would have been much different if I got this album early on in this 1001 album experience. I would say "Where is the signing? Why does it sound bad? What is even the point?" Listening to other genre bending albums has allowed me to better appreciate albums that don't fall into a specific category. In some songs, she is essentially rapping or using spoken word, and with all of the random instruments, she is dedicated to making sure she gets her message across while keeping it raw and authentic. She curses and is direct, something that people uncomfortable with a confident woman will not like, and she clearly doesn't care. This album is not for them, it is for her and for those who feel afraid to speak out or be themselves. Fiona has always been pretty sure of her artistry but here it comes through in minimalist rage. This is a great album and I am glad I was able to give it another chance. Best Song: Shameika, Ladies, Newspaper, For Her
Public Enemy
5/5
5/5. Every song blares, Chuck D's vocals are strong and lyrically intelligent, Flavor Flav hypes up every song bringing it down to Earth and making it feel personal. The samples themselves are complex and intricate, and with repeated listens, I find myself focusing on something new in each song. Chuck D sounds like a preacher, like a man 65 years in experience telling me about what we need to do to make the world a better place. There is so much happening on this record, I am going to need many more listens. I can't believe I was sleeping on this for so long, this is what rap, and music in general, should be used for, getting your message across, especially when no one will hear you otherwise. It's hard to ignore when it goes this hard. Best Song: Don't Believe The Hype, Louder Than A Bomb, Night Of The Living Baseheads, Rebel Without A Pause
Hanoi Rocks
2/5
2/5. Here they go again, giving me just a fun and exciting glam rock album with some sick solos and riffs. The first half rocks and then... crazy drop in quality. The songwriting and the music suddenly is lazy and gross, and not in the good way. Then it picks up a little again near the end but that middle ground is truly not great. I don't know how to rate it but I thought I was going to like this more than I did. Oh well, it is what it is. Best Song: Malibu Beach Nightmare, Tooting Bec Wreck, Until I Get You
Small Faces
5/5
5/5. I love this record, it's been a favorite of mine since I found out about it in high school. The second side is silly and dumb but that's exactly why I love it. The first side is full of excellent songs, some still silly, and the instrumentation throughout is peak, with excellent drums at the forefront. I honestly don't understand how you cannot find this album no fun, it's wholesome and silly and just really dumb while still having some killer tracks on the first half and throughout the story on the second side. This is the definition of boys will be boys and just having a good time. Best Song: Happiness Stan (the whole suite if that counts), (if not) Rollin' Over, Afterglow, Rene
Klaxons
4/5
4/5. It feels like progressive pop, the melodies are ones I would find in older progressive rock bands but add a driving bassline and some synths. The vocals are fun and the band does a good job at achieving that futuristic sound/theme they are going for. It's definitely a repeated listen for me, I did lose interest in some songs but overall, this was my jam. Best Song: Atlantis to Interzone, Golden Skans, Gravity's Rainbow, Two Receivers
Bob Marley & The Wailers
5/5
5/5. Marley hitting it out of the park again with this one. There is just so much control in his nonchalant signing and dragging instrumentation. Just at the point of being late, they stay on rhythm, keeping you hanging on the whole song. And then all of a sudden the album is finished. You know, I used to say I didn't like Reggae but I think it's that I didn't like the use of them in media, because it felt disingenuous. Listening to these very direct political statements throughout, simple lyrics but heartbreaking. It's hard to deny the quality of this music. I enjoyed the whole album, each song standing strongly on its own. Best Song: Stir It Up, Stop That Train, Concrete Jungle
Gang Of Four
5/5
5/5. The Talking Heads, meets afro-funk, meets Siouxsie and the Banshees. What a wild combination of genres that somehow still works. With catchy beats and very direct progressive and left-leaning lyrics makes you feel like you are at a funky Bernie Sanders speech while the Smiths are there. It just feels like they found a record of lost songs from the future and decided to re-record it. I think what a lot of punk bands struggle with is the accessibility of the record. The inaccessibility is the kind of the point, I get it, but sometimes you have to try something familiar to get your message out there and Gang of Four do that expertly well here. I can definitely feel myself relistening to this with something new to like each time. As the album goes on, they start to devolve in sound, on purpose, now they got your attention and you can't look away because they do it so subtly you don't notice it and by the end you want to read a book on feminism and some James Joyce for some reason. Best Song: Damaged Goods, Ether, At Home He's A Tourist
Anthrax
3/5
3/5. I can definitely see the influence this album provided for the rock and metal genre, but listening to it is very clear that this was the first one. The different sub-genres of metal are usually fairly rough starting out. No one nails it out of the park on their first try but I do got to give respect where it is due. It's a bold album, doesn't sound great at times, and other times is a classic in moving the genre forward. There is a mix of garage punk and heavy metal throughout the album and it's good for what it is but a genre that was perfected by other bands already. The guitar is the best part here, driving each song. With even a little less energy from the guitar, this album would drop significantly. Best Songs: Indians, Caught In A Mosh, Efilnikufesin (N.F.L.)
Willie Colón & Rubén Blades
3/5
3/5. Salsa has never drawn my attention fully. It is most likely because I cannot understand the vocals and that's on me, I get that, but the music doesn't make up for it. I enjoy jam bands and extended instrumentals, but it is just the vibe and energy that is not doing it for me. I can appreciate this record though, and I did find myself digging some songs, but this is not one I would put on repeat. I think I just lose myself in the track list. Best Song: Plástico, Siembra, Buscando Guayaba
Slade
3/5
3/5. A pretty solid rock album, and one that I can see influenced other bands down the road like Rush, Boston, and even some David Bowie. There are definitely albums that come after that perfect this sound but this catchy and punchy rock does come through here. It's not quite Led Zeppelin, which is a little more slick, this one leans into its pop tendencies. I think it's an okay record, and one I could find myself coming back to, but would probably listen to a similar but better album instead. Best Song: I Won't Let It 'Appen Agen, I Don' Mind, How d' You Ride
Simply Red
3/5
3/5. He feels similar to Van Morrison, a little more poppy and a little less jazzy, but still soulful. It's good for the most part and catchy, but also inoffensive, so a little less risk taking than there could be. The Heaven cover is unique and different, which is how covers should be usually to make them worthwhile. The original songs follow similar formulas, with repeated lyrics for the chorus from background singers. The album was pretty solid, and of the singles, I liked them for the most part, so it was a good listen. Best Song: Money's Too Tight (to Mention), Heaven, Come To My Aid
Aphex Twin
5/5
5/5. Just a perfect collection of minimalist electronic tracks from one of the greatest electronic artists of all time. This walked so "Lo-Fi Beats to Relax/Study to" could run. Each song feels like it stands on its own and could each go on for longer than their run time. It's hard to critique this album when they are just perfect audio tracks with their own flavors and styles. It's just a great listen through every time. Best Song: Xtal, Tha, Green Calx, Delphium
Heaven 17
2/5
2/5. An interesting album full of electronic and funky songs with not very subtle messaging, which I don't disagree with. I think the songs on the first half are just far and above the songs on the second half. The first half had some soul and some strong instrumentation. Second half was an experiment, and although I do respect unknown ventures, this one didn't quite land and it is pretty clear to hear. I wanted to like it all the way through but most of the songs really do not stand on their own, which is unfortunate. It felt like maybe the lyricist should have written poems or a novel before making music for the most part. Best Song: Penthouse and Pavement, (We Don't Need This) Fascist Groove Thang, Play to Win
Violent Femmes
5/5
5/5. This still definitely holds up and sounds unique and fun the whole way through. I have only heard the first track before and after finishing the album, it is definitely the weakest track on the album. There is not much to go off of it but all the other songs really show Gano's songwriting come through. It is chaotic like David Byrne and still lowkey like Lou Reed, and I think he finds the perfect combination. The lyrics can be a little creepy sometimes, but in retrospect it's more funny than anything just of how unserious it is. A great listening experience. Best Song: Kiss Off, Gone Daddy Gone, Add It Up
Pixies
4/5
4/5. Definitely leaning more towards rock than the punk of their previous albums but I think the appropriate term would just be punk rock. A pretty solid album though, it also has some metal involved as well which the vocals screaming in some songs. It still doesn't feel like they overstay their welcome despite the longer songs. They are able to create sense of rushing even in the slower tracks, which is pretty impressive. I wouldn't say it was perfect but it was pretty well rounded with solid songwriting. Best Song: Velouria, Is She Weird, Cecilia Ann
The Last Shadow Puppets
4/5
4/5. Always a fan of the Arctic Monkeys so seeing Alex Turner was a good sign for me. It is definitely reminiscent of older music, pre-Beatles while still being catchy. It reaches epic proportions, like a chase on horseback while slowing down to a slow poker game. Seeing it was inspired by some movie soundtracks, that is not surprising. Overall, a pretty complex and dense album that has a lot to explore. I don't know if I loved every second of it but it was good enough to give it a great score. Best Song: The Age of the Understatement, Standing Next to Me, Only the Truth
Arcade Fire
4/5
4/5. Arcade Fire is always pretty great, but this one doesn't seem to hit for me. It feels grand and epic but the songs are too similar and I can get lost within its track list, save a few bangers. I think this album could be shortened by removing maybe 4-5 songs. The theme is pretty clear after about 3 songs in and it doesn't really veer from that idea or offer anything new. The issue is that whole album is pretty catchy and accessible, which is a feat despite the length. It's not the best Arcade Fire album but it does nail the modern dad music vibe. Best Song: The Suburbs, Sprawl II, Month of May
John Mayall & The Bluesbreakers
2/5
2/5. The Blues but white guys. I get it, but it's kind of hilarious that so many publications are like "wow this is truly the blues" when a white man does it. It's just rock mixed with blues so to call it innovative is just wrong. Eric does rip it here, and at age 21 at that, so I gotta give respect where it's due. And the tracks are still good, since the original versions are good, just feels a little empty at times. Best Song: Steppin' Out, Double Crossing Time, Ramblin' On My Mind
Carole King
5/5
5/5. A classic front to back, just a greatest hits album in the form of a studio album. A calming album of hits and mostly ballads. These songs are simple but still feel full and complete. Carole effortlessly provides beautiful vocals while still keeping it raw and authentic, giving the illusion of a new singer songwriter and not someone who has been writing songs for years for other artists already, and the cover art is intentional as well to keep up the illusion. And honestly, it works, and is well done all around. Best Song: I Feel The Earth Move, So Far Away, You Make Me Feel (Like A Natural Woman)
Black Sabbath
5/5
5/5. A pure classic that defined a new genre of music that only started coming into its own like 10 years later, when those teenagers listening to this were inspired to create Heavy, Black, Thrash, etc. Metal. Even now, there is a sense of rawness that only adds to the energy. It does lean more heavily into rock/blues but there is still that darkness throughout that gives the album the respect it deserves. RIP Ozzy. Best Song: N.I.B. (The whole third track if not just that one), Black Sabbath, The Wizard
Circle Jerks
5/5
5/5. This was about how long I wanted to listen to this, not because I didn't enjoy it, but because these are supposed to quick and done. There is not anything else that needs to be said, they are complete and to the point. This was perfect in my opinion, punk at its finest. It doesn't have to be solving world peace, sometimes we can be angry just to be angry. Best Song: World Up My Ass, Back Against The Wall, Don't Care
David Bowie
3/5
3/5. This was a bold move by Bowie, but it's hard to imagine Bowie not being bold in his musical choices. The theme of excess stardom through the American lens leading to insanity is an experience many artists have experienced and he does a good job at making sure to capture the quiet parts of paranoia along with the bombastic sounds. As far as actually listening to the album, I would definitely say it is a weaker Bowie album, despite the iconic cover. Not very memorable songs, not in the way that there aren't hits, just that I wouldn't find myself listening to it all the way through without skipping one here and there. Instrumentation is peak, avant-garde, heading towards his Berlin trio, but not yet fully committed. It's a good balance sonically but I don't think it's a great album. Best Song: Aladdin Sane, The Jean Genie, Cracked Actor
John Lennon
5/5
5/5. The debut album to one of the greatest songwriters of all time and it is more akin to a collection of ideas that still feels like a full album. This did wonders for the lonely boys who didn't know they could say whatever they had on their mind, almost a start to the midwest emo movement 40 years before it's rise. It's raw and real while still unfortunately keeping that pretentiousness that shows through in later Lennon solo albums. I think the album is great but there is definitely a mood needed to listen to it. It is also a necessary listen so I would say it fits in that 5 category. Best Song: God, Love, Mother, Isolation
Culture Club
4/5
4/5. I think I have the benefit of not being bombarded with these types of songs on the radio in my formative years. Boy George's voice is so calming and smooth added with the soft pop in the background is so perfect together, each on their own can be overbearing but there is just enough of that production to keep it feeling authentic. There wasn't really a feeling where I wanted to skip any songs and that is definitely a win for me. Best Song: Karma Chameleon, Church Of The Poison Mind, Black Money
Burning Spear
5/5
5/5. A powerful yet simple record of political importance, as is all art at the end of the day. This album still has relevance today, unfortunately as the themes and messages have not been solved, and will most likely never be solved as long as human beings exist. The songs are so smooth and groovy, you get lost in the rhythm and let it take you away, but then brought back through the lyrics, like a meditative trance. There was a part of me that expected a flaw somewhere but it's only a perfect album from what I remember. Each song stands on its own and yet flows as a full album without overstaying its welcome. Another hit from a genre I always avoided, glad to be finding these albums out. Best Song: Marcus Garvey, Jordan River, Slavery Days, Old Marcus Garvey
David Crosby
4/5
4/5. I am not sure how I feel about this album. It feels otherworldly in a way, like a floating in an endless sea. Some of the songs are jams while others feel like half ideas, yet still wanting more. It feels like this album has a lot to say but with very few lyrics for the most part. I think I've come away with this not being a perfect album but I am intrigued to repeat listen and what I heard was different and felt special. The folksy tunes with the relaxed but solid guitar solos give an air of experimentation while falling into known genres. It was a good time, but not perfect yet. Best Song: What Are Their Names, Cowboy Movie, Laughing
Django Django
3/5
3/5. The instrumentation is definitely the highlight here. The lyrics feels more like a formality like it was an afterthought. It adds a nice balance to the more fast paced backdrop by slowing it down with more melodic vocals but I have no clue what these songs are about. Viewing it as purely instrumental, including the vocals, I think this album was a pretty chill listen. Not groundbreaking but was fun. Best Song: Default, Life's A Beach, Hail Bop
The Young Rascals
2/5
2/5. The genre is called blue-eyed soul and that feels weird, I don't know why. And I appreciate them writing their own works, compared to the Byrds for the most part. It just didn't hit me, like in a playlist, one song here could be good but a whole album felt a little tired by the end. I wouldn't even say it's bad but it's not for me. Best Song: How Can I Be Sure, Groovin, A Girl Like You
Stereo MC's
4/5
4/5. Groovy and foot-tapping funky but it does kind of all sound similar after a while. A pretty catchy chorus line repeated, maybe some rapping in between, and the same drum and bass beat throughout, some ad-lib instrumentation to make each one unique. I wouldn't say this is groundbreaking but it definitely is fun and that's still a valid reason to listen and respect an album. Overall this is more of a 3 but I enjoyed it enough to give it that 4, might change on future listens but that's what I think it deserves so far. Best Song: Connected, Ground Level, Step It Up, Creation
Elis Regina
4/5
4/5. It sucks this isn't on Spotify because these songs and this album are right down my alley. It feels very heavily inspired by the likes of Elton John, Frank Sinatra, and Supertramp along with some Patti Smith. Each song brings an air of coolness while still managing to reach creative and curious heights. It's funky and folky, while even sounding progressive rock adjacent as well. I can't say I enjoyed every song but that might have been due to the YouTube ads. But this was as good as I could give it from what I remember. Best Song: Tiro Ao Alvaro, O Trem Azul, Nova Estacao, Vento De Maio
Dexys Midnight Runners
3/5
3/5. I'm glad there was not a single word I understood from the vocals and that this was purely an instrumental album. It felt akin to Irish ska punk and although those are great genre titles, it seems there was missing a little of the punk as I could not understand what they were upset about. Now there is something to be said about doing this on purpose, which is pretty punk, but it doesn't seem to land as it should, from what I heard. The instrumentation was great, don't get me wrong, I just wish there was a little more oomph to the vocals. I think this was a good listen, but it could have been a lot better. Best Song: The Team That Meet In Caffs, Burn It Down, I'm Just Looking, There There My Dear
Bruce Springsteen
4/5
4/5. In a similar to The Suburbs by Arcade Fire, this is a collection of songs that all sound pretty similar with a constant theme. The main difference is that these songs are definitely more universal in feeling, but also much simpler. We have all experienced tragedy, whether it be the direct influence of most of these songs, or for anything really. These songs have simple lyrics mixed with simple instrumentation to really drive home the message without any subtly. I think in some songs it works well but I would have liked a little less on-the-nose vocals at times, especially since I know Bruce can do it. Plus some choruses are very repetitive. Now, it's still a great album and a meaningful one, and I do think a lot of it had to do with Bruce's emotions getting the better of him, so finding subtle ways to express oneself might be a little hard as a Jersey boy. It just hurt the album in the long run from being perfect since it almost sounds like a lot of these songs could be taken ironically. Which could be powerful but it seems he felt he had to match it with other positive songs to make sure his very positive message got across properly. Best Song: My City of Ruins, The Rising, Further On (Up The Road), Mary's Place
Roxy Music
5/5
5/5. Hell yeah, this was an awesome listen. It's got the absurdness that remained from Eno's involvement but they tightened their groove and it fits more into the rock and roll mold, give or take some rockabilly/country tracks. The second side does lean into the abstract but it still sounds great, even due to the silliness of some of it too. Just great instrumentation and writing all around, even if it does veer into the experimental at times. Weird and cool, a great listen. Best Song: The Thrill Of It All, Casanova, Three And Nine, All I Want Is You
Gillian Welch
4/5
4/5. A calming and sweet americana record. It's full of hope and sadness, about a past full of regret and a future full of doubt. It's very present and sounds young from a woman has lived a life of wisdom. It's not a holy record and it's not even a perfect record, but there is something irreverent about this album that keeps me engaged. Through every song, I start off not super into it and then about a third of way through there is something that clicks and I am enraptured. Especially the last track, which takes the bold choice to not provide anything but her voice and a guitar for 15 minutes and it steals the show. It's the confidence and trust in the listener that I will hear what she has to say and here I am. It's definitely not game changing through out, but it was still great. Best Song: My First Lover, Red Clay Halo, Elvis Presley Blues, I Dream A Highway
The Clash
5/5
5/5. Yes. This is punk. At first, I was thrown off by the clash, as I have a weird beef with their London Calling album, it just felt a little too produced. This is pure punk and awesome, speedy songs, everything at max while still keeping a steady beat and rhythm. Anti-fascism, class war, politics, race, antiestablishment, etc. Especially nowadays (and unfortunately at any time) this record is relevant. Definitely blasting this one when I need some pick-me-up. I understand why London Calling is more liked since it is more accessible but sometimes a direct message really gets you going, something not many art forms can do as succinctly as punk. Best Song: White Riot, Garageland, Career Opportunities, I'm So Bored With The U.S.A.
Taylor Swift
3/5
3/5. Folklore is a better album by all account but there is definitely something to be said about a B-sides album still being better than a lot of pop artists nowadays. It is more of a duo pact, with Aaron Dessner producing and co-writing everything. But she does a good job and seeming like it is all her and the songs do take over for singer-songwriter rather than the pure pop that it is behind the scenes. And at the end of the day, isn't the final product anyone ever sees anyway? When we watch a movie, are we worried about how much goes into making it or if it is enjoyable at the end? Art is subjective and the only thing that matters is if you enjoy it. With that said, the album was good but not her best, expected more here especially with Folklore right before. Best Song: Willow, Happiness, Tolerate It
Public Enemy
5/5
5/5. I love Public Enemy. Every album really just delivers every time, I can't believe I've been missing out. And especially this right after listening to the Clash's debut, another defining moment in the punk movement. Just so layered and complex, instrumentally and lyrically, Chuck D is so up front and personal, not mincing words. There is just so much on this record, it doesn't feel like an hour, it feels like a feature length movie, and not in a bad way. I am excited to revisit this one, and the others, and truly see what the hype is all about, even if I'm told not to believe it. Just an awesome record, perfect again. Best Song: Fight The Power, Burn Hollywood Burn, Welcome To The Terrordome, Who Stole The Soul?
Björk
3/5
3/5. Bjork is definitely taking her time and with the very pressing electronics of Arca, it's a constant push and pull of power, like two mighty forces battling it out in every song. It's like resting at the breast of someone safe while giants and monsters break down the shelter we hide in, but you also don't know if the person you are with is safe either. As far as the lyrics go, I have no clue, I was kind of listening off of vibe, which seems to most of my Bjork experiences. The main issue is that there is not much diversity here despite the many opportunities to take that path. I think I just wanted a little more from the vocals here; they can remain sparse and chilling, as that is the main highlight here, but a more unique delivery between songs would have made this a much better listen. An EP would portray the same feelings, an LP overstays its welcome. Best Song: Lionsong, Black Lake, Quicksand, NotGet
Missy Elliott
3/5
3/5. I think Missy has a lot of good intentions and themes throughout her album but I lose some sincerity the longer the album goes on. It has some quality songs and even the provocative songs have heart. It almost rides that line of popular and progressive but it misses the mark a few times. The features are great but the production is lacking as well, kind of feels like it was just a phone in from them. I think with just some selections throughout the album, this could be a really powerful and meaningful record while still keeping Missy's personality in each one. Instead, this an okay album with some skips and some great tracks sporadically placed. I also think the explaining of the album and process does feel disingenuine as well, as the work should speak for itself. Best Song: Work It, Back In The Day, Can You Hear Me
De La Soul
5/5
5/5. When imagination is not limited by copyright or ego, we get great and unique albums like this. The diverse samples with the upbeat and progressive lyrics, it is clear how the rap game changed after this album, with Tribe called Quest releasing their debut shortly after this. Jazzy psychedelic hip hop with chill beats and funny lines here and there, it's complex while still keeping a more down to earth energy. The sheer creativity across the record alone gives it that perfect score but as a listener, I am just curious to explore than the first couple listens. It's long but it is entertaining so it never gets boring, not taking up too much time to explore new ideas, bringing them up and putting them back when they are done. A great record of inspiration. Best Song: Eye Know, Me Myself And I, Potholes In My Lawn, The Magic Number
Le Tigre
5/5
5/5. I love this so much. Pop punk, girl riot, scratchy production, in your face lyrics. This is what they mean by "terrible times fosters great art." Just rocks so hard, the vocalist really brings it home and the guitar riffs rip. This was just so fun and real, I have no qualms with it. Best Song: Deceptacon, Hot Topic, My My Metrocard, Eau d'Bedroom Dancing
Paul McCartney and Wings
2/5
2/5. You know, I think I finally understand what makes Paul so popular despite having some of the most annoying songs of all time. He sings with so much confidence that it really feels like he enjoys these lyrics and they are not just hilariously bad for the most part. I enjoy the first two songs, classics for sure but he loses the plot really fast. Abruptly, bluebird is nothing and kind of stays at that level for the most part and then as a final saving grace, Nineteen Hundred and Eighty-Five makes a great closer. It feels like I'm being lied to, or that we listened to a different album. This is not even in comparison to Lennon, this is in comparison to his own songs. It's clear he can write hits, why does most of the album feel so half-baked? Like I'll bop to Jet and Band any day, but put on most everything else here and it's feels like a McCartney copycat that has never heard of the Beatles. Mostly disappointed, but it saves itself from being unlistenable with a few choice cuts here and there. Best Song: Band On The Run, Jet, Nineteen Hundred and Eighty-Five
Les Rythmes Digitales
4/5
4/5. A great dance album. Throw any of these songs in the club and we moving the floor. This album is great to give as much attention I give when dancing, which is not a lot but it seems to accomplish that goal well. Adding some unique sounds along with the "in your face" beat creates simple but engaging music. It is definitely inspired by Daft Punk's Homework but feels fresh and hyper-produced instead of muddy, and from a basement. Neither is bad, each enjoyable in their own space. Just like Homework, I'm not listening to it every day but its enjoyable for sure. Best Song: Jacques Your Body (Make Me Sweat), Hypnotise, (Hey You) What's That Sound?
Parliament
5/5
5/5. Funk at its finest. It's almost like an off-shoot of Funk, truly if aliens heard Parliament and Funkadelic through a tiny radio signal and then blasted it in their own way, using all kinds of genres thrown throughout, even innovating new sounds unheard of. Fortunately, its just Clinton, Collins, and Worrell, among others, blessing us with their bopping music. Just a perfect album front to back, each listen gives me a new favorite song. Best Song: Give Up The Funk (Tear The Roof Off The Sucker), P. Funk (Wants To Get Funked Up), Mothership Connection (Star Child)
Norah Jones
4/5
4/5. There is a clear sense of inspiration Norah gets when singing these songs of jazz and pop, and she does a good job but it does feel at times more like a tribute album rather than a solo album. Even the original songs feel written by someone else, and it's not due to a lack of experience or age, but rather the feeling is not fully there. Reading the liner notes confirms my suspicions unfortunately, similar to Taylor Swift. I did still enjoy the album as a whole but I can't say it's perfect, as not all songs reach that level of passion needed for these lyrics. Granted, her songs she writes do stand out and her piano playing does bring out that passion when needed. I think this feels like an album that if waited a year, would have some covers but would mostly be self-written songs and it would be awesome. I'm giving it a 4/5 due to her singing alone but could definitely be better. Best Song: Come Away with Me, Nightingale, The Long Day Is Over
Tim Buckley
3/5
3/5. Tim Buckley seems to be a hit or miss and with his other two albums, one more funky and the other more folksy avantgarde, I think this finds a nice balance, leaning heavier into psychedelia while keeping the innovation and creativity alive. It's hard to say if I enjoyed this record, it was definitely interesting on first listen but repeated listens don't seem intriguing. It's a marvel upon its release, with exceptional lyrics and instrumentation, but doesn't feel like it stays above water the whole time and it does age in some areas as well. Best Song: Pleasant Street, Goodbye and Hello, No Man Can Find the War
Slipknot
2/5
2/5. Look, slipknot definitely have a reputation and they really uphold it from listening to it for the first time. 14 year old me would have eaten this up, these lyrics really fit in the "deep" category, heavy on the quotes. It is crazy the range and diversity of the vocals, they do not sound like they are from one singer. The genre hopping, with a mix of metal, rap, electronic, etc. feels so overwhelming, which does seem like the goal for them. The instrumentation is fantastic, which is the most frustrating part considering the context of the music, which is mostly not great. Either way, I can see why people don't like this record, I know I don't, but I can't knock the skill, it's not something I'm putting on myself. Best Song: Spit It Out, (sic), Eyeless
AC/DC
4/5
4/5. This is a mostly fantastic rock album. I remember being younger and completely rejecting this because it was too "radio-friendly" or "simple." The riffs go so hard and although Johnson's vocals can be a little grating at times, there is a punk sensibility to it that kind of bypasses the need to care. The main downside is the very aged (and let's be real, not great for the time either) lyrics that go way over the line of what is okay to sing about. It is very un-punk to even joke about disrespecting consent and some of the lyrics are not sex-positive, just kind of gross, there is a difference. Glad the hits are mostly okay, even the line "She told me to come but I was already there" in Shook Me All Night is hilarious and the type of lyrics that hold up because it's a self-roast. The guitar solos and riffs truly save some of these songs. Either way, I do think this is a necessary listen but can't say it's my favorite, still a great front to back for the most part and deserves higher than average score. Best Song: Back In Black, You Shook Me All Night Long, Rock and Roll Ain't Noise Pollution, Hells Bells
Metallica
4/5
4/5. This freakin' rocks. It's like they took the concept of Master of Reality by Sabbath with multiple riffs, and doubled the length of each song. They bring it all the way up and the guitar and drums are doing the heavy lifting here. The bass is severely missing from the mix and although that does make the listening experience less enjoyable, the album as a whole is banger after banger. This definitely felt more technically impressive than lyrically, but it was still a good time. I wouldn't say it's perfect, as some tracks do sound the same, but it was still great. Best Song: One, Eye Of The Beholder, To Live Is To Die, Harvester Of Sorrow
The Dave Brubeck Quartet
5/5
5/5. Fortunately, I was already in a jazz mood when this album dropped on my list so I was geared up to experience some more smooth jazz. This was an amazing listen, with these different time signatures, I never fell into a lull that sometimes happens with slower jazz records. Granted, this also had some more upbeat cool jazz and the classic Take Five that really stands above the rest, with a fantastic drum solo. I don't have any complaints about this one, an accessible yet complex jazz album that can be listened to anytime, each musician shining in their own way. Best Song: Take Five, Blue Rondo à la Turk, Kathy's Waltz
Japan
1/5
1/5. Yup, that's British synth. I don't think I enjoyed this one fully as I came down with a cold or something and this kind of just pushed along. It just didn't really stand out to me and I was left kind of wanting more. I actually enjoyed the instrumental track Despair, as it kept the aesthetic while sacrificing the vocals. It's not that they were bad, just very uninteresting. Best Song: Despair, Quiet Life
Slint
5/5
5/5. I remember listening to this a lot in high school but just enjoying the vibes, as a depressed teenager. Now as a depressed adult, I can see the inspiration this took from along with the influence it provided to future post rock albums. The guitar work is chilling and effective and although the vocals can easily be a turn off, they work very well with this music, culminating in a unsettling walk through a dark forest, or floating in a black lake, unable to see the bottom not knowing if you should move or stay still. It's an effective piece of art and well worth its legacy. Best Song: Breadcrumb Trail, Good Morning Captain, Nosferatu Man
Soft Machine
4/5
4/5. A progressive and jazz record, that really throws you off at first, almost like they don't want you to listen, and then eases you into a rhythm, with the next songs following long progressive rock tracks and jazz standards with a mix of experimental. It's like they are trying out their instruments for the first time at the beginning and then slowly meld into a cohesive and tight knit group sound. The album as a whole is a testament to curiosity and its no surprise Robert Wyatt is involved in this record. It creates a sense of relaxation combined with tension, like if Pink Floyd and King Crimson had a baby. It is definitely not perfect, but it does constitute as a worthwhile listen. Best Song: Out-Bloody-Rageous, Slightly All The Time
Def Leppard
3/5
3/5. Production value is crazy good here, and the stadium choruses work really well in each song. The main downside here is the length of the album. Yes, it goes hard in each song, but I do lose track as each one has similar riffs and repeated drums. They would really benefit from trying different time signatures and making their music a little more complex, it seems like they have the skill. But I guess there is skill in making catchy and accessible music. Plus the slower metal ballads break the continuation for the better. Best Song: Pour Some Sugar On Me, Hysteria, Women
Otis Redding
4/5
4/5. Dang, Otis can sing. It comes so naturally to him. I know most, if not all of these songs, and yet it feels like I'm listening to them for the first time. They feel so second-nature to his vocals that it doesn't feel like a cover album. It is a cover album though so I just don't feel right giving it 5 stars, just cause these versions aren't better than the originals, just different. It's still a great album overall, with Otis and his band truly crushing each song, taking it as their own. Interesting that this was the original Respect version. Kind of cringe considering the correct version from Aretha. Best Song: Down In The Valley, Wonderful World, Change Gonna Come
The Beau Brummels
4/5
4/5. This was a nice surprise. Although it doesn't feel like it creates anything new, the album is solid front to back. A mixture of Dylan, Donovan, and the Beatles. There is a nice sense of creativity and psychedelia that doesn't feel childish or pretentious. It's nice and short too which feels correct for an album of this timbre. An easy one to throw on whenever as well. Best Song: Magic Hollow, Are You Happy?, Painter of Women
Bonnie "Prince" Billy
3/5
3/5. A dark and quiet album that I think I would appreciate more if I forgot to take my anti-depressants this morning. The songwriting is strong, and the vocal delivery has a charm to it that works well here, but it wasn't exactly hitting all the parts I was hoping for. I think on a different day, I might appreciate this one a little more so I can't say I didn't enjoy it but I think it might require some more time. For now, it achieved its goal of making me sad so kudos for that. Best Song: A Minor Place, I See A Darkness, Today I Was an Evil One
Cheap Trick
4/5
4/5. This was actually a lot heavier than I was expecting it, it went pretty hard especially for the first side. Then the second side comes exploding with hit after hit. The production is pretty bad with vocals but the guitar comes through nice and clean. The roaring audience adds to the excitement for sure, almost tricking me into thinking this was the best music of all time. As the songs go, this isn't anything crazy, but the recognition they received can be felt. Aura alone shoots this up to a 4 but it's definitely not perfect. Best Song: I Want You To Want Me, Need Your Love, Big Eyes, Ain't That A Shame
LTJ Bukem
3/5
3/5. I wasn't able to find the full album but I think I got the gist of it from the songs I did find. They are pretty evocative and present drum and bass songs, more lively than others in the same genre. Unfortunately, like most albums in the genre, it feels impossible to know the difference from each song for the most part. It's enjoyable but definitely overstays its welcome. Best Song: Links, Demon's Theme, Bringing Me Down
Janelle Monáe
5/5
5/5. Just hit after hit, this is a fantastic progressive techno-pop funk record. So many ideas and feelings, the first side much more upbeat than the second but the second side just as strong. It moves from early 40's pop to modern rap, and everything in between. There was not a single song I was not enjoying, and she really shines in the last song, it feels like an otherworldly epic mixed with a James Bond score. This was just a solid record front to back, no notes. Best Song: Tightrope, Cold War, BabopbyeYa
Beach House
2/5
2/5. Sure it's nice, and I honestly understand why this got the praise it did, but I just already know this genre is not for me. It's same feeling I have about Grizzly Bear as well, just poppy enough to leave me wanting more. There is not much substance in the lyrics either. Not quite fantastical but not down to earth either. It feels like it knows what it wants to be but also still experimenting. I don't know, I'm kind of just left feeling not much about it. It stands in places so it's not terrible but not my cup of tea. Best Song: Zebra, Norway, Take Care
The Kinks
5/5
5/5. This just gushes with creativity, masters of their craft while still sounding fresh and new, even by today's standard. I sometimes try to avoid uppity-British albums, as there is a sort of pretentiousness to it but this one, and the kinks in general, feel almost punkish? Hard to tell but it feels like they actually want to say something, which is always commendable, even if it's something small. I wouldn't say this is a perfect album but it's damn near perfect so I'll give it that bump. Best Song: The Village Green Preservation Society, Picture Book, People Take Pictures of Each Other
The Dandy Warhols
5/5
5/5. It seems like an evolution of Oasis, but American. Like long winded riffs but with a more grunge energy and I honestly don't dislike it. At first, I saw the length of the album and thought it would be annoying but it got better as it went on and it is diverse enough that it didn't get old. They even added some experimental sounds as well. It sounded familiar yet fresh, despite the amount of brit is on this list. Happily surprised by this one. Best Song: Not If You Were the Last Junkie on Earth, Boys Better, Cool as Kim Deal, The Creep Out
Echo And The Bunnymen
4/5
4/5. Vocal forward post rock, with muted, almost shoegaze instrumentation. It is an interesting choice and creates a more accessible record than previous Echo albums. Almost akin to The Doors at times but if they were post rock instead of blues. It definitely felt like a stronger record but it may be due to the production instead of the actual songwriting. But I would say this was a great record overall, definitely better than the other ones I listened to. Best Song: The Killing Moon, Nocturnal Me, Crystal Days
Holger Czukay
4/5
4/5. And this is how you do experimental music. Just a solid collection of sampled sounds and instrumentation into ideas and songs. They feel incomplete yet fully realized at the same time. It's not a perfect album but it does go pretty hard most of the time. A solid listen and definitely one I am going to revisit. Best Song: Cool In The Pool, Oh Lord Give Us More Money, Hollywood Symphony
Sugar
3/5
3/5. Nirvana and R.E.M. love child. The melodies and choruses really shine through and although the vocalist has a unique voice, it is very pleasant to listen to despite the grunge aspects, which do add to accessibility somehow. This definitely throws me off in what I normally would not like but hits all the correct notes technically, even if the genre is not a favorite. It does get repetitive later in the album but was a good listen. Best Song: Helpless, Changes, Hoover Dam
Tom Petty and the Heartbreakers
2/5
2/5. I think this album wouldn't be as remembered if Petty didn't continue down his musical career. American Girl would have been a one hit wonder and that would be that. I can respect the young blood energy and he doesn't act gross lyrically like a lot of rock groups around this time, talking about young girls, so bonus points. But the songs are not great overall, and I wouldn't listen to most of these, just skipping to the end. It's an okay album but don't think it deserves the praise it does. Best Song: American Girl, Fooled Again (I Don't Like It), Breakdown
Kelela
3/5
3/5. Objectively, this is good R&B and the production is high tier. Kelela has an amazing voice and what she does with filters and her vocals is unique and definitely stands out. The issue is that I am not really getting the emotion I should from these songs. It kind of hits familiar notes that were touched on but there are still creative liberties taken that help it out. Overall, this is a good one to play to front to back but not game changing. Best Song: LMK, Frontline, Take Me Apart
Count Basie & His Orchestra
5/5
5/5. Bam! This album is an onomatopoeia of explosions, sprinkled with slow and practiced jazz licks. Each song stands out so abruptly that it feels like it could be overbearing, and yeah, it is quite loud, but damn does it slap. And even the slower, piano driven songs keep it interesting. Each player is at the top of their game and what a selection of tracks. Just a joy to listen to. Best Song: Splanky, Duet, Flight of the Foo Birds
Terence Trent D'Arby
4/5
4/5. This is like easy going funk music for the most part. It feels safe and there is a new artist energy to the instrumentation. It seems like he is wanting to be innovative but not stepping past the barrier of sounding like other artists. Fortunately, his inspiration slaps and he creates an album of original songs that still sound great today. Are there better 80s albums with the same energy? Sure, but because of the freshness of these songs due to my exposure, it gives me an enjoyable listening experience. There are definitely better songs than others here so not perfect, but still pretty great. Best Song: If You Let Me Stay, Seven More Days, As Yet Untitled, Who's Loving You
The Specials
3/5
3/5. A pretty solid collection of laid back reggae, ska and blues with some unique and smart lyrics to make it stand out from stuff like the Police. I love the diverse songwriting style, very British at times and then quickly transitions to world music and then right back. It's an expansive record that I feel will be more enjoyable the more I listen to it but for now this was fairly enjoyable. Best Song: Do Nothing, Man at C&A, International Jet Set
Kate Bush
5/5
5/5. This is basically Bjork, Tune-yards, PJ Harvey, etc. before those artists. The influence this album generated is insane. And does it slap, just full on personal creative force, with some beautiful vocals mixed with aggressive and up front vocals about a diverse array of topics. The instrumentation is unique and haunting, and Kate does not hold back. It's new wave in the best way, akin to King Crimson and heavier Bowie. I have no complaints about the album and I just want to listen to it again. It's truly awesome. Best Song: The Dreaming, Sat In Your Lap, Get Out Of My House, Suspended in Gaffa
Crosby, Stills, Nash & Young
5/5
5/5. Seeing this album show up, I remember convincing myself this was a compilation album, just cause with a name like Deja Vu, it feels like a repeat of what they already made. The fact that this is a studio album is pretty impressive. Every song on here stands out pretty uniquely, even more so than just each one has a different writer/singer. It's mostly ballads but it takes the foundation of folk, country, progressive rock, pop, etc. between each song. It's honestly a pretty perfect album, no complaints I can think of. Best Song: Helpless, Teach Your Children, Woodstock, Carry On
Nick Cave & The Bad Seeds
4/5
4/5. Nick Cave is a unique character. Sometimes his lyrics are unique and creative, and the other times they mean absolutely nothing. And sometimes my feelings about the same lyrics change based on the day. But what Nick is great at is creating an aesthetic and theme for the album and sticking with it throughout the tracks. The choral arrangements with the full rock band gives hints of Christian rock but mixed with the lyrical cynicism and very well produced. These are all great songs, the first half better than the latter, but still Nick Cave provides a great experience. Best Song: Hiding All Away, There She Goes My Beautiful World, Breathless
The Divine Comedy
4/5
4/5. This band has a weird effect on my listening experience. When I started this album, it sounded like your generic Britpop from the 90s record and then it goes into some of the most beautiful orchestral pieces I've heard in pop ever. This sounds exactly like black midi, with the vocal intonations as well. I very much enjoyed this, in a weird way, just as with the other Divine Comedy album on here. They really influenced the indie prog scene, with changing rhythms and spoken staccato vocals. Best Song: The Frog Princess, Songs of Love, Through a Long & Sleepless Night, Becoming More Like Alfie
The Undertones
3/5
3/5. I loved their first album and although the lyrics are arguably better here, that sense of youthful naivety from their debut was part of the charm within their musical style. This one feels a little too commercial even with the punchy guitar and similar vocal style. I guess I just wasn't really feeling this one as much but I still enjoyed it for what it was. Best Song: Wednesday Week, Hypnotised, Hard Luck
Bruce Springsteen
5/5
5/5. Dang, Bruce kills it again. Every time I listen to this album, it grows on me more and more and although it is not as good as Born To Run, it is still Bruce at his best. A concept album about the underdogs that don't win, similar to BtR but somehow more depressing. The lyrics are more grounded yet still exist within the fantastical world of his own creation, riding that line perfectly. I didn't think I'd give this a 5 when I first started the album but I can't think of a bad song on here. Another banger from The Boss. Best Song: Adam Raised A Cain, Darkness On The Edge Of Town, Badlands, Racing In The Street
Iron Maiden
4/5
4/5. A classic and yet it sounds pretty good, could be the Remastered version I have, but the bass and guitar are at the forefront and it enhances everything. There is a melodic energy in each song, that almost makes them radio-friendly, save for the lyrical content. The lyrics are serious but the way it is sung/written feels a little heavy-handed, like the message needs to get out there, by any means necessary. Granted the album is fast-paced but it could have been better handled I think. With the lyrics as well, it's bordering on progressive but kind of feels more edgy than anything. It's a great album but some stuff the Remastered edition can't fix completely. Best Song: The Prisoner, Run To The Hills, The Number Of The Beast
Jean-Michel Jarre
4/5
4/5. A pretty chill electronic album, seems to be one of the first of its kind, besides Oldfield and Tangerine Dream. And this is basically, synthesizer the album. The music is pretty calming and flowy, feels like great background music for writing or studying. I honestly would find myself listening to this again, it feels like good video game music at times as well. Can't say it's perfect but better than I thought it was going to be when it first started. Best Song: probably Oxygène (IV, II, V)
Elvis Costello
5/5
5/5. This is a great album, I checked this one out after listening to his second one and I've slowly grown to like this album maybe not as much as the 2nd one but still a fantastic one. Punk with a Buddy Holly vibe, with intelligent lyrics about someone I would never want to meet. It's angry to a point that it feels a little incel but it also rides the line of sarcasm and satire that is hard to tell, and that's pretty punk. If this was the first time I was hearing this album it would be a 3 at best but it definitely takes a few listens to appreciate. Best Song: Miracle Man, Blame It On Cain, Alison, Less Than Zero, Waiting To The Working Week
Kraftwerk
5/5
5/5. Kraftwerk has been hit or miss for the albums on this list. Thankfully, this one was a hit, incorporating a good balance between the simple but cryptic lyrics and the innovative electronic music they always deliver. And the music here is top tier, with a mostly dark and brooding tone, calming or upbeat at times as well keeping it fresh. I have no clue why they are repeating a train line over and over again, but it slaps. Best Song: Trans-Europe Express, Europe Endless, Franz Schubert
Alice Cooper
1/5
1/5. I loved Alice Cooper's following album from this list, I thought he nailed the theatrics mixed with the songwriting aspects very well. Unfortunately, it seems he and his band were still figuring it out here because I don't think I liked a single song on here, except maybe the opener and closer, but they did not save this one. It kind of felt like discount Rolling Stones meets an American Kinks cover band. I wish I liked this more but it really was all over the place and not in a good way. A jack of all trades, master of none. Best Song: School's Out, Grand Finale
Thundercat
3/5
3/5. This is basically if Frank Zappa invested in more jazz and R&B, more so than he already did. It's very clear Thundercat can play his bass and sing but I am not sure if I am fully here for the songwriting. Sometimes, it feels innovative and weird in a good way and then it falls flat with a generic R&B song. This would almost feel more whole if it was just a bunch random ideas and demos, experimental progressive jazz completely. I did enjoy the record but felt like it was not unsure with itself, like who does Thundercat want to be? Seems like he was still figuring that out too. Best Song: Them Changes, Uh Uh, Tokyo, Inferno
Neu!
5/5
5/5. This was my jam, beautifully aesthetic, influencing Bowie's Eno era heavily, and almost inventing the British wave of rock that comes out of this. It's engaging and diverse throughout. The first side is a lot more chill and the second side has a dark and tense dance track playing during the apocalypse. I honestly have no negatives, this was fantastic. Best Song: After Eight, E. Musik, Isi
Nanci Griffith
4/5
4/5. A strong singer with passionate and down-to-earth lyrics, it's not anything innovative or new but it is well done and very nice to listen to. With a wonderful backing company, she gets started right away and stays present all the way to the end. She finishes what she needs to stay, you feel like there should be more but just like life, it ends sooner than you expect. I can't say it changed me but I very much enjoyed it and isn't that what enjoying art is all about. Excited to explore more of her discography on my own time. Best Song: Fly By Night, The Last Of The True Believers, Goin' Gone
Ray Price
2/5
2/5. I am not sure I enjoyed this fully even if his voice is very warm and deep that brings a sense of homeliness to the songs. I think I just feel like it is the balance of country and Sinatra but I'm not feeling the emotion behind these songs like I should with those influences, so it kind of feels tried than true. It's nice for what it is but it feels like part of a Holiday playlist more than anything, doesn't stand the test of time for me. Best Song: The Wild Side Of Life, If She Could See Me Now, Night Life
Germs
4/5
4/5. Hell. Yeah. I have no idea what he was saying about but I'll drink to that. The fact that they were able to throw down 1-2 minute long songs for most of the album and then deliver a 9-10 minute fever dream shows the potential this band could have had. It's loud, chaotic, and punk to the max. I can't say it's perfect because of what this influenced after but for what it is, it's excellent and important. Best Song: Manimal, Lexicon Devil, Dragon Lady, Communist Eyes
Prince
5/5
5/5. I already know this is a classic but it was nice to hear again. Just a masterpiece in dance pop with R&B roots. The dark tone of the album with sexual tension throughout mixes the parts of the brain of extreme fear and love, creating a wild ride of emotions throughout. You want to dance, cry, make love, etc. all at the same time. It's also an important step in the electronic-rock scene that ages very well due to the high quality production. Best Song: 1999, D.M.S.R., Let's Pretend We're Married, Little Red Corvette
Mike Ladd
4/5
4/5. This album was throwing me off at first but as it went on, I figured out what it was trying to do. It is closer to an instrumental trip hop album with some rapping between. There is theme of anti-establishment throughout but it is loose to also include more personal songs. The sampling and production is the highlight here, like an MC for multiple rappers to jump in throughout. It definitely has grown on me and feels like a mix of Madvillainy and DJ Shadow. There is definitely a lot more to uncover and experience here, a pretty complex and layered album instrumentally. I could give or take the lyrics in some songs though. Best Song: I Feel Like $100, To the Moon's Contractor, 5000 Miles West of the Future
Coldplay
2/5
2/5. Sure, I get it, it has influenced many artists that I listen to nowadays, and Coldplay got going strong from the start and it's easy to see why. But I just don't like this very much. It's not even about Coldplay, this could be any band, it's just not for me. Chris can sing and there are some tracks that save it from being a loss but it is definitely not a repeat listen, just a little too soft. Best Song: Yellow, Everything's Not Lost, Don't Panic
Devendra Banhart
3/5
3/5. A unique and quiet album of songs that almost sound like demos, all recorded in a big room with crushing weight of production. It feels like the singer is trying to either break free or allowing the water to push them under, through the instrumentation and lyrics. It sounded familiar and when I checked the people involved, it made so much sense that Michael Gira of Swans was included. And then I saw this list doesn't have a single Swans album and that's criminal. Back to the album, it was unique and enjoyable but I don't know if it's offering a lot to be part of this list. Or maybe I'm just a little salty about the Swans snub so I'll give it the benefit of the doubt. Best Song: See Saw, Poughkeepsie, Will Is My Friend
The Specials
3/5
3/5. I can definitely appreciate the punk and ska flavors mixed with the rock and reggae energy. It's also not surprising to know Costello is involved here, just replace the singer with Elvis and it would come from one of his records. The better songs though are the ones that have the whole group singing together, creates an energy usually only found in live recordings, similar to how Louis Prima was able to create a certain energy in the studio. This album is actually pretty good but I just don't think it is for me overall. Like the Clash, I will need to be in a specific mood and the mood is "rite innit bruv" vocals. Best Song: Too Much Too Young (the live version), Do the Dog, Concrete Jungle
Rufus Wainwright
4/5
4/5. This album has me feeling two things. The first is a great listening experience with a singer who feels as though they just found their own voice and holding each note as long as they can, really drawing out and feeling the words, as if they have been mute for years. The other feeling is that there are times I would rather listen to Radiohead. Rufus is very inspired by Thom Yorke on this record, especially the vocal cadences found in Kid A. This is a much different album, a lot more analog, and arguable very beautiful at times. There is a sense of unwavering confidence mixed with introspective shame throughout the album and I think the closing track allows the former to shine through with Antony. It's difficult to confirm how I feel about the album as a whole but I think it was a good listening experience, similar to how I felt about Want One. Best Song: The One You Love, This Love Affair, The Art Teacher, Little Sister
Solange
5/5
5/5. A fully realized record of rage and self-love, with vintage and soulful production while still feeling fresh and modern. I think this album has a lot going for it and has layers that I definitely didn't hear on first spin so will have to listen to it again but I think I have a good feeling for my opinion about this album. It's not perfect but there is a confidence through each track that convinces me otherwise, and not in a pretentious or boastful way, just a matter of fact way. It's hard to describe but it does feel important. Best Song: Cranes In The Sky, Borderline (An Ode to Self Care), Don't Touch My Hair, Junie
Shuggie Otis
3/5
3/5. A groovy and funky album that feels like a step into funk and disco. Clearly has roots in R&B band rock but falls into Stevie Wonder's ball house more than anything. It's a culmination of albums that came before, short and sweet while really giving a complete wrap up of funkiness, smooth and subtle. As far as something I'm listening to on repeat, most likely not but it's not bad. Best Song: Inspiration Information, Aht Uh Mi Hed, Not Available
Lynyrd Skynyrd
5/5
5/5. A southern-rock classic, with so many great songs, including Free Bird, truly the best guitar solo ever, and that's not an exaggeration. Sure, some of the songs are not perfect but the album as a whole holds up even today. Even the lyrics ride that line of older progressive country and current (for the time) rock and roll themes. It's a great listen front to back and also a great road trip album too, no other notes, just jamming to free bird one more time. Best Song: Free Bird, Simple Man, Gimme Three Steps, Things Goin' On
OutKast
4/5
4/5. This album feels all over the place while still within the same theme and vibe. The experimentation is to the max with so many alternating genres and rapping styles. It truly feels like a combined effort, with great features and lyricality. Granted, there are some interesting lyrics. They have stepped past the threshold of referring women as accessories and now as objects that deserve respect. Still not great, feels like this kind of stuff should have been figured out around like 5 years old. There is some parody in it though, as they seem to be self aware of the misogyny present in the rap culture, inviting female artists in songs that clearly dehumanize them. It's played for laughs and satire but is a little dated so it doesn't always land. I think the overall quality of the album is pretty high tier though. I can't say it's perfect but it is still really good, for the time. Best Song: B.O.B., Ms. Jackson, Humble Mumble, I'll Call Before I Come
Napalm Death
2/5
2/5. Unfortunate that I was provided lyrics to different songs through my music streaming app. I was following along with the lyrics of "The greed of the corporate world will destroy mankind with its money and power" when the actual lyric was "bleeeehuuggghh" which I feel like is a little off. Granted, the musicianship was great and the influence of this album is crazy with what it inspired today. Like a critic said, it is actually pretty tame with what we have today. Also, it doesn't really hold up in my opinion in regards. It's not great but the punk aspect of it keeps it from being terrible. First half was better than the second half. I guess I would have liked some more intelligent lyrics than what we got and hopefully my streaming app gets that fixed, so much misleading information nowadays (sarcasm). Best Song: Scum, Instinct of Survival, Human Garbage
Kid Rock
2/5
2/5. This was a wild listening experience. Never listened to Kid Rock before, only knowing him for his corrosive moral opinions and political preference. Now I went into this with an open mind as I have with all other albums on this list, and to be fair, this did start out strong and then... it kind of devolved into Kidz Bop version of Beastie Boys or Rage Against the Machine, but still with cursing and swearing, as if he just figured out what those curse words mean, fulfilling the "Kid" aspect. It also does cover the "Rock" with some pretty clean licks and riffs. However, with just a little more focus, the novelty wears off and the absolutely crude and simple lyrics shine through. Especially the last song, what a terrible song, it's not even a good story, it's just about how much this guy hates this woman. It's truly not a great album, and the Eminem feature is hilarious, he 100% does not want to be there, his vocals don't even match the beat. Just bad all around.
The other funny part is Kid Rock's involvement in the Republican Party. I feel like, if he hung out with just a slightly different crowd, he could have been cool. Just tone down the misogyny and read a book, there is potential there for sure. He is really just two steps away from Rage Against the Machine honestly. The path from 1998 onwards differs entirely but for a brief moment there was a connection. Also pretty much every single song on here if performed by a black artist, this would be a prime example from the conservative politicians why rap is harmful to our country. But, since he is white, that doesn't happen. If anybody listens to this while also having Republican values unironically... I just feel like no one has actually listened to Kid Rock.
Anyway, I hate that this is my longest review, putting so much energy into this one. The album, musically, has potential, and there is pop sensibility here that gives him the capability of writing hits. Unfortunately, almost everything that comes out of his mouth is god awful to listen to so it doesn't really save itself. I can't even say it is all bad, there are even jams here that really do work. It gets such a light 2, like 1.1 rounded up. Best Song: Cowboy, Bawitdaba, I Am The Bullgod
The Mamas & The Papas
5/5
5/5. Although I'm pretty heard I've heard every 60's pop album under the sun, this one felt different. I do think it's the creativity with well known songs and taking alternate avenues with how to go about song writing. The production is fantastic and feels at a high quality compared to other albums at the time. There also feels like there is a darker undertone here, like subtle messaging with these "love" songs. This album and band feels like it inspired bands like Abba and Fleetwood Mac, a conversation within the band itself. And this one was really good as well. Best Song: Monday Monday, Go Where You Wanna Go, Straight Shooter, You Baby
Grant Lee Buffalo
4/5
4/5. I saw that Michael Stipe said this was the best album of that year and that makes sense since this is an R.E.M. album that he never wrote. Granted, the lyrics are more in line with the Smiths but not annoying. The production is quality, I can understand every word he says and there is a lot of emotion here in his vocals without pushing past pretentiousness. It's a pretty great record. I don't know if it's perfect but I find it hard to find flaws here, it was just a solid 90's record without doing anything new but still enhancing the established sound further. Best Song: Jupiter and Teardrop, Dixie Drug Store, America Snoring
Pavement
2/5
2/5. It's pop rock through a blender. It does give the confidence of Dylan, knowing full well the quality of the vocals is not the highlight. Granted, the lyrics are not the highlight either. I guess neither is the music behind it. It's hard to pin down what is enjoyable about this album and although I wouldn't say it is very good, I respect the effort. I can even see how this speaks to people who want punk but don't want to think about the horrors of the world. It's an escape but it's not one I find much comfort in. Maybe for someone else though. Best Song: Summer Babe (Winter Version), Here, Conduit for Sale!
Manu Chao
5/5
5/5. Reggae strikes again! This was honestly perfect, each song did not over stay its welcome and it travelled from one song to the next with such ease. The melodies were catchy and even the "skits" were not annoying, maybe because I didn't understand what they were saying but it still felt correct and created an air of relaxation but still danceable. Although it didn't break the mold per se, there was a lot of 2000s music I heard in this while releasing in 1998. I wouldn't be surprised if there was some influence other artists took from this record. It was wonderful, not really any notes. Best Song: Bongo Bong, Mentira..., Luna y Sol, Clandestino
Scott Walker
3/5
3/5. Scott is an interesting artist because he takes the role of a Sinatra-esque singer but you listen to the lyrics and there is a clear inspiration given to Nick Cave. The lyrics are dark, like a seedy basement in a fever dream. Like the songs they would play during an overdose. The songs are not all original which does take away from the score and his singing is not excellent but it is unique, especially since the covers are the better songs. I can't say I liked it but I also didn't hate it, a very interesting and still progressive record for its time. Best Song: Jackie, Next, Black Sheep Boy
Slipknot
3/5
3/5. I think I liked the direction they took here but it falls through about halfway through when the originality fails and the amount of songs on this album becomes doubled when it doesn't have to be. Similar themes and song structure made me lose track of where I was in the album because I thought I had put it on repeat. Thankfully there were songs that did stand out, for better or worse. Overall, it wasn't a terrible album but the lyrics did suffer at times and I wish there was just a little more effort put into the songwriting because the skill is there, just not utilized well. Best Song: Psychosocial, Snuff, Psychosocial, Gematria (The Killing Name), All Hope Is Gone
Mott The Hoople
2/5
2/5. I enjoy glam rock, and this kind of checked all the boxes but didn't really go above and beyond. Heavily inspired by Bowie and other acts at this time, I just don't feel this offers much in experience. I enjoyed a few of the songs but it wasn't hard rock, jamming, concert-going good. I think I was expecting more out of all the other glam bands I've listened to. Best Song: All The Way From Memphis, Ballad of Mott the Hoople
Mj Cole
1/5
1/5. I get why this is here but dang what a wild choice. Like compared to the other drum & bass albums on here, this is by far the worst, and there were some not great ones. The vocals feel like an after thought, sampled and mixed after a producer said that this album will only work with lyrics because that's what the audience wants. There are some unique sounds thrown in with the beat but after some time, the vocals become so overbearing it's just too much. I want to give every album a chance and I did listen to the whole thing but this was not it unfortunately. Best Song: MJ FM Interlude because it is the shortest "song" on here, Rough Out Here was okay too