I didn’t love it. The covers felt a bit uninspired and the whole album just didn’t feel like it was pushing any boundaries. Tina turner does have a great voice though. Maybe it’s just the instrumentation that felt a bit dated

It’s one of my favorite albums. The waves of dissonance with the monotone vocals. The immersive wall of sound is so perfectly mirrored in the album art. It’s really a treat every time I hear it

This album was boring. I like ambient beeps and boops, but these beeps and boops bored me

It’s a decent album, but it suffers without Johnny Marr and Morissey is just too melodramatic for anything more than a three

Really great B side. The jazz elements and cello work together really well with his folksy style

Pretty good. Not a ton to see, nice to see reggae roots

I did not really like this album. Some of the guitar work was good, but the vocals and lack of substantive lyrical content was tough for me

Last song is great. I never realized how operatic Buckley’s voice is. First side was a little slow for me

Pretty good! Not a huge Joni Mitchell fan, but nothing bad to say about the album

A bit disorienting times, but a really great listen. A bit of neutral milk hotel, a bit of nick drake, and a lot of fun!

Easy listening punk,

Easy listening punk,

Those bass lines! Little kitschy lyrics at times but the synth instrumentation and use of reprise more than makes up for it

Not my style a little too dark and dreary

Some really great tracks on the b side I liked it way more than I expected to

Some catchy tunes but I just didn’t find it that memorable overall. Maybe biased against my idea of contemporary country tho

I didn’t really like it. The songs felt kinda similar and didn’t really move me

Pretty good guitar work at points but on the whole didn’t speak to me too much

Good start but the end got a bit redundant

Really great garage band vibe. Unpretentious

Yeah idk I couldn’t find myself engaged

Pretty great album. Lots of spirit and the unplugged versions wer an interesting change of pace, I still prefer the electrified version of their hits though

Karma chameleon delivers but all of the other songs feel a bit empty

Didn’t strike the right balance of engaging and ambient. May not have been in the right headspace though

I really wanted to like this album bc I love quest but I found myself waiting for it to end

The bside is especially fantastic but overall great

Nice pink vibes. Overall pleasant to listen to but missing an x factor

Couldn’t fully get into this album. I like the generally direction of the stripped down punk but I didn’t really identify with it. Also there were just a lot of songs

A few good tracks but I’m a bit burnt out on punk

Overall a pleasant album to listen to but not super engaging like I’d go back and listen to it

I didn’t love it. The covers felt a bit uninspired and the whole album just didn’t feel like it was pushing any boundaries. Tina turner does have a great voice though. Maybe it’s just the instrumentation that felt a bit dated

Great album. I liked this one more than the prior good blend of rap hip hop and other instrumentation

It’s one of my favorite albums. The waves of dissonance with the monotone vocals. The immersive wall of sound is so perfectly mirrored in the album art. It’s really a treat every time I hear it

I was really surprised by how much I liked this album it was a bit long but overall really witty and selfaware

I was in a bit of a bad mood, so that didn’t help but I couldn’t get into it and it felt a bit repetitive

I’d give it a 3.5 if a could my feelings towards this album are better than neutral but only marginally so

I actually quite liked this album. Definitely some bob dylan elements but I liked the piano and lyrics

There were some good folksy moments but I wasn’t compelled by the lyrics

I liked this album. A slightly jazzier velvet underground. I suspect this album grows on you, but for now only four

Sheela-na-gig is a banger but otherwise not really my style

Some good songs but a little one note. I like the other styles of music that mr Charles dabbled with

It’s a five after that first bass line. This album really taught me that dissonance in jazz isn’t just meant to be pretentious and gatekeepy. The funk can’t be contained

Not sure what happened to my previous rating but I really enjoyed this just a little lomg

Solid album. Very well mixed and mastered. Smooth operator is a banger.

I initially was not excited for this album but it really grew on me.

Fantastic. Immersive in the way that Loveless or Sgt Peppers is and with beautiful restrained production and guitar work.

A bit bland I really don’t have good or bad things to say about it

Pretty good. Emmylou has a great voice and the instrumentation is fantastic. The album was a but samey though

I’ve always liked billy Joel but this album so far surpasses my expectations. He’s really like an Elliot Erwitt with his compelling narratives and playful barbs at the American condition. And then on top of that the sax rocks and there’s a random boss’s nova background band for get it right the first time. Just fantastic

I was really bored by this album. I really didn’t like any songs and it all just kinda dragged

I wanted to like it but the production was a little rough around the edges and I didn’t think the lyrics were as compelling as other Lou reed songs

There were some okay songs but on the whole I didn’t find it as intriguing as some of their other work

Kinda like Leonard cohen but without the emotional impact

Okay. Nothing really jumped out at me as being super memorable

Also just kinda bland. I think we need a palate cleanser

Definitely some interesting ideas with the industrial vibe. The depiction of sex was a bit off putting to me and I was really bugged by how hard the vocals were to depict in the mix

Nice instrumentation and blending with the electronics. But the Album is a bit too long and I found myself bored

Another 3. It’s like not bad but just palpably samey to the other rock of the day

Pretty good. Dragged at times but neat to see Proto-shoegaze

It’s basically a greatest hits album, and there are definitely some great songs. Wild, Wild horses is always great. Brown sugar is beyond problematic but at least they’ve retired that song concerts??

A good album. I didn’t love it enough to give it 5 stars but it definitely deepened my appreciation for me Bowie

I liked this album. Tim is a hard guy to judge. Not certain how much of the music is being playing straight and how much is pointed satire. Absent thinking about the lyrics though it’s a great album

Bb king is a legend. This is such a great album and it’s so benefitted from being recorded live. I haven’t listened to the blues in a while but this will always serve as an excellent reintroduction

It’s a cool album but I didn’t feel it leaving a lingering impact

Eh. I had a hard time getting into this. The instrumentation is fine but the lyrics seemed a bit needlessly pretentious

Some phenomenal tracks. Meatloaf’s mixture of sincerity and sarcasm is really nice. Some songs are just a bit long and repetitive

I’m certain this is good for the right kind of person but I was not feeling grimy electronic music so I struggled with this

Some good tracks. At times redundant but overall an interesting listen

Truly a masterclass in modern production, but it’s Kanye so the best I can do is a three

Definitely some interesting and important ideas that are communicated concisely and intelligently but the musical stylings didn’t totally do it for me

I really didn’t like everything except the last three songs, those were pretty good, but I just couldn’t get into the rest of it

I liked this album. Does it appeal to my white boy sensibilities, absolutely, but I’m not complaining. Money for nothing is so good and there are some other fun songs on the album

Of course Mariah Carey has a good voice. The production seems a bit dated though and some of the songs read as very shallow (esp that one about growing up too soon) Overall it’s not an unpleasant experience, it could just be so much more

I liked everything about the album except for Björk’s voice. I really just can’t with the operatic warbling. I’ll give it three because I believe it’s a taste that could be acquired

I like Depeche Mode but this album was just quite boring. I never realized the importance of a “single” on an album, but here I noticed that there’s no one song tie the others together

Making consent sexy since 1973. Definitely a solid album and this is more like a 4.49 for me but I guess I felt it was missing something extra to push it to a five

An important and interesting album for sure, but I struggle to really rate old school rock and roll too highly because all of the songs are so similar

Waterloo sunset comes out of nowhere as a five star song but the rest of the album is just so 60s and so British that it feels a bit too of its time

I’m a little embarrassed by how much I enjoyed this album. But a bunch of German dudes making space sounds was a great time

It just feels like an inferior version of the revolver album by the Beatles, just 30 years later

It’s pretty good. The songs are a bit samey but the overall vibe is fun

A really foundational album. It’s everything I love about grunge especially the way it doesn’t take itself too seriously. You can totally hear their influence on much later bands like grouplove. It’s very easy to listen to & fun all the while

Some great tracks but the album drags a little due to its length. I now like the Cure more than I thought I did which is neat

Soooooo looooong. Definitely some great tracks that have aged well, but the album is just so long without much justification and that holds it back for me

I honestly loved this album. Such a fun blend of Louis’s Italian heritage with his jazz/blues upbringing in NEW Orleans. The songs/lyrics are good, but the instrumentation and vocals and their mixing and mastering are phenomenal

A really witty album with lots of great tracks and great instrumentation

This has been a really important album to me that I’ve listened to be fore and I’ll listen to again, but on this listen through I didn’t find it as engaging as a I have in the past

I used to really love this album, and it’s got some good tracks but Neil young and CSN is somehow less than the individual parts combined. Good, but neither of their best work

Pretty good album. I definitely understood the smiths in my mind. I don’t have too much negative to say, it was just missing that secret sauce

I feel like this track is missing a single to tie it together. The production is great but otherwise the songs are a little bland

It’s really misogynistic so it’s hard to hear it for anything beyond that. The musicians are obviously good and the folksy moments are fun, but the lyrics are so trite and problematic that it’s a 2 for me

I had really low expectations after the last album, but this album is actually really fun! I was head banging a little bit on the train and some of the guitar solos are really novel and interesting. It’s not totally my vibe so I can’t give it a five though

A very fun early prog album that packs a lot of depth into its short runtime ((the opposite of many other prog works). I like space jazz

How can you not love the wall. Such a landmark piece of music that has such wide appeal. The guitar is great, the lyrics are great, Pink Floyd is just pretty great

Two good songs on the album but otherwise a bit bland

The well known songs are bangers, but The lyrics feel pretty dated and empty. The slurs used don’t add anything while really ruining my immersion

It’s pretty good, but I was expecting so much more. And tbh a lot of the songs reminded me of Jan from the office singing about her assistant. Smth about the whiny tone

Idk I just found this album to be really boring. There’s basically nothing remarkable that I can remember from it. It didn’t help that I never understood any of the lyrics

There are some fun moments but I don’t want to be tied to deep purple for 2 hours

I like Radiohead but this album was quite boring. There were no memorable songs and i just found myself wanting it to end

For sure a fun album just missing something I can’t put my finger on to push it to a five

I think this album is really fantastic. The production is spot on, Michael Jackson really brings unmatched energy to any track he touched

This album was boring. I like ambient beeps and boops, but these beeps and boops bored me

I don’t like prodigy really. This album is just not that great, I don’t have strong feelings about it

Maybe a 3 is a bit unfair, but I know this is not an album I’ll return to. The famous songs are good but the rest just don’t really hit for me

It’s definitely a fun album that still feels modern even today. Too bad their music doesn’t stream so I can listen to it without YouTube audio compression

We’ve had a lot of this early electronic music and it’s pretty good, just not very remarkable

This is a fun album! My favorite Bowie so far, still missing a special something that I can’t put my finger on. I dig the American though

Definitely one of the better punkish albums we’ve had. Not too self serious. Short, which is important. And well produced. Better than neutral, but not a 5 for me

This is a fantastic album. Really great synergy with the band. Super fun and nothing negative to say

2 I didn’t hate it as much as I expected to. But it’s too long to be as repetitive as it is and the nine minutes of laughing for an outro isn’t the best thing in the world

It’s fine. I’m a bit over britpop tho. I don’t have a whole lot to say

Lots of interesting ideas. Not all of them resonated with me, but you can tell this was put together with a lot of thought. Not the kind of thing I’ll relisten to, but glad I heard it

Pretty solid. I’m still not all in on the smiths but you can definitely see a lot of good ideas here

Good solid fun country music. Nothing to complain about here

Pretty good album. The through line is not as definite, but it’s basically the first concept album so I can’t ask too much of it. Also the hard left right pan is a just a bit distracting

Pretty solid album. I’ve definitely unfairly written off the beastie boys in the past, but this album is pretty good old school hiphop/rock. My only gripe is that the album is a little long for the number of ideas it’s bringing

Tainted love is fire of course but that’s the only thing saving this album from being a two. It’s boring, needlessly sexual, and not something I’ll return to

Nile rogers on guitar is always great but this is not my favorite of chic’s work

I found this album to be so boring but I think I was just in the wrong headspace. It’s probably worth another listen but it’s not the kinda album I’d crave listening to, the tracks are a bit all over the place in terms of style

Way better the previous Coldplay album we had, does this appeal to my white boy indie loving sensibilities, ye. Do I mind? No. Loved the guitar tone and the lyrics weren’t as prominent so I didn’t have to dislike them

Fantastic. It’s hard to go wrong with Sinatra but there are no duds on this album. The master is great (not always a given for these older albums) and it’s really a joy to listen to

Really solid album. It’s totally my style so I can’t go all the way to a five but really enjoyed the guitar work and the drums. I’d never listened to a Metallica album and was pleasantly surprised

When this album started I thought I might really enjoy it, but then it just went further and further downhill. It’s just a bit boring and the songs aren’t well differentiated

Definitely some good songs, and I think I could give 5 stars to a different talking heads album. Just something about this falls a little flatter than I might like

Pretty good. The representation of women and gay folks is a little problematic, but the flow is good and there are definitely some good lines. Nothing super catchy and single-able

I’m a sucker for neosoul, so of course I like this. SZA is great, she’s not my favorite in the genre, but the album is well produced, the lyrics are right, and SZA certainly brings a lot of emotion and energy to all of the tracks

If you like Metallica I’m sure this album is monumental. For someone less interested in metal, it’s still pretty cool. It’s not exactly my style, but it does feel slightly better in terms of variety than the previous album we listened to

This album felt super boring. I don’t really have much positive to say, but it also wasn’t bad I guess

There are some indisputably fun songs on here (although I don’t know if Jon was going for “fun”). There are some stinkers. On the whole a decent album, and that intro organ riff pushes it up to a four for me

Iconic Dylan. Definitely incoherent at times, but in the pleasantly dissociative sense. This album is great for reasons that aren’t easily put into words. The instrumentation and mastering is great, but that’s not it. Dylan’s voice and lyrics are great (if you’re into that), but that’s not it either. It’s tough to say, but easy to say it’s a five

The guitar tones are great but I kinda hate the lyrics. It’s a tough one for me, if we hadn’t had so much metal recently I might feel differently

Some really great tracks here. I enjoyed this album and that feels pretty unusual coming from a modern band Id never heard of

I was starting to think I didn’t like radio head with the past two albums. However this album really reoriented my thinking. It’s great and quirky in all the right way

I really was not in the mood for 70s rock, and I really was provided with 70s rock. Just arrived at the second song, and 76 is way too late for this hideous exoticism and colonial smoke show. The guitar playing is good, but not very inspired—living in an uncanny valley between 80s greats like Van Halen but after the more direct and unpretentious styles of earlier 70s. Overall it’s very self serious without good reason. It feels like it wants to be a concept album but just isn’t hitting it. I wanted to like rush but I didn’t

Really solid album. Not the kind of album I seek out for a relisten but glad I heard it. A fun blend of blues jazz and that 60s instrumental avant garde

I’ve been woefully uninitiated to Queen Latifah’s work. She’s definitely great but it loses one star just because I don’t think there’s a single to tie the album together, the production feels a little dated (especially the mix is a bit weird), and finally the album is just a bit too long to not have a nice arc between the songs Very witty lyrics with great delivery, both of which definitely hold up

This is a neat album. The band had existed for 19 years when this album came out, and it shows in the production which is pretty great. However the album doesn’t seem stale for such a seasoned band. That being said, I can’t give it 5 because it’s missing something I can’t quite put my finger on. It’s a high 4, but a 4

This is a really fun album. I like the blend of traditional acoustic instrumentation with the electric guitars. I have t really been exposed to Brazilian music outside of bossa nova and a taste of samba, so I’m a bit out of my depth here. I’m glad I got the additional exposure. I’m giving it a 4 because to me, a non-Portuguese-speaking person, the album felt a bit like a cluster of decent songs that didn’t feel all that unified. Id happily be disproven or get a better explanation for why the album format doesn’t work the same way in this cultural milieu

Head empty a bit here. It’s kinda interesting and he’s definitely a talented producer. I feel like he tantalizes us a bit with a whiff of cool production techniques but doesn’t fully develop them. The songs don’t feel dated Per se, but they don’t exactly hold up either. I’m pretty neutral overall

I don’t love the lead vocalist. The rest of the instrumentation is pretty cool Medication is a pretty standout song. This is one of those albums where I could see myself giving other albums by them a 5 but this just slightly missed that mark

The pogues are definitely the pogues. They’re pretty hit or meh for me. I’ll never hate a bit of shanty punk. This album’s direction as more ballad-centric is not particularly to my taste, but still a solid album overall

I didn’t know this phase of Madonna existed, so definitely an interesting listens. The lyrics feel like a bit of a step backwards away from the witty and sometimes incisive exploitations of cultural mores of her 80s hits (like a virgin, material girl) Even her more basic The vibe is interesting, and the album is definitely well produced, I’m just not certain that I jive with the 90s dance music production. It’s very Moby to me with the drum beats, it’s just missing the fun samples. Maybe this was ahead of its timed, but it feels a bit dated now I don’t really like madonna’s vocal performance, it feels a bit strained at times despite being technically fine.

Fantastic album. It’s part concept album and part list of mega singles. I’ve always loved this album but I never gave it enough credit for how meaningful it was. It’s so personal and raw while also applying those feelings to larger societal issues (alcoholism, police brutality, etc). fantastic production and really tasteful non musical interludes. A five for sure

I don’t have a whole lot to say here. It’s very competent jazz but it didn’t feel super distinctive (maybe it was at the time), but absent a more informed prior, it’s gotta be a 4

That opening Rhodes tone with that bass, killer. Give me an album of that. This album is kinda the height of that 80s sample-based hip hop, and it’s fantastically produced—great use of soundstage. the lyrics of the beastie boys are not great, both inscrutable and simplistic. a bit juvenile as well. Id like to see a post-superstar beastie boys when their artistry remains but their pomp wanes a bit. A year and a day slaps If it was just the bboy tracks it would definitely be getting a 4 and I will round up to a 4 but it’s more like a 3.6

When you learn to play wonderwall on guitar you completely ignore the lush orchestration and tasteful drum palette. Re-listening to wondewall with a more critical ear really deepens my appreciation for that track. On the whole, you can hear the strong influence of classic rock (don’t look back in anger is so John Lennon it borders on pastiche) The general mastering is pretty great, the clean drums and vocals punch through the heavier guitars with ease

Great guitar tone and really tight drumming. The lyrics are interesting, and I’d probably need another listen to have a full picture. However they’re definitely clever, the phallic imagery on the “rust in piece… Polaris” is a well-executed satire of Cold War one-upmanship . I really enjoy the enjoy the guitar playing. (Knowing nothing of the genre) it has all the elements that I like from both math rock and classic rock. Honestly, I think this is as good as it gets for metal and me

I wish I had more to say about this album but for some reason I really just didn’t connect with it. I think it was probably really influential in shaping the post-2000 rap sound. The lyrics are good, a mix of vulnerability and wit. The production is okay, but I won’t hold that against Nas too much. Maybe on a different day this is rated higher, but it’s a 4 if I’m true to myself

To me, Def Leppard has always lived in an uncanny valley between Peter Gabriel and Metallica. That 80s sonic palette just doesn’t totally gel with the hard rock sound they’re striving for. The lyrics are bad, or at least boring. Nothing about the album is poorly executed, solid vocals and 80s pinch harmonics guitar. Of course, pour some sugar on me rocks. but the album feels like the record label described their median consumer and the Def Leppard created a normal distribution around that median—pour some sugar is the outlier in that distribution. I think pour some sugar goes so hard because they leverage the background singers much better—it feels like a song by a band and not market research made manifest. Strong words for an album I don’t really have strong feelings for. Sorry, Mr. Leppard you don’t really deserve the hate I’m giving.

You can really hear Thelonious’s deep understanding of the rules of jazz and the blues in his playing. He bends the rules in all the right places making for a wonderful bit of piano playing. Sonny Rollins kills on sax. The mix on the bass is a little low, but the bass player still holds it down. The drum tone is great, so classic and restrained. It’s amazing how just a title and Monk’s playing unlocks a rich lyricism in “I Surrender, Dear”. That slow swung section is amazing. But I just didn’t connect with this album as much as I have other 5s, so it has to be a 4

I almost wish I didn’t see the R Crumb album cover before listening to the album itself. The racial caricatures aren’t cool. Janis’s vocals are superb, a surprise to no one, and the band highlights her voice well. The guitars are fantastic, it’s the early days of the fuzz pedal and you just don’t hear tone like that anymore. You can feel that they’re pushing the boundaries of the music that’s currently available to them. I could do without the tanbura (or super sparse sitar?) on “Oh, Sweet Mary,” but I can’t fault them too much for wanting to experiment. Overall I’m super glad I listened to this, no complaints about the music.

I had never heard of this band, so I was really struggling to justify why this album is on the list. My preconception was totally misguided; this album rocks. The band is so locked in. Their use of the funk palette works way better than it should for a bunch of young effeminate British white dudes from the 80s. The lyrics are fine, but the bass, percussion, and guitar more than make up for it. And a little clarinet in a pop album? bring it on!

I really hated listening to this album but I was not in a good mood for Zappa-esque weird rock. I suspect that this album is actually pretty good, but I can’t give it any more than a 3

I’ve been off queen for a little while, and this album proved to be an excellent return to form. The band has a lot of cohesion and Freddie’s vocals and arrangement really shine. I don’t really have anything negative to say

This album is quite bland to me. Even everybody hurts, a song I thought I liked, read as a little dry. I can see why people love REM, but this hasn’t aged well to me. Maybe the lyrics are good, but I kinda hate them? I think that the album conjures Neil Young vibes in an uncanny way. I’ll give it the benefit of the doubt with a 3 but to me it’s barely eking out a 2.6

The triplet flow on those initial bongos are amazing. Mayfield assembled a really tight band for this album. No pieces are out of place. This album is great, there’s nothing at all to complain about.

Another long overdue introduction to a hip hop legend. This album has aged beautifully. Ice Cube is not trying to be cute or too clever with the lyrics. It’s straight ahead hip hop that’s well produced with good lyrics. It’s really a wonderful album to listen to. It’s a man’s world is an interesting subversion and dismissal of the misogyny trope, I’m here for it.

Shoegaze and grunge guitar with trip hop beats leaning on the darker synth textures of 80s British alternative (Depeche Mode, new order) . A wonderful synthesis of the nineties. Totally holds up. It pulls on the attributes from contemporary and past music while clearly delineating a path to 2000s alternative, a really great album to hear.

Modern production with nick drake melancholia, great. There’s no way the song Sunday sun isn’t a reference to nick drakes Saturday sun

This album cover is amazing. Listening to this is a little strange because I can tell that Solaar is doing some French plays on words, but I have no idea what they mean. The flow is superb, the samples and beats are equally superb.

this album is solid. k.d. has a great voice with a really authentic patsy cline vibe. The album feels a little safe, but the what’s there is well-executed. The bass tone on “down to my last cigarette” is super corny

This is Tuesday 11 pm WPRB music. It definitely has a crowd, I’m just not in it. In a purely neutral way, it has a timeless quality, it’s hard to assess when it came out without checking. This band feels very influential, “Hollow Hills” feels like the intro to a nirvana song, so clearly the band is pulling on the right strings. Kick In the Eye is a really tight song, and a much better use of that plunky 80s bass sound than yesterday’s album

This is a solid album. The production is top notch but the actual songs are just a little bland. They feel almost too crisp to me

Oasis automatically played after the album ended, and I was like “oh this song is pretty good!” I think that says enough about the rest of the album

Definitely colors within the lines of southern rock, but I’ll never sneeze at some good Americana.

I’ve never really connected with gangsta rap or stoner rap so I’m not surprised I don’t connect with this.

If Father John Misty and Steely Dan had a baby and raised him in a loving Christian household, this is the music I think he’d make.

My favorite piece of melancholia to ever be released. Nick drake perfectly captures the emotional milieu of wistfulness, lethargy, and yearning. Truly transporting and one of its kind. I’m only sad there’s not more nick drake to listen to.

It’s tough to describe why I liked this album. It felt very raw and vulnerable which is cool. You want it darker is super weird and absolutely rocks. Overall a great listen

The mix/master lacks a bit of oomph which is distracting. Im not totally sure what George Michaels was going for with this album. It’s never bad, but it feels a bit all over the place.

It’s hard to disentangle nostalgia from merit on this album, but I definitely enjoyed listening to it. The songs do a good job of feeling distinct but tied together

Any good faith review of this album needs to buy into the Tom Waits grovelly-voiced musical ecosystem. With that predicate, this album rocks. It’s a great mix of hopelessness, wit, vulnerability, and inscrutability. Overall very Tom Waits. Nice production too, the sandpapery mostly acoustic (and sometimes non-instrumental) sounds really add to the tangible roughness of Tom’s voice.

Ordinarily, I feel like I should really dig this album, but it didn’t live up to what it could have been for me. I think I just don’t love this kind of early rock and roll stuff, but it’s a solid album for sure

Without casting a value judgment here, this album feels way ahead of its time, in humor, master, instrumentation. I didn’t really like it that much, but a very strange time capsule to behold

I really do not have any feelings towards this album.

I love Brian Eno, but I’ve never loved his vocals. That’s how I feel about most of this album.the one standout is “By this River” which is quite beautiful and suits Eno’s voice perfectly.

I really want to like the talking heads, but I still haven’t totally come around to them. This album is definitely solid though I still struggle with David byrne’s whimper shouts

This album was fighting an uphill battle against my grumpiness, and it actually won. I really enjoyed the weirdness of the songs because the weirdness is balanced by convincing instrumentation and musicianship

Really solid album. Cool flow and fantastic instrumentation. I’m here for all of her creative choices

This album is too long and by the end you realize that it’s really not that good. Some of the samples are kinda fresh, but the album is mostly lacking.

It’s a decent album, but it suffers without Johnny Marr and Morissey is just too melodramatic for anything more than a three

I’m a bit over Radiohead. It’s one of those albums where the algorithmically generated album started automatically playing and I didn’t notice. It’s good but it’s nothing special

I will always love John Prine. His lyrics are so balanced in profundity and unpretention. So wonderful. And oh boy is “your flag decal won’t get you into heaven” still relevant today

There were some songs I liked and some I didn’t. It’s a little long

This album is pretty generic. Definitely not bad but also definitely not something I’m gonna hurry back to.

I struggle with 80s songs that say “Bad thing bad” in upbeat pop songs (Looking at you, “Do they know it’s Christmas?”). The first half of this album falls under a similar umbrella for me. “Illiteracy, No!” Is quite possibly the worst lyric I’ve ever heard. Maybe that rhetoric is poignant for a certain demographic, but it reads as trite for me. I acknowledge that Janet did not make this album to appeal to my then-unborn white boy sensibilities. The album takes a decent upturn with “miss you much” but disappoints in the later songs. The one piece of praise I’ll give is for the flow of album which is very well sequenced.

To me, there are few more perfect songs than “Over the Hill,” so I was disappointed to learn that the rest of the album is not equally great. It’s still a solid album, I just wanted a little bit more

Fairly solid album. It's a Christmas Album, so I think it would be near impossible for any non-Vince Guaraldi artists to get a 5

Really evocative vignettes. I wasn’t 100% in a Waits-y mood, but always an interesting listening

I’m not a Green Day hater, in fact I think good Green Day can be really great, I just didn’t think that this album was all that special

I like the band, so I liked this. It’s not as spectacular as big pink but still good

I wanted to enjoy this album, but the rock was a bit too intense for me to really get into the instrumentation and lyrics are kinda nonsense, very forgettable

The first song is pretty good but the rest is either boring or a little cringe. Definitely personal bias speaking, but I feel trip-hop is a bit over-represented in the sample here

This album feels like a bit of a boring misappropriation of the punk musical vocabulary. Maybe it’s an interesting transition between the more straight-ahead rock of the 70s and the glam rock of the 80s, but I just don’t find it that compelling.

Great guitar tone, great voice, reverent to the Americana tradition without feeling derivative. If you like James Taylor, it’s a winner.

This album feels very MTV. I’m always scared of an album with a big hit as its first song (is the rest just padding?). But I don’t think this album is deliberately padded. I’ve just never been into the jocular vibe in hip-hop especially when that’s intermingled with misogyny. The best songs are their most direct, like “Freaks of the Industry” etc.

Fantastic playing throughout. The slide guitars on “You Ask Me To” is a further standout. It loses a star for some bad takes, but solid old school country through and through.

This is a tough one to rate (and to listen to). You can really tell that Kurt put his heart and soul into every track. However, he must have been in such a dark place that it’s hard to hear this album without being constantly reminded of Kurt’s impending mortality.

Of course I love it. Usually with world music I’m willing to be lenient with some production weirdness, but this whole album is super tight. The percussion is especially wonderful.

I initially didn’t understand why MIA was included on this list but, my preconceptions were quickly dispelled when I actually listened to the album. The album should get a five just for its novelty, I’ve never heard anything that sounds like it. But the album is more than just a cool sound, it’s solid all around.

I always feel like I’m not schooled enough in what makes good punk good, but this just felt a bit unremarkable to me.

I love 90s R&B/neosoul so this album was destined for a high rating from me. While I don’t think it’s quite as good as my favorites of the genre, it still deserves a five, and it’s an album I could see myself revisiting

This is a really fun album. It’s definitely pre-punk which makes it an interesting cultural artifact. The lofi sound is perfectly done, and overall I have nothing bad to say.

I love a Tribe Called Quest and this album is no different. Super old school vibe that suits their flow well

Obviously a hugely important album that will get a 5 from me. There’s a lot of misogyny and some homophobia which is not super cool, but I’m going to set that aside for the purposes of this rating

This album is like a 3.49-3.51 to me and I’m not quite sure how to round it. No parts of it are bad but it feels very plain for a Joni Mitchell album

I really love neosoul and I’ve always liked common’s vibes. This album isn’t perfect, there’s some slightly jarring language and it’s a little long. A solid album overall, but I wanted just a little more

No frills punk. Crazy that such an influential band only really released one album. However, the album does make up for that outsized influence.

I feel like I could really enjoy this album if I was in a different mood, but as it stands this album fell a bit flat to me. Their sound is way ahead of their time, but it almost so perfectly predicts the 2000s singer-songwriter vibe that the music feels a bit played out (definitely not their fault).

Some positively insane guitar tone. Classic Neil Young songwriting. As always, the Canadian songwriter makes me relish in Americana.

I didn’t love this album. I can easily believe that it was hugely influential, but this vibe has never really gelled with me. It kinda falls into that zone of the Talking Heads where I feel like I should like it

I really have no feelings about this album. It feels like generic 90s rock

Every time I think I’m off of Radiohead I get pulled back. I think this is my favorite Radiohead album. Some of the same eccentricities of their later work balanced with a bit more overt vulnerability. It’s a wonderful album that’s wonderfully produced

I little bit of punk, a little bit of prog, and a whole lot of fun.

Big 60s energy without feeling too cliche. A fun listen for sure.

No strong feelings for this one. I don’t think this was the best use of Janis’s undeniable talent.

This barely squeaks out a 3 for me. I’ve never been a U2 fan and this album is no different. I speak of uncanny valleys a lot, but I think U2 is uniquely uncannily between rock and pop.