Grew up listening to this album and is still one of the few rap albums I’ll still listen to along with his Marshall Mathers LP.
Great flow. I think his rapping is better than the actual beats they are on. I find most of the music itself pretty generic, but definitely makes up by Nas's rapping and great lyricism.
I'll start by stating I'm not the biggest R.E.M fan. Turns out I especially am not a huge fan of earlier R.E.M. I don't think Michael Stipe's voice and 80s new wave go together very well. There are times during the album where you can hear where their style of more later 80s/early 90s R.E.M peaks through, but at the same time most of it is pretty forgettable. By far my favorite song on the album is Catapult because again, it sounds like something they would have on their later albums than this weird early 80s new wave album. I understand all bands have to start somewhere, but I'm glad they kept making music because I think R.E.M would not be remembered if they just released Murmur.
This is not my type of music whatsoever, but I can appreciate that it is an important step into the evolution of hip hop music. Better than REM.
This album rules from the first second to the last. I can't listen to it too much otherwise, I'll permanently screw up my face by how much stankface this album gives me. It's so blusey and groovin' hm. John Bonham. All that needs to be said. 10/10, 5/5, 69/69. Whatever the rating, it's a masterpiece.
This album wouldn't exist without Cher's Believe. With that said, there are some truly fun songs on here if you don't take it too seriously. Afterall, "it's the millennium."
I am not a country fan, but I really enjoyed this album. This album is the epitome of that early 70s grimy, gritty Americana feel. Makes me want to drive a convoy through Tennessee.
Avant Garde. Lots of grunts and winding vocals. Pretty sure Robert is getting pleasured by someone in Alifib. Not, uh, my jam...
Come on, it's a millennial staple. Additionally, outside of the major hits like "Mr. Brightside," songs like "Smile Like You Mean It," "On Top," and "Midnight Show" are just as good, if not better.
Quintessential album from the 80s. I love the cool transitions between the tracks and in my humble opinion, doesn't sound like any other album that came out around the same time. "Head Over Heels," alone, easily makes this album a 5/5. "YEAH!"
Definitely bluesey. At times, sounds like she's trying too hard to replicate someone like Amy Winehouse who would have been HUGE during this time. Overall, there are some fun tracks (last track is actually really good), but it's pretty forgettable. If you want to listen to this type of bluesey, smokey bar type of singing, just listen to Amy Winehouse, or even better yet, Billie Holiday or Dinah Washington.
While I’d pick Thriller over this album, you can’t deny the magic of early Michael Jackson. Every song gets my body moving and the performances are fantastic.
I think this album is good objectively. I am just not that big into piano rock.
Some of the more acoustic "folk" songs are really good. I just am not a big fan of the what seemed like improvised free-flowing rhythm tracks that are at the end of the album. I was relieved when it was over.
This is why I am doing this generator. I would have probably never listened to this otherwise and it is great. The lyrics are such a spectrum between laugh out funny and depressingly sad. Compositionally, I'm digging the classic country twain but also there is a song that has a waltz feel, another one that has 6/8 feel, and of course just a solid down the road 4/4. It's not sterile whatsoever and keeps you guessing throughout. I started this album review with a 4/5 but no, I'm going 5/5. This is the type of album that makes you just sit back and just appreciate that music exists.
Man, Nick Cave's free flowing lyrics are so awesome. I could listen to him all day talking about killing people, which makes his dick hard. "I'm that bad motherfucker called Stagger Lee"
Fantastic record. It's groovy, tasty and hip. it's 80s BUT technically 90s. I once went on a date with a girl who had the lead singer's autograph tattooed on her arm. After listening to this album, I too would also like his autograph tattooed.
There are some top tier songs like Into the Mystic and Moondance, but overall, the album is pretty meh for me.
Very catchy. Was "vibing" the entire time.
I love how he interacts with the prisoners. You can tell he is having fun and the audience is absolutely loving it. I love how they say one more time after hearing "San Quentin" and he does it without question. Also, he has some hilarious quips throughout and the songs are great, if not legendary ("Folsom Prison Blues" "Boy Name Sue"). Johnny Cash is the man.
Mezzanine is in my top 10 favorite albums of all time, so obviously a huge Massive Attack fan. With that said, this album was a hit or miss for me. However, all bands need to start somewhere and this is a great start. Technically, would give this 3 1/2 stars if I could.
These Swedes know how to disco. Legendary band with legendary tracks.
Very diverse but refreshing group of tracks. All of them have a great atmosphere and production. Definitely an album I probably wouldn't have discovered without this generator, so thank you Mr. Generator.
The sound and vibe reminds me of a lesser Tears for Fears. Some good and memorable songs, but overall, pretty forgettable.
The album overall is fine. This era isn't my favorite, and so if I want to listen to late 60s pop rock, I'd much rather listen to the Beatles. I felt like they were trying to make their own Sgt. Pepper's and at least for me, it fell flat.
Had no clue Pulp sang Common People. That was a pleasant surprise. Otherwise, the other songs are fine, but sorta just blended together.
I'm not very well-versed in early 90s hip hop. This album has inspired me to start going down that rabbit hole because this album is fantastic. The humor and flow in their lyrics are a lot of fun and must have been revolutionary at the time.
Bryan mentioned this reminds him of Bowie and that is spot on. However, there are some unique aspects as well, so with a mix of Bowie, 90s and some Beatles, this was a pleasure to listen to.
Made me want to watch the Cable Guy.
One of my favorite Beatle albums. The creativity is just pouring out of their orifices.
Overall, I was surprised by how much I liked this album. Very diverse and dig the trio's interactive parts with each other. Even though I marked it as 3 stars, I would give it a 3.5 if I could.
I appreciate Alice Cooper as an artist and actor (Prince of Darkness, Wayne's World!) However, I found most of the songs on this album to be quite forgettable. Also, at times, I feel like I'm listening to a lesser than version of the Stooges.
Nasty and amateurish at times. This is what punk rock should be like.
Also, makes me want to play Tony Hawk's Pro Skater.
I definitely need more time with this album, but as a first listen, it's perfectly fine. Stevie just has so much talent.
I love the Raconteurs, but the White Stripes are hands down the quintessential band of Jack White. Shout out to Meg White!
While I like "Because the Night," there isn't a single song on this album that even comes close to it. Not my jam.
My Sophomore roommate in college was obsessed with this album. I, on the other hand, am not a big fan. Overall, I just don't like Indie Folk. I like music with a little bite and this is just soft as vanilla pudding--the most bland kind.
Groovy, catchy and even sensual at times. Definitely a product of the time, but in the best way.
Duh. Dave Grohl's drumming alone makes it a 5. Also, Something in the Way is just so hauntedly beautiful.
Well, that was bloody well right fun. Theatrical, with some Elton John and Pink Floyd spread throughout, but with their own unique flare. 3.5.
I thoroughly enjoyed this. The first track, "Be-In" is the absolute definition of how you should start an album. One thing I noticed early on that I appreciate is that they don't rush to get to the chorus and take their time and build each song. There are moments that I could take or leave, especially the track "Pete international Airport." However, the infectious grooves and catchy guitar won me over. 4.5.
Well, I listened to it and now I can move on with my life.
I was feeling the Mondays, and this matched my energy 100%. Makes me feel happy and sad at the same time. His voice just has so much emotion.
There is 80s and then 80s on steroids and THIS is 80s on steroids. With that said, there are still some fun catchy songs throughout. I toe tapped.
Two stars because Brimful of Asha is a jam. The rest can slither off into oblivion. Yawn.
I initially thought this was just going to be a poor man's version of the Black Keys, which is already a poor man's version of itself, but by song 2, I was like holy shit, these guys are going for it! I mean there is a mini drum solo on the third track. The last half of the album kinda dwindles for me but overall a strong album. 3.5/5.
Keith Moon was 19 when he recorded this....What a chaotic and rare talent.
I've heard the big hits off this album countless times; however, this is my first time hearing the rest of the album and man, Prince was such a great song writer and lyricist. 3 Years an Audioslave movie watch party soon?
Maybe my rating would be higher if it was September/October, but not my current vibe.
I agree with everything Sean said (getting lazy in my reviews).
I'm more impressed by the production than the music itself. This is just quintessential 70s with deep, smooth bass and dry staccato drums. Music wise, it sometimes gives off elevator music vibes, but a fun elevator with Blackjack and hookers. 2.7/5.
100% agree with Sean and Bryan. Rather listen to a later album like Abbey Road but still some absolute classics.
One of the handful of albums I revisit every year. Absolute classic. The drumming is a masterclass of punk/alternative rock drumming.
Iconic look, iconic album, iconic piano in the title track. David was absolutely on fire during this time.
Wow, this album slaps but it's also sort of heartbreaking that a lot of the topics these guys rap about are still so prevalent in today's world 40+ years later. Every song has such a weight to it but man they groove.
There are rock gods and then there is Eddie Van Halen, who stands atop the pantheon. Diamond Dave>Sammy Hagar
Honestly, it's fine. I've heard the singles so many times on the radio that I'd be perfectly okay without having to hear Scar Tissue or Californication until the end of Trump's term. The other tracks are classic Chili, which again, are fine. It's a competent record but Californication<Blood Sugar Sex Magik
Just a nice and simple solid punk album.
For as much as I'm not a fan of U2, I can't deny how much I enjoyed this. Those first three tracks are fire and the rest of the album is great too. It's pretty timeless. I can't believe some of these songs are 40 some years old.
Always been a fan of Can's track, Vitamin C. However, this is the first time listening to a full length album of theirs. Infectious grooves sprinkled with some avant-garde. My social media addled brain had trouble at times keeping up with the 18 minute/17 minute tracks, so definitely need to re-visit in the future.
While this isn't what I usually listen to on my days off from 1001 albums, I can appreciate that Neil is a hell of a song writer. 3.5/5.
What a mix bag. There are some good, groovy songs and some that are just complete slogs. At times, I felt like I was listening to a movie soundtrack. I appreciate the boldness, but overall, it's a little flat. 2.5/5.
When I saw 22 songs, I was like oh no, but they were short and to the point and overall, a fun album full of punk, garage and that classic Pixies sound.
"Goddess on the Highway" has been one of my favorite songs since high school, so I've been aware of Mercury Rev for years, but I never fully listened to the album until now. It's a fascinating mix—at times beautifully ethereal, at others experimental and almost hymn-like (Endlessly reminds me of Silent Night). Overall, I really enjoyed this one.
Billie is one of the greats. However, is it too much to ask for at least one song over 100 BPM?
I was surprised by how much I liked this album. Also, I found this on the Lemonheads Wikipedia page and found it quite funny: "The band's frontman, Evan Dando, later told American Songwriter that he "hated" the song as well as its author and that its recording was only to promote a 25th anniversary home video release of The Graduate. He noted that Simon greatly disliked the cover, but Garfunkel was more favorable toward it."
That tracks.
Riders on the Storm is an absolute classic. Everything else is okay.
Very much in the same vein as Supertramp. Not necessary bad, but also not very good. Very in the middle. 2.5/5.
As a huge fan of 90s music, this is one of the few albums during that era that truly deserves to be forgotten.
While I would prefer to just listen to the Smiths, I still enjoyed this. 3.5/5.
Early 90s rap is not my cup of tea.
I've only listened to their (in)famous record, Trout Mask Replica. I found this way more digestible.
This album grooves. I can't believe it is over 50 years old. It sounds extremely modern.
Probably one of the most iconic rap albums of the 90s--if not all time.
I think Clapton is a tool, but I can't deny that this is a really good album and has some absolute bangers on it.
Pixies have always been a blind spot, so this was a great kick in the butt for me. Did not disappoint.
Pretty great Bowie Album. I always think of A Knight's Tale when I hear Golden Years.
Gonna break out my cardboard and do some handstand spins. 3.5/5.
This was great! Loved the sound and overall weirdness. The early 90s was such a weird time for music outside of the major genres.
What a mixed bag. There are some songs I really enjoyed (like 2:45 AM) and others that were absolute slog fests. Pretty middle of the road album for me 2.5/5.
"Gotta put my long legs on."
No one can deny the cultural impact of All Along the Watchtower (Sorry Bob). I think I like Axis: Bold As Love more but this record is still great.
Bill Evans is one of the best pianists of the hard bop/modal eras. However, I prefer to listen to Bill Evans with Miles than a piano trio setting. The interplay is fun but dynamically, it hits the ceiling pretty quickly.
In Rainbows and OK Computer will always reign supreme, but this is still a great Radiohead album with some standout songs like Pyramid Song and Morning Bell/Amnesiac.
I use to perform in a cover band that had "I believe in a thing called Love" in the set list so I know that song front and back. However, I've never dived into the album before. Really fun. I love that classic rock sound with modern production.
I've owned "Yoshimi" on CD since high school and have listened to it countless times. This is one of those albums where I wish I liked it more than I do. There are some great songs on it like Yoshimi Battles the Pink Robots Pt.1, In the Morning of the Magicians, and Do you Realize? However, I would rather just listen to those songs as singles than get to them by trying to get through the entire album. 3.5/5.
The first half is banger after banger. I lose interest by the end of the second half. Still a great, great album from the first half alone.
More technical than Metallica but also more soulless. Pretty boiler plate thrash.
I think I enjoyed one song. Not my cup of tea (get it? They're English...)
Groovy! I'd like to shake my hips at Ravinia, Bryan!
Never really went down the Simon & Garfunkel rabbit hole. After listening to this, I think I'm okay sticking with just the hits.
Music to get lost in the sauce.
Just good depressing music for a Monday morning.
It's wild how different Country use to sound like compared to today's Country. I definitely prefer this over modern country, but not by much....2.5/5.
I'm ready to put on some Newlyweds: Nick and Jessica and put this on in the background. Bring me back to 2003 please!
Great song writing, great production, great performances (Flea and Taylor Hawkins played on this album.) Top notch.
Just rating this album while in a Buffalo Stance...
I appreciate the variety of songs, but also made me extremely sleepy. Need to go listen to dubstep or something to wake up now.
Was impressed by the musicianship, but got bored pretty quickly.
Are you telling me the great actor, Willie Nelson, from classics like Beerfest, the Dukes of Hazard remake, and Zoolander 2 also sings?!
Makes sense why the singles were chosen. The rest is meh to fine.
Pretty raw at times, which I enjoyed. I think I liked it more than Viva Hate. 3.75/4.
One of my middle school staples. While Take Me Out is the big hit, the rest of the songs easily match the energy and catchiness. Not a skip in my opinion.
Some absolute classics. I think Sticky Fingers will always be my favorite Rolling Stones album, but this is #2.
Best grunge album of all time (and yes, that does include Nevermind). Jeremy and Black are all-time greats and deeper cuts like Once and Why Go would be hits for a lesser band. The biggest issue is this album set the bar way too high as I've given up listening to other Pearl Jam albums and just mainly stick to this one.
Thanks 90 by 808 State. I have a headache now.
Dang, this was a pleasant surprise. Her voice is gorgeous and fits the music perfectly. You go Jane Weaver!
Lost my attention many times. I would have given it 2 stars if not for Cars. That song is great.
Color me impressed. The entire album is extremely catchy and flashy with very crisp production. My neck and face are starting to hurt from the constant nodding and stank face. A 9 minute song about wanting to sex someone? Yes, please! However, Limp Bizkit's Faith>George Michael's.
The title track reminds me of "Cortez the Killer." I know this is an extremely iconic funk album and it's for good reason. The vibe is all over the place but that's not necessarily a bad thing. I think this is one of those albums that need multiple listens to fully grasp what's going on, but from initial listen, two thumbs up.
While Demon Days is--in my humble opinion--Gorillaz's best album, the self-titled is easily second best. Gorillaz was fire between 2001-2010.
Definitely an album of its time. Really enjoyed the last track, but overall, it just kind of molded together.
I'm not the biggest hair metal fan, but I enjoyed quite a few of the songs on this record. I was also surprised most of the songs are 4-6 minutes long. I guess people's attention spans could handle it back then.
Probably my favorite Jimi Hendrix album. Little Wing and Castles Made of Sand are masterpieces.
Stand and Orange Crush are great. Everything else is pretty meh and blends together.
I enjoyed that a lot more than I thought I would. the mood and atmosphere was perfect for an extremely grumpy and overheated Kyle.
Can easily get lost in the sauce on this album in the best way. Around the World, though, is the champion of this album.
I thoroughly enjoyed this. It was like folksy Radiohead at times.
Uhhhh..don't really want to review Kanye since he is a terrible person who desperately needs help (swastika shirts).....3.5/5.....
That was goofy as hell. While I can't deny the dude is an amazing rapper, I got a little tired of him constantly mentioning gin in every track. I get it, you like (Tanqueray) gin and juice. That said, I thought it was a lot of fun and I thoroughly enjoyed "Murder was the Case" and "Who am I." One complaint is the album's art. Extremely amateurish. 3.5/5.
I've always been a sucker for bands that infuse traditional rock and electronica together and I think Primal Scream does it masterfully in this album. Sure, the electronic sounds are dated now, but back then it was probably extremely fresh so I can easily give that a pass. I can also hear the direct influences when I listen to other British bands from the 2000s that would continue this sound like Kasabian.
Hallelujah is an all-time great. This album, on the other hand, is pretty is not. I understand some artists deserve a swan song, which Leonard Cohen absolutely does (RIP). However, it's more of an ugly duckling. Weirdly, his voice motivates me to pick up smoking.
Like "Kind of Blue" and "Timeout," this falls into the all-time classic jazz record category. I love Getz's beautiful warm tone and the singing through out is buttery--especially from Astrud Gilberto.
This album is so dense it's impossible to truly rate it with just one listen. However, just on pure instinct, I think I enjoyed it. The musicianship and singing is on a virtuosic level. I also read Joanna played harp on the record, which is really cool. She is obviously extremely talented and I can't wait to dive into it again in the near future.
Solid late 70s punk/rock album. However, compared to their contemporaries like The Police and the Clash, nothing really stands out.
It's rare to like the second half more than the first but that was definitely the case with this album. I'm glad I held on because by track 2 I was about ready to turn it off. The record ends strong with The Mask, Cowboys, No Woman, No Cry and Manifest/Outro as stand outs. In context, I actually don't think their big hit, Killing me Softly with His Song, even really fits. It's a weird vibe change compared to the songs that sand which it. Also, some of the skits are pretty atrocious, especially the Chinese restaurant skit. Huge shout out to Enya's "Boadicea" as the sample for Ready or Not. The original is the true banger. 2.5/5.
Pound for pound, Led Zeppelin's greatest album. Album 1 alone is a masterpiece with such strong hits like In my Time of Dying and Kashmir. Album 2, while not as strong, still punches well above its weight with In the Light, Ten Years Gone, and the Wanton Song. Bonham's drumming is nuts like always and John Paul Jones' organ playing just brings so much to the band's sound. This album is proof why they are considered one of the best rock bands in history.
This album is a cross between Billy Joel and R.E.M. abomination. So bland.
I've listened to his album Voodoo before based on a recommendation from a podcast, so I was aware of D' Angelo, but he's not someone that is in my daily, or even monthly, line up. After listening to Brown Sugar, that might have to change. That was seeexxxxxyyyyy. Hmm...
Makes me want to watch the Sandlot.
