The Lexicon Of Love

“Mom, can we have some Duran Duran?” “No, we have Duran Duran at home.” Duran Duran at home:

Holy fucking shit what an opening! Every single song on this slaps with irresistible 80s groove... The Nile Rodgers-esque rhythm guitar, Phil Collins-y drums, slapping base, synth strings and keys, various other sond effects... And it's different enough to be individual and something that you couldn't substitute with some other 80s album... I had so much fun listening to this

This list really is way too heavily skewed towards average 70s-80s British bands. God I hated this album.

This was really bad. All the reasons people think they don’t like 80s music wrapped up in one album. Feels like I just got “Rick Rolled”.

Literally 0 understanding why it's in the "1001 albums you must listen before you di" list

A proper, shiny, widescreen heartfelt unashamedly bombastic pop album. If your world is full of strange arrangements and gravity won't pull you through, this is the album you need.

Well, that didn't age well, did it? Nope. This album exists in a very narrow slice of musical history and it should stay there. We've already got Bowie filling out the "weird 80s electropop" portion of the list. Let's just let this budget ripoff disappear into obscurity, alright?

I know people love it, but 80’s production is insufferable to me. The reverb, drum sounds, the focus on everything sounding clean and pristine. Early digital synthesis feels so cold and lifeless when compared to the analog synthesizers of 70’s. I can’t help but think of David Brent’s dance for charity in series 2 of The Office as Poison Arrow plays. Scratch that, you could probably sync that scene up with most of the tracks on this record. I have the feeling David Brent would love this record, so take that as an endorsement…maybe?

One of my favourite albums of all time. Martin Fry's melodramatic crooning, the unabashedly cinematic romanticism and a clutch of finely honed songs make this an essential collection. I consider this one to be the Citizen Kane of New Wave. Big talk? Big album!

Per Wiki notes, the band's ambition was to create music that was more sophisticated but still had some attitude. Grade: F.

The orchestral moments on this earned it an extra star. Way more depth than your average 80s pop album.

Listened while transferring a batch of beer from fermenter to keg. It did not distract me from anything I needed to pay attention to, so that’s a plus. I expected to want to turn this off, but it wasn’t that offensive, and if I’m being honest, I may have enjoyed a track or 2. Not that I looked up from what I was doing to check the song names. It’s not anything I’ll go back to intentionally.

Full disclosure: I am absolutely not the audience for this album. I generally loathe 80s synth pop. Here are the main elements of Lexicon of Love: disco bass, the arch, pasty vocals of Martin Fry, ostentatious drum machines, thin and inorganic-sounding synths--I hate each and every one. And yet the ambitions of ABC are quite well realized. The music is danceable if you can keep from vomiting. There are ton of cringeable hooks, both melodic and rhythmic, that make this music memorable. There is nothing lazy, half hearted or timid about The Lexicon Of Love. And it's played and performed immaculately. Producer Trevor Horn (the man who remade Yes into an 80s AM pop band--there's a horrible thought) knew exactly what he wanted and achieved it in spades. How to score? 3 points for the high level of professionalism, -1 points because this music is so putrid it made my eyeballs ache.

"Yippie ai yippie aiay!" One of my more favorite nonsensical lyrics in a song. "The Lexicon of Love" is the debut album from the English pop band ABC. New Wave, synth-pop and spohisti-pop are also descriptors. The band's ambition was to fuse punk and disco. I hear the disco. But, I'd say this it is more a pop album. The album was produced by Trevor Horn and the orchestration arrangements by Anne Dudley who would go on to form Art of Noise. I hear that in the way the songs are constructed; one of the strengths of this album is the detailed placement of multiple instruments (keyboards, synths, strings, horns) throughout each of the songs. Very well-crafted. The band consisted of Martin Fry (lead/backing vocals), Mark White (keyboards, guitar), Stephen Singleton (alto/tenor sax) and David Palmer (drums/percussion). Fry denied this was a concept album as for the most part each song is about heartache in a relationship. Yeah, if this is autobiographical, Marty had had a pretty rough go in the love department. A grandiose, lush orchestration with strings and horns begins "Show Me" which slides into a bass-heavy dance/pop beat. You can already hear the top-notch production. He wants his girl to show him they're serious. The second single and song "Poison Arrow" continues the great pop production and sound. Keyboards. Horns. Strings. Great chorus. A Girl broke his heart. "Tears are not Enough" was the lead single and there's jangly guitars, horns and more of a disco/dance beat. Interesting keyboard bridge. Tears are not enough for Marty not to break up with her; he doesn't love her anymore. Marty continues his misery on the fifth album single "Valetine's Day." This song kind of grooves. More music, less singing. Great use of keyboards in the chorus. He's looking back at the wasted time with his girl. Their biggest single "The Look of Love (part one)" opens the second side. Another grand intro that builds. That classic-pop groove. Marty's getting suckered in by her looks. He can't find love. "All of My Heart" might be my favorite song on the album. It's lighter sounding. Great strings in the middle and end. He goes falsetto and this is his most impassioned singing. Hey, it's hopeful sounding as he wants his girl back. This is a very well-crafted and produced albums. Really no bad songs. On the 80's station I listen to (First Wave), I hear "Poison Arrow" and "The Look of Love" all the time so at least these songs have stood the test of time and remain quite popular to the 80's crowd.

ABC seems like a more sophisticated 80s band… something smooth and the 80s equivalent of big band music about them. Martin Fry’s voice and the lush arrangements create a really great, big sound that still sounds amazing today. I loved the hits they released off this album when they were released, but in the mid 80’s purchased it and really fell in love with the whole album. Big sound, clever lyrics, and hook-filled bass-driven 80s numbers are as compelling now as they ever were to me. Something about this album makes me want to listen to it in some open-air vehicle (a convertible? A biplane? A powerboat?) while sipping on champagne. I’m so excited to see this come up on this list!

This makes me want to put on an Armani suit and get down. For the sake of clarity, my favored wardrobe consists of jeans and band t-shirts and I most certainly can't dance but this makes me feel like I have sartorial taste and an actual sense of rhythm. In an alternate universe this is the soundtrack to a colorful, early 80s movie musical that while very much of it's time and critically savaged upon its release is now considered a groundbreaking cult classic.

Lounge music from the 80's. A time of great optimism. Business suits, boardrooms, thatcherism, consumer credit, and the beginning of the modern era. You could make a reasonable argument that the ills of today were birthed here, but I digress... Musically, big, bright and poppy, "The sound of a foot tapping on the classroom floor forever." That and trying to imitate Bryan Ferry. For all that some instant classics. A trip down memory lane if nothing else.

Quick-hitting, high energy pop album spanning new wave, disco, and funk at times. The Look of Love is an underated banger, and there are a few other great tracks for a relatively shorter album. Great job of getting in and out of songs without dragging on, and no wasted time trying to be gimmicky. Probably a 3.5 but getting the bump for being a guilty pleasure listen and the replay value.

My schizophrenia is getting worse by the day

Does any song send it further than “All Of My Heart”? This album is the answer to the question that was Britain in the early ‘80s: of its time in that it helped make it.

One of my absolute favorite '80s confections. The arrangements are perfect the songs all top-notch, especially "All Of My Heart". And all my friends just might ask me They say, "Simon, maybe one day you'll review their follow-up albums" And I say, maybe the recent "Lexicon of Love II" is surprisingly good But "Beauty Stab" was a weird misfire that is sadly odd and annoying.

The Lexicon of Love Banger after banger after banger. Apart from Theme from ‘Mantrap’, which isn’t great, even if it is in keeping with their vibe, but I’m not counting it as it wasn’t on the original release. The original release is superb though, not a duff moment or misstep. There’s Bowie, Eno, Roxy Music, Nile Rodgers and Chic, Motown, Stax, Disco and synth pop Britishness all put through the filter of some lads from early 80s Sheffield with the production genius of Trevor Horn and arranging brilliance of Anne Dudley, coming out as a archly sincere synth-art-soul-pop classic. Poison Arrow and The Look of Love are obviously fantastic but It feels like every song could have been a single. The intro to Show Me with the strings and horns before the superb bassline kicks in is wonderful, and the bridge into the chorus is just fantastic. I love how it segues into the hook laden brilliance of Poison Arrow. More fantastic bass on Many Happy Returns and more great hooks too. The same goes for Tears Are Not Enough, a vaguely, but arguably better, Duran Duran-esque disco pop banger. I love the staccato pop melodrama of Valentine’s Day, another hook-laden song to end side 1. The Look of Love, what a song, a great blend of crooning chic-disco-Roxy Music and Trevor Horn’s production, superb. It’s brilliant how an album track like Date Stamp keeps up the momentum, it’s another great disco-pop song, and you can hear the ideas and sounds that Trevor Horn would take into Relax a few years later. What a superb song All of My Heart is, a brilliant piano hook with excellent string embellishments and an effortlessly artful and dramatic vocal and vocal melody. I guess this is overshadowed by Poison Arrow and The Look of Love, but it’s just as good and has such a lovely musical sweetness to it. 4 Ever 2 Gether is yet another banger, with more excellent bass and another fantastic string arrangement, and I like the overdriven guitar giving it some tension. And the instrumental Look of Love is an excellent way to bookend the album and leads nicely back to the string intro to Show Me. I love Martin Fry’s turn of phrase. I’ve seen reviews highlighting his lyrics have an advertising catchphrase quality to them and I think that’s true, little one liners and couplets that stick in the memory. An assured, melodramatic, fantastic, joyful, sophisti-disco-pop banger from start to end. 5. 🏹🏹🏹🏹🏹 Playlist submission: All of My Heart

One of the best breakup albums, full of energy instead of wallowing in self-pity. You do have to have a tolerance for 80s cheese to appreciate this, but if you can you'll find that you have one of the most consistent albums of the 80s. Superb hooks, superb basslines.

Shoot that poison arrow to my heart (indeed). Very solid album from A to Z...

Holy God this is an awesome album. Like damn this is gonna be a new classic for me

Great to clean your kitchen to.

Yes, please. I will take all the snappy drums, splashy synths, and electric keys you have.

Sometimes you can appreciate something for what it is without actually liking it. I knew the singles from this album in advance from my 80's childhood and was aware going in that it wasn't for me, so bright and polished with all rough edges smoothed away. While that's a negative for me it does make for a near perfect pop album which I'm sure will make it a favourite for a lot of people. You can hear the Bowie and Chic influences throughout, both of whom I enjoy more than this. Overall a decent 40+ minutes with strong tunes but not one I'd choose to listen to again.

Funky

Hey what do you know, more from the UK. Thanks, Robert Dimery! Without you letting me know which UK artist I should listen to every day for 1001 days, I would've never even known the place existed! I'm glad someone's standing up for this unheard-of lil cultural gem called the "United Kingdom". Truly, you're doing god's work here mate. This isn't too bad though, just reasonably catchy pop numbers that are inoffensive, ultimately COMPLETELY forgettable, but it's nothing bad. I recognised a couple of them. As another reviewer said, "we have Duran Duran at home". hahaha. 3/5.

Aucun souvenir de cet album à part qu'à un moment quelqu'un joue de la basse.

Took me until "the look of love" to get to a song that I recognized. Generally like this kind of sound but this one doesn't really grab me as an album. Like some individual tracks but the sound doesn't gel for me.

Their chapter in Simon Reynold's Post-Punk book was easily my least favorite. I just don't like what Trevor Horn does. I've discovered how underrated the 80s are through many albums on this list but this is one of the poster childs for the side of 80s music I hate. Rating: 2.0

Was there only one singer available for all of the English pop bands in the 80's?

Just like painting a gate not fun but also there is plenty worse things out there

There seems to be a decent percentage of forgettable, similar-sounding, sophisti-pop/new wave records from the 80's on this list. This album falls into that mold, and it certainly sounds of its time. I guess the production itself is fine, but these albums always sound like they're trying to knock it out of the park with every track, and most tracks end up whiffing on the pitch. It's just...too much perhaps? Too sappy and smarmy I guess.

Violently 80's stuff. Slap basses, orchestra hits and In The Air Tonight-esque drums galore. It's an amusing artefact of its time, but one that wears out its charm pretty quickly, instead becoming, frankly, quite annoying.

This album has shoulder pads and a skinny tie. So draped in overwrought 80s synth sounds and sultry leaping vocals.

Poison Arrow is so bad that it's actually good.. It's pretty cheesy 80s but not in a good way.

my depression amplified

Feels heavily indebted to Bowie and Duran Duran. The songs are fine, but blend together after a while. Bass player puts in work, though. Favorite tracks: "Show Me", "Many Happy Returns"

As far as I can remember, Patrick Bateman never ranted about this album in the novel *American Psycho*. I'm quite surprised by that, it's right up his alley. To be perfectly honest, I'm glad producer Trevor Horn could try his hand on all those 80s synth shenanigans on this one. He would put that training to good use on that other truly extravagant Frankie Goes To Hollywood opus later on (you can actually spot those sorts of production shenanigans on the short intro of "Date Stamp", for instance...). The orchestral touches are also quite effective, giving a little depth to the whole cheesefest ABC is so keen on building with this strange record... The thing is, as sophisticated as those arrangements are, they are still a little too overblown just for the sake if it to have aged as well as in other Trevor Horn's productions. And the songs are themselves not convincing enough. Where are the truly beautiful melodies? Where are the catchy hooks? Where are the moments that can tell you those songs could actually work on an acoustic guitar as well? Well... They're... nowhere in sight. So what's the point, really? I guess that in that electronic pop realm, ABC just can't compete with Eurythmics and their white-soul-meets-new-wave flavors, or with Depeche Mode and their dark elegance conveyed through subtle harmonies, or with Heaven 17 and their snarling, biting irony, or circa-*Dare* The Human League and their...well, *humanity*. Even electronic novelty pop needs something a little more profound and personal than the formatted elevator muzak *The Lexicon Of Love* has to offer. To return to *American Psycho*, here's a lesson that Patrick Bateman has never understood. But because humanity was his nightmare--and possibly Bret Easton Ellis' one as well--it doesn't mean that such nightmare has to become ours, too. There was still hope for mankind, even during the 80s. It's just that such hope won't be found in ABC's stifled and stifling... musical lexicon. So next, please. Number of albums left to review or just listen to: 800 Number of albums from the list I find relevant enough to be mandatory: 106 Albums from the list I *might* include in mine later on: 49 Albums from the list I will certainly *not* include in mine (many others are more important): 45 (including this one)

Utterly shit. A couple of kinda not horrible songs but lame from beginning to end

Other than The Look of Love, this felt almost unlistenable.

Very 80s, doesn't quite hit the highs of other 80s albums

This album is so awesome. Obsessed. Amazing recording, great performances, fantastic songwriting. ABC should be way more famous.

„Look of Love“ - episches Synty Pop/Wave Album. Ein Werk für die Ewigkeit.

Several years ago, for reasons I don't recall, I searched for a list of the best new wave albums. The Lexicon of Love happened to be on that list, so I decided to check it out. I knew a handful of ABC songs at that point, but I didn't really have a strong opinion of their work. Listening to this album really made me a fan of ABC, and I've been looking forward to reviewing this album. I don't think I've listened to all of it since that first listen, so I'm hoping that my fond memories of listening to it will still hold up! My fond memories of this album did not lead me astray. The Lexicon of Love is pop perfection. Every song on it is great, bolstered by funky bass hooks, Martin Fry's seductive crooning, and some beautiful keyboards and synths. The cover for this album looks like something out of golden era Hollywood, and the songs on this album do such a great job of crafting that atmosphere. I can understand why some people might find this album cheesy, but for me, the seriousness that Martin Fry put into this album really hits the artistic mark that he was going for. I could go on and on about this album as a whole, because I think it’s a pop masterpiece, and I think it’s incredibly fun and enjoyable to listen to. But I’ll stop here and talk about a few of my favorite songs: -“Show Me” sets the tone of the album so well, with its string introduction, but when the horns kick in, and then the bass, you know you better buckle up for pop perfection. This is an excellent lead off track, because it establishes the sound of the album so well, but without showing all of the tricks that ABC has up their sleeves. The synthesizer riff towards the end of the song is fantastic, and this song is indicative of how every song on this album has so many treats for the ears. -“Poison Arrow” has such a fantastic pre-chorus. I love the little call-and-response that Martin Fry does with himself. Once again, the bass playing is great, and “Poison Arrow” has some great synths and keyboards. -The bass playing on this album draws a ton of comparisons to Nile Rodgers, but “Tears Are Not Enough” feels like the closest thing you can get to an homage to Chic on this album. The way the horns and bass play off of each other is pure disco, but an amazing synth arrangement kicks in during the last minute of the song that really cranks things up to 11. -“The Look Of Love, Pt. 1” feels like the emotional focal point of the album. The Lexicon of Love has a very cinematic feel to it, but this song feels like the anchor of that theme. Martin Fry’s vocals are at their best, and the backing vocals sprinkled throughout the song make it feel like the biggest ensemble performance of the album. Once again, the bass guitar is fantastic, but so are the programmed strings. “The Look Of Love” really shows how much ABC can do with synthesizers and programming. -If this album truly were a movie, “All Of My Heart” would be that sad moment in a love story, right when someone realizes that they pushed away the love they truly wanted, leading to a dramatic reconciliation. And it’s not just this song’s position on the album that makes this song feel this way, but the mood that ABC establishes with the ebb and flow of the song’s verses and chorus. -“4 Ever 2 Gether” was the biggest surprise to me on this album. I’ve listened to this before, but for some reason, I’d forgotten about this song. Every musical element on this song just hits perfectly to my ears. The programmed strings on the chorus are absolutely perfect, and their bright sound contrasts so well with the deep bass and drums. It delights me that this absolute bop is one of the longest songs on the album. The Lexicon Of Love is a joy to listen to. I went through this three times before writing my review, and I wish I could have gone through it a fourth time. Every song here is a winner, and there are no low points. The Lexicon Of Love deserves to be in every conversation about the best pop albums of all time.

Love love love ABC. Total 80s kid.

slapped my tits and ass CLEAN OFF! a total surprise, fun and funky and super energetic. i can't wait to listen to this more. easy 5 from the first song. to everyone who rated this album a 1 or 2, your mom's a ho

I only discovered The Look of Love Pt. 1 a few months ago but have enjoyed it ever since. i saw the album cover and gasped. i immediately knew this would have some fun, new-to-me bangers on it. this is such a cool, interesting, unique new wave album that really stands apart from the pack. i really enjoyed it in my four (?) listens. nuts to the haters. favorites: show me, poison arrow, tears are not enough, valentine's day, the look of love pt 1 and pt 4

An absolute masterpiece in bombastic 80s pop. Listening back to the clean production, the early Fairlight and bass lines that you can just hear Trevor Horn's developing sound that became Frankie etc. British pop at its finest, and some great songs that still stand up.

Loved it, this album goes hard af. Had on repeat all day, particularly loved Valentine's Day.

Loved it! Made me wish I was driving to the beach in a convertible in a beautiful sunset, with a stash of cassettes in the glovebox.

Pretty cool

This album comes out SWINGING! Tasty slap bass grooves with a killer 80s pop silhouette. Wow the first brit pop album to blow me away in a long time.

Amazing album! One from from my teenage years. Loved Martin Fry's gold lamé suit on Top of the Pops! Amazing sound, production. An epic album for the 80's...I'm right back there!

I was not familiar with these guys and the haters got me nervous but… I like 80’s synth pop stuff! And the symphonic aspect just made it even better. So happy I discovered this.

Great!

Funky 80s pop, this was really fun. I like disco probably more than most, but I just love the grooves in it. A couple of standouts here for me behind Show Me, Date Stamp, and Poison Arrow/ Theme from "Mantrap". It's a dated sound obviously, but musically it's very layered and engaging.

WOW I did not expect to like this so much. As a fan of bands like Duran Duran and Depeche Mode I always overlooked ABC as being too slick and adult alternative leaning, but man do I absolutely love this. I think if you like the lyricism and melancholy of bands like Roxy Music and you also like early Duran Duran you will LOVE this. This is EXACTLY my brand of '80s cheese. It's melancholic, self-pitying, glamorous, frisky, flamboyant. It's so unapologetically SO MUCH. It's like the epitome of gold lamé suits and hairspray and self-absorbed passion. It's like, cool and sexy theater kid music. Yes. So fucking good.

What a supremely new wavy bop buffet! Beautiful album cover too.

Fantastically groovy album, which I had already grown somewhat accustomed to, with Poison Arrow having featured on my favorite radio station on one of my all time favorite games - GTA Vice City. Every song through the album has a wonderful feel to it, the bass on some of these songs is crazy, and I really loved how the last song came back to a more laid back version of Poison Arrow - felt like the album went on a full loop.

Funky bass hammers and new wave synth produced by the Trevor Horn machine? Yes and yes and yes. Such a lovely 80s album. ABC deserves a lot more love than they get. A lexicon of it, shall we say?

They did an experiment on what happens if you batter a zillenial with new wave in their most vulnerable moments for years and the result is me really grooving to this album.

A solid classic with big Trevor Horn production. Can't lose! 5

9.5/10 Koji album! Da, ocekivano je da ce mi se ovo svidjet ali nemaju mi sve grupe iz 80ih ovakvu kvalitetu kao ABC. Bas su mi zapeli za uho zadnjih godinu-dvije, cesto se nadju na plejlistama i jos uvijek su mi fresh. Koliko god da su corny s tekstovima u nekim pjesmama (pogotovo Valentine's Day), nadoknade mi sa jakim hookom u skoro, ako ne i svakoj stvari, te svaki minus koji im dam debelo poprave u necem drugom. Groovy basevi, synthevi koji super zvuce ali su u pozadini, i ne dominiraju u svakoj stvari (za razliku od nekih drugih slicnih grupa iz tog razdoblja), funky dijelova koje nisam ocekivao, trubica, violina. Ma ono, svedski stol zvukova i sve je tako lijepo sklepano. Na trenutke melodramaticni, ali cijelo vrijeme energicni. Tesko mi je izdvojiti najdraze stvari, ovaj put su me ponovno iznenadile Many Happy Returns i Date Stamp. Vidim, odnosno cujem i od kud je nasa Boa crpila inspiraciju. Font, cjelokupna estetika, originalnost, sve mi ima na jednom mjestu. Jedan od drazih albuma osamdesetih u zadnje vrijeme, ako ne i opcenito. Ovo treba pustat vani!

I’m not a natural 80s fan but I love this album. A guilty pleasure.

Other than hearing ABC on various New Wave compilations, this is my first time listening to one of their albums from beginning to end, and I have to say, this is a really good one. I love it when I find a synth-pop album that I really enjoy. The Lexicon of Love was solid from start to finish, with a very sophisticated and glamorous feel throughout. It actually makes me wonder how often this album was played at fashion shows back in the day because it definitely has that vibe.

Great stuff!

one of the first vinyl records I ever bought. It's still great and deserves to be listed to how it was intended...start side A, finish side B. Great lyrics...

This was headed for a high 4-star rating until it reached All Of My Heart. If forgotten how perfect that song was.

Super

Poison Arrow has been a Own Personal Rics staple for as long as I can remember but I was pleasantly surprised with the rest of this album. Great range, kept things interesting, bit Bowie adjacent but that's not a bad thing

This was enjoyable.

On the one hand, this is the music I desperately wish David Bowie made, given how much Fry’s voice sounds like Bowie’s, just with more tact. On the other hand, I think I’m just a sucker for new-wave sophisti-pop, a horn and/or strings section, and a killer bass riff (crazy considering that ABC lacked a steady bassist during recording). I’m also just a fan of camp, and this is Camp with a Capital K™️. It’s one of those ’80s records you pick up because it has one hit you kinda sorta remember, but once you actually put the record on, it hooks you from the start and only keeps getting better, and because the hit is buried so deep in the record, by the time you actually arrive at it, you’re already so sold on the record overall that the hit blows your fucking mind. Every time I think ABC is about to lose me by being a bit too much, they’re somehow able to hold it all together and ride the chaos beautifully without breaking the pop music vases they’re juggling. If I have any critique, I’d say I prefer Side A to Side B overall – the contrarian opinion, from the looks of it – but that may have to do with the fact that Side A is more clearly disco-adjacent. Whenever I pull a cheesy pop record on this list, I try so hard to tell myself that my preference for cheesy pop music shouldn’t influence my rating, and I try to initially rate those records lower. And normally, I fail at being my own Devil’s Advocate, if only because I subjectively adore dorky pop music, and I’d be lying if I tried to claim otherwise. The Lexicon of Love needs no justification, though. This is pure pop crafted with meticulous care and respect for the tradition of the pop song. It’s so undeniably infectious, and only gets better with each listen. A must-listen for every poptimist!!

What can I say... this has always been one of my favorites since it came out! A fun romp with some great bass. "All of My Heart" - sublime! Listen to this one often.

The Lexicon of Slap Bass.

I was really surprised by this one. The album cover looked corny as hell and 80's music is generally not my favorite. But there wasn't a song on here I didn't enjoy. I generally found the songs to be very dynamic and the album offered a rich soundscape. I don't know that there were any stand out songs, but that's because I liked the whole thing pretty well.

I loved it when it came out in 1983? I loved it yesterday in 2024. Great rhythm and clever lyrics.

5/5. Great mix of disco, post-punk and new wave with songs about love and heartache. Not really a bad song on here and super catchy and great instrumentation. Each instrument throws itself in the forefront and yet the vocals give an air of Smiths that mixes well with this slightly dark and upbeat aesthetic. My foot was constantly bouncing, who said disco would not age well? Best Song: Show Me, Tears Are Not Enough, 4 Ever 2 Gether

Ну хорошо. Приятный попец

ABC's 1982 debut, The Lexicon of Love, is a landmark album, a synth-pop masterpiece that transcends its genre and era. Let's delve into the intricate layers that make it so enduring. Lyrics: Passionate Wordplay Martin Fry's lyrical prowess is a cornerstone of the album. He paints vivid pictures of love's highs and lows, using clever metaphors and a touch of theatricality. "Show Me," the opening track, throws us into a whirlwind of emotions with lines like "Love's a loaded gun, but never seems to scare you none." Fry's vocabulary is rich, weaving in references to literature and film, creating a sense of intellectual romance. The album doesn't shy away from heartbreak either. "The Look of Love" chronicles a devastating rejection with a heartbreaking simplicity: "I thought my heart was safe in your care." These relatable themes, delivered with both humor and sincerity, resonate with listeners across generations. Music: A Tapestry of Sound Musically, The Lexicon of Love is a playground of textures. The foundation lies in the pulsating basslines and intricate synth arrangements, courtesy of Mark White. Tracks like "Poison Arrow" showcase a clear influence from Chic, with its infectious disco groove. However, ABC doesn't rely solely on synthesizers. Layered strings, horns, and flourishes of piano add warmth and depth, particularly on ballads like "All of My Heart." Martin Fry's vocals are a key instrument. His expressive baritone, with its dramatic flourishes, perfectly complements the emotional intensity of the lyrics. Production: A Masterstroke of Innovation The production, helmed by the legendary Trevor Horn, is a masterclass in studio wizardry. Horn's meticulous layering creates a lush yet cohesive soundscape. He's not afraid to experiment, with unexpected sonic elements like the dramatic breakdown in "The Look of Love" or the spoken-word interlude in "Date Stamp." The crisp, clean audio allows every element to shine, whether it's the intricate synth melodies or the subtle nuances in Fry's vocals. Themes: A Celebration and Dissection of Love The overarching theme is, of course, love. The album explores its various facets – infatuation, desire, disappointment, and heartbreak. However, it avoids sentimentality. Fry's lyrics often hint at a cynical edge, questioning the nature of love and its power to both build and destroy. "Show Me" questions the sincerity of love, while "The Look of Love" exposes the devastating side of rejection. There's a sense of exploration, a youthful yearning to understand the complexities of this universal emotion. Influence: A Legacy of Synth-Pop Innovation The Lexicon of Love's influence on music is undeniable. It paved the way for synth-pop bands like Pet Shop Boys and Erasure, proving that synthesizers could create sophisticated and emotionally resonant music. The album's focus on melody, clever wordplay, and theatrical delivery continues to inspire artists today. More importantly, it established ABC as a band with a unique sound and a knack for crafting timeless pop music. Pros and Cons: A Balanced Perspective The Lexicon of Love isn't without its minor criticisms. Some might find the melodramatic vocals and theatrical delivery a bit over-the-top. The synth-heavy production, while innovative for its time, can feel dated to some modern listeners. However, these elements are precisely what make the album so iconic. They contribute to its charm and memorability. A Final Verdict: A Timeless Classic The Lexicon of Love stands the test of time as a groundbreaking and influential album. It's a masterclass in songwriting, production, and performance. Fry's passionate lyrics, ABC's innovative sound, and Trevor Horn's masterful production create a cohesive and unforgettable listening experience. While minor stylistic elements might feel dated, the album's core strengths – its emotional honesty, sonic inventiveness, and sheer brilliance – ensure its place in the pop music pantheon.

It is a very very interesting album. One of the best pop I ever listened. Music is really driving!

I love this thing, it can be goofy as fuck sometimes (especially in 4 ever 2 gether (which is also it’s best track)) but it’s just great. It also has a great set of singles with the look of love, poison arrow and all of my heart. 5/5

Äntligen något bra. Varit på tok för mycket skit på sistone. ABC släppte många fina hits på sin storhetstid. Hade bara hört en handfull av låtarna på denna platta och de låtarna jag inte hört förut var inte kattskit. Ett album man blir glad av.

great 80s pop band ,brought back good memories thank you

Surprisingly good..

I doubt I'm gonna rate any New Wave album below a 4 but this is an easy 5 top notch New Wave-synthpop-new romantics, may be one of my favorite albums now

I love this.

Perfect pop - smart, sleek and sophisticated, but with an edge of something I can't quite put my finger on. I wasn't familiar with the whole album, but it does work as a full suite of songs. The two 'versions' at the end seemed a little bit like overkill, but I would give this 5 stars for the singles alone. An 80s classic.

The pinnacle of pop. And intelligent pop, at that. What an outstanding debut. The storytelling, the production, the songs - it's all there. I use to listen to this on repeat 40 years ago (!). It transported me as I visualised stories and experiences around the songs. So many memories. It still sounds incredible, four decades on. Lexicon of Love II is half decent as well.

I love this album. This is one of my favourite albums on the list so far. I love the vocals, the backing vocals, the band, the sax etc. The singles are clearly insanely good, Poison Arrow, Look of Love, Tears are Not Enough But the album tracks are incredible too. The flow is great, the reprise of look of love, its all good. Perfect album 5/5

I don't usually listen to this type of music, but oh man, it is filled with bangers. Whole album can easily be broadcast 24/7 on any station, and probably no one would mind. Just an amazing pop record, with great vocal, nice instrumentation and really fitting orchestral music in the background. This album probably won't change my view of pop music, or 80s music, but I have just found a needle in a haystack of crap.

I had never heard of this band or album prior to listening. Let me tell you though, that I was hooked. That wailing saxophone, energetic bass and synth, was all led with campy/theatrical lyrics and vibes that put me right into this era. I literally spent the rest of the day listening to 80's tracks and understand how much music was influenced by ABC's sound. I also love how it jumps from The Look of Love Pt. 1 to Pt. 4. That is something I would do if I wrote an album. Catch me wearing a crop top and some short shorts like Tom Selleck in Magnum PI while I absorb some pure 80s vibes. Stand out track: The Look of Love Pt. 4

It’s a 5, don’t believe Luke ❤️

Great album, 80s at its best.

It's rough. It's outdone by MANY other 80s albums. It shouldn't be on this list, frankly. AND YET THE DOPAMINE FLOWS ??

Very 80s in both good and bad ways. The subject matter is sappy but not in a way that gets too grating. The instrumentation is super snappy and tight though. Lots of amazing studio flourishes that really pop and some KILLER bass.

that was way more fun than i expected. the 80s really was the peak of bass playing.