Pretty heavily produced, super ambitious album

Not super exciting - some hints of the songwriting strength that would mature in a couple of years, but out of that context not an altogether earthshaking experience.

A bit of a slog at first, but got into it when I gave it a chance later in the day. Definitely asks for some focus to pay attention to the lyrics. All the diverse ft.s and production personnel really help for the variety, which is crucial. Some of the beats and samples are awesome (it felt like J Dilla was all over it but I guess he only did like one song). Hard to find credits for exactly who worked on each track, but the collaborative space is where any wu tang adjacent effort shines. And they seem to known it. Definitely made me appreciate Ghostface more, where he normally sat in the shadow of ODB, RZA, and Method in my mind. Fav tracks: Champ, 9 Milli, RAGU, Back like that, Dogs of War

Supernaut is one of the absolute bangers of all time

Really loved the 2nd half, even though I did fall asleep to it at one point.

🤷

3 1/2 - respect and admiration for kraftwerk, but not something I would find myself craving on the day to day.

This makes my blood boil

Hard to not be prejudiced since this is one of my faves. This is one lives in my metaphorical cd changer of autumn soundtracks alongside De Stijl, The Argument, and Rated R.

When I was maybe 20, I took probably my first solo trip across country to visit my cousin in Seattle. He lived in this little cool hippie loft in a two flat overlooking gasworks Park. I remember one of the days he had to work and I slept in a bit and when I got up and went through his records, and I found this and Black Sabbath’s Paranoid. T was a beautiful day and I have a distinct memory of hearing this for the first time looking out the window, looking at the Seattle skyline over the Puget Sound while having my mind a little bit blown.

Pretty down with it, but not so all the way down.