i don’t give a shit, life’s too short to try the Grateful Dead again

sometimes it seems like the guy who wrote this book just picks something inoffensive from the past decade so as not to be accused of being out of touch with the times

very close to as much as we can expect from pop music

it’s a singular vision but i don’t feel any heart in it

you must realize that this is coming to you straight from hell

Love the singles

not good

maybe 5 stars but i’m loathe to give out 5 stars

i dig it

i think i get it. but it didn't really move me

probably better than I can tell, but it's not made for me

some great tunes but something about it just rubs me the wrong way

awful, really bad, plus...a fucking flute!

i like that they're taking chances, i just can't handle too much of that histrionic vocal style

not the worst but i have no idea why this is considered a classic

It's as if the Stones did a third disc of Exile On Main Street, like the Clash did with Sandinista. The one with all the songs you don't want to listen to on it.

Almost a 5, but there’s a bit of filler on Side 2. Still an astonishing debut

Hypnotic

good

Solid and weird

probably fine but it didn't move me

a couple of good tunes but not a good album

so many swears

a lot better than i expected

dug it more than i expected but that smooth jazzy sound is really not for me

a couple of good singles and a lot of filler, ambitious but I don't really respond to that ironic tone

chef's kiss

i can see why this is a classic and i almost hate to admit it but i just don't dig country that much

i did not like this

so many swears but i dug it plus it's nice to see he's a family man

not for me

pretty good, i dig it

didn't grab me but i wasn't really paying attention, also i'm generally opposed to rock flute

could be contemporary new age music, this is not a good thing

i think this record is probably better than i think it is but it just doesn't do it for me, too jokey and not enough heart

so many swears but hard to resist

lushly heartbreaking

okay i guess

i don't want to like it but it's not that bad

hard to argue with this

all killer

kind of a classic but the tunes just aren't that great

some good tracks but i don't think i'll be digging this out too often

probably 4.25 but fuck it, chrissie deserves the extra star for being so cool

pretty fuckin' catchy but it's really for kids

the stooges > iggy solo

hard to argue with this

some catchy riffs but it's basically one vulgar joke over an over

decent but lacking memorable tunes

so gross and vulgar, aping the worst of their influences

ugh that early 00s sound

i want to love it because of the singularity and ambition but they fuck it up with a lack of great tunes and too much irony

nice try

some 5 star tracks but some filler as well

it seemed okay

strong aversion

i wanted to like this but it just didn't do it for me, it might be the skits, the failure might be mine

some 5 star tracks but a few 3 star tracks

i dig it!

consistently astonishing

never thought much of hetfield's vocals or lyrics, but some pretty good riffs

it's nice but will i ever be crazy for it? i don't think so

cool psych but i can't hack that second side with the narration

I want to give it a sentimental 4 but really there's so much filler

hippies smell like boogers but i have to admit i enjoyed this far more than i expected to

Super likable but I’m not 17

i'm very glad to learn about this

i know this is great but most of it just doesn't move me, the lack is mine

some first-rate tracks but much is forgettable and the central idea is silly

catchy singles but much cringe

will get better with age

a couple of okay tracks but i don't dig this kind of quirky prog

sounds legit but it's not really for me

might deserve 5 stars just for the title track but there's a bit of filler here

dug some of it but it sounds like the source material is queen and i'm just not into queen or queen-like stuff

dig their dedication but it just ain’t my sound

starbucks music

curtis is a king

violent genius but oh, so sad

seemed okay but i didn’t listen very closely

who are we to judge john coltrane

it's good but Lost Souls is much stronger

seems okay, i dig the strings and the dreaminess, the vocals get old for me

a few great tracks - the late great johnny ace is a standout - but lots of filler and it's not helped by the early-80s production

i can't ever play it around my kids but it's cool

i would like to dislike CSN because they’re dirty hippies but i just can’t

it should be good but i just can’t countenance radiohead, except for the bends, the bends was cool

catchy but samey and a little smug

didn’t age well, there’s no life inside it

it’s cool but it doesn’t touch my heart

it’s curtis mayfield, back the fuck up

i dig it

i never liked ac/dc and i still don’t

i thought i wasn’t going to like this anymore but even though it’s completely satanic she’s a real talent

even when it doesn’t quite work, and sometimes it doesn’t quite work, the ambition and depth of spirit are astonishing

not bad for what it is but i’ll play sticky fingers 100 times before i’ll put this on

so slick and tight

devoid of hooks or melody

i would love to give this 4 but i just can’t give it more than 3 because i don’t like it that much

post syd pink floyd is trash, i’ve never understood what emotion they were trying to get across, maybe none?

Ghost Rider is quite possible the greatest rock and roll song of all time, the rest of the album is close behind

it’s cool and has some poetry but it’s too mannered to really move me

irremediably tainted

nah

there’s something repellent about tweedy but the dude writes a good tune

the title track is a stunner but despite his reputation for sincerity the boss seems forced and fakey on this one

better than i expected, he has a deep talent for melody and texture, his downfall is that he is over clever

i prefer mezzanine

so concentrated but also a total bummer

a perfect alloy of lyrical inventiveness and pop skills

marred only by some filler and 80s production

pleasantly inconsequential

haunting but not in a good way

so fragile

so dry but so suggestive

what can you say it’s hotel fucking california

not heavy, not catchy, not interesting

cars is great but the album gets monotonous quick

a bit vegas and those chicago blues leads just aren’t my thing but it’s a good punchy band

haunting and lyrical

flawless even in its flaws

some lovely melodies but some lamentable excursions as well

it sounds like something that’s good but just not for me

it’s like radiohead but not the irritating bleep blurp radiohead but also not the good radiohead it’s like the maudlin radiohead that turned into coldplay

bowie was one of the few to make consistently interesting rock music that pushed the edges musically and lyrically without being a massive bore

prog is shit

a few killer tracks but a lot of muzakey funk-jazz filler - then again it’s a film score

i dug it

it’s so lovely, there are so many hooks and it’s played so well, such great production - sad that this generation and people like these were responsible for the degradation and collapse of our civilization

a masterpiece - they were so terrified by what they achieved they’ve spent the rest of their careers running away from it

even if it doesn’t always work i respect the ambition

I thought PE didn't do anything good after Nation of Millions...man was I wrong

that one jingle-jangle thing they do is so fucking good it almost makes up for the ho-hum stuff but not quite

i really hate this kind of thing

this feels fake and superficial which is sad because i think they’re trying to be deep and sincere

i didn’t listen very hard but this seemed shallow and smug

classic muscular punk rock and roll

would be 5 but the production just doesn’t do justice to the music i know it’s live but still

slickly nihilistic

i’m not really in a position to judge this

it's cool but it's not that cool and it's pretty stupid, too, and not always in a good way

it's so stupid but you can't fuck with it

didn't sit right with me

probably groundbreaking or something. it it didn’t really move me

transmissions from a lost world

too smooth, i need more passion

those singles are fucking outstanding

i dug it but it's a bit of a pastiche just with more swears

i don't know it's pretty iconic but in all honesty most of the tunes don't really grab me, it's probably the best example of what it is

it's self-reflexive, derivative, and juvenile, but it's honest and it's got some hooks

the singles are bittersweet perfection, almost too much, but it’s not all the same quality

was this anything new, even at the time? nope is it a fairly accomplished and catchy version of something i already like? yep

i dug it, so much going on here it’s almost schizo

all killer and completely their own thing

layla’s pretty great but the rest of it makes me think of “blues” night at the pub

it’s actually pretty dense and textured but it’s hook-weak

i love punk and i love california but i don’t love this

i mean you're not going to put it on very often but sometimes it will be the only choice

more “blues” night at the pub

not the kind of bowie i really dig but bowie’s gold even when he’s not

i generally don’t dig this kind of shaggy blues pastiche

probably the best of whatever it is

brand new

i want to like it more than i actually do

hated it when it came out now i love it that’s what happens

she’s got a nice voice but that old time folky stuff just doesn’t move me that much

nice but i’m probably not going to slap it on too often

i wouldn’t presume to opine about this

i like the idea more than the experience but it’s still pretty great

i wish i’d heard this when it was released because it would’ve really rung my bell

some good tracks but this is not anyone's favourite album

this sounds like other things that i already like but i like those other things more than this

this kind of "metal" sucks there's nothing heavy about it and the lyrics are stupid and not in a good way

points for charm and authenticity but how often is this going to be the exact right thing to play?

i actually dig the US version better but what are you gonna do, not give this 5 stars?

egregiously overrated

super cool & ahead of its time

very good

i used to love the rolling stones so much now i don’t know a lot of this seems pretty weak

muddy’s never really done it for me but you can’t really fault him i don’t think

it’s okay but radiohead are best when they make tight crafted pop songs not depressive electro jams

i’m not ever going to listen to this i don’t care if it’s the greatest album ever made

not the best zeppelin but second tier zeppelin is far beyond the capacity of most mortals

solid, gritty, and inventive

the first two tracks are great but nothing thereafter is quite so engaging

close but not perfect

i mean i still have a fondness for unbridled creativity but in retrospect so much of the "avant-garde" is just one ugly thing after another

sacred music

nothing should be changed or added to this perfect recording

damn!

they seem like nice people but this doesn’t light my fire

so smooth but not so many stand out tracks

if this is the kind of thing you like it’s probably a really good example of it, but it’s not really the kind of thing i like

a bit proggy and a bit hipstery but some good tracks

by all rights creedence should be a 5 star band and this a 5 star album but something bugs me about them, i just can’t place it

masterpiece

at their best they’re pure fire but sometimes - too often - they come off half-baked

seems like they didn’t have anything written and then just f#@ked around on some very simple ideas until it was long enough to release

there’s something so intoxicating about the music of the 60s, the way the boomers really thought they were the vanguard of a revolution that was building a new world of freedom and delight the fact that they were actually destroying their own civilization just makes it more poignant

what a blast, sheer joy

so vile and profane, i know that’s why people like it, that’s why i would’ve liked it when i was 20, but it’s just gross, the beats & production are incredible though and he’s clearly a giant talent it’s just a sad commentary on just about everything

they can do atmosphere but they’re weak on tunes and the tone is just too faux-grave for me

it's a nice idea but you can't spin a whole album out of it

this seems really creative and unique and i imagine if i was 25 and getting high with a girl i was hoping to make out with it would be the perfect choice but that doesn’t come up so much anymore

one of a the highest achievements of human creativity

paul mccartney’s pretty great when he wanted to be but there are some tracks on here i’m just never going to play

i’m not really the right audience for this

the more i listen the more i dig elvis c, he’s consistently inventive and creative but he doesn’t lose the thread of hook and melody

the production is so good and i dig the chamber pop arrangements but there’s no getting around the fact the guy is a degenerate creep and this is the apogee of the degenerate 60s before the piper had to be paid

there’s something great about this record but there’s something i don’t like about it, i do t really get it, it seems fake even though i believe the band is sincere

creative and honestly moving

it’s pretty cool but there’s only so much i can take

i love and admire leonard cohen but the only thing i really like on this album is the title track

pretty cool but also pretty backgroundy, i bet it’s pretty fkn wkd when you’re really high in a giant club or something

i really dislike the sound of this record and i dislike mark knopfler’s voice but money for nothing is pretty good so 1 🌟

5 ⭐️ for effortless cool and a plenitude of hooks, minus 1 ⭐️ for everything sounding kind of the same

so huge, so powerful - it would be 5 ⭐️ except two or three tracks are filler - still this is a quibble - fuck it i’m giving it 5 ⭐️ anyway

not obviously his best but it reveals its depth with repeated listening

mostly silly but nice

even the weaker tracks are transformed by the Old Man’s depth of spirit and experience

i dug it well enough but it didn’t really move me

i love what i know of the music of india but i’m also a complete ignoramus about it, maybe this should be 5 ⭐️ i don’t want to pander though

i just can’t get into metallica, it’s supposed to be heavy but it’s not, some of the riffs are kind of cool but it’s just not enough plus the lyrics are not good

i’d like to give them points for trying but it just bugs me how they can’t help but fuck with a song to make it “original”

not into it

what is there to say? consistently unique and astonishing, a carelessly masterful poet

it’s probably okay, i don’t know, it didn’t really grab me

perfect in every way, somehow funky and spooky at the same time, bursting with hooks and energy

pretty wicked riffs and sweet shag carpet production but the decadent druggy vibe gets dull after a while

deeply inventive and moving

i love everything about classic country except listening to it

not my thing

it’s juvenile and there’s more than a whiff of hair metal but cantrell constructs the heaviest riffs, it’s not even close, and staley was a truly gifted vocalist with an incredible range

i like new order when they still had a line to joy division, all this euro disco shit just seems lame

you can almost hear them struggling to return to the pop greatness of which they’re capable but the miserablist bleep bloop shit drags the whole thing down

mm seems like a pussy, none of this is “scary” or challenging, i dig industrial guitars so some of that is cool but otherwise it’s for clowns

it’s probably better than i think but i don’t dig his voice and the production gives me the heebies

this might be 5 ⭐️ i don’t know, i avoided it for many years because i thought it was pretentious and overwrought but i see now i was wrong it’s pretentious in the good way

i’m not interested in this musically, spiritually, or ideologically

a few good tracks but overall a very weak effort

i dig the beats and the production and but the gangsta shit is just too juvenile i can’t get into it anymore

better than i expected but not really my bag

good but not that good, makes me miss the early 90s though, in retro what a time to be alive

clearly accomplished but not for me

more to be admired than adored

i didn’t listen to this because i’m confident it’s going to be shit

with the resources at her disposal she had to score a couple of cool tracks, but it just strikes me like gangsta rap: the expression of goals and desires that are fundamentally shallow and corrosive

nothing will ever again be so exciting

pretty good, they should probably strip it down a bit more, lose some of the filigree

ambitious which is good aggressively weird which is bad but beautifully produced which is good but self indulgent which is bad

can’t get into it

so great, should’ve lost the commercials though

pleasingly weird but so noodly

i keep returning to this album thinking there’s got to be more in it but maybe it’s just mildly diverting background music

pretty sweet arrangements but not an improvement over jobim on his own

it might need a closer listen, maybe the lyrics are great? but it just seems like very soft jazz rock which is not appealing to me

he’s clearly a talented songwriter fit for the mainstream - but is that really the highest goal?

i don’t give a shit, life’s too short to try the Grateful Dead again

catchy, creative, and offbeat, but occasionally a little hamfisted

great arrangements and she’s a mighty talent but it’s all such a histrionic drag

i know they mean well but this kind of thing was shit then and it’s shit now

this seems pretty creative but i’m not all that moved by tasty riffage of this sort

very tasteful, which is not entirely desirable

life’s too short and fragile to listen to death metal or gangsta rap

wow so much better than i remembered

it was fine, so tasteful though

powerful singer and good songs, suffers only slightly from some egregious early 80s flourishes

oh geez, should it be 5?

i admire everything about the Fall except that they are so aggressively unpleasant to listen to

probably great if you like this kind of thing but i don’t like this kind of thing

could be 5 but i get tired of the porn

the beach boys are pretty great but on the other hand should anyone really be spending this much time and effort on pop music? it’s never going to be bach no matter how much you tinker with it

so cringe now, the apogee of earnest “alternative” and the cheerful, smug harbinger of so much darkness to come

not a single hook on the record and i know they didn’t want any but i do, sorry

not their best but very far from their worst

engaging middlebrow bummer pop, maybe a bit too clever for his own good

otherworldly, the sound of angels come to earth

it’s not their fault this style of music became the definition of cringe but it did and so no matter how accomplished this can get no more than 3 stars

buzzcocks were a singles band, the albums have their thin bits

very nice if uneven, unsurprisingly, given the rule book of mainstream 60s pop, and what a voice

i just don’t care about guys going on like this anymore

cool

i will never play this again but it’s better than i expected and it makes me yearn for the world of the 1990s, the world we threw away

it’s tough because it’s so good and yet it’s also the portal through which so much evil entered the culture, still i don’t think you can blame the doors for all of that

the dumbest parts of the stooges turned up to 11

love knows a hook, gotta give her that, not a lot of air or space in here though, so radio

it’s just that indie singer-songwriter thing but he’s so good at it

prog is so bad

it’s cool, i dig the laid back positive vibe and it’s nice to hear people talking about loving God

nice and deep and he can craft an allusive phrase

this kind of jazz just isn’t for me, i don’t know what emotions it’s supposed to evoke, but it’s technically impressive and probably just the shit for some people

i wasn’t expecting much because of the title but this was a lot better than i expected

it’s only one trick but it’s a good one, their own tunes are thin but they did write Misguided Angel which is pretty fkn solid

old prog is shit but new prog can be pretty cool

still almost a post-punk band at this point but you can see how they could become the saviours of the world

life’s too fucking short for 80s metal sorry

it has its moments but quirkiness is almost always a fatal flaw

i guess it’s probably very well produced or something but this is really not for me

there’s something bittersweet about this sound but there’s also something shitty about it

it seems like a joke, it’s not punk and it’s not country and there are no tunes

this is a solid 3.5 rounded up to a 4, the main failing is that it thinks it is cleverer than it is

so fucking heavy and that dude was 65 years old

a few great tracks and a bunch of okay tracks

most country sounds fake even when it’s played by actual country musicians

there’s something gross about them

pretty cool, spooky and weird, i could never stand those interludes though

some nice epic flourishes but it’s so gay, morrisey is the avatar of bittersweet romanticism, straight guys should leave it alone, they sound obese

i can’t really rate this, it sounds quite accomplished for what it is but it is just not made for me

some pretty good beats & riffs, they don’t have to try too hard i’m a bit of a sucker for this kind of thing

it was fine but i’ll never reach for it again

i was quite prepared to dismiss this but it’s got solid heart and hooks and i’m man enough to admit i was wrong

i didn’t know i loved this album till today

not for mean

notwithstanding the fact sy are the most egregiously overrated band in an overrated genre, this album is less shitty than most of theirs

this steely dan is okay

it’s mostly whiny tom yorke that lets the air out of this band

pretty great especially if you’re a 13 year old in 1982

par for the course, coarse and overwrought

it’s flawless

it’s a singular vision but i don’t feel any heart in it

perfect day is a masterpiece and vicious is cool but there’s a lot of dreck and the degenerate vibe is just gross

to be perfectly honest this album drags a bit but i don’t care it still gets 5 stars

not impressive

it drags a bit but it creates its own world convincingly and bridges the gap between roxy & bauhaus

i guess it’s okay, my tolerance for prog is close to zero

manages to wring some more juice out of garage rock with exceptional hooks and good lyrics

i love the idea of shoegaze but then you get to it and there are no tunes, no tunes at all

if you were 14 and you’d never heard the buzzcocks you’d probably love this as much as i loved the buzzcocks but i don’t know if you’d still want to listen to this when you were 50 the way i still like to listen to the buzzcocks every now and then

i like tosh better than marley but either way it’s pretty hard to fuck with this record

there’s some real shit on here and even the best songs are fucked up by bad choices but it’s still a pretty impressive late Empire artifact

finely produced, maybe a little airless, so so sad

no

should get 10 stars

kind of stupid

so slack it almost falls off the edge of the table but the high points are high

i almost skipped this because i never thought metallica were half as heavy as they were supposed to be but this record kicks ass and i'm not afraid to say i was wrong

i want to like it more but really it's just a couple of cool riffs and some really cringe politics

massive, unique, as fresh as the day it was born

wow! didn't see this one coming, flawless for what it is, maybe it's an embarrassment of riches bit but wtf, it's bongos

whatever

better than i remembered, lovely late 70s sound

i thought this would seem better now but i was wrong it’s still not good

okay

noodly and not compelling

all killer, kind of hard to believe how accomplished this record is

no no no, i’m not trying to be a dick it’s just no good

not for I

sting seems like a goof but you can’t deny these tunes, there’s something airless about it but i like that

i really only dug a few tracks but i dug those a lot, they’re still a singles band for me but the singles are really choice

there is a hell and taking this as a blueprint for life will lead you right there

it seems like the same thing over and over again and i’m not that crazy about that particular thing

pretty great, but on a casual listen it’s all style, i don’t feel the heart, perhaps there isn’t any?

i don't know...it seemed pretty good but maybe not meant for me...she seems serious and the record sounds good, God bless her, i hope she's okay

a little slick

i know i should dig neil young more than i do but i don’t

the singles are pretty great but at least half the album sucks

this seems like a smart guy talking about stupid shit

many, many wednesday night “blues” jams seem to have been spawned by this unfortunate piece of work

it’s not even terrible, it’s not that interesting

super slick and catchy but i couldn’t sense any heart

this kind of country is hard to take seriously which is funny because i think it might be the most serious american music of all

the fountainhead of butt rock

sometimes art from the past just seems more naive than today’s, i mean mostly the lyrics, maybe it was just a better world

the material seems beneath him and some of those background vocals are really cringe

highly accomplished poppy hard rock; the cymbals are recorded really well

catchy but no great shit

it’s like a full album of the scott walker songs i always skip

it’s intriguing how they disassemble the works but also why don’t you just play the fucking song right every now and then?

probably a bit better than it needs to be

smokin’

this is not for me and the production is atrocious

pretty great, but maybe you need to be watching the movie for this to really shine

young fills me with a kind of pleasant somnolent dread

i don’t know, seems kind of interesting but it just didn’t grab me that mich

almost skipped it but i have to admit it’s not that bad

it’s fucking retarded of course but what are you gonna do? it’s not like they were trying to make something different

they’re like pagan gods come to earth but worshipping such gods has never ended well

the singles are okay but the production is gross and the whole thing is tepidly over- earnest

they’ve got that one idea, the whoa-whoa guitar thing, but they can’t write a tune or carry one

the weight is so much better than everything else it might as well come from a different band

this seems clever maybe a bit too clever, i bet i would like it more if i didn’t already know the kinks, scott walker, and the monochrome set

half cool half boring, what a distinctive voice

pretty great, a unique strain of classic british first wave punk, i can see why it didn’t catch on as much as the clash & pistols but they probably should be mentioned in the same breath

so singular

it’s a cool idea and it’s interesting to hear they were consciously influenced by depeche mode and omd it just seems like they should have been able to crank out more than 2 or 3 memorable tunes from it

i don’t know it’s okay i guess

you must realize that this is coming to you straight from hell

very close to as much as we can expect from pop music

some of the arrangements & riffs are actually pretty cool but like his gangsta peers it’s completely degraded and dull

a timeless classic and a huge leap forward out of the creative ferment of punk

great throughout, the strings get me every time, gets a star for “you know there ain’t no devil there’s just God when he’s drunk”

gets an extra star for Jesus on vocals otherwise ugh bloated and boring

seems pretty good, probably needs a deeper dive than i’ve given it

one trick

i guess it’s culturally significant and jack looks super-cool in the cover photo but there’s no way i’m ever putting this on just to hear it

would be a solid 5 but Bittersweet Symphony rules so hard it can’t help but make the rest slightly pale

rod stewart was ruined for me through his ubiquity on pop radio, but the man has charm and soul

5 stars for the wicked band & tunes, -2 stars for biafra’s cringe politics & “zany” delivery

as you get older you realize your idols were degenerate and broken, but you also realize all of us are broken so they still have a place in your heart

hilariously moving, perfectly constructed, heavier than heaven

likeable but nothing special, any number of 60s garage bands were just as good

i like what he’s trying but again i’d probably reach for any scott walker record before i’d reach for this

you could point out that it’s a little on the nose here and there, but why would you? a richly textured masterpiece that speaks to and from the heart

boring and nihilistic, which i think is what people like about it, supernaut has a super-cool riff though

pretty infectious, ngl

inoffensive

it’s that kind of 60s-70s thing that just seems like it was invented for the movies or something

why would i ever listen to this?

perfect for what it is and yet somewhat boring nonetheless

some of these are great and some of these are boring but the great ones are really great

nope

a melancholy masterpiece, even at the time it was a towering achievement of a passing era

who am into criticize fats domino? but if i’m honest, although it’s flawless in construction and execution, like a lot of pop music of the era it seems a little fake

sorry i’m sure it’s fine i just can’t take accordion & vibes seriously

wow, so glad to be introduced to this one, great tunes and words, deserves to be mentioned in the same breath as smiths, bunnymen, et al

stupid politics, fake funk, and the shit side of 80s production

spiritual war is real, you must choose a side

smug and greasy just like steely dan

neil’s all about the vibe, sometimes his boomer worldview spoils it for me

bowie was such a blazing star and this record is the perfect distillation of an era; sadly that era was bloated and degenerate - we’re still suffering through the aftershocks

i guess i love neil young, it’s kind of an abusive relationship, though

weirdly, i appear to like minor threat more now than i did when they released this record

cool and creative but i need more heat

self-conscious weirdness just doesn’t do it for me

everything in me is screaming to rate this higher but the fact is the JAMC are kind of a bore

it’s a problem: in terms of raw energy and pure creativity the birthday party were one of the greatest bands of all time; they were also full-time denizens of Hell; so do you want to pay a visit to Hell? well, punk, do ya?

i don’t want to be cruel but i’m so sick of this degenerate shit

you have to admire jack white’s passion but he’s such a perfectionist he squeezed all the life out of this record

pleasant enough but that’s not enough to turn my crank baby

she’s got a cool voice but the record seems kind of fake, it’s a shame what happened to her, i hope she’s at peace

it’s a pastiche but at least it’s a positive pastiche and he’s singing about loving the Lord instead of grovelling to satan

beautiful and devastating; they were right to take her children away, though, at least until she cleaned up

pretty perfect except every now and then it slides too close to jazz fusion for me to take

i like the idea of metal but in reality it almost always sucks

there’s a cool vibe and a few unbeatable riffs but a lot of it’s boring and you know what? concerning Lucifer: fuck around ➡️ find out

it’s sad and awkward to watch this poor troubled man try so hard to be something he is not

i love this stuff but it does get a little monotonous in heavy doses

an astonishing alignment of talent, culture, and commerce, it’s just too bad it’s completely possessed by the demonic energy of the 60s

just not for me but it’s nice that she’s trying

it’s fine it’s just a bit too theater kid for me

+1 for being ambitious chamber pop, -1 for being a “concept” album

pretty charming but also pretty boring

i never heard of this till now which is illuminating because it’s pretty great

rich, almost too rich

it’s pretty good but i only gave imperial bedrooms a 4 so it gets a 3 because it’s not as good as imperial bedrooms (which really could’ve been a 5 since i gave f@$&in’ finley QUAYE a 4, i don’t know why, i was feeling generous that day)

yeah no

sadly, the greatness of this music seems to be inaccessible to me

love the hypnotic interwoven intricacy of melody & rhythm

a perfectly realized artifact that spawned a million sad imitations

like a slightly weird guess who

some real bangers here but side 2 is a bit of a drag

a solid effort and the singles are bangers but except for quadrophenia the who were just never a 5 star band

the orchestration’s pretty cool

wicked cover

i would probably be more into this if i listened to it more closely but who’s got the time?

yeah yeah it’s great but there’s something dead about it, they’re holding back, they’re too clever

i can tell this is special but folk, like country, very rarely moves me deeply, it usually sounds like a LARP

sometimes it seems like the guy who wrote this book just picks something inoffensive from the past decade so as not to be accused of being out of touch with the times

ugh, prog

jazz is a challenge for me but this is powerful

pretty flawless for what it is but what it isn’t is ambitious, still a solid 4 star banger

pretty great, maybe 4.5 but not 5

hard to believe he wrote some of these songs, they seem like eternal standards

half killer half filler but there’s something lovable about the kinks no matter what they do

pretty massive riffs but i hate the degenerate attitude so much

this doesn’t offend me but i don’t think i’ll ever listen to it again

the singles are so good but there’s a lot i’m skipping on here plus just don’t ever do a “concept” album

man this record is so dense and spooky it would be a solid 5 but sometimes it feels like a bad trip

not for me

one of the cool things about 60s music was the unbridled excitement and innovation, one of the sad things about that is how silly and boring it can be

yeah okay fine

top-flight hooky math rock

the melodies and arrangements are everything, cobain almost kills it with his miserable nihilism, God bless him

the devil doesn’t have the best songs, but these might be the best he can do, so look but don’t touch

i didn’t like this record and i’m surprised it seems to be rather well-regarded

ugh, where to start? sonic youth are so deeply fake, there’s nothing real happening here

it’s hard to dislike early 70s funk rock

the original waves of punk/post-punk were so rich and diverse

this was a very bold move at the time, pre-grunge nobody was mixing punk & classic rock, it’s obviously a bit cringe in places but duffy is a rock god and astbury means every stupid word he says

this seems cool, but it doesn’t really light my fire

solid and refreshingly unsatanic

the seeds of greatness are here but he’s too self-conscious and clever, he has yet to suffer for real

not for me

1 idea, and not a very good one

i managed to get this far without a relationship to queen and although this was better than i expected i believe i will continue to keep queen at arm’s length, no hard feelings

i’d love to give it 5 stars but sometimes it veers into self-parody

thought i would hate this but to be fair it’s pretty great being what it is

they seem like nice young men but with rare exceptions metal just sounds lame to me, it’s never actually heavy or scary

i bet this is really groundbreaking

this album really shows how little one had to try to achieve “significance” in rock music, depressingly degenerate

they really invented their own sound i just can’t abide that loser vibe

really good, hooky & literate

i don’t even need to listen to this whole record again to know it’s a 3

i can see why people like this and if i gave it enough time i’d probably like it more but the smooth jazz vibe sets my teeth on edge and joni’s voice has always bugged me so no

sui generis

solid, hooky, i couldn’t understand the lyrics but i bet they’re very clever

wow, that’s a lot of slow jams

ugh no

this wasn’t on spotify but the description i read of ms. krause’s work makes me certain i would’ve given this 2 stars at best

really exquisite, so much so it’s almost frozen

it’s surprising how flaccid some of this stuff is

this didn’t grab me but it didn’t piss me off or anything

one joke

listening to early REM is almost too painful, their fall was so precipitous and so absolute

hard to hate but hard to love

nah

not for me

a very fine example of what this is

sometimes i hear stuff on this list that’s new to me and it just seems like garbage but sometimes i hear stuff that’s new to me that’s really cool

i don’t want to have to listen to this so i’ll just give it a 3

i have a great affection for NY even though or perhaps because he often seems like a complete tool

yeah this is cool and i know it’s significant but it’s still a 3

it’s kinda wild how many songs i know from this album without ever owning it or playing it myself

this is probably fine but it also seems clever but not catchy enough to account for the cleverness

we were a real culture once

my heart sank when i saw this record and my fears were justified, a very sorry collection of smelly 60s noodling

nah, i'm not playing this shit and it’s mostly just the title

five fuckin stars

the production on this album is kind of mental

good but not as good as people want to think

i dig the wide eyed punk rock hippie vibe i just don’t dig the songs that much

very rich and deep

ah geez it’s kind of just one tune, isn’t it?

CCR is a 5 star band with no 5 star albums

give them points for trying

i was looking forward to this but it just didn’t do it for me

the highs are so high but there are enough mids here to knock off a star

it takes a certain kind of man to drink the big star kool aid and it seems, after many tries, that i am not that kind

so distinctive and many bangers but sometimes boring, too

such a leap forward from trash glam

gorgeous super dry late-70s late-night production like you’re smoking cigarettes in the booth with just the light from the desk lamp on

has the unique power of offending everyone while at the same time making everyone feel like he’s on their side

proggy new wave for incels

i hold mr wilson in very high esteem but this record is fkn annoying

wow that one song is so much better than everything else on this record

ridiculous and deeply moving, macho and completely fey, all at the same time

super cool but that’s it right? garbageman is the only essential track

i’m fond of this pre-gangsta era of hip hop but i’m not that fond of this record

i want to like it more than i do but there’s something embarrassing about it

i would have expected this to be better than it is, all texture no tunes

i’m sorry i don’t really know what’s supposed to be good about this

okay, i liked this a lot more than i remembered, dude has a near peerless command of melody

it’s nice that he’s trying so much stuff but his smug lyrics and politics are top-level cringe

i can see someone really loving this, maybe a chick

ugh so shitty

i love what they’re trying to do i just don’t love the songs that much

what for?

the transition from one the greatest alternative bands of the 80s to one the most insufferable mainstream bands of the 90s, still more the former than the latter but you can see where they’re going to go wrong

ugh, hippies

a lush bittersweet mournful vibe

the singles are far and away better than the rest of the album but the singles are really good

cocteau twins made some of the most heavenly music ever created with electric instruments and voice - and then they made this slightly shimmery restaurant music

i can see someone liking this a lot but it’s not for me, we’re ships passing in the night, Godspeed ms apple!

yeah i have no doubt the boomer hipsters dug the shit out of this at the time

it’s Elvis so it’s golden but they really tried to crush him with the material and the arrangements and it was going to get worse before it got better

yeah not great but hard to hate

more to be admired than enjoyed

such an incredible talent but the material - like so much in the 50s & early 60s, in all pop genres - is so constrained, almost ritualized, and safe

kind of like barbershop, really

take on me is great the rest is not very good

is this anyone’s favorite album?

their exquisite harmonies can make the most mediocre material a pleasure

ugh

the singles are spectacular but there’s a lot of undercooked filler to be sure

kind of like vanilla ice sitting in with primus

so good but the material is a bit of a straight jacket

wildly creative and superstition is a banger but it’s just too corny

i’m not sure what’s supposed to be good about this

just barely on the wrong side of “is this genius or is this crap?”

worth a deeper listen

nobody would be happier than i to find a monkees record to be an underrated gem but this just isn’t

the whole concept of gangsta rap is so vulgar and retarded that it completely spoils whatever legitimate talent might have been involved

a great record almost completely dragged down by narcissistic miserablism

too many parts

pretty skillful shit

whenever i listen to this band they’re my new favorite band

he seems like a nice man but maybe a bit much

like minor gods, mighty but not transcendent

like smoking a joint under an oak tree in the sun

nothing earthshaking but it’s a nice vibe

can you imagine what it must’ve been like to be an adult when these ridiculous children started to run the world?

A for effort but i’m probably never going to play this again

super clever and i bet they would be my favorite band if i wasn’t me

i kind of believe these guys are smart and good at what they do i just don’t give a shit about what they do and figure we’d be just fine without it, ymmv

my scientologist brother the drummer would have described this as “tasty”

nope

maybe it’s heresy but i like the studio sam cooke better

i remember what it was like, you’d get a cool riff and then you’d fuck it up for no particular reason except to make it artier

it’s not on spotify and i can’t be f#@ked to look for it anywhere else, knowing xtc is probably give it a 3 but i’m taking off a star for making me hunt for it

extremely competent

i kind of dig their sweaters

seems like a likable guy

a little too tasteful for my taste

criticizing coldplay for being tame, derivative, and middle-of-the-road would be like criticizing starbucks for selling lattes

somehow beautiful, funny, scary, and sad at the same time

mclaren had a beautiful anarchic creative spirit but he was also kind of silly

not for me but at least a three

probably a good example of what it is but what it is is not for me

ugh it’s so fake

ghostly and crystalline

pretty beautiful

clearly inspired but a bit up his own ass

oh geez this is a fine little curiosity but i’m not going to sit through it again

bursting with annoying 20 year old kid creativity

i dig lana’s vibe but it’s also kind of boring sometimes

i dreaded this when i saw it but a couple of tunes turned out to be okay

there’s something so silly about popular music, even when it’s so well-crafted

i have a feeling it would’ve been a 2 or a 3 but maybe it would’ve been a 4 or a 5 but i’m giving it a 1 because it’s not on spotify and it’s not because i think so highly of spotify because i don’t

i really wanted to give these guys 5 stars out of the gate but the fact is the poor bastards couldn’t be expected to write a whole album, they get 4 stars for the singles and the cover

ugh, prog

it’s hard for me to look past how gross and stupid so much of this sounds

nope

top level bruce is unsurpassed but let’s be honest, sometimes he just kind of warbles along

sorry

what a vibe

nope

bummer, i was hoping this would be an overlooked gem

ugh, maybe i’m just sick of this list

fuzzy and smelly and not that good

each track is perfect but a whole album at once is a bit much still who am i to quibble with genius

feeling more and more like almost all music produced since 1965 is just crap

these guys had one really good idea but that idea was a straitjacket that stopped them from writing more good songs than boring ones

not my scene at all but it’s still genius

there are so many great hooker recordings out there why in the name of God would anyone choose this overproduced overwrought dreck?

kind of a cool vibe but i don’t dig the 21st century r&b vocal style it just ain’t my bag

hypnotic

hard to hate kate but this seems like an inferior retread of hounds of love

it’s french so naturally it’s kind of ridiculous but i like that it’s not just a lot of sociopathic chest thumping like most american hip hop

it’s pretty good but i don’t think it’s as good as people think it is

it’s fine but it’s just an appetizer to Tim & Pleased To Meet Me

i don’t care why this is supposed to be so good

awesome vibe but the only track i ever want to hear on this is heroes

i bet this is better than i think but i’m blazing through an album a day and i’m afraid i’m missing out on some of the subtler ones, the price of our accelerated age!

pretty great, bummer about all the drugs though

poor lemmy

i dislike all the coarse language

God gets mentioned more than I remembered, so sad about dear Mark

they did what they set out to do which is be edgy and annoying but Maps is a goddam gorgeous song and redeems the rest of it

love that echoey sixties production and it’s a real vibe but except for gilded splinters it’s a bit of a snooze

not even as good as that happy mondays record that isn’t very good

i love the idea of van morrison but…

they have beautiful voices that sound nice together but the material is meh and the production is airless

airless and dull

not the kind of thing i’m going to slap on for fun but it’s skillful and accomplished

it’s got a couple of bangers

ugh, prog

it’s good. he sounds sensitive. the arrangements are tasty. i probably won’t play it much

i guess it’s okay. the dude sounds a lot like the dude from the strokes. i guess if i’d heard this before i heard the strokes i’d say the guy from the strokes sounds like the guy from franz ferdinand

this kind of music is just not for me but i think she must be a great songwriter because i really like the ryan adams version and miss swift wrote all the songs

no no no no no not for me

i just fkn hate rage against the machine, the music is dumb jock rock and the lyrics are so fkn stupid, champagne socialists, whatever man

he seems like a nice man but i don’t hear a single

i feel fond of kraftwerk and i don’t know why because i don’t actually like the music and they’re harbingers of the transhuman apocalypse, but there we are

the slacker thing still bugs me but there’s no denying these guys created a whole world that was unique to them

listening to this record made me wonder if i should keep doing this

it’s odd because i feel nostalgic for this lost world but it’s also so shitty

when i was a teenager i admired everything weird, off kilter, noisy, or absurd, now that i’m older i find most of it facile and annoying

so many different sounds and ideas, driven by such incredible musicianship, with so much passion and exuberance - i take off a star for some of the gross smut though, i don’t give a shit

i love the idea of this record i just don’t love listening to this record

i’ll admit i can only take so much of this at once, but that’s not a judgement on the achievement

tragic in every way

like the blues classic country always sounds a bit fake to me, but it’s just because they’re working in a very strong tradition

it’s got hooks and charm but it’s so sick and degenerate it’s kind of a drag

cool beats & music but so crass and stupid, i know that’s why people like it but not me

a double album of this stuff is a bit much

i normally love this kind of stuff but maybe i need to listen to this more, it didn’t immediately grab me

dear Patti, Jesus did die for your sins, and for everyone’s

the byrds had those dylan covers - not sure they even play on those - and they have eight miles high - other than that…there’s an awful lot of the worst kind of pretentious 60s naïveté

creative and passionate but it’s all so on the edge it’s like an emotional jackhammer

i just hate the shit out of this record and i always have

okay the problem with buddy holly like so many of the giants is that they’re playing in such a tight tradition it can’t help but sound kind of gay here and there but, regardless, this is Buddy Fuckin’ Holly

would be ⭐️ ⭐️ ⭐️ ⭐️ ⭐️ if they had stuck with the production from the first record but i think they got scared

i’m not going to listen to listen to this and i’m still going to give it one star

i thought this might turn out to be a guilty pleasure but it’s just greasy and neurotic

degenerate, borderline satanic, but catchy

there’s something really gross about this record and i can see why cobain was embarrassed by his association with it

great production, no tunes to speak of

about 59 songs too many

i have to get over my antipathy to fans of the fall because the band’s actually pretty great

all the pervy shit kind of grosses me out but that’s kind of a stupid thing to hold against prince

is anyone going to listen to this? who would listen to this whole record?

inspired but so obviously the production of a nihilistic heroin addict it’s hard to take now

there must have been something wrong with the old world that something so undistinguished could have brought it all down

stands out for being a thousand times less gross than most of the hip hop on this list

dude’s got a great voice and i dig the horns &tc, it’s a very specific proto 70s vibe

i never got why this album was so huge and listening to it again has not illuminated the question

so strange and creepy and naive

blur had some tunes and it’s nice to see someone taking a swing but it’s funny anyone took their grandiosity seriously

harrowing and inspired, she sacrificed herself on the altar of the sexual revolution

very nice, he gets an extra star for the Hail Mary

a couple of catchy tracks, maybe it’s groundbreaking in a way that’s invisible to me?

love the smiths but this isn’t great, they sound tired

this album is the definition of a vibe

mildly diverting but nothing earthshaking

i guess you had to be there

imagine being the dude in this band

a really great example of itself

it seems better than a lot of post-80s hip-hop because it’s not so obviously psychopathic but there’s still so much fucking swearing

an album like this really makes it obvious how this dude just made up a list of almost random “significant” records cobbled from other sources and peppered with contemporary critical favourites in order to seem “relevant”. all well and good but makes the whole enterprise a bit of a slog

great tunes but that vocal style is a bit much for the long haul (see also dead kennedys)

frustrating but peerless

probably better than i think it is at the moment but i’m not in the mood

i can’t bring myself to sit through this

one of handful of rock and rollers with a credible claim to being remembered in 100 years

five stars for anyone else

i can’t tell if it’s a 3 or a 5 so i’m giving it a 4

i don’t know, it’s probably a 3

i mean it’s probably a 5 but i only gave blonde on blonde a 4, so…

2 stars for the horns

i’ve got a soft spot for these 90s big beat guys but this is less memorable than most

whatever man it’s elvis

going through this list has finally convinced me that hip hop is shit, i wasn’t sure before, it’s kind of nice to know

compared to some of the other shit that passes for art on this list i’m inclined to give it a 5 but on the other hand it’s still not really my kind of thing so i’m only giving it a 4

i was gonna give this 4 because, you know, 5 is a lot, but this is a really great record and a very fine example of itself

not listening to this because i’ve been grossed out by the fucking stupid title since it came out

if you’ve ever met this kind of chick before you know they’re insufferable

like the hillbilly strokes

so many swears

i don’t have anything against weirdos but why would i listen to this shit?

solid first wave punk, the sax is the good kind of sax, which is hard to pull off

it’s weird because the thing i like about it - that it isn’t “about” anything - also makes it kind of hollow

i’ve really come to hate the sixties and the trajectory of lennon perfectly describes why

it seems fine, not really my bag

ugh no sorry

better than i expected but i’m not sure how much of that is due to madonna

i thought i’d hate it more than i do but still i’m never going to play it again

it’s not on spotify and honestly i can’t be fkd tracking it down but i remember digging it and the one track i could find just now was good

not as good as roxy but still better than you’d expect

he has a way with melody and the orchestration is nice

sonic youth are almost unbearable but this record is as close to bearable as they get

i’m not going to nitpick this is a stone masterpiece

beautiful production & orchestration

even the boring songs are perfect

fine i guess

i can see this being a huge treat for folk guitarists but i found it to be a big snooze

some of the material is kind of boring but her voice & the production is just exquisite, what a vibe

i don’t know, is this special? it doesn’t seem that special to me

so sad and beautiful

yeah sorry they laid on the twee a bit thick

so wildly creative but the craziness is kind of scary it’s like being high in the middle of the day and wondering if everybody knows

ugh why did people do this??

such a specific vibe and such a great sound but sometimes pj seems to rush her lyrics out

i didn’t like the original shit this shit is based on, it’s mostly the dude’s voice though

5 fuckin’ stars

not everything creative is bearable

morrissey is a 5 in my esteem but each individual morrissey record is a 3 or at most a 4

ugh, prog

i’m not opposed to the idea of abba but i’m surprised this particular abba record is on this list because it doesn’t have any of the good abba songs on it

it’s a nice vibe but in the Age of Spotify am i going to listen to it enough to make it a favourite? probably not

definitely a young man’s record, so many swears, probably 20 minutes too long

unimpressive

hard to live up to a nation of millions but miles ahead of most other people

only 3 of them are on spotify but that’s fine, probably best in small doses