If Tom Waites, Leonard Cohen, and Smokey Robinson had a baby.

Kinda surprised to find this album on here. It's completely unnotable. No real hits. Certainly didn't change anything even the genera. It's not a bad album, but there's nothing remarkable about it either. To me, it's just another of the hundreds of bands that tried to copy the Washington sound of the 90s but unremarkably so.

Come on. This is such a great album. Half of the songs are all time classics. Tuesday, 3 Steps, Simple Man, Free Bird. There's only 8 songs on the album and four of them are not just classic, but all time classics. What a great album!

Pretty good. Really great structure and song writing. Excellent musicianship. The songs aren't really my bag, but it's great music to analyze.

It's cool, you know, if you like music bereft of melodies. I'm tempted to give them a 2nd star for keeping most of the songs under 2 mins. They're tight, no doubt about that. But, tight, does not music make. Every single vocal note is the exact same (regardless of key) and that gets straight up fucking monotonous. My guess is, if you asked them every song would be in the key of \"drop D\", but I'm not listening to it again just to figure that out. I wonder if putting the lyrics in the sleeve was ironic or not. Two chimps arguing over a baby and a cat would have an equally well thought out melody. The lyrics could quite possibly be the most poetic thing I've ever heard, but I'll never know cause you can't understand word one. Hilariously, they list backing vocals for this! In fact they list two for backing vocals! Does that mean there there are hidden three part harmonies? I think the best part of this band is that they are so bad that there are no original members. Not even the band members can stand to listen to it for long. This was just hard to listen to, but I did it. Felt like what I imagine a napalm death feels like. I'm sure that was the point. Not to create music, but to bludgeon the senses. I'd've much rather just listened to the music and throw the singer out with the bathwater.

Not my bag, man.

Pretty cool. Knew of them, never listened. Kinda Bowie-esque.

Starts out nice and peppy. What you expect the BB to sound like. But then kinda drones on and gets monotonous.

Meh. Not terrible. Shoegaze is not my bag. But the songs are well written.

Once again, not my style. I know the hits. They're pretty good. I mean, 15 million people can't be wrong? Am I right? The rest. Just not my bag, baby.

Really good album. Only a hit or two, but even the non-hits are catchy and well written. Good road trip tunes.

If John Thompson or Hal Leonard wrote a book on playing keyboard. I don't think this album will stand the test of time. One hit wonder and most of the songs are simple and contrived. It wasn't unenjoyable to listen to, but it also didn't inspire me to hear it again.

Solid. Great funk. Really dig it and want to start saying things like Honkey and Jive Turkey.

Unusual combo of funk, jazz, blues, and Dr. John. Dude can noodle, too. Dig it.

Not really my thing. Good for late evening, winding down, drinking scotch. It's def got its place.

Kinda dig it. You can kinda hear Last Night in every song. There's no question who you are listening to. Some of it's cause there is a bit of uniqueness to the singer's voice, but mostly because of vocal distortion and the guitarist being kind of a one trick pony.

A band I've never hear of. Pretty unique. The lyrics are good, but his cadence gets a bit repetitive. All in all, I'd listen again.

Fucking classic. Every song. One of the best albums of all time. Prolly listened to this 100 times. Hyacinth House, one of my all time favs.

Ho boy. That's a blast from the past. One of the first rock albums my best friend introduced me to. This is when I found out Run DMC didn't write Walk This Way. Sweet Emotion rocked my 15 year old musical world. Good, straight forward, rock and roll. Love it.

Good shit, man. I'm not a huge reggae fan, never bought a single album, but I can listen to this all day.

Not a style I'm into, but this is an enjoyable listen.

Good stuff. Straight forward Canadian blues is the best way I can think of putting it right now. Mellow and enjoyable. Doesn't like blow my skirt up but will def listen again when in the mood.

If Tom Waites, Leonard Cohen, and Smokey Robinson had a baby.

Meh. Not into it. I love the slow funk. But songs like Papa are to slow and feel a bit like Shatner's spoken word.

Classic stuff. So well written. So many layers. Great shit.

Better than Pet Sounds in my opinion. One thing that strikes me is most of what I hear from the BB doesn't sound like the BB I expect to hear.

Meh. Not my bag. Some of it is well written. Some not so much. I'm not much of an R&B fan, especially, slow R&B ('cept Barry). Just doesn't speak to me.

Great song writers. You can hear them starting to transition from their Hard Days/Help style towards their Sgt. Peppers/Magical Mystery Tour style. Excellent transitional album. Especially love the harmony on Drive My Car. The "horn" harmonies. Fantastic. Norwegian Wood. Such an underrated song.

Not sure how I feel about this. Really solid guitar playing. Many styles. But it just doesn't match with the songs. The songs themselves don't have a real melody. Lyrically and melodically it's very simple. Not a fan of most of it. Maybe I just don't have enough angst to appreciate it.

Great shit. Beat can get a bit monotonous song after song, but generally each song on it's own is solid and the album is great.

Never heard of The Devine Comedy. This is such well written music. Very full and layered. Like an Ogre. I'm interested in hearing more.

Well, I was today years old when I discovered that 'Our House' was CSN&T. I always thought it was some one hit wonder 80's English Band. Great album. Great hits. So many talented writers on one album. Love it.

Fan-fuckin-tastic. First album on this site that I immediately listened to again. Blue Rhondo and Take Five are of course classics but there is so much incredible music made with incredible writing and incredible musicianship. Love it.

Yeeees! My favorite guitarist. If I could sell my soul to play like anyone I would chose Knopfler.

Good shit. I'd totally listen to this again.

Reasonably good album. Some classic hits. Sounds a bit like Weird Al sometimes.

It's cool or whatever. Nice funky jazz. Great background music. But not my bag.

Meh. Some good hits that are super catchy, but also a bunch of really bad songs. I certainly wouldn't go so far as to call this Punk either. Def new wave. There are some hints of punk. But really, I find it far too poppy. Has no edge. No angst. No anger. I'll be fine hearing the 2 hits on classic radio. No need to hear this again.

Good shit. Unique. Excellent instrumentalists. Great jams.

Surprised American Girl wasn't the first hit on this album, let alone it was the last song on the list. Obviously his early work and he got really good at writing hits. This is middle of the road for me. Not great. Certainly not bad.

Great album. What a unique talent. Love the funk. Songs are impeccably well written.

Kinda comme ci comme ca on this one. Good musicianship, decent writing. Good punk. I think I have to be in the mood for this type of angsty punk. Today was not that day. Good marks for writing. Low marks for listenablility.

Eez niiice. This is great nearly ambient music. Can listen to it and work. Not good for sleeping - beat is too heavy. But Love this for work.

I recognize that this is good music, but it's just not my bag. It's not bad ('cept for that 'why can't we live together' song, Jesus tits that's bad), I don't mind listening to it so much, but wouldn't go out of my way to do so.

I find it hard to believe that I know who this band is. So not my bag. It's like listening to Bjork. The music is well written but I can't stand listening to what amounts to someone putting a peacock in a rear naked choke.

Meh.

Great guitar playing. Great late 20th century blues.

How am I only hearing this album now? I've heard the hits, but this is fantastic. I expected VU kinda stuff. But this really good.

Not bad, but just not something I could get into. Every song was repetitive and sounded just like the one before it. By the end I wasn't sure if I'd listened to one long song or not.

Solid writing. Excellent musicianship. Really good album.

Really unique. Good music, good songs.

Very unique. A wholly new genera for me. Really liked it. Would def listen to again.

Can't be sure if I've heard of these guys. I think so. It's a unique blend of punk and americana. I really dig it. I like how they make their point and move on.

Never was much of a Cure fan. I guess I never had the proper amount of malaise. I feel like listening to the cure is like denying yourself the joy of music.

Wow. Incredible album. Never been much of a fan, though I've seen him live. Still didn't walk away a fan. But this album. Just wow. Every song, so great.

Meh. I have no opinion. Didn't love it. Didn't hate it. Kind of monotonous and repetitive.

Shallow and Pedantic. Bass player is fantastic. But everything else is pretty elementary. Seriously, I'm struggling to not turn this off. It's like that guy in school who thinks he's a good song writer and keeps trying to share his demo but it's god fucking awful. And he gets a record deal, which is stunning until you find out his dad owns the label.

Pretty good. Never listened to Iggy before. Liked it.

Yeah, baby. Yeah! Love Frank.

Not really my bag, but didn't dislike it. Singer sounded like Grace Slick and Pat Bennatar had a baby.

Meh. This one is a hard meh. Just wasn't into the tunes. Their just ok. Not my style. I don't even know what mood I'd need to be in to hear songs like that. It's like he wanted to be an English Michael McDowell. Not turning my crank.

Not sure how I feel about this. Kinda liked it but also kinda don't really care. Not for it, but about it. I'm so nonplussed. like this is the most didn't love it didn't hate it album I've ever listened to. It's full and basic at the same time. Hard to explain.

This is practically a greatest hits album on its own. One of those rare albums I immediately start over and listen to again.

Good stuff. Catchy tunes. Nice harmonies. Buuut, not my bag.

Uhg. I've never gotten Joni Mitchell. I get she's a great song writer and has a fantastic voice, I can hear that in the music. But, the vocal melodies and dissonant harmonies. I can't get past them. I think they're horrible. It's like if someone gave me a poem and I randomly started singing it. That and it's like listening to an hour long tampon commercial. All with the exception of Raised on Robbery. It's the antithesis to the rest of the album. It reminds me a lot of Mama Kin by Aerosmith. Twisted really shows her talent. She sounds like she's doing skat but she's still singing. It's a legit shoopy doo kinda thing.

Normally, not my bag. But yeah, this was kinda my bag. I'd def listen again.

Didn't love it. Didn't hate it.

God. I hate the Cure. They are just miserable to listen to. I can't imagine being so depressed that this is appealing. Must be a horrible existence.

Some great songs. Never been much for live albums. I'd rather see the show.

Good album. Maybe great? Not sure. I'd have to listen many more times before making that distinction. I think it would really grow on me though. Would tots listen again.

Good stuff. Unique. Great song writing.

Come on. This is such a great album. Half of the songs are all time classics. Tuesday, 3 Steps, Simple Man, Free Bird. There's only 8 songs on the album and four of them are not just classic, but all time classics. What a great album!

Not bad. Not great. Not my thing. But some pretty good rock.

Classic. What a voice. What passion. No one did it better.

Another great album. And it's not even as good as Licensed to Ill in my opinion.

Sounds like someone dicking around on a keyboard. Almost ten minutes of this shit on the first song. Guh. Like is the fact they say "Europe. Endless." Over and over and play the same shit over and over for 10 fucking minutes supposed to be ironic? Or is it supposed to be a stab at coloratura? Europe is endless and so is this fucking song. I don't find this groundbreaking in anyway. It's sophomoric if you we're to ask me. Pedantic even. I'm not taking the right drugs. I've just seen there's a song called endless. I can't wait...

Good stuff. Not a huge fan of new wave. Like a lot of B52s, Cars, Talking Heads. But not enough to buy any albums.

Never been much of a U2 fan. Like their hits and what not, but have never added them to a list I'm listening to or clicked on vid. I get their influence and that they are great song writers, it just doesn't speak to me.

Was always a fan, but these guys blew me away live. This album doesn't really do it for me, but I'm a huge fan of the band.

So not my bag. I remember listening when I was a kid and liking some of it. And the catchy ones and covers aren't bad, but I'm also not gonna seek them out. This barely eeks out 2 stars. Barely.

Great disneyesq music. She has an incredibly unique voice.

Pretty good. Really great structure and song writing. Excellent musicianship. The songs aren't really my bag, but it's great music to analyze.

One of my top 5 all-time favorite song writers. Not my favorite album but still great.

Good ol' fashioned straight forward American Rock n' Roll. I've always been a off handed fan of Cheap Trick. Liked their radio hits. Never owned an album. Also, never been a fan of live recordings. The amazing thing about this is I only know two songs on this album but I could listen to it. A lot. I'm not blown away by the songs so much as the performance. They know how to put on a concert. They know how to drive it. It's all straight forward and fairly elementary but they do it on an expert level. Would love to see them live. As they say, they use every cheap trick in the book, but it works. It just works.

Meh. Not my thing. Well written songs. Didn't love or hate it.

Gets super tedious. I almost feel like ambient music shouldn't have song breaks. Just work it right into the next song. Like Floyd would do. It's not terrible by any means, just goes on too long. It's like they made their point at 3 mins but kept going for five more.

Def liked this better than the last one. Still not my thing.

From note one you know this dude was Steely Dan. Hell of a song writer. Hell of a musician.

Incredible song writer. Even better storyteller. Josh Ritter, Dylan, Prine. He's in high cotton here.

Like the music but the lyrics seem forced on some songs. Huge fan of beautiful people. It's like he's trying to find the tool/nin edge but I don't think it's coming from a genuine place.

Great stuff. I love a good samba or bassa nova. Listened to this one back-to-back.

Love this album. Takes me back to when bands tried to push the envelope and try new things.

What's up with Icelandic music? It's so unique. I'm not a fan for sure, but it seems to have evolved in a vacuum. I don't see any direct western or eastern influence.

I love good Irish music. I'd say Pogues are more traditional than say Flogging Molly or Dropkick Murphys. Even The Young Dubliners. I'd put them a hair closer to Irish Rovers.

I don't know. Kinda stuck between two and three. Never been a fan. It doesn't suck, but not my thing either.

Meh, I liked the Smiths better. This is just too whiney. It's like listening to the Cure.

Def liked transformer better. This gets a bit weird, especially the 18 mins of him talking about getting his "Ding dong" sucked. Musically it's spot on.

Hmm... so one all-time classic song. But many of the rest of the songs sound like they are sliced from American Pie. Or the other way around, the best parts of each song was sliced up and masterfully pieced together to make Paulina Porizkova. Not that any of them are bad songs. I just keep hearing pieces of American Pie. It's not too surprising he only had one hit.

Two great classics and a bunch of forgettable songs.

How have I never listened to this album? I know the two big radio hits, but Mrs. Vanderbilt, 1985, how do I not know these songs? They are fantastic songs. Paul is on my top three songwriters list. I was gonna give this one a four, but on my second listen I think it's a 5.

Good ol' fashioned Americana.

Great writing, great songs. Really of all of Paul Simon's hits, PSR&T is prolly my least favorite.

Surprising great stuff. I always thought their music and their name didn't jive. This is the first time I've listened to anything by them that wasn't Time of the Season. They were really talented song writers. Name still doesn't jive though.

Good ol' fashioned BB. Nothing unexpected. However, their wiki page is fascinating.

Didn't love or hate it. Liked it just fine. I do feel that if I listened more I would really get into it though. Feels like there is much missed on first listening.

Never been much of a Smith's or Morrisey fan. This is the best of the bunch for them in my opinion, but that's really just a "taller than Micky Rooney" award.

A little enigmatic. Liked the originality. Not really my thing though. It's good for listening while working. Nothing distracting.

A lot like listening to a soundtrack.

Kinda reminds me of Leonard Cohen. Not much of a fan. The melodies are not very melodic, and I like that in a song.

Kinda melancholy. Didn't love or hate. Just was. Prolly wouldn't listen again.

Not my fav Wu-Tang. I like the audio clips from the music but am not too wild about the dialog that goes in between. The rest is cool. Don't love or hate. Just think they have better albums.

Meh.

Interesting. I dig it, mostly. Pretty space-y. Some reminds me of Shaky Graves. Some reminds me of The Life Aquatic.

This is pertnear a greatest hits album on its own. Five all-time classics. Damn.

This may be the most meh album I've ever listened to. I have no opinion of it. Like no part of it was good or bad. It just was. It's like something that would be playing quietly in the background for the sole purpose of making sure people weren't sitting in silence, handcuffed to their thoughts.

I've been on a bit of a rollercoaster with this album. First, the lyrics of Marz were like random words pulled from a dictionary. But a pretty good song. Then I started thinking that he was trying so hard to be David Bowie. From the album cover to the song writing. But then... the Chicken Bones song. What was that? Cool, catchy song. Then Queen! with Silver Platter Club. The longer I listened the more I liked it.

Kinda surprised to find this album on here. It's completely unnotable. No real hits. Certainly didn't change anything even the genera. It's not a bad album, but there's nothing remarkable about it either. To me, it's just another of the hundreds of bands that tried to copy the Washington sound of the 90s but unremarkably so.

She's a national treasure. I'm not a country fan by any stretch of the imagination but I love Dolly.

There is a surprising number of VU/Lou Reed albums on here. I never was a big fan, mostly just listened to the radio hits, but they are def growing on me.

Nice traditional C&W. Good mix of blue grass. Nice to listen to. Might even learn a song or two.

Not a lot to say. I kinda liked it. It was slight better then Meh.

Pretty good stuff. Good mix of funk, R&B, and just grooveyness. But, the best songs are covers. So a bit of a knock there for lack of originality.

God damn, I said god damn, these guys were tight. Not a big fan of their music, but they could play. Countdown was def the better album, but this one certainly holds it's place in the developing the genera.

Remember when Metallica was labeled "sellouts" for making the One video? It was a game changer. Yes, it was.

Overproduced. Formulaic. Vapid lyrics. Catchy melodies though. Bit far from those country roots when she was playing bars in places like Kuna, Idaho. Unfortunately, I did catch myself bobbing my head a number of times. That's the only reason it gets two stars.

It seems to me this was a much more influential and groundbreaking album then it gets credit for. I remember see her the first time on SNL and being taken aback. I think this is a great album.

Hard to describe the clash. It's like all substance and no substance. Know what I mean?

Certainly not their best album, but pretty great. Established that bayou folk rock sound. Without getting into "southern rock". Pretty great effort.

What a brilliant album and brilliant song writer. Just blows me away every time I hear the title track.

Not my bag, but interesting to listen to.

This could be my jam for a day or two. Good mix of punk and new wave. Not gonna rush out and buy their albums, but nice to know they're on YouTube.

Good song writer. Not really into it.

There's some pretty good stuff and some stuff that didn't interest me. Prolly wouldn't go out of my way to listen again but didn't exactly hate listening to it this time.

Great stuff. Great writing. Great musicianship. Fun/witty songs.

Amazing, full, big band greatness.

So much of this feels like an inside joke. Like you had to be there to get it. Either that or I'm just not stoned enough. Beyond that, great lyricist. Not a fan of the music though.

Great rhythms. Dig the Polly rhythms. But I don't get why this is something I should hear before I die. I don't know that it was fundamental in changing the music world and it certainly is full of classics. It's just covers with bongos. It's not that I didn't enjoy listening to it, but wouldn't have felt robbed if I died and hadn't heard it.

One of those albums that I listened to the whole thing and didn't even realize it. It was not what I expected. It's hard for me to rate cause I'm not sure I really listened. It just kinda happened in the background.

One great, classic. A bunch of pretty basic songs.

I like hearing the early 60s stuff that was so unlike the music the bands would be remembered for. Like Floyd, Beatles, etc. It's like seeing a 50s Vett. It's so representative of the era but not of the car. And yet it's still super cool.

Not my favorite Queen album. Don't get me wrong, Queen is one of my top three fav bands. But I wasn't a big fan of the mystical kinda stuff.

Meh. Didn't love or hate it. Nothing really to say about it.

Like the tunes, like the feel they bring to them, don't like that half the songs are covers.

Really good album. Great guitar work. Good writing.

What an amazing talent. What really gets me is the passion that comes through in his use of coloratura and his voice.

Reid was an amazing guitar player. There's a weird combination of great songs and questionable songs on this album. Really feel like they should have stuck to 8 or 9 songs and would have made it a fantastic album. They kinda dribbled out the shot clock and then passed the ball.

You have to immerse yourself in this. One of those albums you can just swim in.

Yesterday's album was one I said you swam in. This one you submerse yourself in. Also, knew it was the Vikings' theme song from the first note.

Enjoyed this far more than I expected. Not my bag, but the guy's got skills.

What a unique song writer. Very talented. Really good songs. Tragic story.

I can do new wave. I can do angsty. I can do post-punk. But all three at a time? It's like mixing m&ms, skittles, and gum. Not a fan.

Reminiscent of Eliot Smith, I thought. Not bad.

Great album. I've never really listened to them, but I liked this a lot.

Wow. Was I confused on who this band was. I've always thought they sang New Age Girl from Dumb and Dumber. Look who's dumb now.

At first I thought, I didn't realize how much I hated the Bee Gees until I heard this. It's sounds like someone shaking a baby on a helicopter. ah ah ah ah ah. But as it went on it got better. Still not a huge fan but one can for sure hear how they we're about to leave a stamp on the 70s.

First time I've ever listened to the Stooges. Kinda dig it. Don't love it. Prolly wouldn't seek out a second album. But didn't hate this.

Excellent versions of these songs. Really liked this. Phil Spector is a dbag though.

It's like every episode of Hillstreet Blues in my ears.

Never been a huge fan. There is for sure something I like about Motorhead. I would totally see them live. But in the end, the writing is simplistic and it's not enjoyable to listen to a recording of their music. The melodies are non existent. It's like being yelled at in traffic for an hour.

Not really blown away or anything. Better then "Meh" but I likely wouldn't listen to anything else they do. Kinda reminded me a bit of Florence and the Machine.

I've likely only heard one song by T-rex before this. If I had heard the first song on the radio, I would have known instantly it was T-rex. I was thinking, kind of a one trick pony. Several songs fit the bill. A few didn't.

Good shit, man. That is all.

Fun. Jaunty. I'd listen to these guys a whole bunch.

Not bad. This one gets a solid Meh.

I feel like I liked these guys better when I was in high school. Loved their version of people are strange.

Ground breaking. Hard to believe it was recorded in the 60s. Changed metal fo sho.

For sure worked with Paul Simon. It's the spine of some of later work and you can hear it's influence over the last 35 years.

Not impressed. I don't like most of the music and I don't find it genre or industry changing.

I'm not real big on live albums. There are a few that were wholly better than the original recorded content. Frampton, Cheap Trick, are two exceptions that I can think of off the top of my head where the live versions are some of their best material. I still love live shows. Having worked in the industry, I've seen over 400 bands live. I'm just not a fan of live albums. I gotta be there. Gotta see their energy. But, too frequently, the singer can't hit the same notes they hit in the studio. Often those higher notes or hitting pitch can add to a greater emotional response. Further, vocal chords get tired on long tours. Sound isn't as good in an auditorium. It's more the rule than the exception. Even Robert Plant doesn't sound nearly as good live. My beef isn't with live music, it's with recordings of live music.

I was never really a fan of Stewart before getting on this website. So far I've had two of his albums come up on this and I've been surprising pleased by both.

Really great shit. I love this album.

Quite the song writer. I'm impressed. I really expected them to be a one hit wonder where everything else sucked. But these guys are good.

I've never been a big Bowie fan, but the more I hear his stuff the more I like it. I for sure like the typical radio hits but never really listened to anything outside that. He's massively talented and from what I've seen in interviews he appears very intelligent as well.

Quite the song writer. I'm impressed. I really expected them to be a one hit wonder where everything else sucked. But these guys are good.

I couldn't believe how much the singer sounded like Rod Stewart. Then I looked it up. Rod Stewart sounds just like Rod Stewart. Uncanny. Regarding the album, beck can sure noodle. Fantastic guitar work. And really, what a lineup. Stewart, Beck and Woods. However, I'm not a huge fan of the songs. Just the music.

Didn't really dig this at the time or now. Song are well written and great lyrics, but far too whiney for my taste.

I liked this a lot more than I expected. Excellent musicians and really good song writing. I liked that pushes the edge of experimental music rather than breaking the bounds. Some experimental music just gets too far out there. Not necessarily a bad thing, just that it becomes less enjoyable as listening music and more of studying music, if that makes sense.

Not bad, but I wouldn't listen again. I'm just not a fan of their style of reggae.

I dig Jane's Addiction. I feel like they were a unique drop in a sea of homogenous rock.

I really like white stripes' music. I especially appreciate that they were wholly unique in the genre. What I can't wrap my mind around is that Jack White keeps showing up on top guitarist of all time lists.

I both like and dislike the the 80s rap. I for sure like it better than current rap, but there are plenty of times I find the meter, beats, and rhythms too pedantic.

Good stuff. I'ma sound old here, but I love the old country and can't stomach new country. It reminds me of 80's hair rock. Only diff is that the lyrics aren't about partying. They're about drinking alone, sitting on tractors they've probably never driven, and supporting white supremacy. The lyrics haven't changed much, but the music has.

It's funny that he's worked with so many famous musicians and I've never heard of him. It's also funny that I listened to this album, liked it, and the next day couldn't even really remember what it was. It's remarkably forgettable.

I like the Who. I like a lot of their songs. But when I rank them on my list of greatest bands from that era they're not only pretty far down the list, they're leagues below Zep, Floyd, Stones, Beatles, etc in my book.

I've never been a huge Iron Maiden fan. I've always liked their music, but haven't ever owned an album. They were just a hair before my time. No way in hell my parents would've let me listen to No. of the Beast. Powerslave and Piece of Mind were the albums my friends had. I def appreciate the synchronicity. Their ability to play that fast and in perfect time is pert near unmatched.

These guys had to have sold their souls to the Devil. There's no other explanation for their fame. This whole album sounds like Katheryn Hepburn singing while driving a truck down a washboard road. This is god awful. Lion in the winter? WTF? Ever wonder what Rod Stewart will sound like when he's dying? Listen to Lion in the Winter. I award you no stars and may god have mercy on our souls.

One of the greatest albums of the era. And a game changer for guitar players.

Powerpop my ass. I don't hate this. I can see how it may have inspired Weezer and the like. It's pretty vapid. But I spose that's the point.

Not much to say. It's Michael. Dude had talent.

Didn't hate it. Pretty good writing. Not really my style, but wouldn't likely listen again.

Frank was the shit. The most underrated musician I can think of. His music is borderline genius but it wasn't "radio worthy". I hope he doesn't end up as a footnote in 20th century music.

How have I never listened to this?! What's wrong with me? This album is amazing.

Kinda monotonous. Certainly some talent there, but I've heard enough organ-centric music at church to last a lifetime. I wish they played like this at church but still, not something I enjoyed listening to. Church or this album.

I've never been a huge JT fan. I love his hits, seen him live, etc. But never bought an album. I guess that it's 'cause I've never been much into many of the 60/70s singer songwriters.

Some pretty good stuff. Not my bag though. I enjoyed quite a bit but wouldn't go out of my way to rehear most of it.

Not my thing, but certainly can see why he's revered the way he is.

Don't get me wrong. I love the Beatles. I like a lot of what Lennon did solo. But this album. The videos that went along with it. All it did was make me hate Yoko Ono more. I can't stomach her.

Man, it's been a long time since I've heard these guys. Damn they shred. Good shit.

Classic. My best friends mom had this album and I remember being introduced to this, toys in the attic, and Lucky Lager.

This is a damn impressive album. Five all-time greats on one album. The fact that this was their demo makes it 10 times more impressive.

Not my favorite stones album but four stars just the same. Not wildly creative writing but still absolute, all time classics that you can hear over and over without getting bored with them. Was never a fan till I saw them live. Two of the greatest shows I've ever seen.

Totally not what I was expecting. Much more poppy and less punk than I thought it would be.

I love a good samba. This didn't really blow my skirt up, but was still fun to listen to. I just kept hearing Girl From Ipanema.

I've never been a fan of Bruce. Sure he's got some great songs and Born In The USA is an all time classic album. But this album is what I don't like about his music. I'm just not jersey blue collar enough to relate.

Full "meh". Possibly the most Meh album I've ever heard.

Not a lot to say about this. Pretty cheezy. Still a bit catchy. An ok listen. I'm sure it was edgy for it's time. Pompadours and red ties and all.

Really interesting. Great writing. Gonna need to listen to this more. Might grow on me.

Pretty fun album. Dig the grooves. A little Monty Python-y at times. But generally good shit.

Few albums did more to change the path of music, metal specifically, than this one. Amazingly one of the others was Black. Amazing.

Brilliant writing and musicianship.

For the most part, this was a pretty solid experiment. I like that it was a soundtrack for a movie that doesn't exist. That makes it more like a soundtrack for life. Like when Peter Griffin had his own theme music. I tried to picture what was going on in his life by the music he wrote. It isn't something I'd just listen to for shits but it was certainly entertaining for the time I listened to it.

Some good songs. Mostly simple writing. Didn't blow my skirt up, but it did for a bajillion others.

Some weird stuff (that's not a bad thing) and some wonderful writing. Mostly, it's like and indie movie soundtrack.

Reminiscent of Vaudeville at times mixed in with metal. And metal vocals in French. Kinda dig it.

I love this band. I love that their music is simple and complex at the same time. It's off the beaten bath. I was a huge fan of Mountain Song and Jane Says in high school.

Dude was so talented. Such a prolific song writer.

Yeah, so, I never really saw that Nirvana was the transformational band that they get credit for. Transformational, certainly, just not as much as they've been given credit for. Personally, I felt that Alice In Chains should've been the band that got the credit for ending hair metal and ushering in flannel. I suppose they just didn't have the pop radio appeal that Nirvana had. I mean, Facelift came out a year earlier than Nevermind. Additionally, I think Nevermind was the more groundbreaking album anyway. In Utero has some great songs, it just wasn't groundbreaking or transformational in my opinion.

Overall, it's a pretty good listen. Decent music, good drive, a bit poetic at times. Not bad. I still wouldn't rush out and buy it, but I most certainly didn't hate listening to it. If I could give it 3.5 stars I would. I wouldn't call it 4 stars, but can't see giving it 3. So it gets four by default.

Kinda tough to judge this. Ultimately, great music, great funk, great songwriting, really great musicians. I don't want to take away from those things. However... much of it is so similar to the likes of EW&F, Sly & TFS, Parliament, etc. There's no doubt where the influence came from. They've certainly added their touch. I really like it, but struggle to find the differences. It's not quite as difficult in their newer stuff. Traveling w/out moving, virtual insanity, canned heat. Those stand out to me.

Not my bag, but good stuff just the same. A few tracks ran a bit monotonous but most were enjoyable.

Classic and ground breaking. Good music to boot. I've listened to this often since high school. Never gets old.

Damn! She can sing. What a voice! Really enjoyed this album. Great writing, great vocals. Poetic. Creative. Worked in and out of the box. Quite impressive. Def listen again. Did feel like I kept hearing voices. That was weird.

It's cool, you know, if you like music bereft of melodies. I'm tempted to give them a 2nd star for keeping most of the songs under 2 mins. They're tight, no doubt about that. But, tight, does not music make. Every single vocal note is the exact same (regardless of key) and that gets straight up fucking monotonous. My guess is, if you asked them every song would be in the key of \"drop D\", but I'm not listening to it again just to figure that out. I wonder if putting the lyrics in the sleeve was ironic or not. Two chimps arguing over a baby and a cat would have an equally well thought out melody. The lyrics could quite possibly be the most poetic thing I've ever heard, but I'll never know cause you can't understand word one. Hilariously, they list backing vocals for this! In fact they list two for backing vocals! Does that mean there there are hidden three part harmonies? I think the best part of this band is that they are so bad that there are no original members. Not even the band members can stand to listen to it for long. This was just hard to listen to, but I did it. Felt like what I imagine a napalm death feels like. I'm sure that was the point. Not to create music, but to bludgeon the senses. I'd've much rather just listened to the music and throw the singer out with the bathwater.

Fantastic singing, poetry and writing. I think Ute gets too much credit here, though. She's got an amazing voice and is unique talent. But the people who wrote the songs, and the guy who re-envisioned them should get at least 50% of the credit, in my opinion. That aside, still a four star album.

I'm a huge fan of Sinatra. But... this is not my favorite of his works. This is nice 'winding down at the end of the day with a glass of scotch' music. It's got its place fo sho, but in the grand Sinatra scheme, it's pretty low on the pole. Still 4 stars.

So, yeah racial epitaphs They weren't ok then, still not ok. Makes it difficult to objectively judge the music. Part of the problem is time and place change and I can't know what the context was without Elvis giving an explanation. From a perspective 30 yrs in the future, they seem out of place and unnecessary in the context of the rest of the lyrics.

A few great classics. A few misses. Over all good shit.

Not really my jam. I appreciate the complexity and originality of the writing and lyrics. But the sound doesn't really turn my crank.

Not bad. Enjoyable. Not gonna rush out and listen again, but still reasonably good music. Well written. A talent for sure.

I'm always shocked to hear the big four (not so much The Who) in the early sixties. And how much they change in the span of a decade. They were sooo pop-y.

There are many songs I love by the Ramones. A few on this album. What I really like is that they are almost caricatures of a punk band while still being a legit punk band. Exhibit one, the fact the short guy in the band is standing on his tiptoes in the photo.

Pretty monotonous. Not necessarily bad, it's ok for back ground music. But it's borderline static.

I love this album so much. My girlfriend was a huge fan and talked me and four buddies into seeing them in '88 at the 300 seat Greek theater in Tri-cities Washington. They opened for Jellyfish. One of the best shows I've ever seen. This album has been a mainstay in my collection ever since. I've seen them 4 times over the last 30 years and am seeing them again in August. Great album, great band.

Not much of a fan of CK, but this album has some all-time classics on it. Really good album. Great song writing.

Meh, excellent music writer but it doesn't translate to listenable music. In my opinion.

I think this is their best album, as do most I suppose. There are some all-time classics on this one. But I still can't find way to give Nirvana the cred others give them. I don't think they started grunge thought they for sure were the most popular. I think they were just poppy enough for radio air play which meant all the others got the back seat. I also find many of their songs to be nearly indiscernible from others. That said, this is still a pretty great album.

I love live shows but I'm not much for live albums. It's just not the same. The girls screaming bloody fucking murder between each of his sentences was a pain to listen to. Great music though. I'll give it that.

There are albums I listen to twice because I really enjoyed them and albums I listen to twice because I feel like I wasn't listening to/for the right things. This one falls into both.

I typically don't like these kind of movie soundtrack or life soundtrack type of albums, but this is the 2nd time The Divine Comedy has come up on this site and I have really liked both albums. They are incredibly well written. Great music and good poetry.

Dig this! Great jazz, good funk, great song writing. I'm thrilled to have found her. Want to hear more.

Great song writing and lyricism, as expected. Not my favorite from EJ but pretty great nonetheless.

Just not a fan of slow jazz. Or Chicago jazz. I'm more of a New Orleans guy.

Love these guys. Pretty much my favorite hip hop. Jazzy and well written.

I hate Smashing Pumpkins. I can't stand Billy's voice. It ruins otherwise pretty decent music. Good melodies, good driving rock guitar/drums/bass. I'm def a fan of Iha's tone. But damn if that voice doesn't sound like a 6 year old that needs his juice box NOW!

Fun to hear the transition. Like still some of that poppy stuff they did in early 60s but you can hear the transition to more bluesy stuff and Jone's influence with different instruments.

Meh, I'm like 50/50 on these guys. Wasn't a huge fan, but they do have some good songs and their sound pretty much defined 80s new wave. When I listen I hear almost every 80s movie soundtrack. They get extra marks for that.

Super forgettable album. I literally could not recall any of it the next day. I guess that is a sold 3 star didn't love or hate it.

Well, that takes me back to high school dances. Really great song writing. One of the few New Wave bands I got into. I think maybe because they were less synth oriented than others. Either way, loved this album.

Pretty meh. Not a fan, but didn't run away screaming either.

Been kind of a closet fan for some time. Never owned an album. These guy write funky cool songs. I dig them. Not so much this album, but in general.

Really great song writing. What an amazing trio. Can def hear the Buffalo Springfield influence. Good shit.

Horney Gospel. Love it! This guy an sing. What a talent. Really enjoyed this album.

I don't think bands that include performance art as part of their act cannot fully express their message via audio. It seems to me I'm only receiving somewhere in the vicinity of half of what they are trying to get across. Mostly what gets conveyed is chaos. Which, I didn't hate, but I feel like there was more I was supposed to experience.

I-hit wa-hus a pre-hity goo-hood alb-hum. Bu-hut her di-hiction i-his anoy-hoy-hoying.

I'm a pretty big Metallica fan. I've stood in line to buy albums and tickets. Buuut.... this album does nothing for me. The orchestra adds nothing. It kinda makes it sound like Trans-Siberian Orchestra.

Not my favorite Doors album. But a good one just the same. I like the bluesyness that you find in most of their previous albums.

It's not often a musician comes along and writes fundamentally new music that is still "listenable". The really great thing is Beck has done it more than once. There are lots of guys like Glass and Reich who break the boundaries, but their music isn't "listenable". It's studiable, if that's a word. I would literally use Reich to clear a restaurant of stragglers after closing.

I feel like this is the sound of the 60s. He encompassed it and then influenced others. When the other guys (Who, LZ, Stones, Et al.) were trying to break out of doing ripped off blues Donovan was creating the sound of the summer of love.

I'm tempted to give this five stars. It's not the Monkees I expected. There is some really creative amazing music on this album. But there is also some pretty elementary stuff. Overall, loved it and listened to several of the songs multiple times. Would def listen again.

Really good writing and musicianship.

There is no denying his talent. I don't know why I never got into him when I was younger. Maybe it was growing up in conservative Eastern Oregon and not having the courage to go that far against the grain as a teenager. It is for sure my loss. This isn't my favorite album of his, but this one is still damn good.

Meh, not really a fan. I liked their two hits but never really got into them. Weird thing was I bought this album in HS. Also, Boy George had some issues. Chaining an escort to a wall and beating him with a chain? Weird shit man. He's like the Rick James of the British Empire.

Hard to classify. There was some really forgettable stuff and some pretty cool stuff. Overall liked it. Likely wouldn't listen again. Prolly wouldn't turn it off it came on randomly.

Solid Stones album. Reminds me of the first time I saw them and they played Sympathy. One of, if not, the greatest concert moment of my life.

I think I have a weird relationship with Neil Young. Sometimes I think he's brilliant and other times I think his lyrics are sophomoric. His writing is generally pretty good. This album encompasses all of that.

Meh, not really into "Blue-eyed soul". It's kind of like English food is to actual soul food. Know what I mean?

Meh, not really my bag. Didn't hate it. Didn't love it. Solid 3.

I love his skill and his hits. What I don't like is that most of those hits were written by other people. JJ Cale, Marley, black blues artists. They are credited, so props there because that wasn't always the case in those days. But Clapton is such a skilled musician I'd think he could write his own hits. Still, as an album, this is a great listen and has great music.

This caused me a tremendous amount of anxiety. Like I had to hurry up and finish the album because I needed to be somewhere. Not an enjoyable listen at all. Fantastic bass and drum skills. Really these guys are good, but it's just too chaotic to be an enjoyable listen. There are those songs that have super chaotic intros or devolve into chaos at the end but have an actual song in there. This album is a 21 min chaotic intro that devolves into 21 more minutes of chaos.

Not bad. I was surprised by what I heard. I could've maybe named one song by FBS and my expectations were not what this album was.

I tried on this one, I really did. Of the 400 albums I've listened to this is the first I gave up on. This is easily the most sophomoric shit I think I've ever heard. It's just shit. There's not even any peanuts or corn to be found. It's just more of someone with the fucking mentality of a 13-year-old, rhyming dictionary in hand, talking about his dick and raping, assaulting, and murdering all those "worthless bitches". The frightening thing is this "man" wields influence on impressionable children. 13-year-old boys listened to this and think this is how women are meant to be treated. We call them "incels" now. This has no inherent value. It's not parody. It's not trying to shine a light on some difficult to understand social construct. It's just a asinine little boy talking about his dick for an hour. This album is one of the most insanely idiotic things I have ever heard. At no point in his rambling, incoherent "music" was he even close to anything that could be considered a rational thought. Everyone in this room is now dumber for having listened to it. I award you no points, and may God have mercy on your soul.

Not my favorite DB, but thanks to 1001 albums I have discovered that I really like his music.

This feels like a live album. So jam oriented. I'm a huge fan of the writing, it's really amazing. Very jazzy. Good shit.

He was a unique talent.

I'm always a bit amazed when I listen to punk bands of this era and find them anything but punk. A result of the generation I was born as they had moved the needle as to what punk is.

When I saw this was their 2nd album I expected more of their sophomoric writing but was really surprised at how many well written songs this actually had.

Kinda cool, kinda weird. Overall not bad. Probably won't listen again but wasn't a waste of my time.

Cool. Cool. Not a big Elvis fan but I didn't hate this one. Matter of fact. I can't recall a thing about it. I'm nonplussed.

That is just some good shit right there. Soulful, funky, groovy,, and even some quality yodeling! Neat.

Never been much of a Bruce fan. Nothing really jumps off the page about his singing, writing or playing that make his non hits enjoyable. It's fine, don't get me wrong. In my opinion it's all just average and the sum of all those things is just average. But that's just me.

This is what my mom used to tell me she listened to when she was younger to try to sound cool because it was the only thing she ever listened to that wasn't a recording of a Presbyterian choir singing from the hymnal. She probably on listened to it once and wasn't offended so rolled with it.

Damn! This is Rage before Rage. Fuckin' love it!

Kinda weird. Pretty groovy. Some good stuff. Kinda liked it.

Love Paul Simon. One of the great 20th century pop composers.

I liked this far more than I expected to. I still don't quite understand why she's the icon that she became in death. I don't want to distill it down to people needing another person to add to the 27 club, but it kinda feels that way.

Pretty mellow. Good vibes. Could listen again.

"I didn't think he'd do Moon River, but then - BAM! Second encore!" The songs are really well written. But... it's really boring for the most part. I can't imagine being at this show.

Not a fan. Just not my bag really. To much like Smyiths/Morrissey. Also not my bag.

Pretty good. I really liked some of it.

I can imagine that if you're into this style that the songs are cool and all. But... I find it vapid and redundant. For all I could tell this was one long song to teenage girls. I hope to FSM that there isn't another TS album on my list.

Has some nice beats. Maybe heard a little zydeco in there? Wasn't really inspired by it. Just a reasonably nice listen.

Sounds like a long Monty Python skit. Some wacky stuff in there. It's entertaining. Couple good songs. One great one.

I've never been a fan of Abba. They do have a couple good songs and I most likely wouldn't turn the channel if any of their radio hits came on. They are for sure to bubblegummy for me. But they have nice harmonies. Well written songs. Not much to fault. Just not into the style.

"I mean, come on." ~ Jimmy Valmer Arguably the greatest album ever written (not the greatest in my opinion but it's damn close). Every song a banger. Every song an all-time classic. Every. Last. Song. And some aren't just all-time classics, they rise to the top of a list of all-time classics. Black Dog, Rock & Roll, Going to Cali, Misty Mountain, Evermore. And arguably the greatest rock song ever written. All on the same album. Every song continuing to get daily radio airplay. "Wooo! Hot damn, son! I believe you did sell your soul to the devil." ~ Ulysses Everett McGill

Solid 80s power pop written in the 70s. Guess that makes them a bit ground breaking.

Yeah! Seen these guys 6 times. Always an opener, and weird pairings too. Van Halen, Aerosmith. I saw them open for Poison in '89, a last minute replacement for Warrant in Portland, Or. Someone said find me a replacement Now! and someone else said there's this band in Seattle making waves. AIC got booed off the stage. Poison fans were not ready for this. Pretty sure they thought hair metal was going to be around for ever. But then flannel became en vouge. Anyway. Great album. Facelift was better. Fucking love these guys.

This was my first album and to this day I do not think a more perfect album was ever composed. I got this for my 10th birthday and have memorized every song, lyric, lick and note from the 10k times I've listened to it. Where's the six star button?

Not much to say. It just was.

There are a couple of really great songs. Classics, now. But I've never really been a fan of this band. I like their hits but have never owned an album and never liked anything outside of their hits.

Ugh, with the whining. Eeeeuuuaaahhh. Eeeeuuuaaahhh. 50 mins of this. Even the guitar was whiny. I don't know who this speaks to but I'll bet they are real downers at a party. It's like The Cure at 78 rpm. Or Smashing Pumpkins at 45.

Great shit. If I wasn't a day behind I'd listen to it again right now. Loved this album.

Man, if I met the Devil and could sell my soul to play like anyone, it would be Mark Knopfler. Just amazing. The guitar playing on this gets five stars on it's own. It's not my favorite DS album. Not a huge fan of the songs (with exception of SoS). So overall it gets 4.

Really good straight forward metal. Simple song writing, great guitar work. I do feel badly for the bass player. Pretty lame work for him. This is a great album to just pop in and get to work.

If they had given credit where credit was due I'd give this album 5 stars. Hell, I'd give it ten if I could. But they didn't. They gave credit when the courts told them they had to. And that's a downright shame. It's a stain on their legacy. First pressings had Lemon Song as Killing Floor and they still didn't give Howlin' Wolf credit. I loved this album so much when I first heard it, before I knew they had stolen ideas. It was probably my favorite LZ album. But I don't buy the "It was a different time, everyone was doing it." argument. When was there a time when it was OK to steal from people? There never was such a time. There was only a time when people in charge looked the other way when it was black musicians getting robbed. As much as they "pinched" from black musicians it makes me really wonder about Stairway. The courts have let that one fly, but listen to the two songs. It's a tough pill to swallow about one of my all time favorite bands. I do appreciate the Randy Newman cameo on the Bring It On Home intro.

Liked this. Didn't love it. So like 3.5 but not 4. And since 3.5 isn't an option I'ma round down on this one.

Really amazing guitar work. So impressive!

I was never much of a Cyndi Lauper fan in high school, but she has grown on me over the years. She really is a good song writer and has amazing pitch. I'm not much of a fan of the timber, however.

Never really been a fan of DM I think mostly because they were an 80s band that, outside Personal Jesus, didn't really have any radio ready songs. I feel like they were more of an MTV band and by the time MTV was in most households I was out of high school. Also, rural America didn't get MTV until decades later. My point being, DM was not a band I had ready access to. That's why I love this site. It's got me to listen to and really enjoy a band I previously little interest in hearing. These guys are good. They are excellent, and most importantly, creative composers.

Beautifully chaotic. Went straight out and found another album of his to listen to.

So, I listened to the entire album and YouTube took me straight into their next album. I was completely unaware of the transition. It sounded exactly the same. Couldn't really tell you where one song ended and the next began let alone when the album changed. Really seemed as though there was only one thing on the menu.

Pretty good stuff. Can really hear the Bad Brains influence.

Not much of a prog rock fan and this isn't my favorite Yes album, but remarkable writing and musicianship.

You can sense the transition in writing from Help! to Sgt. Pepper's in this album. Pretty cool.

It's ok. Enjoyable. Not really notable.

Reminds me a bit of the Runaways. Especially Vicky's Box. Very Cherry Bomb-esq. Also a bit of Grace Slick thrown in there. Not quite four stars but I don't think 3 does it justice. Closer to 4 tho.

I can specifically thank this website for getting me to listen and enjoy Bowie. I wasn't a fan until this website gave me the suggestions and I'm really digging his music. This isn't my favorite album. A bit low energy for me, but still great writing.

Least favorite of the Bowie albums. Still a reasonably good one.

There's some pretty decent songs on here. Pretty good writing. But nothing really blows my skirt up. For sure, the best song is the cover of Cohen. Which, I think is better than Cohen's version (not to bad mouth Cohen, I just don't think his register was good for the song or the weird synth), but not even close to the best one. Wainwright, Brandi Carlisle, John Cale. All better in my opinion. Buckley's is (was?) just the most famous.

Fantastic! Great feel for period pieces. She's right up there with Allison Krause in her song writing. Loved this album and will listen to it many more times.

Good ol fashion R&R. Really dig that sound.

I was surprisingly impressed by this. Really good writing. He has something like 68 albums to his credit only a few of which have achieved even nominal recognition. He may be too smart for his own good. I also think he writes what's in his head and has no desire to kowtow to the industry. He could absolutely write a few I, IV, V, vi hits.

I say this a lot. Great album, not my favorite by them. But really, doesn't all but one of their albums fit that bill? Need to stop saying that. End of the day, great album.

Great grooves, beats, and poetry. Dig it.

This must be what taking a fist full of quaaludes is like. And the description that this is a double album with part two being two songs and spoken word. Oooff.

Not what I was expecting. I was expecting "If You Leave" kind of stuff. This was pretty, I guess, artsy? Sometimes ethereal. Not my bag. But good composition nonetheless.

This can't be a coincidence? The Queen Is Dead? The day after the queen died? Common now. That aside. Probably my favorite of the The Smiths albums. I'm not really a fan in general, but this one is a bit more enjoyable than the others.

I'm not going to rush right out an buy an album, but I do enjoy these guys' music.

Wow. What a once in a generation talent. The way he rewrote/reworked/restyled these standards was so good, quite often amazing..

Really enjoyed this. Went straight to their next album and listened to it too. It can be a bit repetitive (what self respecting EDM isn't?), but jacked up on my ADHD meds this hits just right!

Meh. Didn't love or hate. Not a big fan of the the style, but it was catchy enough. I think it's slightly better than a 3 but not a four. On a scale of 10 I'd give it a 6.5.

Tight. Really loved that about these guys. Hearing this in HS was really the first time I heard that kind of harmony soloing. Good stuff.

Masterful songwriter.

Really good live performer. Would've loved to have been there.

Spectacular musicianship and composition. Really amazing. Not a great listen in my opinion. I mean I wouldn't put it on while cleaning the house. But certainly a great study.

Kinda cool. Some trad stuff in there that was nice to hear. I'd say more than 3.5 but less than a 4.

I don't know, not a bad listen. Didn't blow my skirt up or anything. Wasn't objectionable either.

I try to like Radiohead. It's my wife's favorite band. But they just don't do it for me. It's too monotonous. It gets points for originality and composition. But just not something I want listen too again. But I will, cause my wife will have it playing.

Of all the Smiths/Morrisey albums (I think this is the 4th) that have been served me, this is the best so far, in my opinion, and really the only one I've enjoyed.

Cool grooves. Dig it.

Let me sum this album up for you: Repetitive bass line + I have a dick and girls are worthless shit = 66 mins I'm not getting back. I lost count of how many times he spoke of assaulting, raping and murdering women. I really struggled to listen to this whole album. I feel like there are basements full of incels that still listen to it everyday. If I was in Jr. High when this came out I'd probably have loved it. Funny voices. Sophomoric bathroom humor. Drugs. Fuck this, fuck that. Bitch, cunt, whore. Yeah, when I was 13 it would've been cool and I would've thought I was cool and edgy for listening to it. Bunch of suburban white boys listening to this thinking they hard. But I'm not, and this is nothing more than a braggadocios teenager with a rhyming dictionary. "What rhymes with pee? ....Tree!!" Cool. On par with "Anybody want a... peanut!"

Really liked this. Loved the social commentary. What a difference between this and Slim Shady LP. One has legitimate grievances. The other is pissy cause girlz don't like him.

Every song on this album is amazing. So well written, great lyrics. An all-time classic album.

Pretty good stuff. A little repetitive, but some nice hits. Not bad at all.

Interesting. For the most part I appreciated it. I'm by no means a fan of rap. Most of it I find pedantic, repetitive and unimaginative. I can't usually relate to the lyrics having spent my life in rural PNW.

Meh. Not my bag. Didn't hate it though. Just sounded really repetitive. I'm not sure if they were the ones leading the new wave/synth pop scene or if they were just riding the wave. Extra points if they were the former.

Another Meh. Just not a fan.

Pretty good. I liked it. Not quite a 4 but good stuff. Might think differently on a 2nd listening.

Nice, original, pretty well written. Dig it.

Not bad, kinda liked it. Prolly won't listen to it again, but enjoyed it while it was on.

Not my bag. I'm not wild about the vocalizations in eastern music. I recognize, however, the talent to do it, I just don't enjoy listening to it.

Pretty good. Not the best stuff coming out of the 80s. Honestly, I liked it better back then. Still like it, just not as much.

I'm surprised how much I like Rod Stewart's older stuff. My introduction to him was in the 80s and I wasn't a fan. But Gasoline Alley and this album are really pretty good.

Hard to think of something good or bad to say about this album. It's a really solid three. Not even a 3.01 or a 2.99. Dead on balls 3.0.

I've never been much of a fan. Just liked their hits but never bought an album. This one hasn't changed my mind much. They are talented musicians and songwriters, that's not lost on me.

This will likely be the one and only album I will not listen to. I will not contribute to his bottom line. Kanye can go fuck himself with a fist punch up his ass today at the present moment.

Nice grooves. Kinda dig it.

Can we just rename this genre "Narcissistic Gun, Dick, Pussy Rap"?

Yes! That's how to express anger for the system as an artist and an activist.

There were times when I was really digging this. Covers a whole lot of genres. Pretty impressive songwriting at times.

Amazing album. Rare musicianship and songwriting ability.

Hard to know what to think about his album on one listen. It for sure needs multiple listenings to grasp it. Seems pretty great on the surface and I think it would only improve on multiple listenings.

Really impressive lyrics. Pretty pleased with this album despite its slow pace.

Some pretty weird stuff in there but overall solid blues.

This is one of those albums that was on and I didn't even realize it. I just worked away and at some point the album changed to another Röyksopp album and I didn't even know it. It's one of those albums that just is.

Wow, I was really surprised by this album. This is not what I expected. Firstly because I liked it. It was wide ranging and a far cry from the genre in which I had stereotyped her.

Pretty good. Not blown away, but dig it well enough.

There was something... about this band... that I didn't know. I recognized that voice right off the git. And I was not one iota surprised to see that members of both The Cars and Talking Heads were in this band. I'd heard of Modern Lovers but never listened to them, bit before my time. But I can totally hear their influence in Talking Heads.

Meh, not my bag. Singer is pretty awful, tone wise. Never been much of a new wave fan. Didn't hate it though.

I've got a lot say about this album because I used to work in the concert industry and I got into many, many arguments about how bad this album is. Everyone around me argued it was great. I am clearly the odd man out on this opinion. I used to love RHCP. I wore out my BSSM cassette. But this album, in my opinion, feels like they had a contractual obligation to meet. They took everything they had recorded that wasn't fit for an album and laid this turd. I hate it so much it makes me dislike their other music because it reminds me of this album. It's like their Coda. To be fair most of my complaint is not with the music. The writing is decent, the musicianship is decent to amazing. It's the vocal melodies and the lyrics. The melodies are repetitive and the lyrics are half-assed at best. Kiedis mailed this one in. Around the World ruins this whole album for me from the git. It reminds me of some old, white politician trying to appeal to POC voters. It's a terrible rap, and the lyrics are fucking awful. "Fox hole love Pie in your face Living in and out of a big fat suitcase." Or this classic - "Ding ding, dong dong, ding ding, dong dong, ding ding." I just can't. Much of this album has the same elementary vocal cadence of Scar Tissue combined with a monotonous vocal melody. It does the same thing over and over and over and over. Same cadence, same melody, on repeat. Doot, doot, doot, doot, doot, doot, dooo. Now do it on the 4th. Now the 5th. And now the root. Repeat. Or like Emit Remus, let's not change chords at all. Most of my disappointment with this album is that RHCP are better than this.

Some wicked good all-time classics here. They've stood the test of time which is why I give it four stars. I saw him live once, wasn't as good as the album.

I was shocked by how good this album is. What incredible writing. I saw her open for Page/Plant at the Gorge in George, WA. I found her to be an extremely talented musician but was really taken with the songs themselves. Never really listened to her after that. But this! Wow. Amazing song writing, amazing musicianship, amazing poetry. I will go back and listen to her older stuff again.

It's a weird cross between Rocky Horror and The wall. Kinda dig it for its uniqueness, but also prolly won't ever listen to it again.

I don't know. Didn't hate it. There's some decent songs by a group of very good song writers. They each grew and became better as they went on.

There's some really good shit on this album. It's pert near a four so I'ma round up.

I've never been a fan. I appreciate that he is a very good songwriter. But his music kind of reminds me of that one friend who records their songs on a cassette deck and then pulls it out at a party and wants everyone to listen to it, and it just kills the vibe.

Remarkably good blues players. It's so unique and unusual to hear what ultimately sounds like really good American blues with lyrics in a foreign language. I think what I like most about this is the blending of the two elements fits naturally. Too often musicians try to force two or more styles together for the sake of being different or unique and end up with something that doesn't work. Too often they're looking for the next peanut butter and bananas but end up with peanuts and banana flavored gum.

Pretty wacky. Exactly what you expect from DK.

Great stuff! I love a good samba! Revenge? Of course! But why wound his body with bullets, when I can set his soul on fire with a slanderous mambo? ~Tito Puente

Classic! Great shit.

Fantastic musician. Not a real big fan of his style or the songs themselves, but props for how well he plays. Also not a fan of the guy in the audience that kept moaning when he heard something he liked.

Normally not my kind of music, but this album really has some great songs on it. Not necessarily impressively written, but they are enjoyable to listen too and have hooks that stick.

Great musicianship, great songwriting. Outstanding album.

I struggle with Joni Mitchell. I know she's widely regarded as a great song writer, but to me she sounds like someone who is singing ad libitium a letter to ex boyfriends. It doesn't work for me. I feel like I need to have a cup of hot tea and depression to listen to her.

Tom's one of those composers who is really great at composing music but has a voice that is hard to fit to any style. Leonard Cohen was another. I think Tom writes gritty, raw music and that goes well with his voice, but ultimately it's not that enjoyable to listen to. Like I'd never throw on Tom Waites and then start doing the dishes.

Anything I say about this album, its genius, the number of incredibly composed songs, its effect on the music industry and a generation of musicians, would all be woefully dull compared to what needs to be said. This album is a triumph and is likely the greatest progressive album ever written.

Damn this album rocks hard. Tremendous musicianship. Creative writing. Genre forming.

Enjoyable album. Lots of catchy hooks. Good for doing dishes.

Not a style that I'm really into but still mostly enjoyed this album. She's an incredible musician and has a fantastic voice in my opinion.