No, sorry, don't like Radiohead. Don't understand all the hype at all. Media darling, whiney college kids. Kid A and OK Computer are always in the 'best albums ever' lists but I hate them and think they're shit.
A right load of pretentious bollocks has been written about this band "there's never been music like this, before or since". Well good, because it's shit.
Massively clichéd, ludicrous lyrics, teenage hair metal, pointless forgettable solos and generally indistinguishable from a dozen other 1980s middle of the road rock bands, (in this case from Sheffield but trying to sound like Americans). It's OK in small doses, just letting it wash over, but nothing stands out or grabs my attention; the songs aren't strong enough to transcend the limitations of the genre. Plastic rock.
Sexual assault may be the least of his crimes. I can see how a vulnerable teenager could believe these messages of hate and destruction, leading to terrible consequences. Vile disgusting music for depressives. Shame, as some of the riffs are pretty good - it's the lyrical content and vocal delivery that spoils it.
Lost me in the first 10 seconds. I hate this style of music, I hate it's attitude, I hate it's vocal style - I hate everything about it.
By the end it was barely listenable. Hated it. I can hear the good intentions and enthusiasm, but they didn't make up for the bad songs, awful and intrusive drumming, grating vocals, overbearing harsh sounding guitar. I appreciate the idea of a 'back to basics' stripped down sound, but get a producer for God's sake.
Curious amalgam of Frank Sinatra, Frank Ifield and Hank Williams, but considerably inferior to all three. Surely worst version of 'Wild side of life' ever recorded. Very annoying cheesy slide guitar all over everything. This would have been very popular in the early 50/60s but doesn't stand the test of time very well.
Words almost unnecessary. For a teenager, hearing this album for the first time was a life-changing experience. Their best album by a mile in my view.
Mostly innoffensive stuff. Occasionally some jarring, incongruous guitar arrangements, as might be expected from a rock band doing soul, but on the whole they are probably the blackest sounding white men I've heard. David Cassidy was obviously a fan, he covered 2 of their songs. An interesting historical footnote, but not sure why it would be on any list of essential albums.
Don't know how to rate this album. I loathe rap - speaking doggerel very quickly over a drum machine beat and a sample of someone else's creativity is NOT music. It might be poetry, but if that's what you're after, try John Cooper Clarke to see how it should really be done. Having said that, Eminem is the best of a bad bunch. 'My name is' is obviously a cut above - but the competition isn't strong.
Heroic drumming - I would have sworn that was Phil Collins if I didn't already know it wasn't. Whoever it is, I bet he was great at maths in school - that's a guy who really knows how to count. On reflection the vocals are also interesting - I have no idea what any of these songs was about because I couldn't decipher any of the lyrics, but they sounded quite earnest. I absolutely loved lots of little individual sections on lots of tracks - in particular on 'Limelight' and 'The Camera Eye' and.. ..come to think of it, pretty much every track - but when you put the whole thing together it's just a mess. It shouldn't be that complicated: just decide what the sodding song is going to be, then play the damn thing! There's no need to try and cram 12 songs into every track. Yes, I know that's the nature of Prog Rock and it's almost 50 years too late to point out the absurdity of it now, but, come on, nobody really likes this, do they? It's mad. Great technicianship (as opposed to musicianship) and all that, but you can't whistle these tunes, can you? Well, there you are then. If you absolutely must listen to Prog then Genesis is the only sensible, musical, intelligent option available - and even so, you're on thin ice. Oh god, after Led Zep II, this is easily the best so far. Streets ahead. I'll take this to a desert island over the White Stripes every time. I loved it. No, really I did, despite neither expecting nor wanting to. Playing it again now. Maybe one day I'll understand some of it... but if I don't, there's still that heroic drumming... utterly brilliant. Please sir, can I have some more?
Lots of 'too clever by half' but still brilliant lyrics, ridiculously affected but still pleasing vocal style, perfectly delivered but mostly unsatisfying and echoingly repetitive tunes/themes (big boys/good year for the roses, party girl/alison etc), oh yes and the coda to party girls is unforgivably stolen directly from Abbey Road's: \"1234567, all good children go to heaven...\" so overall I ended up just thinking, \"it's sort of good, but not for me, thanks. It's all a bit samey in a different sort of way. I would have stopped listening after 2 or 3 tracks but I didn't want to miss out on something good, but in the end there wasn't anything - except the singles, and the best song was written by Nick Lowe.
Love the singles - the sound of (somebody's, not mine) youthful summers - happy, outdoor music to have in the background - but the three singles are head and shoulders above the rest, though I can't explain to myself why, given that all the songs sounded the same, especially the guitar sound - a sort of Nile Rodgers-type vibe going on - except not in the same league. The rest I can't remember. Why is this an important album? It clearly isn't, it's just pop music, good as singles but nothing else. What next - Boney M? Yes, all right, I loved them too, but I'm never going to sit and listen to any of their albums. Incidentally, I am still listening to Rush and getting worried that I may have contracted some sort of illness. Is there a support group? (no, not that sort, the psychological sort)
What a fab opening riff - followed by another - then another. Three of my favourite songs in a row. Joy. I haven't heard this album since 1980. Sadly not all to that same high standard, but then they couldn't possibly be, and even the duff tracks are pretty good. Loved it. I was also prompted to put some of these onto my running playlist. To criticise, I felt the vocal melody lines weren't always as good as the guitar lines underneath them. I generally like Ric Ocasek's vocals and on some tracks he's perfect for the vibe of the track; when he's right, he's really right; but sometimes he takes the low road when the high road is just inviting him along. I can't help thinking that with a stronger singer, they could have taken over the world - but overall, it's still a great sound.
I'm a fan of old grumpy-boots and I know this is generally accepted amongst the cognoscenti to be his magnum opus, but frankly I don't get it. I was hooked after 3 seconds of the opening bars but after that there was a long wait to hear anything approaching coherence. The influence reaches down the decades though - just try playing David Gray's version of Say Hello Wave Goodbye then Madame George (that's only one example from that album, there are loads). At least half of this album is effectively just a two-chord backing track with The Man wailing nonsense over the top. What a beautiful noise he makes, though. At 2:30am after a couple of spliffs it can't be beaten; at 5:30pm over fish fingers and beans, it just doesn't have the same effect, but still, what a voice. There are better albums in his catalogue, though. Checkout 'Dweller on the threshold' from the opera house live in Belfast rather than this. Of course I could be wrong; I'll just play it again to be sure. Oh wow, that opening track is fantastic..
I hated almost every second of this - although I can't say every second because I couldn't bear to listen to it all. Appalling, jarring, deliberately mad dynamics, this was everything Milly said about Rush, but in a different genre and played less competently and maybe they actually were trying to be funny. The opening track has the worst percussion I've ever heard. Worse, even, than the White Stripes. I'm losing faith in the list - why is this in any way an important album? I don't expect to like lots of stuff but I can still appreciate why it might be significant - even though I may hate it - but this definitely isn't.
My earliest memories are of cowboy songs, so I found this both soothing and sad, a relic of a bygone age when a man's best friend was his horse. Do children still play cowboys and indians? No - and cowboys and native americans just isn't the same You can't even buy caps anymore. All the songs are familiar to me, even the ones that I hadn't heard before. Predictable themes, tunes, the solemn tone - you can almost sing along without knowing the song. Like hymns for the godless. I'll never listen to it again, but I don't need to, it's part of me.
Just awful.
Great as background party music but I can't remember anything at all from it. All the tracks blur into one. This isn't music to listen to, just to dance - which is fine, but I don't dance so that's no use to me, I'll take Samba Pa Ti instead, please. Mind you, it gave me a happy 5 minutes watching Jane dance to it in the kitchen.
Whilst the songs are all likeable, nostalgic little vignettes, the sound is mosty thin and reedy, lacking punch. with the obvious exception of Waterloo Sunset. As an example, compare the Kinks against the Jam's version of David Watts. I love all the Kinks singles right up to Come Dancing, but the album tracks don't enthuse me. Some of them would make great short stories, though.
I think I last listened to this album all the way through when I was about 12 years old (my best friend's older brother had a copy) and I'd forgotten how utterly, utterly brilliant it was and I want to apologise to the world for leaving it so long - I've played it 5 times today to try and make amends. It's just visceral and totally brilliant, the best thing I've heard so far. Can I give 6 stars? (also just noticed that Billy Bragg nicked the riff from 'Oh Yoko' for 'Waiting for the great leap forward'). I wrote loads more (twice) about this album but deleted it all - there was no need, you already knew it all anyway.
Never heard of this band before. "I'll just listen while I'm in the gym", I thought. Wham! First track couldn't have been more apt for the situation. It's great to workout to but I didn't even recognise the genre, never mind the track, so had to look them up to find out what sort of 'music' this is - but I was none the wiser, really. Eurobollocks maybe? Downhill all the way after the first track - I don't dance so this is hopeless. Confirmed all my prejudices about dance music though, so I'm glad I listened to it. Nul points from me.
How have I not heard this before? I loved Lust for Life, but this one had passed me by and it's great. Sister Midnight and Funtime ought to be mainstream rock classics. I guess Iggy just was too far out there to get the mainstream attention he deserves. Jane said 'you can hear Bowie all over this" and she was right, it's almost a Bowie album.
I'm a fan and listen to his music every day, so I'm biased, but the songs are achingly melancholic (eg Johnsburg, Illinois) which (if you like that sort of thing - and I do) hit the spot every time. He is an acquired taste though;.some stuff is very odd (16 shells,,, which is largely about a guitar) but once you accept the strangeness, it's fabulous and occasionally very funny (Frank's wild years). I expect at least another three of his albums to make this list, and I for one, can hardly wait.
Bizarre. I found this simultaneously repugnant and entrancing. Flitting from some sort of mad euro-thrash metal to the avant-garde (at times very much like Tom Waits - except in french, which really doesn't help). I must have played the whole album 4 or 5 times so far but I'm still no nearer to understanding what's going on. I don't even know if I like it or not. It just sits there, demanding to be played (again) and that way madness lies. I'm quite disturbed, both by it and how it makes me feel. I'm going to try never to play it again and to forget I ever heard it.
Massively clichéd, ludicrous lyrics, teenage hair metal, pointless forgettable solos and generally indistinguishable from a dozen other 1980s middle of the road rock bands, (in this case from Sheffield but trying to sound like Americans). It's OK in small doses, just letting it wash over, but nothing stands out or grabs my attention; the songs aren't strong enough to transcend the limitations of the genre. Plastic rock.
A masterpiece from a proper musical genius.
I ain't got time for this, know what I'm sayin'?
Shame, I really wanted to like this. XTC have done some brilliant stuff; 'Love on a farmboy's wages' is still one of my very favourite songs after 30 years and I play several of their other singles regularly. This album was entirely unknown to me and I'm disappointed - I was hoping to discover some new gems. Maybe it needs more time to grow but in comparison to the obvious immediacy of their other work, it seems pretty weak. Some occasional nice stuff, but only serving to highlight how poor the rest is.
Had enough after 30 seconds but I persevered to the end. Was it worth it? Absolutely not. Awful, one-paced, plodding dirges. How did this ever get onto any list that also includes Graceland? Paul Simon should sue the curator.
I appreciate this was a very important album, the dawn of shoegazing. It even got 'best debut album of 1985' in one list and makes lots of other lists put together by music journos of the time, trying to jump on the next bandwagon and not caring whether it sounds good just as long as it's new and hip. Admittedly it is strangely hypnotic and some of it is very good, but overall it just feels like a walI of sound fell on my head. A lot of it is also just unlistenable. 1985 must have been a really bad year for new artists.
Love Jethro Tull. It must be something about standing on one leg and sticking your tongue out, because I also love Loudon Wainright III. Locomotive Breath is just brilliant and very easy to play (badly). Sam likes this album, having discovered it for himself.
This was not a good start to my day. Mindless meanderings, devoid of melody or direction. Some of it was reasonably innoffensive, and after a couple of tracks I was thinking, maybe 3 stars - but who thought 'Freeform guitar' or 'Poem 58' were worthy of inclusion on an album for sale to the public? It just made me cross. Complete rubbish.
The title is a dead giveaway. This might be OK if you are full of E's but otherwise it's just someone messing about in the BBC Radiophonic Workshop. Utter tripe.
Pleasant pop, but nothing special.
It's as if 'running away' and 'family affair' are by a different band. The rest of the album never gets close to that level. Some nice grooves, but too slow and ponderous - it needs an injection of energy.
Very clever and quirky - like an early 70s version of XTC. As usual, the singles stand out, though I've always liked 'The worst band in the world', too. Otherwise it just drifted past me.
I knew about this Krautrock band. A mate in school had The Faust Tapes and I remember him talking about it in 1973(ish) Consequently, I can say that this album is way too commercial - I prefer the hardcore early stuff. Lol.
A right load of pretentious bollocks has been written about this band "there's never been music like this, before or since". Well good, because it's shit.
Don 't like the Pet Shop Boys.
I really love 12 bar blues, it's easily my favourite genre, but I don't like the big Chicago sound: saxophone, horns, piano and intrusive American crowds screaming at every little word. When he actually gets round to playing the guitar rather than playing the audience, he's pretty good. B.B.has produced some sublime moments, but not many of them are on display here. This is just cheesy showbiz. The thrill may be gone but it still beats the Pet Shop Boys hands down.
A work of genius and after 30 years I still listen to it regularly. My favourite track has changed several times over the years. Starting with Nightswimming, then moving on to Everybody Hurts (once described by Peter Buck as an example of Michael Stipe "polishing a turd") but lately it's been the amazing and still prescient Ignoreland. And John Paul Jones arranged the strings. This is up there with Graceland and Led Zep II (of what we've heard so far) with a serious claim to be in the top 10 of best albums ever recorded.
It began to grow on me after the second play, but it's not really my type of thing. Reminds me of Screamin' Jay Hawkins/Captain Beefheart. Also very pleased and surprised to discover that 'I walk on gilded splinters' was a Dr John song - love Paul Weller's version from Stanley Road.
It's just average pop.
Enjoyed this way more than expected. Fergal Sharkey's voice is a bit marmite and I'm on the wrong side of that divide, but there's no denying the infectious energy. Interestingly and unusually for rock music, I think almost every song is in 2/4 time. In any event, all the same beat, and all the song lyrics are variations on either "it's not fair, he's got more than me" or "it's not fair, she doesn't love me" but nevertheless I still loved it. Avoided this sort of stuff like the plague in the 70s (along with all punk/new wave) but happy to discover I was wrong.
Thank God that's over with. I feel inadequate just saying it, but really, what's it about? It seems to me to be the jazz equivalent of guitar shredding. No doubt technically amazing, but utterly useless to listen to. Music only to those actually playing it. Fret-wanking (or the sax/drum/piano version). Sorry, but the emperor's wearing no clothes.
Some music requires a completely flat emotionless delivery: gregorian chant for example, so perhaps she should have tried that. Apparently she was unhappy about having flute added to the production, but I bet the flautist was unhappier to have a mad german nihilist droning all over his lovely musings. Occasionally she lights upon suitable material - her versions of All Tomorrow's Parties and My Funny Valentine are both great, but this album is terrible. Music archeologists and Jackson Browne fans can find some interest in his early songwriting here, but this criminal version of These Days shouldn't have been allowed to go unpunished. Nico was culturally important because of those who she moved amongst and this album is similarly important because of its historical context and those involved with it, but on its own merits alone is utterly forgettable.
Q: how many good songs makes a classic album? A: 2, apparently (plus a couple of reasonably good songs) Couldn't remember anything else from this. A very distinctive overall sound, but aside from the obvious contenders for classic status, the material is very weak and mostly just about saved by Slash's savage guitar. Admittedly a cut above the opposition, but that's not saying much. I love Sweet Child and Paradise city as much as anyone and have been trying unsuccessfully to play them for years, but as to the rest, if I never heard it again that would be fine with me. Fast coming to the conclusion that there are very, very, very few albums that are consistently worth listening to.
The music press loved her in the 70s, which was always a bad sign and I never saw the attraction. I remember seeing her doing Horses live on the OGWT and hated it (she also murdered Because the Night). Nothing on this album changes my opinion.
Awful. Hated every second of it.
That's more like it. Not played this for more than 40 years.The vinyl version had a fold-out cover that made a desk. Intro guitar on My Stars was played by Dick Wagner, who was also lead guitar on Rock and roll animal/Lou Reed Live - brilliant. Not Alice Cooper's best, but a decent warm-up for Billion Dollar Babies.
Very interesting. Didn't especially like it, but interesting. Too much guitar pyrotechnics - 'shredding' at the cost of musicality, a pet hate of mine. Very clever but it sounds terrible.
Absolutely not!
Soporific but not unpleasant. Good background music. Played it while working and it didn't interrupt my concentration at all. Feel like I'd heard all the songs before, even though I definitely haven't, they are just oddly familiar.
Street Life is great, but the rest of the album just sounds like an extended instrumental break from that song. You could take any track and insert it into Street Life and it would fit perfectly.
Why? This isn't even music, it's just beats. How does this get on any list? I'm tired of this. Not interested in dance.
I get why The Beasties Boys should be on the list, but not this album. Licensed to Ill was the one. By this album it wasn't new anymore. Originally they were ground-breaking (though personally I'd have preferred it if they had just left the ground where it was) with sampling (including Led Zep riffs) and scratching etc. Swearing a lot in interviews and generally being badly behaved - standard teenager stuff which just screamed 'fake' to me at the time ("Mike D" turns out to be the son of a New York art dealer.. ffs). I hated hip hop and rap then and hate it even more now.
OK. At last something genuinely interesting. Rap with guitars! I really liked this.
I'd been looking forward to this: I knew it would be on the list, and that it is highly regarded, so I was very disappointed to hate it and feel as if it is somehow my fault. Then Sam derided me for not liking it, so I took the pledge to play nothing else for the weekend to see if it would grow on me. By Sunday night I began to hear past the noise to the beauty beneath on a few traccks (still think it would be better without the noise though - a remix would definitely help). Still ddon't like it though.
It's Neil Young, so of course it's good. Not his best, but still pretty good. But if you've heard Unplugged, then this version of World on a String is disappointing. New Mama is great, not heard that before.
The title track is wonderful, one of my favourite tunes for many years. The rest of the album is unremarkable and surprisingly different to the title track. Stevie Winwood is one of the great unsung heroes of rock music, but this is disappointing.
Standard generic 80s sickly soul. Nothing memorable or worth noting.
Good for comedy value. Cliched country, all male voices sound the same, it could be Garth Brooks or Waylon Jennings, I can't tell them apart, not unpleasant but just jaded. Modern (especially female, eg Moll Tuttle) country is way better these days.
Why this album? He's just coasting, there's no fire. All good songs as you'd expect, but this is NOT one his best - there are at least half a dozen Springsteen albums I can name without even pausing for breath that are better than this. It's not that it's bad music (it's fine and I enjoyed it) but it's terrible curation (yet again).
Loved this. No real songs, really, just a bunch of jams, but the vibe is perfect. Great guitar tone, too. Nonsense, but easy listening.
Fantastic. A completely new guitar sound - Sultans of swing is absolutely the best single ever and the backdrop to my friday nights for a decade or so. Down to the waterline and Water of love are also still on my running playlist.
Possibly Manchester's best Stevie Wonder impersonator.
This makes me so angry I can hardly articulate it. Racist, mysoginist in the extreme, boastful, violent and just downright disrespectful all round. Oh yes, and it's also rubbbish musically.
Meh. It's OK, reminiscent of Lou Reed's Coney Island Baby period.
Distinctive discordant guitar and disjointed rhythmns - it sounds like they're playing The Jam's News of the World backwards. The bastard children of The Buzzcocks and Devo. Occasionally interesting but mostly annoying.
Meh. It's just average.
Why? If I released an album of covers played on swanee whistle and kazoo, would that make the list? I love a good raga as much as anyone, but this is just nonsense.
No, sorry, don't like Radiohead. Don't understand all the hype at all. Media darling, whiney college kids. Kid A and OK Computer are always in the 'best albums ever' lists but I hate them and think they're shit.
At last! Something I like.
Some lovely tunes. Not really my thing: file it with Coldplay, Snow Patrol etc. Generally very nice inoffensive AOR with the occasional standout track.
Don't understand freeform jazz. I've tried - I even went to a jazz club specially to try it. Had a great time but not because of the jazz.
Utterly brilliant. Probably my favourite of his albums, though it's hard to choose.
It's OK.
Is this not Oasis in (slight) disguise? Same wall of guitar sound and production, vocal intonation and phrasing, guitar style - all that's missing is an obnoxious twat freeloading as a singer. I quite liked it but clearly the two bands are interchangeable. Occasionally detected a Rolling Stones influence.
Our greatest ever lyricist. Genius. His first 4 albums are all sensational. With some rare artists you can remember exactly where you were when you first heard them and Billy Bragg is one of those. But Train Train is an aberration - it must have been included on the album by mistake!
Other than the eponymous track, complete rubbish. If he hadn't been who he was, this would never have got published. Whining adolescent drivel. So bad it makes me cross.
It's OK. Just average alt rock. I won't listen to it again and don't remember a single note of it.
Iree! Good stuff. Treading familiar ground, but still nice. Makes a giod companion piece to Bob Marley's Uprising.
Not for me. Not outright terrible, just a style I dislike.
Some reasonable songs - Pulp were a sort of modern day Kinks, but (surprise!) I don't like them.
What a mixture - some mad stuff in with the greats. Difficult to rate because this is all just a part of history. It's not their best album but includes some of their best songs. Obviously I love it but I'm torn. 4.5 would be about right, really. 4 isn't eniugh but 5 is too much. oh well..
Not unpleasant as muzak supermarkets an lifts.
Wonderful
Brilliant. Proper rock from when Rod could sing and before it all went gooey (ie everything from Atlantic crossing onwards). Absolutely love The Faces. I haven't played Maggie May for decades because I thought I was bored of it, but the shit this list has put forward so far reminds me that I am so not. It is a world apart and brought a tear to my eye - and what a guitar solo! Mandolin wind, Reason to believe, Every picture... track after track top quality. Just wonderful, wonderful, music. Joy from start to finish. Get in, get up, get out!
This one I get: a radically new sound in rock, clearly an important album. Also, I really like it.
This needs no comment. Top 10 album of all time, without question.
Oh yeah, baby, uhh!
Surprising a d almost funny. Take a Smiths album master tape, go to the mixing desk and slide every channel containing Johnny Marr's guitar parts down to zero. What you will be left with is this album. It's good, but it would have been so much better with him.
This just washed over me. It sounds more like a film score rather than music to actually listen to. Weird ethereal voice effect.
Ridiculous. Why is this on the list? It's just muzak.
Sorry boys, The Beatles got there before you, and did it way, way better. Lots of screaming and faux excitement but the music behind it is flat as a pancake. I'm guessing these are Americans trying to emulate the Mersey sound. Whoever they are, it doesn't work. Just sounds like 10 alternate and inferior versions of Twist and Shout.
It's just a fake film score. I'm sure it would fit a film very well, but why must we hear it without the pictures? Who curated this list?
Awful. Hated it.
Ordinarily I'd ignore stuff like this - preposterous, overblown stadium rock. But my perspective has been damaged by the swathes of utter rubbish we've had forced on us lately. Consequently, this felt like a breath of fresh air. It gets 4 stars, principally for 'Wanted..' which is a real classic (though the live version is better).
Wow! This, I really like. Great ambient music. Played this constantly all day, and despite the repetitive riffs, it never bores - always something new going on behind it. My only disappointment is not being able to make out John McLaughlin's guitar at all over the whole album. One of the greatest ever, and I can't hear him at all! Otherwise, flawless. Just wonderful.
Wrong album. Stranded (the third Roxy Music album) is easily the best. But this is still very good - even avant garde in its day,
What a surprise - McLaren is an infuriating twat, but there's no denying that there's some good stuff on here. It's not Graceland but he was definitely onto something.
Smooth. My employer uses 'Your love is king' as its hold music. Customers have complained that, having had to wait so long, they can't enjoy the song any more. One customer said hearing the song outside of the work environment induced panic attacks.
What a coincidence. I was playing Steely Dan to Sam last week - I chose Aja. This is great and I played it on rotation all day and the rest of the weekend. Fantastic production, these guys were perfectionists. Not unusual for them to change the whole band (they use session musicians, the 'band' was really just Donald Fagen and Walter Becker) from track to track. Songs from the seamy side hidden behind jaunty tunes. Brilliant.
Absolutely nothing special about this - nice enough, if you like that sort of thing. I don't. It's just offensive, passive racist rubbish.
Nice background music for a restaurant, maybe. Don't remember anything about this - instantly forgotten.
Interesting. I liked some of the tracks, especially 'Dirty boots'. Other stuff, bordering on death metal, not so keen.
Another piece of music which is fixed in my memory to the place and time when I first heard it - in this case riding in my geography A level teacher's Alfasud on a field trip to Oxwich Bay (along with Beggars Banquet). A life-shaping experience.
It's OK. Stupid Girl stands out a mile though.
Really good. Not a bad track on it - some better than others, but consistently above average.
For about a year they ruled the world. A string of singles from this album (including the sublime Wild west hero) meant it was impossible to go anywhere without hearing ELO playing. Places me forever in Coventry shopping precinct.
Average whinge-pop.
Sorry, but I just don't like his voice or music. Don't like his Dad's stuff either. I must be wrong because everyone seems to think they are both geniuses.
When she's good, she's unbeatable. Down to zero has been in my personal top 10 for 40+ years and not likely to be shifted, and Love and affection is just completely perfect.
I can see why some would like this - his voice is very 'marmite' - I don't like it at all. The songs are aimless meanderings and I prefer a discernable melody.
Brilliant. Just brilliant.
Lovely guitar and some beautiful songs, though he rewrote Vincent (as Crossroads) and American Pie (as Everybody loves me, baby) - but it's still a great body of work.
Just awful. How did this get on any list?
Like it all. Not a bad track on it.
Grew on me. At first it sounds like a rewrite of Rain Dogs by an old man past his peak (which to an extent is undeniably so) but there are some real gems: who are you is great. Jesus gonna be here (Blind boys of Alabama version) has been a favourite of mine for years without me knowing it was his song.. though their version is definitely better.
I'd forgotten how brilliant this album is. Five absolute belters and the other four are bloody good, too. He said some nasty things about Christie Brinkley, but his music is wonderful.
I'm conflicted about The 'Oo. Daltrey must be the worst singer ever to become a rock Gos after Dylan. Townsend lurches from writing absolute classics to ridiculous nonsense. Most of this album falls into the latter. Sometimes I love them, but other times (like this) I just wonder what they were thinking.. Rock opera? Well if you must, Pete, but I'd prefer Who's Next instead, please.
Loved this. A very clear identity, the guitar and vocal couldn't be mistaken for anyone else. More melodic than the previous album, this was a real surprise and very engaging. I want to give it 4.5 stars, it's better than 4 but not quite 5, but there's no option for that so sorry boys, you're demoted to 4. No I've changed my. mind - I really, really liked this 5 stars it is.
Best new (to me) music I've heard in ages.
Some of the tracks are really good but I don't like Kevin Rowland's voice. Also reminds me of dancing on the tables in the Cellar Bar at B'ham Uni, which I prefer to forget.
Well it's got 3 fantastic songs - the rest are just OK. I'll probably never play it again though those 3 songs are regulars on my playlist already.
Fantastic! What a surprise - all classics, beautifully done.
Everything I said about Jah Wobble applies to this album, too, but even more, I think. Anyone could write this. It's not horrible, it's just nothing. There's no talent behind this that I can see. Practically random music. Choose a key, write some chords on pieces of paper then pick them out of a bowl. Get a competent guitarist to play them repeatedly in a variety of ways in the order they came out. Speak earnest sounding nonsense over it. There's your top 1001 album.
Great band, but wrong album again. Straightshooter is easily their best album. But the title track is magnificent and Paul Rodgers has the best voice in rock - one of the few men in history (and almost certainly the only white man) who really belongs in leather trousers.
Everything I said about Jah Wobble applies to this album, too, but even more, I think. Anyone could write this. It's not horrible, it's just nothing. There's no talent behind this that I can see. Practically random music. Choose a key, write some chords on pieces of paper then pick them out of a bowl. Get a competent guitarist to play them repeatedly in a variety of ways in the order they came out. Speak earnest sounding nonsense over it. There's your top 1001 album.
This is Bone Machine but written by a (slightly) younger man in his prime. Fantastic. When I first heard this in approx 1985, (my Dad played it to me) I didn't understand it at all, it was completely unintelligible to me and I hated it. 10 years later it was one of my favourite albums. Clap Hands - yep, a big round of applause from me.
It's all the very much the same: I have his later album, and 'Becoming More Like God' (my favourite track on it) is great, but it's the same as Visions of You on this album. Layers of sound and vocals over a bass riff which goes diddle-dee, diddle-dee, didddle-diddle-dum-dee. Very nice, but this is the sort of stuff anyone could write, with some studio time and session vocalists. I like it, but is it art? I think not. I'm beginning to think (no, that's a lie - I've always thought) I can do better than at least 25% of the stuff we've had so far.
How did they get away with this? 'Movin' on up' is so Rolling Stones you can hardly believe it isn't them. It's the 'Sympathy for the devil' rhythm track mixed with the 'You can't always get what you want' choir. But it's still great to listen to. 'Loaded' is George Michael's ''Freedom 90' shamelessly stolen (and also is the 'Sympathy for the devil' rhythm track. I can't believe they weren't sued to hell and back. Great to listen to but they stole if all..
Not for me. Don't hate it, some might like it but not me.
Quite pleasant, reminds me of the Moody Blues. Very 'of its time' and that was over 50 years ago. Not that that is necessarily a bad thing, but in this case, it shows its age.
Never understood the fuss about Nirvana. Some fairly good songs on this album (by the way, describing it as "unplugged" is stretching it somewhat. "A bit quieter" would be a better description) but all of them have exactly the same structure, so it all sounds very samey.
Rap, but without the bragadocio, misogyny, racism or swearing, but with some catchy hooks. Very nice, but somehow it feels a bit hollow. Maybe I'm getting unured to the loathsome rap culture. I hope not.
Hard to fault, but James Taylor's original version of 'Don't let me be lonely tonight' is much better, as is The Doobie Brothers' original of 'Listen to the music'. But their versions are OK and the two singles are great.. The guitar on 'whose that lady' is just epic!
Groundbreaking back in the day and set a format very obviously copied by Run DMC, to greater effect. White middle class kids trying too hard to be from the 'hood. Notable for sampling and at least they had the taste to steal from Led Zep. But it's still tap and I hate it.
Fabulous voice and wonderful songwriting.
Annoying dynamics - just when you start to get into the tune, it stops dead. Completely. Then starts off in another direction. But overall its really good, and the sound is unique, in a good way. Mixture of synth/guitar sound is unmistakable and appealing. I really like this, though you definitely have to be in the right mood. It isn't background music.
Ludicrously overblown, sterile, soulless, awful. Dave Lee Roth's vocals are like Mariah Carey's - fabulously technical and gifted, but emotionally dead.Like a pantomime dame. Van Halen's guitar wizardry also leaves me cold - I hate shredding. Play it slowly but with feeling please.
Sexual assault may be the least of his crimes. I can see how a vulnerable teenager could believe these messages of hate and destruction, leading to terrible consequences. Vile disgusting music for depressives. Shame, as some of the riffs are pretty good - it's the lyrical content and vocal delivery that spoils it.
Still don't enjoy his music. It's beter than the previous album, but lyrically dubious and I don't like his voice.
Clocks is an outstanding song, but the rest of the album passed me by. I don't remember a single line, just a general irritation with Chris Martin's vocal style (octave jumping using falsetto)..
Epic! Paradise by the dashboard light is utterly brilliant. Nils Lofgren's guitar is piercing, the vocal delivery amazing and the arrangements are, well, epic.
You can draw a line through Vera Lynn then Shirley Bassey to arrive at k.d.lang. From the 'big note' school of lounge room crooning. I tried to like it, but it's not for me. Constant Craving was OK for the first 70 million plays, but is just tiresome now.
Lots of fun, clever (if occasionally dubious) lyrics, catchy tunes and superb musicianship. What's not to like?
Absolutely brilliant. A masterpiece companion to Innervisions (all recorded pretty much in one go).
Bits of it were OK, but folk music and rock drumming don't really mix. The singer also trying a bit to hard to sound like Bob Dylan. Some nice quiet nice songs, but not enough to save it.
Everything from "once there was a way..." to "the love you take is equal to the love you make" is perfect (that's side 2 in old money). It's my favourite piece of The Beatles music and I'm apparently not alone - that was George Martin's favourite, too. Wonderful. Glorious. Desert island music for me.
I was surprised to really enjoy this. It's pure pop and very well done. All the songs blend into one happy sound and it's not something I would ever normally listen to (and probably never will again) but apart from clubs (obviously) it would make great factory/shop background music. No good for just sitting and listening to, it's music for doing things to.
Patchy. Some of it is excellent, whilst some of it is just noise, bordering on shoegaze. The good stuff I really like, the shoegazey stuff I really hate.
Distinctive voice and well written songs. I don't especially like it, but. I don't hate it either. It's a good album, just not to my taste.
Lovely. Sam introduced me to Sufjan Stevens a couple of years ago and it is just my sort of music. Indie-folk.
Surprised to actually like this. I've always believed I hated Yes, but apparently I don't. I seem to be a closet prog-rocker.
Really couldn't be bothered to listen to all of this, it's very poor. I got as far as Kids, which is a good song, but not this version: but there's an amateur couple on Youtube who do an acoustic version 10 x better than this. Rubbish.
Mostly below average - except they slipped in a beautiful acoustic blues piece (VStapol) amongst the dross. I had to check it wasn't Spotify playing up. Complete personality shift for 2 minutes, then back to more dross. 2 stars just for the that track.
Very much like early Stranglers. Some good riffs and rhythms going on under Mark E Smith's eccentric nonsense vocal delivery. Apparently they were John Peel's favourite band. Better than most of this week's drivel, though not really my cup of tea.
Comment unnecessary. But I'll say it anyway: utterly brilliant.
I couldn't stand to listen past the 4th track, it's just terrible.
Brilliant for cycling to! No good to listen to, it's either dance or exercise
Couldn't get past the second track. Does nothing for me at all.
Lost me in the first 10 seconds. I hate this style of music, I hate it's attitude, I hate it's vocal style - I hate everything about it.
Pretty good, but very 'Blur' - all discordant jerky guitar riffs. Justine was Damon's girlfriend at the time - I wonder who was influencing whom?
Love the voice, don't care for the songs.
Terrible.
Great when you're drunk. Not so much when you're sober and don't drink anymore. It's good, but not for me.
Wow - that is the sound of the Cellar Bar, B'ham Uni, 1979/80. Makes me feel there's something going on, but I'm not part of it.
Great poetic lyrics, and the melodies are pretty good, but combined with the deep bass, almost spoken delivery, the whole is less than the sum of its parts. Maybe someone else should record his songs instead. Still the occasional gem: First We Take Manhattan being the obvious (which has been successfully recorded by others). Tower of Song could be a great upbeat rock song.
It's OK - some good riffs and tunes but I'll never listen to it or them again.
Difficult to rate - he's a genius so I could listen to him noodling all day, but a lot of tracks lacked focus. The ones that had it were fantastic (Me and julio, mother and child...) but the rest were so-so.
Just OK country music, not such good tunes.
Very good. Brown-eyed girl cunningly rewritten as Glad Tidings. He was obviously a huge influence on Loudon Wainwright, who stole Come Running for People in Love. Don't like all the songs but Into the Mystic is worth 4 stars all on its own.
Hypnotic electronic riffs over disturbing and depressing lyrics. I could like the music but the vocal puts me off.
Every one a winner. This music changed everything permanently and deserves 5 stars for that. It's dated now, but still hugely influential and important.
What is this? Death punk metal? Jane's Addiction do it better.
Dreadful dirges. I don't think I like poetry.
Terrible. I'm not listening to this. First 4 tracks were more than enough.
Great if you're in the mood. The Stones with a sense of humour
Pete Townsend is either brilliant or bonkers, sometimes both together. Daltrey is the worst singer ever to front a leading rock band. Entwistle and Moon are utterly amazing virtuosos. Together they all did some great work, but some is very poor, there was never any consistency, with the exception of the incomparable Who's Next. One brilliant track on this album, one very good track and the rest is just filler.
"one of the best hip hop albums ever released". Repetitive, uninspired, looped and sampled with discernable musical input at all - it's hopeless doggerel chanted over snippets of other songs. This isn't music. What's the point? Why does half the world think rap is music? Amazing.
Couldn't get to the end of the first track. Started OK with lush strings, then female voice but soon descended into mad, intrusive drumbeats so the music was lost. Also stops and starts and isn't cohesive at all. I think it's supposed to be dance music, though the constant stop start must make it very difficult to dance to. It got slowly worse. Not really music.
Great drum intro as if about to launch into uptempo rock but then - in comes a downbeat voice followed by electronica of various incongruous sorts. None of the music matches the fabulous rock drumbeat. It's bonkers. Then track two: apparently it's a theme. A human drummer lays down a beat then a voice is introduced which doesn't quite match it, then electronic instruments join in. Eventually track 4 comes up with a decent melody. Voice sounds a lot like Lloyd Cole. I'd had enough by track 6. Don't like it.
More ambient ''music'. It just sounds like somebody mucking about in the BBC Radiophonic workshop. Very nice as background, maybe as a filmscore, but not to be actively listened to.
Spector was a madman. I don't much like his 'wall of sound' and the music is all pure pop - fine for supermarkets and children, but gives the serious listener nothing worth keeping - except the occasional earworm. I've got Frostie the Snowman stuck in my head which is very annoying..
Racist, misogynist, violent, hateful. Great beats and delivery, but whining about how hard it is in the 'hood gets tedious. This isn't improving things is it? Just stirring up more racist hatred. Stupid beyond belief.
Very 1980s vocal style (Lloyd Cole-y), not unpleasant but no stand-out songs- all same standard. Just an average band. Again, the same question keeps cropping up: why is this on the list. I can turn on the radio randomly and hear music like this. Why is this in anyway special? It's not actively bad, so I suppose that's a step up from the avalanche of dross that makes up at least half of this list.
Happy music! I love this style of music - call it soukous or jit, it's impossible not to want to dance
Boring. Beat with rap over it. No melodies, it's just all the same.The best thing I can say is that it doesn't have quite as much swearing as most rap. Also it's intelligible - so all in all, it's the best rap album we've had so far.
Fantastic. I'd forgotten how good this is. Intimate and soulful. Brilliant.
Brilliant socially aware lyrics - 'That's entertainment' should be published separately and added to the National curriculum. I'd forgotten how good The Jam (well, Paul Weller) were.
Rap for rockers. This is as good as rap gets (which isn't saying much). As usual it's all the same - it's a good rhythm but it gets tiresome. Walk this way is fantastic, but nothing else on the album comes close to it.
Superior pop. Difficult to listen objectively to Madonna without being coloured by her ruthless pursuit of fame at any cost and deliberate religious and sexual provocation. She's either an empowering force for femininity or a spoilt brat, depending on your point of view. No denying that the pop is above average, but doubtless she has the means to obtain the best writers/producers. It just isn't authentic. I don't believe she cares about music at all, it's just a means to an end - fame. Look at me everyone, aren't I great?
Meh.
Beautiful harmonies, great guitar sound, several outstanding tracks - helpless, our house, teach your children - don't always like the melodies, but the overall sound is always soothing. I played is on repeat all day and loved every second.
Very fast rock - like Motorhead with a different vocalist. They got through a lot of drummers and I'm not surprised.
Some jaunty beatz and definitely better than most hip-hop/rap - bug that's not saying much. I don't like it.
Still developing as a song writer, this is far from his best. Limp anti-vietnam war protest songs and barely comedic vignettes while still trying to sound like the New Bob Dylan. Unfortunately he succeeds in the latter and loses his own personalty for it. Loudon Wainwright was funnier, more observant and had better melodies.
Undeniably brilliant pop. I'll never listen to it again, but can't think of a reason to deny it 5 stars.
I don't understand this list. Every other Bowie album from Space Oddity to Low is better than this. It's Bowie, so of course it's great, but really? Why this album? This is his worst album of the 1970s - it's down there with Pin-ups. Earl Slick's guitar heroics on Stay are the highlight of the album, but there are much better versions of Stay and Wild is the Wind on the BBC sessions box set. I saw him on the Station to Station tour at Earl's Court and it was not his best performance - it wasn't a good time for him. There are good, even great, tracks on this album, but as a whole it's hopeless.
Springsteen's first 'pop' album. Some good tracks but this was the start of songs in the formulaic Lucky Town mould. Not my favourite album.
Rap is not music.
Appalling. I love the blues, but I've heard many pub bands better than this. How could one of the world's best guitarists combine with one of the best voices ever to produce this? Bowie's version of Shapes of things is better - and that's on pretty much his worst album of the 1970s!! Flashes of brilliance in Blues Deluxe, but not enough.
Is this a joke? she's surely making this up as she goes along. Is it supposed to be art? Avant garde? Rubbish.
As rap goes, this is a cut above. Not my thing, but I can see how it probably shook things up a bit at the time.
Innoffensive but nondescript. Why is this on the list? It's just a (very) average album. I'm told that Blond is much better.
At the risk of sounding like my Dad, this is mostly just a racket.
Breath of fresh air.
A new slant on electric folk - a stunning guitarist.
Not my thing, but it was a surprising album from a punk band: musically very competent and a broad range of styles. Definitely not your average punk band.
Naive but occasionally sweet. Reminds me of Paul McCartney's later Beatles contributions. but doesn't have any edge to it. Even the bluesy Student Demonstration Time just sounds like a protest song that bunch of 13 year olds might write. Weedy. No soul.
At last, something different! Beautiful. To those who think Paul Simon exploited them, note that they had been together since the 1960s and recording from 1973 - yet no-one knew who they were outside of South Africa, until he brought them to worldwide attention practically overnight. Ask how exploited they feel about that.
Some great stuff, but spare me the hippy dipshit nonsense please.
Appalling rubbish. Can't tell one track from another. Mad guitar - very fast but out of rhythm and key. Who likes this stuff apart from sad 13 year old loners?
Undeniably catchy pop. Not my thing, but I can see it has to deserve 5 stars. Not sure 'when I kissed the teacher' could be played in public these days...great tune though. 4 massive international hits, but a purely singles band. Who has ever heard an album track of theirs (unless they actually bought the album, obviously)? 'Dum dum diddle' - really? Practising for the next Eurovision Song Contest, obviously. 'Tiger' could easily have been a single, too.
Terrible. Has nobody noticed that his singing has pitch issues? The lyrics are lame? The music is samey and cliched?
Brilliant - what a voice! At least 7 world-class songs on this album. Shame he went nuts after it.
Meh. I want music to listen to. Dance music does nothing for me at all, it's just pointless if you don't dance.
Run of the mill rap. I hate rap.
Disappointing.
Nice.Close to 5 stars.
Excellent - shame the whole album isn't on spotify...
Great voice, he sounds like the Righteous Brothers and he was hugely influential amongst the Greenwich Village cognoscenti - but although the songs are OK and obviously Everybody's talkin' is a fantastic song, but it isn't a great or even particularly good album.
My wife described this (before being told who it was) as "arty, pretentious shit with a vocalist who can't sing". Hard to argue, really. Dreadful dirges. It wasn't love that tore them apart. Occasional flashes of better to come, but this album doesn't belong on any list. Like the drumming, though - and Hooky's bass is clearly the driving melodic force.
Utterly brilliant. I remember exactly where I was when I first heard Nick Drake: Gatwick Airport HMV. I went straight to the counter and said 'Who's this, it sounds a bit like John Martyn?' The sales assistant said 'It's Nick Drake, he was a friend of John Martyn'. I bought the album and I've been a fan ever since. This is his masterwork. 6 stars.
What a racket!
Mad neo-prog rock. Quiet, spacey intros, then crash! In come the drums and guitars. All the same. Unlistenable racket.
Very much chanson - big theatrical songs, clearly Jacques Brel influenced. I don't like this at all. Great voice but I loathe the material. I managed the first 6 songs, but that was more than enough.
Aside from the title track and Express yourself, there is no music of any interest here, just vacuous fillers. Prince didn't do his reputation any favours appearing on this album, I'm surprised he allowed it to be released.
Some absolutely brilliant bibs (Statesboro Blues) early on in the set, but getting slowly off peak towards the back end, which was a shame - 5 stars for the first half, 2 stars for the second half
Meh. I don't dislike ambient music, I just don't see the point. You can't sit and listen to it. You can't dance to it, unless you're on acid, and it's too intrusive for me to have on while working. It would be fine, but the voice samples are very annoying.
Very shouty, fast guitar rock - sort of post-punk. Nothing special, why is it on this list?
I wasn't expecting this - it's brilliant! The title track owes a lot to white light/white heat, but wow! If you're in the mood for energy, the album title is about as descriptive as it gets. Iggy's bonkers but I love it. Compare this to yesterday's terrible Minor Threat album, why are they both on the list? The guitar is sensational throughout, way ahead of its time and very obviously influential. Why isn't James Williamson better known? This blows any punk album out of the water - and they got there first. Amazing. Note: play the Iggy 'violent' mix- Bowie's earlier mix sounds muffled and though still great, the Iggy mix is much rawer and more powerful.
Very irritating.
Infectious, high energy stuff with great African rhythms.
This is where the silly voices started. Some world-class tracks, but too much filler.
Oh good, I thought after the first track - bangra. I like bangra. But no, it got softer and softer until we get to an execrable version of Imagine. I won't be listening to any more of that.
Death metal - unlistenable rubbish.
This is a joke, right? Why am I listening to this? I'm sure it's great if you like the tango, but I'm really not interested at all.
The blues numbers are great, but I can't ignore his many flaws as a human being (a racist anti-vaxxer) so won't listen to his music any more.
Strangely ethereal warbling. Not unpleasant, but does nothing for me.
Ridiculous.
Desperately sad I don't like all the material, but the voice is incomparable.
Dolly is great. I prefer acoustic guitar-picking country in a bluegrass style (Molly Tuttle), rather than steel, but that's just how country music was at the time. The songs and delivery are really good.
Don't like most of it, but Alison and Red shoes are 2 of my favourite songs ever.
It's just rap. I hate rap.
Cute teenage harmonies.
Brilliant. How have I never heard this before? I don't go for her pop stuff (though it is clearly very good) but these folky singer-songwriter tunes are great.
I have this album on the original vinyl picture disk, never been played, and now I've listened to this, it never will be. I don't like the organ sound. It just isn't suited to rock music in my view. The vocal is too screamy and the lyrics sound very dated and cliched. I don't even like Smoke on the Water these days, I'm bored of it.
Very pleasant, once you get used to Chris Martin's octave-jumping falsetto style, which is irritating to begin with.
Brilliant. Soooo 1980s but who cares? Catchy tunes, all excellent - not a bad track on the album.
White rabbit and Embryonic journey get 5 stars. The rest gets 2. Average 3.5 rounded down.
Oh dear, more dance music. I really don't like dance music in general and the Pet Shop Boys in particular.
Tour de force production, scorching yet melodic guitar lines and memorable songs. Utterly brilliant. I haven't played this whole album at a single sitting for over 30 years, but it was a joy - and it's improved with age.
Great stuff. I didn't know they did so much 12 bar blues.
Brilliant. Bowie's backing vocals on Satellite of Love provide one of rock's priceless moments.
I love the Cure. I had the chance to see them at B'ham Uni in 1980 and didn't take it, and have regretted it ever since.
No, sorry, I'm not even going to listen to this. I've heard enough already.
Another surprise. Never heard of this band, but really enjoyed listening. Infectious post-punk from what sounds like an all female group. Very likeable.
Smooth, beautiful baritone, amazing and very individual guitar style. As laid back as it is possible to get.
We already had one Undertones album, two is probably unnecessary. But Teenage Kicks and Jimmy Jimmy are undeniably perfect. Enjoyed this way more than expected. Fergal Sharkey's voice is a bit marmite and I'm on the wrong side of that divide, but there's no denying the infectious energy. Interestingly and unusually for rock music, I think almost every song is in 2/4 time. In any event, all the same beat, and all the song lyrics are variations on either "it's not fair, he's got more than me" or "it's not fair, she doesn't love me" but nevertheless I still loved it. Avoided this sort of stuff like the plague in the 70s (along with all punk/new wave) but happy to discover I was wrong.
More rap? I hate rap, it hardly qualifies as music. This shouldn't be on any musical 'best of' list.
It's silly, funny, and self-parodying, but the groove is infectious - plus it's very sexy music. Puts me back in teenage mid-seventies discos. Can hardly distinguish one track from another, they all have the same driving rhythm - it's just one long continuous stream of funk - but that's OK because I like it. They must have had a lot of fun playing it. Dig that crazy beat, man!
Probably the best voice there has ever been. Not my sort of music, though.
Why this album? It isn't their best, or anywhere near it. Preposterous.
Appalling rubbish.
Not unpleasant just very dull.
This sounds very much like a modern Black Sabbath. Metal played more competently. Technically excellent, musically hopeless - this is for teenage boys only.
12 bar blues is one of my favourite genres and though a bit tame by todays standards, this is the stuff - and standards is the right word.
A female version of Nirvana - but I don't like their music either. Too shouty, no idea what most of the lyrics are about, but I'm not really interested anyway.
This is mostly just drum and bass with a bunch of electronic effects over the top. Nothing of any interest. Some nice grooves, but going nowhere. I'd had enough after a couple of minutes, but I persevered for half a dozen tracks, getting more and more bored until the vibe changed with Medication. At first it sounded pretty good, I soon realized it was basically just 'rocks off' with different lyrics, so I'm not impressed.
Proto-punk, great stuff. Hi energy (mostly) and competently played. Original version of No Fun interesting to hear, I only knew the Sex Pistols' version.
Personal Jesus is great. The rest doesn't come close. All electronic riffs and beats, trying to write another Personal Jesus, but unfortunately, they only managed it once.
Couldn't stand more than a minute of this - her voice irritates me (and I don't like the music either)
Cool, suave background music for a cocktail bar - the girl from Ipanema in a dozen samba variation. Very nice, but why is it on this list? It's background music.
Surprised to really like this. The first impression was that it's just the usual metal thrashings, but it turns out to be s distinctive cut above. Good stuff.
As rap goes, this is very good, but I really don't like rap at all.
Jangly hippy guitar pop, but sounding a bit dated now.
Fantastic songs, but I don't like the production. Paul Simon sounds way better without: a) Art Garfunkel b) Strings and various wacky sounds
No thanks.
I've played it so often.I think I could name this album from any 2 random seconds play, It is a masterpiece and possibly the greatest ever in the rock canon - certainly top 5 in any informed list.
Another masterpiece from rhe genius Paul Simon, marred only by the presence of Art Garfunkel..
Some good riffs but the melodies don't match up. Take Me Out is great - it's just a shame Led Zeppelin wrote it first (Trampled Underfoot)!
Riff-driven metal, but the riffs aren't good enough. Too complex, jumping around a lot - a substitute for melody. A sort of prog-metal. I'd rather go back to fundamental pentatonics. Occasionally it comes close, but there are no classics here. Music for teenage boys only.
It's just a soundtrack. Not of any interest whatsoever. Why is it on the list?
The opening track 'No action' sounds like an inferior reworking of 'Radio Radio' which is great, as are all the singles. The rest are all unmistakably Elvis Costello in up tempo mood - all jerky aggressive vocal lines and background organ. It's a hard listen.
Loads of enthusiasm, great guitar sound, proper rockers - but apart from I want you to want me and Goodnight, the songs weren't up to scratch. Shame, as they otherwise embody the true spirit of rock.
Brilliant.
Don't care much for The Pogues in general and Shane McGowan in particular. Love traditional music, but not in a punk style. I like my traditional music traditional.
I don't much like her voice. Over-hyped in my view.
Absolutely love Joni Mitchell - Coyote is in my all time top 10 and Amelia isn't far behind.
Genius - I think - or possibly just a great conman. I can never quite decide whether the lyrics are amazinglt insightful and prescient, or just randomly spouted lines. There are so many of them, they are bound to hit a target some of the time.I'll go with genius.
Unintelligible to me. My ears aren't sophisticated enough to decypher this as music - it's just a technically competent jazz noise.
Don't bother.
The two singles are great. The rest of the album is dross.
Appalling rubbish. This can't really be described as music. For teenage sad loner boys only. Can I give no stars?
Very pleasant background music. Lots of african/south american rhythms, similar to Santana but without the blistering guitar. No idea why this would be on the list.
My initial thought was: Aargh! Shoegaze again - what for? Happy to find it's much softer and more melodic than the previous impenetrable offering. Just like normal music, in fact. 'Some Candy talking' written in 10 different ways, plus a bit of the Beach Boys unexpectedly thrown in. I like it - but not enough to ever play it again.
5 fantastic singles on this album. The other tracks didn't excite me at all and it's not really my sort of music but undeniably a great album.
Liked it.
I love Firestarter, but there's only so many times you can put the same track on the same album.
The first discernable word on the album is "niggers" - it lost me at that point (about 20 seconds in). After that it's just spewing doggerel, not music, it seems to be political so why don't you just start a political party and run for office? 'Cos you definitely aren't a musician. I loathe rap. No stars.
One of the albums responsible for the rise of rapping - and for that it deserves one star. A few tracks stand out - like Killing me softly/No woman no cry/Ready or not. I wonder why? Oh yes, that's right - they actually have melody. Remember that? It's called music. Too bad rap forgot that. A political speech/poetry/rant/bragadocio over a beat does not constitute music. Unfortunately all of the actual songs are covers, so this album contains almost nothing new at all.
Revolutionary rock.
A sort of early Eagles, but softer.
Sensational guitarist, hypnotic rhythms and really interesting musically - time signatures, scales and use of intervals entirely different to western ears, but still recognisably the blues - Malian style. I love this.
I found this just dull. It wafted past without leaving a mark.Apparently it's 'alternative country'.
Oh please. Can't I listen to pop after I die? Not before. I can't bear this . It's music for simpletons.
Pretty good, not earth-shaking but just good solid sixties rock, before Argent and Colin Blunstones personal success.
Brown paper bag would make very good telephone hold music.. ..and that's about it for me. Lots of strange noises, beats, electronica - nothing of any interest. Mad cat sounds like a modern version of The Waiting Room from The Lamb.. and that predates this by 45 years - so not as new as he'd like to think.
First three tracks so awful I couln't bear any more.
When love breaks down is head and shoulders above the rest of the album. One hit wonder. A pleasant sound, all very very stylish but very much of its time.
Wonderful musicianship. Dark lyrics obscured by jaunty tunes. Brilliant.
Under pressure is so nearly a classic - the riff is sublime but the verses and lyrics ruin it - a real shame. With a little adjustment it could have been a massive hit. Same with I got the six. When they manage to match verse & lyrics to a riff, the result is spectacular - hence 3 huge singles on the album. Guitar is utterly magnificent all through the album. Billy Gibbons is an awesome riff machine and fab guitarist. The album has a distinctive sound which tore through 1983.
I saw The Stranglers in 1977 and it was terrifying. Respectable looking men went into the toilets in suits to get changed and came out covered in lipstick and safety pins, unrecognisably different. JJ Burnel jumped into the crowd in the middle of a song and beat up someone, no idea why, but the band ignored it and kept on playing. He got back up on stage, plugged back in and resumed playing as if nothing had happened. The music was tremendously exciting, though I didn't like punk until 30 years later.
Excellent, a fresh take on the concept album. Don't much like the dischordant jerky guitars, but this was a ground breaking piece of work.
ok
Sublime. 6 stars.
Bits are really nice, but overall this is just average.
Some of this is truly great (One) others less good but overall very good
I don't need to hear any more rap before I die, thanks. Despite the general lack of misogyny (which is not surprising from a female) I continue to be offended by the casual racism.
Nile Rodgers is a guitar genius. Most of tbe songs on this album are more or less interchangeable, but he invented the new disco soynd so even though it's not what I would choose to listen to, it deserves 5 stars.
Good stuff - proper songwriting. I've had it up to the ears with 'artists' - how about some musicians for a change? This will do as a start.
I like the Cure. It's not their best. but at this point anything that isn't complete rubbish will get 3 or4 stars because I'm so sick of this list pointlessly including terrible albums. Maybe if there was a brief explanation of WHY an album deserved to be on the list it would help.
Steely Dan with less guitar and more saxophone. Brilliant, I love Steely Dan.
Standard 1980s pop, as seen on Top of the Pops week in, week out. Not special in any way.
Guitar-based rock so I ought to like this, but it's utterly uninspiring. Poor songs. Like a college band that's just somehow got access to a recording studio and a producer. So it sounds like a bunch of perfectly competent musicians, playing nondescript songs very well. What on earth made anyone think there were enough adequate songs for a double album? The more I listen, the less I like it. I can go to any number of local pubs and hear songs as good or better than this.
What a fantastic voice and great songwriter.
Middle of the road guitar-based 'geezer' rock. It's OK but nothing special.
Instantly recognisable. Distinctive voice, piano high in the mix. It's all pleasant and comforting, somehow familiar even on tracks never previously heard. There's nothing not to like, but it's not for me. Being so distinctive had its downsides - It all sounds like 'You've got a friend in me' from Monsters Inc.
Wonderful. The first single I ever bought was Life on Mars. Queen Bitch is a staple of my kitchen guitar sessions.
Country music, nothing special. It might have been important at the time, but it's nowhere near as good as the Eagles.
Jeremy was a revelation to me - I'd never heard Pearl Jam before - completely brilliant, so I was looking forward to this album. Disappointed to find this isn't the mix/version I'd heard and it's not as good. Some great tracks, though: Release is a standout. Eddie Vedder's vocals are amazing. As they say, 'it doesn't get Eddie Vedder than that'.
Meh. Liked some of it, disliked some of it. Not quite avant garde indie rock, but getting that way. A bit like Patti Smith, but sadly I'm nit keen on her music either. Apparently this is the 143rd best album of all time, according to Roling Stone. Cancel my subscription please.
Pretty good - very similar to Pearl Jam.
Similar vocal stlyle to the Sisters of Mercy. Not bad, but a bit dirgy - though an incongruous track about pancakes surprised me.
Brilliant. I didn't realise before, but this is very much John Lennon's album. Only a couple of obvious McCartney tracks.
Take out all the niggas, bitches & muthafuckas, and what have you got left? I hate this stuff.
All rhythm and percussion-based grooves, not so much melody - Once in a Lifetime excepted, there's nothing on here I would ever play again. Disappointing.
Rubbish.
Beautiful. Goes a bit too 'poppy' for me over the last few tracks, but the initial two thirds of this album is wonderful. Absolutely loved it - straight onto my playlist.
No sorry, it's better than modern rap, but that's not saying much.
First hip hop album I didn't actively hate. It was pleasnt and washed over me. Smooth and nice background - but no idea why it should be on this list. In the 70s this would be a below average soul album.
Is this a joke? Why must I hear this before I die? I can load Fruity Loops or other programs onto my PC and make this for myself in 15 minutes. Mucking about with drum machines and computer orograms is not music.
A mix between chanson (which I don't like at all) and songs like they come from a musical (which I don't usually like). Very theatrical, as if part of some larger narrative. Maybe they would sound better if I was watching the full production, but not interesting to listen to in isolation. Just way too melodramatic and souless, with uninteresting melodies. Basically I don't like this at all.
Offensive and puerile, but more importantly, as music it's just repetitive, uninventive and devoid of melody. Basically it's just words over rythym. Rap doesn't belong on this list, it isn' music - it should be in a separate poetry list.
Average semi-punk, reminded me of Eddie & The Hot Rods. Not my scene, man.
I love the Stones, but this was a huge diappointment. Tumbling Dice is my all-time favourite track, but the majority of this album is just a shambles - lots of half finished ideas in desperate need of a sober producer and an editor. It just sounds like a bunch of stoned musicians jamming - no focus, some great riffs but a stack of dodgy lyrics, poorly thought out fills, mad bridges, terrible weedy production and overdubbed backing vocals trying to shore up the lack of direction. 3 or 4 finished tracks: tumbling dice, happy, rip this joint - maybe sweet virginia - the rest are unfinished filler. All down the line is the next closest to a fully formulated track - it's telling to see what they subsequently played in concert. With less drugs, a little more work and a whole lot of focus this would have made a really good single album, but a double? You've got to be kidding. Madly self-indulgent. Great riffs and ideas - ZZ Top turned Shake your hips into La Grange, Bob Seger turned Stop breaking down into Fire down below - why didn't the Stones do it first? Clearly too out of it to care.
Love the title track, and lots of other good stuff on the album but not these versions - the production/mix on this album is awful.
Aimless thrash and feedback - rubbish.
This is just dance music and it all sounds the same - nothing remotely memorable. Pointless if you don't dance. No melody, just a beat.Great if you're off your tits but otherwise useless - why is it on this list? Whoever curated this list needs a rethink; ehy should I listen to this?
Big voice, big note balladeer. Very good if you like that sort of thing, but I don't.
Must be the worst opening bars to any album. Terrible drums, terrible singing, mad false accent, poor tune, just nothing to make me want to listen past the first 30 seconds. I loveBillyBragg. His first 4 albums wsre the soundtrack to my coming of age, but this is just awful. Hugely disappointing.Let's be kind and put it alk down to the inclusion of Wilco - I realky didn't like Wilco's own album and now they've ruined this one. Sorry Billy.
Aerosmith are a great band - the Rolling Stones plus a sense of humour. They have some brilliant songs in their repertoire - but their albums are not great. This is solid rock, very good but not special - why is it on this list?
Wonderful. Can't remember any of the songs/tunes, but it's just a beautiful noise, from start to finish. In that respect he's a bit like Van Morrison - it doesn't matter what he plays/sings, it's all just great.
Better than the previous album, but still very plodding, which is largely a rest of the pedestrian drumming. Balk and biscuit is tge best track but its highly derivative of Voodoo Chile, so no marks there. I don't like 7 nation army either - just too plodding and one paced.
Three stonewall classics on this album and it's a landmark album anyway. This warrants inclusion on the list.
Brilliant.
Great stuff. Slicker production than on Raw Power, but none the worse for that. Can hear Bowie in the backing vocals.
Wow! Wasn't sure on first hearing, but by the third play I was hooked. Well worth investing some time into this. Almost avant-garde but still proper musicality. Brilliant.
Sounded like very impressive musicianship, but not to my liking - I prefer cool jazz, but this sounds more like a modern version of bebop.
Very good, but I prefer Blink-182
Excellent.
Didn't hold my attention at all. Not a single stand out track on the whole album. Not one of his better albums and definitely not worthy of being on this list.
Production is way too soft. This should be hard edged blues, not semi-pop. This just sounds like Shania Twain. Very disappointing - Bonnie Raitt can play mean blues, but this ain't it.
Way better than I was expecting. Production clearly influenced by Alanis Morissette, and all the better for it.
Life changing, from a time before everyone realised Morrisey was a complete arse. I absolutely love this album - 'there is a light...' was the soundtrack to my new life in Birmingham with Jane.
Better than I expected. Poetry read over acoustic guitar, but nice.
Addictive. Not really what I would choose to listen to, butI still played it back to back 5 times. Great stuff.
They created a very distinctive sound - twin drummers. The range of material is a bit limited but it shook things up a bit. The singles are great but the other tracks aren't quite so good.
An absolute joy from start to finish. Great tunes, fab musicianship and a sense of humour. Brilliant. I played this album constantly when I was 13-14 but had forgotten how good it was. It's better than I remembdr it because now I understand and appreciate the humour as well as the music.
I didn't think this was one of their better albums until I played it and realised it has half a dozen outstanding tracks on it. Still not my favourite (Making movies) but brilliant all the same.
OK - but Stipes hasn't found his voice yet. This isn't a patch on later albums..
How have I never heard this before? It's great. Very atmospheric. I really like it.
Rubbish - mad 1970s hippy jamming, poorly execufed.
Good stuff. The organ breaks are all a bit samey, but The End is a great track.
Meh.
I loved this as a teenager. It was televised too, and I thought Young Man Blues was just brilliant. Sadly my tastes have changed and The 'Oo don't really do it for me these days. They were great at the time though.
I like Eno's ambient music, but the vocal tracks are just dross. Like listening to Station to station (my least favourite Bowie album) without the advantage of actually having Bowie on it. The instrumental elements have strong echoes of Low - I assume this album is from the same period. Overall, it's just a pile of nothing at all...
This means nothing to me. Reading Wikipedia, you'd think she was the female Messiah, but the most memorable moment on the album is the blistering guitar break on Ex-factor, which is credited to Johari Newton but which sounds to me by like Carlos Santana (which, incidentally otherwise owes a lot to Stevie Wonders Past time Paradise). I think it's miscredited, because the next track (To Zion) is credited to Santana but doesn't sound anything like him.
Terrible. Don't like the drumming in particular - or the vocals, or the mix but most importantly the songs are poor.
Just rubbish. Damon Allbarns sarcastic whining voice irritates me and the music is hopeless.
I can't imagine a more groovy 1960s album. Lovely harmonies, it's Carnaby Street in musical form. Not my thing, but it's great.
This is the second-best of Nick Drake's albums - the best being Pink Moon. If you've never heard. Nick Drake before, it's jaw droppingly good. Beautiful melodies, completely original guitar style, softly understated vocals all add up to wonderful songs. John Martyn fans will particularly love Nick Drake - they were friends and were on the same record label. Solid Air was written about him. Both turned out to be tragic figures and Nick Drake's story is especially sad. The cover photo on this album is hugely evocative - you can almost feel the pain and his internal struggle.
Good guitarist but the music has no 'edge' it's too fluffy - not rock enough.
Very bouncy, rock/pop.Better than expected.
Life changing.
Unable to listen as Joni removed all her music from Spotify. I'll take a guess on the rating based on my knowledge of her other albums.
Not available to listen to so rated on knowledge of GSH's work.
Not available to listen to so rated on knowledge of GSH's work.
Absolutely loved this. What a surprise - struggling for adjectives, but I think 'bewitching' is close enough. Pearly dewdrops drops was a jaw-dropping moment for me, but that was 35 years ago and I never followed it up properly, so the Cocteau Twins just fell outside my radar. What a shame, because this is great. Loads of beautiful melodies to send shivers down the spine.
Apart from Low, I don't like the Berlin trilogy. Some good parts, but the dischordance grates on my nerves - like fingernails down a chalkboard.
Some great tracks (Sunrise) but overall not my kind of music. It's very good at what it is though, so if 80s electronic dance music with dodgy vocals is your thing, you'll absolutely love this!
Silly overblown hair metal.
I don't like the music. Hard to say why. It's too light and airy, way too many strings in the arrangement - like mantovani with lyrics.
A masterpiece.
Not their best album - that would easily be What's the story morning glory'. Some great tracks on this but in retrospect it sounds a bit unsophisticated in both the production and arrangement..
Nice background music for a soirée. Why is it on this list?
The music doesn't match the vocal ability. This is a really special talent, with an amazing range of qualities, power, inflection, emotion, soul, the whole box of tricks - too big to be contained in these songs. She's great, the album isn't. It's like a poster advert: can I see the whole show please?
What a voice! The musical arrangements are dated and formal, not really matching the excitement of the vocal. When he lets rio, the backing is still very prim and proper, but that is probably a product of the time. A rock and roll backing would sound way better than the big band sound - but he can really sing! Later work starts to get this treatment and is way better for it.
A one trick pony, but it's a good trick: Roadrunner is outstanding (though some versions are better than others and this album version is definitely not the best). The rest of the album seems to be trying to do it again with various amounts of success. She Cracked comes close.
Beautiful voice but I'm simply not interested in this style of music.
I saw Tracy Chapman when she first came to England, supporting John Martyn at Manchester Picadilly! Not long after, she was one of the biggest draws on the planet. Great stuff. An outstanding 'one album wonder'.
A really good album. Sort of metal but without the lead guitar shredding nonsense - liker skater punk on steroids. Musical, listenable, good stuff.
Another life changing moment for me - I remember exactly where I was when I first heard this. Wonderful.
Dull and uninteresting to me.
Marvellous - blistering distorted guitars, pounding, relentless rock and roll beat, soulful vocals and brilliant songwriting. I love John Fogerty.
This is how rap should sound - musical. Tunes and soul as well as the words. Dry Your Eyes is heartbreakingly beautiful.
Genius. Small Hours is in my all time top ten tracks. The live version (I think I saw him perform it 6 times) of Big Muff was spellbinding, A very, very sad end to possibly the best British unsung hero of contemporary music (along with Roy Harper and Nick Drake).
The Rolling Stones with added humour. When they get it right, it's brilliant. The unplugged version of Big Ten Inch is way better though, as is the Walk This Way collaboration with Run DMC. But these versions are still great - I've had this album on repeat all day and it's still growing on me.
Very unexpected. Some great material on this.
Sorry, but once you've heard one salsa track, you've heard them all. This is just dance music, and I expect it's very good for dancing to - but I don't dance so it's no use to me. I prefer to listen to music.
The title track is marvellous.In fact the whole album is very good, but as the title suggests, it's very dark.Very, very dark.Unless you are in the mood to contemplate infinity, it's a bit much. Fortunately I often am, so that's OK.
Sort of rock. Sort of heavy metal without the lead guitars. Sort of punk. Not bad, just not great either. Not something I'm ever likely to listen to again.
Good stuff. As rap goes, this is a cut above. I'm told Kanye West is supposed to be the best thing since sliced bread, but I Don't Believe The Hype.
Sounds a lot like Al Green.
Very good. Just what you'd expect of Queen, with hints and echoes of what was coming.
Almost unlistenable. Every prog rock cliche squeezed into one album. Like Genesis on steroids, but without the benefit of melodies. Pointlessly mad time signatures, aimless faux avant-garde guitar rambling, just hopeless. It's a shame - in amongst the silly material, they occasionally came up with some real gems - but not on this album.
Wonderful voice but limited by average material and dated production.
Some good stuff - Solsbury Hill stands out. There are other, much better later versions of Humdrum and especially Here comes the flood. This album was just a rough draft of later finished articles.
Into your arms is not just the best song, it's the blueprint for all the other songs. I love it, but grew tired of the relentless low mood/tempo - I couldn't listen to the whole album in one go and had to put on some Blink182 to get some balance!
Ha! Call this rap? Hardly a nigga, muthafucka or ho to be heard. Yes please, I'll take that.
A Rolling Stones tribute band. Pretty good, to be fair, but not very original.
White rap wiith guitar metal backing - pretty good, but not my thing. Better than most black rap.
First track was unlistenable. It got better but I still didn't like it.
Meh. All the same - a beat to start, some electronica gets added over it, then the vocals adds some sort of blues variation. But the blues does not mix well.with synths. The worst version of Run On I've ever heard - the Blind Boys of Alabama certainly don't need to worry, there's no competition here.
Loved this. I don't usually go for Krautrock, but this is great. Could listen to it all day - brilliant as ambient music.
An acquired taste, but I've acquired it, so that's fine. Not as accessible as Heaven or Las Vegas, but still really very good.
Exactly what I expected.
I've never been a fan of Janis Joplin's voice. It's good solid rock but just doesn't do it for me. Very dated sound, lyrics etc. Very late 60s summer of love type stuff. I can't bear to listen to any more (got halway)
Title track is a fantastic extended guitar solo, a bit like Santana - marred only by the spoken sections.
Very boring - nothing to grab my interest at all. Dull, unintersting, one paced, no dynamics...
Yes, OK we get it, everything's fucked up. Can't you just choose another subject? You know, variation? This is for sad 13 year old boys only.
I didn't think I liked Krautrock at all - then I heard NEU! 75 and loved it. But this.. ..meh. Perhaps I only like some Krautrock. I think NEU is slightly more up tempo - or maybe it's just better. I dunno, but this isn't anywhere near as good.
Rock heaven. If I had only one wish, it's to have been playing guitar on stage with Robbo and Scott for the Cowboy Song - I would die happy. I love live albums and this is up there with Mott The Hoople.
Meh. A great guitarist but the songs are poor. I thought Little Wing was supposed to be a masterpiece? Vastly overhyped, it would get 2.5 stars if I could give it - but that option isn't available and I'm not prepared to round it up, so 2 it is.
I prefer the later Stones albums, from Beggars Banquet/Let it bleed onwards - up to Tattoo You.(and missing out the awful Emotional Rescue, obvs). This is pretty good musically, but the subjects are dodgy, to say the least. I doubt it could be released now - it would be considered way too misogynistic and offensive.
What a surprise - I absolutely loved this! It's pretty tame as metal goes these days and I was only 10 so didn't appreciate it, but I imagine it must have caused a real stir at the time.
Just fantastic. I could listen to this all day - in fact I just did.
Nope. Not interesting to me at all. Didn't understand it or like it. Occasionally reasonable guitar riffs but vocal melody lines dull and vocal style not appealing.
For those of us who grew up in the Seventies, this is an unmistakeable sound.
It took a couple of plays to get into it, but I really like this album. The usual dsrk familiar anxiety-driven themes. Good stuff.
Agnus Dei sounded great, then The One You Love was OK but not exactly catchy, then Peach Trees and I started to think: these aren't so much 'songs' - it's just a series of vocal exercises. Great voice (sounds a lot like his Dad at times) I suppose, but I don't care for the material and couldn't bear to listen to it all.
Brilliant. Michael McDonald on backing vocals! Sublime musicianship and intelligent lyrics. Includes three of the best songs ever written.
Music obscured by his abhorrent views and unpleasant personality. A lot of it I actively disliked, some of it seemed OK, but mostly it just passed me by.
Meh. More discordance, vocals almost declaimed rather than sung, and drums way too high in the mix. It feels like he's run out of ideas and new melodies so he's taken his chopped-up lyric-writing technique and applied it to the whole song structure. Apart from 'Where are we now' I didn't enjoy this much. I'm a huge fan of 1970s Bowie but haven't really liked anything between Let's Dance and Blackstar.
Excellent
Springsteen's finest.
Deadly dull - very disappointing. Apparently he is dearly beloved of Generation Z. They clearly haven't had the benefit of many superlative singer-songwriters (John Martyn, Joni Mitchell, Nick Drake, Roy Harper, Judee Sill, Jackson Browne......)
Very distinctive voice, reminicent of the Neville Brothers, but it's a double edged sword - the vocal is so distinctive that it overpowers the melody. So if you don't like the voice, the beauty of the song can't rescue it. Sadly, I don't care for the voice and had enough after 4 tracks. I couldn't listen to any more. I know lots will love it - clearly there's serious talent there, and it deserves at least 3 stars, but it's marmite music and I don't want to hear any more.
He was always the 'white Little Richard', but I played Good golly miss Molly back to back with Little Richard's version and Jerry Lee is tame by comparison. He was already past his best when this was recorded and he sounds a bit jaded - even Whole lotta shakin' is laboured - but Little Richard was always head and shoulders above him anyway.
Vastly overhyped. It's very good, but that's it.
I liked this.
No need to listen to this before you die - just go ahead and die, it's not worth staying alive for. Possibly the worst album so far and I'm 459 albums in, so there's been some pretty stiff competition.
It takes about 10 seconds to fully appreciate the amazing novelty of pop music being fused with asian rhythms/instrumentation - then it dawns on you, that this example of the genre isn' actually very interesting musically. I didn't like Brimful of Asha in 1997 and I still don't like it now. I much prefer full-on bangra to this insipid hybrid. Occasionally comes close (We're in your corner) but never quite arrives. The problem with 'Funky days..' .is that it just isn't funky. It's just average pop with an Asian twist.
Well obviously this tore up the world in 1956, so it deserves respect, but in today's terms it doesn't do it for me any more. I was a huge Elvis fan in the 70s, but don't listen to him these days. Perhaps I'm just bored of it - there are certainly no surprises here, it's exactly how you would expect an early Elvis album to sound. Gets 4 stars for it's contemporaneous importance. Much like Jerry Lee Lewis, Elvis versions of Little Richard songs should have been left to the man himself - no-one can sing gibberish like the Reverend Richard Penniman.
I think of the Finn brothers as the Australian Difford and Tillbrook.which isn't right but they definitely have shades of Squeeze about them. When they get it right, it's wonderful - and when they don't, it's still pretty good.
It's generally OK - run of the mill pop metal. Jump and Panama are standout tracks, the rest is just filler. Not my sort of guitar style. EVH's tapping technique was revolutionary and almost invented the 'shredding' movement - but I hate shredding. It might be technically brilliant, but it's musically dead in my view. I want to hear soul and feeling and a melodic quality - I'll take Angus Young over EVH every time.
Not in the mood when I listened to this. On reflection, maybe it was a mistake to play it back to back with Randy Newman. Clearly, it's very good, though a couple of the tracks sounded too much like Cream's 'Born under a bad sign'.
Beautiful. Gentle and sweet, just perfect for cooking to. I loved this. Also had not previously known that 'Simon Smith..' and 'Leave your hat on' were his songs, not those of Georgie Fame and Tom Jones. My favourite was God's Song' - very moving.
No revelations. In fact, I struggled to find any originality - when they weren't trying to be U2 they were mostly being Queen, but there were echoes of Black Sabbath and even some Focus in there too. Not unpleasant, but it's just stadium rock - which probably sounds great to kids who haven't heard it all before - but I have, so there's nothing for me here.
It's nice, but seems to be just generic Cuban music, the sort of thing you hear on film soundtracks (whenever 007 visits a Havanna bar etc) - nothing stands out. All very lovely, but what"s so special?
Not what I'd normally choose to listen to, but what a marvellous voice - he could sing the telephone directory and make it sound great.
Very nice, but washed over me. Nothing to make me sit up and listen, no standout songs, just consistently nice.
Rap from the time before it became foul mouthed, mysogynist, violent and unpleasant. This is relatively tuneful, albeit sampled from other people's music. Sampling was new at the time and seen as innovative by simpletons who couldn't spot that it was papering over a lack of creative talent. Hence, it isn't on Spotify yet because they don't have the necessary clearances. But I'll be generous, because at least they were pioneers in the genre.
Sort of ambient bass-driven smooth soul. Very pleasant.
If asked, I would describe this ad 'shouty punk', bordering on tbrash metal vocal styke. Horrible - hate it.
Out of tune art-rock. Music to slash your wrists to. Can't listen to this, it's rubbish.
I came across this review 'Will definitely be adding this to my “background music while I work” collection' and see what they meant, though I don't agree. I certainly couldn't stand to sit and listen to this as music - I'd have to be doing something and use it as background, and for that purpose some of it is OK. Clearly influencex by Kratrock. which I generally like. Most of this, I dislike.
"Finally we reach the end". Yep, that's exactly how I feel about this album. Whinging set to a drumbeat. Where's the music?
The living spirit of rock: brilliant.
Dark, gothic, excellent
The first 15 seconds tells you everything you need to know and you either like itor you don't. 70s funk. I dig it, baby, yeah!
Great beats had Jane dancing in the kitchen, but the ridiculous mysoginy, bragadoccio and foul language is tedious in the extreme.
All sounds the same to me, apart from the title track which has always been a favourite of mine.
Standard 70s funk - which means its great fun, obviously.
I cannot imagine why this would be on the kist. There must be at least a 1001 other singer songwriters from the 60s and 70s just like this. Run of the mill at best.
Very nice. Not outstanding, but consistently pleasant.
Great for playing air guitar to. And I remember 'Girl from Mars'. Pretty good all round.
Genius.
More genius. My favourite Elton John album, from the halcyon days of rock.
Standard blues-based rock. It's my kind of music, but it's nothing special. No idea why it would be on this list, it's just average - which is fine, nothing wrong with that. But why is it on this list of supposedly important/soecial albums?
Lots of bands were doing similar work around this time: Manfred Mann, The Animals, Spencer Davies Group... I like them all, but nothing stands out here. It's just generic 60s blues rock. Members from all of these bands went on to have highly successful careers and produced some memorable work. Albums like this show the roots from which they came, but the album itself is nothing special.
I want to like it, I really do. It's mostly upbeat, except for the silly avant-garde guitar work - but I just don't like her voice. Sorry.
This is just muzak, surely - why is it on the list? I played the whole album back-to-back four times and one track (So easy) has given me an earworm, but I wouldn't ever recognise the rest of the album if I heard it again.
Who listens to this, apart from drug dealers? Great for dancing when you're off your tits, but otherwise useless.
It's getting silly now. This is almost unlistenable.
Don't like the jagged, dischordant guitar (Arctic Monkeys, Muse) or the silly 40s radio vocal effects.
Dark, gothic, great beat and fab vocals. I love this stuff.
Genius. This is the first rock album I ever heard, and I remember it as if it were yesterday. Mambo sun is my all time top T Rex track.
Wow! I sort of knew most of the tracks but have never played the whole album so had never associated the songs with each other. As a whole the effect is oretty stunning. Makes me want to go back to 1978 and hear for the first time in context.
I very much dislike her music and her squeaky voice - I find both very irritating.
Undeniably great pop. Not my favourite genre, but 3 massive singles. They did appear to effectively rewrite 'Rio' at least 3 times on the album, but I still played it in full, back to back 4 times before I'd had enough. I doubt I will ever play it again, though.
If I ever take up yoga/meditation, this is what I'll have as ambient noise whilst doing it. Very nice - but not for actually listening to.
Great voice, don't like the material - it's just standard 1960s pop music.
Show some resoect is an obvious 'Nutbush city limits' rewrite, poorly done. The album is a triumph of 1980s production over songwriting content. Hopelessly dated. Great voice, terrible productions.
I tried, but no thanks. I didn't enjoy it in the 1990s and I still don't. The out-of-kilter timings grate and Damon Albarn's sarcastic whine annoys me. Title track is great, but otherwise I don't know what all the fuss was about.
It's not enough to be making a different sound - it's still got be pleasant, so that people will want to listen to it. This is horrible and I don't want to hear it. I think there might be some reasonable melodies in there somewhere, but it's just lost in the wall of noise. I know some people think it's great, but I'm never going to be one of them. I don't care if it's 'art' - it sounds awful, so it isn't music.
Properly talented songwriters and musicians. Not always my choice, but clealy a cut above.
Ok. I generally like the genre and 'Boulevard of broken dreams' is good, but on the whole I prefer Blink-182.
Top quality sixties soul - not really my thing, but undeniably good stuff.
Half an hour was as much of this mysogynistic tripe as I could stand.
Steve Croppers biting guitar is great, but otherwise nothing for me.
What a relief! After what feels like weeks of rubbish, at last a lovely noise. No-one could possibly not like this, it's just so inoffensive. Slightly jazz-tinged, no standout tracks, they are all of an equal high quality. Marvellous saturday-morning music.
Not unpleasant, just average. Nothing special. I'll never play it again and probably wouldn't recognise it if I heard it again.
OMG! How have I never even heard of this band before? The first track was sensational. Second track not quite so good, but still worth listening to. Echoes of Nick Drake in 'Sunlight'. 'Quicksand' excellent. This is more like it.
Sort of like Dark Side of the Moon without vocals. Nice, easy-listening semi-ambient, mostly instrumental music. Very pleasant.
Didn't like it.
Can't bear his voice (or his sons) - it just grates. Lots of people love him, but I'm not one of them. Sorry.
How does anyone come to have a voice like this? The songs are almost immaterial, it's like having liquid honey poured over you.
Oh mercy, this is the stuff! Fantastic.
It's just run-of-the-mill punk. Why must I hear this before I die? It's definitely nothing special.
Leaving aside the extremely dubious lyrics and general themes, this is brilliant. Admittedly they pretty much all sound the same - it's Ace of Spades rewritten 10 times, but I loved it. Played the whole album back to back solidly for almost 3 hours. However, it can't have five stars because of the rape/drugs/underage sex/general mysogyny.
This is unintelligible to me, like all modern freeform jazz - I'm sure it's superb musicianship, but it just isn't what I want to listen to.
I really enjoyed this. Way better than the previous Joy Division album on this list (Closer). So much so that I had assumed (wrongly) it was the earlier of the two. This album is much more accomplished and the band sounds more confident. I wonder what went wrong with the second album? But apparently everyone else in rock-critic world has it the other way round, so I must be wrong again.
Unable to listen - not available on Spotify - rated on expectation only
Absolutely bloody brilliant. Best album so far (over 500 albums in). This might even be better than 'The Lamb..' Superb musicianship, wonderful songwriting, and Peter Gabriel. I'll take this to my desert island, please.
Interesting coincidental juxtaposition: I played this immediately after Joy Division's 'Unknown Pleasures' and they could be the same band 28 years later. Obviously time has moved on, so the production is different and slicker, as is the musicianship, but the themes, melodic structures and lyrics all fit. If you like one, you'll definitely like the other - and I do.
No swearing, no racism, no mysogyny, no violent bragadoccio. Hardly rap at all by todays standards. And all the better for it!
I loathe rap at the best of times, but this is ridiculous. No creativity at all. Every track is the same as if cooked from a set recipe: 1. Play a random film dialogue sample to start 2. Introduce a plodding beat 3. Add a short (max 5 notes) repeated backing 4. Talk rubbish over the top - include lots of swearing and bragging - just make sure it rhymes. This is terrible.
No thanks. Don't like the guitar sound.- distortion on the riffs. Most songs follow the same format: an intricate, melodic and delicate intro, then just when you begin to think it might be interesting and different, bang! In comes the distorted riff. Boring.
Likeable. All tracks basically the same: a short repeated, almost hypnotic (though strident) motif, with sort of shouted vocal over the top. In short doses, it's great but I couldn't listen to more than a fer in a row, it wears you down.
Love the music - unusual, interesting and engaging rock - but I dislike the vocal. Strange semi-Spanish accent very offputting.
Disappointed. The previous Nick Cave album was fsbulous, but this was a damp squib.
The singles were fun but nothing else interest me on this album.
OK, so it's samba music. So what? Why is this special?
Terrible.
Lovely voice, I suppose. Not interested to listen to more than half a song. Heard one, heard them all.
Pop music, nothing special, az always with this hopeless list.
Brilliant.
Unable to listen - not available on Spotify - rated on expectation only
It is exactly what it says. Really nice, soft & gentle. Perfect background for working.
Title track is quaint, otherwise just average.
Unable to listen - not available on Spotify - rated on expectation only.
Meh. Some of it is listenable, but mostly washed over me. Voice (and some music) very similar to Nick Cave.
Better than expected. Shocked to discover 'Private lives' was Chrissie Hynde's song. Distinctive guitar sound,
Apart from the singles, there was nothing that caught my attention - just stereotypical 'Prince by numbers' - lots of elements that he later put together in a different order to make better songs.
Not as shouty as the previous album, but I still don't like it.
Very good, but not their best: Stranded its much better.
Can't stand Damon Albarn's whiny, sarcastic voice - like Graham Fellows'Jilted John, but without the humour. Also the odd/jerky timings and guitar and general dischordance gets on my nerves. It's just irritating.
This is stereotypical country music - it's exactly what you would expect of country music, if you weren't aware of modern styles in the genre. It's almost comical in its pathos. Twangy voices backed by twangy guitars.
A genuine life-changing experience for the 15 year-old me. The same night I listened to Jackson Browne (Running on empty) Brian Eno (Another green world), smoked dope, and drank rum & coke. John Martyn has been my guitar hero ever since and I saw him live, half a dozen times - he was always amazing and each performance was individually memorable. One of the saddest stories in rock.
Smooth production - so smooth it almost hides the absence of melody,. Cliche-ridden, vacuous.
Archetypal late sixties rock, with a prominent organ sound. Don't like it. Like a much inferior Doors - but without the great gunes, poetry or Jim Morrison.
Excellent.
What is this? Sounds like speeded up Krautrock. I almost like it, but not quite.
Superior pop music. A bit formulaic maybe, but still the occasional surprise - 'The day before you came' is different and a great song.
The opening sounds like someone trying to play 'Alright Now' from memory but forgetting how it goes and coming up with something else by mistake. I couldn't take more than a minute of it before moving on. Same on subsequent tracks - eventually, I just hated it.
Words aren't enough. I love this band. I remember exactly where I was when I heard Bon Scott had died. They were never the same again - Back in Black was more successful (and I love it and saw them on the Hells Bells tour in 1980), but the Bon Scott material has never been equalled.
Supreme musicianship, but completely hopeless as music. All mad time signatures and pointless changes of direction every 10 seconds, it drives the listener nuts. For goodness sake just choose a melody and stick to it. Theres no need to try and shoehorn 30 different ideas into one song. This fulfills every prog rock stereotype and is a gift to detractors of the genre. It's practically self-parody.
This is not good. I appreciate that it is very much of its time, but even so, it's barely listenable. They wouldn't have got a recording contract on the strength of this material in any decade but the sixties. There's the occasional familiar flash - echoes of 'Massechusetts' for example, but also a ridiculous rewrite of The Band's 'The Weight'. Laughably grandiose whilst seemingly lacking in self-awareness. So bad, it's almost funny.
I don't like the chanson style. This stuff belongs in a stage musical (and I don't generally like them, either).
I just can't stand to listen to this, it's awful. I don't like rap and the more I hear of it, the less I like it.
Brilliant. This is one of the first albums I had - it was recorded on a reel-to-reel along with 'Green river' and I played them both constanrky. The guitar solo from 'Good golly miss molly' is still one of the most exciting things I've ever heard. John Fogerty's voice, guitar and songwriting never fail to thrill.
Is this 'death metal'? Whatever, it's for 13 year old boys, not for me.
Interesting and OK at first, but it didn't go anywhere I wanted to follow. Some nice melodies, but too dance-oriented for my taste.
No thanks - it's just rap and weird noises - not of any interest to me at all.
Jane said "some of it's sort of nice, but mostly it's a bit of a racket" and "I can't tell it apart from Coldplay". I concur.
Thanks to this app, I have discovered that I like Krautrock. Kraftwerk aren't the best exponents (check out NEU! 75) but I like it.
As the man said, "Niggaz talkin ' shit" Yep, that just about covers it. I really don't like this stuff at all. It's just offensive.
These songs sound like they belong in a musical stage show - sort of chanson. Not unpleasant, but not to my taste.
I love this album. It's one of the best albums ever released, in my view, definitely top 20. This is a rare example, from this otherwise hopeless list, of an album that everyone actually should hear before they die. George Michael was the great white hope of soul, a wonderful voice and brilliant songwriter. The story of his life and tragic death will make an amazing film, one day.
Excellent - several standout tracks. The sound of a man discovering electric guitars are fun - the dawn of a new guitar hero.
Great riffs, but vocal lines are unintersting and repetitive. Ozzy's voice is a bit thin so the combination is less than the sum of its parts.
Awful. It's just random notes (mostly) in the same key. I tried, but 10 minutes as all I could take.
It's a nice enough folky type noise but dark lyrics and occasionally dodgy vocals. Depressing, so great if that's the mood you're in, otherwise avoid.
Sixties R&B, a sort of American version of Manfred Mann.
Terrible. Fast, frantic, shouty punk.
wtf? Bonkers. I hate experimental/avant garde 'music'. Great name though.
Outstanding. Extemporised piano for an hour, apparently on a practice baby grand in poor condition because the roadies set up the wrong piano by mistake, not the concert grand he'd asked for. You'd never know. Fabulous stuff.
Not unpleasant, but instantly forgettable vaguely Mexican music.
Malian blues, electric style. Excellent.
Very 1980s. Drum machine, no memorable melodies, the usual synths but well below the standard of the Human League and OMD. The only track I liked was 'Let's all make bomb' but I"m not so keen on that any more. A poor album.
Generic country music. I can't tell this from Merle Haggard. I know he's done some great stuff, but there's no evidence of it here.
I was a big Sparks fan in the 70s (I saw them at Coventry Theatre in November 1975) and this was the first album I had of theirs. The two singles are wonderful and there are other flashes of brilliance (Complaints). The whole album brims with likeable eccentricity but it wasn't until they teamed up with Tony Visconti a year later for 'Indiscreet" that they really hit their stride and upped the quality.
A beautiful noise. 'Let's stay together' and 'How can you mend a broken heart' stand out a mile, but it's all a very easy and pleasant listen.
Ridiculous leather-clad lunacy. Very much in the same vein as Black Sabbath and , though Rob Halford's vocals are much stronger than Ozzy's - but the material is massively overblown nonsense, very similar to Iron Maiden.
I hadn't played this for 30 years! Good stuff. In between the usual filler tracks (Miss Gradenko, etc) there are some musical giants: Tea in the sahara, King of pain, Wrapped around your finger, Every breath you take.It has to get 5 stars, despite containing some rubbish.
Unless you are dancing, this is utterly pointless. You can't sit and listen to this, it's not really music.
Absurdly theatrical - this was clearly an event to see, not to listen to. Musically, it's not much to remember. A really good rythym section and horns, but vocals are too busy with histrionics and playing to the audience to be bothered with melody.
Meh. It's OK but I prefer Ladysmith Black Mambazo every time.
Oh dear, I really don't enjoy this at all. I can tell she's good at what she does, but South American music leaves me cold - despite the rythyms, I find it dull and uninteresting. Sorry.
Great till Kevin Rowland starts singing. I love those horns, but I'd rather wait til the midnight hour and listen to the real ones...
Unable to listen - not available on Spotify. Rated on expectation.
Gibberish lyrics spoken-sung over average punk music. It's often out of tune (if there even was one), almost avant garde. Nonsense. John Peel's favourite band, but definitely not mine.
Generic reggae for the time. You could pretty much sing the lyrics to 'Get up, stand up' over any song on this album. However, I like reggae, so thats fine.
Didn't like this. Too rough and raucous with no strong melodies, too shouty.
Not unpleasant, but just passed over me - until after the album finished, Spotify played 'The boy with the arab strap' which I really liked. So I played the whole album again and it started to grow on me.
I really liked this. Entirely made up of samples, with beats over the top, but the samples chosen are great, so it works. Sampling generally masks a lack of talent, but in this case, I'll let that pass. It's great to work to.
No explanation necessary.
In 1979 I drank in the Castle & Falcon, Balsall Heath, Birmingham. I remember one night a guy burst in saying "look, my cousins have made it big!" and showing everyone who would listen a newspaper clipping. UB40 had a chart hit. This album is hugely evocative of that time. I bought it, and bought another copy for my girlfriend. I later worked in an unemployment benefit office and became very familiar with the UB40 which makes up the fantastic cover sleeve. This was easily the best UB40 album and though I love the band and they did lots of good stuff over the years, this was by far their artistic highpoint. It's brilliant.
Pretty good late 60s rock. Mr Soul is great, some of the tracks remind me of The Moody Blues. I'm a Stephen Stills and Neil Young fan, though Stills is more prevalent on this album, to my ears. Some of it is really good, some is just so-so.
I don't like this. It's nearly very good, but isn't. it's poor Nothing wrong exactly but I don't like the vocsls, lyrics, tone, earnestness, and tunes. Not for me.
Less aggressive, inoffensive rap - like Arrested Development. The trouble is, it's rap, not music.
This is a cousin of hip hop: rather than writing music then adding a beat, it is clearly built by starting with a beat, then adding snippets of repetitive music phrases over it. It's tedious. It doesn't create a song, it's just an ambience masquerading as music. The ambience is reasonably pleasant, but I still hate it. Anyone with a computer could create this.
Decebt guitar based rock. Imagine Oasis if the Gallaghers were educated middle class boys - this is what they'd sould like.
Track 1 seems to be a rewrite of the Beatles 'Doctor Robert'. I steadily lost interest. Formulaic, fluffy sixties nonsense.
Terrible thrash punk. Singer sounds like a cross between John Otway and John Lydon. Hopeless - how could this possibly be on the list?
Lovely voice, smooth piano jazz. If you like jazz, this is great, but it's just cocktail lounge background music to me.
Vacuous tripe.
Great to workout to, but Icannot imagine any other time I'd ever want to hear this again.
Admittedly Rumours was a hard act to follow, but this was a real disappointment. Mediocre at best - absolutely no sign of the past promise. I hated it at the time and hate it more now. The title song is the best effort. It makes me cross just listening to this. I can't bear it.
Fantastic, I could listen to this all day. The guitar style is my favourite - is it bluegrass or Appalachian? Either way, it's hauntingly beautiful.
The first Beatles album I bought.
Pretty good pop music.
Pretty good country music.
Brilliant. I see this album as a sort of 'electric Nebraska'.
Meh. All sounds the same to me. Energetic, but not as good as the Bhundu Boys or Malian blues.
McCartneys first home-made album and it shows. Production is patchy and the drums in particular are plodding. But there are some wonderful highlights - Every night, Maybe I'm amazed, Junk, That would be something. Four-and-a-half stars.
Pre-Copperhead Road. Enthusiastic and energetic but he's still got the Johnny Cash thing going on, not really developed his own style yet. Smiled to hear "My granddaddy..", "GI loan" and "turned out the lights" all feature somewhere on this album.
Brilliant. Two of my all-time favourites (Leaving Las Vegas & Can't cry anymore) and the rest is good stuff, too - though the live acoustic versions are better.
Very nice lift music.
All sounds a bit like 'Reward', but that's a good thing.
Instantly recognisable, but clearly an early work, before David Byrne figured out how to write catchy hooks. Not their best by a long way.
She does much in life that is laudable, but this is not to my taste. It barely qualifies as music in my view - I hate it. Mucking about with rythyms and sequencers is not 'music'. And rap might be poetry, but it isn't music.
Perfunctory - the first half dozen tracks sound as if he was just trying to get through them as quickly as possible. Not his best vocal performances.
Two really outstanding tracks, but it's all good. Richard Thompson's guitar work is fantastic.
Flowed over me without touching at all. I wouldn't recognise a single bar if I heard it again tomorrow. No idea of even what genre it might be. Totally forgettable (and I already have).
Dreamy, aimless, forgettable. I didn't dislike it, but having played the whole album on repeat all day, I still don't remember a single tune.
This has a lot in common with Krautrock - repetitive beats and synths, with minimal variation. I want to dislike it, but actually quite like it.
Standard depeche mode. I quite like it, but it's nothing special.
Never heard the whole album before. Marvellous stuff.
I like jazz, but the big band sound isn't my taste, I prefer the more intimate sound. If you like big bands, this is undoubtedly great.
Interesting - Alice Cooper meets The Tubes.Derivative, all quite good but not original.
Never heard of this band before, but I absolutely loved this. Springsteen/Dylan influence over spacey echoing rock guitar - brilliant.
Not quite complete rubbish, but close.
Appallingly bad. The song Gasoline alley is one of rock's finest moments, but the rest of the album is awful. Ron Wood's guitar is fab, and Rod's voice is wonderful, but his consistently poor choice of songs is a constant source of amazement to me. The title track aside, none of this collection even remotely suits his voice or vocal style. What a terrible waste of talent.
I find the pathos so overbearing that it's comical. And I'm not keen on steel guitars. No doubt it is a leading exponent of the the C&W genre, but it all sounds the same to me.
Mostly aimless noodling or random avant garde guitar thrashing. Occasionally some lovely melodies, but overall it just meanders along with no direction. The title track and 21st century schizoid man are brilliant, though.
Despite featuring Bono, it is still very good. I didn't want to like it, but couldn't help myself.
Didn't like this at all - epic. baroque, chanson style 'majestic' songs, all done in the annoying Arctic Monkeys northern accent. Modern age Scott Walker stuff. Awful. Also the drumming is miltarily intrusive.
No doubt its an important artistic statement, a commentary on politics and the state of the world, but sadly it isn't at all interesting to listen to. Way too much orchestration and not enough Lowell George, who apparently played guitar, though you'd never know. All too epic and baroque in a whimsical masquerade. Don't like it at all. Naive melodies. Hotted up around Macbeth, but still failed to capture any interest.
Synth pop with lots of hooks. It's superior pop, but instantly forgettable. This means nothing to me.
More rap. The world already has too much. This is rubbish.
Folk-punk. Starts well, the guitar and acoustic bass sound is really interesting and catchy, but it all goes downhill very fast when the vocals arrive. Overtones of Lou Reed, but in a bad way.
No arguments about this one, it's a solid 5.